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March 16, 2024 - Dark Journalist
02:55:49
X-Series 167: Kona Blue UFO File vs. Blue Enigma Code Revealed!

Dark Journalist and Olivia Lavender Blue dissect the "Kona Blue" UFO file, decoding it as a steganographic acronym for crash sites like Kingman (1953) and Aztec (1948). They assert this program, allegedly rejected by the Department of Homeland Security, involved reverse-engineering alien tech under figures like Dr. Eric Wang and Henry Kissinger, while linking the narrative to Hermeticism, Masonic Blue Degrees, and whistleblower Bob Uhouse's claims of living extraterrestrials. The discussion further critiques Netflix's "American Conspiracy" as a counterfeit conspiracy and connects these revelations to ancient mystery schools, suggesting a long-standing cover-up of advanced technology rather than simple extraterrestrial menace. [Automatically generated summary]

Transcriber: CohereLabs/cohere-transcribe-03-2026, WAV2VEC2_ASR_BASE_960H, sat-12l-sm, script v26.04.01, and large-v3-turbo

Time Text
The Mystery of Kona Blue 00:07:27
And we are live.
This is Dark Journalist.
What a fantastic crowd we have out there in the ideas from tonight already.
Of course, tonight I am joined by the lovely Olivia.
Hi, everybody.
And Olivia Lavender Blue.
Dilly Dilly.
Lavender Green.
That's Gene Vincent in the blue caps, except no substitute.
There's something very special about blue that we're going to get into tonight, especially with this revelation around Kona Blue and part of the things that I've put on the record about blue in relation to the secret UFO file program.
And the secret space program.
This is going to be crucial as I'm going to show you the code for Kona Blue.
And so this one is going to be kind of a keeper in that sense.
It's X Series Episode 167 Kona Blue UFO File versus Blue Enigma Code Revealed.
And we have a terrific crowd out there already.
Before I jump into everything, Miss Olivia, how's the temperature?
Temperature's great.
Everybody is just throwing all their blue words out there, you know.
Yes.
Blue Pop Tarts, et cetera.
Well, we introduced blue.
I've been watching, you know, as you know, I'm very deep on the steganography side, and I've been watching something in relation to steganography around blue.
Now, X steganography, of course, is something that we brought forward as far back as 2017, and then it just exploded everywhere, including with X and Elon Musk and all the rest of it.
But what it really is, there's no great mystery, in fact, once you see it.
And the steganography is that it relates to these advanced programs that are moved.
Through these different government agencies and how they adopted X and X steganography as the means and the naming nomenclature for doing this.
Now, it's very interesting because once you get deeply into it, you can see it was adopted in the 20th century for secrecy in those high level programs.
However, and to the 21st century, of course, where the big X tech reveal is on its way.
But if you go further back, the thing that I discovered that really, I think, set this whole thing about steganography off.
Is that it was related directly to the mystery schools.
So then we have a whole different layer involved in terms of secrecy that takes us all the way back through the Hermeticism, through Pythagoras, all the way back to the Egyptian Book of the Dead and the Atlantean period.
So you can see how deep steganography goes.
And this episode is going to be loaded with steganography.
So I'm going to give some descriptions, brief descriptions of what steganography is.
One of the other things we're going to do is explode.
This myth about Kona Blue, which the government admitted.
This is a program that I put on the record last year.
And I'm going to provide some evidence for doing that.
But anyone who's been watching this show knows that we did the blue episodes last year.
And it's something that we brought on the record.
This is very important.
And we're also going to find that it's one of the reasons why I've been told this anyway that the UFO whistleblower David Grush reached out to me because they wanted to know how I knew.
About blue.
So tonight I'm going to tell them.
And this is going to kind of be interesting in that sense.
The other thing that we're going to do tonight is take your questions in the second half of tonight's program.
And Miss Olivia is putting those together right now.
You can ask them anytime.
While I have your attention, especially if you're new here, sign up for our newsletter at darkjournalist.com.
It's a free newsletter, but we have some amazing things that are coming up for you, including tonight's show.
But our only way of getting around this kind of intense.
And I do mean intense, intense censorship that we've been experiencing is to use the newsletter as the great pipeline and the way that we can communicate.
And of course, that's a free newsletter that you get once a week and lets you know about the incredible interviews that we have coming up for you fantastic X episodes and events and documentaries.
And speaking of documentaries, on May 3rd, put the date aside because we have the two hour presentation, The Craze in the Hot Zone.
This is Atlantis at its very best.
And I've been working on this one.
For a while, I'm telling you in advance, but Friday, May 3rd, mark it on your calendar.
We're going to be here and do the X series presentation.
This one is going to be quite special along with tonight's episode.
So before we go any further, Miss Olivia, how are you doing out there?
Good.
Pono8888 says, I was thinking about Kona like weeks ago.
There's the longest runway.
I think it's over 13,000 feet.
It's a backup at the space shuttle, can't glide into Cape Canaveral, Florida.
And Roger Claiborne says, All I wear is blue now that I know that they're immune to space lasers.
LOL.
Well, this was interesting because as soon as we put blue on the record, all the stuff about the Maui fires and blue and how the blue roofs wouldn't be touched.
And an interesting tie into that was actually Biden, during the State of the Union, gave it away.
He was like, oh, yeah, the ones with the blue roofs weren't touched.
Did you see that?
That's him on a hot mic.
And no one in the traditional media understood what, you know, Stepford Biden was talking about, but we understood it quite well.
But it's interesting, even that he was caught speaking about this.
I think this is kind of unusual, shall we say.
I don't know what you thought of that one, but it seemed to me that that was a strange slip.
Of course, Biden did the State of the Union last week.
He was all, you know, speed cocktailed up.
And it was a disaster of a State of the Union.
It was offensive.
Yeah, it was quite offensive.
And the other thing about it is there was lying over and over again.
It was like, we've never had it better with the economy.
The world is safer than ever.
You know, everything just the opposite of what it is.
And that's a big 1984 trick, as we know.
That is the double plus good kind of response that we would expect.
But there's a lot going on politically.
I do want to address a couple of things about election 2024 before we get into everything tonight.
And tonight's episode, I do want to remind everyone who's just coming in this is going to be a powerful explanation of the code for Kona Blue and Blue Enigma that we brought on board last year, which the government just recently revealed.
And of course, we have a number of things.
About Kona, which is that it's a location in Hawaii, apparently, has a lot of space tie ins, incredible observatory there, backup for the space station, as someone just mentioned.
There's a lot of space related things going on there.
And of course, it's actually of popular color in a number of new car models as well.
We've been saying, get your Kona Mustang, as it were.
But Kona, I'm going to give you a little hint of it right now before I go into the political side.
Kona is an anagram.
Or, an acronym rather, and I'm going to explain exactly how that code works and what it's all about, and also the strange fact that in these reports it says that it came through the Department of Homeland Security.
Bobby Kennedy's Political Tailspin 00:12:15
You might ask yourself, What is the Department of Homeland Security doing around UFOs?
Well, this gets very interesting as they handled many of the UFO hearings last year.
Not a lot of people mentioned that.
So, strange indeed.
We're going to give an update on those.
I wanted to address something that came up about Bobby Kennedy's.
Campaign.
Now we know the Biden campaign is a disaster.
He should be the easiest opponent to take out.
And aside from the legal warfare against President Trump, he should be a walk in for this one.
But the thing about it is, you know, they have tremendous, when you have the White House, you have tremendous resources and a lock on that DNC, all of the Republicans who don't want Trump in, all of that money, et cetera.
And one of the other things I find interesting when we get into this is you were looking at an election setup with one of the weakest candidates on the presidency, period.
Which is President Biden.
So, Trump and Kennedy, therefore, the two forces coming in should be able to eliminate Biden with ease, unless they cancel each other out.
And there are some aspects that are making it look like this.
Now, one of the things I can say is that, you know, it's leaked out that Bobby Kennedy was going to choose either Aaron Rodgers, who's a quarterback for VP, the New York Jets quarterback.
Or the former governor and television personality, Jesse Ventura.
Now, there's a lot of problems with this.
And I'm going to skip the Ventura thing because Bobby already said, I need to reach young people with my choice.
And I know that Jesse's in the 70s and it was an unusual thing to bring in.
But Aaron Rodgers is a quarterback, he's a football star, and that's to his credit.
And if Bobby admires the fact that he's into athletics and He's outspoken and he was against the pharmaceutical companies.
That's great.
What you do with a guy like that is you put him on a panel about youth awareness when it comes to these things, or you put it on like a get fit panel for the presidency.
You don't make a 40 year old quarterback for the New York Jets your VP.
What is going on in the Bobby Kennedy campaign?
I've talked about this with Miss Olivia, and I'm going to do an emergency broadcast to the Bobby campaign directly.
Not tonight, but I'm going to fit it in there over the next week because this is getting ridiculous.
And his campaign, which started off with tremendous promise, he was the candidate with the issues and he was the candidate who really had everything going on.
For me, you know, what's happening, I think, with the Bobby campaign is, you know, it's becoming more and more of a kind of like a celebrity show.
You know, it's got that reality show celebrity thing going on.
This is a very serious opportunity.
Bobby doesn't have any experience in government.
So he needs someone on the VP side who would counterbalance the fact that he doesn't have legislative experience, for example.
And somebody in that campaign, I believe the management of the campaign, which I suggested that they should be taken out, fired, and replaced, moved into something that they can handle.
Nothing personal, but hey, this campaign has gone into a tailspin.
So this is very unusual.
And it might be headline grabbing, but it's just the wrong kind of headline that you want.
You know, so there's a very big problem, I think, with Bobby's campaign.
We need to look at it through this lens.
The announcements coming on March 26th, it's already been leaked out heavily.
Bobby still has a chance to reverse himself and go around all this.
Somehow he missed Tulsi Gabbard, which was a much better match and also somebody who had political experience.
She's actually been doing fundraisers and things for Trump.
So Bobby kind of lost her off to Trump in terms of her being a figure, maybe in his campaign or VP potential.
So, RFK, this whole thing about Aaron Rodgers is a disaster in the works.
And anyone who cares about that campaign, get the message to them, this is unacceptable.
And I don't know who's giving him celebrity advice.
I keep hearing about people like Dell Big Tree who are good on other things, awareness around pharmaceutical companies, but they're running with a 32 person team all the PR for the campaign.
And I think that they think this is a PR thing.
Hey, we'll get a football hero on board.
You can't run the country that way.
Think of what Bobby Sr. would do.
He would never choose a.
A sports star who's an active sports star and a 40 year old guy who has no idea how to run the country.
It's ridiculous.
It's one of the most absurd things in the world.
It makes it seem like it's a very unserious campaign.
And if it's unserious, then we should all know that right now.
So, as I've said before, love Bobby, love the campaign that he wants to put across.
He's got the great issues.
The campaign that's being run is unfortunately, and I say this being someone who's really behind him in a lot of ways.
And he has the great kind of Camelot legacy to come in with.
But these moves on behalf of the campaign, I think, are atrocious.
So I think they could shake the whole thing up, fire the campaign manager, and choose a different VP and get Aaron Rodgers out there as a spokesman to get the youth vote out or whatever.
But he's not VP material.
What do you think?
It's absurd.
It's idiocracy.
It's something else.
And, you know, I'd rather save all my criticism for Biden.
