| Time | Text |
|---|---|
|
Fucking Pie Time
00:10:20
|
|
| From New York, it's Get Off My Lawn with Gavin McInnes. | |
| A couple tries to stop. | |
| Rockin'around the Christmas tree. | |
| Let the Christmas spirit ring. | |
| Later we'll have some fuckin'pie. | |
| And we'll do some caroling. | |
| *Pain* | |
| See, that was a different time, that song. | |
| That was a time when you could swear in pop songs. | |
| And then we become so uptight in our modern age. | |
| Later, we'll have some fucking pie. | |
| Later, we'll have some fucking pie. | |
| Like, she loves pie. | |
| Want some fucking pie. | |
| Yeah, and you can tell she's so plump, too. | |
| You know what I mean? | |
| Like, it gets you in the Christmas spirit because this woman's not messing around. | |
| Later, we'll have some fucking pie. | |
| We'll open presents and shit. | |
| It's going to be fucking awesome. | |
| Fuck under the mistletoe. | |
| Yeah, we don't kiss under the mistletoe. | |
| We butt fuck. | |
| Yeah, 69. | |
| Yeah, fuck. | |
| Put your tongue down my throat if you're near the mistletoe. | |
| Which is a pagan tradition. | |
| A lot of paganism in Christmas. | |
| That's why I get annoyed when the Jews and the Buddhists and the atheists don't put shit up on their lawn. | |
| That's kind of a, I could take that as a bit of a fuck you to me. | |
| And to all of us, and to Christmas, to today. | |
| Just put a light on your lawn. | |
| Put a thing up. | |
| The Chinese do in Diker Heights. | |
| Oh, I got to show you that. | |
| Thank God I remember. | |
| Did I send you my pics? | |
| No. | |
| I went to Diker Heights, which is deep in Brooklyn. | |
| It's at the bottom of the Brooklyn. | |
| Airdrop open. | |
| I guess I won't include them with my kids because we live in a psychotic society where my children can't be identified. | |
| I forget what I saw recently and they showed their kids and I was like, oh, what are you doing? | |
| Yeah. | |
| Unpublish, edit. | |
| The left can show their kids. | |
| I guess I'll do airdrop. | |
| Did you turn on the airdrop? | |
| Yeah. | |
| Yay. | |
| I'm in Diker Heights. | |
| Diker Heights is known as Italian, old school. | |
| Kind of a tough neighborhood. | |
| There's Puerto Ricans and there's Irish and stuff. | |
| Did you get it? | |
| It says scent. | |
| Gavin's iMac? | |
| No. | |
| It would be censored Mac. | |
| Okay. | |
| We're not doing a very good job here of entertaining people. | |
| Or you can text him to me. | |
| He'll pop up. | |
| Yeah. | |
| It's kind of a tough, very old school Brooklyn. | |
| Like, guys who grew up there in Diker Heights, we're right by Coney Island and stuff, like the Warriors. | |
| They never left that block. | |
| But there's some WAPs, some zips make money. | |
| Zips and nips make money. | |
| And so they want to, and they have construction shit going on. | |
| So they'll take a few supplies from the job, a bit of drywall, and bring it to the house they're building. | |
| And they build these monolithic McMansions that are fucking ridiculous. | |
| I like them. | |
| They're so tacky. | |
| I wouldn't want to live in one, but like a Greek column that's as big as this building. | |
| You don't know this building, but like you would die if you fell from the top of it. | |
| Seamless, too. | |
| It looks like it's one big piece. | |
| You know, back in Rome, they'd have the slaves do that. | |
| That's one house. | |
| That's a Chinaman, that guy. | |
| Dang. | |
| Because he was in his driveway getting something from his truck. | |
| I go, can I ask you something? | |
| I said, like, I put up Christmas lights in my house. | |
| I would be, I don't like putting up stuff super high where you'll die if you fall. | |
| And I go, go back to the other one. | |
| I go to him, how do they do that? | |
| You can't really see it, but the very tippity top. | |
| Like, how do they get those up? | |
| Do they go from the roof and lean down? | |
| I'm getting like seasick just talking about it. | |
| And he goes, oh, they use a ladder. | |
| And I realize, oh, you hired a bunch of Mexicans to do this. | |
| They did a great job. | |
| In my old neighborhood, in Brooklyn, there was a house where the guy spent $10,000 a year. | |
| He was next to a synagogue. | |
| And he spent $10,000 on his decorations every year. | |
| Oh, it's snowing in here. | |
| It's chilly. | |
| I'm going to have some eggnog. | |
| Ooh, are you cold too? | |
| Yeah. | |
| You're nice and blinking. | |
| You're so cold and blurry. | |
| You're so cold, it's blurry out. | |
| It does happen during blizzards. | |
| It's blurzards. | |
| Your mic's sharp, though. | |
| Well, because they don't feel temperature. | |
| They didn't have to deal with the myths and the legends. | |
| So I guess Chinese people are getting rich, and they're very mathematical. | |
| They have the abacus, and they just go, this is the best value for my dollar. | |
| I can commute. | |
| I don't mind. | |
| I don't have a soul. | |
| So I can be in traffic for two hours a day. | |
| The traffic, if you hit traffic going to Diker Heitzenbach, it's AIDS. | |
| It's 45 minutes or it's half an hour from the city, but with traffic, it's like three fucking hours. | |
| I don't know how those people do it. | |
| I would just get up at two in the morning, which I guess the Chinese do. | |
| Anyway, very cool walking around there. | |
| They're not cheap. | |
| It's not like a foam gingerbread man. | |
| It's like a polyurethane gingerbread man. | |
| It's like, what do you call that stuff? | |
