| Time | Text |
|---|---|
|
Paid Actors and Fake Blood
00:03:45
|
|
| Read me. | |
| There's some protests happening down outside the Capitol. | |
| Oh, Rachel! | |
| The simulated riots in DC was a powder keg long in the making. | |
| The evidence for pre-planning and setting up a situation for a disaster is overwhelming. | |
| Paid actors... We should take that place! | |
| I want to confess that I was paid to pretend to protest today. | |
| Controllers. | |
| They were guys. They were almost like monitors. | |
| They were like corralling them, and they were telling them what to do, and they did everything these guys told them. | |
| And Hollywood tear gas and mace. | |
| All on display for hundreds of professional photographers conveniently on scene. | |
| In this episode, we're going to analyze the climax of the story and show you how a little stage direction and fake blood became an instrumental role in furthering the division of the nation. | |
| He was hiding there. | |
| She had no idea that he was even sitting there aiming a gun right at her face. | |
| It's not a talk anymore! | |
| I didn't see it, but they shot him with a gun. | |
| They are all acting, they are acting! | |
| This is everything wrong with the Capitol shooting. | |
| shooting. | |
| against the leaders of the American state is not what I saw. | |
| You guys gonna come in the building? | |
| Only on Woos News. | |
| The Homeland Security Exercise and Evaluation Program provides a set of guiding principles for large emergency | |
| response drills. | |
| In these guidelines, we read about the various roles such as players, controllers, simulators, evaluators, actors, observers. | |
| The term participant encompasses many groups of people, not just those playing in the exercise. | |
| The head directors of large emergency drills are called exercise controllers. | |
| Their job is to keep things running according to the master plan. | |
| And here's a cover of the guidelines manual, which spells sheep. | |
| I mean, haseep. | |
| Any professional emergency response drill or military drill makes use of fake blood in a variety of forms. | |
| Blood capsules, sponges, syringes, and squibs. | |
| A simple blood squib is a pouch that is designed to break on impact. | |
| There are all kinds of squibs using various pumps and tube assemblies. | |
| Here's the HydroSim trauma bleeding simulation system. | |
| It's basically a small pack containing a fake blood supply, and a pumping mechanism, and some tubes. | |
| Some of them are battery-operated. | |
| Now that we're equipped with the various roles, let's start the analysis. | |
| Aki! | |
| Outside the speaker's lobby. | |
| As a footnote, I am not affiliated with any gang. | |
| And I wasn't paid to make this video, so I'm looking at this completely unbiased. | |
| We've also added a timecode to Jaden X's footage, which we'll call Angle 1. | |
| And let's review the scene with minimal volume. | |
| You'll notice how much chaos is happening on screen, yet our eyes are fixed to the | |
| woman because that's what we're here to see. | |
| No one seems to be concerned with being the next target. | |
|
Medic's Big Move
00:15:32
|
|
| It's bang, action! | |
| It should be noted that everyone in the room knows what's going to happen. | |
| They all play towards the camera. | |
| Now, let's take a look at some of our characters. | |
| Adam Gray, our photographer. | |
| Taylor Hanson. | |
| Vedder. | |
| Rufio. | |
| Fredo. | |
| Yellow, Data, Jaden, Thomas Barani, Ninja slash Evaluator, Secret Agent Man, or as I like to call him, Sam, Medic slash Controller, Parrot Blocker, Shades, Red, SWAT-1 and SWAT-2, Frickin' Frack, and our star, Rabbit. | |
| We're gonna break this down together, and we're gonna analyze this with six different angles, and in chronological order. | |
| Let's do this. | |
| Now this is Medic coming into the room. | |
| Notice the enormous earpiece. | |
| What's that about? | |
| Now look what Red does. | |
| He kicks the door. | |
| Now we see Red either pick up something or drop something. | |
| And it looks like Medic does the same. | |