But this one, if Bobby really wants to do something in this campaign, unless it's just a flash thing and, you know, In that case, it needs to be looked at seriously because if it drains votes against Biden, then that's a problem.
And what I can say is that the campaign is at a critical juncture right now, and that Biden is the weakest candidate for reelection in recent history that I can think of.
I can't think of anyone worse, you know.
And if he can't, the only way to take him out is to split the opposition.
And this may be what is going on here.
We'll take a good look at it.
Everyone, you're watching X Series 167.
This is Kona Blue UFO file.
Versus Blue Enigma code revealed.
We're going to be taking your questions in the second part of tonight's show before I go any further.
Ms. Olivia, what do you got?
I just wanted to throw this in.
Robert Scott said, What was Admiral Stockdale no longer available for VP?
Isn't that the truth?
Well, for me, you know, look, I like the issues, you know, and I like that somebody like Rogers would stand up against the machine and all this kind of stuff.
But he's not VP material.
Whatever gave Bobby that idea.
And, um, No, I mean, I actually early on gave money to Bobby's campaign and decided not to very quickly and pulled back from that support.
And I consider it insulting.
This is not a serious campaign.
He is not seriously running for president.
Well, I like Bobby.
I've had Bobby on the show, as many of you may remember.
And they did, in fact, remove that incredible interview and we put it up on Rumble in the band section on Rumble there.
But so, you know, I have a very strong feeling that Bobby is somebody who's very capable.
He knows the issues very well.
He's got all the issues dialed in.
So, one of the things that was going on there was there was the potential for him to have some kind of a relationship with Trump that would make it more of a teamwork effort so that they'd be on some kind of the same team saying, going after President Biden.
That's what they need to do.
This other thing, I don't even know what it is.
Like I said, wait for 28 might be the code word for it.
But in any case, you can't have a four year old quarterback as your VP.
That really.
And I heard he was considering other people who were from like the Discovery TV channel and all that.
I mean, I don't know, you know, what happened to the serious tone of the campaign?
There's tons of people who are out of politics now, but have that political experience.
Or there's still some that I can think of who are in politics and in the Congress who he could get as potential VP.
So I don't know what's driving this, but this would show you a lot about how he would operate as a president.
And if he'll take bad advice like this, it's not a good sign.
So, either he reverses himself dramatically, or I think you're going to lose a tremendous amount of support.
And it's a shame because, as I said, the candidate is better than the campaign.
That's crucial.
And I think with what's going on in relation to Trump and Biden, there's a tremendous opportunity there to do something special.
But, and Biden has no record to run on, he's a disastrous economy, brought the world to the brink of World War III.
He got us heavily involved in the Ukraine war instead of negotiating a peace settlement.
I mean, it's been one of the worst presidencies I can think of, not to mention the fact that they've opened up the southern border to a complete invasion.
And when you overwhelm a country's resources and you overwhelm the population, you know, we already have this crime wave as a result of this.
You know, that's a disastrous policy.
So, in terms of the presidency for 2024, here's a couple of key things to remember.
One, it's all about stopping the flood through the southern border.
I don't care anything else that's going on.
That's the key number one issue.
Because if you don't have a border, you don't have a country.
And that's exactly what the kind of UN style, WEF style setup is all about.
They consider us just part of a North American economic union.
They don't care about the Constitution of the United States.
So they just want to heap in all of these different cultures, which ordinary immigration is one of the greatest things in the world.
And we have a process for it.
Loading in criminals.
You know, and the types of things that we actually see that are going on is totally different matter.
And we're already having incidents as a result of it.
So, you know, this is the crucial issue.
I don't care what anyone says.
And anyone who says, oh, 2024 election doesn't matter, you know, look to your local electors or whatever.
Look, the person who can stop the invasion on day one is the next president.
Okay.
So that's who we need to get in there.
It's either Trump or Bobby because at this point it's looking like Trump.
And because we know that's one thing.
He certainly will do a lot about it.
So, this is crucial.
And, you know, you can have all kinds of attitudes about don't get political or whatever.
And on this program, we talk, you know, all kinds of points, left, right, center, and all around, because wherever the good ideas are that support the Constitution, that's where we find ourselves.
But if we are going around this and if we're not supporting the Constitution, if this is what we're left with, then you're going to get a lot of political pushback.
And that's what we need to be seeing going on.
So, this was a big disappointment.
On the Bobby Kennedy side, let's see if he can recover before the 26th.
That's what we're pulling for because he's got the issues, as I said.
And I do think, you know, on balance, Trump has been doing mostly the right things, but he needs to also come forward and say, here's my five point economic plan, here's how we can get the country going again, and my program from day one to throw out, you know, these people that have come in illegally through the border and to lock up the border.
I think that that is a crucial.
Thing for the next president to do.
And Trump seems like the only one who can really handle that aspect.
Setting Up the Blue Enigma Code 00:15:33
Everyone, you're watching the Dark Journalist Show.
Whew, a lot going on, not to mention the fact that the UFO file, in my opinion, is going to be right in the heart of the 2024 election.
And make no mistake about it, it's there and it's there to stay.
And whoever the candidate is who gets in front of that is going to be doing a lot better than the person who just ignores it or doesn't mention it.
We know that two of the candidates here have a very crucial role in relation to the UFO file, and that is Bobby through his family, and of course, Trump through Uncle John and Of course, through the Space Force.
So these are the crucial aspects.
Everyone, you're watching the Dark Journalist Show.
This is X Series 167, Kona Blue, UFO file, Blue Enigma code revealed.
Tonight we're going to go on the record.
This is going to be history making.
Last year we put it forward about blue, and no one really knew what we were talking about.
I went on the Alex Jones show talking about it, and people were like, What is this blue?
Well, Kona Blue has just been revealed by the government as the name of the crash retrieval program, but supposedly they never used it.
They just, you know, they had this name, but they never used the program, if you want to believe that.
I'm going to read from their documents and I'm going to show you what Kona Blue actually means and is all about.
In the second half of tonight's program, we'll take your questions.
Miss Olivia is taking those now.
Before I dive in to Kona Blue, Miss Olivia, take it away.
I actually wanted to know how you found out about Kona Blue, being who released that information and when was it released?
On the government side?
Well, through my own research, In steganography, I found out about blue about three years ago.
And I nailed it down somewhere around two years ago and then released it out to the public last year.
Blue Enigma is the presentation that we gave.
And that was on November 23rd.
But on May 30th, I gave a presentation on blue.
It was the setup for Blue Enigma.
And these actually are well documented.
So we know what we're talking about here.
So, this program that we did, X Series 150, Blue SSP UFO file, this was in May of 2023.
So, the program, Kona Blue, nobody even knew, it wasn't on the record anywhere.
Nobody understood Blue anything, but these are the programs behind the scenes.
The program I was tracking went all the way back, and I mean all the way back through the 20th century.
And I'm going to also tell you that most of the Blue naming mechanism.
Comes from a very ancient source and is used widely in Masonic circles, which is where the secrecy naming nomenclature came from for this.
We did JFK 60 Blue Enigma, the full presentation on that.
That was a documentary we presented on the 60th anniversary of the JFK assassination.
Did that one with Kelsey Forrest in the theater, and we have many more of those coming up.
But this was crucial because in the summer, I presented.
Blue Enigma, also on the Alex Jones show.
So, this is already well defined.
It's already on the record.
And there's a reason why I'm pointing this out.
It's not to pat myself on the back at all, it's to have us wrap our heads around the idea that if we can get the steganography right, we can unravel the things that are going on in the background.
So, by the time the government admits things, very often it's too late for us to do anything about it.
But if we have that steganography and that understanding going in, then we're in a much better space.
Now, what's interesting is just briefly on steganography, you know, if we go back in history and we look at where this was really used heavily, you know, it was used heavily in Egyptian times, used heavily in Greek times.
But in our kind of, you know, more modern times, the past 500 years or so, it's Johannes Trithemius.
Who brings it forward.
And this was somebody who was an abbot in the 15th century.
And he was discovering all these incredible things and incredible texts.
And he decided that in the situation that he was in, with all the esoteric information that he had, that he would actually become a target of the very church he was working for if he were to bring this out.
So he developed a system for naming these things.
And he said it was based on.
The Greek version of a page within a page, which he called steganography.
It's a little different than cryptography the way it's done.
Cryptography is very often a puzzle, and we know what it is.
We try to solve what it is, what the code is.
Steganography is something that's out there that you see every day, that's very public, that only initiates will understand its relevance.
So, in terms of the X steganography, when you see things like X, which we predicted this was going to happen with the X Everything app, and Musk coming forward with this.
This is all about signaling about the X technology.
Bezos, of course, Blue Origin, all of the pictures behind him had the X, which we've shown on this program many times.
And I don't want to be too, you know, Illuminati'd out with the symbolism here, but the idea basically is they've been using the X.
This is part of the inside messaging back and forth.
That's just the way it goes.
And once I realized it and I had something like 160 examples, that's when we rolled it out through the show.
And that's what we've been doing here on the program.
But Intricately woven throughout all of this, through the mystery schools, through advanced technology, the UFO file, Atlantis, everything is this ex steganography.
What is it?
And what does it reveal?
Well, it's interesting with Trithemius also because it was his system and his naming system and the scrolls that were kept of his esoteric writings, which were stumbled upon by the founders of the Golden Dawn and launched the Golden Dawn there late in the 19th century.
So you can see.
This information has been vouchsafed and has kept coming out.
But if we understand steganography, which is more often used as like a software term now, you'll have a whole picture and then one pixel will be a message to somebody.
So that's how they use steganography in popular, you know, in talking about it.
However, in truth, steganography goes across the board and it has this messaging.
So, blue in this case, when you get around the UFO file, is crucial because all of the programs that were charged with investigating.
UFOs, chasing UFOs, coming up for UFO invasion scenarios, all had to have this naming system going on.
And that's where you get Project Blue Book.
That's where you get Blue Gemini in the Kennedy era.
That's where you get Blue Beam as the alien invasion scenario.
It's all blue.
And there's a reason for that, which is everything that relates directly to the UFO file in terms of the steganography working through the system all relates back directly to the Blue Program.
And the Blue Program is something which was adopted.
Early on, and as I said in going over Blue Enigma, that it goes all the way back to Albert Pike and what his discussions and revealing some of the secrets around masonry.
And I have some of those quotes tonight, but this is how they injected that ancient system of names.
And in this case, the color was going to be absolutely crucial.
But when it comes to the UFO program, inside the UFO file, if they're dealing with it outside, In the public, they need a way to track it without having to brief everybody nonstop who's working on it.
So they use blue as the identifier.
And so this is something I went out on a limb to present last year, bringing you guys on board, and everyone in the ideas room heard it first.
A few days ago, the government confirmed it.
This is important too because they try to debunk it while confirming it, which is always that's the real tell.
So let's go over a little bit of what they said, and then I'm going to show you what the code.
Kona aside means in relation to this.
Everyone, you're watching the Dark Journalist Show, X Series 167, Kona Blue, UFO File versus Blue Enigma, Code Revealed.
Taking your questions in part two of the program here with Miss Olivia tonight.
We just did a big presentation last week, which was all about the UFO File Secret and NASA psychics and aerospace assassins.
Just really powerful combination of our last two documentaries there.
And we have that big one coming up for you May 3rd.
This is all about the craze in the hot zone.
That's our key Atlantis presentation.
You don't want to miss it.