| That's like, I wanted the floor of the studio to be this, and the guy kind of gipped me off. | |
| What am I talking about? | |
| The, you know, the sound. | |
| Polyurethane sounded. | |
| No, you know, like when you want to encase something in lacquer or ever helped me with something I can't remember ever since the day you were born. | |
| That shit's cool. | |
| Anyway. | |
| Look at that. | |
| Oh, so you go, well, what if someone? | |
| Epoxy. | |
| Epoxy. | |
| Thank you. | |
| What if someone steals one of these? | |
| They're not cheap. | |
| That little grouch, Oscar the Grouch, there, must be, I would say, 40 bucks. | |
| So it adds up 40, 80, 120, 160, 200, 240, 280, like 300 bucks a shit floating around. | |
| So, what they do is, and I think they also do this so they don't blow over, they tie a fishing line to it. | |
| A lot of firemen out there, too, which is good because firemen will do like a 30-hour shift, 48-hour shift. | |
| So, they're not really worried about traffic, right? | |
| You go to weird time, 2 in the morning, you do your crazy shift, you come back at 2 in the morning, it works for them. | |
| So, what they do is they have fishing line intertwangled, I invented that word, intertwangled around each other. | |
| So, say you grab Oscar, you're grabbing the whole kit in Caboodle. | |
| And I also noticed there was a security dude there. | |
| I guess if, you know, I've had security guys in my house. | |
| They're about $1,000 a night, max. | |
| If they're buddies, they'll do it for $600. | |
| But, you know, you get four blocks. | |
| They all pitch in. | |
| It's pretty affordable. | |
| I don't know what buenotale means. | |
| I thought it was their last name. | |
| Oh, is that Italian for Merry Christmas? | |
| Yeah, that must be it. | |
| Hey, computer, what's Italian for Merry Christmas? | |
| Merry Christmas in Italian is Buonotale. | |
| Yeah. | |
| I can also translate conversations. | |
| Unnecessary, computer. | |
| No, thank you. | |
| Hey, computer, do you relay my private conversations to the FBI? | |
| I don't know that. | |
| Hey, computer, do you have any correspondence with the FBI or law enforcement? | |
| Sorry, I don't know that one. | |
| Hey, computer, do you celebrate Christmas? | |
| When the season is about goodwill and cheer, you can count on me to celebrate. | |
| Very politically correct computer here. | |
| Good season and cheer. | |
| What's he saying? | |
| Look at that shit. | |
| That's a home. | |
| That fucking hotel is a home. | |
| And like I've always said, I don't get big houses. | |
| That must be a 1, 2, 3, 4, 5, 6, 7. | |
| At least a 12-bedroom house. | |
| So I understand if you got 12 kids, but what if you don't? | |
| You have guests over? | |
| Okay, your dining room table must be 30 feet long. | |
| And now you're just living in a hotel. | |
| I've said it before and I'll say it again. | |
| I live in a big house. | |
| I lived in a house so big that I had to text my kids when it was bedtime because I didn't know where the fuck they were. | |
| That's what I was talking about, by the way, when I said expensive. | |
| Cut me out of the picture for a sec. | |
| There's two gingerbread. | |
| There's a gingerbread man and a gingerbread woman. | |
| Gingerbread woman. | |
| And if you zoom in, those are not cheap, dude. | |
| Those are really nice things that could be in the window at Macy's. | |
| Nice balls, too. | |
| God, I should have said that. | |
| The guy was home. | |
| Pock, hindsight's 2020. | |
| We got some presents on today's show, right? | |
| Gift exchange. | |
| Ryan and I did a Secret Santa here at the studio. | |
| And coincidentally, what would you know? | |
| Would you know it? | |
| I got Ryan and he got me. | |
| Yeah. | |
| And I remembered. | |
| I didn't forget. | |
| I will introduce the Censored TV Annual Secret Center. | |
| Pump, pump the jam, pump the jam. | |
| Graphics you were targeting. | |
| Thank you. | |
| So yes, the reveal, I got. | |
| Are we dumping right into it? | |
| Hold on. | |
| Hold your weish, as we say in Scotland. | |
|
Boring Yet Beneficial
00:03:50
|
|
| Have you shown all the Diker Heights? | |
| All the Diker has been Sassine. | |
| Let's see. | |
| There's the gingerbread, and then we're back to this guy. | |
| Yeah. | |
| Right? | |
| Yep. | |
| Jesus is hanging out. | |
| You know, it's a long drive, but I purposely chose, I told the kids no screens, and it was a really good time because they had no choice but to talk to me. | |
| It's weird, having teenagers and a young kid, the things you make them do, the memories you create, aren't necessarily fun. | |
| They don't really love it. | |
| Like, they like their drugs, their crack, which is Fortnite MLB the show, watching some old flavor of love, playing. | |
| I'm including all my kids here and all their weird things they're into. | |
| That's when they really enjoy themselves. | |
| It's sort of like Amy Winehouse in that documentary where she's winning an award. | |
| And she goes, this is so, she whispers to her friend, this is so fucking boring without drugs. | |
| So you're taking away their drugs and you're doing something else. | |
| But when they look back, they're not going to look back at Fortnite and M.L.B. The show. | |
| They'll look back at when their dad took them to Diker Heights or when they went skiing. | |
| I don't know if they thoroughly enjoy the actual act of skiing. | |
| But you're like, it's away from screens. | |
| You're being with your family. | |
| You're enjoying yourself. | |
| We're creating memories. | |