| And we know he's the Medic because of this patch or sticker. | |
| Here we can see Red has one glove on. | |
| And you can see Jaden in the distance. | |
| Now we're all kind of led into this room outside the speaker's lobby. | |
| We can see Medic has one glove on as well. | |
| There's Frick. | |
| Oh, hey there. | |
| And there's our star. | |
| They're just waiting around again. | |
| And you can see our star looking in the direction of the weapon. | |
| She seems amped up or nervous. | |
| And you can see we have Taylor Hanson on our left. | |
| Notice how Yellow hands Rufio the helmet. | |
| And notice while he does that, we can see Cop 2 and Fredo discussing. | |
| Almost like they're waiting for something. | |
| Okay, we got police coming up. | |
| Now Frick and Frack come down. | |
| Rufio takes off his hat, changing his appearance. | |
| He receives the signal, and they leave. | |
| And it all feels a little rehearsed. | |
| And you can see Adam Gray push his way through. | |
| Now, this is orange in the front. | |
| You should also note that the glass is not glass, but plastic, or stage glass. | |
| And you'll notice that this barricade was set up before they entered the room. | |
| You can see Barani and Red to the left of the screen. | |
| In about 30 seconds, they're going to make their way to the front. | |
| Notice how our star keeps looking over to the left, as if she's waiting for something. | |
| As the officers leave, they're pretending to talk to each other. | |
| And you can see how easy this plastic comes out. | |
| Do you see how easy that is? | |
| Frack taps the back of Vedder. | |
| Jaden is the first one to give the command that there is a weapon at 34 minutes and 49 seconds. | |
| And you can hear others chanting the same thing. | |
| Notice that the gunman briefly removes his hand from the weapon, like he's communicating, replying to his earpiece. | |
| Look how long it takes him to do it. | |
| Notice this person just walking in the background. | |
| If we draw a straight line from where the weapon is to where our star is, you will see that they don't match up. | |
| The weapon is far below her neck area. | |
| And boom, right there. | |
| Now that's 15 seconds since Jaden announced there was a weapon. | |
| That's important. | |
| Now let's back it up 15 seconds. | |
| We can see this guy point to Orange. | |
| Orange gives a hand movement. | |
| And look, the Hollywood glass just falls right out. | |
| Swat 1 goes to Sam. | |
| Now why would Blue ever be in on this conversation? | |
| Blue makes his way past Yellow, where he grabs him. | |
| And you can see Barani making a hand movement. | |
| And he touches Red on the back. | |
| And Barani signals her to get into place. | |
| And she goes through. | |
| And she's ready to fall. | |
| And they all scatter. | |
| Notice this guy in the background. | |
| No one looks in the direction of the gunman. | |
| Yellow gets into place. | |
| Now that's Rufio. | |
| Right when she goes up, he turns his back. | |
| It doesn't make sense that Rufio's corralled all these people into breaking down the doors only to step to the side and turn his back. | |
| In this angle, Rufio turns to take a peek. | |
| Then he touches red on the back. | |
| And Ninja automatically puts his hands up. | |
| Also notice when she falls back, her backpack looks fairly plump. | |
| A perfect breakaway for a fall. | |
| And you'll see Yellow breaks her fall. | |
| Boom with his foot. | |
| And here you can see the plastic glass. | |
| Red gets out of the way. | |
| And interestingly enough, Ronnie moves down just to touch her. | |
| Just to touch her right backpack area. | |
| Just for a brief moment. | |
| While Sam comes down, he moves her, what, nine inches to his left. | |
| He's about to reach under her right shoulder. | |
| At the same time he does it, it's what one briefly squeezes her right hand. | |
| Or he's putting something in there. | |
| When Sam picks her up, she puts her hands in front of her face. | |
| It almost appears that she opens her eyes. | |
| Right there. | |
| And she just puts her hands out. | |
| Boom. | |
| She's set down, then her elbows go down. | |