Mark it on your calendar now, even though I know we're about six weeks out from that.
Okay.
DOD review debunks UFOs, reveals the Kona Blue project.
Okay.
This was last Friday.
This is a week ago now.
So they've gone on the record.
Here comes the Kona Blue, which we revealed last spring.
Okay.
And it says, DoD reviews and debunks UFOs.
The Defense Department on Friday released a comprehensive review of the nation's classified government programs.
Now, I want to say this as a warm up to some of this information.
What's been going on behind the scenes was that they wanted to create a UFO defense office, but also some of the hassle involved, including the controversies around some of the people who were being sent out by the CIA, including Lou Elizondo, Chris Mellon, and others.
Created a problem for how they were going to roll out the UFO threat, which is why you're seeing pushback from inside this thing to wall it off again and represent the idea of the UFO threat.
They don't want to use the sloppy CIA version of the threat, they want their own thing to go through.
That's what Arrow was all about.
The new report ordered by Congress was compiled by the Defense Department's All Domain Anomaly Resolution Office.
That's Arrow.
And Sean Kirkpatrick was the guy who was running it.
This is the guy who shoots down everything.
You know, nothing's a UFO.
Forget about it, forget about it, and um, you know, this guy is very standard.
I mean, I don't believe anything that he says either, but I think what they're involved in now is getting rid of their own BS operators.
You know, the troll aspect of that contingent that was rolled out by the Central Intelligence Agency as part of a UFO threat wave in 2017.
That whole TTSA piece is kept alive and well funded, and one of the major figures at the center of it is Chris Mellon.
Who I had my own online tete a tete with as a Defense Department official.
And this is the guy who's been behind TTSA.
Kept Elizondo going and he's kept what is that?
I think it's oh, oh, oh, okay.
It sounded like a video playing over there.
Okay.
The new report ordered by Congress was compiled by the Defense Department's All Domain Anomaly Resolution Office and said that there was no evidence about extraterrestrial activity nor bad efforts, nor had efforts been taken to withhold such information from the government, which is ridiculous.
Okay.
But this is the Arrow report.
And again, I want to reiterate that one of the things we found out.
You know, there were all these hearings last summer, of course, with the UFO whistleblowers, Air Force Major Grush, David Grush.
And this is somebody who said, Oh, I've been told that we have alien bodies and crash retrievals, and I know where they are.
And it was just like, you know, anything they asked him, he said, Oh, I can tell you in the SCIF, in the super secret SCIF, but not in public.
And this is a very convenient thing because they couldn't get him in a SCIF because he didn't have the security clearance anymore.
So it's that kind of, you know, posturing that gets the media rolling on this.
Of course, I spoke to David Grush last December.
I went over this, and one of the things that he instructed me, and I talked to him seriously about what he was trying to do, but it became very clear to me that the person holding the golden leash was Christopher Mellon.
And so he said that, you know, he told me that he couldn't do things with me in talking about this because of DOD official Christopher Mellon.
That's the fact.
And I've put that on the record, and, you know, the Mellons freaked out and all that stuff, but those are the facts.
You know, so when you have congressional hearings, I sent that off to the people in Congress who are dealing with it also.
Because, you know, if they think, if there's even a remote chance that somebody like Birchett or, you know, Luna think that they're bringing forward UFO disclosure using these CIA controlled people, then, you know, they totally have it wrong.
And they have a right to know if these people are controlled.
Well, I put it on the record that Christopher Mellon was controlling Grush.
So that's kind of a backdrop to this as well.
The documentation covered all the investigations completed from 1945.
Through the present and included examinations of unclassified and classified archives.
There was a way for Arrow to study this and just maneuver around saying, oh, that one's too hot for national security.
We can't let it out.
So they could easily say, oh, there was nothing in the records.
As a result, the report said there was no evidence that any U.S. government investigation, academic sponsored research, or an official review panel that confirmed any sighting of UAP.
All right, it's the dumb nomenclature there.
The name UAP is the acronym that they developed to replace UFO.
It was the marketing move on the intelligence side.
Reports about suspected alien spacecraft over the years were shown to have often been about sightings of ordinary objects and phenomena and the result of misidentification, the lengthy news report states.
Meanwhile, Arrow did disclose a program codenamed Kona Blue, which was proposed to the Department of Homeland Security in the 2010s that would have allowed the government to reverse engineer any extraterrestrial aircraft that would be recovered.
Now, I'm going to read the rest of this, but this is the crucial part for us to snapshot.
Kona Blue, the subject of several conspiracy theories, was rejected, supposedly, by the Department of Homeland Security.
They wouldn't be running the UFO aspect anyway, which said it was lacking merit.
Yeah, sure.
And no aircraft was recovered.
It's critical to note that no extraterrestrial craft or bodies were ever collected.
This is in the report.
This material was only assumed to exist by already Kona Blue, but all in caps.
Blue Book, Blue Gemini, And the subsequent blue programs referring to the UFO file inside the government are always in caps.
So, you know, the entire words have to be in caps because that tells you the level that they're on.
Early Flying Disc Technology Revealed 00:15:13
It's literally that simple.
And Cone of Blue was eventually reported to Congress by Deputy Defense Secretary Kathleen Hicks in a spirit of transparency.
And here it came tumbling out.
So this is right in the center of everything.
And the whole UFO field is like Cone of Blue.
Like, we don't know, you know, they're not interested in that.
They're like, where's the jellyfish UFO?
Where's UFO Lou and all this garbage, right?
This is the actual gem in the middle of all of it.
Because as they think they're blowing off, oh, hey, look, you know, this cone of blue, although they had the program, it was never actually used and they didn't recover everything.
It's a very simple way for them to get around it.
Last year, retired Air Force Major Grush, a former intelligence officer, testified to the House Oversight Subcommittee that the government was covering up its efforts to recover and reverse engineer alien spacecraft.
That's true, but he was being put up to it by Mellon and Elizondo and the other bad.
Actors.
So he doesn't have the standing in order to pull this off and put things right.
So if he knew some things, it's too bad because he associated with the wrong people who were very likely feeding him false information.
So as we go along here, they're saying, well, you know, they were granted full access to all pertinent, sensitive U.S. government programs.
And they said, we saw a small group of people who knew each other who all cited their observations for the purposes of their belief or their observations, who said that this cone of blue program existed.
Now, Kona Blue, the reason that they're letting it out there is they know that a number of people are aware of it, including myself.
So they needed to say to kind of puncture it and kind of take the air out of the balloon and say, you know, this doesn't have any real impact.
Kona Blue, they're saying in the report, is something that ended up not being utilized by the government and never recovered any craft, although it was proposed.
Now, this happens very often.
If you are an expert in any kind of deep state research, for example, the JFK assassination, you'll see over and over again that the way that the CIA gets around different things that they've done is to say it was proposed, but we didn't do it.
So, yes, you're right, there was a proposal, and wasn't that bad of us to do the proposal, but don't worry, nothing ever happened with it.
But in the proposal, I mean, this is the big takeaway is that they're acknowledging UFOs by even proposing it.
And that UFOs.
Either have or might crash.
Yes.
And need to be retrieved.
Absolutely.
Or researched.
Absolutely.
The people who believe Kona Blue in the government believe that.
But on the government side, they're saying, oh, Homeland Security rejected it, you see.
Now, this is a technique, but they knew that they needed to let it out because a number of us were aware of it.
And, you know, guys like Grush and all that team, they were aware of it, but so were researchers like me.
Okay.
But nobody had put it out there publicly on the record until I put out the Blue Secret Space Program and UFO file programs last year.
Now, let's move a little bit into the Code of Blue.
And here's what's crucial about this and Cone of Blue.
Cone of Blue is actually an acronym system, and it relates to the crucial alien technology recoveries.
Now, as I've put it on the record before, these are about X tech recoveries.
So, they're not necessarily referring to something extraterrestrial, although in the popular way of looking at it, they have been seen as UFO alien crashes.
They may be terrestrial UFO crashes by a group that's super advanced and operating right here on a terrestrial basis and an extraterritorial actor, as it were, instead of an extraterrestrial actor.
Now, it could also be an off world civilization, but you don't need that aspect.
If you have assumed that there isn't In extraterrestrial civilization, the extraterritorial part will work just fine.
Now, I've assembled these, and this is going to explain exactly now what Kona is in Kona Blue.
Are you ready?
I'm going to put it on the record.
All right, here we go.
Here's Kona.
This is the term that they've let out.
And this is the program, Blue, that we've put on the record last year and caused a commotion with.
Okay.
The K in Kona stands for Kingman.
Kingman, Arizona is the crucial crash retrieval that took place in 1953.
And I'm going to read about the crash and its retrieval and the witnesses in relation to it.
This is one of the most crucial retrievals that the government participated in, in getting back this X technology from this extraterritorial or extraterrestrial civilization.
So Kingman is going to be the one that we really focus on tonight.
The second one, the O in Kona.
Is Austin.
Austin, New York is a 1962 crash retrieval that took place.
And subsequently, this would also become the home of Andrei Pujaric in developing the Space Kids and his psychic ventures with the Nine.
This goes deep on the government program side.
And there was a huge wave from 1962 to 1984 in the Austin area.
There's a reason for that.
We'll get into it as well.
So, K is Kingman, O is Austinning, N is Nellis.
Nellis Air Force Base, there were observational craft taking a look at what was going on at Nellis, and there was the attempt to have a simulator simulate what was going on in relation to UFO track development.
And along the way, we actually shot at a craft over Nellis Air Force Base and was able to take it down.
This is the N in Kona.
And the A in Kona is the Aztec crash, which is the 1948 crash in Aztec, New Mexico.
Now, I'm going to go into each one of these cases, but in the case of Aztec and Kingman, they may be the two most crucial.
But these four retrievals, obviously, there's a couple of crucial ones missing.
Keksberg and Roswell, and I'm going to describe how they left them out of the naming system.
But the Aztec New Mexico crash has something very important in it, which is the apothecary aspects that they're studying are crucial in these cases.
And there are reports of the scientists working on these particular recoveries and getting sick, transforming their personalities.
A number of unusual things happened to them, including the fact that time stopped when they went inside the craft.
So the whole thing about missing time and everything else.
They lost any reference to traditional physics.
This is where the secrecy around that initial wave of UFO sightings and crashes took place.
But the quick review on these is quite simple.
This is, as it were, Kingman is the K in Kona, O is Austin in New York, which is that kind of fantastic property and location above Yonkers in Westchester County.
The N is Nellis Air Force Base, and some of the things that were going on with our redevelopment of these craft and the craft going in to check out what we were doing or even recover it, and us taking it down.
And finally, the Aztec case, which also was the result, apparently, of getting into trouble because we had targeted it.
The Aztec case is one of the most well documented cases, and the Kingman case, I think, is so far under the radar, but has some of the best witnesses and best information.
Going to get into these tonight and we're going to solve the riddle, but that is the code for Kona Blue.
We have it on the record now.
Everyone, you're watching the Dark Journalist Show.
This is X Series 167 Kona Blue UFO Blue Enigma Code revealed.
We just put the code on record here.
We're going to be taking your questions in the second half of tonight's program in about a half hour.
And in the meantime, I'm going to get into these individual crashes.
Before I go any further, you're up.
Excellent.
Red Cap Goblin said the same thing I did, which was Kecksberg, which of Of course, could be folded right into K again.
And Roswell, of course, is really Corona, which is you could just include the ONA in Kona.