| It's a bizarre phenomenon where the things that are best for them are not the things they enjoy the most. | |
| She's just like, I wish this microphone was a syringe. | |
| She didn't even die of drugs, you know. | |
| Is this the clip? | |
| No. | |
| Well, maybe. | |
| this is so boring without heroin But even Christmas with the whole family, like, does everyone enjoys it, especially the moms. | |
| But do they really, does everyone else really enjoy it the way they enjoy their favorite thing? | |
| And then I started thinking, I'm not sure I even enjoy my favorite thing. | |
| Like, a blowjob is inarguable. | |
| Everyone enjoys that. | |
| It's not like anyone's going like this during a BJ. | |
| So that's like indisputably good, feeling good, great. | |
| But like, when you're, I like being in my old man bar sitting around. | |
| Sometimes I'm talking to people that I normally wouldn't be friends with in normal life, or I'm just watching Law and Order with the sound off, and I'm trying to follow the plot with no subtitles. | |
| Like, it looks like a cop got shot. | |
| And yeah. | |
| At least with heroin, you're definitely enjoying yourself. | |
| There's no arguing. | |
| But that's not good for you. | |
| Anyway, I'm off of a tangent here. | |
| You're sitting with the family. | |
| You're all watching GOML together. | |
| It's like changing my baby's diaper. | |
| It's definitely not fun. | |
| Oh, that's a great example. | |
| For once, Detective Shitty brings up something good. | |
| It feels good, but it's not fun. | |
| Yeah, it stinks like shit. | |
| It literally stinks like shit. | |
| And when I had my last kid, when he was on his diapers, and he was getting to be like whatever the age is two when they run out, every diaper, I was like, this could be the last diaper I ever do in my life. | |
| Weird. | |
| Till I die. | |
| That's sad. | |
| Unless I get some grandbaby diapers, which I don't think I'll make it that far. | |
| And so I was like coveting every shitstimere. | |
| Yeah. | |
| It's like that saying, Cormac McCarthy said, there's no joy at the tavern as great as the road there too. | |
|
Joyful Messes
00:04:32
|
|
| A lot of the stuff we enjoy isn't necessarily joyful. | |
| Like salt and vinegar chips or like spicy burritos that hurt your mouth or rough sex. | |
| Yeah, hot sauce, come to think of it, I enjoy putting hot sauce on stuff, but it's not fun. | |
| I don't like it. | |
| It tastes good. | |
| And I always, if I have a burrito and there's no sriracha or hot or Tabasco around, I'm not eating it. | |
| Yeah. | |
| I eat hot sauce till I'm in pain. | |
| Yep. | |
| So I'm having a painful food. | |
| We're weird as humans, aren't we? | |
| Anyway, speaking of joy, this is a short app, you know, just a Christmas app. | |
| We wanted to squeeze it in here because we love Christmas. | |
| We're Christians, Catholics. | |
| Big day, big day. | |
| And judging by the amount of boxes by your desk, Ryan, I think you got me a lot of... | |
| Who's that? | |
| Merry Christmas. | |
| Oh, my God, Jesse Lee Peterson. | |
| Welcome to the studio. | |
| It's great to see you again. | |
| I'm happy that you said that about Christmas. | |
| It is about the Lord. | |
| It's not about the children of the lie will tell you that Christmas is about presents and commerciality. | |
| It's not. | |
| It's about Jesus. | |
| Jesus is a focal point of Christmas. | |
| But the thing I kind of like about it is the ambiguity with the commercialism. | |
| Like, I like it all. | |
| Throw it all in. | |
| Like, there's a lot of paganism in Christmas. | |
| Jesus was not born on the 24th. | |
| That's the sun god. | |
| But we wanted to bring in the pagans. | |
| So we pulled them in. | |
| The mistletoe, all of the plants lying around. | |
| Even the Christmas tree, that's paganism. | |
| So we pulled that in, and I kind of see them as trophies as Christianity-dominated paganism. | |
| Almost like a snowball at the top of a hill, and then you keep rolling it. | |
| And we didn't have snow. | |
| Yeah, Jesus is the snowball. | |
| And then all the paganism and commercialization and Santa Claus and the Nordic God and the reindeer. | |
| That's all the extra snow that gets on top. | |
| And then you get to the bottom. | |
| You have this big giant snowball. | |
| It's kind of like American history. | |
| Like people go, take down the Confederate statues. | |
| That was bad. | |
| And you go, yeah, there's a lot of bad. | |
| Good, bad. | |
| It's all, you know, we have this obsession in 2021, about to be 2022, where we want to sanitize everything. | |
| But the moral of today's show is take the crunchy with the smooth. | |
| That's right. | |
| You know, it's like when I made my mom make mints and tatties without anything in the mints but mints. | |
| It was gross and boring. | |
| I liked the vegetables I don't like in the mints. | |
| So you got to include the Confederate statutes. | |
| You got to include slavery. | |
| You got to include the Civil War. | |
| It's all the messes that we all went through that brought us together today. | |
| That's right. | |
| Enjoy the mess. | |
| Enjoy the filth, the evil. | |
| Take the snow and make a snowman out of it. | |
| I mean, we didn't have snow back then. | |
| Where we grew up, we were too poor. | |
| You couldn't afford snow? | |
| That's right. | |
| So we used to take like a Bisquick or like a pancake batter and we used to lay it on the floor and then make little snow lumps. | |
| So then we put a car lumps. | |
| a carrot coming out the top. | |