| As Data and Orange move into place. | |
| Now Sam's gonna make a big hand movement. | |
| His left hand is still under her right shoulder. | |
| Trying to give her a back massage and shit. | |
| Who writes this? | |
| And look how she's laying. | |
| She's still got her right leg up. | |
| It's only been 11 seconds since the weapon went off. | |
| And here you can see her curl the side of her mouth up, while a drop of blood runs out from under her nose. | |
| Which takes less than 16 frames. | |
| Here it is in real time. | |
| No blood. | |
| And there it is. | |
| And she has her hands like she's about to give a shadow puppet performance. | |
| That's just an interesting face to make. | |
| No suffering. | |
| It's like, boom! | |
| Instant death! | |
| She's basically using that backpack as a pillow. | |
| All the while, look to Sam's right. | |
| There's Ninja. | |
| And Ninja's been there all along. | |
| And he comes down with him. | |
| And it almost looks like she has a smile on her face. | |
| It's almost like a Mona Lisa. | |
| And she's holding her right hand clenched like she has something in there. | |
| Now you have SWAT 1 coming in, playing a scene blocker. | |
| And notice how Rufio is just clamoring over SWAT 3. | |
| Because there's quite a bit of photographers in that room. | |
| Now look, frickin' frack. | |
| He grabs him in the back and he puts his hands up. | |
| See how he just grabs him and he puts his hands up? | |
| They were friends earlier. | |
| Remember? | |
| And look at Barani. | |
| Okay guys, I'm just gonna pull out my phone. | |
| And notice how he looks at his hand. | |
| He's gonna do that a couple times. | |
| And there's a reason for that. | |
| So now SWAT-1's making his hand movements, you know, the big pointing. | |
| And now he's gonna put up his weapon. | |
| And he does this little dance with his knees. | |
| Okay, thank you. | |
| Thumbs up. | |
| Like he's pretending to talk to someone. | |
| And he's like, thumbs up. | |
| And now Data moves in. | |
| He clumsily takes his book bag off. | |
| Now here it gets really strange. | |
| With the exception of her nose, at this time code we see there's no blood on her. | |
| 3517. | |
| We're gonna see her pop in right there. | |
| Nothing. | |
| 3521. | |
| But wait! | |
| Boom! | |
| 3525. | |
| 4 frames. | |
| That's 4 seconds! | |
| And now it looks like she's devoured some small woodland creature. | |
| Don't you love how blood defies gravity? | |
| But how is that possible? | |
| Let's back it up 4 seconds. | |
| Now watch. | |
| Notice how Sam moves his left hand from her right backpack area, and he goes to grab her hand, like she's doing a peace sign, with her hand. | |
| Dips it in. | |
| Look at that movement. | |
| Now you can see him move his hand across her face. | |
| But look, she moves her wrist into his hand first. | |
| It kinda looks like she's smearing blood on her face. | |
| Or putting something in her mouth. | |
| But you can see the movement. | |
| And he swats her hand down. | |
| Then he forcefully turns her head to the right. | |
| It's hard to see if those are her fingers or if she's holding on to something. | |
| Now Sam gets up and all he's doing is just pointing. | |
| Look. | |
| Well, I guess my work here is done. | |
| They're both pointing at the same time. | |
| Because it makes for good pictures. | |
| You've got the drama. | |
| You've got the pointing. | |
| And all this blood is just gushing out of her mouth. | |
| Don't make no sense. | |
| Do you hear that? | |
| Y'all murdered this person? | |
| It's only been 21 seconds since the weapon went off. | |
| Scrapping him, like, what are we gonna do? | |
| And notice, he has a full beard. | |
| Do people in these positions normally have full beards? | |
| Maybe? | |
| Okay. | |
| He's also double-masked. | |
| Ooh, such a secret. | |
| And they just keep pointing, look. | |
| Swat one, swat swat two. | |
| We can see that Yellow has changed his appearance as well. | |
| And so, Data does these big gestures. | |
| She's still got her damn hands, like she's playing a scarecrow or something. | |