Oh, yeah.
Isn't that interesting?
Well, there's going to be reasons.
Now, it's interesting because in the case of Roswell, apparently the craft was so badly damaged that they may not have been able to do the redevelopment that they were able to do in these other cases.
In the case of the Kexberg thing, it may have been a known technology that they were tracking.
So, this could be quite interesting.
I think as we get further along going into it, I want to describe something also that's going to be a prelude to an interview I have coming up with Walter Bosley, the author.
And it's interesting.
You know, Bosley, we've done some interesting shows before, and his books are absolutely fascinating.
But one of the things that he's been very deep on is the airship mysteries and its relationship to NIMSA, which is the advanced German technology group that operated in the 19th century and was doing all this stuff.
They brought over here the Sonora Aero Club.
And some of that research around Del Show and his art, representing this incredible airship capability and what that was all about, is quite fascinating.
He has a new book called Nimza.
And inside that Nimza book, there is a whole trajectory.
I have not even spoken to Walter about this, but there's a whole crisscross between his research in there and things that I've been doing around the mystery schools that is going to be explosive.
Maybe really open this whole question of the UFO file up dramatically when we get to it.
In the meantime, I want to show you a few things in relation to some of the early development of craft.
Now, I put on that John Worl Keeley had a demonstration of discs operating through sound.
And these were basically flying discs.
And there was actually something that he put on the record.
I found it in an English magazine, which was the 100 year celebration of the magazine.
And this is interesting too because it was a rare find.
The fact that I found this illustration, I still think, is one of those things that happen when I'm doing the X series.
Like things just seem to fall in my lap sometimes.
But in any case, there was an illustration of this reporter who came there and described what took place.
And they did an illustration in that period.
And you can clearly see he's playing these instruments and these discs are flying at his demonstration.
Well, I'm going to show you something from a guy in 1927 who was operating a very early version of UFO crash or UFO development, rather.
The crashes come later.
All right, let's take a look at some of these inventions.
All right, this is an invention from the late 1920s.
Take a look at that, Miss Olivia.
It's quite beautiful, actually.
Yeah.
It's interesting too because the guy who did them was a sculptor and someone became interested in his art, and then all of a sudden things started to open up in relation to this.
Um, here in a lot of his motors and things, there's some ex steganography, but these are drawings from the 1920s which clearly show somebody was in the know and already quite advanced when it came to the idea of flying discs and flying machines.
Now, um I'm going to go deeper with him, but his story came out in 1950 originally, although he's been largely forgotten.
And strangely enough, I was watching a series of financial videos trying to get a handle on how the traditional financial centers were at work.
And I tracked back this one guy's reporting on financial things.
And it just so happened there was this episode on Bloomberg, and it was all about this guy's art that was discovered.
And then there was all this flying disc stuff in the middle of it.
So, I went on a little tangent finding out about him.
But this story, 1950, the man who invented flying discs, and that is the San Francisco Chronicle.
They did a whole piece on him.
And this was in 1950.
I have his patents in the 1940s, and we have the drawings from the 1920s.
The idea of these advanced craft being operated by a small group of people or someone picking up on this technology earlier on and developing it behind the scenes is crucial to anything else that we're going to talk about in relation to blue.
Keep it in mind.
The saucer thing was already there.
And you could look at these other things that took place in 1947 as an attempt to finally bring that technology out and exploit it, as it were.
But those drawings are quite fantastic.
And I'm actually going to put some of those up.
So, what are those drawings of, like that one right there on top?
They call it a, he has a name for it, which is a quad copter.
But I have more.
Yeah.
I have more about that.
So they are airships.
They are indeed.
And what's interesting is this one is dated.
Yeah, I wanted to put this one.
The guy's name is Alexander Weigers.
Spell the last name?
It's W E Y G E R S.
Kingman Craft and Alien Beings 00:06:39
And he is from California.
And he, with a series of his patents, writes to these aerospace companies saying, look at this amazing stuff I can do.
There's a series of these letters.
I have like six of them.
At this point.
But let's again look at some of these craft just to reinforce that point that long before the Roswell crash and everything else, these things were out there, and this is human technology.
So let's take a, you know, let's really lock that in.
This is the disc copter.
Okay.
This is something that he developed in 1930.
Look at this.
I mean, that is basically what we're seeing later as these flying saucers.
If you want to take a look at that, Olivia.
Yeah.
It's amazing.
Quite remarkable.
Now, think about this.
The craft, and I have some kind of other interesting art for us tonight.
The craft that was recovered in Kingman, Arizona, which is the next.
One that we're going to go to.
The Jetsons.
There's no question.
This guy, yeah.
And, you know, I guess you could legitimately say, well, he had great ideas, but could it actually fly?
When you look at the outlines of what he has there, he already has flying discs, you know, the whole UFO thing, the flying saucer, all worked out, you know, design wise, certainly in the 1920s and 30s.
This is a drawing of the craft that was recovered in Kingman.
And, you know, you can see this could just be a more advanced version of what we were just looking at.
And that leaves you with the beings that were found inside.
Now, it's an interesting thing that gets left out.
The beings part, you'll notice that really this is left out of everybody's stuff.
So, all the Elizondo phony CIA stuff, when he came out, was all about a UFO threat and these, you know, this UFO threat in the sky, the UAP is coming for you.
And there was nothing.
In Mellon's work in relation to this, Grush mentioned something about dead bodies, but that could have been like a trial balloon to see if they could get this whole program off the ground by bringing it in.
And it was issued by the likes of Leslie Kane and others who just said, Oh, no, no, like I didn't know he was going to talk about that.
So that might have been him operating on his own.
But all of those people have left out the very crucial aspect of the beings involved.
Of course, this is if you're going to get to the bottom of the UFO mystery, you have to get to who's operating them.
And over and over again, you find when it comes to the research around that, you'll have to go to people like John Mack and the people who studied Ray Fowler and others who studied the abduction scenarios, Bud Hopkins.
That's where you get the real info that's crucial.
This other thing about can we figure out their g force and all this kind of stuff?
No.
You know, that's just not the crucial aspect.
In fact, that's a deflection.
As it were, because when you're dealing with the level of experiences that people have had, to just brush all that aside and go for the mechanics seems disingenuous because who's operating them after all?
So, when we think about that, we get into all these groups that seem to, you know, all the different alien groups that we've heard about, like the Greys and the Pleiadians and everything, you know.
So, when we think about this, There's the level of apotheosis involved when the beings are around and when the crafts are around.
But the beings doing all the tests and all these types of things are also quite remarkable.
Now, there was a guy who was a whistleblower.
And it's very interesting because his name was Bob Uhouse and he'd been in the military, he was in the Marines and the Air Force.
And he claimed to have worked on.
You know, the recovery simulation for the Kingman craft.
And he talked all about how they did it and how they found four beings on board.
Now, although this comes from an abduction case that comes up later, this basically looks like the beings that were there in the Kingman Craft.
And this is a very classic, but I think one of the more important gray drawings.
And the Kingman Craft had four of these beings, and they were all alive, according to our friend, Bob Uhaus.
Now, Uhaus passed away in 2009, but he always thought that all of this would come out because, according to him, they all find.
Signed 50 year agreements on secrecy.
And these secrecy agreements were set up in 1953 and they were for 50 years.
So he thought after 2003, it's anybody's ballgame.
But he came forward in a series of things.
But he's somebody who claimed to have encountered the J Rod character.
And J Rod was supposedly a gray scientist that actually communicated.
But the way that he told it, I've always heard fantastic things about J Rod, and it always seemed like it wasn't very credible.
The way that he told it was a little bit different.
But one of the interesting things that grabbed me was the voice simulation aspect that he said took place whenever J Rod would speak.
So, if that, if you would say something in your voice, he would imitate your voice.
And then the next person would ask something and then he would repeat it to them in their voice.
And he could do male, female, he could do anything like a parrot.
So, whoever was operating inside there, whatever group that was, they had a lot of unusual abilities.
And what's interesting to me about the Kingman.
Piece with U House is that he doesn't say anything about telepathic communication.
He says, Oh, no, they talked just like J Rod was the only one that talked, but he talked just like you and I talk, except he would adopt whoseever accent that he was speaking with.
This is interesting.
And there are a few artists out there around the Secret Space Program who have covered the descriptions of the Kingman craft.
And this is what they have to say about what it looks like.
Wow.
So, you know, it was.
Nogales Mine and Psychic Abilities 00:06:34
Where is that?
It was in a hangar.
That's in a hangar.
Yes, that's in a hangar.
It was eventually brought to Wright Patterson, like everything else.
And in this case, unlike the Area 51 stories, which I think Area 51 got out of the business a long time ago, but I think Wright Patterson was used and is used.
A couple of things about the actual location.
This is the location where the Kingman craft went down.
And supposedly that is a feature of the crash that still remains.
And this, again, being the general location out there in Kingman, Arizona.
Now, Arizona comes up a lot in my research.
And I'll tell you that it comes up in everything from mystical explorations to the UFO file to the mystery school aspect.
And it comes up as a mining destination for the Atlanteans with the two eye crystal and the Casey work.
So I'm always.
Around this Arizona piece.
One of the things I want to say here for us to keep in the back of our heads is that Edgar Cayce went on a very strange trip with the gentleman who he was giving readings to, who would eventually develop FM radio, Mitchell Hastings.
And what's interesting is they got together and they went out there because, based on a series of readings, there were instructions about where to go for this particular type of lapis.
And in the readings, they called it the Singing Stone.
There was a large piece of this rock, this lapis stone, in the Metropolitan Museum of Art.
And it was very unusual because a number of people would go there and claim to have all these experiences with it and also that they could hear it singing.
So this guy wanted to know a lot about it and he got a lot of readings from Casey about it.
And Casey said, Well, look, you know, they took it from this particular mine and.
You know, that particular mine is so potent that, you know, if you went there, you could get the same type of stone and study it.
This is what the Atlanteans used, et cetera.
So they take these readings and they go down there.
And in the readings, they actually say, this is the person that you need to look for.
And, you know, at this point in time, Casey's unusual abilities were getting around.
And so by the time this inventor, you know, got a hold of them, He was like, you know, reading all these fascinating things about Casey.
And Casey was kind of at a zenith in this point.
And he decides, you know, I'm going to go with this guy and we'll both go to Arizona to mine this kind of remarkable Atlantean lapis stone, what he called the true lapis.
And it may not be what we generally know as lapis.
So they both go down there.
And it's very interesting because Casey keeps a kind of a running diary of how.
The things that happen to them.
There's so many sort of apparitions along the way, but one of the odd things that happens to him is as soon as he gets near to the mine in Bisbee, Arizona, he starts having a series of flat tires.
And as a matter of fact, he records five flat tires in one day.
This is like an attempt to thwart him as he's going forward into this activity.
And they will report that when they get to this mine and they ask for the individual from the readings, the guy who Runs the whole thing now says, Well, you know, as a matter of fact, yes, that guy did run it, but he ran it 100 years ago.
So he's not even alive, you know.
And it's like, Where did you get his name?
And they didn't explain to him while it came up in a psychic reading.
But somehow Casey, when he was getting the information, was reading the information from over 100 years earlier.
Quite remarkable, but, you know, it really left them in a strange, kind of bemused state.
And they were confused about the whole thing.
But while Casey was there, eventually they got into the Bisbee mine.
