Feb. 19, 2013 - The Joe Rogan Experience
02:48:32
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| Speaker | Time | Text |
|---|---|---|
| Hey fuckers. | ||
| Here we go again. | ||
| This episode of the Joe Rogan Experience Podcast is brought to you by Ting. | ||
| If you've never been to Ting before and you don't know what Ting is, one of the things that we like about a company like Ting is that we like companies that are trying to be ethical, trying to not fuck people over. | ||
| That's like a part of their ethic. | ||
| That's like what they're trying to accomplish in business. | ||
| It's not just to make money, but to have a company that's fair. | ||
| And one of the cool things that Ting does is they have no contracts. | ||
| I love that. | ||
| They're on the Sprint's backbone. | ||
| I love that. | ||
| So it's like, you know, you get good service. | ||
| You get a big-name company behind you. | ||
| It's a giant national company, and it's the backbone that you're on. | ||
| And you get to buy these awesome Android phones, like top-of-the-line Android phones. | ||
| And you can cancel anytime you want. | ||
| You can have you and your wife on an account. | ||
| Although I don't think that's a good move. | ||
| That's not a good idea, no. | ||
| That's kind of a bitch move. | ||
| Keep this as a second phone. | ||
| Yeah, you share minutes. | ||
| It's a really cool setup. | ||
| The way it works if you don't use a certain amount of minutes, like if you sign yourself off for one program, but it turns out that you actually only use the amount of minutes to be in a lower program, they just send you the money back. | ||
| They hook you up on the next bill. | ||
| The way they do it is so cool. | ||
| That's why we don't have it in England. | ||
| That's why in England do you get fucked? | ||
| We get fucked. | ||
| Yeah. | ||
| I don't know. | ||
| I don't know if it's because we're an island. | ||
| So we're a little bit separated. | ||
| So your cell phones are more expensive? | ||
| Did that make sense? | ||
| Yeah, it does make sense. | ||
| Oh god, okay. | ||
| Yeah, because someone has to set up the infrastructure, right? | ||
| Everything's more expensive. | ||
| Well, they have here at Ting, they have something called a Sprint Air Rave. | ||
| And what it is is it plugs into your internet at your house and it makes your own cell phone tower in your house because you're usually at your house and if you don't have good cell phone network around your house, it blows. | ||
| So what this does is it Pretty much makes your own cell phone tower out of your house. | ||
| So you always have good service. | ||
| Yeah, it's amazing. | ||
| Out of the internet. | ||
| Yeah, so Ting actually has this right now. | ||
| It's for $254, which is really good. | ||
| I mean, if you need cell phone service at your house, that's important. | ||
| And if you go to rogan.ting.com, you'll save $25 off of either service or the phone. | ||
| You could use it in any way you like. | ||
| And like I said, they have the top-of-the-line Android mobile phones. | ||
| Samsung Galaxy S3. The Samsung Galaxy Note 2. Have you seen that thing? | ||
| Oh my god! | ||
| I gotta get one of those. | ||
| I keep talking about it. | ||
| I just don't have the time, James Thompson, to go out there and get one of them bitches! | ||
| We'd look good with your bum bag. | ||
| Yeah, I would have to have a bum bag, right? | ||
| I have mad screen envy when it comes to those things. | ||
| Anyway, go to rogan.ting.com and save yourself some money, you little fuckers. | ||
| We are also brought to you by Audible.com. | ||
| If you go to Audible.com forward slash Joe, you will get one free month of their awesome service, and you will also get one free audiobook. | ||
| One of the cool things about Audible is, first of all, they've been around a long time. | ||
| Audible used to do stuff with comedians, like way back in the day. | ||
| I want to say like 2001-ish. | ||
| I know Steve Marmel did it, and I know a few other guys were doing it as well, where they would do a new five minutes every week, and they would release it on Audible. | ||
| It's kind of a tough sell. | ||
| But they tried. | ||
| They gave it a shot. | ||
| They have some balls. | ||
| And I appreciate that they did that. | ||
| I don't know if they still do that anymore. | ||
| I probably shouldn't say they tried. | ||
| Maybe that's a big feature. | ||
| But I'm a big fan of the audiobook format and the Disaster Diaries. | ||
| Which was Sam Sheridan's book, the guy who was just here yesterday, is available. | ||
| That's what I would recommend if you want to get a new book to check out. | ||
| It's a fascinating, fascinating book. | ||
| And it's read by some other dude, by some dude named Donald Korn. | ||
| And I'm sure Donald did a good job and all that. | ||
| I'm not saying he's not, but why wouldn't you have Sam Sheridan read Sam Sheridan's fucking book? | ||
| Maybe this is Sam's partner. | ||
| No, I think it's like, you know, probably the book company was like, I think we should get an actor. | ||
| I mean, listen, Sam, you're a captivating speaker, but we need that extra professional touch to really push your audiobook to the top of the charts. | ||
| And Sam was like, alright. | ||
| I think it's more likely that, right? | ||
| Yeah, I think so. | ||
| I would recommend the Opie and Anthony Audible book. | ||
| Last week they had the gay off. | ||
| What is the episode? | ||
| Is there a name of that The Gay Off episode so people can specifically search for it? | ||
| It's actually called The Gay Off and it's February 13th, 2013 with Andrew Dice Clay and they have it on Audible and I believe each episode you can either do a subscription so you always get the opening anthony show Or if you sign up through your thing, you get, I think, a free audiobook. | ||
| Yes, you get one free audiobook. | ||
| Yeah, so you can just get it free right now. | ||
| Just sign up right now, get this one episode, and laugh your fucking ass off and cringe. | ||
| It's awesome. | ||
| And by the way, there's just a massive amount of books that you can choose from. | ||
| It's an awesome service. | ||
| One of the cool things they have is an application for... | ||
| The Amazon Kindle and the Kindle Fire HD and what it is is the Audible WhisperSync application. | ||
| What it does is if you're reading a book at night, say you stop on page 300, When you get in your car, it syncs up and starts the audio version of the book you're reading. | ||
| It's fucking fantastic. | ||
| It's a brilliant idea. | ||
| It's one of the coolest things for driving. | ||
| It makes driving actually interesting. | ||
| So go to audible.com. | ||
| Go and check that out. | ||
| We are also brought to you by Onnit, as we are every week, O-N-N-I-T. We have a new testosterone supplement, James Thompson, you might be interested in that. | ||
| If you're looking to get extra swole... | ||
| I don't think he needs to. | ||
| Oh, Brian. | ||
| If you're looking to get extra swole... | ||
| No, you actually lost weight, right? | ||
| You were a little bit bigger at one point, Tom, weren't you? | ||
| I've been up and down all the time. | ||
| Yeah? | ||
| Do you try to figure out what feels at your strongest? | ||
| Is it like a sacrifice thing? | ||
| Let me get through this commercial. | ||
| We'll get to that, because I've got a lot of fucking questions for you, man. | ||
| Anyway. | ||
| Honor.com. | ||
| Use the code name ROGAN. Save 10% off any and all supplements. | ||
| We've got a lot of cool shit there. | ||
| What's it called? | ||
| What's that? | ||
| What's it called? | ||
| This testosterone. | ||
| It's called T+. It's got all sorts of natural shit. | ||
| Mucuna Purinus. | ||
| It helps elevate natural dopamine levels. | ||
| And magnesium asparic acid. | ||
| It's a supplement that's shown in one test to increase free testosterone by 42%. | ||
| So it's got magnesium? | ||
| 42%? | ||
| Yeah. | ||
| It's got magnesium in it? | ||
| Yeah, it's one of them. | ||
| It's one of the ingredients. | ||
| We were talking about the zinc magnesium supplement, the ZMA stuff, which is very good for you. | ||
| It can increase testosterone, but apparently what they're saying is it increases it in people who are deficient in zinc, which is most of us, apparently. | ||
| Apparently most people aren't getting enough zinc. | ||
| I do it almost five times a week now. | ||
| Does it make you feel better? | ||
| It does, right? | ||
| Yeah, it makes me sleep. | ||
| Yeah, I'm a big fan of zinc. | ||
| I think there's something in that, and that's ZMA. That's an interesting supplement. | ||
| One of the things is also they think it helps you recover better and build your testosterone more because you're getting more sleep. | ||
| You're getting deeper sleep. | ||
| Yeah, you go to the deepest level of sleep. | ||
| You usually don't get to that level. | ||
| Do you get addicted to it? | ||
| Do you think, like, I can't be without my ZMA? I just know if I'm traveling or if I'm like, you know what, I need to go to sleep and I'm not tired, I'll just play on the internet all day, I'll just take it. | ||
| Yeah, because you were offering it up. | ||
| You were offering it up. | ||
| I was like, this kid's a ZMA freak. | ||
| Dude, I approve ZMA like crazy. | ||
|
unidentified
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I love it. | |
| Because it's something you really needed in your diet. | ||
| Yeah. | ||
| Oh, definitely. | ||
| Definitely, yeah. | ||
| So basically, it's worked. | ||
|
unidentified
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Yeah. | |
| Yeah, I think a lot of us are deficient in shit. | ||
| We just don't realize it, man. | ||
| Magnesium. | ||
| Many people get cramps in their feet. | ||
| It's potassium, apparently. | ||
| That's why you get cramps. | ||
| I get cramps, you know? | ||
| When you sleep and you wake up screaming because you accidentally got a charley horse. | ||
| Oh, the fuck gets a charley horse in the middle of the night? | ||
| You get that sometimes? | ||
| Yeah, that's from dehydration. | ||
| That's probably, you're an unhealthy fuck. | ||
| I don't know what a charley horse is. | ||
| You don't know what a charley horse is? | ||
| No. | ||
| A charley horse is when something stiffens up on you. | ||
| There's two different ways. | ||
| Some people call a charley horse a punch, like a punch in the shoulder or a punch in the leg. | ||
| In Washington, it means something completely different. | ||
| They call that in England. | ||
| Is that what they call a charley horse? | ||
| No, they've got a punch in the arm in England. | ||
| Yeah, what is that? | ||
| Punch in the arm. | ||
| Did you just call it punch in the arm? | ||
| Yeah. | ||
| That's probably a better way of doing it. | ||
| Why would the silly fucking nicknames that I have to relearn? | ||
| Charlie Hall. | ||
| Slugbug is what it's called in the United States. | ||
| When you see a beetle. | ||
| Yeah, you told me about this. | ||
| I didn't know this existed. | ||
| There's a lot of people in the country, in this country, in America, Mr. Thompson, that are just looking for an excuse to hit each other. | ||
| So they come up with games where it's okay to hit your friends. | ||
| Because they're fucking assholes. | ||
| We're a country of assholes. | ||
| Onnit.com, not assholes. | ||
| Go, use the code name ROGAN, save 10%. | ||
| Go get yourself a Blendtec blender and some fucking kettlebells so you can be manly like James Thompson, bitch. | ||
| Alright, we're here. | ||
| We're queer. | ||
| Get used to it. | ||
| Start the music. | ||
| Roll the podcast. | ||
|
unidentified
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The Joe Rogan experience. | |
| Train by day. | ||
| Joe Rogan podcast by night. | ||
| All day. | ||
| Powerful James Thompson. | ||
| Welcome aboard, sir. | ||
| Thank you very much for coming on, man. | ||
| I'm very excited to talk to you. | ||
| I know this is going to be fun because you're a character that I've enjoyed for many, many years in the world of mixed martial arts. | ||
| I remember the first fight you had with Alexander Emelianenko in Pride. | ||
| I don't remember it. | ||
| That's a problem. | ||
| I think that's where I went wrong. | ||
| You went bananas, man! | ||
| You took it to 100 miles an hour from the moment the bell rang, and you just redlined that bitch. | ||
| And, you know, it didn't... | ||
| I mean, it was a crazy fight. | ||
| But you'd only... | ||
| When that fight happened, you'd only been doing martial arts training for a short amount of time, right? | ||
| I'd been doing it for a year and a half. | ||
| Well, I know. | ||
| How it worked out, I was... | ||
| I didn't do anything before, apart from, before my first fight, I hadn't done anything apart from, I don't know, six months wrestling, good wrestling, and then I saw MMA, put myself in for a contest six weeks later, and I thought to myself, We're doing, it wasn't like a camp, it was a class three times a week, and I did other things, so different cardio, different this, different that. | ||
| So that's what I did. | ||
| I made it, put it all together, did my class of MMA, and then after like three, four weeks, I thought, I'm ready for a fight. | ||
| Not because I'm arrogant or... | ||
| You wanted to test yourself. | ||
| Well, I just thought... | ||
| I didn't realize how much there was to it. | ||
| I didn't get how deep it was. | ||
| So looking at it from the outside, it seemed more simple. | ||
| Well, I'm doing a little bit. | ||
| Yeah. | ||
| Well, you're a huge guy. | ||
| Yeah. | ||
| So your whole life you've been a huge guy, I'm sure. | ||
| So you're probably not used to being around... | ||
| I was smaller when I was smaller. | ||
| You were smaller when you were smaller, if that makes sense. | ||
| But, you know, like, so your look at the sport of MMA was probably not from a position of, like, why don't I fucking do this? | ||
| Like, I'm designed for this shit. | ||
| Well, kind of, because I always wonder, why did I never do boxing? | ||
| Right. | ||
| Why didn't you? | ||
| What did you do when you were young? | ||
|
unidentified
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I don't know. | |
| You look like you picked up a lot of heavy shit. | ||
| Did you do that? | ||
|
unidentified
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Video games. | |
| Yeah, it did, didn't it? | ||
| It looked like it was like I was looking back having a flashback to being molested or something. | ||
| Like I was going to start breaking down in tears. | ||
| You know, if you don't know, what have I opened here? | ||
| What sports did you do? | ||
| Rugby. | ||
| I was very good at it. | ||
| Oh, rugby. | ||
| Rugby, in my opinion, sacrilege. | ||
| People will say sacrilege. | ||
| It's just inherently more badass than football, okay? | ||
| Well, there's no question. | ||
| This pad thing is ridiculous, and I know we've accepted it. | ||
|
unidentified
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Pads! | |
| They wear the football players, the pads and the helmets and shit. | ||
| Oh, American football. | ||
| Yeah, American football. | ||
| Right. | ||
| Not soccer. | ||
| Not soccer. | ||
| We call it soccer, obviously. | ||
| But American football, the idea is ridiculous. | ||
| Pad yourself up and run at each other full clip. | ||
| Rugby, to me, is like, you've got a little leather thing on your head. | ||
| No, sometimes they have that. | ||
| Sometimes, to protect your ears from falling off. | ||
|
unidentified
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Yeah, yeah, yeah. | |
| So they don't go all fucking colored. | ||
| It's just more badass. | ||
| It seems like a more badass sport, you know? | ||
| I think different ways. | ||
| You know what I mean? | ||
| Like, rugby is fucking tough. | ||
| Yeah. | ||
| I don't know if some people, some guys have, you know, professional fighters, and they're obviously doing other things, and rugby will be one of them. | ||
| And I'll tell you, oh yeah, I had a rugby match. | ||
| And I'm like, you play rugby and you fight. | ||
| Wow. | ||
| Fuck. | ||
| You get an injury so weak. | ||
| People step on you. | ||
| Oh, yeah, yeah, yeah. | ||
| They don't go, fuck. | ||
| When you go on the screen, they got their heels. | ||
| Oh, yeah. | ||
| When I first started playing, I couldn't believe it. | ||
| I was getting stamped. | ||
| And I thought, why are you fucking stamping me? | ||
| Yeah. | ||
| I ended up having a fight on the... | ||
| End up having a fight on the pitch. | ||
| It's really common to have fights in rugby, isn't it? | ||
| Oh, really common. | ||
| Which is so aggressive. | ||
| What the fuck is us stomping you? | ||
| Yeah, it's so close to a fight. | ||
| It's like three-quarters of a fight, you know? | ||
| When you get into scrubs. | ||
| It's like three-quarters of a fight going on. | ||
| It's amazing that it's not like a constant, like, MMA war. | ||
| I didn't enjoy the game, though. | ||
| I didn't enjoy it. | ||
| I mean, you know, I've enjoyed football games before. | ||
| It's not that I don't get the appeal of watching a great football player. | ||
| I absolutely do. | ||
| But I'm like, I would love to see those athletes play rugby. | ||
| I would love to see what would happen if everybody abandoned football. | ||
| I think it's fun to watch. | ||
| It's craziness, man. | ||
| Yeah. | ||
| Posh people do it. | ||
| Posh people? | ||
| Yeah, in England. | ||
| I love that word, by the way. | ||
| Posh. | ||
| Posh people. | ||
| That's such a fucking great way of describing things. | ||
| English has such a few words that... | ||
| I've really started to appreciate proper. | ||
| Oh, that's a proper diet. | ||
| That's a proper car. | ||
| Proper, that's a badass word. | ||
| Yeah, it's a badass word. | ||
| And posh is another one. | ||
| I like posh. | ||
| It's posh. | ||
| And sometimes, if you feel an advantage, proper posh. | ||
| Oh, proper posh is gangster, right? | ||
| Yeah, that's when you go over someone's house and they got a peacock. | ||
| That shit's proper posh. | ||
| Dudes have like fucking statues of themselves in the fountain and they're a merman, you know? | ||
| You ever seen those guys? | ||
| I know a couple that has a fucking mural in their house where he's a merman and she's a mermaid. | ||
|
unidentified
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Are you fucking serious? | |
| He's a super duper billionaire. | ||
| He has statues of her He created a statue of her in a fountain. | ||
| Yeah. | ||
| He has this... | ||
| She's very pretty. | ||
| And, you know, I guess he's like super psych. | ||
| He gets to fuck her. | ||
| And he has these paintings all over the place of the two of them. | ||
| And one that's a merman and a woman and a mermaid. | ||
| It's so crazy. | ||
| There's a guy in England. | ||
| He's like a, you know, lock stock gangster bloke. | ||
| Right. | ||
| He bought a book. | ||
| I can't remember what it was called. | ||
| Anyway. | ||
| He has got on the side of his house. | ||
| Him. | ||
| As King Arthur on a horse with his wife. | ||
| And, you know, the spear. | ||
| Like that. | ||
| But, you know, he's not inside his house. | ||
|
unidentified
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He's King Arthur! | |
| Yeah, but he's not inside his house. | ||
| It's fucking outside his house. | ||
|
unidentified
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No! | |
| It's out, so everyone can see it. | ||
| He can't even fucking see it. | ||
| That's right, you can see it. | ||
| So he's just sticking his dick out of his front yard. | ||
| What a crazy asshole. | ||
| It's not actually his dick. | ||
| Oh my God. | ||
| Did you think I meant his dick? | ||
| No, but I'm saying, you know, like that's what he's doing by having that representation of him as a famous figure. | ||
| I didn't look at that fucking deep into it, Joel. | ||
| It's a dick thing. | ||
| When it all boils down to being a dick thing. | ||
| Yeah, that is for sure, you know? | ||
| Crazy asshole. | ||
| People are so nuts, man. | ||
| Yeah, he is, but he's well-known. | ||
| He's kind of like a celebrity guy. | ||
| Do you remember when Lee Murray had that mural made of him triangling Jorge Rivera? | ||
| Yeah, that's what I was going to mention, because I know Lee and I. I love that guy. | ||
| He's a character. | ||
| I know he's a criminal and all that jazz, and he's done a lot of bad things. | ||
| I understand. | ||
| I mean, I wouldn't want to be on his bad side, that's for sure. | ||
| He's so entertaining, man. | ||
| So crazy. | ||
| He's... | ||
| I mean, he trained at London Shoot where I used to train. | ||
| I started training just after he left, but I did do a... | ||
| Like a game, a video game shoot with him. | ||
| And it was just after he'd been stabbed. | ||
| And he'd come out of the hospital. | ||
| He was very thin looking. | ||
| You know, I'm used to seeing him, like everyone else at events, you know, around and that. | ||
| And he always, you know, quite... | ||
| Not muscular, but lean and healthy. | ||
| And when I saw him, he just looked very, very drawn, man. | ||
| Yeah. | ||
| Fucking hell. | ||
| And that's what he lives every day, you know, that kind of shit, getting stabbed, shooting. | ||
| Yeah. | ||
| Literally, some of the stories. | ||
| And, you know, stories go over the top and people get carried away, especially when you're telling gangster stories. | ||
| But there's some from so many good people who I know who are there, and they're like, fucking hell, really? | ||
| Yeah. | ||
| Like, having massive fights, fucking punching through a car window. | ||
| Well, that's everybody found out about him because of the street fight with Tito Ortiz. | ||
| That allegedly, you know, Tito has one version of it and Pat Miletic and the other guys that were there have another version of it. | ||
| But the bottom line was somehow, so they got in some sort of a fight. | ||
| Yeah, I don't believe Tito's. | ||
| I could never say. | ||
| I wasn't there. | ||
| I heard you were there, Joel. | ||
| I wasn't there? | ||
| I heard you started it. | ||
| I didn't. | ||
| These are untruths. | ||
| These are untruths. | ||
| I'm just saying what I heard. | ||
| But he was a part, allegedly, of, a lot of people don't know the story, the biggest bank robbery in the history of England, right? | ||
| Yeah. | ||
| No doubt. | ||
| It is fucking crazy. | ||
| If you look at the security cam footage, it's like you're looking at a Sylvester Stallone movie. | ||
| Like a Guy Ritchie movie. | ||
| This can't be real. | ||
| They can't be dressed with ski goggles on and commando outfits and machine guns, and they can't be really robbing a bank, because this is just bananas, the way they did it. | ||
| It's a bank, apparently, which didn't have that much security, and the reason why, apparently, they didn't have that much security is because no one knows where it is. | ||
| That's why it's... | ||
| That's like, so it's a blank building with, obviously, it's going to be fucking secure, but not ultimate, because they don't want to attract attention to it. | ||
| So no one, and that's why they're thinking it's got to be an inside job, which you kind of look at anyway. | ||
| I think a lot of that stuff is probably inside jobs. | ||
| If you're making 50 grand a year, and you're working in a place like that, you know, how much does that fuck with your head? | ||
| Could you imagine? | ||
| You see that money going back and forth every day. | ||
| Like that, and you're just standing there watching it. | ||
| And you're just a banker. | ||
| And you're a banker, and you're like, how do I ever get rich as a banker? | ||
| And you're thinking it's right in front of my face. | ||
| And you've got a crazy cousin, and you tell that crazy cousin when you're drinking, there would be a way we could rob it. | ||
| I mean, we shouldn't rob it, but... | ||
| Next thing you know, your cousin starts bringing out the meth, and you're smoking meth with them, and you're like, we're going to rob this fucking place, and we're going to be rich! | ||
| Rich, I say rich! | ||
| I'm there, Joe, I'm there, let's go. | ||
| I'm looking up these like they're the fucking meth. | ||
| Yeah, those are rock salt because it's like, somehow or another it's supposed to give off good energy. | ||