| Now this guy coming in, he's a parrot blocker, and he's saying, move, move. | |
| Data just looks up, he's like, medic, scalpel. | |
| All the while Ninja's still back there, just monitoring everything. | |
| Data is just still fumbling through his bag, not looking for anything in particular. | |
| Everybody's just kind of moving around her. | |
| We have an active shooter. | |
| How original. | |
| Get her down! | |
| Get her down? | |
| She is down, bro. | |
| God, it's so cringy. | |
| So they're screaming for a flashlight. | |
| And of all things, a flashlight. | |
| Because the flashlight will enhance the drama of the photos. | |
| And it draws the eye down towards the light. | |
| Where's she hit? | |
| Where's she hit? | |
| Yeah, it seems like no one really knows. | |
| And that's when she opens her mouth, like she's spitting it out. | |
| You can see she has blood on her fingers. | |
| But when do we see her ever touch that area? | |
| And Data taps her left hand and she puts it down. | |
| It like flicks something away. | |
| Fixes something out of her hair. | |
| It's unclear if Data is contributing to the blood effects or if he's just a scene blocker. | |
| You can see SWAT-1 knees her right arm closer to her. | |
| And then she tucks it under her right butt cheek. | |
| So this is the medic. | |
| He identifies himself as the medic. | |
| Notice that wonderful earpiece he has on. | |
| And let's see the various ways he tries to save her. | |
| Medic puts his water bottle down. | |
| SWAT 1 just grazes her. | |
| Everybody's just grazing her. | |
| Paraplucker getting up in there. | |
| And so medic pulls down the flag that's tied around her neck. | |
| And notice he only had one glove coming into the room. | |
| Which is very interesting. | |
| Look, when he does this move, she opens her mouth briefly. | |
| Or she says something. | |
| So he's only using one hand, and she just lets some of the blood out of her mouth. | |
| Thank God for capsules. | |
| And her eyes are... she's looking at things. | |
| Where before, she was just looking straight ahead. | |
| At the same time, you can see them just hanging out. | |
| And here comes the scene blocker cop. | |
| Now, Ninja's either just making hand movements for the camera, or he's giving directions to SWAT-1. | |
| And SWAT-1 is just fumbling around with this little napkin. | |
| This little toilet in a baggie. | |
| Notice how Medic tucks this, what looks to be a cell phone, in between Data's knees. | |
| It appears Data takes the cell phone away with him. | |
| Did you see that? | |
| What is Parrot Blocker pulling from her hair? | |
| And here he puts it into his pocket. | |
| Parrot Blocker shouts to SWAT that he's a medic, yet does nothing. | |
| You can start to see his very small pool of blood. | |
| Like the size of a cookie. | |
| Right where Sam's hand was. | |
| That's when they all come out. | |
| Get back! | |
| We can't save him! | |
| Get the f*** off! | |
| We can't save him! | |
| We gotta get EMS here, guys. | |
| Now, notice Ninja just randomly puts his hands up. | |
| The cots have been next to him this whole time. | |
| And now he's putting his hands up, it's for the camera. | |
| Did you hear Jaden? | |
| Because he keeps repeating it over and over. | |
| He's saying the light faded from her eyes. | |
| They're all gaslighting because they know the audio is going to be recorded. | |
| So they're all kind of pointing and overacting and fumbling in their little corners. | |
| 3621 Taylor Hanson Smiles. | |
| Look at shades. | |
| And Fredo has no one to talk to. | |
| He's got nothing to do right now. | |
| And SWAT 1 and SWAT 2 are still fumbling with this stupid f***ing bag. | |
| What is that? | |
| Little gauze? | |
| Who's just tugging it along? | |
| On the flag. | |
| On the flag kerchief. | |
| Everybody's grabbing for her neck. | |
| What's that? | |
| That's Medic's hand. | |
| Do you hear the scrunch as he squeezes? | |
| And the medic comes in. | |
| It almost looks like medic hesitates. | |
| And then he comes in. | |
| Now we see this very small pool of blood. | |
| See how there's just a small passive blood stain? | |