And with the help of this very unusual redheaded girl.
And while they were there, Casey, when he was doing his readings and when he was having psychic impressions, suddenly the things that he was talking about psychically were manifesting.
So that's how charged the Bisbee minds were.
Then there's another story involved here about him going over the border to.
Nogales, is that it?
Nogales.
And it's N O G A L E S.
And in, or is it Nogales?
Nogales, that's it.
I know there's a pronunciation thing there.
What's interesting that I learned after reading all the material that was available about Casey going to Nogales in Mexico is that it was not Nogales in Mexico.
It was Nogales on the other side because it was a border town.
It had the same name on both sides.
And it was the side that was on.
Arizona, that's where he went.
And in any case, they brought a number of unusual things back with them.
The most unusual thing that happened during this was that Casey's mother, who had passed on, appeared before him and handed him a silver coin.
Which, when he got back, his son, Hugh Lin, who was always a little skeptical about everything, looked at the coin and said, What is this?
And Casey described what happened with his vision of his mother and everything.
And he said, Well, it doesn't have any of the mark, it doesn't have that mark on it from the treasury.
I'm going to call.
So he goes and he calls the FBI to figure out if there were any that were made without this mark.
And the FBI interrogates him as a counterfeiter and takes the coin and never to be seen again.
But there were a number of usual things.
Whenever we get around this Arizona piece, we just passed the anniversary of the Phoenix Lights from 1997.
And that was a major case that almost set the whole thing up in relation to this.
When you get around Arizona, you're in the zone, as it were, of discovery along the psychic line and the UFO file line.
And in the Casey story, I think we find a great deal in it.
Danny Casalaro's Counterfeit Conspiracy 00:15:20
Everyone, you're watching the Dark Journalist X Series.
This is X Series 167 Kona Blue, UFO file, and Blue Enigma code revealed.
We're going to be taking your questions here shortly.
It's great to have so many of you out there in the ideas room.
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And, you know, I have a little aside here about this kind of, I want to call it counterfeit conspiracy.
And I think that this really needs to be a whole.
Area unto itself.
And I'm just going to do this aside, dealing with the Netflix special around Danny Casalaro.
Little did you know that they're weaving in fiction with their facts.
The people who sent me links about it, when I checked it out, I was able to debunk things left and right.
And then I was going through the various reviews and interviews of these people, and they openly admitted after the fact, saying, well, you know, we did this as a reenactment.
But it gets creepier and creepier as the person who was exploring the Casalaro story.
And it's interesting because we've done a lot on the Danny Casalaro story.
I had Joseph Farrell's cousin on here last fall who knew Casalaro and had encounters with him.
And Joseph, of course, has done some very interesting work on Casalaro.
What's amazing is the person who got all of Casalaro's work out was Ken Thomas and his writing partner.
And it's interesting, they don't even mention those guys.
In the special at all.
So it's literally a, you know, go for the gold thing.
And as they were getting all these ratings and stuff, I was realizing that they decided to drag the Kennedy assassination in there and make up a bunch of things about that as well.
So I want to put a big warning sign on that documentary one that it is what is called faction.
That is, through reenactments and things, they go through scenarios that they think might have happened based on their screenwriter in the back room, not based on facts and real investigative reporting.
It's got nothing to do with either of those two.
It is faction.
So, anything that looks good that they think might sell, they roll it out there around a real story.
So, we wrap a story around this thing that's already been out there that a lot of people and good researchers have gone after and try to get some traction on.
And again, I hear from people, even when I tell them, well, you know, this is, they're using like straight up fiction here in a lot of this.
And they'll say, well, it's good, isn't it?
That the story's getting out at least.
You have to weigh that out because if a false version of the story gets out, how good is it?
It's like the UFO thing.
Some people have said to me, well, disclosure is disclosure.
If it's CIA disclosure, who cares?
Well, no, CIA disclosure is a lie.
So, getting a lie, you're better off with nothing than a lie, yes?
And you don't have to have nothing.
You can get at the real story.
So, I want to identify this counterfeit conspiracy because I've been seeing a lot of it.
And what happens is these groups come in to this field.
And, you know, basically, what these guys are looking to do is very different from investigative reporting.
They're looking to sell a show, you know, and they're looking also to dumb things down.
Remember, this is Netflix we're talking about.
Obama is producing a special about the Betty and Barney Hill abduction that's coming out in September.
Man, I'm looking forward to that.
I mean, you know, think about this.
One of the things that really, you know, I took offense at in relation to all this, and I think it is a disaster.
And this is really unbelievable, but they took these kind of rantings from this author that had worked, and she did a book on Casalero that, you know, it had Sherry Seymour, it had some good points in it.
It wasn't the deep dive that I've seen other people like Ken Thomas do, but it was something.
And then she's talking about this thing and how there was this character, Robert Booth Nichols, which shows up in the story, and how he showed her a version of the, you know, they go into this whole thing about the driver did it, you know, version of the Zapruder film, which we know is a fake thing that the CIA rolled out there to keep people rolling around this idea and not getting at the real thing.
And they rolled it out to some conspiracy researchers, and then some people hung on to it, and other people realized what was going on, that the whole thing was manipulated to make it look like that.
Now, They kept that in there.
But another thing that they did was, and this is absolutely offensive if you know anything about the Kennedy assassination, is they said the typical Zapruder film that we see, and the guy had supposedly shown Sherry Seymour, the author, this Robert Booth Nichols deep state guy had shown her this, that there's half a tree there hanging in midair.
And he said, that's the traditional one that you see.
And then it was like, oh my God, it's been altered.
And what they did.
These guys, the two people who put together this show, they altered the videotape of the Zapruder film to show that phony thing, which doesn't exist in the actual film.
So, you know, the tree, anyone who knows the Supreter film, they must think that everyone's an idiot out there.
The tree in the Supreter film is right there.
Anyone can see it.
Close up on this here.
That is the tree.
Okay.
It's not a tree hanging in midair, it's a full tree and it's there.
They digitally altered it and they didn't tell the audience that they did it.
So they have it floating in midair and they fill it in with grass.
And then they're like, oh my God.
And they show both of the reporters going, I don't believe this with these camera crews.
Look, this is manipulation of the highest order.
And they don't say reenactment, they don't say video edited or whatever.
They play it like it's real.
So they do a lot of that in this special.
And there's some comments of it in the reviews.
And even like Rolling Stone and these other people who are not very trustworthy, they're looking at this and they're like, oh, these guys are rolling a lot of fiction in with this.
Okay.
In the scene with the Sapruder film, it's a very subjective story that Sherry is telling.
Sherry's a reliable narrator and has a very good memory, but she's telling an abstract story that feels haunted and creepy.
So we chose a play like Dogville way of depicting it, which speaks for the subjectivity of the situation.
Yeah.
Let me clear that one up.
You lied your ass off in relation to this.
You altered that film and you pretended that was the real thing.
And that's where the buzz around the thing came from.
So you lied.
Netflix isn't accountable.
You're not accountable.
And yet you actually are and you should be.
And anyone who has a Netflix subscription should ask for their money back or a free month because they were fed.
This Pablo.
Now, Traits, the reporter, continued.
He goes on and he goes, The JFK tape story shows a situation where you can't help but not believe your eyes.
That's the disparity between you and what you know is true and what you're seeing.
And it does some weird manipulation inside you where you suddenly don't know what's real.
Yeah, because you're manipulating the film.
So these video editors took the tree out and made, pretended there was a Zapruder film mystery instead of going after the real thing.
So, you see, this is counterfeit conspiracy.
It's a complete joke.
And if I were a Netflix subscriber, I would ask for my money back.
I was able to watch this thing.
And let me tell you what they were able to do was weave in what other researchers have done around the case.
They were able to weave in some home video of Danny Casolaro, who was, you know, of course, Casolaro was after a real deep state operation that was tied in with the UFO file.
They didn't get into that.
But, um, Then he was found dead in a hotel room in West Virginia.
Now, what they do is they confuse the audience also because they have the actor who's doing the story, they have him dress up, the reporter who's doing the story, they have him dress up as Casalaro and do the reenactments.
So people can't tell when they're watching it who's what in relation to all this.
So it is really screwball.
And a lot of the, even the reviews of it are calling that out.
They're saying fact versus fiction.
The Octopus Murders.
What happened to Danny Casalaro?
The American Conspiracy.
The Octopus Murders is a gripping new Netflix documentary about government corruption.
What's the truth about this story?
Well, the truth is that this guy lied and he rolled in a bunch of fiction with the facts.
That's how they created the thing.
So, Christian Hansen, an American conspiracy, and he's doing the whole thing with this other reporter.
And supposedly it's his friend who's off the hook and he's videotaping his friend.
And he's like, what are you getting me into?
And it's such a phony, you know, it's like a reality show setup.
So there's a couple more things I wanted to mention there.
I want to show you and remember how serious the case is around the JFK assassination and that whole piece, and how they rolled this phony thing in there was just unbelievable, especially right after the 60th anniversary.
The CIA is still holding the records.
There's so much information that could be brought forward in something like that.
And instead, they went for this ridiculous gimmick.
And they also have this thing going around like, oh, you know, maybe people are chasing us.
And they go into this whole like phony, paranoid thing.
Like hipster paranoia.
Oh, it's hipster conspiracy.
A real disaster.
And, you know, this is part of the counterfeit conspiracy thing going on.
That's the thing.
And I want you to take a real look at this American conspiracy, the octopus murders, why a chilling scene about JFK's assassination is key to the docuseries.
Well, it's a fake.
They don't mention that in the review.
So they're saying that that phony thing is key.
Now, you look at this person here and you might think, that's Danny Casalaro.
Right?
You know, it looks like Casalaro and he's reviewing the things.
That's the weird guy who is doing the documentary dressed up as Casalaro doing the reenactment.
How creepy is that?
So, for me, this is one of the most disgusting displays.
And the fact that they were able to roll it around that story is just remarkable.
And, you know, in the beginning, a lot of the promotion, they promoted this thing through the moon.
It was like, oh, this incredible, you know, revelations.
And, you know, I had people who were pretty smart who were watching this and getting sucked in and being like, oh, there's a JFK situation in there.
You know, watch, there's only half a tree.
So they were fooled, and the filmmakers didn't tell them, Netflix didn't tell them.
The reviewers eventually got around to it.
And when I watched it, because I know each frame of that film, like anyone who studied it, you know, anyone would know that the tree is there in the original film.
So, big fail for Netflix on that, and actually a huge disgrace, in my opinion, for them to exploit both Casalaro's death and Kennedy's.
Unbelievable.
So, that is counterfeit conspiracy.
It needs to, you know, this is in Dogville, as the director said.
And it's interesting.
Here's one quick thing I thought from Rolling Stone that was funny when they were going over it.
They said, My one big issue with American conspiracy, the octopus murders, is that it Uses reenactments and dramatization without making it clear.
Suddenly, we see the present day journalist Christian Hansen portraying Danny Casalaro as they show us what he did back in the 80s.
This creates quite a confusing narrative for a while, as it's tricky to know exactly when we're seeing Christian Hansen as himself versus Christian Hansen as Danny Casalaro.
That's what they wanted to do.
And they sold it, you know, like that.
But now you've heard it, and now you know the real deal.
And for me, you know, this is just more of that manipulated thing.
We have to be.
Very aware for counterfeit conspiracy.
We had to be on the lookout for it.