| I don't know if that's horse shit or not, but I'm going to go Melissa Etheridge on this bitch and just accept it. | ||
| It is salt, but it's kind of cool. | ||
| A couple months, maybe. | ||
| A month or so. | ||
| So do you feel much good work? | ||
| I'm not sure. | ||
| I'm feeling pretty good, James Thompson. | ||
| I don't know if it's the rocks. | ||
| That's the problem with a lot of different things. | ||
| It's like, how much of it is a placebo effect? | ||
| Why does a fucking placebo effect work? | ||
| That's a weird thing, man. | ||
| Why does that work? | ||
| Because you believe it. | ||
| Yeah, but why does it actually work sometimes? | ||
| Because you believe it. | ||
| I know, but scientifically, what the fuck is going on with your mind? | ||
| That your mind can take a pill and think it does something good, so all of a sudden it does do something good. | ||
| I mean, that is an amazing property of the human body. | ||
| 100% it is. | ||
| And this is what I'm saying. | ||
| If you believe it, If you, oh, I've gone old Murphy forever, it's the fucking... | ||
| You've touched the crystals and you're in the power source right now. | ||
| James Thompson, just go with your feelings, man. | ||
| Express yourself. | ||
| Express yourself. | ||
| But no, when I listen to that podcast, I know, for me, she's quite hippie. | ||
| Melissa Etheridge, yes. | ||
| She was awesome. | ||
| Great lady, beautiful person. | ||
| I saw much of what she said. | ||
| I was like, yes. | ||
| She said the secret, she liked it, but she said it's like the fast food of positive thinking and all that easy fix. | ||
| And I thought, what a great way to sum it up. | ||
| Yeah, I don't know if she's right about her. | ||
| Her idea was that you sort of manifest reality from your own mind, your imagination, but she might be right. | ||
| I don't know. | ||
| I mean, I don't necessarily believe it, but I don't disbelieve it either. | ||
| I think it's an interesting possibility to consider. | ||
| Or it might be a combination of, you know, random events and how much you guide it with your own thoughts and your own mind. | ||
| Well, I don't think anyone does, and that's the thing. | ||
| When I was listening to her, it was like, wow, yeah. | ||
| And not agreeing, but seeing where she's coming from, and yeah, okay, wow. | ||
| And a lot of it. | ||
| And then, but it seemed a bit too definite. | ||
| Like, that is the way it is. | ||
| And she would say, I think, that's the way it is to her. | ||
| Yes. | ||
| So therefore, it's... | ||
| Well, I also think she would say it's very self-serving to be – I mean self-serving in a positive way to be definite because if you want to believe in something, like if you want to really believe in something, you have to believe in it 100 percent for it to work. | ||
| You can't have a placebo effect where – actually, I think that's not true. | ||
| I think there's been a study that showed that they did give people placebos and – Tell them there was a placebo, and it still had a measurable effect. | ||
| Yeah, it was some pill that they gave. | ||
| They knew the whole time it was just a fake pill, but it still worked. | ||
| But I think those are the same people that you could hypnotize. | ||
| Which is most people, I think. | ||
| You can hypnotize everyone. | ||
| Everybody? | ||
| Everybody 100%? | ||
| You can hypnotize them as long as they're relaxed. | ||
| See, I've tried. | ||
| You would say, but you won't relax because I'm going to hypnotize you now. | ||
| You would definitely tense up. | ||
| I don't know. | ||
| I talked to a guy who's a hypnotist and he said that some people you can't hypnotize. | ||
| Right. | ||
| That was his words. | ||
| But that's because... | ||
| They won't let themselves relax. | ||
| I don't think it's that. | ||
| I don't think I would ever let anybody run my thoughts. | ||
| Exactly. | ||
| It's not that I wouldn't relax. | ||
| I could absolutely relax. | ||
| But I'm not really into letting other people run my thoughts. | ||
| You're getting sleepy. | ||
| I know what I'm getting, bitch. | ||
| So if you're there, I'm really relaxed. | ||
| You're not getting into my head. | ||
| Especially if you think that the guy who's hypnotizing you is dumber than you. | ||
| You're like, there's no way, motherfucker. | ||
| There's no way. | ||
| You're going to fill my brain up with some dumb dumb shit. | ||
| That's what I see. | ||
| I'd love to see Darren Brown on it. | ||
| Do you watch his shit? | ||
| No, I've heard of him. | ||
| Oh, mate. | ||
| Is he a hypnotist as well? | ||
| He's a magician, right? | ||
| No, no, no. | ||
| It's in between. | ||
| He's kind of like a... | ||
|
unidentified
|
Does both? | |
| Yeah. | ||
| Just a super trickster? | ||
| Yeah. | ||
| It's a super trickster. | ||
| That is what he is. | ||
| It is. | ||
| He does. | ||
| And some of it, he says, this is why it's a trick. | ||
| And he'll explain why it's this and why it's that. | ||
| And the only one he didn't get right, and this was the only one he did, he hypnotized the guy, fucking got him to go to the bank, got him to get 10 grand out of his own account. | ||
| Then he said to him, they got this guy by random and then he took him to a roulette thing and he said, right, I'm going to get your... | ||
| Oh, the guy was watching on the screen and he said, I'm going to get your money, I'm going to put it on one number. | ||
| If it loses, it loses. | ||
| If it wins, the money's yours. | ||
| So the guy's like... | ||
| And he showed him the video of him hypnotising and that it was his money. | ||
| Right. | ||
| So he's seen that and he's been studying the fucking spins and tapping his foot and doing all this stuff leading up to it. | ||
| Anyway, when it comes to it, gets it fucking wrong. | ||
| Gets it fucking wrong. | ||
| And he gets everything. | ||
| And then before that, he predicted the lottery numbers of six of them. | ||
| But obviously he said it was a trick. | ||
| Or was it? | ||
| At the end it was a little bit. | ||
| No, it's a trick. | ||
| Well, it's got to be a trick. | ||
| Yeah, that's why I love Penn and Teller. | ||
| They tell you what the fuck the tricks are. | ||
| Yeah, but Darren Brown leaves it. | ||
| I mean, so with the lottery thing, I like that because it's like that shows. | ||
| When it comes to, like, Lady Luck, well, fuck you. | ||
| Do you know what I mean? | ||
| Do not think you're getting one over on Lady Luck, because she will slap you down. | ||
| That's the big issue that people have with psychics. | ||
| Like, if you really were psychic, wouldn't you win every lottery? | ||
| Like, what are you doing, stupid? | ||
| You can make a lot of money playing the lottery. | ||
| Imagine if you won the lottery, like, every week, and everybody would be like, hey, asshole, what the fuck are you doing? | ||
| They're like, dude, I'm psychic. | ||
| I wonder how many times you'd win it before you got bored and you'd do something else. | ||
| Well, Vegas won't let you win that many times in a row. | ||
| Vegas will kick you out of casinos, even if you're not doing anything illegal. | ||
| Like David Cho. | ||
| He's been kicked out of casinos. | ||
| He's just too smart. | ||
| They're like, you gotta get out of here, you fuck. | ||
| You're thinking too much, and you got a system, and it works too well. | ||
| They won't say that to me. | ||
| They won't say that to you? | ||
| They won't kick you out? | ||
| Why is that? | ||
| Because you're too big? | ||
| Nope. | ||
| Because I'm giving them lots of money. | ||
| You've given them lots of money. | ||
| Yeah, because I'd be there. | ||
| Yeah, but if you started winning them... | ||
| But if you started winning... | ||
| No. | ||
| Man, they'd boot you up. | ||
| Oh, yeah. | ||
| But you've had a gambling problem. | ||
| That's what you're trying to say. | ||
| Yes, yeah. | ||
| I'd be there. | ||
| They'd be trying to phone me. | ||
| I'd be like, I've got more money to give you. | ||
| Fuck, I'm not finished losing. | ||
| Why do you get crazy and gamble so much? | ||
| I don't know, that's like a question, well, it's not a question everyone asks us, but I didn't ask yourself, you know, why, and I don't know, I'm not copping out here, I'm saying maybe some part genetic, or my fault. | ||
| I understand what you're saying, you're just being honest about the source. | ||
| Yeah, my father had a gambling problem. | ||
| Do you have a proper gambling problem? | ||
| Yeah, yeah, yeah, proper posh gambling. | ||
| So he was, and you saw this when you were growing up? | ||
| No, no, I never met my dad. | ||
| The first time, I never met him, and do you know what? | ||
| I never even thought about him, because my mom was that good. | ||
| Well, that's amazing, man. | ||
| Fucking hell, isn't it? | ||
| When you think of it, because there was a And then, you know, when she met my dad, it was, you know, I was like, I remember, you know, telling him, I'll get him over and this and that. | ||
| Because I just wanted that father figure, I suppose. | ||
| But, yeah, the first time I found out my dad was dead was my mum came to the door and let her in, which is polite. | ||
| And then I said to her... | ||
| Then she said to me, because I didn't know yet, she said to me,''Your dad's dead.'' I went,''Oh, right.'' And that was it. | ||
| And then she told me about the funeral, and we went to, she picked me up, went to the funeral, and we're having a coffee, and she talked about it, and then we were laughing after five minutes. | ||
| Not at it, but just because he was nothing. | ||
| You just weren't really that sad. | ||
|
unidentified
|
No, I wasn't. | |
| So you didn't have a big place in your life. | ||
| Well, I never met him. | ||
| Right. | ||
| But he had a gambling problem, is your point? | ||
| Yeah. | ||
| And so you feel like it's probably genetic that you have one as well? | ||
| Fucking hell. | ||
| Fucking hell? | ||
|
unidentified
|
What? | |
| I just went on such a tangent, I forgot what we were fucking talking about. | ||
| Yeah, we were talking about the gambling. | ||
| So, do you, like, what is it? | ||
| Like, you get in casinos and you just can't help yourself? | ||
| You just start playing cards. | ||
| What do you play? | ||
| Blackjack. | ||
|
unidentified
|
Yeah? | |
| That's how I got the fucking... | ||
| You got blackjack tattooed on your arm. | ||
| Well, going up in flames. | ||
| Wow. | ||
| And then I got a positive reaffirming message. | ||
| What does it say? | ||
| I'll find strength in pain. | ||
| Oh, don't laugh! | ||
| I'm fucking mad, Joe! | ||
|
unidentified
|
Come on, man. | |
| You got cards on fire on your arm. | ||
| Listen, I got some goofy tattoos, too. | ||
| It's okay, bro. | ||
| No, but I don't think of it as goofy. | ||
| Mine means waterfalls. | ||
| Yeah, he thought it was good in his name. | ||
| Have you gotten a one? | ||
| Yeah, one by a friend who's learning how to tattoo. | ||
| If you want to really have a laugh, I got... | ||
| What is that? | ||
| I got the Serenity Purr. | ||
| Well, that's not funny. | ||
| I think that's actually kind of interesting. | ||
| They say the funny bit, the dates are crossed out. | ||
| The dates are crossed out? | ||
| Yeah, because that was the last time I gambled. | ||
| I gambled, so I crossed it out. | ||
| Oh, wow, and then you make another one? | ||
| You're going to run out of room, son. | ||
|
unidentified
|
Yeah, well, I did run out of room. | |
| That date's not gone yet. | ||
| Wow, so that's your biggest issue, is gambling. | ||
| How long has this existed for in your life? | ||
| Four years after the Kimball fight. | ||
| Really? | ||
| That's when you started gambling like crazy? | ||
| Do you know that there's a study that recently came out that said that there might be a connection between gambling addictions and brain damage? | ||
| Is it? | ||
| Yeah. | ||
| And brain damage. | ||
| I'm probably a fucking good test candidate for that. | ||
|
unidentified
|
Yeah, you might be, man. | |
| I think he's hinting at something. | ||
| No, I'm not hinting at anything, but it was a recent study. | ||
| I would have to tell you about this, I mean, if I had known. | ||
| Actually, it wasn't that recent. | ||
| It was like 2003. Who have suffered head impacts. | ||
| And obviously you're very functional. | ||
| It's not like I'm saying you've got brain damage. | ||
| But everybody who's been hit in the head has a certain amount of brain damage. | ||
| I'm sure I have brain damage as well. | ||
| Yeah, I know what I'm saying. | ||
| But this was a connection between that and pathological gamblers. | ||
| You know, that's a fascinating connection. | ||
| Well, I started thinking, through listening to your show all the time, and hearing about the football players and the concussions and things like that, And hearing about the depression, now I was going through, I've been through a very bad depression, and I wondered if that, being knocked out so many times, getting conclusions and such forth, and drug problems I've had. | ||
| I had a problem with GHB, which is... | ||
| That's that stuff that makes you sleep? | ||
| Yeah. | ||
| I had a problem with that, and it's not excuses, you know, because it's not like, oh, yeah, that's why I've got shit defence and I'm not great stand-up, OK? But on top of that, taking that, going out, and also it's a mental attitude of not concentrating to training as an effect. | ||
| Well, it seems like you took fighting less seriously then than you do now. | ||
| When you first started, did you not understand the consequences? | ||
| Was it a matter of that? | ||
| Was it a matter of it just became something where you just really decided, I gotta get dedicated if I wanna keep doing this? | ||
| I took it seriously. | ||
| I've seen it, I knew I wanted to do it, and I went to my show. | ||
| But you just jumped right in the prime. | ||
| Yeah, yeah, because that, well, because it was just the way it was. | ||
| I've been thinking about this. | ||
| Now, to me, I went, I saw it, I thought, I can do that, and I did it, right? | ||
| I kind of believed it, and I saw the fighting, and I saw Nog, and I thought, I'm not too far off after this fucking, unbelievably fucking naive. | ||
| And then I went in, And I had my first fight and I could do it, and I thought, yeah, okay, I can do this. | ||
| And then ten shows later, I'm in the main event against Dan Severin, and loads of people are fucking watching me. | ||
| And I knew it at that time. | ||
| At that time, going to the first event, I said to my girlfriend at the time, I'll be main event. | ||
| And I'm not like that. | ||
| But I said it, and I just knew it. | ||
| And so because I believed it, it happened. | ||
| And I made it happen. | ||
| But also because you're gigantic and you worked out. | ||
|
unidentified
|
Oh yeah. | |
| That made it happen too. | ||
| No, but I didn't work out. | ||
| It's like if you didn't work out? | ||
| No, no. | ||
| I was working out because I was training. | ||
| So I was. | ||
| I trained hard for my first fight. | ||
| I've done wrestling before, so I was relatively fit, but not fit fit. | ||
| Right, but you jumped into the deep end of the pool right away. | ||
| Yeah, I did, yeah. | ||
| You fought Alexander Melianenko, who was a high-level MMA heavyweight. | ||
| Within how many months of you beginning training and striking? | ||
| Well, I've been fighting for about a year, just over a year. | ||
| But I wasn't training, I didn't have a team then. | ||
| I was still in the little dojos and that. | ||
| And it was all a bit, so this is what happens then. | ||
| You know, you go on your little shoulder, and now I'm ready, I know. | ||
| And I remember watching Emile Enco on a video, and I was thinking, yeah, okay. | ||
| I was shitting myself, but I was like, yeah, I can do this. | ||
| Okay, I can do it. | ||
| That was a crazy fight, dude. | ||
| That was a crazy fight. | ||
| You just charged after him. | ||
| But what you saw there was me being serious. | ||
| That was authentic rage. | ||
| Have you seen my video? | ||
| I explained it. | ||
| Yeah, yeah, I did see that video. | ||
| You make a lot of videos now. | ||
| Yeah, I'm loving it. | ||
| A lot of video blogs and stuff and putting them online. | ||
| No, I've really enjoyed it. | ||
| I've been lucky enough. | ||
| I've got... | ||
| I met a guy, Cy Pierce, and he directs and does a film. | ||
| I told him about a few ideas. | ||
| He came down, started doing these, putting these, my ideas into play, and yeah, it's going really well. | ||
| That's cool, man. | ||
| So this, um, this colossal concerns, things that you're doing, all these videos and the blogs and everything, it seems like you're really excited about this. | ||
| Like, you're constantly tweeting, telling everybody to retweet your shit. | ||
| I'm pain in the ass, man. | ||
| A little bit of pain in the ass about it, but I appreciate the... | ||
| I like what you're doing. | ||
| I like that you're very enthusiastic about it. | ||
| See, that's what I'll take. | ||
| I'll take. | ||
| That's a bit annoying. | ||
| Sorry, it doesn't annoy me. | ||
| No. | ||
| But it annoys other people. | ||
| I don't mind. | ||
| Are you sure? | ||
| Yeah, it doesn't bother me. | ||
| I just get scared. | ||
| I'm trying to make you scared. | ||
| I'm trying to make you... | ||
| People are asking me to retweet shit. | ||
| It's normal for me. | ||
| Yeah, yeah, yeah. | ||
| That's the thing. | ||
| I think in the future, that's what will be the... | ||
| Redband, I'm stealing this off Redband. | ||
| That's what he said. | ||
| In the future, likes will be currency. | ||
| Currency, yeah. | ||
| And that is true. | ||
| Yeah. | ||
| That is very true. | ||
| I really think that that would be the best way to live the life, live the world. | ||
| If you could actually work it out that way, so being nice and helping people would give you the most currency, that would be the most beautiful world ever. | ||
| It would, but would it be that simple? | ||
| No, it can't be that simple. | ||
| We're not living in a goddamn movie. | ||
| No, no, as in people would hack it. | ||
| Exactly. | ||
| There'd be all that kind of fucking bullshit going on. | ||
| Some wacky coder son of a bitch would get in there and exert his intellectual dominance over that computer and fucking whack it out and have a billion likes. | ||
| Fuckheads. | ||
| It'd just be completely glowing. | ||
| You have more likes than there are people. | ||
| So, suck it. | ||
|
unidentified
|
Suck it. | |
| Everyone suck it. | ||
| I cracked the code, bitch. | ||
| Yeah, that's a beautiful idea. | ||
| They've got to figure out something better than letting old people just keep it and make everybody else pay interest on it and the federal bank and all this. | ||
| You see all these big giant banks that supposedly control these different aspects of our political systems, yours and ours. | ||
| Did you see the… You go, what? | ||
| Off the Federal Reserve, like a partial bit of it got printed and it was trillions of dollars, trillions going to different banks all over. | ||
| I see what you're saying. | ||
| Yeah, the secret hidden bailouts that we didn't know about for trillions of dollars. | ||
| What is that? | ||
| It's crazy. | ||
| What do you get for that though? | ||
| What do you get for trillions? | ||
| It's robbery right in front of your face. | ||
| But what do you get for it? | ||
| You give it to the banks, you bail them out for trillions. | ||
| What do you get back? | ||
| Justifiable robbery. | ||
| That's what it is. | ||
| They figured out how to jack the system, how to extract insane amounts of cash, how to have these mansions in the Hamptons. | ||
| They figured it out, okay? | ||
| You can't be hatin'. | ||
| You've got to throw your system away. | ||
| It's infested with rats. | ||
| The system doesn't work at all. | ||
| But no one's willing to do that. | ||
| No one is willing to start from zero. | ||
| If you worked your whole life and you got 50 grand in the bank, you're not going to give that 50 grand up. | ||
| And neither is the guy who's got a million dollars in the bank. | ||
| He's not going to give that million dollars up. | ||
| What? | ||
| And we're all going to start at zero? | ||
| Get the fuck out of here. | ||
| I wouldn't. | ||
| Because there's a lot of assholes out there that shouldn't even be at zero. | ||
| They should be at negative 50. Fucking lazy bitches, right? | ||
| There's a lot of people that don't contribute their share. | ||
| So unfortunately, capitalism as it stands right now is what we got. | ||
| Well, that's the thing. | ||
| No one's come up with a good alternative. | ||
| Well, we need to. | ||
| It's really silly. | ||
| Because in 2013, the idea that this is... | ||
| And I'm not a socialist by any stretch of the imagination. | ||
| I think people need to pull their own weight and a lot of people don't. | ||
| I think there's a lot of lazy fucks out there. | ||
| There's a lot of people that just lack motivation, they lack direction, they lack focus, they self-sabotage. | ||
| You shouldn't reward that. | ||
| I don't think you should reward that. | ||
| But on the other hand, this system is fucking crazy. | ||
| This stock market where you're gambling on the ups and downs, you're owing pieces of companies. | ||
| Get the fuck out of here. | ||
| It's so complicated no one even knows what it is. | ||
| It's nuts. | ||
| Derivatives. | ||
| Inventing stuff. | ||
| I've had friends that are stockbrokers try to explain to me derivatives and I'm like, wow. | ||
| How is that legal? | ||
| How is any of this legal? | ||
| How is shorting legal? | ||
| How are lobbyists legal? | ||
| It's a fucking kooky system. | ||
| And you're like, well, someone should really come in and overhaul it, but in order to do that... | ||
| It's almost like they must know that it can't keep going on. | ||
| So it's like, is it on purpose? | ||
| I think it's an old car that they keep trying to patch up. | ||
| That's what I think. | ||
| You know, if you had like a 1950 fucking Chevrolet, those are boring to drive. | ||
| They suck, those old fucking cars, man. | ||
| If you had to get on the highway every day and go from, say, Sherman Oaks to downtown LA, you had to make that drive every day in the heat in a Model T. You'd fucking hate it. | ||
| You'd go crazy. | ||
| Because it's an old piece of shit. | ||
| No matter what you do, whether you add a new stereo to it or you fucking put... | ||
| Shiny rims on it. | ||
| It's designed like shit. | ||
| It's an old piece of shit. | ||
| You don't want to have to drive an old piece of shit. | ||
| If I give you a nice Honda Accord, you'd be like, oh, look at this. | ||
| It's quiet. | ||
| It doesn't fall when I turn the wheel. | ||
| It doesn't fall on its side. | ||
| Those old cars were pieces of shit. | ||
| And that's our system. | ||
| Our system is an old piece of shit. | ||
| And we haven't thrown it out yet. | ||
| We haven't just like fucking grabbed it. | ||
| And yanked the gears out and melted it all down and made a new system. | ||
| If someone comes up with something which works... | ||
| They'll never let them! | ||
| Yeah. | ||
| Yeah. | ||
| Well, that's hitting it. | ||
| Well, it's a thinly disguised... | ||
| King and disciple situation. | ||
| It's thinly disguised. | ||
| The people that are in the position of power, it's not just one, but it's a group that are unquestionably the kings of this country. | ||
| But it's changing, isn't it? | ||
| As in, like, with the internet, with people getting more knowledge, you know, it's filtering through, people are more aware of it, you know, and it's... | ||
| What are you doing, dude? | ||
| I think with the people that are in charge of it, the only thing that's changing is that it's out in the open. | ||
| And then people are just accepting it now with full knowledge. | ||
| Yeah. | ||
| Like when you see that people can have, like, do you know anything about this Fast and Furious? | ||
| Do you know what happened? | ||
| Do you hear about this? | ||
| With the guns in Mexico. | ||
| Yeah. | ||
| Well, there's a thing called the executive privilege, you know, like the president can say he doesn't want to talk about it. | ||
|
unidentified
|
So they can just say executive privilege. | |
| That's like Cheney and Bush not testifying together. | ||
| Why? | ||
| Why not? | ||
| Why not testify together? | ||