| We couldn't afford carrots neither, but we had a You don't want to tell me what you used for carrots? | |
| It's private? | |
| Are you ashamed? | |
| You were on a show recently with Jesse Lee Peterson. | |
| Yeah. | |
| Do you have a clip of that? | |
| Can we see that? | |
| I don't have a clip of it yet, but if you go to Matt Andrews' YouTube, I think he should be putting it out. | |
| It should be out by now. | |
| Okay, we'll check that out. | |
| Well, thank you for coming on the show, Jesse. | |
| God bless it. | |
| Merry Christmas. | |
| He, he, he. | |
| He doesn't like saying ho because he's against prostitution. | |
| I like delaying the presents here. | |
| That's kind of another fun part of Christmas. | |
| We let the kids open one present on Christmas Eve. | |
| My youngest son chose the weirdest present he's ever asked for. | |
| He asked for a bullhorn. | |
| And he said, I want to make sure that's the present I open on Christmas Eve. | |
| Okay. | |
| I guess you can see where this is going. | |
|
Stretch Armstrong's Legacy
00:04:36
|
|
| It was a very loud night and a very loud morning. | |
| Ah! | |
| Have we tapped everything we want to tap? | |
| Oh, Dinesh D'Souza is here. | |
| I think we have tapped out just about everything except I wanted to wish you a Merry Christmas. | |
| Thank you. | |
| Ode. | |
| Okay, well, thanks for coming on the show, Dinesh. | |
| Always appreciate you popping by. | |
| Totally. | |
| Merry Christmas. | |
| Let's do my first present. | |
| Okay. | |
| Secret Santa present number one. | |
| Get the boy going on the dance floor. | |
| See, cause that's where the party's at. | |
| And you'll find out if you do that. | |
| We're joined by Technotronic. | |
| Yeah, bring them out one by one. | |
| You know, the girl for the Technotronic video, this song, Yakid K, I believe her name is. | |
| She's kind of a homely lesbian. | |
| And they didn't want her in the video because she wasn't pretty enough. | |
| So they just got that chick. | |
| That's not Yakid K. A Milli Vanilli type. | |
| A Milli Vanilli broad. | |
| That'd be kind of a bummer, right? | |
| Yeah. | |
| You write a hit, number one hit song, and people are like, that's great. | |
| We're going to make a video. | |
| Oh, well, I better get my hair and makeup done. | |
| No, you're not in it. | |
| You're not in your song. | |
| What do we got here? | |
| Whoa, this takes me back. | |
| Stretch Armstrong. | |
| Heck yeah. | |
| This was a big deal to us as kids. | |
| So that was... | |
| I think this predates Star Wars. | |
| Dude, that's one of the oldest toys in the world. | |
| I don't know if that's true, but... | |
| Armstrong. | |
| Look at that stretch. | |
| Because around here, you start getting nervous. | |
| Stretch, are you okay? | |
| Yeah, I've never stretched it that far. | |
| I got scared. | |
| Engines, Connie, handle it. | |
| And then you take it back. | |
| I grew up with a different Stretch Armstrong. | |
| See, I grew up with a foreskin, so I'm fine with stretching things. | |
| I grew up without the myths and legends. | |
| I didn't grow up with the Star Wars toys because we couldn't afford them. | |
| This was my stretch. | |
| No, we could afford them, but they just didn't get them. | |
| 90s Stretch Armstrong. | |
| Oh, that sucks, dude. | |
| Weird, right? | |
| I hate to, you know, salad daze my youth over yours, but my stretch Armstrong. | |
| Look up the 70s Stretch Armstrong. | |
| But did you have this? | |
| This is his evil buddy, Vac-Man. | |
| You'd take a vacuum and put it on his head, suck all the air out, and then he was like, you could mold him and he stays. | |
| I don't understand. | |
| What air? | |
| He has air? | |
| There was air in his bag. | |
| This is the 70s one. | |
| So this is like the retro. | |
| Was it bigger, though, back in the day? | |
| Well, that kid's not a midget. | |
| It was just the same as this, but way bigger. | |
| Everything was bigger back then. | |
| Our G.I. Joes were like almost life-size. | |
| Yes. | |
| So that's really cool. | |
| Oh, look, you can get Vac-Man, too. | |
| There's an octopus guy. | |
| What? | |
| Oh, cool. | |
| Still going. | |
| This is the Vac-Man. | |
| Vac-Man! | |
| Stretch arms, drunk, starch, enemy. | |
| Ooh, he gets lumpy. | |
| Vac him, crack him. | |
| Stretch, Vac-Man. | |
| I bet that was a chemist who discovered this sort of stretchy polymer. | |
| He was going for something else, like a new type of insulation. | |
| And his boss said, this is fucking useless, dummy. | |
| And he was about to throw it out. | |
| And then his son said, Dad, you can make it into a stretchy guy, and it's a toy. | |
| That's how we discovered post-it notes. | |
| We were going for the most intense glue on earth. | |
| And we ended up with a shitty glue. | |
| And then someone goes, just make it a post-it note. | |
| Gift number two. | |
| Let's do all my gifts to me. | |
| Yeah. | |
| Because that's obviously what I knew everyone wants to see. | |
| The number one guy, the main dude. | |
| And then we'll go through your tons of presents. | |
| Okay, what's next? | |
|
Strange Gifts
00:09:41
|
|
| Oh, we're doing them all at once. | |
| What's this? | |
| Cologne? | |
| Okay, present number two. | |
| You know, hockey tape is kind of a tacky thing to put on a present. | |
| I don't mean to look a gift horse in the brain, but... | |
| I love this. | |
| Great present. | |
| It's a shot glass. | |
| It says, sounds gay. | |
| I'm in. | |
| Maybe I'll just re-gift this to my wife today. | |
| You can stay at the censored bar. | |