And I also want to put this on the record, which is, you know, we've seen a lot of the good issues that we've studied and we've seen good researchers do spreading out to a bigger media who's just using them as kind of clickbait or whatever.
And in some cases, you know, where like Tucker Carlson or Joe Rogan and things of this nature, you know, with a large audience of putting these things out there, and you think, well, people are getting educated, but it's still heavily, heavily diluted.
And I don't think that we really.
Can get our heads, you know, we have to be very clear about what's going on there.
And what I want to see is, you know, before people go to share the Tucker Carlson or the Joe Rogan thing, which is already backed by millions, you know, Joe Rogan's getting $350 million for a two year contract, you know, this stuff, you cannot speak your mind when you're getting paid that kind of money.
So, you know, I'd rather see you sharing links to hardcore material like the Farrell work, Gigi Young's work, the things we do here in the X series.
Bosley's work.
Let's make it more important and make that stuff, you know, you can say for the wider population, good, you know, they get the diluted stuff and they start to discover these things.
But that stuff's not potent and certainly doesn't need our help to get it around.
What is important is that we get the independent work that is potent out there and change the dynamics so that the counterfeit conspiracy and the kind of junk conspiracy and those things don't have a shot and that the more important things that we're putting on the record here actually have a chance.
And do get out.
Everyone, you're watching the Dark Journalist Show.
Corroborating UFO File Clues 00:15:21
This is X Series 167, Kona Blue versus Blue Enigma Code Revealed.
Counterfeit conspiracy, Miss Olivia.
I love that term.
It's a really, you know, this is major.
I'm going to do a lot more along that line as well.
And for me, you know, for them to portray these things, that's what I saw with the UFO file that they were doing.
They've done it with the JFK work as well.
Remember, they rolled out the Secret Service agent who was supposed to have all the answers.
Just before the 60th anniversary.
Well, he fell off the face of the earth before whatever happened to him.
But the UFO file, they've done it with that.
What they're doing is they're taking our own focus and the things that we're interested in, and they're data mining them and giving us back a kind of, you know, the light version, as it were, the diluted version.
So there's nothing potent about that.
And what we need more than ever in 2024 is potency.
What I'm going to do here is I'm going to read a little bit more about the crash in Kingman, which is the crucial part in the Kona story.
Then we're going to go to your questions.
Before I go any further, Ms. Olivia, you're up.
We had some questions about the craft that you showed.
Tina Boric wanted to know, DJ, how big was that craft?
And Najat Madri, any connections to the Nazi bell?
Well, the craft from the inventor from the 1920s and 30s, those are sketches.
So I don't even know if they ever even made a version of it.
My guess is that somebody took his very deep research and developed it.
But I think what his work shows, and what I think is crucial about his story, which thank God came out of the woodwork, is that there were people who already had this idea of the craft, the flying disc thing going on in the 1920s.
And we know that guys like Victor Schalberger and stuff, who shows up in this Kingman story, interestingly enough.
They were working with anti gravity in the late 30s, early 40s.
And we know from a story that John Warner told about his grandfather, Paul Mellon, that when Paul Mellon went behind enemy lines and just toward the end of the war, that when they captured those large underground facilities, Penemunde, and that he stood on a craft that he said was as big as a football field and a half in diameter.
And it was, you know, like a huge saucer.
So certainly the Germans already had it there on that front.
But I'm not saying that the things that we're seeing, you know, in relation to the crash retrievals that happen in Kingman and in Aztec, I don't think that they are Nazi craft.
But it is important for us to note on planet Earth that technology obviously did exist.
Yes, what else you got?
Now, John always already wanted to know also whose craft is it, the breakaways or the aliens?
That's what I'd like to know.
It is.
And it is kind of an ultimate question, isn't it?
Let's check out a few things around this because Leonard Stringfield is one of these guys who was keyed like Raymond Fowler around the 70s and 80s, who brought all these cases forward.
And they were real serious researchers.
It wasn't like the Corbell Circus or any of that news nation.
Guys, real researchers, hardcore.
They didn't sell out.
It wasn't like the whole George Knapp thing or anything like that.
These guys wanted to get to the bottom of it.
And they existed in a little kind of twilight, working with the best people, not really having best sellers and things like that, but getting the best research out.
And I think Stringfield really was one of the best.
And if you want to, Track down apothegm cases.
You want to go directly to the work of Stringfield and then John Mack and some of these other guys.
But there was some work on the Kingman case that came through two different people.
Preston Dennett was one of them who did a really good book called UFOs Over Arizona.
And another one, of course, Nick Redfern.
They took a stab at a couple of things.
I want to read a few things about the crash and then get us into understanding how significant that crash was sort of overlooked.
Now, Bill U House, who I mentioned earlier, he claimed to have worked on several top secret government projects in Nevada decades before.
He claimed that several alien entities were housed at top secret locations and that they were alive.
Not the dead alien thing, these aliens were alive.
It's very interesting also because U House touched on a lot of things, including the fact.
Of this question around, did Eisenhower have some kind of a treaty with these groups?
And I always put this on the record that Stanton Friedman, who was one of the best, the late Stanton Friedman, one of the best UFO researchers, told me that the story about Eisenhower meeting with some extraterrestrial group actually had legs.
And he was pretty heavily skeptical of a lot of things.
So for me, it made me look at that one twice.
Let's go back to Kingman, Arizona.
Of particular interest are the claims from U House that one of the projects that he worked on, UFO, had crashed just outside of Kingman in 1953.
It's May 20th, 1953.
So five years after the Aztec crash, six years after Roswell.
And there's another researcher in that period, a whistleblower, a guy named Stanzel, who also said it was 1953.
The four extraterrestrial occupants were recovered from the records, one of whom initially survived but died a short time later.
There was one particular point of interest that U House offered that could have been corroborated.
U House had offered that several of the recovery team of the Kingman incident had gone on to develop a multitude of health problems that appeared to have been coming from contact with either the wrecked craft, the ETs, or both.
This is very interesting because if you go into the Aztec case, you'll find the apothecary effects that they experience relate directly to their health as well, and that they realize the scientists who work on the Aztec crafts can only do it in segments and shifts of a half hour at a time.
So, something about being in that environment.
You ever notice that in the real UFO cases, they only keep people a very short time?
That's why the Travis Walton case is kind of a strange one.
It's an anomaly because he's gone for five days.
So, it always made me wonder about that story.
But, you know, like Betty and Barney Hill, it seems like, you know, they're on the craft, they disappear for a couple hours and they're back, but they have missing time.
The Kickman UFO crash was an actual event.
And it was one of that did indeed result in the recovery of four alien occupants.
A former intelligence officer claimed that four, two of the extraterrestrials of the four, survived the crash.
Crucial detail.
Let's stay with the Redfern account here.
So we have Marion Shaw.
She was somebody who worked as a secretary at an army base in the early 50s, and she worked for the Pentagon.
She worked her way up to high security documents.
She went on that she had once been asked to type a report on the apparent Kingman UFO one, a lengthy one, and that this report mentioned the recovery of both the craft and the extraterrestrials.
She would elaborate that the report featured details of the craft and why it was thought that it crashed, as well as autopsies on the dead alien bodies.
So the whole alien autopsy thing came directly from this report.
Of course, in the 90s, they had a spoof thing that came out that was a total fake, and yet.
It was harkening back to a real story that somewhere there was this tape flying around.
Despite these many claims, there could indeed be a more rational explanation.
And they go on to this whole thing about, like, well, you know, even though it was a cigar shaped object and stuff like that, we had weird jets and maybe they had chimpanzees that they were testing.
So, you know, I mean, I've never seen a chimpanzee who looks like that.
So I've never believed in any of that aspect.
No, I think they're definitely.
Either an unusual type of being that's earthbound or a visitor from somewhere else.
What's interesting also is I've brought up the Cosmos Club before, which has all these hardcore facts in there about J. Wesley Powell, who founded it.
And he's the person who went to the Grand Canyon, did these incredible surveys, and all the rest.
But he has an unusual history.
And the Cosmos Club will eventually become the Bilderberg for the UFO file.
Where all the main people that are involved with it will get together to meet, et cetera.
Now, this is interesting to me because if you track it back, you'll find that Powell was in Cape Girardeau, stationed during the Civil War, but he was there for four years.
Then you'll find him in his explorations.
He goes to some very interesting places, including Aztec, New Mexico.
And guess where else he shows up?
Kingman, Arizona.
Who founded the Cosmos Club was this great explorer in the 19th century and got tons and tons of funding from Washington and everything else.
What I feel is a very unusual story, including his association with the Paiutes and all of the kind of sorcery around the ghost dance and all these fascinating things.
I think it's possible that we could be looking at in the early development, just like the strangeness around the National Geographic Society and the Smithsonian, both of which he was in the background of, we could be looking at a group of explorers who came across something like a crash disk back then.
And that's why we have all these strange stories and why the Cosmos Club became the foundation of a UFO Bilderberg in later days.
And you'd have people like Heineck and Edward Teller and all these people deep into the UFO file as a part of the Cosmos Club.
I've done two episodes now on the Cosmos Club.
And I think when we look at this and we see the development of these crash cases, that we have to say it's a much older phenomena than we've.
Thought of in the past.
Now, I'm going to continue to go into these cases, but right now I'm going to turn it over to your questions, Miss Olivia, because you're up.
Okay.
All right.
So I'm going to throw a whole bunch at you.
Okay.
Okay.
Jewel of Aquarius.
Isn't it possible that the X File is related to the breakaway civilization?
Happy Hermit 3D.
Are space aliens really all a mask for the post war Nazi international out of Antarctica?
Blazon River.
Any chance the bell and all the real UFO tech is connected to time travel?
And Dawn New Way, breakaways or aliens, what if transhumanism has been quietly going on for much longer than we know?
Want to swing in any of those?
The time factor is very interesting, I think, and how our time factor might be thrown off by the fact of Roswell and the flying saucer wave of the 40s.
Look, the thing about the Nazis in Antarctica, they were interested in it, they knew things about it, they were more advanced than history has given them credit for, and they were plugged in to.
An aspect of the X technology.
There's no question about it.
But they can't account for the whole thing, not by a long shot.
So I think that if we go back to the Ezekiel story and Casey's suggestion about it, which was that Casey was saying Ezekiel described an Atlantean craft, but this was at a much later date.
So if we think of that incredible UFO that Ezekiel is experiencing and think, oh, that's an Atlantean craft, then we have some idea that somebody kept the technology going.
As extraordinary as that sounds.
And certainly the larger group of humanity did not have access to it.
There's no question about that.
But we know in secret society and mystery school circles, they kept the technology, they kept the information.
One of the things that's in the Casey readings, of course, is about how the Hall of Records contains information about the development of the Two Eye Stone and how to construct it.
So this is part of the archaeological weapons.
Piece, the archaeological war for these ancient weapons and what they were all about and how they were operational.
Now, so I think you have to go beyond the Nazi aspect, but you also have to include them, especially when we get into stories like Warner's grandfather.
That is very interesting to me because if the Germans had a craft that was a football field and a half in diameter at the end of the war that he stood on and told his son about in private.
You know, this isn't somebody doing it for the National Enquirer or something back then.
He's telling, you know, his grandson in private about, I mean, obviously it's a true story.
So what was that?
We've never seen that publicly.
And certainly, as the victors, we got our hands on it.
And that craft certainly became part of our arsenal.
So that's 1945.