| And then why look so fucking shifty about it? | ||
| Did you see that? | ||
| Yeah. | ||
| And I mean, you can't say, I'm thinking he's lying. | ||
| If they didn't know that something was going to happen, they absolutely did profit on the fact that it did happen. | ||
| Yeah. | ||
| You know? | ||
| Well, it's there. | ||
| You can't deny it. | ||
| It's the most obvious connected dots paper trail ever. | ||
| If you look at, like, Dick Cheney was the head of Halliburton. | ||
| Halliburton is a company that rebuilds countries after we've bombed them. | ||
| And that company, the CEO is the vice president, and all of a sudden that company is making billions of dollars. | ||
| Like, what are you talking about? | ||
| See, that's what I wonder. | ||
| Maybe they knew about it, maybe even helped him a little bit. | ||
| I don't know. | ||
| And then that way, I'll maybe have a team that do this and they don't really tell them what they're doing and what it's for and you get the decided effect without everyone knowing what the fuck's going on. | ||
| I would like to tell you that that's not possible, that there's no one who'd be willing to do that. | ||
| But the problem with saying that is that the only real issue someone would have about our government doing that Would be that it's sacrificing American lives and that they would kill American lives and let American people die. | ||
| No, they're here to protect us. | ||
| So that's the one thing that some people would hold back. | ||
| But what they undeniably would all agree to is that we don't really have a problem with killing people in other countries. | ||
| We don't really have a problem. | ||
| If we decide that they're the enemy, we'll kill you with robots that fly from the sky and shoot rockets indiscriminately into villages, okay? | ||
| That's how we'll kill you. | ||
| So a company that's willing to do that – let's just say a company. | ||
| Let's call it a company instead of a country. | ||
| Because it's not us. | ||
| It's whoever the fuck is the one who gets to pull the buttons and pull the switches. | ||
| They're willing to do that. | ||
| That's why I don't think it can continue. | ||
| Like you said earlier, well now people are just knowing about it and doing nothing. | ||
| I think eventually they're just knowing about it. | ||
| I think the next stage is... | ||
| I think the problem is that it's very hard to stop. | ||
| And in fairness to the people that are in the military, there's a lot of them that join the military with very good intentions. | ||
| And they get into that position and they're stuck in a battle. | ||
| And it's not them that's the problem. | ||
| The problem is, why were they sent there in the first place? | ||
| But once you're in, for everyone who's a soldier, you know what it becomes, man? | ||
| It becomes taking care of your friends. | ||
| That's what it becomes. | ||
| It becomes taking care of your boys, taking care of your girls, taking care of the people you love. | ||
| Those are the people you're with every day in a war zone. | ||
| So it doesn't become about your ideology, whether or not you believe in this war. | ||
| It becomes just a battle, and there's no way around that. | ||
| I was talking to my friend who's in the army, and we were talking, he's in the Marines, and I was saying to him, We're just having a general discussion about how fucked it is about this and that. | ||
| Basically, he's doing the government's work. | ||
| And he said to me, basically, I always think I've got to go back because my mates are and make sure they're okay. | ||
| I never thought of it like that. | ||
| He always has to go back and think about his friends. | ||
| You're fucking bullets are whizzing by you. | ||
| You're carrying each other sometimes. | ||
| You're looking out for each other. | ||
| You're in a war zone. | ||
| That's what it becomes. | ||
| So the real issue is, well, how do you stop the whole thing? | ||
| How do you stop the whole thing? | ||
| Because I don't know if you do. | ||
| Because you do a lot of goddamn damage and then people that you did that damage to are always going to want to come back at you. | ||
| So there's no doubt about it. | ||
| And there's no doubt that this damage has been done. | ||
| So it's not an easy thing to step in and sort of settle the world down. | ||
| But I do agree with you that the Internet is changing it to the point where that is the inevitable future. | ||
| I think the realization of what everyone's actions are actually accomplishing and actually doing and to what detriment our actions are, it's going to get to a point where things – Level out much more so than they ever have in the past because governments could do anything behind your back. | ||
| They could do all kinds of sneaky shit and you could never know about it ever until 50, 60 years ago. | ||
| Then people started leaking information like the Kennedy Times. | ||
| Before that, god damn, how does the average person get information that there's corruption going on in society? | ||
| How does the average person get that? | ||
| You're not getting a lot of it, but you're getting so much of it now. | ||
| It's like every day on Twitter and every day on Facebook and every day people are emailing people links and Twittering shit to their friends and it just gets to a mad frenzy of ideas now. | ||
| I don't even think we're aware of how strange it is. | ||
| I think we're just used to it because we're in it and this is our life now. | ||
| But I think if we looked at life today, just a few decades ago, we would go, this is crazy. | ||
| This is a fucking science fiction movie with you freaks. | ||
| I mean, I came in. | ||
| Came in early, and I was talking to Brian, and then he showed me something that did a little fucking video. | ||
| Like a seven-second line, and he was like, with the finger, doing something, and then shows a little film. | ||
| And that's like the next thing, other than Twitter, or like a video message that lasts seven seconds. | ||
| Yes, it's a video message that lasts seven seconds. | ||
| It's called Vine, and Brian just got into it, and apparently a lot of people like this silly shit now. | ||
|
unidentified
|
There it is. | |
| Look at that. | ||
| There you go. | ||
| That's what I was talking about. | ||
| Did you splice all this together yourself? | ||
| It just does it automatically. | ||
| It's literally like you just push a button every time you want to record, and when you don't push it, it just pauses the recording, and it makes it animated. | ||
| Oh, so you just smash them all together yourself? | ||
| Yeah, it just does it automatically. | ||
| Oh, that's cool. | ||
| I like it. | ||
| I'm going to start using that shit. | ||
| It's fun, man. | ||
| It's really addicting. | ||
| But what's crazy is that everywhere you look, people are vining. | ||
| And so it's just a bunch of people walking around like this in the air. | ||
| Is it Vine.com? | ||
| No, it's an app on your iPhone. | ||
| Oh, it's an app. | ||
| Yeah, and it should be coming out on Droid soon. | ||
| Twitter just bought the company. | ||
| Does it link up with Twitter? | ||
| Yeah. | ||
| Oh, powerful. | ||
| And you can also send it to Facebook and everything, but it's really fun. | ||
| Can I keep my Twitter name? | ||
| Do I have to register a new name? | ||
| Yeah, you can keep your Twitter name, but it's also really weird because I think you can just have a million names. | ||
| Oh, that's great. | ||
| You're going to get a lot of assholes. | ||
| It's really hard to find people. | ||
| As soon as you allow people to be anonymous, you have a bunch of different names. | ||
| They're going to have conversations with themselves. | ||
| We had a guy on our message board once that they busted doing that. | ||
| He had more than one account, and he was talking on message boards. | ||
| He would go and... | ||
| Make a post about his music and then come back and say, hey, thanks, man. | ||
| I really appreciate that. | ||
| That's so bad. | ||
| That's so bad that I came out. | ||
| I did that. | ||
| It's classic. | ||
| It's hilarious. | ||
| Imagine that. | ||
| What did you do today? | ||
| Oh, you know, just talk to myself. | ||
| But it's kind of funny because is that any different than some bullshit commercial that a company puts out? | ||
| You know, where you're driving down the street and like, I'm so glad that we're here driving on these Goodyear tires because they make me feel secure. | ||
| Me too, darling. | ||
| That's horse shit too. | ||
| Yeah, you're getting that projected at you. | ||
| You're not going out and doing it. | ||
| I guess it's more deceitful. | ||
| It's more... | ||
| It's more cringe fucking worthy, isn't it? | ||
|
unidentified
|
Oh, fuck me. | |
| Getting caught. | ||
| Oh, yeah. | ||
| Oh, thank you. | ||
| Ever so... | ||
| Oh, don't... | ||
|
unidentified
|
Oh. | |
| Getting caught. | ||
| What are you like? | ||
| Oh, you suck. | ||
| Oh, fuck it. | ||
| Goddammit. | ||
| Imagine if you just pissed up and you did it that one time. | ||
| Just as a... | ||
| Just because you were just in one of those stupid moods and it came out that you were doing that. | ||
| You're done, son. | ||
| You can't do that. | ||
| You can't explain that one away. | ||
|
unidentified
|
Yeah, you've got to take your lumps. | |
| That's a tough one because people are just not going to trust you again. | ||
| Yeah. | ||
| We were talking yesterday with my friend Sam Sheridan about this author. | ||
| I forget the guy's name. | ||
| He made up a bunch of Bob Dylan quotes and apparently he was like a great author but he made up these quotes and then when they like tried to check him on it and tried to like find the source of these quotes he like got arrogant about it and then they started researching it and they wouldn't let it go and apparently they found that he just made them up. | ||
| To put in his book and then he could write Yeah, whatever you want. | ||
| To that quote what he just made up. | ||
| Sure, yeah, you could put a Bob Dylan quote and say, it's one of the most poignant things that Bob ever wrote. | ||
| I think he was thinking this at the time. | ||
| Yeah, I think when Bob said this, it spoke to my soul because I was a part of that flower child movement of the 60s. | ||
| I was on Haight-Ashbury. | ||
| I was wearing a bandana with live flowers in it. | ||
| Oh, I'm there. | ||
| Fucking freaks. | ||
| Yeah, so this guy just ruined him. | ||
| Ruined him. | ||
| So I think this other guy, it's kind of similar. | ||
| It's like no one's going to really take you seriously. | ||
| No, you're fucked. | ||
| Unless you go do ayahuasca or something. | ||
| You've got to go to Peru. | ||
| You've got to prove yourself, bitch. | ||
| Yeah, it's a bit like that Mendez character, isn't it? | ||
| I've seen a... | ||
| Mendez character? | ||
| The Fala Steeler. | ||
| Joke Steeler character. | ||
| Far less. | ||
| Was fat than thin. | ||
| The drug dealer character? | ||
| No, not drug dealer. | ||
| The fucking jokes dealer. | ||
|
unidentified
|
Did I say drug dealer then? | |
| I think you did. | ||
| I don't know. | ||
| It's hard to understand you. | ||
| I hate to break it to you. | ||
| I don't quite know how to say this. | ||
|
unidentified
|
We don't know what the fuck you've been saying. | |
| We do have a bit of an accent, my friend. | ||
| Is it? | ||
| Oh, fucking hell. | ||
| It's funny. | ||
| I remember certain guys, like Terry Edom. | ||
| Terry Edom's got a very, very strong accent. | ||
| He talks and you're like, whoo! | ||
| Trying to put that together. | ||
| Paul Taylor. | ||
| I don't know why. | ||
| England. | ||
| Michael Bisping. | ||
| Yeah, there's so many. | ||
| I don't know why England. | ||
| It's a small place. | ||
| It's tiny. | ||
| Right. | ||
| And there's so many different accents. | ||
| A lot of accents, but it's a very strong accent. | ||
| It's interesting. | ||
| And the accent, it's very fitting for the people that live in England. | ||
| What? | ||
| Do you mean because they have to be tough to get so shit? | ||
| A little bit. | ||
| It's different. | ||
| It's just different. | ||
| It's a different place. | ||
| The fact that you guys talk so much different, it's fucking different, man. | ||
| Human beings, we look at the whole world and we like to think that it's just like it is here but it's over there. | ||
| We think like live in Africa, live in Saudi Arabia, whatever. | ||
| Meh, as long as we're there together, it'll be like, you know, it'd be like us here. | ||
| No, that's not the case. | ||
| You go to England, you're like, well, this is a different world. | ||
| These guys have completely different expectations. | ||
| They're driving on the left-hand side. | ||
| They don't give a fuck about you, or your crazy laws, or your quarters don't mean shit there. | ||
| They're not real. | ||
| You know, it's like, wow, this is a totally different place with their own money. | ||
| And like, you know, you'll see people on TV that are important. | ||
| You're like, who the fuck Who the fuck is that guy? | ||
| You have no idea who their prime minister is. | ||
| You have no idea who any of these people are. | ||
| You hear Margaret Thatcher every now and then. | ||
| We know her. | ||
| We know the prince. | ||
| We'll follow your royal family but we don't know what the fuck is going on. | ||
| So it's fascinating to be over there. | ||
| It's a totally different world. | ||
| England is, first of all, it's got a massive amount of history. | ||
| There's so much history in England. | ||
| There's so many years, many, many, like, if you look at the history of the United States, you're only dealing with like 200 plus years. | ||
| But England, you're like, Jesus Christ, you guys go back over a thousand. | ||
| So it's like you have some really old pubs that have been open since like the 1400s, right? | ||
| Aren't there? | ||
|
unidentified
|
Yeah. | |
| Yeah, yeah. | ||
| 100% there's some real, real fucking old shit in England. | ||
| Yeah, really old shit. | ||
| We've got old shit. | ||
| We're good. | ||
| Old shit. | ||
| We've old shit. | ||
| You could go to a pubs. | ||
| Stop and think about that. | ||
| That's been open since the 1400s. | ||
| What the fuck, man? | ||
| They still have the same barmaid. | ||
| How did you guys deal? | ||
| You have kings and queens still, or at least you have a queen, but you don't really. | ||
| They don't really get to tell you what to do. | ||
| It's a different situation. | ||
| It's almost like they're actors playing the queen and king. | ||
| Yeah, it's like they've They've got to add a deal, and they've kept them a lot, you know, they don't have any power, but you just... | ||
| They give them money, and they make them look badass, and they wave, they do like that, and they just show the most proper behavior. | ||
| And then, if they don't, you know what I mean, that's why probably the queen gets so pissed off. | ||
| Because we could lose our fucking money. | ||
| Yeah, you could lose that gig, keep it together, you little cunts. | ||
| Yeah, you could get fucking fired. | ||
| You gotta act royal. | ||
| Yeah, exactly. | ||
| Keep it posh and proper. | ||
| Posh and proper. | ||
| Keep calm. | ||
| Yeah, and creep on. | ||
| So, like, you see that, like, that whole setup with the castle and all that jazz. | ||
| It's really fascinating because they don't really run the country, right? | ||
| No, no. | ||
| You guys have, like, a democracy, right? | ||
| Yeah, yeah. | ||
| 100%? | ||
| Yeah, yeah. | ||
| Do kings, can you try them for crimes and shit like that? | ||
| No, I think they're... | ||
| This is what... | ||
| I imagine you can't... | ||
| But I reckon if there was something... | ||
| If the king... | ||
| We haven't got a king. | ||
| If the queen... | ||
| Got caught. | ||
| Right. | ||
| Doing something. | ||
| Like lesbo shit. | ||
|
unidentified
|
Oh. | |
| You can't even say that. | ||
| Yeah, you can. | ||
| I just did. | ||
| I'm an American, bitch. | ||
| Mate. | ||
| Land of the free, home of the brave. | ||
| I don't give a fuck, okay? | ||
| Oh. | ||
| I can't take that. | ||
| I can't take that for my queen, Joe Rogan. | ||
| I won't take that for my queen. | ||
| No. | ||
| You crossed the line. | ||
| This is not true. | ||
| This is 100% joking, ladies and gentlemen. | ||
| This is all jokes. | ||
| No disrespect, man, to her majesty. | ||
| I bet the Queen has a shy one. | ||
| She's joking. | ||
| But if she did, what if she had a badass bitch? | ||
| What if she had some hot 20-year-old Puerto Rican chick with thick red lipstick and big areolas and her and the Queen just got caught making out? | ||
| What's wrong with that, man? | ||
| Wouldn't it be great if it was a guy, right? | ||
| Wouldn't it be great if it was a guy? | ||
| If it was a guy, he was an old guy. | ||
| The Queen's single, okay? | ||
| If the old guy, by himself, all of a sudden, boom, he's got this hot 20-year-old Just an unbelievably, ridiculously sexually attractive woman on his lap making out with him. | ||
| Wouldn't that be awesome? | ||
| It would, right? | ||
| Well, is there anything wrong with being a lesbian? | ||
| I say there's not. | ||
| I say there's nothing wrong with being a lesbian. | ||
| So, I say if the queen was a lesbian and she was getting some hot pussy, I'd say good for her. | ||
| There's nothing wrong with that. | ||
| I don't want to see it, though. | ||
| You don't want to see it? | ||
| It can happen, but I don't have to see it. | ||
| You say you don't want to see it, but if I send you a link, you're clicking it. | ||
|
unidentified
|
You're going to click that link, son. | |
| I'm going to send you a link, Mr. Colossus. | ||
| I'll retweet that one. | ||
| You're going to go, well, you know what? | ||
| I didn't want to look at it, but it was there. | ||
| The motherfucker, he sends it to me. | ||
| Next thing I know. | ||
| I'm going into a bit of Arnold. | ||
|
unidentified
|
Next thing I know, I've watched it 500 times in a row while gambling. | |
| Yeah, but you would want to watch. | ||
| You would want to watch your queen have a good time. | ||
| There's nothing wrong with being a lesbian. | ||
| I wouldn't, girl. | ||
| You wouldn't? | ||
| Just out of fair? | ||
| What is that? | ||
| That's the Prince Harry or whatever his name is. | ||
| They caught a picture of him naked with a chick? | ||
| Yeah. | ||
| In Vegas. | ||
| Okay, who did that? | ||
| Who took that picture? | ||
| I think the folks at Circus Circus. | ||
| No. | ||
| Circus Circus. | ||
| They went Hunter S. Thompson style in Vegas. | ||
| Asseted it up in Circus Circus. | ||
| That wasn't a real picture, wasn't it? | ||
| Was that a hidden camera or something? | ||
|
unidentified
|
Someone put a hidden camera in there? | |
| Well, I think they probably tell your people that it's not a real picture, but I bet that's over. | ||
| Your people. | ||
| You know what I bet it is, man? | ||
| I bet a lot of people that are inside the organization, they do that shit on purpose. | ||
| They leak that stuff for publicity. | ||
| That's how they build a business. | ||
| What's that real picture? | ||
|
unidentified
|
I don't know. | |
| I thought you were kidding me. | ||
| The guy's holding his dick. | ||
| I don't hold my dick when I'm by myself, okay? | ||
| If I'm walking around to Vegas, I'm slinging dick like a gangster. | ||
| When did that come? | ||
| It's slapping my left side, slapping my right side. | ||
| I'm not holding it like that. | ||
| That guy's holding it because he knows they're taking a picture. | ||
| That's what I say, okay? | ||
| That was some Columbo-type shit, son. | ||
| I want some credit for that. | ||
| It was leaked. | ||
| That was MacGyver and Tom Selleck combined. | ||
| If there's a picture of you in Vegas holding your dick, you won't be wrong. | ||
| Oh, look at that. | ||
| Oh, come on, man. | ||
| These guys know these pictures are being taken. | ||
| This is not real. | ||
| No, that is real. | ||
| This is not real. | ||
| It really is. | ||
| I think someone busted out a cell phone. | ||
| That's what I think. | ||
| You're saying not real because you believe that it's impossible for royals to do anything wrong. | ||
| Exactly. | ||
| How many people are still brainwashed by the royals in England? | ||
| Is it still an important thing? | ||
| If you were like, fuck the queen, would people be like... | ||
| It depends on your circle of friends, I suppose. | ||
| My friends... | ||
| Your friends wouldn't? | ||
| No, they'd be like, yeah, fuck the queen. | ||
| Because if you said... | ||
| You're allowed to say, like, fuck the president. | ||
| You could say that in this country. | ||
| And people would go, hey, easy. | ||
| But they won't, like, attack you and beat you up. | ||
| But I would imagine... | ||
| By the way, all that stuff that I said about the Queen, these are just jokes, ladies and gentlemen. | ||
| Just no disrespect meant. | ||
|
unidentified
|
I had to go with it. | |
| I would go with it about my own mother, okay? | ||
| I would say that joke about my own mother. | ||
| Because it's not like, again, nothing wrong with being a lesbian. | ||
| And if my mom was a lesbian, I wanted to hook up with a hottie. | ||
| So it's my own mom who I love more than anybody on the planet. | ||
| She's my mom. | ||
| So no worries about it, ladies and gentlemen. | ||
| These are just jokes. | ||
| How many people are like, because I know that it's got a lot more reverence to it than the president does, right? | ||
| Yeah, well, like you said earlier, it's so old. | ||
| Yeah, it's so old. | ||
| How far does it even go back? | ||
| I don't even know, because I think, where the fuck did that come to pass? | ||
| Do you know what I mean? | ||
| Basically, it's the hardest, who's got the fucking hardest gang? | ||
| Yeah, exactly. | ||
| That's what it is, isn't it? | ||
| That's what it was. | ||
|
unidentified
|
Yeah. | |
| Yeah, at one point in time, and the good kings were the ones who didn't abuse you too much. | ||
| Yeah, exactly. | ||
| You know, like, oh, he's a good king. | ||
|
unidentified
|
Yeah, yeah. | |
| He's like, meanwhile, he's living way better than you, and for no reason. | ||
| I mean, cutting out fuckers' heads. | ||
| Beheading. | ||
| Oh, beheading wives. | ||
| Like, who was that one guy? | ||
| Henry VIII? This is where the kid chopped a bunch of his wives' heads off? | ||
| They got a little mouthy. | ||
| He's like, bitch, I'm done. | ||
| I'm done with this. | ||
| Yeah, he would get sick of them and assassinate them. | ||
| I wonder what he would charge them with. | ||
| I don't think you need much of an excuse. | ||
| But I bet he had a thing, probably a ledger. | ||
| People's heads he chopped off. | ||
| Probably looked kind of funny. | ||
| Yeah, you watch shows like Game of Thrones, and I know it's bullshit. | ||
| I'm aware, ladies and gentlemen, people are like, I'll talk about Game of Thrones, and people are like, you know it's not real, right? | ||
| I'm like, please give me more credit than this. | ||
| I saw the dragons, I saw the witches, I'm sure it's not real. | ||
| But it's supposed to represent at least the idea of a time. | ||
| It's supposed to represent without all the fantasy stuff attached to it as well. | ||
| But it's also supposed to represent an idea of a time when there was blacksmiths and swords and horses. | ||
| But that was the technology. | ||
| It sort of ended there. | ||
| There wasn't really any medicine. | ||
| There wasn't really any refrigerators. | ||
| You just had fucking plates of fruit if you were the king. | ||
| And like them drumsticks. | ||
|
unidentified
|
Yeah. | |
| Really massive ones. | ||
| Yeah. | ||
| Turkey legs and shit. | ||
| With a big fucking bear. | ||
| Mutton. | ||
| And a bear. | ||
| Stein. | ||
| Yeah. | ||
| Stein. | ||
| Right. | ||
| Like, did you ever see Beowulf? | ||
| Yeah. | ||
| That's your people. | ||
|
unidentified
|
I love that. | |
| That's your people. | ||
| It's a good movie. | ||
| It's a fun movie. | ||
| Yeah. | ||
| Was that a cartoon? | ||
|
unidentified
|
Yeah, yeah, yeah. | |
| Amazing CGI. That was a great, fun movie. | ||
| Angelina Jolie's boobies. | ||
| Cartoon movies. | ||
| Angelina Jolie. | ||
|
unidentified
|
He's got some big old boobies. | |
| Remember that? | ||
| Got some big ass titties. | ||
| Lindsey Lohan. | ||
| Got some big ass titties. | ||