| You can re-gift it. | |
| Yeah, that looks fun. | |
| Don't tell me that you're going to re-gift it, but yeah. | |
| Was that rude? | |
| Yes. | |
| Where'd you get this? | |
| I worked hard on that. | |
| I had to stay in line at Spencer's Gifts. | |
| Spencer's Gifts. | |
| The Co-op City Bronx Mall. | |
| Did you know Co-op City used to be a bigger amusement park than Disneyland? | |
| Yes, it was called Freedomland. | |
| Freedomland. | |
| And it died because it was seasonal. | |
| Yes. | |
| That's a trip. | |
| This documentary on it is fucking wild. | |
| Show us. | |
| Defunctland's trailer. | |
| It was one of the most ambitious things ever. | |
| It was bigger than, so it was the guys that worked for Walt Disney. | |
| And when that was, that seemed like a pipe dream. | |
| They didn't think that Walt could pull it off and stuff like that. | |
| And this crew splintered off, and they went ahead, and in the Bronx, New York, they constructed this thing called Freedom Land. | |
| It was the shape of the United States of America. | |
| It had Colorado, Florida, Louisiana, San Francisco, New York, like a mini, like it's a small world. | |
| That would be funny if the gays sort of gravitated to the San Francisco area. | |
| They had 40 attractions. | |
| They had Indians and cowboys, and they had the Chicago fire. | |
| And every hour it would burn up, and they would have Chicago firemen come out. | |
| No way. | |
| It was huge. | |
| So they had like an asbestos building that could take fire 20 hours a day. | |
| And the people could run up and try to put the fire out and pump it. | |
| They had ferries. | |
| Well, you said there was already a San Francisco section. | |
| Right. | |
| Oh. | |
| I understand. | |
| I understand your joke. | |
| Thank you. | |
| There was cowboys and girls with weird noses. | |
| Massive. | |
| And I grew up on the burial ground of a huge amusement city. | |
| So your ghosts were fun. | |
| Yes. | |
| You grew up with fun ghosts. | |
| That's why I always think it's such a fun city, and I never know why. | |
| It's just buildings and some space and parks between it. | |
| It's haunted by fun. | |
| Yeah. | |
| So eventually it just went broke because they had to shut down for like November. | |
| No. | |
| You could probably still do November. | |
| Like golf courses here in New York are open till late December. | |
| So let's say you got to shut down December, January, February, maybe March. | |
| That doesn't seem so bad. | |
| Four months off? | |
| Do repairs during that time. | |
| Yeah, why not? | |
| I think you pussied out. | |
| Or have Snowland, like turn it all into like Alaska. | |
| Yeah, good point. | |
| You could just alter some of the shit. | |
| And so this is Co-op City, and it's the largest housing cooperative in the world. | |
| What a mess. | |
| Didn't know that. | |
| It's a Puerto Rican human farm. | |
| Well, it was better before the Mavros moved in. | |
| It was better before Puerto Ricans. | |
| Well. | |
| The most comfortable everyday underwear. | |
| Need a stiff one, it says, and it's underwear that's like beer. | |
| I'm wearing some right now. | |
| Those are very comfortable. | |
| I wear tidy whiteys. | |
| Me too. | |
| But I'm going to be this guy now. | |
| I'm going to wear like decorative. | |
| Don't they ride up, though? | |
| No. | |
| They feel great. | |
| This is what my underwear looks like. | |
| This is usually what my underwear looks like, folks at home. | |
| Yeah, just regular. | |
| It looks like you're kind of enhancing your genitals. | |
| But it's backfiring in a genital. | |
| It's a switcher bigger than a finger, actually. | |
| Looks like you have a point. | |
| Yeah. | |
| It looks like you have a pointy prick. | |
| All right. | |
| Well, it's Christmas, so maybe not that. | |
| You know, my son, my teen son, had a Secret Santa, and he got his buddy Hooters underwear. | |
| Just like this, but it said Hooters on it. | |
| And I said to him, I'm going to give you a joke, and you can have this. | |
| By the way, comedians pay for jokes. | |
| Did you know that? | |
| Stand-up comics will pay like $200, $300. | |
| Especially for a roast, but yeah, overall, yeah. | |
| So I go, here's a joke you can have for free. | |
| Just say, I got you these because you like tits. | |
| Now, these are 13-year-olds, so tits and liking tits is kind of taboo. | |
| That makes it more funny. | |
| And I go, you can have that. | |
| I go, do you want it? | |
| And he goes, no. | |
| I go, I'm giving you a free joke. | |
| Free joke. | |
| He goes, I don't want it. | |
| I go, okay, you just threw $200 in the garbage. | |
| And he didn't use it. | |
| The kids today. | |
| What if he says no, uses it and doesn't pay you? | |
| Ooh. | |
| Ooh. | |
| Smart. | |
| Sinewy. | |
| Cunning. | |
| Okay, this one has a little ribbon on it. | |
| Yep. | |
| That's exciting. | |
| It appears to be some sock. | |
| Sock atomica. | |
| That would be a fun job working at Spencer's Gifts and just meeting all the people who are pitching the shit. | |
| And you're like, no. | |
| Well, that one I actually got at a sock store. | |
| Oh, a sock store. | |
| It's a store. | |
| You sound like someone who gets beaten every time they pronounce the word sock store wrong. | |
| And you're like sweating and you go, I actually got that at a sock store. | |
| No one's going to hurt you. | |
| It's like. | |
| The teacher telling me to enunciate what she's got a ruler. | |
| She's going to slap me. | |
| You know what's funny about this, Ron? | |
| Bourbon socks. | |