And so I think when you look at it like that, absolutely.
The Antarctica piece becomes very important, but you have to remember something else about Antarctica, which is we have less access to it than even we do to stories about the moon because it is so remote.
And the intel is so difficult for us to get our hands on it.
What I would say when we get around these topics, however, is the Antarctica story can be got at through a field of research that we've been doing into the International Geophysical Year, IGY, which was 57 to 58, technically, and then just kept going and was run by figures like Lloyd Berkner from the Robertson UFO panel.
These are the aspects that are lost to history.
Lloyd Berkner and Antarctica Secrets 00:15:31
These are the things that we try to put back on the record.
And we know that that relates directly.
You know, there's a big JFK assassination tie in with Berkner as well, which is Kennedy was going to meet him at the trademark and hand him the White House flag.
You know, something major was going on there with the announcement that they were going to make together.
There's no question about it.
It's on the record, it's in Berkner's own letter that I publicized that it was going to have staggering international implications what they were going to say at the trademark.
Now, you can guess what that is.
He didn't say it was the UFO file, but this is somebody who knew the UFO file.
Quite well.
So I think you can get in on the Antarctica side through some of these things, but it's very hard to get intel in relation to Antarctica.
And I think the other thing about the breakaways and X technology is intertwined because it's the X technology that gives these people the ability to have a separate group.
And I don't really, it's not a civilization, as it were.
So, you know, even the idea of breakaways, you know, what you want to think of it is a group that operates.
So, we're looking for the right name for the group that's operating there.
And then we know that the group that protects it, that I've named X Protect, that they have a policy in relation to this that they will do anything to keep the secret under, including misdirection.
So, a lot of the things that we saw with this kind of CIA push around a threat in 2017.
And that we've seen for the last seven years, I think the bungling of some of that has them rolling back into this genie back in the bottle thing until they figure out how to roll it out again.
So you watch for wild position changing by the other groups who are already participating in this, trying to figure out how to put themselves back in it.
One thing I heard, which was interesting, was that the people who were involved with, Elizondo and all that, we're going to have the whole thing be all about aliens under the ocean.
That this is all, you know, because what they realize, I think, with the UFO threat aspect is it gets a lot of people looking into space, and that's what they don't want.
So they do want the UFO threat, but they don't want people looking into space because of their clandestine nature of the work they're doing there.
So under the water, hey, that's a lot easier for them to swing, as it were.
So for me, they're scrambling for a way to present this other thing.
And it's a story for why they can roll out their own advanced technology.
We were hiding it because we were fighting a menace that you guys didn't know about.
We hear this over and over again.
The COVID thing was very much like that.
And the COVID setup, you know, a lot of people have said to me, wouldn't it be hard for them to pull off a UFO threat, you know, like a fake one or whatever?
Look at the Chinese balloon thing.
I mean, you were that close.
You already had the NORAD commander, who they just changed, by the way.
We have a new COG commander who I'm going to do a show on.
You know, they had the COG commander up there saying, Well, it could be extraterrestrial.
I don't know, which is absurd for someone in his position to be saying that.
And the New York Times headlines shot down UFO and all the rest of it.
No, they tried.
They data mined the idea last February.
And then they came back up just recently with the new Chinese balloon, you know, that was off the coast, you know, came in through Montana and all that.
So they're ready with that when they need it.
I think that they need more data.
And I think that the people that they've rolled out and tried to coalesce into a CIA UFO threat group have proved disappointing for their efforts.
And I think that the person in the middle who is pulling the strings, as it were, is Christopher Mellon, the DOD official that we had some skirmishes with.
But he is on a particular level.
There's somebody way, way above him.
And guys like John Warner have.
Suspected that maybe it's somebody like Bobby Inman or somebody in that league who is so deep in that system that he has connections to that very, very deep system controlling the secrecy around the UFO file.
Yes.
Teach P33, does DJ believe these are crashes or were they scalar wave takedowns?
Well, this is interesting because if you go into what's funny when this whole thing came up about Kona Blue, and just to recap here for anyone, Kona Blue.
Is the program that we described last year?
We put it on the record.
I did a show in May of 23 about it.
I went on the Alex Jones show to talk about it.
And I did for the JFK 60 Blue Enigma.
It's all there.
And then only last Friday did they admit that this program existed.
Now, the people inside those programs who talked about Kona Blue and were spilling their guts to the UAP task force and all that, they knew about it.
And through my research, I knew about it.
And I think that's why there was a crisscross.
With people like Grush and people like that reaching out to me to figure out who told him.
But this is important because the fact that they had to go on the record about it and they had to say, well, Kona Blue existed, but guess what?
It was turned down by the Department of Homeland Security and it related to the retrieval of alien crash, but it was thought to be completely impractical and they didn't accept it.
So they never retrieved any crash and, like, you know, stop talking about Kona Blue.
Blue is the program that goes back.
Blue is the identifier program.
That's why I'm going to read the Albert Pike section here shortly.
You have to understand blue when you get into Project Blue Book, when you get Project Blue Gemini, all the things related around the UFO file that have the blue terminology.
It's always in caps.
Even Blue Beam, the street legend about a UFO takeover, is another tie in with this.
And so that's the steganography.
And we're not being random in selecting it.
The reason I knew.
That Blue was involved with this is because there are telltale signs for when you find steganography.
There's random things, and then there's things that appear to be random.
And you just, after a while, by studying steganography, like we did with X steganography, you learn to tell the difference between the two.
And when it comes up aces like that, then you keep following.
And that's how we figured it out.
But the important thing is what is that program?
Well, the program was about crash retrieval, it was about redevelopment of X technology.
Now, is that technology from an extraterritorial player or from an extraterrestrial player?
You see, that's why it's so important.
But they had to address it on the government side because too much of the cat had been let out of the bag because already the people inside knew the term Kona Blue was being flashed around.
And then we came out with Blue Enigma and the UFO file, Blue Secret, and all that stuff that we put out last year.
And so they have to say something because it's already public.
So they say, oh, yeah, well, these people floated it and the Homeland Security shot it down.
The other thing about Kona Blue, and we explained, I'm going to put this on the record again.
That KONA is an acronym for Kingman, Austin, New York, Nellis Air Force Base, and Aztec, New Mexico.
Those are all the key crash retrievals that involve this whole thing about intact X technology that they were able to study.
Now, it's interesting because I'm going to read something about that study process, and it's from Dr. Robert Sawbacher.
Who, as I said, has been erased heavily from history.
And I see a weird copycat thing in documentary land ripping heavily from the X series on this.
And I want to point it out to everyone as well because it's more of that counterfeit conspiracy piece.
But first, I'm going to read the passage.
Then I'll show the player the counterfeit conspiracy.
And then we'll take the next question.
Okay, sounds good.
Everyone, you're watching the Dark Journalist Show.
This is X series 167 Kona Blue UFO file versus Blue Enigma, the code.
Revealed.
We're taking your questions here now, and we've revealed tonight the meaning behind the government's admission of Kona Blue and what Kona Blue is, and that Kona represents Kingman, Austin, Nellis, and Aztec, those four crash retrieval cases.
That is the acronym that was developed.
There's a fascinating book back there in history Bill Steinman and Wendell Stevens.
And Bill Steinman passed away recently, but this guy was a remarkable.
This book alone made him a legend, I think, getting this on the record.
But there's so much in here that's useful.
And I want you to track now with some steganography here, which is the name Newton.
Okay.
Now, this is only funny to me because I grew up in Newton, Massachusetts.
Okay.
So this one is built for me, you would say.
Now, let's go into this a little bit.
How would you like a 1984 book to give you some information on Dorothy Kilgallen?
This is funny because Dorothy Kilgallen came up years later as somebody who had interviewed Jack Ruby, and she died in 1966 under mysterious circumstances.
But what's not often talked about in relation to Dorothy is that she was very deep on the UFO file, and that she is actually one of the people who wrote about Roswell before anyone even knew what it was.
So the whole idea of a crash saucer, alien bodies, a retrieval being held.
A base somewhere in the Southwest, all that stuff, that all is Dorothy Kilgall in the late 50s, early 60s.
By the time she gets her interview with Jack Ruby and says, I'm going to bust the case wide open, she's found dead, having mixed barbiturates with alcohol, supposedly.
So I found this interesting, and then we'll get to the Newton part.
So, what he says here is that this Los Angeles Times reporter named Myers had been working with the Los Angeles Times as a consultant on psychic and unusual phenomena when he first encountered the crashed disk story.
Through Dorothy Kilgallen, a freelance reporter for Hearst Syndicate, who first reported to them on the crashed disks.
Now, Kilgallen in her trajectory goes all the way back to 1948 on the crash retrieval idea.
How deep was she in relation to this?
And the fact of her presence there around the JFK assassination and all the rest of it, again, we have this crossover directly from the UFO file with the assassination.
But let's go further still.
In the actual case, what's going on here is that Newton is Silas Newton, this millionaire oil man, and he gets involved because he hears about four UFO crashes that take place around the area of Aztec, New Mexico.
And then he gives a lecture on it, and there's a reporter named Frank Scully who picks up on it, and they blast the story out.
Suddenly, it's all over the place.
But there are these very key interviews that get done with the scientists that he recommends.
The author talks to.
And those scientists give him all this information about the crash, what they found, the occupants, what was going on there, and also the nature of the craft and how the government was studying it and all the rest.
Now, if we go a little bit down the line, we'll go to Robert Saarbarker.
And Saarbarker, like I said, somebody who worked with Thomas Townsend Brown, Saarbarker was on the level of Oppenheimer.
And But he told us without any MG 12 documents, any of that stuff.
He went on record himself in an interview twice, actually three times, saying, Oh, yeah, I worked on the UFO file.
It had a series of different leaders, like Vannevar Bush, and they studied the redevelopment of this crashed craft.
Here is what Sarbacher had to say, and I'll show you how this ties into what we're talking about.
So the actual letter.
That he writes to the author of this book goes something like this.
He says, Oh, I recall the interview with Dr. Brenner of the Canadian Embassy in 1950, where he said, The UFO file is placed above the atomic bomb in terms of secrecy.
And he goes on to say, You must understand, I took this assignment as a private contribution.
About the only thing I remember at this time is that certain materials reported to have come from flying saucer crashes were extremely light and very tough.
I'm sure our laboratories analyzed them very thoroughly.
There were reports that instruments of people operating these machines were also a very lightweight, sufficient to withstand the tremendous deceleration and acceleration associated with their machinery.
I remember in talking with some of these people at the offices who were dealing with this UFO redevelopment, that I got the impression these aliens were constructed like certain insects we have observed on Earth.
They were constructed wherein, because of the low mass, the inertial forces involved in the operation of these instruments would be.
Quite low.
I still do not know why the high order of classification has been given and why the denial of the existence of these devices.
Sorry, it's taken me so long to reply.
Sarbaker was a physicist, a student of Einstein, and he was on Saturday Evening Post, Time Magazine.
This guy was one of the most well known physicists.
He lets out this part about the UFO file, and then he dies shortly after these interviews in the 80s here.
Very unusual story about that.
You know, he encounters a jelly like substance on his car door handle, develops a rapid illness, and dies on the same day.
It's very interesting because Sarbarker is also very close with T.T. Brown, and they will go on a number of secret missions, scientific missions for the government.