| That's a good song. | ||
| That's a great song. | ||
| Holly Berry got some big ass titties. | ||
| Just see if you can find that. | ||
| But it'll get us kicked off YouTube, won't it? | ||
| I don't think it will. | ||
| Is that even a real song? | ||
| That shit is not registered. | ||
| Give it a chance. | ||
| There's no way they're fucking calling. | ||
| I'm helping them. | ||
| Jesus Christ, ladies and gentlemen. | ||
| We have to worry about getting our shit booted off YouTube if we have copyrighted material sometimes. | ||
| It's too low. | ||
| Got some big ass titties. | ||
| Halle Berry. | ||
| Got some big ass titties. | ||
| Yeah, that could have been a fun way. | ||
| Even if you were the king, I would rather be a dude who has a decent job today than a king in 2000 years ago. | ||
| Wouldn't you? | ||
| No, I could do good. | ||
| You could do good if you were the king? | ||
| Oh, is that how you would rock it? | ||
| Yeah, I would be playing. | ||
| They'll kill you. | ||
| They'll go right after you. | ||
| Why? | ||
| Fucking kill you in your sleep. | ||
| Is this it? | ||
|
unidentified
|
Big Ass Titties starring Lindsay Lohan. | |
| I'll be Perry with some big ass titties. | ||
| Angelina and Charlie. | ||
| Big-ass titties. | ||
|
unidentified
|
It don't matter if you C-cups or D-cups, whatever. | |
| I'm trying to get in your ass when I'm spinning my cheddar. | ||
| I'm trying to get in your ass when I'm spending my cheddar. | ||
| Oh, what the fuck? | ||
| Black people are awesome. | ||
|
unidentified
|
Shit, man. | |
| I'm spinning my cheddar. | ||
| Come on, give me titties. | ||
| Come on, let me see that. | ||
|
unidentified
|
Ma, come on, give me tears. | |
| Ma, come on, let me see. | ||
| I need to see them C-clubs, D-clubs, yeah. | ||
| I'm so happy that black people exist. | ||
| Because white people have never figured out rap. | ||
| They would have never figured out how you could brag endlessly and it actually could be an art form and fun to listen to. | ||
| It's fun to listen to. | ||
| White people lack the flavor to have come up with rap on their own. | ||
| We needed black people around to spice it up. | ||
| It's very important. | ||
| They would've never come out with that. | ||
| There's a song out right now, Joe. | ||
| It's from... | ||
| I forget the guy's name, like, ASAP Rocky, I think is his name. | ||
| And it's called Fucking Problems, and there's so many cuss words in the song that when they play it on the radio, it's seriously, it was like, you're sitting there like, wait a second, you can't understand a word they're saying, but it has this catchy, like, rhyme that's underneath it that you get into, and it's like a number three song, and you can't understand a word that's in it. | ||
| What is the name of it? | ||
| It's called Fucking Problems by A $AP Rocky. | ||
| I actually have this version, but I don't want to play it. | ||
| Yeah, don't even play it. | ||
| I think that the universe is letting us know in no uncertain terms that it's over. | ||
| The fucking show's over. | ||
| It's getting completely wacky. | ||
| I think that's what reality TV is. | ||
| I think that's what this song being the number three song in the world. | ||
| Go back to the year, whatever it was, when Midnight Rider came out from the Allman Brothers and compare that song... | ||
| To this fucking ridiculous song that has a million cuss words that you can't even play. | ||
|
unidentified
|
I wish I could play just a chorus for you because it's so ridiculous. | |
| I don't even want to hear it. | ||
| It's the aliens that are sending us a signal. | ||
| They're saying, build your ship, okay, and get off this rock. | ||
| They're going to start eating each other. | ||
| This fucking honey boo boo is going to become an adult and she's going to run the planet. | ||
| That's what's going to happen. | ||
| You do wonder what is next. | ||
| Yeah, what is next? | ||
| What's next for you, man? | ||
| You just fought, right? | ||
| Where'd you fight? | ||
| Not for a while. | ||
| My last fight was Bobby Lashley and I got my cheekbone broken. | ||
| My orbital bone got fractured, so that put me out for a while. | ||
| That was a big victory for you. | ||
| Yeah, it was. | ||
| That was a legit victory, like a good, big name. | ||
| It was a good fight, you know, you pulled it off after three rounds. | ||
| Yeah, I watched it not long ago and I thought, just edged it. | ||
| Just edged it. | ||
| It was close. | ||
| Those are satisfying, aren't they? | ||
| Well, I mean, it went to plan. | ||
| I stopped his takedowns. | ||
| My cardio was much better. | ||
| If he did take me then, I got right back up. | ||
| I felt good. | ||
| But what it let me down was the stand-up. | ||
| My stand-up was too slow. | ||
| He was beating me. | ||
| I was meant to then finish him off with the stand-up. | ||
| But he was too quick. | ||
| He was beating me to the punch. | ||
| And I thought, right, fuck it. | ||
| I'm going to have to get him to the cage and make it just messy. | ||
| Just keep him here because he was tired. | ||
| He didn't want to move. | ||
| So keep him there fucking. | ||
| It was good where I managed to do what I wanted to do, but I didn't capitalize. | ||
| That guy is a weird example of a physical specimen. | ||
| He's so muscular. | ||
| You look at him, you go, how could that guy keep his cardio? | ||
| Yeah, he seems like a guy who probably should be like a 205-er, right? | ||
| Yeah, he's too big for his fame. | ||
| Yeah, he's got so much meat on him, but he's so impressive looking, you know, because of that. | ||
| It is. | ||
| It used to be at a time, you know, you look at a guy who was built like that, and you go, well, that guy will probably kick a lot of ass. | ||
| But now you know, like, that guy's handicapped almost. | ||
| Yeah, yeah, yeah. | ||
| No, it is. | ||
| I mean, when you're too big, it's like when I fought Podrinowski, there's so many gaps. | ||
| Yeah. | ||
| You know, I remember he was statically very strong, so he got me, you know, belly to belly. | ||
| He suplexed me over. | ||
| I landed, and he was on top of me, and I fought my underhook, and he was just there. | ||
| There was such a big gap because he couldn't close his arms. | ||
| Well, also, he's not aware. | ||
| I mean, his mixed martial arts training was very limited. | ||
| I watched him hit the pads and everything. | ||
| It was comical. | ||
| It's like, well, this guy never punched in his life, and they teach him how to punch now. | ||
| But that solves his mindset. | ||
| Yeah, he's an animal. | ||
| He's a fucking animal. | ||
| The fact he fought, you know, when I was talking earlier about You know, six weeks and I ain't got a big ego but I've got more of an ego than, obviously, I realized. | ||
| Do you know what I mean? | ||
|
unidentified
|
Right. | |
| Because Pudrinowski thinks for, you know, he jumps into Tim Sylvia. | ||
| Yeah, Tim Sylvia. | ||
| It's a worst fight ever! | ||
| Ever! | ||
|
unidentified
|
Ever! | |
| He's so tall, so rangy. | ||
| Yeah, very dangerous guy. | ||
|
unidentified
|
Do you know what I mean? | |
| It's a worst fight ever. | ||
| And motivated, because he just lost to Ray Mercer. | ||
| Yeah. | ||
| So he wanted, you know, that was an embarrassing loss to him. | ||
|
unidentified
|
It was. | |
| It was. | ||
| Yeah, so he wanted to put a good mark on his ledger, and Pudrinowski was a perfect one. | ||
| Yeah. | ||
| He just ate Pujanowski alive. | ||
| It was like the body beautiful versus a guy with not the greatest genetics in the world. | ||
| Not the greatest genetics kicked the fucking shit out of that body beautiful. | ||
| Easy. | ||
| No problem. | ||
| It was fascinating to see how willing that guy is right away to fight high level guys. | ||
| But he's going backwards. | ||
| He started off Like that. | ||
| And then after the second loss to me, which was, well, it wasn't a loss to me. | ||
| He claimed to have won the fight and then they reversed the decision the next day. | ||
| Yeah, I saw that. | ||
| Well, that... | ||
| That's some fuckery right there, huh? | ||
| Is that in Poland? | ||
| Yeah. | ||
| Fucking hell. | ||
| Do you know what it is? | ||
| Do you know why it always happens to me? | ||
| It always fucking happens to me because I'm the guy who's managed to be noctate. | ||
| I'm like the guy who's had a few. | ||
| I'm semi-legitimate, so I'm like, people are like, oh, you know, he's got, you know, he's had a few wins, he's not a complete bomb. | ||
| So they put me up there. | ||
| I love the part, I'll come to fight, but I'm beatable. | ||
| So then, you know, their guy who's ready to take the next level, he's thinking he's beating Tim Sylvia, don't forget. | ||
| I think he'll fucking fuck Thompson up. | ||
| But it didn't quite go like that. | ||
| Yeah, I think also you've got to think the guy became this amazing powerlifting champion, this strongman champion because he has this undeniable belief in himself. | ||
| So he probably just thinks he doesn't give a fuck. | ||
| So now he keeps running into reality. | ||
| Yes, yes, yes. | ||
| A guy like that needs a real legit coach, like a Greg Jackson or a Matt Hume. | ||
| Someone's going to sit him down and go, listen. | ||
| If there's only one way we're gonna do this and do it right, we're gonna keep your brain, okay? | ||
| And that's you actually learn how to fight, and then you fight. | ||
| I think he is determined. | ||
| He seems like he's getting smaller. | ||
| He's getting smaller as well, right? | ||
| Yeah, he's getting better. | ||
| I think he's work ethic and, you know, to be the strongest man, you know what I mean? | ||
| So I think that part I give him credit for, but he's a fucking prick. | ||
| He's a prick. | ||
| Is he really? | ||
| Oh, he's a prick. | ||
| He's a prick. | ||
| He's not a nice guy. | ||
| No, he's not a nice guy. | ||
| Do you know when I was at KSW, All the staff. | ||
| I talk to everyone. | ||
| Everyone's really nice. | ||
| Do you know when someone grabs your hand? | ||
| When someone grabs your hand? | ||
| Yeah, to shake it. | ||
| And they do that finger thing? | ||
| No, no, no. | ||
| And they go, and they pop up. | ||
| Oh, yeah, with the second arm. | ||
| Why do they do that with the second arm? | ||
| To reinforce. | ||
| Yeah, don't you lower your base? | ||
| This motherfucker's going to judo me! | ||
| Fucking hell, Joe. | ||
|
unidentified
|
It's a hand hug. | |
| You know what I do? | ||
| I don't mind it as long as it's a touch. | ||
| It's a touch with the other arm. | ||
| When you grab my wrist, especially if you go with one of those Jean LaBelle finger lock type situations. | ||
| I don't think they're thinking of it like that. | ||
| You pinch it down with three fingers and you've really got to... | ||
| He might be trying to take it back, son. | ||
| I don't think they've fucking read the Gene LaBelle fucking handbook anymore. | ||
| He should. | ||
| It's a great handbook. | ||
| If you want to fucking kill someone with a walking stick. | ||
| There's another weird thing that dudes will do where they'll hold on to your knee while they're telling you something. | ||
| What the fuck is that? | ||
| When you're sitting down? | ||
| When you're sitting down in some easy chairs next to each other? | ||
| Older dudes will do it. | ||
| When they have something important to tell you. | ||
| No. | ||
| Bobby, I need to suck your dick right now. | ||
| No, they have something important to tell you. | ||
| And they want you to really listen. | ||
| They will even put a hand, not even a full claw, but to let you know that if you wanted to, they could make this shit uncomfortable. | ||
| They'll hold on to your leg and they'll tell you some shit about the government. | ||
| I don't have this happen to me. | ||
| You know, talk to old dudes. | ||
| I talk to old dudes that want to show me that they know shit. | ||
| The worst one for me, they say I've got this black eye. | ||
| The worst one for me is people grabbing your head when they're pissed and they come up and they grab the back of your head and then start pulling you in. | ||
| They want to talk to you almost. | ||
| Not letting you get away. | ||
| Taking the choice away. | ||
| Do you know what I mean? | ||
| Yeah, yeah, yeah. | ||
| Why do people do that when they want to talk to you? | ||
| Hold on to you. | ||
| It's so important. | ||
| Because it's so important what they're going to say. | ||
| Dan Henderson in the back of your head and shit. | ||
| You know, when someone does that to me, Well, we'd be training as well. | ||
| When someone does that to me, it's like, oh, fuck. | ||
| So that's how you got that black eye? | ||
| Yeah. | ||
| What happened? | ||
| Well, I work at, well, he's my mate, but I go to his club and I do security with just normal clothes. | ||
| I have a drink with him. | ||
| I do whatever I fucking want. | ||
| I drink. | ||
| So you do security, but you're also like a patron? | ||
| I'm his mate. | ||
| I'm his mate. | ||
| So you just do it to hang out with him? | ||
| Yeah, but I told him you don't even have to pay me. | ||
| Oh, okay. | ||
| I see what you're saying. | ||
| He's your boy, so you go there and you hang out with him. | ||
| You're security just by existing. | ||
| There you go. | ||
| So then... | ||
| What am I saying? | ||
| I don't know. | ||
| No, I haven't got to it yet. | ||
| That's right. | ||
| It's going to be good, though. | ||
| So, if I can remember. | ||
| So, we're there, and... | ||
| Oh, someone punches the bathroom. | ||
| How you got your black eye. | ||
| Yeah, yeah. | ||
| Someone punches the bathroom and floods it. | ||
| They punch the bathroom and flooded it? | ||
| They punch the fucking container with the water in or something. | ||
| Oh, you guys have like one of them old school above the toilet containers of water that you can punch? | ||
| Yeah. | ||
| Wow, that's hilarious. | ||
| It flooded. | ||
| So I went to look for the guy who did it. | ||
| Right. | ||
| So I said, oh, I'll have a look. | ||
| And he said, white t-shirt, there, there. | ||
| So I'm on the way down the dance floor, and this girl steps on my toe. | ||
| She steps on my toe and she wobbles a bit, so I catch her under the arm, securely, safe. | ||
| And she goes, oh yeah. | ||
| She said something to me, and then this bloke came out of nowhere, cut a fucking peacock in it, and getting right in my face. | ||
| Peacock in it means he was like spreading out his feathers. | ||
| Yeah, he was letting me know. | ||
| Talking shit. | ||
| Yeah, I was like talking to his missus who just happened to look like this skinny fucking... | ||
| She looked alright from the back, but turned around her face was hollow. | ||
| She had fucking loads of makeup. | ||
| Are you saying she's on meth as well? | ||
| This makes the story better. | ||
| It's a methed out couple. | ||
| Yeah, yeah. | ||
| Needles in the hand. | ||
| Yeah, yeah. | ||
| Just fucking... | ||
| Needles falling out of her panties. | ||
| Oh, stop it. | ||
| Um... | ||
| And the guy grabbed, he started saying, I said something to him, and he was taking my kind of kindness, me being okay, and I don't want to fight, I have no reason to, so mine being alright, and he was taking it as a weakness, and I can see it happening, and it's almost like I know what's going to happen, it's almost like I shouldn't do it, and I can just say, fuck off, prick, and just kill it dead there, but I don't, and he went like that, and then he did that, and I pushed his hand off, and he fucking hit me, fucking left-hooked me. | ||
| Did you hit him back? | ||
| Did you break his arm? | ||
| Did you kill him? | ||
|
unidentified
|
Yeah, that's a big mistake. | |
| When you punch a dude like you, and then he's still there, and now you're mad, like, damn it. | ||
| Are you ticklish? | ||
| No. | ||
| You are. | ||
| You're really, really ticklish. | ||
| Look at the way his head moved. | ||
| Don't do it, Brian. | ||
| He'll break this whole fucking table. | ||
| Brian, sit the fuck down. | ||
| You better not tickle him, you motherfucker. | ||
| That guy will kill you. | ||
| He's really fragile. | ||
| Isn't he getting confident? | ||
| He's not getting confident. | ||
| He's getting gay. | ||
| He's trying to lure you into his fucking spiderweb. | ||
| Spiderweb of issues. | ||
| Yeah, give me one of them too, brother. | ||
| That stuff's great. | ||
| Thanks to C2O Coconut Water for sending us all this delicious. | ||
| If you ever have a chance, if you're looking for coconut water to buy, they are not created equal. | ||
| You want to make sure you get coconut water that's from these Thai coconuts. | ||
| That's C2O. That's Brian and fucking Amy. | ||
| Amy and Brian's? | ||
| Is that what it is? | ||
| Yeah. | ||
| Amy and Brian's is the same. | ||
| Same type. | ||
| Hey! | ||
| They're tickling each other. | ||
| This is dangerous, Brian. | ||
| He wouldn't even mean to kill you, Brian. | ||
| It would just be an accidental. | ||
| I'd love him and hugging and going on my own. | ||
| It'd be like Lenny with the Macy's. | ||
| You know what? | ||
| He's killed another one by smoking it. | ||
| Oh, poor Brian. | ||
| I would never kill you, Brian. | ||
| He would hug you and everything would just leak out of your asshole. | ||
| Like a water bag. | ||
| Splotch. | ||
| I would kill you with love and affection. | ||
| His ass would just open up. | ||
| Just rip. | ||
| The whole innards just plonk. | ||
| Ribcage. | ||
| Everything. | ||
| No one's even going to figure out how Ribcage got through his asshole. | ||
| It's going to go right through. | ||
| Intact. | ||
| It's gonna come out and roll across the floor. | ||
| See what happens when you get tickling into this. | ||
| It's something that I've always thought of because I'm extremely ticklish. | ||
| And if I was a fighter, I think if I was in some crazy jiu-jitsu thing, that if the guy just started tickling me, I would freak the fuck out. | ||
| No, not when you're in the moment and you're not thinking about it. | ||
| Because while you're tickling the guy, the guy's on top of you punching you in the face. | ||
| And you're going to stop tickling. | ||
| Part of tickling, like the whole thing is like someone's got power over you. | ||
| And you're like, stop it! | ||
| You're making me feel things I don't want to feel! | ||
|
unidentified
|
Stop it! | |
| You know, but it doesn't hurt. | ||
| It just feels weird. | ||
| You're not tickling when you tickle for yourself. | ||
| Not at all. | ||
| So you don't go there. | ||
|
unidentified
|
That makes sense. | |
| You make the connection between the impact of the fingers. | ||
| But when someone else is controlling, you don't know what kind of ride you're going on. | ||
| And all that shit is actually probably evolutionary, beneficial to keep spiders off of us. | ||
|
unidentified
|
What? | |
| Oh, fucking hell. | ||
| It's like little things that are moving on you. | ||
| You're like, what the fuck is that? | ||
| That's what that is. | ||
| It's like extra sensory for when spiders and shit would crawl into your fucking sleeping bag. | ||
| You know, I mean, that's probably what being ticklish is all about. | ||
| Did you have a sleeping bag back in the day? | ||
| Yeah, yeah, of course. | ||
| I have one right now. | ||
| I have one right now. | ||
| Brian always has a rescue pack in his car. | ||
| A rescue pack? | ||
| Well, he's ready for this. | ||
| When Jack strangles me to sleep. | ||
| He's worried about the earthquake, and so he has a full emergency set up in the back of his car, including ecstasy. | ||
| Including, like, plenty of molly. | ||
| You've got a fucking porn star. | ||
| No, there's none in the trunk where I cleaned it out last night. | ||
| That's one of those ones you say it and you're like, damn. | ||
| It seemed like it was there. | ||
| I took a chance. | ||
| I threw it out there. | ||
| So you got two big wins in a row, right? | ||
| With Bob Sapp. | ||
| Was Bob Sapp in the same? | ||
| No, it's SFO. Oh, that's right. | ||
| Oh, yeah, so that was the same one as Bobby Lashley. | ||
| I've had three big wins, and the fourth, which I classed as a win because it was a bollocks Pochinovsky one. | ||
| Yeah, that was totally horseshit. | ||
| But the Super Fight League is in India. | ||
| Are you enjoying that over there? | ||
| No, I'm not with them anymore. | ||
| You're not with them anymore? | ||
|
unidentified
|
No, no, no. | |
| What happened? | ||
| They said to me, we can get you a fight. | ||
| We want you to fight, what's his face? | ||
| Todd Duffy. | ||
| And I was like, okay. | ||
| And they were like, we want to cut half your money. | ||
| I was like, well. | ||
| And then we wanted to add you a 20% tax, Indian tax. | ||
| So they changed how they do business with you? | ||
| Yes. | ||
| They didn't charge Indian tax before that? | ||
| 10%. | ||
| Are they outsourcing? | ||
| Is that what's going on? | ||
| They're outsourcing heavyweights? | ||
| India's outsourcing as well. | ||
| We outsource to India. | ||
| They outsource heavyweights. | ||
| No, they just... | ||
| I think a guy has a lot of money and they see MMA and think, I'd like to do that. | ||
| India don't have it. | ||
| I like it. | ||
| And then the goal to do it And it's not quite as simple as that. | ||
| They start bleeding money. | ||
| Well, the people don't know what the fuck it is. | ||
| And then you have people like me and Bob Sapp there. | ||
| And it's like, you know, it's wrestling. | ||
| Right. | ||
| Because we both look like... | ||
| And they both watch through this crazy thing at the fucking press conference. | ||
| We're coming to get you. | ||
| And he's like, ah, and then the guy's in the middle. | ||
| The Bollywood guy. | ||
| You know what I mean? | ||
| Right. | ||
| So it looks like bullshit. | ||
| And then when Bob Sapp got injured, it really looked like bullshit, right? | ||
| Yeah, I'm trying to have a thought about that. | ||
| But yeah, but the first fight... | ||
| It's a bit like the first ever UFC. The fucking tooth comes out. | ||
| Someone gets fucking smacked. | ||
| Oh, it's real. | ||
| It was like that. | ||
| Like this. | ||
| A guy comes out. | ||
| I can't remember. | ||
| Professor X. Yeah. | ||
| Outbores someone. | ||
| Do you know what I mean? | ||
| Straight away. | ||
| So they had some good fights, but is it that the guy's running out of cash? | ||
| It's costing a lot of money to do this? | ||
| No, I don't think he's running out of cash. | ||
| I actually think he don't like... | ||
| Losing it. | ||
| Oh, so he's losing it, so he's trying to minimize the amount he's losing. | ||
| Yes, basically, yes. | ||
| Yeah, it's not easy to fucking put together a gigantic organization. | ||
|
unidentified
|
No. | |
| A lot of people don't realize that the UFC was $44 million in the hole before it started to turn around and become profitable. | ||
| That all became because of the Ultimate Fighter. | ||
| They bankrolled that show. | ||
| They essentially put together that show, produced it, and then bought time on Spike to air it. | ||
| It's really a crazy, crazy fucking gamble, but one that turned out incredibly well. | ||
| To get that level of recognition for your organization, you've got to have something like Viacom behind you, like what Bellator is doing. | ||
| You've got to have something big behind you. | ||
| You have to have a push where they have, okay, look, we have determined that we have X amount of talent. | ||
| We have this amount of budget. | ||
| We can go after new talent. | ||
| We can offer people a commensurate cash reward for wins that you would get in the UFC. | ||
| We can match their money. | ||
| So let's get crazy here. | ||
| Let's see what we can do. | ||
| But you have to be willing to lose a lot of fucking money to do that. | ||
| Because until they start doing pay-per-views, man, until they start doing pay-per-views, where's all that money coming from? | ||
| You're going to have some world championship fights? | ||
| Well, Indians aren't the most athletic of people either. | ||
| They're not? | ||
| Well, they were great wrestlers at one point in time. | ||
| Yeah, the wrestling as a sport, but the Indian physique as a whole... | ||
| Not so good? | ||
| What about the women, though? | ||
| Nothing? | ||
| Not into it? | ||
| The Bollywood ones have got the kind of thing where they all want to be English. | ||
| Right. | ||