| Yeah. | |
| Because I brought the ice maker home because they were renovating our kitchen, we didn't have an add ice in the studio. | |
| So I've been having bourbon neat, and through repetition, I'm becoming a bourbon neat nigga. | |
| It's so good. | |
| You get more of it. | |
| Like you get more of the vibe with neat. | |
| I understand why they call us rockers. | |
| And I'm an ex-rocker now, pussies. | |
| They're renovating our kitchen, and the guy, the contractor, he goes, can I ask you something? | |
| He says to my wife, this is how contractors talk to women, too. | |
| If you were a light, where would you be here? | |
| Be here? | |
| And so I just came in because I hadn't left for work yet. | |
| And I'm like, if I was a light, I'd be going through this intense existential crisis where I had a consciousness, but I couldn't communicate. | |
| So I would try, maybe I'd flicker every time they said the word light. | |
| That would be a start, you know? | |
| But if that didn't work, like I couldn't convey my existence, I would want to kill myself. | |
| I don't know what I'm doing. | |
| I can't even swing. | |
| I'd want to electrocute myself, but then they just fix me. | |
| So I think it would be worse than hell to be a light and to exist and have intelligence, but be unable to convey your existence to anyone, be unable to relate to anyone, be unable to communicate. | |
| And he goes, he goes, I just want to know where to put the light. | |
| Fuck. | |
| What a waste of a great joke. | |
| I thought it was a pretty good joke. | |
| And I brought it up with my kids, and then my kids reminded me of this horrific nightmare of a book that was my in-laws own it, and they used to read it to my wife, and then they read it to the kids. | |
| You ever heard of this book where there's a fucking donkey, and he becomes a rock? | |
| Do you know what I'm talking about? | |
| No. | |
| Looking it up. | |
| Oh, Sylvester and the Magic Pebbles? | |
| Sylvester and the Magic Pebbles. | |
| So it's a donkey walking along, mining his own beeswax, and then he accidentally makes a wish, like, could I be a rock? | |
| I forget exactly how it goes. | |
| He becomes a rock for like 11 years. | |
| Terrible. | |
| And his parents are bawling their eyes out because their son disappeared. | |
| And then I think maybe, I don't know, 11, 12 years into it, his dad's sitting on the rock and he's crying and he wishes his son would come back. | |
| But because he's touching the rock, the son comes out of the rock. | |
| Dude, you should have done that. | |
| Oh, he didn't know he was the rock. | |
| He didn't know he was in the rock. | |
| Sylvester and the Magic Pebble, one of the darkest pieces of literature. | |
| It really is. | |
| When people ask me my, my, the scariest horror movie, I say, can I include children's books? | |
| Cause that book is a fucking, If someone has eaten shrooms or tried acid, get them the fuck away from that book. | |
| You know what stinks about being a light bulb? | |
| What? | |
| It takes seven blondes to change you. | |
| Oh, it's Coco Diaz. | |
| It's Joey Coco Diaz, M-F-A. | |
| Oh, hey, how you doing? | |
| Dude, I'm doing pretty good. | |
| I don't celebrate Christmas usually. | |
| I celebrate Hanukkah. | |
| Because, dude, they got these blue stars of David that mess you up. | |
| Oh, you like Viagra? | |
| Is that what you're talking about? | |
| Okay. | |
| That's a little something for you. | |
| I got to admit, I'm a little uncomfortable, Coco, because you did threaten me after I mocked Ralphie Mae for ODing, even though he has kids and choosing opioids over his kids. | |
| That was back when I was a tough guy. | |
| You know, now I'm talk about Bruce Lee, talk about Bruce Stars of death and Taekwondo. | |
| Happy Christmas. | |
| Yeah. | |
| I'm not a fan of you, Coco. | |
| Your whole New York thing. | |
|
England's Unboxing Dilemma
00:15:22
|
|
| New Yorkers in LA got on my nerves. | |
| I'm from New York. | |
| I'm a tough guy. | |
| I'm a wise guy. | |
| It probably works on Californians. | |
| They hear the Bronx accent, and the only time they've heard that is in movies, so they go, you're going to get me whacked. | |
| Next. | |
| Bye, Coco. | |
| Bye. | |
| Next, we have England. | |
| It's the guy from It's a Small World. | |
| The price is on it, $10. | |
| Yeah. | |
| These are $10. | |
| I hope you're taking this out of your own salary and not the company. | |
| Oops. | |
| So before you unbox that one, it was a buy one get two. | |
| I don't like these things. | |
| I know you don't. | |
| It makes me think of fat guys with no life who have like a shelf or the various figurines. | |
| Which I guess I had, which I guess is behind me right now. | |
| So I felt like England was at least relevant to you because like, oh, great. | |
| Trummer McNugget isn't on McDonald's. | |
| I feel like you're not putting any thought into these. | |
| No, it was buy one, get two. | |
| And these were the only options. | |
| And this is Mrs. Scarlett. | |
| Carlos Peacock. | |
| Mrs. Peacock. | |
| From Clue. | |
| Oh man, Ryan. | |
| Yeah, no, those are just... | |
| I can't even re-gift them. | |
| I debated nothing. | |
| I don't want them, and you know who else doesn't want them? | |
| Everyone. | |
| In a way, they kind of show the unity of Christmas. | |
| Everyone agrees that this is a shitty present, and they don't want it in their house. | |
| But the one from England, man, is pretty cool because you came from England. | |
| Not the Lord. | |
| Wales. | |
| No, I didn't come from Wales, my pet Joe. | |