| It leaves no trail or indication of a direction. | |
| There's no spine, satellite, or elongation tails. | |
| There's no cast off. | |
| There's no arterial spray or expirated spatter. | |
| Which makes the use of a blood squib in her backpack and around her neck the most plausible explanation. | |
| Which could be why during this whole ordeal they never untie the flag. | |
| She's gone, man. | |
| We're gonna see that, uh, cap. | |
| Black hat cap. | |
| He's still just looking for a pulse, but he just declared that she wasn't there. | |
| And now look, he clearly has blood on his fingers. | |
| And he turns his fingers around and looks at them. | |
| And he just wipes them on the flag. | |
| Look, he just wipes them on the flag. | |
| And he moves it out of the way. | |
| And that's when SWAT 1 comes in with his little towelette. | |
| Dab, dab, dab. | |
| Dab, dab, dab, dab, dab. | |
| Like this is fucking ASMR or some shit. | |
| At the same time, he snaps another photo. | |
| Ronnie's faking a call. | |
| Look it at his hand. | |
| And there's Jaden. | |
| And Ninja's just Ninja's his way over to us. | |
| Scene blocker. | |
| Cop blocks. | |
| Parrot blocker. | |
| Hey, what's going on? | |
| Who's that? | |
| Oh, he's got a radio. | |
| Maybe he'll call for help. | |
| No one's doing anything. | |
| Medic stands up. | |
| See? | |
| This is the medic, with that sticker, and there's Adam Gray, taking all the photos. | |
| And it appears the clock reads 2.47. | |
| Fredo still has nothing to do. | |
| Now look! | |
| It's Frick and Frat! | |
| They're still hanging out. | |
| Frick sees the camera and begins acting again. | |
| Yep, we're still rolling. | |
| What? | |
| Yeah, and not that much. | |
| Come on guys, let's go! | |
| Ca-plon on the floor! | |
| Yeah, not that much. | |
| Now that's yellow saying that. | |
| They will not run! | |
| They will not run! | |
| Oh, Vedder, bless your heart. | |
| And now look at Rufio with his hand on top of his head like, oh, it's such a shame. | |
| Oh, Barani puts his hand around Red. | |
| There's the famous photo. | |
| Has anyone seen an iPhone on the ground? | |
| Has anyone seen an iPhone on the ground? | |
| He's got a f***ing gun! | |
| You wanna be next? | |
| Nobody's doing anything. | |
| Everybody's just hanging out. | |
| Angry lady number one. | |
| She's just there to scream at them. | |
| Now notice they're still taking photos of her in the background, yet no one has done anything. | |
| She's dead! | |
| Hanson in the background. | |
| He's got his footage. | |
| This is, oh no! | |
| We'll see him later. | |
| Barani motions to medic. | |
| And now Fredo motions for bike cop one. | |
| Look, more pointing, more big hand movements. | |
| Do you see any blood on Sam right now? | |
| He put gloves on. | |
| He's got little paper towels or something. | |
| Maybe it's a script. | |
| They're still just getting all the pictures. | |
| Shades is making his big hand movements. | |
| Oh, he's grabbing Barani, but notice Barani puts his hand on his back. | |
| He grabs him and he lets go. | |
| Big hand movements. | |
| It's Jazz Fingers. | |
| And there goes Adam Gray. | |
| What's up, bro? | |
| Who later gets fake arrested. | |
| And then Red is pushed out with Data. | |
| See, they've already made one. | |
| And look how uniform they are. | |
| Looks like they made it just in time. | |
| Even though they don't go out that way. | |
| And there she goes! | |
| With her book bag and flag still wrapped around her. | |
| Luckily, they don't have that far to go. | |
| Just right out that door. | |
| Is that normal? | |
| Is that normal protocol? | |
| You would think if it was as easy as for everybody else to get into the Capitol, it would be for paramedics. | |
| Now we see Sam on the other side of the door, and we see he's littered his latex gloves on the capital floor next to the blood. | |
| No one would ever do that! | |
| Unless it was to add drama to the photos. | |
| That's our pool of blood. | |
| That sad, pathetic pool of blood. | |
| This is classic. | |
| Oh, you just stepped in the crime scene. | |
| Guys, you can't make this stuff up. | |