| Do you know what I mean? | ||
| So get as white as they can be. | ||
| Do like the Japanese or the Chinese. | ||
| I've seen a few hot Indian porn stars. | ||
| Yeah, I mean, it's hot, everyone. | ||
| That's true. | ||
| Do you know what I mean? | ||
| It really is, right? | ||
| But on the average, not so much. | ||
| No, India is so fucking poor. | ||
| The women are thinking about fucking eating. | ||
| Do you know what I mean? | ||
| Never mind. | ||
| It's that poor, huh? | ||
| When I went, first time doing a press conference, I could not fucking believe it. | ||
| I mean, you see it, but there was chaos. | ||
| Do you know what you were saying earlier? | ||
| Like, over here, this and that, different countries. | ||
| Different world. | ||
| Fucking India. | ||
| I mean, I've been to a few places, but that... | ||
| I was with my missus, Malene, and she says to us, I'm surprised we haven't... | ||
| There's kids, like a little kid in the middle of the road, eating a banana. | ||
| Just sat there, and it was busy as fuck, and the... | ||
| The thing what fucking separates the road was about that much, and this little kid was eating a banana, just chilled out in the sun, and the cars are going past everything. | ||
| Wow. | ||
| And I was like... | ||
| So the kid's just on a strip of the road and he's eating a banana and no one gives a fuck. | ||
| No one gives a fuck. | ||
| And I was like, and then Grant says to us, fucking, I'm surprised you haven't seen any wild dogs or anything like that. | ||
| And then I literally turned my head and there's this massive big fucking bull. | ||
| A bull? | ||
| Yeah, just fuck it. | ||
| I think it was a bull walking down the road. | ||
| And I was like, fuck. | ||
| This is mad. | ||
| Just chaos. | ||
| And no one walks on the road. | ||
| No one walks on the pavement. | ||
| Everyone walks on the fucking road. | ||
| And a bull was just walking down the street? | ||
| Yeah. | ||
| Jesus Christ. | ||
| Just fucking... | ||
| Watch out for the kid! | ||
|
unidentified
|
A fucking bull and a kid on the same street. | |
| Yeah. | ||
| And it's just madness everywhere. | ||
| Just madness everywhere. | ||
| And you're like... | ||
| And then when we went to our hotel... | ||
| It's the apocalypse. | ||
| I mean, if that came to England, it would be the apocalypse, right? | ||
| If that came to London, that would be the apocalypse. | ||
| That would be fucking game over. | ||
| But it is the apocalypse, right? | ||
| It's just there. | ||
| Yeah. | ||
| It's just you can go visit the apocalypse. | ||
| They were all fucking on the beach... | ||
| Going in the water with the whole clothes on. | ||
| Wow. | ||
| Which, I know that's only a little thing, but it just seems so... | ||
| No one was sunbathing. | ||
| No one was lying on the beach. | ||
| Everyone was just standing on the beach and in the water with the whole clothes on. | ||
| And I thought, are they washing the clothes? | ||
| I don't know. | ||
| I fucking don't know. | ||
| Wow. | ||
| What the fuck? | ||
| But some of India's... | ||
| They have a tiger problem, too. | ||
| Right there. | ||
| Some parts. | ||
| I mean, India's huge, but... | ||
| The Sundarbans have a real tiger problem. | ||
| Over the last 200 years, I think 300,000 people have been killed there. | ||
| Some insane number like that. | ||
| They have a real problem. | ||
| They have brackish water, where it means the water is not fresh and it's not salt. | ||
| It's a combination. | ||
| It's not quite the salinity of sea water, but it's more salty than regular fresh water. | ||
| And because of that, the tigers have nothing else to drink, and they drink that shit and they get really agitated. | ||
| And they get really aggressive. | ||
| They don't die. | ||
| Well, they die. | ||
| I mean, what, they become monsters? | ||
| What are you saying? | ||
| They drink the salt water. | ||
| It doesn't work that way, dude. | ||
| Imagine how all you do is add salt to tigers and live forever. | ||
| You'd be fucked. | ||
| No, they get... | ||
| It's just only in theory. | ||
| That's why they're so aggressive. | ||
| But also, the theory is that the typhoons come, and I guess these crazy storms that come, a lot of people die. | ||
| A lot of people that are near the water wind up in the water. | ||
| So the tigers wind up eating the bodies that wash down the shore. | ||
| And there's so many of them in the water, apparently, a bunch of tigers will jump in and they have no other meat. | ||
| They'll just eat these bodies. | ||
| They don't mind doing that. | ||
| So then they develop a taste for human flesh. | ||
| So if the monsoons come or typhoons or whatever they are and kill a bunch of villagers and a few of them wind up in the water and tigers eat them, those tigers now know what people taste like and they go looking for it. | ||
| That's where shit gets spooky. | ||
| What struck me about India, like, when I went to hospital, I was there for an extra week because obviously I was having my face. | ||
| What happened when the guy, this is from when the guy sucker punched you? | ||
| No, no, this is from Bobby Lashley. | ||
| Yeah, he broke my orbital. | ||
| He broke your orbital? | ||
| Yeah, he broke my orbital. | ||
| What happens when you have an orbital break? | ||
| They put a mesh, apparently these are collapsible, and they're obviously designed to be there, the eye drops down, it protects your eyes. | ||
| So it broke, and they put a guard in there, like a titanium guard, and now it's as fucking good as new. | ||
| So they put a titanium guard in your face? | ||
| Yeah, yeah. | ||
| Do you think dudes will ever get titanium guards put in their face without it breaking, just to protect it, make sure you don't get broken orbitals? | ||
| Yeah. | ||
| I mean, it would work, right? | ||
| Well, I don't know, because it's meant to be collapsible. | ||
| So that's what I said to the doctor. | ||
| I said to him, oh, it's meant to be collapsible. | ||
| And he says, yeah, I said, with the titanium plate, it won't be collapsible. | ||
| And he said, no, no, it won't. | ||
| I said, so... | ||
| If it won't collapse, does that mean my eye's in more danger? | ||
| And he said, well, I wouldn't fight if I was you. | ||
| Whoa. | ||
| Well, he wouldn't fight if he was you anyway. | ||
| Yeah, that's what I thought. | ||
| What a fucking stupid thing to say. | ||
| That's a stupid thing to say. | ||
|
unidentified
|
Yeah, it is. | |
| If you were, if you was you, you would fight. | ||
| No, no. | ||
| So I said to him, is it safe? | ||
| And he said, if I was you, I wouldn't fight. | ||
| And I thought, that's not an answer. | ||
| First of all, he's being honest, because he's not a fighter. | ||
| He's a doctor. | ||
| Yeah, but I don't need his opinion on fucking everything. | ||
| I had a meniscus surgery, and the lady was telling me never to do jiu-jitsu again. | ||
| You need to stop. | ||
| It's just a meniscus surgery. | ||
| What are you talking about? | ||
| You need to stop. | ||
| You're going to be crippled by the time you get old. | ||
| Your knees won't work. | ||
| You're like, whoa. | ||
| I have so many arguments with doctors about steroids and things like that. | ||
| Because they don't know. | ||
| Try to get prescriptions and they say, get the fuck out of here. | ||
| Fill in my bag. | ||
| Just go to Mexico, man. | ||
| It's super easy. | ||
| No, no. | ||
| But so many arguments, because I realize they don't actually, they see a lot of the negative effects and they don't actually know what they're talking about. | ||
| Well, there's an issue with a lot of doctors when it comes to two areas and a big one is nutrition. | ||
| There's a real issue with a lot of doctors that are really not that much more informed than the lay person when it comes to nutrition. | ||
| If you're the average person that reads an article or two here and there about the benefits of vitamin C or alpha-lipoic acid or whatever the fuck you read about, you probably know as much as your average general practitioner. | ||
| They don't really know that much about nutrition, on average. | ||
| Of course there's exceptions to the rule. | ||
| And when you're dealing with something like nutrition, which is, you know, an integral part of your health in the first place, it's a weird thing when the doctors are only, like, their idea of wellness is only taking care of you after you're broken. | ||
| It's not, like, completely stopping all this shit from happening in the first place. | ||
|
unidentified
|
Yeah. | |
| And, like, stepping in and giving you nutrition and making sure you don't... | ||
| It's never the long game, is it? | ||
|
unidentified
|
Yeah. | |
| It's also the fix-up. | ||
| But then again, they have to understand that the body is a finite proposition. | ||
| And if a man wants to be a fighter, then you've got to patch him back up and send him out there. | ||
| It's his decisions. | ||
| Yeah, I think... | ||
| I wouldn't fight it if I was you. | ||
| But he's not you. | ||
| Yeah. | ||
| You know, you wouldn't be a doctor if you were him. | ||
| And as he went off, I was like, I won! | ||
| Oh, never mind. | ||
| Yeah. | ||
| Is there a point where you think, if you look at your career, if you look at your future, where you say, well, if I get to this point, I'm done? | ||
| No. | ||
| No? | ||
| You just can do it until you enjoy it? | ||
| Well, I stopped enjoying it for four years. | ||
| I fucking hated it. | ||
| For four years? | ||
| Four or five years. | ||
| When I started gambling. | ||
|
unidentified
|
Oh. | |
| And then I wouldn't admit I hated it. | ||
| I'd have like little spells where I would be like... | ||
| I can't do it anymore. | ||
| I don't want to... | ||
| The pressure, the fucking headfuck of it all, the this, and then when I get my money, I'm only gambling it all. | ||
| I just... | ||
| You know what I mean? | ||
| Right. | ||
| I can't do it anymore, and I can't keep bringing myself back up, like Kimbo was meant to be a big comeback. | ||
| Pochneroski, you know, keep it going. | ||
| Just, you know, Butterbean, that bollock. | ||
| Just a lot of bad decisions. | ||
| And... | ||
| By me as well. | ||
| But not just bad decisions. | ||
| Bad results? | ||
| Well, bad results. | ||
| Some caused by me and some just bad decisions. | ||
| Do you know what I mean? | ||
| The Kimba fight was seen by how many people? | ||
| There was a huge audience, right? | ||
| Eight million people, I think. | ||
| Six or eight, I can't remember. | ||
| And most people, what they remember is that you came into the cage with a fucking mouse living in your ear. | ||
| You had like a whole mouse family living in your ear. | ||
| And it blew up, right? | ||
| It popped in the middle of the fight and started leaking. | ||
| That was so hard to watch. | ||
| That was the most fucked up ear ever seen on national TV. No one had a more fucked up ear ever. | ||
| My ear's more famous than me. | ||
| I'm jealous of it. | ||
| I'm jealous of my ear. | ||
| Is that right? | ||
|
unidentified
|
People talk about that fight. | |
| Remember that guy that fought Kimbo with a crazy fucking ear? | ||
| Oh shit. | ||
| Yeah, yeah, yeah. | ||
| Colossus, yes. | ||
| I'm not going to be remembered for that though. | ||
| For that? | ||
| No. | ||
| Well, you'll be remembered for your entire career, sure. | ||
| No, what I'm saying is, at the moment... | ||
| People do remember that. | ||
| Yeah, at the moment, people would say, I'm the Kimbo. | ||
| You know what I remember? | ||
| I remember you had Kimbo in side control and they stood you up. | ||
| Yeah. | ||
| Yeah, yeah, yeah. | ||
| You know, I remember that, right? | ||
| Nobody ever points that out. | ||
| Yeah, I put that out. | ||
| I mean, I take a lot more whacks before that changes the fucking pace of a fight. | ||
|
unidentified
|
The fuck yeah, it does. | |
| You don't stand a guy up when a guy works hard. | ||
| And I just got there. | ||
| Uh-huh, yeah. | ||
| Elite XC was a corrupt organization. | ||
| Corrupt. | ||
| They changed the rules. | ||
| They told guys to stand up and bang. | ||
| They told guys to stand up and bang. | ||
| They gave them instructions and they made the referee stand guys up much earlier. | ||
| Big Country was fighting Andrei Oloski. | ||
| And had him in a fucking side control position, working a Kimura, and they stood him back up. | ||
| I'm like, you gotta be fucking kidding me. | ||
| Jake Shields, they did that same shit when he was fighting Paul Semtex, when he was fighting Paul Daly. | ||
| Same shit. | ||
| They try to stand him up early, but Jake just attack, attack, attack, and got him in an armbar. | ||
| He just went... | ||
| Jake's a high-level black belt, so he just went after it really quickly. | ||
| But you had Kimbo in fucking side control. | ||
| You worked to get it. | ||
| You got it. | ||
| You were in a dominant position. | ||
| He was tired, and they stood you back up. | ||
| Those dirty bitches. | ||
| Gary Shaw said, we did a radio interview where everyone's on the other line, and I just finished training, so I'm on the phone. | ||
| No one was asking me fucking any questions. | ||
| And I thought, yeah, I'm just the guy for Kimball to beat. | ||
| And then someone asked Gary Shaw a question and they said, this is how he was holding the phone. | ||
| They asked Gary Shaw the question. | ||
| I like that. | ||
| I did emphasis there, just in case you couldn't visualise it. | ||
| They said to him, what would you do if James Thompson won? | ||
| And he said, I'd hang myself. | ||
|
unidentified
|
And I thought, wow. | |
| That's the dumbest motherfucker in the history of MMA productions. | ||
| The idea that you have one guy that's the most important thing and bank everything on him winning is so stupid. | ||
| All eggs completely in one basket. | ||
| Because if you kicked that guy's ass, it would have been awesome. | ||
| If they left you inside control, it would have been awesome. | ||
| Just like it was awesome for him when he won. | ||
| It would have been awesome for you. | ||
| Then, you know, you've got to let the guy who's supposed to win, win. | ||
| When you're trying to just be the most marketable, you're looking for the most marketable guy, you're never going to have a legit organization. | ||
| His whole organization was essentially a corrupt organization. | ||
| That's what that is. | ||
| Well, I'm writing a book at the moment. | ||
| The blogs have gone so well. | ||
| I thought to myself, I've got a fucking... | ||
| I started looking back at the different stories because I did the Fedor drinking one and everyone loved it and a few more. | ||
| So I started thinking I've got fucking... | ||
| That Elite XC story is a very important story for martial arts because that made me angry. | ||
| I was watching that at home and I was angry. | ||
| I was like, this is crazy. | ||
| And I love Kimbo. | ||
| I think he's an awesome guy. | ||
| He's a great character. | ||
| I like watching him fight. | ||
| He won a boxing match recently. | ||
| He's been winning a lot of boxing matches. | ||
| I love that dude. | ||
| It's not that I wanted him to win or you to win, but I wanted fairness. | ||
| And you worked hard to get to that position and you were in a dominant position. | ||
| They stood you back up and you were fucking tired. | ||
| And you got cracked. | ||
| And they did the same thing with Big Country. | ||
| When Big Country had Arlovski down, he was working for a fucking Kimura, and they stood him up. | ||
| I'm like, are you crazy? | ||
| It was quite ironic that I watched Big Country, and he was almost in exactly the same position as me when he beat Kimbo. | ||
| And I thought, oh, you know, he's kind of not mentioned or not. | ||
| It's very close to the same position. | ||
| I mean, the only difference is he had a full mounted crucifix on him. | ||
| Yeah, that's right. | ||
| You know, which I'm sure you could have worked towards. | ||
| You had him on his back. | ||
| He was only going to get more tired. | ||
| There was a couple minutes to go, right? | ||
| The thing with that fight is not that I think they should have stopped the fight there because he came back and he had me rocked in the third round. | ||
|
unidentified
|
He did. | |
| He fucking hurt them punches. | ||
| And I was. | ||
| I was rocked. | ||
| So it's not that. | ||
| But they should have let... | ||
| He might have knocked me out. | ||
| I don't know. | ||
| He might have knocked me out. | ||
| I might have took him down. | ||
| Right. | ||
| I don't know who would have won. | ||
| That's the fucking point of the fight. | ||
| You've got to let the fight conclude. | ||
| He could have knocked me out. | ||
| But one more takedown and he was mine. | ||
| Well, you take such a good shot and you take so many shots that sometimes people don't know what the fuck to do. | ||
| And I think a fight like that, like you took some bombs from Kimbo and you were still there. | ||
| And it's like the referee is like, man, do I rescue this fucking guy? | ||
| It's a weird judgment call and it's... | ||
| Very important to have the right referee in a situation like that. | ||
| A guy like Herb Dean, he'll let you fight. | ||
| He'll let you fight, but he will save you if he knows you're fucked. | ||
| I think there's a lot of fights where the referee errs on the side of caution and protects the fighter. | ||
| In a case like yours, you feel like you were denied an opportunity because of that, right? | ||
| Yeah, and what I was saying before, I started vambling, but I was backstage, and it had just happened, and Gary Shaw's son, that fucking... | ||
| Yeah, big kid? | ||
| Scala, is that what they call him? | ||
| Yeah, Scala. | ||
| Seems like a nice guy. | ||
| With a fucking... | ||
| What's that? | ||
| Dollar sign? | ||
| Fucking... | ||
| Yeah. | ||
| Is it a dollar sign chain? | ||
| Oh, the S is scholar. | ||
| Yeah, it's clever. | ||
| Yeah, well, he grew up with a rich dad. | ||
| And he's bald. | ||
| It's an interesting way to live your life. | ||
| But he came up to me and he said, you've got to go to the hospital. | ||
| You've got to go to the hospital now. | ||
| You've got to go to the hospital? | ||
| Yeah. | ||
| And I turned to him and I said, yeah. | ||
| He said, yeah, right. | ||
| But he'd turned away, or, you know, because there was a lot going on. | ||
| So he didn't hear me. | ||
| And then he turned back and went, you have to go to the hospital now. | ||
| I'm taking you now. | ||
| And I went, You really want me to go to the hospital. | ||
| Right. | ||
| Too much. | ||
| So then I went to the press conference instead. | ||
| And as I walked into the press conference, Gary Shaw was going, we've just had to take James Thompson to the hospital, the emergency room. | ||
| He has breathing, and I'm there. | ||
| And someone caught into it, and I was drinking a drink. | ||
| You know what I mean? | ||
| And I think, that sums it up, really. | ||
| That sums it up. | ||
| They're corrupt. | ||
| More than words. | ||
| You know what I mean? | ||
| Yeah, that's a corrupt organization. | ||
| That's horseshit. | ||
| They're pretending you were hurt more than you were to pump Kimbo up. | ||
| Yeah. | ||
| Wow, that's interesting. | ||
| Yeah. | ||
| Look at that stupid organization that was. | ||
| You know, I don't make predictions, man. | ||
| I very rarely make predictions. | ||
| But one of the predictions that I made was when Elite XC mixed Seth Patricelli up with Kimbo. | ||
| Okay. | ||
| I'm like, well, come on. | ||
| Seth Petrosili's been around a long time. | ||
| He's a seriously seasoned guy. | ||
| I'm like, this is a terrible fight. | ||
| Heavy hands. | ||
| Heavy hands, and he's very aggressive, especially in the first round. | ||
| Like, he's going to come after you, man. | ||
| You know, he's had a bunch of injuries, and... | ||
| He's had a long career. | ||
| He's fought a long time. | ||
| But in that fight, I was like, boy, I see that as a mismatch. | ||
| That's a bad fight for Kimbo. | ||
| Yeah, last minute. | ||
| They're so stupid, the way they designed that organization around one guy who was basically a really exciting prospect. | ||
| He was a really fun guy. | ||
| He had a cool look. | ||
| I'm glad that he made some money. | ||
| I'm glad that he did well. | ||
| But that you would bank it all on this one guy based on... | ||
| No, you could have him fight other guys too and pump them up too. | ||
| Yeah, of course. | ||
| And it's MMA. It's the most unpredictable sport ever. | ||
| And now he's fighting boxers and, you know, I mean, he's got a bunch of knee problems as well. | ||
| Yeah, he doesn't... | ||
| I mean, he looks up. | ||
| I mean, the guy he fought... | ||
| I thought the guy was going to win in the end. | ||
| I mean, Kimball did well to get the body shot and finish him. | ||
| Oh, the last boxer? | ||
| Yeah, that guy seemed a bit out of shape. | ||
| But he was dangerous, man! | ||
| He was throwing him, and they were both gassed in the first round. | ||
| They were both fucked for that second round. | ||
| Well, he teed off on Kimbo one combination, and Timbo stiffened up. | ||
| Kimbo stiffened up. | ||
| He got tagged for three or four clean ones. | ||
| Two carried away. | ||
| He went for it too, and Kimbo did well and got that and just finished it. | ||
| Well, Kimbo recovered really nice in that fight. | ||
| That was impressive. | ||
| It was obvious that he's in shape. | ||
| That was a crazy fight. | ||
| He's an exciting guy. | ||
| It's not that I didn't want him to win or wanted you to win, but when they stood you guys up, I was like, you guys are ruining the sport because that's not the sport. | ||
| That's what it's about. | ||
| Like you say, you don't know the individual people. | ||
| The arrogance of promoters, man. | ||
| The arrogance of those boxing guys that think that they could just come in and just sort of work it the way they've worked boxing. | ||
| It shows you how they've worked boxing, how they build up contenders, and they're not concerned as much about what you can do as they are about how much money they can make off you. | ||
| So it's not about we need to test him against some strong competition. | ||
| No, it's about let's get him some setup fights and let's avoid that guy because that guy will exploit him. | ||
| As long as possible. | ||
| Yeah, keep it going as long as possible. | ||
| Promote it all yourself. | ||
| Do it all internally. | ||
| This is Don King's fighter. | ||
| I'm Don King, the promoter. | ||
| And you get it to a point where the guy's a champion, and then you fucking reek in the cash while avoiding the dangerous guy that nobody knows that will knock him out. | ||
| It's a fucking Rocky movie, Colossus. | ||
| You can give the money. | ||
| The money you do make, you put to good use because you fund Sark's rap career. | ||
| Yes. | ||
| Whose rap career? | ||
| His sons. | ||
| Oh yeah, Scala? | ||
| Scala, sorry, Scala. | ||
| You got a rap career? | ||
| Is he a good rapper? | ||
| Oh, mate. | ||
| I'm surprised you haven't heard it. | ||
| I just think it's very lucky. | ||
| We're all very lucky that that organization doesn't operate the way it did. | ||
| Have you not seen his video? | ||
| No. | ||
| There's a real rap video? | ||
| Yeah, yeah, yeah. | ||
| I want to make fun of the guy. | ||
| He's a young guy. | ||
| Look, he grew up with a wacky dude for a dad. | ||
| I mean, if that's your dad, what the fuck? | ||
| I'd be a douchebag too if that was my dad. | ||
| How the fuck am I going to turn out? | ||
| This is my role model here. | ||
| Well, yeah. | ||
| I mean, you don't have to turn out. | ||
| He's a young guy, right? | ||
| Yeah, of course. | ||
| I mean, my mom had a terrible upbringing. | ||
| She's the best ever. | ||
| Do you know what I mean? | ||
| Sometimes it works the opposite. | ||
| It's hard to say, isn't it? | ||
| I know what you mean. | ||
| Playing the odds, generally... | ||
| If Gary Shaw's your dad. | ||
| Yeah, I'm going to be an asshole. | ||
| Generally, I am. | ||
| Did you harbor resentment from them after that, when you knew that they had stood their fight up like that? | ||
| I did. | ||
| I did, but I used that in a wrong way. | ||
| In a wrong way? | ||
| That stupid blockhead, that damn Murgliotta, he fucked it up for my mate Moss. | ||
| He was reffing him, and Crocott poked Moss in the eye. | ||
| Moss went out. | ||