| England. | |
| England's a great country, man. | |
| They got Dublin out there. | |
| I mean, it's nuts, man. | |
| So this is it for presents? | |
| Actually, man, I got a couple more presents. | |
| Not presents. | |
| I'll just give them to you. | |
| Simply the President of the United States got me stuff. | |
| What a sweetie. | |
| So this is in a bag. | |
| From the container store, it looks like it's a misdirect. | |
| Oh my stars. | |
| Look at this. | |
| Budweiser socks from the Malbone collection. | |
| Now, Malbone is a designer who did this Budweiser golf line. | |
| And it looks like that Ryan has found the keys to my heart and got the entire line. | |
| The entire line. | |
| Find your line. | |
| Now, what do we think about this? | |
| Budweiser sweatpants. | |
| Look at this. | |
| I can be a zip. | |
| Yes. | |
| I can be a WAP. | |
| And they have pockets, too. | |
| I made sure they had pockets. | |
| You sure did. | |
| There were some without. | |
| And look at this. | |
| Budweiser. | |
| A sweater. | |
| Sweatshirt. | |
| That. | |
| Now that's a good gift. | |
| That's what I'm talking about. | |
| Now I'm impressed. | |
| Yep. | |
| Ooh, it's hot in here. | |
| There's a fire behind you. | |
| Okay. | |
| I got one more, and I guess I could do maybe a drum roll, because this one is kind of a big... | |
| Drum roll. | |
| Sound effects. | |
| This is what Christmas is really about. | |
| Looking at your presents, ordering them from good to bad. | |
| Obviously, Mrs. Peacock being the worst. | |
| And so far, the Budweiser track suit is the winner. | |
| Oh, I thought that was you with Kurt Keelings. | |
| Long drum roll. | |
| Long drum roll. | |
| Oh, doesn't it end with a ping? | |
| Okay, we've got a very large box here. | |
| I've got to get my Arizona toothpick out and open this poppy up. | |
| How much was this, Ryan? | |
| I don't want to disclose. | |
| This one did come out of pocket. | |
| None of these are from Santa. | |
| These are all from you? | |
| Oh, no, they're all from, well, in my family, we do Santa Ryan, Santa Nana. | |
| So we write Santa's name and then we write the person. | |
| I saw that as a meme. | |
| They go, Santa Denaya. | |
| And Ben Shapiro goes, Santa brought me presents. | |
| And the Santa Denay goes, where is that written? | |
| And then Ben Shapiro goes, on the present. | |
| It says, from Santa. | |
| Whoa. | |
| This is a doozy. | |
| Oh my God. | |
| It is the Malbone Budweiser correct. | |
| Look at this thing. | |
| Holy Tolede. | |
| Ho, ho, holy Taleed. | |
| This is, this might be the second greatest present I ever received after that baby monster got the bag from the 80s. | |
| You know what's amazing about this? | |
| The bag from the 80s is pretty heavy. | |
| This feels really light. | |
| Oh, that's the cover for the rainy day. | |
| Look at this. | |
| Folks. | |
| Wow. | |
| Today's episode is brought to you by Amheiser-Busch, Budweiser, the king of beers. | |
| This weighs nothing. | |
| This weighs like, I don't know, five pounds. | |
| Did somebody say Holy Tlaib? | |
| This is pretty... | |
| Ha. | |
| What's up, Tlaib? | |
| I heard you say holy Tlaib, and I said, that's my cute. | |
| I think I said holy Toledo. | |
| Oh. | |
| All right. | |
| Bye. | |
| All right. | |
| That's pretty good. | |
| I'm pretty impressed. | |
| Yeah. | |
| Besides the pops, this was a pretty good Christmas haul. | |
| I guess let's get your present now. | |
| Yep. | |
| I could. | |
| All right. | |
| I'm going to go into my office. | |
| I'll follow you. | |
| Follow me to my office. | |
| I'm going to my office now. | |
| Wait, hold on. | |
| Oh, wait. | |
| Okay. | |
| Now we've got the buttons. | |
| breaking the fourth wall. | |
| Otherwise, these tools you already have. | |
| You know, they can hear us so good, but okay. | |
| I do. | |
| Thank you. | |
| now that I have a Budweiser bag, golf bag, you just got yourself a Budweiser golf bag. | |
| I don't really go already. | |
| But that's nice of me to get you one that allows you to drift one. | |
| So there's a variety of ideas here. | |
| There it is. | |
| Are you a finger skate park guy? | |
| Maybe about 20 years ago. | |
| Okay. | |
| I know you like Mario Kart. | |
| And like this. | |
| I have that one. | |
| That one I don't have, but I'm not interested, if no offense. | |
| What about this? | |
| We know you love golf. | |
| Yeah, like I said, not into that game, but. | |
| You are a chink. | |
| Well, yes, that's true. | |
| But I don't even know what this is. | |
| I already have that because when we're done filming that, they gave us all one. | |
| Oh, maybe it's what they're wearing? | |
| I don't know what this is. | |
| These are some ideas I had my assistant switch by. | |
| And I thought, rather than wasting everyone's time, I'll see if you like them. | |
| Holy shit, this broke. | |
| Oh, look, I guess that wouldn't be appropriate to give me a broken gift. | |
| And you don't. | |
| And scoot no. | |
| It hit my shin one time when I was trying to do a spinner route, and I could never get over it. | |
| What about the peacemaker? | |
| That's kind of cool. | |
| Yeah, it zaps you. | |
| Oh, I have one that has 98 million volts. | |
| Oh. | |
| That'd be kind of a downgrade. | |
| Doesn't that kill someone? | |
| 97 million volts? | |
| Like, isn't 110 volts really bad? | |
| Okay. | |
| Iron Gym. | |
| Total upper body. | |
| You're into upper body workouts? | |
| Yeah, but I do go to the gym. | |
| What about this? | |
| A vintage Gucci suitcase. | |