| I think he does do it intentionally. | |
| Because it creates a transfer pattern from the heel of his boot. | |
| It adds drama to the photos. | |
| He intentionally does that. | |
| Is that a cop? | |
| Come on, guys. | |
| Is that a cop? | |
| Are these cops? | |
| And now they put the black ski cap over the blood. | |
| They've got the photos. | |
| And that's the guy who stepped in it. | |
| Now changing his appearance. | |
| And those are the sad, pathetic droplets from one malfunctioned squib. | |
| Now, let's take a look at the aftermath. | |
| Oh no. | |
| So they're all just echoing the same thing over and over again. | |
| They're getting everybody to spread the word. | |
| I thought it was supposed to be her neck? | |
| This is like the cringe hour. | |
| I thought it was supposed to be her neck? | |
| This is like the cringe hour. | |
| But listen to what this lady says. | |
| I didn't see it, but they tried to look in there. | |
| They all acting, they acting. | |
| That's amazing! | |
| It completely validates everything we're doing here. | |
|
She Fell Back
00:00:59
|
|
| And notice, coming down the stairs, like a damn 80s movie, Thomas Barani, with his hand up, he's about to stop on the stairs and just start screaming. | |
| And then no one's gonna pay attention. | |
| Wow. | |
| And now he caught somebody's attention. | |
| Bro, why you lyin'? | |
| Oh, don't you mean your hand fell back into her book bag? | |
| Man, this guy's such a creep. | |
| No talk anymore! | |
| This is too much. | |
| God, this is so hard to look at. | |
| And here he is again. | |
| They shot her in the neck and she fell back on me and started saying she was fine, it's cool. | |
| What? | |
| Guys, you know none of that happened. | |
| And then she started kind of like moving weird. | |
| Okay, that's true. | |
| It could have been me, but she went in first. | |
| This could be you or your kid. | |
| Jesus. | |
| And here they're whisking her away on a stretcher. | |
|
Figuring It Out
00:01:53
|
|
| Notice these highlighter badges on all of them. | |
| Maybe you can tell me what these are. | |
| And maybe you can tell me what this black waistband is. | |
| Ooh, looks like they did a touch-up. | |
| He totally has his hand on her boob. | |
| And you can see she's clearly still alive. | |
| And notice all of these band shuttles in the background. | |
| Hey look, it's SWAT 1. | |
| What was that about? | |
| Even Taylor Hanson got a spot on TV. | |
| And the minute that she hopped up in that pain, she had no idea that he was even there. | |
| No, she only had a 15-second warning. | |
| Bruh. | |
| From the first scream to her taking it to the neck. | |
| 15 seconds. | |
| He shot her right in the neck. | |
| Oh, now it's her neck. | |
| Hopefully Jaden will get it right. | |
| Yeah, so basically all the protesters kind of stormed to get into the chamber. | |
| And perhaps our last clip is most telling of all. | |
| Here's Jaden. | |
| They killed the girl! | |
| So what do you think, guys? | |
| Can you see what I see? | |
| Is this shit legit? | |
| Maybe I'm missing something, maybe I'm overlooking it. | |
| I guess we're all done, yeah, so f*** it. | |
| Let me think! | |
| I guess we're all done, yeah, so f*** it. | |
| I got it all! | |
| So what do you think, guys? | |
| Can you see what I see? | |
| Is this shit legit? | |
| Maybe I'm missing something, maybe I'm overlooking it. | |
| Please, if you see anything I'm not seeing, write it below. | |
| Please use your word choices carefully when commenting. | |
| Hey, thanks for coming down the babbit hole with me. | |
| Are we being duped? | |
| If you learned something, feel free to subscribe. | |
| That's why I'm here. | |
| It's not just for fun. | |
| You know, it takes a lot of work to edit these videos, and I'm just one person. | |
| I don't have all the answers figured out, but I can tell you something ain't right. | |
| Please feel free to mirror, share, and please keep analyzing. | |
| Maybe we can start looking at this stuff a different way. | |
| Hey, thanks for breaking this down with me. | |
| We just figured out Wu's news. | |