| Who was it? | ||
| Musa El-Turk. | ||
| Oh, Mustafa. | ||
| Yeah, Mustafa El-Turk. | ||
| He got poked in the eye by Krokop. | ||
| And then he didn't stop the fight. | ||
| And I was like, you fucking prick. | ||
| You know... | ||
| Murgliad is the same one that stood you up with Kimbo. | ||
| Yeah, it's the same one with all the other friends. | ||
| But they instructed them all to do that, right? | ||
| Didn't they instruct the referees to do that? | ||
| I don't know. | ||
| Yeah, that's a really tricky situation. | ||
| That's where there's a very famous clip of Dana White yelling at the camera going, that's fucking illegal. | ||
| Because that kind of shit can alter the course of a fight. | ||
| And one of the reasons why it's illegal is because people bet on fights. | ||
| So you're essentially, for Vegas it's legal, okay? | ||
| So you're fixing that fight. | ||
| If you're telling a guy that he has to go to the ground, or you're telling a guy that he has to stand up, you're altering what he would or wouldn't have done independently on his own. | ||
| You're essentially fixing the fight. | ||
| Oh yeah, you're putting out. | ||
| Well, even if you're wrong, you're attempting it, and it should be illegal. | ||
| To have any influence whatsoever on how the guy performs in any other way other than just saying, hey man, this is your best bet to win this fight. | ||
| Anything else you tell them, like, what are you doing? | ||
| What the fuck are you doing? | ||
| You're influencing the possible result, especially if you're a promoter. | ||
| So if there's a promoter that tells a referee they've got to stand people up early, that guy should be in jail. | ||
| Well, they had a... | ||
| I mean, I don't want to go into it too much, but... | ||
| The judges, I found out the second round, all the judges scored it 10-9 to me, the first round. | ||
| The second round it was 10-8, 10-8. | ||
| And then Gary Shaw's mate, who lives down the road from him, who Gary Shaw was on the New Jersey Athletic Commission, that guy scored it 10-8 to Kimball, that second round. | ||
| Whoa. | ||
| Yeah, I know. | ||
| Wow. | ||
| Just corrupt. | ||
| Yeah, like you say, it's corruption. | ||
| 10-8. | ||
| People are crazy. | ||
| And the other end, he did 10-9 to me. | ||
| Yeah. | ||
| And I was like, eh? | ||
| There's a lot of people that are just like, just flip a coin at the end of a round, too, though. | ||
| There's a lot of bad refereeing in MMA. Or bad judging in MMA. Yeah. | ||
| More bad judging, I think, than refereeing. | ||
| There's a lot of really good referees. | ||
| But there's some standout bad judges that keep turning into bad decision after bad decision. | ||
| You're like, well, you're crazy. | ||
| How do you see that fight like that? | ||
| That's nuts! | ||
| There's so many of them. | ||
| There's so fucking many of them. | ||
| There's a lot of bad, bad judging going on. | ||
| It just doesn't make any sense to me that you're talking about a sport that's one of the most popular sports at this point in the world. | ||
| One of the most dangerous and one of the sports that requires the most commitment out of the athlete because you're not just putting your physical body on the line. | ||
| You're putting your emotional well-being, how you feel about life. | ||
| You're putting a lot of shit on the line and you're not partying. | ||
| You've got to fine-tune your weapon properly. | ||
| Over the course of eight weeks of long, hard, grueling fucking training and to have all that judged by someone who is just totally incompetent and is completely out of the loop as far as like transitions, techniques, the benefit of being in certain places, the benefit of holding certain positions. | ||
| How do you score a round? | ||
| Subjectively, When you're looking at all the different things that happen in the round, if you don't know which ones are good, how do you score that round? | ||
| Are you just guessing? | ||
| It's like you said before about the system. | ||
| That is in everything. | ||
| You see that I went to a wrestling show. | ||
| A wrestling show. | ||
| I went to like some, my mate was wrestling Greco and freestyle wrestling, like proper wrestling. | ||
| So he went out and the people, I had a mate who's a freestyle wrestler. | ||
| He won Commonwealth gold for England. | ||
| He's like the prospect. | ||
| Now we had the Olympics, didn't we? | ||
| The wrestling board, them old fuckers who haven't wrestled a day in their life, had three wildcards. | ||
| One of them, They're used for a woman who's Russian. | ||
| And the other two... | ||
| A Russian woman wrestler? | ||
| Yeah. | ||
| But they got a... | ||
| All of a sudden, I'm hard. | ||
| And she had a beard. | ||
| She had a beard as well. | ||
| Of course she had a beard. | ||
| She said Russian woman. | ||
| I heard you. | ||
| But the two others... | ||
| The two other... | ||
| Wildcards, they just didn't use. | ||
| Didn't give it any British people. | ||
| My mate, Leon Roberts, who'd been wrestling, like you say, forever. | ||
| That's what reminded me. | ||
| When you said it, he'd been wrestling since he was a kid. | ||
| All the way. | ||
| He gets the Olympics, he's going to go, and they don't use one of the wildcards. | ||
| Just don't use them. | ||
| Why? | ||
| It's unbelievable. | ||
| Well, there's a lot of corruption in sports. | ||
| And wrestling's not even part of the Olympics now. | ||
| No, that's crazy. | ||
| The newest thing to happen is that the Olympic Committee, which has... | ||
| Figure skating, right? | ||
| Isn't that in there? | ||
| Mate, synchronized swimming. | ||
| Synchronized swimming. | ||
| Ping pong. | ||
| Fucking handball. | ||
| All which are fine to practice if you enjoy doing them. | ||
| Yeah, you can get really good at them. | ||
| The idea that you can't have... | ||
|
unidentified
|
Wrestling in the Olympics is insane. | |
| That's what the Olympics is based on. | ||
| It's one of the most important sports in MMA. It's the oldest. | ||
| The most important weapon in MMA is the ability to control whether or not the fight stays up or on the ground. | ||
| If you're the better wrestler, you can dictate one of the most important aspects of fighting. | ||
| It's where the fight takes place. | ||
| And if you can enforce your game plan on the fire, you're very likely to win. | ||
| And forget about MMA. Forget about MMA. Wrestling for kids is one of the best tools for character development of young athletes because it is fucking brutal. | ||
| And it's really about heart and determination and it becomes about your will to push forward. | ||
| Your will to make sure that you put in the miles in the morning so that in that second period you're the one who has more energy and you get the take down. | ||
| It's character building. | ||
| It's setting goals, achieving goals, competition without worrying about getting knocked unconscious like boxing competition or martial arts competition. | ||
| It's one of the most grueling ways to test yourself. | ||
| But they're doing that. | ||
| And they find that out. | ||
| Crazy. | ||
| Just building a world full of pussies. | ||
| We are building a world full of pussies. | ||
| We really are. | ||
| And the crazy thing is when a guy like you says that, they look at you and go, oh, this fucking meathead wants everybody to be fighting in the streets. | ||
| No, I don't. | ||
| No. | ||
| But there's a benefit to character development that a lot of people are missing. | ||
| And it's one of the reasons our world is so cunty. | ||
| It's because men don't have to be men anymore. | ||
| You don't have to develop character. | ||
| You don't have any real good feel. | ||
| The way you carry yourself and the way you live your life and the way you stand up for things and the way you... | ||
| Sort of carve out your own destiny. | ||
| That's a whole part of being a man. | ||
| And you benefit from any test that your will gets. | ||
| You benefit from any new experiences you can take into a situation. | ||
| Bullet ants? | ||
| Yeah. | ||
| Yeah, with the gloves. | ||
| That's how they test them. | ||
| I think they just don't have the internet yet. | ||
| Because if they had the internet, they would cut that shit right out. | ||
| They'd probably be doing it on the internet. | ||
| They'd just be jerking off all day. | ||
| If you gave the Amazon people the internet, they'd be like, I'll get all these bitches sucking. | ||
| I thought you meant with the fucking glove. | ||
| No, not the glove. | ||
| That'd be painful. | ||
| Yeah, you'd be really gangster if you'd jerk off with a bullet ant glove. | ||
| Yeah, maybe that's the next test. | ||
| I'm sure someone's done it. | ||
| That's a fair fact thing, isn't it? | ||
| No. | ||
| Fear Factor season 2024. Adam Carolla is the new host. | ||
| Yeah, there's no way you could survive more than 100 bullet ants on your dick. | ||
| I think you would just die. | ||
| Even before, just knowing you have to do that test, you'd die. | ||
| Before you even got the chance for it on. | ||
| Maybe you wouldn't even. | ||
| If you don't know, folks, bullet ant is one of the most poisonous ants in the world, and Brian Callen described it to me. | ||
| That's one of my favorite ways anybody's ever described it. | ||
| They say it feels like if you get stung in your arm, like getting your arm slammed in a car door for a day. | ||
| Slam, slam, slam. | ||
| Just insane pain that brings you to your knees and it lasts like a day. | ||
| Just imagine one in your dick hole. | ||
| What? | ||
| It's crawling inside your dick hole and then stings the root of your ball bag. | ||
| Your balls swell up like grapefruits. | ||
| You can't walk to the grocery store. | ||
| You have to have people go food shopping for you. | ||
| You can't walk around. | ||
| But you could get one of those little scooters as long as you didn't fall off of it. | ||
| You get disabled, budge. | ||
| Yeah, get one of those fucking gyroscope things. | ||
| What are those things called? | ||
| Segways. | ||
| Segways, yeah. | ||
| Those were supposed to be the shit at one point in time. | ||
| People thought that they were going to take over the world. | ||
| They thought that we weren't going to be walking down city streets anymore. | ||
| It would just be segwaying back and forth, back and forth. | ||
| We had the same thing in England. | ||
| The Sinclair C5, which is now... | ||
| You've never heard of the Sinclair C5, have you? | ||
| No, no. | ||
| No, no. | ||
| Not many people have. | ||
| What is it? | ||
| It was like in the 1970s. | ||
| It was this little fucking car... | ||
| I think they might have had pedals and it was maybe solar powered. | ||
| But they're worth a fortune now. | ||
| Solar powered in the 70s? | ||
| Yeah, I think so. | ||
| What? | ||
| Do they have solar power in the 70s? | ||
| You're talking about a sunroof? | ||
| They have a sunroof? | ||
| Is that what you're saying? | ||
| That's it. | ||
| They had a magnifying glass. | ||
|
unidentified
|
And it would come down and burn you. | |
| No, I'm thinking it can't be pedals, but Sinclair C5. But they're worth a lot of money now. | ||
| Really? | ||
| Well, because they're such a failure. | ||
| They know like a collector item. | ||
| It's a weird thing that we love like a lot of old shit. | ||
|
unidentified
|
Is that it? | |
| There you go. | ||
| Oh, there we go. | ||
| So it looks like it's a pedal sort of thing. | ||
| Yeah, yeah, okay. | ||
| How do you steer? | ||
| Hi guys, I'm on my Sinclair. | ||
|
unidentified
|
He'll suck your dick. | |
| If you ask six times, he'll suck your dick. | ||
| No. | ||
| No. | ||
| Sometimes a doozy. | ||
| If you get to number six, you go, okay. | ||
| Look at his socks. | ||
| Any guy that wears socks like that will suck your dick. | ||
| You just have to be persistent. | ||
| I'm sure all the other pictures of the guys look normal. | ||
| Keep asking them. | ||
| Oh, nope. | ||
| It's a gay pickup site disguised as a bike car. | ||
| There's a forum, and on that forum they talk about where they park their bikes. | ||
| I park mine by the big oak tree, you know, over near the river where nobody goes. | ||
| Alright, I'll be dressed like a wizard. | ||
| It's like a dogging thing. | ||
| Yeah, this guy's dressed like a wizard. | ||
| He's out riding his little bike. | ||
| Look at this guy behind him watching. | ||
| I'm working for Harry Potter. | ||
| He's going to meet him in the woods and suck his dick. | ||
| That's the Craigslist ad. | ||
| I can see it now. | ||
| They go there and they change the oil. | ||
| That's what it's called, changing the oil. | ||
| They have like their own little fucking... | ||
| Maybe that's why it wasn't successful. | ||
| Yeah, it's CMO, change my oil. | ||
| They wrote that at the end of their little post, you know? | ||
| LOL, CMO, change my oil. | ||
| Okay, where are we changing it? | ||
| Right behind the oak tree over here. | ||
| Oh boy, I've got a leak in my oil faucet. | ||
| That's what that guy's doing. | ||
| His kid's a victim. | ||
| Poor little kid, doesn't even know what the fuck he's doing. | ||
| He thought, he goes, I think those things would be cool to drive. | ||
| Little did he know that he was getting involved in some sort of a rest stop cult. | ||
| Car accident with a tempo. | ||
| That's a girl, actually. | ||
| I think that's a girl. | ||
| Yeah, that is a girl. | ||
| Little did she know that she was getting involved in some rest area cult. | ||
| Did you hear that the Pope is seeking immunity from prosecution? | ||
| Boy, I started looking in on some of this Pope shit because so many people are so upset about what he did when he was a cardinal, apparently, or whatever the fuck he was, whatever magical title. | ||
| He shielded people from child molestation charges. | ||
| One of them was a guy who molested 200 deaf kids. | ||
| So they take this guy, they take these people, they put them into psychiatric care, Then gets out, molests more kids. | ||
| It's fucking crazy. | ||
| And the Pope shielded this guy. | ||
| Took these people, in many, many cases, there's been many cases of them, took these people and kept them away from prosecution. | ||
| It's a terrifying, terrifying story. | ||
| I think most people who are Catholic probably have no idea how deep the organization goes with its willingness to protect pedophiles. | ||
| I don't think they want to know that. | ||
| I don't think they want to know either. | ||
| But they like to think of it as it's part of being Catholic. | ||
| I have a friend and I'm not a religious guy. | ||
| I don't believe in religion. | ||
| I believe it's very possible that there's a higher power, but I believe that whenever you let people write shit down and tell you what the fuck is supposed to be done and not supposed to be done, you lost it all. | ||
| It's like people are corrupt. | ||
| They've always been corrupt. | ||
| It's been proven. | ||
| And you're talking about people that lived a long time ago and we really didn't understand... | ||
| The distribution of information. | ||
| We didn't understand writing things down. | ||
| You were just telling each other stories for a thousand years before anybody even wrote that down on paper. | ||
| I can't go with you on that. | ||
| You can believe it if you like. | ||
| And I see where you're coming from. | ||
| It would be nice if it was true. | ||
| But... | ||
| That doesn't mean that the people that choose to agree with that also choose to agree with pedophilia and child molestation and all this shit that's going on. | ||
| They're connected to the idea of God. | ||
| They're connected to the idea of sin, religion. | ||
| They're not connected to the reality of what these priests are doing. | ||
| So it's the fact that in this day and age... | ||
| Everyone needs to question it, though, don't they? | ||
| Yeah, they do. | ||
| Nothing gets fucking done, not looked the other way. | ||
| It's an epidemic. | ||
| It's an epidemic, okay? | ||
| If it was NASCAR, race drivers, fucking kids, the shit would be closed down a long time ago. | ||
| They've spent hundreds of millions of dollars paying people off. | ||
| Hundreds of millions of dollars paying people off because they fucked their kids. | ||
| It's craziness. | ||
| It's not one case or two cases. | ||
| How much money do you have to pay someone? | ||
| It's hundreds of cases. | ||
| I don't know. | ||
| If someone offered me money, I'd say, oh, this goes away. | ||
| That's just pimping out your child. | ||
| That's just selling your kid for sex. | ||
| It's craziness. | ||
| The whole thing is crazy. | ||
| But there's been many of these guys that were shielded from prosecution because of the Pope. | ||
| They should have been in jail. | ||
| In general population, there's nothing holy about these people. | ||
| There's nothing pious about these people. | ||
| These are fucking sex criminals. | ||
| And they're out there doing their thing. | ||
| They don't even take their titles away. | ||
| The devil made me do it. | ||
| They don't even say that, man. | ||
| They just sweep it under the rug. | ||
| There's been guys that have said that the children have tempted the priests. | ||
| And that unknowingly, not even knowing what they're doing. | ||
| Have you heard of Frankie Boyle's joke? | ||
| Frankie Boyle's an English comic? | ||
| No. | ||
| What is this joke? | ||
| He says, why do... | ||
| Oh no, I'm killing it, Anna. | ||
| You've got to fuck this joke up. | ||
|
unidentified
|
I might just download it and cut you off. | |
| He doesn't tell it like this. | ||
| But he says, why do kids always go for that type? | ||
| Glasses and fucking... | ||
| That's kind of funny. | ||
|
unidentified
|
A lot of kids always go for the type, priest type. | |
| You know, just the fact that they're allowed to wear those outfits. | ||
| That alone. | ||
| You can't allow anybody to ever have a fancy name or wear a fancy outfit. | ||
| Because all they're saying with a fancy name or a fancy outfit is, I'm better than you. | ||
| I'm a general. | ||
| Look at my fancy outfit. | ||
| Look at all my shit. | ||
| I'm a king. | ||
| Look at my fancy outfit. | ||
| Look at all my fancy shit. | ||
| I got a fancy title. | ||
| I'm the Pope. | ||
| Oh, look at my fancy outfit. | ||
| Look at my fancy title. | ||
| You're telling me you're a magic person. | ||
| You're telling me you have superpowers. | ||
| You're telling me that you are different from everybody else that has to listen to you. | ||
| The kids just think he's Santa Claus. | ||
| That's the whole Santa Claus. | ||
| They think he's in a position. | ||
| Yeah, it's like that in a way because they think he's in a position of being above them because he's wearing a crazy outfit. | ||
| And when you're young, those people... | ||
| That's just what happens. | ||
| You haven't questioned the whole world yet. | ||
| So when you see a guy that's wearing a pope outfit and he wants you to suck his dick, or what are those bishop outfits? | ||
| They're not the same as the pope outfits, right? | ||
| Right. | ||
| There's a whole bunch of stories of these guys who they don't even lose their title. | ||
| There's an ABC News report on it. | ||
| And see if you can pull that up on the Pope and child molestation charges that he protected. | ||
| There's a crazy ABC News story about it. | ||
| And it's really fucking frightening. | ||
| It's really frightening to think of how much money is spent protecting these priests. | ||
| And a lot of it is done under the guise of, if they can keep it quiet, then they can keep the business going. | ||
| Because the Catholic Church is like a business. | ||
| The Vatican is a giant business. | ||
| It's a huge business. | ||
| So when shit got too hot with this guy, they're like, listen man, we need a new CEO. You gotta get the fuck out of here. | ||
| So he's quit. | ||
| Is that why he's quit? | ||
| Because of that? | ||
| There's only one reason why he would be trying to avoid prosecution. | ||
| Well, there's two. | ||
| There's one, there's some sort of a money scheme. | ||
| There's some sort of a money laundering scandal. | ||
| There's like missing money or missing or not placed money. | ||
| I don't know what that's all about. | ||
| I don't know if that's valid. | ||
| And then there's this. | ||
| And this is much scarier because this is the guy who's at the highest level of that position. | ||
| I mean he's a pope. | ||
| It's a frightening thing to think someone could get to that position and have avoided what the laws are and – but just what natural – his moral compass should be that a person who's a pedophile is not – You don't put them into just psychiatric care and move them to a new place where they can molest children. | ||
| You put them in jail. | ||
| They're criminals. | ||
| Whether or not they're sorry, that's beside the point. | ||
| That person has victimized someone and the law is such as when someone does that, they're supposed to be locked up. | ||
| Just like murder. | ||
| Just like robbery. | ||
| There's a lot of laws, okay? | ||
| And you can't shield someone from that law because they wear a fancy outfit. | ||
| That's crazy. | ||
| That's bananas. | ||
| And that can't keep going. | ||
| It just can't. | ||
| And it's much like what we were talking about, like Kings, you know? | ||
| I mean, the thing with Jimmy Savile in England, and how far that goes. | ||
| And I tell you, he called that. | ||
| Yeah, and by the way, my friend Steve, who's English, was just telling me this story this weekend. | ||
| I wasn't aware of it. | ||
| And I bet a lot of people who are listening to this also weren't aware of it. | ||
| Tell the Jimmy Savile story as best you can. | ||
|
unidentified
|
I'll help it. | |
| I'll decipher some of the shit you say if it gets so confusing. | ||
| We like subtitles up here. | ||
| Is your accent, would you call it Cockney? | ||
| No, no, that's London. | ||
| That's London? | ||
| What is your accent? | ||
| Northern. | ||
| I'm a Northern monkey. | ||
| A Northern monkey? | ||
| Yeah, yeah. | ||
| Okay, so this Jimmy Saville, that's how you say his name? | ||
|
unidentified
|
Yeah, Jimmy Saville. | |
| He was a huge popular... | ||
| He had the first ever nightclub in the 70s. | ||
| The first ever nightclub. | ||
| In Britain. | ||
| Yeah, I remember an interview when he was talking about it. | ||
| So the first ever nightclub, he was the DJ, then went on Top of the Pops, then he had Jim O'Fixit, which was a massive... | ||
| And Jim O'Fixit was a huge television show, right? | ||
| Yes, with all the kids. | ||
| With kids. | ||
| With kids. | ||
| So this guy would, like, have you be sitting on a chair like a king, kids sitting in his lap. | ||
| Well, they write letters to him. | ||
| Yeah. | ||
| And you get a medal. | ||
| Jim fixed it for you. | ||
| Yeah. | ||
| Like a fucking rape badge. | ||
| Yeah, right? | ||
| And this guy apparently had just molested hundreds of kids. | ||
| Wow. | ||
| And the BBC knew about it? | ||
| Was that the whole scandal? | ||
| It's... | ||
| How much did they know? | ||
| And how much... | ||
| It also... | ||
| Not only did... | ||
| Not also... | ||
| Not only was he like that. | ||
| Sorry about that. | ||
| No need for that. | ||
| Not only did they know about it. | ||
| Yeah, not only did they know about it. | ||
| Meanwhile, he speaks English. | ||
| I'm like trying to help him with English. | ||
| That's not a good sign, is it? | ||
| That means I'm not doing very well. | ||
| When Joe's like, cheering me on. | ||
| I'm sorry. | ||
| So Jimmy Savile. | ||
| He did a lot of charity runs. | ||
| He did a lot of things like that. | ||
| And he did them things to get the publicity. | ||
| And he got his own ward on a children's hospital. | ||
| A mental hospital. | ||
| So he could stay there. | ||
| And that's what he did. | ||
| He did these runs. | ||
| And anyone say anything, he would like proper play them off. | ||
| So they'd say, well, okay, you can say something, but you won't be getting X amount of checks when I do the run for this or the run for that. | ||
| So a lot of people knew that something was going on. | ||
| He was molesting people. | ||
| And it was necrophilia. | ||
| Necrophilia? | ||
|
unidentified
|
What? | |
| Yeah, that's out. | ||
| And I tell you... | ||
| That's out. | ||
| That's out now. | ||
|
unidentified
|
The Colossus says Jimmy Savile fucks dead people. | |