| That's not so bad. | |
| Is that what you wanted to give me, though? | |
| Yes. | |
| Are you looking for something specific? | |
| Because it looks like you're kind of meandering. | |
| Hashtag January 6th. | |
| I can't find it. | |
| That's the issue. | |
| Which is seven days away. | |
| What about a putting machine? | |
| Look at this. | |
| Let me just show you how this works. | |
| So you're telling me I could take this home? | |
| Yes, it's yours. | |
| Or maybe it's best if it was mine to just keep it here. | |
| I misplaced your present, to be totally frank. | |
| It was in a brown box. | |
| Okay, well maybe we should get to finding instead of putting. | |
| I don't want to be selfish, but this is the season to not do this. | |
| Poop! | |
| Okay. | |
| Water trap. | |
| Yeah. | |
| Okay, let's... | |
| So let's see this happen. | |
| Okay, let's, maybe one more and then one more chance. | |
| This isn't my usual putter, by the way. | |
| You're slicing it. | |
| For fuck's sakes. | |
| It's an unforgiving sport, isn't it? | |
| It's an unforgiving holiday if I don't get at least a little something here. | |
| You're going to get a present. | |
| Okay, it doesn't look as such. | |
| Isn't it cool after you've opened your presents and there's like presents everywhere? | |
| You feel like a daddy warbucks? | |
| Wouldn't know. | |
| Um. | |
| It's alright. | |
| Um, just next year, or my birthday comes up in April. | |
| Here, let me text. | |
| Not the one who's so far away when I feel the snake parting to my bird. | |
| That's Mac? | |
| It's alright. | |
| Don't worry about it. | |
| No, it's not all right, Ryan. | |
| I got you something amazing. | |
| Oh, I know where it might be. | |
| Thank you guys for tuning in to the annual Secret Santa Censored TV. | |
| *Music* | |
| Thank you everybody for tuning in and I hope you have nice gifts and you have a nice fun time. | |
| And hopefully we've given you joy. | |
| And maybe, you know, confirm what you have coming to you for Christmas before you get stuff for other people. | |
| Not always, but if you kind of sussed out that somebody maybe doesn't care about you as much, then just go a little lighter on the gifts, I'd say. | |
| And the people who you know will probably give you gifts instead of looking around their office trying to find one that's probably intended for somebody else. | |
| So two people will be upset because one person gets a gift that wasn't meant for them and the other person gets a gift that was meant for them, not given to them. | |
| So don't do that. | |
| Censored.tv. | |
| Christmas. | |
| Christmas. | |
| I was waiting for Gavin to send it off so we can hear some inspiring words of courageousness and inspiredness. | |
| Might just be using the bathroom. | |
| No we wait. | |
| He's back. | |
| Uh oh, what? | |
| Bad news. | |
| What? | |
| Oh! | |
| I found it. | |
| That looks hobbled together, but okay. | |
| So Merry Christmas. | |
| Alright. | |
| Merry Christmas to all, and to all a good night. | |
| Do you want to open it there? | |
| Do you want my Arizona toothpick? | |
| Do you want this to open it? | |
| I'll give it to you. | |
| You can have this to open it. | |
| Take it. | |
| Jesus Christ. | |
| Stop blaspheming Jesus Christ on his birthday. | |
| You almost killed one of his creations. | |
| Me. | |
| Jesus made you? | |
| Yes. | |
| Not sure that's exactly how it goes, but okay. | |
| So this looks hobbled together, but I'll just cut right through that bow. | |
| Nope, that's not how things work in the world. | |
| Now you have a hole where the bow was. | |
| This is not a practical knife. | |
| This is a sword. | |
| I know, I left all my knives at home. | |
| Or as they say in the hood, I left all my knives at home. | |
| I think I could get it open. | |
| Well, here, let's do the horizontal. | |
|
Ups and Downs
00:01:44
|
|
| Alright. | |
| Here's this gift. | |
| Ooh. | |
| Sounds like the box is too big. | |
| Oh. | |
| Is that real? | |
| It's real. | |
| No way. | |
| But is this like a gag or I keep it? | |
| That's yours to keep. | |
| Now, this is from me, but it's also from censored TV. | |
| This is your Christmas bonus. | |
| This is everything. | |
| And that's for you and the family. | |
| Thank you. | |
| I thought you were like, you literally didn't get me anything. | |
| Oh, my God. | |
| That's the Misdirect. | |
| That is nice. | |
| I'm going to hug you. | |
| Thanks for watching. | |
| You're a great work. | |
| Appreciate you. | |
| You're a good boy. | |
| We joke around. | |
| You quit. | |
| You're fired. | |
| We have our ups and downs. | |
| Our highs and lows. | |
| We have our highs and lows. | |
| You give me your heart, and you can take my word. | |
| Dude, that is so cool. | |
| Just the kind of guy I am. | |
| Amazing. | |
| I really thought you got me like nothing because that was what it was looking like. | |
| Dang. | |
| Okay. | |
| Merry Christmas. | |
| Pretty cool, huh? | |
| Yes. | |
| Pretty exciting. | |
| Amazing. | |
| All right, folks. | |
| That's our Christmas episode. | |
| Merry Christmas, Ryan. | |
| Merry Christmas to you all. | |
| Enjoy yourselves. | |
| Enjoy your families. | |
| Let's relax and enjoy ourselves. | |
| Christmas is about everything that everyone says it's about. | |
| It's about the commercialization. | |
| It's about the birth of Jesus. | |
| It's about the family getting together. | |
| It's all the same kit and caboodle. | |
| The only important thing about it is that you enjoy it all and have a good time. | |
| Cheers, guys. | |