| How did he get dead bodies? | ||
| Oh, because he was at the hospital. | ||
| He had the keys. | ||
| He had everything. | ||
|
unidentified
|
He had total control of him. | |
| And he was opening hospitals. | ||
| He was in the royal family. | ||
| There's so many pictures of him with the royal family. | ||
| He was like proper friends with them. | ||
| He was up there. | ||
| He had loads of pictures of him with the royal family. | ||
| Thaw out some kids. | ||
|
unidentified
|
What the fuck? | |
| Could you imagine? | ||
| He's a pedophile necrophiliac. | ||
| He probably was fucking kids. | ||
| He's like, this is not evil enough. | ||
| I need to fuck a dead one. | ||
| Look on YouTube, Brian. | ||
| There's a clip where it's molesting a famous band. | ||
| There's a lady... | ||
| What is his name? | ||
| Jimmy? | ||
| How do you spell it? | ||
|
unidentified
|
Jimmy Saville. | |
| Top of the Pops. | ||
| Jimmy what? | ||
| Saville. | ||
| Spell it. | ||
| S-E-V-I-L-L-E? S-E-V-I-L-L-E? I might be wrong. | ||
|
unidentified
|
Yeah, I got it. | |
| Is that it? | ||
| So you've got Jimmy Saville molests, or fills up, fills up, top of the Pops, and he's filling up one of these, I can't remember the fucking woman's name. | ||
| Here we go. | ||
| Have you found it? | ||
| Turn the volume up here. | ||
| He is a creepy fucker too. | ||
| I mean, if you look at him, he is arctic. | ||
| And he's meant to be the one who brokered it so much for other stars and other people to fuck children. | ||
| He was meant to be the man. | ||
| Well, that's one of the things they say about... | ||
| Oh, there he is. | ||
| Look at him. | ||
|
unidentified
|
So, ladies and gentlemen, all we can say is goodnight from all of us here on top of the box. | |
| And it's number one time. | ||
| And, of course, if you believe me now, it's from the one and only... | ||
| She. | ||
| Car. | ||
| Go. | ||
| What was he doing? | ||
| I don't know. | ||
| I guess he had his finger, like, up her like a, uh, up see? | ||
| Oh, he pinched her ass. | ||
| The one in the yellow. | ||
| He did it again, look. | ||
| He's, like, grabbing at her. | ||
| That's not even the one I was talking about. | ||
| That's a different one I haven't seen. | ||
| Oh, my God. | ||
| Why don't you blame him? | ||
| You know, he's running a bunch of chicks. | ||
| He got a little crazy. | ||
| He got a little carried away. | ||
| That wasn't too bad. | ||
| It's when you see him at all the young kids. | ||
| Well, and that's a woman too. | ||
| That's not a child. | ||
| And apparently he did this to a bunch of children. | ||
| He had a fucking show baby as well. | ||
| If you pull up, Jim will fix it, Brian. | ||
| It's really crazy when you see him. | ||
| He had these children scattered around him and sitting on his lap. | ||
| Yeah. | ||
| And apparently the people knew about it. | ||
| They knew he was doing it. | ||
| The people around him. | ||
| He's like, that's my childhood. | ||
| Well, no, that's not my childhood. | ||
| That Jim will fix it was big then. | ||
| Everyone was writing letters to old Jim. | ||
| How long did this go on for? | ||
| What fucking ever? | ||
| He died and no one knew about it. | ||
| No one knew about it until he died. | ||
| He got knighted! | ||
| He got knighted! | ||
| It says what year? | ||
|
unidentified
|
It doesn't say. | |
| Does it say in the top? | ||
| Like in the information? | ||
| Wow. | ||
| What year was this on? | ||
| All the way through the 70s and 80s. | ||
|
unidentified
|
Wow. | |
| You don't know, listen to you, was it a surprise? | ||
| Yeah. | ||
| You sure? | ||
| Yeah. | ||
| She said that you had to prick your goose pimples because you didn't believe what was happening, is that right? | ||
| Yeah. | ||
| What were you shouting? | ||
| Have we won? | ||
| Have we won? | ||
| What was all that before? | ||
| Have we won? | ||
| We sort of meant, are we going to be on? | ||
| No, you're not going to be on Jim and fix it now. | ||
| Very sorry. | ||
| Very sorry, I'm afraid we can't be on Jim and fix it because anybody with goose pimples, it so happens, Come on, Jim, I'll fix it. | ||
| If you have ghost pimples, you can come on. | ||
| What is this? | ||
| You English people are fucking weird, man. | ||
| We are, aren't we? | ||
| I don't know what the fuck this is. | ||
| What's happening? | ||
| That girl has Johnny Carson eyes, too. | ||
| Say hello to him. | ||
|
unidentified
|
This one's name is Prance, and you can give him a little pat on the nose. | |
| You'll like that. | ||
| Everyone knows Santa Claus does not talk like that, and that cabra is going to bite that kid's fingers off. | ||
|
unidentified
|
How about that, eh? | |
| Now, I've got two very special presents for you. | ||
| I love how it says drugjail.com. | ||
| Those are the people that are holding... | ||
| What the fuck is... | ||
| Wow. | ||
| So that guy was a huge, huge celebrity in England. | ||
| No one had any idea, huh? | ||
| Well, a lot of people had an idea, and that's just it. | ||
| How many people knew that's the big thing now? | ||
| But the public... | ||
| Isn't it amazing how many stories like that turn out to exist and how many secrets actually get kept with horrible situations like that? | ||
| Like the Jerry Sandusky thing. | ||
| They kept that a secret for a long time. | ||
| And it wasn't like a little secret. | ||
| It wasn't that. | ||
| No, no, no. | ||
| He was fucking a gang of kids, and everybody knew it, and somehow or another he got away with it. | ||
| That's why with conspiracies, I think he can keep secrets. | ||
| Yeah. | ||
| You know, there was a guy who investigated Jerry Sandusky that disappeared, too. | ||
| There's a prosecutor. | ||
| They found his laptop without the hard drive in a river. | ||
| Never found him. | ||
| Yeah, fucking see ya. | ||
| Disappeared. | ||
| They killed the guy investigating. | ||
| And I asked my friend Joey Diaz. | ||
| I was like, why would they do it? | ||
| He goes, you know how much fucking money is involved in college sports? | ||
| And so he pulls up all these stats on college sports. | ||
| Like how much the alumni get. | ||
| Like how much a college can get from people donating. | ||
| People that used to go there. | ||
| It's billions of dollars. | ||
| It's crazy money. | ||
| It's ridiculous how much money it is. | ||
| And that's sort of the same thing with the Vatican. | ||
| That's sort of the same thing with this BBC program. | ||
| There's a lot of people making money. | ||
| Nobody wanted to fuck it up. | ||
| Same thing with Jerry Sandusky. | ||
| It's the same thing. | ||
| It's like, somehow or another, people conspire to allow horrible things to happen to children. | ||
| They just don't think about it. | ||
| I don't know. | ||
| It's not that they don't think about it. | ||
| It's that they think about money more than they think about what's right. | ||
| At this point in time, there's no way anybody can... | ||
| It's not like you're shocked when you hear about a priest molesting a kid. | ||
|
unidentified
|
No. | |
| No one's shocked. | ||
| You're angered, you're saddened, you're horrified, but you can't be like, I don't believe it! | ||
| It's not possible! | ||
| It's not possible! | ||
| If you found out, like, say, that Brad Pitt was a child molester, you'd be devastated. | ||
| You'd be like, how the fuck? | ||
| That doesn't make sense. | ||
| That's nuts. | ||
| But you hear that a priest is doing it, you're like, that's the pattern. | ||
| That's the pattern, yeah. | ||
| They're the ones who do it. | ||
| That's on the application phone. | ||
| It comes up a lot. | ||
| I don't know if it's all of them. | ||
| I'm sure it's not all of them. | ||
| But man, it's a lot of them. | ||
| You know, I'm sure there's a good percentage of priests out there that are in it for the right reasons and doing the right things. | ||
| But if there was that many Kinko's copy workers that fuck kids, wouldn't they shut down Kinko's as an illegal kid fucking organization? | ||
| Wouldn't they go in and look at what's going on here and go, what are you guys doing? | ||
| You making envelopes and kids fucking? | ||
| Are you making cockies? | ||
| What's happening here? | ||
| One of them's got a goal. | ||
| Yeah, but at least Kinko's has a fucking business. | ||
| They actually provide a service, you know? | ||
| These crazy fucks are telling mumbo-jumbo and blowing little kids. | ||
| Christopher Hitchens, he was fucking wicked, wasn't he? | ||
| Yes, he was. | ||
| Brilliant, brilliant man. | ||
| He got the Iraq war wrong, didn't he? | ||
| Well, he became a bit of a neocon. | ||
| I think a lot of older, more conservative guys, especially people that loathe radical fundamentalist religions, which he did. | ||
| I think he felt like it was important to have that sort of a strong military stance against the tyranny of the religious world. | ||
| I don't agree with that either. | ||
| When you have that kind of power, it ultimately corrupts. | ||
| And when you allow people to just go into countries under the guise of doing that, you're going to get a gang of corruption and chaos and craziness like they have in Iraq right now. | ||
| Iraq right now is fucking bananas. | ||
| It's more unstable than it's ever been before. | ||
| What is Afghanistan like? | ||
| That's fucking crazy too. | ||
| The more you look into it, the more you see. | ||
| What do people want to know? | ||
| Do people want to learn? | ||
| They're busy. | ||
| They've got 9 to 5, they've got a few kids. | ||
| They have no time. | ||
| Got no time for anything. | ||
| No time. | ||
| And it's all the way over there. | ||
| It's way over there. | ||
| It's way over there. | ||
| It's fucking miles away. | ||
| James Thompson, we're not going over there. | ||
| We don't have to worry about that. | ||
| Just stay over here and get a burger. | ||
| Kick back, relax. | ||
| UFC's on. | ||
| Yeah, no. | ||
| And that's it. | ||
| It's so easily done. | ||
| So you're not fighting for the Super Fight League anymore. | ||
| No. | ||
| Who are you fighting for now? | ||
| No one. | ||
| No one. | ||
| Are you training anywhere specific? | ||
| No. | ||
| I'm training at Olympians. | ||
| I'm Paddy Johns. | ||
| I'm now a trainer. | ||
| Where's that at? | ||
| What city is that in? | ||
|
unidentified
|
Bristol. | |
| Bristol. | ||
| I was training at London Shoot Fighters. | ||
| Great team. | ||
| Yeah. | ||
| But I needed to get out of London with my gambling and things like that. | ||
| Right. | ||
| You know Marius? | ||
| Marius. | ||
| Oh yeah, he mentioned a few times. | ||
| He's a good guy. | ||
| I said hi. | ||
| Yeah, I will do. | ||
| Great guys. | ||
| Yeah, they are wicked. | ||
| Yeah. | ||
| Do you know when you tell the story about Germany? | ||
| What story about Germany? | ||
| The Eddie Bravo story? | ||
| Yeah, yeah. | ||
| It's really weird because I listen to the podcast all the time. | ||
| I'm a massive fan. | ||
| When I hear that story, I was at that fight with Moss. | ||
| I was at that hotel with Moss. | ||
| I've seen you at breakfast, but you had lots of people who didn't want to bother you, so... | ||
| And it's the same thing. | ||
| And then on that night, I was coming home fucking really late and I pressed the button for the elevator and Eddie Bravo was there and his eyes were so fucking red. | ||
| That's all I could see was like redness. | ||
| And he's like... | ||
| But it's just weird when you tell that story. | ||
| You saw it. | ||
| You got a little tiny sliver of it. | ||
| You knew he was gone. | ||
| For folks who don't know the story, Eddie Bravo and I were staying in Germany once and I was getting breakfast. | ||
| It was like, I don't know, 7 in the morning or something like that. | ||
| We were getting picked up at like 8.30. | ||
| So I call him up and I say, hey man, I'm getting some breakfast if you're hungry. | ||
| I'm downstairs. | ||
| And he goes, I'm still up, man! | ||
| I'm going to power through! | ||
| He was up all night. | ||
| I was like, okay, you know we're getting picked up in an hour and a half. | ||
| I got it, man! | ||
| I got it! | ||
| I'm cool. | ||
| I'm like, alright, shit. | ||
| So an hour and a half goes by. | ||
| I'm like, where the fuck is Eddie? | ||
| I can't find him. | ||
| He's not answering the phone. | ||
| I go to his room. | ||
| I knock on his door. | ||
| He's not in his room. | ||
| I go outside. | ||
| I'm like, motherfucker, where is he? | ||
| And then I go, all right, man, I'm just going to tell him he's going to have to take a cab to the airport when he wakes up because I got to go. | ||
| I'm not going to miss my fucking flight if I can't get a hold of him. | ||
| So I go to get my car. | ||
| I say, yeah, a car for Rogan. | ||
| He goes, Rogan already left. | ||
| And I go, what? | ||
| I go, what did he look like? | ||
| He goes, long hair, tattoos. | ||
| I'm like, motherfucker! | ||
| Red eyes. | ||
| So Eddie told him he was me and got in my car and went to the airport on his own. | ||
| He did this all blacked out drunk. | ||
| So I call him. | ||
| His phone rings and he wakes up. | ||
| And he answers it. | ||
| He's like, hello? | ||
| I go, what the fuck are you doing? | ||
| I don't know. | ||
| And I go, you're in my fucking car and you're going to the airport. | ||
| Tell him to turn around. | ||
| He's like, I think we're already here. | ||
| I'm like, fuck, man. | ||
| What are you doing? | ||
| He woke up. | ||
| He had no idea what he did. | ||
| He asked the guy, he goes, where are we? | ||
| Where are we going? | ||
| The guy's like, you told me you're going to the airport. | ||
| You're Joe Rogan. | ||
| Eddie Bravo could fucking party, man. | ||
| He knows how to put him away. | ||
| He knows how to let it go, I'll tell you that. | ||
| He used to work for the UFC, too, didn't he? | ||
| Yeah, he did a bunch of different things for the UFC. One of the things he did was, for a while, and I really think this was a... | ||
| Someone needs to do this, and Eddie's really good at it. | ||
| Someone needs to do an objective breakdown, like Harold Letterman's style, of how they felt the fight went down. | ||
| I think it behooves the organization to have a professional ringside statistician, or a ringside, rather, judge. | ||
| Unofficial judge, like Harold Letterman has in HBO, and Eddie Bravo did that for a while. | ||
| But I think there was an issue with him, and his opinions wouldn't necessarily go with how the judges scored the fight, and I don't think the commission liked that. | ||
| I don't think the State Athletic Commission enjoyed having someone who essentially was a professional critic. | ||
| They didn't want that. | ||
| Especially with a new sport, you have to make some concessions. | ||
| So they decided not to have that anymore. | ||
| But I personally think that it's good in two ways. | ||
| It's not that I want people to get fired who are competent. | ||
| I think people who are competent should stay. | ||
| But people who are incompetent should be exposed. | ||
| It should be highlighted. | ||
| It should be highlighted. | ||
| It's very important. | ||
| And the idea that their job is more important, their silly, easy job that they're not really qualified, For is as important as a person like yourself that's put six, eight weeks of your life day in day out, grind, watching your diet, doing the work for this one moment that gets ruined because someone doesn't understand what the fuck they're doing. | ||
| That's craziness. | ||
| And one of the best ways to expose that is like how Harold Letterman does it. | ||
| And Harold Letterman is, you know, if there's a bad decision, he will tell you, I don't understand it. | ||
| I had it down. | ||
| 94 points to Jones. | ||
| There's no way he could have lost this fight. | ||
| That's healthy, like you say. | ||
| That's what you need. | ||
| You need it. | ||
| And that's why they don't want it. | ||
| So Eddie did that for a while. | ||
| And then he also would do, when you put together like a highlight package in the end of the round, you know, like when a guy, like say a guy's going for a submission. | ||
|
unidentified
|
Okay. | |
| Eddie would tell them, you got to get the camera over here, like where his wrist is, this is what's important. | ||
| And then he would say, you know, like he would like help them piece together the highlights. | ||
| He would be in the truck. | ||
| He was like in the truck and he was calling. | ||
| And like sometimes he would tell me something too. | ||
| Like he would like, hey, look for his left arm. | ||
| He's going for a triangle or something like that. | ||
| And, you know, he would give me like a pointer here and there. | ||
| And point out certain things if he saw things. | ||
| But he was basically there to coordinate the highlight reels and tell them where to put the camera on. | ||
| Which is very important. | ||
| Mark Delagrate does it now. | ||
| And you need a guy who has been around fighting, understands where there's a problem. | ||
| He knows how to put together the highlight reel. | ||
| It was the jab that started off. | ||
| Watch the jab makes his knees buckle, and then he lands the leg kick, and then he comes with a high kick. | ||
| So Mark will do that now. | ||
| Yeah, he worked for Pride too, Eddie Bravo. | ||
| Yeah, he did. | ||
| He was one of the color commentators for Pride for a few events, and he also did King of the Cage. | ||
| He did the color commentary for King of the Cage for a bunch of events. | ||
| They were rough as fuck, weren't they? | ||
| Yeah. | ||
| Did you ever see the King of the Cage one that they did? | ||
| Wild wet. | ||
| Yeah, Wet and Wild, that's what I was going to bring up. | ||
| It was raining out, and so they just said, fuck it, we're going to have the fights anyway. | ||
| It was outside. | ||
| If you haven't seen it, it's worth getting. | ||
| If it's available, if you can find it somewhere, King of the Cage, Wet and Wild, it was fucking ridiculous. | ||
| It was completely ridiculous. | ||
| Everyone was literally slipping. | ||
| They were flying all over the place. | ||
| And, I mean, if you're a wrestler, good luck holding on to a guy who's, like, completely soaked. | ||
| I mean, people are just slipping out of dudes' hands like bars of soap. | ||
| It was bad. | ||
| It was coming down, too. | ||
| Yeah. | ||
| Fucking mental. | ||
| Well, those are the days, man. | ||
| And you were part of those are the days, too, with your pride fights, man. | ||
| I mean, you were part of some... | ||
| Epic shit. | ||
| You were part of Pride when it was at its peak. | ||
| What was that like, man? | ||
| What was the atmosphere like of those events? | ||
| It's like a culture shock. | ||
| Obviously, in Japan, it's so different. | ||
| Do you know what I mean? | ||
| Just everything's so different. | ||
| I remember coming out to fight, and like we said earlier, I ain't been fighting long, and coming up for a fucking helmet. | ||
| I've been fighting in front of 2,000... | ||
| Excuse me, 2,000 people walking out in their fucking leisure centres and then walking out for a fucking lift full of smoke and lights and fucking walking for a Samurai helmet. | ||
| Do you know what I mean? | ||
| It's a lot to take in. | ||
| What was the biggest crowd that you fought under? | ||
| About 60,000 people. | ||
| I've seen that before at the Rogers Centre in Toronto. | ||
| We had a UFC there and it was somewhere around 60,000 between 58. It's so crazy. | ||
| You're looking around and you're like, this is a lot of fucking people. | ||
| And then there's points in the Japanese. | ||
| Everyone's quiet. | ||
| Do you know what I mean? | ||
| 60,000 quiet people. | ||
| Because I remember, and the lights went down because the other guy was getting it, I can't remember who it was, was coming in and the lights went down and I couldn't hear anything. | ||
| And I was thinking, fuck, am I dreaming or something? | ||
| You do it, you know what I mean? | ||
| - Right, right. - You go black, and then the fucking lights come back on and you're thinking, fuck it, now there we go. | ||
| - Am I dreaming? | ||
| Wow. | ||
| - And then you get punched in the face and you think, nope, I'm awake. | ||
| - Well, it must have been especially crazy for you because how many fights did you have outside of Pride? | ||
| I had, I thought, I don't know what, 10, 11, 12, 13, probably, I had quite a few, as in in a short amount of time. | ||
| Like 10 or 11 you had? | ||
| No, I had about 13 fights probably. | ||
| 13 fights before Pride? | ||
| Probably. | ||
| Give or take. | ||
| That's a lot of fights to have over a year and a half period. | ||
| Yeah, I was literally loving it. | ||
| I moved next to the gym and I was like, this is what I'm going to do. | ||
| Wow. | ||
| And just back and forth, going everywhere and just training my ass off. | ||
| And you see the difference in my kind of physical, my fitness and that, like from my first fight to maybe my fourth fight. | ||
| I look completely different. | ||
| Yeah, I'm sure. | ||
| Completely different. | ||
| What is the getting drunk with Fedor story? | ||
| It was... | ||
| I can't remember what... | ||
| He beat Mark Hunt and I'd come home and I was fucking pissed. | ||
| I seen Fedor in the hallway, in the reception, and when he turned to see me, when he turned around and saw me, I started swaying, like just fucking about, you know what I mean? | ||
| And then he was like, ah! | ||
| So then I went over to him, he started wrestling with me, and I started fucking about wrestling, and I thought, oh, in a minute he's going to sambo on me, and I was looking at that fucking cold marble, thinking, please don't fucking... | ||
| Please don't fuck him, flip me now. | ||
| But yeah, and then he brought me down to have a drink with all these Russian, Vladimir, whatever. | ||
| Putin? | ||
| No. | ||
| No? | ||
| No, this is in Pride, this is in Japan, Vladimir, Matt Kuge's fucking manager. | ||
| Oh, Matt Yushchenko. | ||
| Yeah, I didn't pronounce it perfect. | ||
| That was his manager? | ||
| Yeah. | ||
| Oh, Vadim. | ||
| Vadim Finkelstein. | ||
| I'm thinking of a different guy. | ||
| Vladimir Matt Yushchenko is a fighter. | ||
| UFC fighter. | ||
| The janitor. | ||
| Yeah, you're right. | ||
| I get mixed up. | ||
| I didn't pronounce that. | ||
|
unidentified
|
I don't know. | |
| Not only did I pronounce it terribly, I got the wrong fucking person. | ||
| But doesn't Putin come to his fights too? | ||
| He's a huge superstar in Russia, right? | ||
| Massive. | ||
| I mean, people who know MMA, he's a massive superstar. | ||
| Fedor and his peak, man, was one of my all-time favorites. | ||
| One of my all-time favorites. | ||
| He was just so special. | ||
| Because he was so stoic. | ||
| You know, like this dead-faced killer. | ||
| And if you go back and you watch the highlight fights, like Noguera fights, Krokop, when he was really at his very best, man. | ||
| He was exceptional. | ||
| Very, very fun to watch. | ||
| He really... | ||
| I mean, everyone's seen that a million times, the fucking Van Domen slam. | ||
|
unidentified
|
Incredible. | |
| And then he relaxes and then comes back and then minutes later he's got a key lock. | ||
| How did he survive that? | ||
| Yeah. | ||
| How did he survive that? | ||
| He's so relaxed. | ||
| His body's so relaxed. | ||
| But just to avoid injury, to get slammed like that and avoid injury is incredible. | ||
| He just didn't want it anymore. | ||
| He just lost. | ||
| He lost. | ||
| Also, competition's getting better, bigger guys. | ||
| Well, I think you can only keep up that certain, that RPMs, that certain sort of workload that he was at. | ||
| You can only keep that up for a certain amount of time. | ||
| There's issues with the body. | ||
| The body breaking down after combat sports of, you know, 10-15 years. | ||
| Unless you're Randy Couture, who's just, I don't know how he did it, but whatever he did, he managed to avoid injury. | ||
| The one thing that no one avoids. | ||
| People who, you know, have competed in mixed martial arts, if you look at, like, issues, like, along the way, like, guys who have broken hands, guys who have had this, guys who have had that, guys who tore knees, guys who, like, needed neck operations. | ||
| So many guys. | ||
| Randy didn't need shit. | ||
| One broken arm in a fight with Gonzaga. | ||
| Gonzaga broke his arm with a kick. | ||
| Got his arm in a cast. | ||
| No big deal. | ||
| Six weeks later, he's fucking hitting a speed bag. | ||
| It's like... | ||
| How'd that guy avoid injury? | ||
| He's amazing. | ||
| Intelligence, toughness, genetics. | ||
| There's a whole bunch of things working his way, but it's really incredible. | ||
| But for most guys, there's only a certain amount of time you can operate at a high level before you lose your drive for it. | ||
| Yeah, your politics and life gets in the way. | ||
| He got super religious, too. | ||
| The name Fedor got a really... | ||
| It's actually not even Fedor. | ||
| Do you know that's what we call it? | ||
| It's Fyodor. | ||
| Yeah, yeah, yeah. | ||
| A Russian friend of mine from Jiu-Jitsu was explaining how he actually said his name. | ||
| It's Fyodor. | ||
|
unidentified
|
Fyodor. | |
| Yeah. | ||
| Like Dostoevsky, you know? | ||
| We call him Fedor because it's easier. | ||
| But Fedor, gotta be honest, Fedor. | ||
| Fedor sounds better. | ||
| Sorry to break it, dear. | ||
| Russian. | ||
| Falkor would be best. | ||
| Too much with your crazy language. | ||
| He was such a nice guy, though. | ||
| He was the guy at the top all the time. | ||
| Always had time for everyone. | ||
| He wasn't like an outlandish person. | ||
| He was very quiet. | ||
| I had time for everyone. | ||
| I really had a lot of time for him. | ||
| He's an unusual dude. | ||
| His demeanor was just so different than anybody that had ever been around before. | ||
| That was one of the things that was kind of special about him. | ||
| We had been used to so many different things. | ||
| Certain boxers that had certain charisma about him, whether it's Muhammad Ali or Sugar Ray Leonard or Mike Tyson, they have this certain cult and aura about him. | ||
| He was different than all of them. | ||
| He was like, oh, here's this new thing from a guy who plays chess and doesn't get freaked out at anything and just beats your ass. | ||
| Here's this new look where a guy seems like he's kind of a robot or something, and he manages to smash really tough guys. | ||
| Managed to walk down Krokop. | ||
| He beat Krokop not just on the ground. | ||
| He beat him standing up. | ||
| He did, yeah. | ||
| His reaction was so fucking quick as well. | ||
| So quick. | ||
| He's an animal. | ||
| And he fucking trained really smart. | ||
| He trained really smart and really hard. | ||
| But even then, they started questioning his training methods after he went over to Affliction and fought those fights. | ||
| Then the Strikeforce shit, he just got smashed, man, over and over again. | ||
| Just getting smashed by Henderson and getting smashed by Bigfoot. | ||
| You know, watching those fights and watching those brutal beatdowns, you just gotta go, man. | ||
| Yeah, he's hot. | ||
| Yeah. | ||
| It's fucking hard. | ||
| Especially the Bigfoot fight. | ||
|
unidentified
|
Yeah. | |
| Well, especially for him when he's so used to winning. | ||
| Yeah. | ||
| Just the way it is. | ||
| Even Brett Rogers. | ||
| Like, Brett Rogers put up a good fight. | ||
| It was a good, tough fight. | ||
| And, you know, Fedor eventually caught him and cracked him. | ||
| But, man, you've got to look at that fight and go, like, he's not supposed to struggle like that with Brett Rogers. | ||
| It's not the same guy anymore. | ||
| He struggled with Mark Hunt after the story. | ||
| He did struggle that time. | ||
| He did a little bit. | ||
| Mark Hunt had him on the ground and had his arm locked up in a kimura but couldn't pull it off, couldn't do anything with it. | ||
| But it was crazy how he was able to do it. | ||
| He was able to get his arm and even have it locked out. | ||
| Yeah, yeah. | ||
| Like, that's so bold. | ||
|
unidentified
|
Yeah. | |
| And then Verdum, obviously exposed, not exposed, but exposed the fact, when I say exposed, the fact that he's human. | ||
| I mean, everybody thought he was just an unstoppable robot, and all of a sudden Verdum exposed him as a human. | ||
|
unidentified
|
Yeah, of course. | |
| He tapped him, and when I say exposed, I have great respect for Fedor. | ||
| It's not, when I say, and people give me shit from saying that, But that is absolutely not what I mean when I say he was exposed. | ||
| What I mean is that we found out he was human. | ||
| Because anybody Fabricio Verdun catches in his triangle is fucked. | ||
| That guy is a master at the triangle. | ||
| And that triangle arm bar was nasty. | ||
| And Fedor was stuck. | ||
| He had to tap. | ||
| Nothing wrong with that. | ||
| But what we thought before was that that could never happen. | ||
| It seemed like he was a superhero. | ||
| It seemed like he was like Mike Tyson when he lost to Buster Douglas. | ||
| Nobody thought Tyson was going to lose. | ||
| We thought Tyson was going to be around forever just destroying people. | ||
| And then when he got destroyed, you're like, what? | ||
| This can't be real! | ||
| He was so excited. | ||
| He was exposed. | ||
| And it's not that he was one of the greatest fighters of all time. | ||
| Mike Tyson is absolutely one of the greatest boxers of all time. | ||
| One of the greatest heavyweight champions, the most exciting of all time. | ||
| But he's exposed in that fight as a human being. | ||
| Not as a bad fighter. | ||
| He's amazing. | ||
| But that's a human. | ||
| Every human is subject to the laws of physics and nature. | ||
| And you can only go so far in these meat vehicles. | ||
| I think it's the mental side of it too, obviously. | ||
| I don't know. | ||
| But I just think Fedor didn't have the same... | ||
| Drive anymore. | ||
|
unidentified
|
I think it's hard to keep up after all those years. | |
| Years and years and years and years of hard training, being away from your family. | ||
| And again, he got really religious too. | ||
| Why are you doing it? | ||
| Are you doing it to test yourself? | ||
| Are you doing it for money? | ||
| Are you doing it to be number one? | ||
| What are your motives behind it? | ||
| It fucking hurts. | ||
| It's hard mentally and physically. | ||
| To keep it up, to get there unbelievably hard, to keep it up as unbelievable, and to keep it up for as long as he did, it's like you only have a certain amount of RPMs that you can push for. | ||
| There's only a certain amount, especially in a crazy situation like cage fighting, you gotta think there's only a certain amount of times a man can get hit. | ||
| There's only a certain amount of times a man can get thrown or armbarred or kicked. | ||
| There's a finite number in there somewhere. | ||
| And he's a smart guy. | ||
| He has to have realized that at a certain point in time. | ||
| And then Verdum, and then Bigfoot, and then Henderson. | ||
| It's like, okay, you know. | ||
| Yeah. | ||
| What a legacy, though. | ||
| Yeah, what a legacy. | ||
| You know, they were trying to put together Brock Lesnar and Fedor really recently, the UFC was, but he doesn't want to do it anymore. | ||
| Yeah, but they say that, but, I mean, were they? | ||
| I don't know. | ||
| Oh, did Brock Lesnar or Fedor? | ||
| I don't want to do it because I don't think Brock Lesnar was too happy. | ||
| Brock Lesnar would have done it. | ||
| Do you think so? | ||
| Yeah, they offered him a fuckload of money. | ||
| I bet he would have done it. | ||
| Yeah. | ||
| Well, I don't know. | ||
| Brock! | ||
| He looked like he didn't want to... | ||
| I mean, he had the surgery, which was massive. | ||
| That was a huge issue. | ||
| He had, for folks who don't know, he had diverticulitis. | ||
| And they removed like 12 inches of his colon. | ||
| It was a very serious internal surgery. | ||
| It was a real injury. | ||
| And then X amount of months later, however it was, he's fighting Alistair Overeem. | ||
| And Overeem knees him in the body and kicks him in the body. | ||
| And having Overeem kick you in the body, like, oh, Jesus Christ. | ||
| To me, before, I think he was thinking about the fight. | ||
| I think he was worried. | ||
| I mean, you're obviously worried about every fight, but I think he was even more, because I don't. | ||
| From what I saw him when Kane beat him, he turned his back. | ||
| Shane Carwin got him standing as well. | ||
| I mean, I think personally, Brock Lesnar is one of the greatest athletes to ever enter into MMA. I really do. | ||
| I just think that if he was going to do it, what he did is what you did. | ||
| Just jumped right into the defense. | ||
| What he did, he was fighting Frank Mayer. | ||
| Second fight. | ||
| Second fight, Frank Mayer. | ||
| He basically Pujanowski'd it, but he pulled it off. | ||
| Yes. | ||
| He did the same, very similar path. | ||
| Even harder. | ||
| Much, much, much harder path, no doubt about it. | ||
| Cain Velasquez, Shane Carwin, Frank Mir, no doubt. | ||
| Randy Couture. | ||
| I mean, his fucking career is, Alistair Overeem, his career is filled with champions. | ||
| And when you look at that Carwin fight, it's not like he can't take a punch. | ||
| Fuck me, Carwin landed that elbow, and I thought it was over. | ||
| Do you know what I mean? | ||
| And he came back to win. | ||
| Convincingly. | ||
| Well, his fight with Heath Herring, you know, his fight in the UFC, his third fight in the UFC, or his second fight in the UFC. Seasoned veteran. | ||
| Seasoned veteran and a tough motherfucker. | ||
| Heath Herring is tough as shit. | ||
| And Brock Lesnar just ran him over. | ||
| This is a guy that was a super athlete, but he would have had to, in order to do it really, truly, correctly, he would have had to build up slowly. | ||
| He would have had to do it intelligently, he would have had to do it over quite a long period of time, and he should have fought The right amount of competition along the way. | ||
| Instead, he went right to champions. | ||
| He went right to the greatest fighters in the world today. | ||
| He went to Cain Velasquez, Overeem, Shane Carwin. | ||
| He was just right into these animals. | ||
| Whereas if he had gone for a few years in the lower organizations, building up, trying to fight for some other companies, get a good record against some good fighters, and then put together a real striking game. | ||
| Yeah, well, that was the thing, because he had power, and he was explosive. | ||
| Big fucking guy, man. | ||
| Do you know what I mean? | ||
| But... | ||
| But he did want... | ||
| That's how he wanted to do it. | ||
| He did it his way, and he's out. | ||
| See ya. | ||
| I'm fair play to him. | ||
| Yeah. | ||
| Fair play to him. | ||
| But, um... | ||
| Too bad, though, because when it comes to, like, making money, like, if you want to make money off a draw, you think Kimbo slices a draw? | ||
| Brock Lesnar's a fucking draw. | ||
| That's a guy that people want to see fight. | ||
| I mean, he looks like the baddest motherfucker in the world. | ||
| You know, you see him standing there, like, if you're going to have a guy, you're this big Viking-looking motherfucker, that would be the guy that you would want to have represent you. | ||
| That tattoo, though. | ||
| The sword in his chest. | ||
| Brock, what? | ||
| I lost it, mate. | ||
| You're laughing at mine. | ||
| You're laughing at mine. | ||
| Fucking hell. | ||
| Would you laugh at Brock like that? | ||
| I would have to break it to him slowly. | ||
| I think I would laugh. | ||
| I think, at the very least, I would... | ||
| Ryan Keely's working for that show, Tattoo Nightmares, where they take tattoos, and you go on the show, and they fix it for you. | ||
|
unidentified
|
Oh, really? | |
| Reality show. | ||
| And she contacted me. | ||
| She's like, do you know any MMA fighters that... | ||
| You know, have a tattoo they don't want to get fixed or anything like that. | ||
| And I'm like, I have no idea. | ||
| The only one I can think of is Brock. | ||
| She goes, I must contact Brock. | ||
| And so now she's, like, contacting Brock. | ||
| I'm like, no, no, leave him alone. | ||
| Don't even say anything. | ||
|
unidentified
|
Oh, no. | |
| Oh, you don't want that at all. | ||
| Why did you say Brock? | ||
| No, because it's the only one that came to mind that, like, you know, when you see that one tattoo, it kind of looks like a statue or the... | ||
| You think he should change it? | ||
| Does he think he should change it? | ||
| No, I don't think he does. | ||
| That's what I told her. | ||
| I was like, I think that's the only one I could think of. | ||
| It's like Little Mermaid before they edited the cover. | ||
| Yeah, I don't think he would appreciate you saying that his tattoo sucks. | ||
| No, I'm not saying it sucks. | ||
| It looks like a cock at all, Joe. | ||
| I didn't say that. | ||
| No, you did say that. | ||
| I didn't say that. | ||
| That's what's important. | ||
| Didn't. | ||
| I didn't say it either. | ||
| Neither one of us did say it looks like a cock. | ||
| No. | ||
| Yeah, well, I think he was at a point in his life, I think his description of it, he felt like he had a knife to his throat, so he fucking tattooed one on his body. | ||
| It's whatever, you know, I can't, you know, like I say, I've got fucking dates crossed out my fucking arm, do you know what I mean? | ||
| So you're not gambling at all now, is that the deal? | ||
| Well, last time, I mean, I'm doing a documentary, and... | ||
| Basically, I was doing the documentary, I gambled up the rest of my money, well, me and my missus' money, and I ended up living in the gym. | ||
| Whoa! | ||
| Yeah, and it was fucking freezing. | ||
| Goddamn! | ||
| So I was living in the gym on a mattress, and I got offered, people offered me to stay other places, but I knew I needed something big to get me back into training. | ||
| I was 145 kilos. | ||
| What's that in pounds? | ||
| It's like 300 pounds? | ||
| 300 plus pounds. | ||
| 300 plus? | ||
| Yeah, like 330 or something. | ||
| Whoa, 330? | ||
| I mean, and I'm not good weight either. | ||
| I've been that heavy before between muscle or muscle and muscle. | ||
| This was fat, like unadulterated, pure fat. | ||
| I was in the gym, living on a mattress, and then I had the documentary. | ||
| I was going to be starting that, and I thought, okay, we'll film it in here. | ||
| So I started doing it. | ||
| I started getting good footage and getting more confident. | ||
| The only thing good I started was with my blog. | ||
| The only good thing I started when I gambled was my blog. | ||
| I started doing that and getting it out there. | ||
| It's gone really well. | ||
| Yeah, you started this social media campaign around the same time, is that what it was? | ||
| A social media campaign? | ||
| Yeah, with the videos, the bars... | ||
| Oh, right, yeah, yeah, yeah. | ||
| But basically, I got confidence in my writing. | ||
| I think I'm a good writer. | ||
| I get extra credit because I look the way I do, and I'm an MRA fighter, so they think, oh, we'll have a go, and then, oh, we can string a sentence together. | ||
| I'll take that extra credit. | ||
| It's fun writing. | ||
| You have fun with it. | ||
| It's cool. | ||
| Colossal Concerns, it's called, right? | ||
| Yeah, Colossal Concerns. | ||
| I've got my website. | ||
| Colossal Concerns. | ||
| Where can they get it? | ||
| What is the actual website? | ||
| I've got a website. | ||
| It's the Colossal Collective. | ||
| ColossalCollective.com. | ||
| So it's Colossal Concerns, not Colossus Concerns. | ||
| Oh yeah, I always get that wrong. | ||
| My missus goes mad at me every fucking time. | ||
| I get it wrong constantly on every fucking video I've done. | ||
| Everything. | ||
| We got it right. | ||
| Hang on, so what did I say? | ||
| ColossalCollective.com. | ||
| That's where my blogs, my podcast... | ||
| No, that's my blog. | ||
| ColossalCollective. | ||
| It's all in one place. | ||
| ColossalCollective. | ||
| Yeah, because this website I'm looking at right now is colossalconcerns.com. | ||
| Yeah, it's Colossal Collective. | ||
| So Colossal Collective has everything? | ||
| Dude, you're like a collective. | ||
| You are a collective. | ||
| You're a living collective. | ||
| That's what it's all about. | ||
| Yeah, I guess, right? | ||
| It is about marketing yourself, right? | ||
| No, definitely. | ||
| Did you feel like in Japan they had a different attitude towards people winning and losing than anywhere else in the world? | ||
| Massively, because it's part of their culture. | ||
| Yeah. | ||
| It's a samurai and it's fighting spirit. | ||
| Like my first fight, it's a fucking joke. | ||
| Running across the ring at a guy, you know, knock him over and he kicks my ass. | ||
| It's a fucking joke. | ||
| But what did they appreciate? | ||
| They appreciated that I fucking gave it everything and it was something different. | ||
| And in America, I'm a joke. | ||
| Okay. | ||
| But they gave me another chance, the Japanese, and I won my next couple of fights, and that gave me a chance to keep going, which I appreciate. | ||
| Well, it's fascinating that you've seen both ends of the spectrum. | ||
| You've seen the Japanese way of doing things where you respect the people who show warrior spirit and try, and then you've seen America. | ||
| You've got to get you to the hospital. | ||
| We've got to get you to the hospital. | ||
| James Thompson has gone to the hospital. | ||
| Apparently, he's almost dead. | ||
| Kimbo almost beat him to death. | ||
| And he's wearing Megan's. | ||
| Hey! | ||
| The video, the Megan's video. | ||
| Yeah, you have a campaign against skinny jeans. | ||
| Is that what it is? | ||
| Oh, well, it's men's fashion as a whole. | ||
| Men's fashion as a whole. | ||
| And fucking Alphanail. | ||
| Alphanail is created by the people. | ||
| It was originally created by the people that do Onnit. | ||
| Yeah, I know. | ||
| Sorry about that. | ||
| Sorry. | ||
| I made fun of them constantly. | ||
| Good. | ||
| Well listen, the guy, Aubrey, the guy I'm in business with is an awesome dude and it's a lot of guys in MMA wore makeup and wore nail polish, which is essentially makeup. | ||
| I mean, it is makeup. | ||
| I mean, it's makeup. | ||
| It's nail polish, but it's makeup. | ||
| What are you doing? | ||
| Not that colour of your toes. | ||
| Did you paint them that colour? | ||
| So your toenails don't crack. | ||
| Yeah, that's what they say. | ||
| But some guys actually do have, like, I think Frank Trigg might have been the one who started out. | ||
| He had, like, problems with his toenails. | ||
| I don't believe it. | ||
|
unidentified
|
Tate Fletcher used to always have his fingers crossed. | |
| It was a thing that happened for a while when MMA sort of was, like, starting to... | ||
| And some guys still do it. | ||
| I notice it in fights. | ||
| Some guys still have their toenails painted. | ||
| Guys can do whatever they want, but I did this and obviously it's tongue and cheek. | ||
| But, you know, people can wear whatever the fuck they want. | ||
| But I do think men's fashion... | ||
| Yeah, and what we're saying, what you did, there's a video, it's men against meggings, right? | ||
| Yeah, men against meggings. | ||
| It's pretty funny, man. | ||
| You take the meggings off and you burn them. | ||
| Is that like those leggings pants? | ||
| Well, they're lycra. | ||
| They're lycra? | ||
| They're lycra. | ||
| They're like fucking tights for men, but they call themselves leggings. | ||
| You call them meggings. | ||
| That's a clever fucking twist. | ||
| Oh, right. | ||
| And men wear them on the street? | ||
| They walk around with them on? | ||
| You're not talking about the gym, right? | ||
| No. | ||
| Because a lot of guys wear them for training. | ||
| Don't get defensive. | ||
| Yeah, because I wear those for training. | ||
| And I'm like, am I a megging wearer? | ||
| Listen, at the end of the video, it's me being comfortable. | ||
| Look at that sweet little touch in those meggings. | ||
| It's the Andy Dick show. | ||
| Oh, Joe, come on. | ||
| Yeah, that's a good look for you. | ||
| I don't know why you're not embracing it. | ||
| So you take... | ||
| Look at that battle room. | ||
| What do these guys, when they have these magings, where do they put their wallet and shit? | ||
| That's a good question, Joe. | ||
| No fanny pack? | ||
| They're scared of a fanny pack. | ||
| Maybe that's the next step. | ||
| I'm not scared of a fanny pack. | ||
| I wear a fanny pack at the airport. | ||
| I do all the time. | ||
| I still do. | ||
| People see me with one. | ||
| They go, are you serious? | ||
| I'm like, yeah, I'm fucking serious. | ||
| Fanny packs are where it's at. | ||
| If you're not trying to get laid, and you're just carrying shit around, what do you care? | ||
| Why wouldn't you put a fanny pack on? | ||
| Yeah, I wear leggings. | ||
| Exactly. | ||
| You fancy leggings? | ||
| No. | ||
| That's where I draw the line. | ||
| God, that's what I'm saying. | ||
| That's where we need to draw the line. | ||
| But if you want to let everybody know that you're gay... | ||
| Wear the Meggings. | ||
| It's a good move. | ||
| I would say if you're a gay guy, you're letting people know what's up. | ||
| And the fucking ass cheeks. | ||
| Nothing wrong with that. | ||
| That's what they like. | ||
| Don't you like that? | ||
| Girls with yoga pants? | ||
| They like it too. | ||
| Your cock's all plastered to the side of your... | ||
| A little megging leg. | ||
| A light blue, like an ocean blue, like something you might see in the bay in Hawaii. | ||
| I can see that. | ||
| Just a nice, delicious, light blue meggings with your cock three-quarters hard pinned to the side of your leg. | ||
| Belly button piercing. | ||
| That's what I'm talking about. | ||
| Belly button piercing. | ||
| A dude with a belly button piercing. | ||
| Suspect number one. | ||
| On a ponytail. | ||
| Hey, who blew those people? | ||
| Is that a guy with a belly button ring? | ||
| Let's talk to him. | ||
| Alright, James Thompson. | ||
| It's been a fun time, man. | ||
| I've enjoyed it, mate. | ||
| It's been a bit surreal. | ||
| It's been great. | ||
| It's been fantastic. | ||
| Best of luck to you, man. | ||
| If you ever need us to promote anything, you want to get anything out there, and you want to come back and do it again, you want to tell some more stories, anything. | ||
| At J Colossus Twitter. | ||
| J Colossus Twitter. | ||
| And James, the Colossus Thompson for our Facebook. | ||
| But Colossal Concerns, if you're looking for the blog. | ||
| Colossal Collective. | ||
| ColossalCollective.com, Colossal Concerns is the blog. | ||
| J Colossus. | ||
| That's right, that's me. | ||
| That is you on Twitter. | ||
| Okay, so... | ||
| And what are you on Grindr? | ||
| Oh, I've got to give a... | ||
| Hey, easy! | ||
| You son of a bitch. | ||
| You son of a bitch. | ||
| You got what else? | ||
| What do you have to say? | ||
| I can't remember. | ||
| What are you saying about brain damage? | ||
| About what? | ||
| Brain damage. | ||
| Brain damage. | ||
| It's not good for you? | ||
| No, that's very true. | ||
| Makes you gamble. | ||
| Thanks to Ting for hooking us up. | ||
| Go to rogan.ting.com and save 25 bucks off any device and or service in an ethical cell phone company that you can get behind. | ||
| Thanks also to Audible.com. | ||
| Audible.com forward slash Joe. | ||
| Go there. | ||
| Get yourself a free audiobook. | ||
| I recommend The Disaster Diaries by my friend Sam Sheridan. | ||
| It's excellent. | ||
| And it's available for free to you if you do this because you get one free audiobook. | ||
| So go check it out and sign up. | ||
| You get one free month, one free audiobook. | ||
| Audible.com forward slash Joe. | ||
| Go to Onnit.com. | ||
| O-N-N-I-T. Use the code name ROGAN. Save yourself 10% off any and all supplements. | ||
| Go there and get your freak on. | ||
| Alright folks, we will see you next... | ||
| Well, we'll see you next show will be tomorrow with... | ||
| Powerful Brian Callen. | ||
| And then we also have a show with Dana White on Thursday. | ||
| And then Friday night, we've got the comedy show with Mad Flavor, who is also known as Joey motherfucking Diaz, and me. | ||
| And we will be at The Grove in Anaheim. | ||
| If you go to JoeRogan.net, you can find out all the ticket information. | ||
| And that's it, freaks. | ||
| We love the shit out of you, and we'll see you tomorrow, and we appreciate you very much. | ||
| Thank you. |
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