Peter Thiel Controlling the Narrative 00:05:44
But one of the things that they did on a yearly basis, I guess, until the Cuban Revolution, and that his family thought he was going off to San Antonio, Texas, in fact, the two of them would go together.
For a month every year to San Antonio, Cuba.
And if you look into San Antonio, Cuba, you'll find it's very close to that western tip of Cuba, right there in the hot zone where Paulina Zelitsky found underwater a complete city intact that looked very much like a Mayan city, obviously, some kind of Atlantean extension.
In my opinion, he was over there working on that.
Brown was, and Sarbacher was working with him.
So you can see from a lot of the crisscross here.
That when you get into the UFO file, you're dealing with these things that operate under the radar that relate to an exotic technology, but also maybe something very old.
And maybe that's something to keep in mind.
Yes, Ms. Olivia.
Modwiz says, Mara Biglino has stated strongly that the Hebrew word kavod, translated as glory in the Bible, is correctly translated as a vehicle.
So the glory of God needs a completely new meaning.
Interesting.
I can see that.
Well, I think that, you know, the names are powerful if you follow the names.
And I think that the whole idea about judge and priest, when you get into the Old Testament and when you study things like the Essenes, you start to see the power of the translation of the name.
So I absolutely think you're on the right track there.
One thing I didn't want to skip this now that I've blown away the Casalaro documentary on Netflix as being faction, where they're allowed to mix fiction in with the facts.
And they did the phony thing with the Spruter film.
There's a guy out there, Jesse Michaels, who borrows heavily.
I know from people who know him that he watches this show, but he borrows heavily, heavily from the X series work that we do.
And then he recombobulates it into this, you know.
Whatever it is that he does, and you know, good luck to him.
But I wanted to point this out because he did a show that ripped on the work we did on T.T. Brown and Robert Saarbarker, and this is more of that counterfeit conspiracy that I don't like seeing out there.
This guy's funded by Peter Thiel millions of dollars to do the stuff that he does, and he's shadowing the work that we do with these kind of phony versions.
And this is the name of the video he has out there that's supposed to be T.T. Brown, doesn't even look like him, but you know, so he'll use all the things about.
Sarbacher and the crossovers.
And it's fine because it's public information, but you need to cite the source.
So, if you don't cite the source, you know, and I see that a lot comes up whenever we get around these potent researchers, you know, that includes my work, Dr. Farrell's work, Bosley's work, Gigi Young.
They're ripped off heavily.
And it should be called out that the people who are using their work can use their work, but they need to cite them.
Otherwise, it's intellectual theft or it's IP theft.
So, this guy with Jesse Michaels, you know, That whole thing that he's doing, you know, good luck with the junk that you're putting out.
If you aren't citing your sources, what other stuff are you ripping?
That's the way that I look at it.
So, the counterfeit conspiracy needs to be, you know, we need to have a kind of a radar for that.
And, you know, people should be getting into these things and they should be looking into them.
I think they should be looking into all of Dr. Farrell's books or whatever, but, you know, give credit when you do it.
And when you get into the X series, you have to give credit.
We're the one who discovered those links.
And when you go off half cocked on something, you know, you need to cite it.
What I don't like in particular, because, you know, this happens in random circles all the time, but what I don't like is when someone's well funded and when they have people like Teal behind them, it means to me they're building like a shadow version of what we're doing here in dark journalism.
That I don't like.
And, you know, that I will respond to.
And so, you know, if we see more of it, you're going to see more from us.
And, you know, So, my suggestion is to cite your sources.
And also, if there are heavy duty attempts to control the narrative coming from people like Peter Thiel and stuff like that, that's going to be called out as well.
And, you know, I do see that we've lived through a period where a lot of the things that we've talked about, you know, say five years ago, whatever, are slammed all over the place through the media, but they're these kind of bastardized versions.
So, I think it's totally legit to call out, well, this is the real thing, this is the potent thing.
And that's counterfeit conspiracy.
And if those people want to bring their level up, talk about the real thing, and also cite their sources, then they'll get the respect of the people who are doing the real stuff.
I think that's a pretty fair deal.
Everyone, you're watching the Dark Journalist Show.
This is X Series 167 Kona Blue UFO File versus Blue Enigma Code Revealed.
We're taking your questions tonight.
We did a section on counterfeit conspiracy with that crazy Netflix documentary on Casalaro, where the guy who is supposedly doing the reporting is dressing up as Casalaro.
I mean, that's.
Was this LARP Central?
You know, I don't know, but whatever that stuff is, we're not going to support it.
So, yes, what do you got?
Marilyn Monroe and the UFO File 00:03:57
Okay, Najat Madri, what a double life Dorothy must have led, smiling and laughing on What's My Line and then searching for UFOs behind the scenes.
Their Mobsterful says, what's not talked about, Dorothy, was her co worker, CIA John Daly, was the son in law of Justice Earl Warren.
John Daly hosted What's My Line.
Well, she was so connected.
Not only that, but did you know one of her best friends was Ernest Hemingway?
So, what kind of information did she have?
Hello, Hot Zone.
You know, she probably knew that whole trip as well.
Well, I mean, would people have leaked using her?
You know, I mean, was she a pipeline?
No question.
Absolutely.
Yeah.
And it's funny because when you talk about what she was talking about, around alien, you know, crash retrievals and things like that, it's strange because in the 1950s, for somebody like of the caliber of Kilgallen to even touch on those stories, I think is pretty remarkable.
And I think it has to be said.
About Marilyn and her and their relationship, that a lot of the things that Marilyn had talked about and that they went back and forth with, that Marilyn may have known a great deal about the UFO file through the fact of her relationship with Kilgallen.
So that when Kennedy's talking about it randomly during the time that they're spending away together, it makes the UFO aspect and the secrecy aspect around Marilyn much more.
Let's say, you know, it's not just somebody going off half cocked and coming up with a theory.
I think there's something that was going on there.
You know, it's interesting.
There's a book by Seymour Hirsch, and I was lucky to be interviewed by his son by HBO.
This was a great moment because at the end of the interview, he says, Oh, my dad is Seymour Hirsch.
And Seymour Hirsch did some kind of remarkable books, but when he got to the Kennedy assassination, he did a terrible, terrible book called The Dark Side of Camelot.
Which was a total hit job.
All these CIA sources were like, oh, yeah, Jack Kennedy, you know, let's tell you all the dirt on Jack Kennedy.
And they had a real, you know, they were really vested in turning the author against John Kennedy.
And it's interesting because so he puts in this book, this whole thing about Judith Exner.
And Judith Exner is a very important person who had a relationship with John F. Kennedy.
And Exner was formerly Sam Giancana's girlfriend, who was a big mobster there in Chicago.
And Las Vegas.
And Frank Sinatra set John F. Kennedy up with Exner, and they became a very heavy duty item.
One of the things that went on, and that Seymour Hirsch was able to interview her about, and that he pressures her about in his questions, is about the stories that she had taken things back and forth for Kennedy to different defense contractors and to mobsters, and that he was trying to say, oh, Kennedy's paying this guy off or paying that guy off.
And it's an amazing thing.
It's sitting right there in that book.
It's like a beacon.
It opened up as soon as I saw it.
So many things opened up for me around this.
But she says, Oh, when I looked, there was one time when I looked in the envelopes that he was exchanging with these people, in the envelopes that he was getting back.
I looked at just one time.
The rest of the time, I just delivered this and delivered it back and forth because he used her as a messenger back and forth with a number of people.
But he was getting blueprints.
Of different types of space aircraft.
So, if he was looking at spacecraft blueprints, this is part of what he was doing there, going back and forth with these defense contractors and the mob.
Historical Prison Investigation Clues 00:04:45
He's getting information relating to secret patents, secret space program devices that they're developing on the CIA side.
And so, over and over again, you know, Hirsch tries to say, oh, you know, he's paying off the mafia to assassinate Castro and all the rest of it.
In fact, it appears to me that he was using Exner not only as a conduit.
With defense contractors to get secret information from them, but that he was keeping an eye on what the CIA was hiring the mafia to do outside of his control.
A totally different scenario.
Yes.
This is really interesting.
Randy Camper says that octopus murders doc left out Reconosciuto's lawyer who was feeding info to Sarah McClendon because I worked for her at the time.
That man was beaten to death, all of his documents and discs stolen.
Oh, wow.
Yeah.
Well, Reconosciuto is still with us, right?
And there's no question in my mind that he was harassed.
As a matter of fact, as soon as, I mean, they set him up, you know, they set him up for operating an underwater meth lab or something.
And they didn't want him to be some kind of support system for that whole story.
But later, when he got out, they put him very quickly back in prison for some trumped up thing.
And as I understand it, he's out now.
There's a lot, I think, with Rukon Ashuto, including the fact that his dad's partner was Fred Crispin, who, Is the guy involved in the heart of the Maury Island UFO case.
So, and of course, shows up in the Garrison investigation.
You've got some incredible operators there in the background, but Chrisman, the Chrisman Reconosciuto piece is, I think, phenomenal.
And it's interesting because, you know, Reconosciuto tells a story about, you know, meeting Chrisman, his dad's partner, when he's younger, and he's bugging offices.
When he's 14 years old for Chrisman.
And that, you know, so this is the level that these guys are operating on very, very early.
I'm sure that Reconnaciuto is a treasure trove.
Apparently, those Netflix guys grabbed him right after he got out of prison in 2017.
I wonder what he would say about all that now.
But the fact that they, you know, wimped out and went for faction and, you know, wove all of this fiction into it.
And then I said, you know, played with the Zapruder film.
And how offensive is it what they did with the Zapruder film?
Because, You know, they took the tree and they visually, they video edited the tree out to pretend that this was a tree hanging in midair and that this is the one the public sees, but it wasn't.
I mean, that is offensive.
I think that, you know, I think there should be a mass thing against Netflix for this because it's total bunk what they did.
It was video on their side that they manipulated without saying reenactment or we changed it or whatever.
And even the reviews from what should be favorable publications said the same thing.
Don't you think it?
They were trying to see what they could get away with and testing the idiocy of the audience.
He talks about it.
You know, the director, when they, you know, because they press him on it and he says, Well, you know, I was trying to do like a Dogville thing, you know, like look at things from all sides.
Well, if you manipulate a historical thing, you know, it's like if there's a picture and you claim, Well, this is a real picture of, say, Von Braun meeting Kennedy, and then you insert and Photoshop a UFO in the middle of it and then sell it as the real thing, that's fraud.
So, the whole thing is a fraud, and that's why I wouldn't buy the things that I was hearing when I was watching it.
They created a whole narrative also about the reporter, like he's getting deeper and deeper into it, you know.
And this is all like script development, script consultant.
Oh, look, he's dressing like Casolaro, you know.
I mean, it was kind of sick.
And, you know, Netflix bottom line, they're all about the money.
And if you watch their stuff, you know, typical banter with the characters in their shows are like, Oh, how's your carbon footprint today?
I mean, nobody talks like that.
And, you know, everything has to be woke and over the top.
But even with that, you would think Netflix would just hold up.
Can you imagine like any other documentary or whatever?
It would be called out immediately if somebody tampered with a historical film.
I just think the rules have changed completely.
And now their little game is how much can they get away with?
How much pushback are they going to get on everything?
Yeah, absolutely.
Okay.
So the Black Zionist wants to know who killed Danny Castellaro?
Vannevar Bush and Masonic Secrecy 00:03:13
Well, you know, he left a lot of clues about that himself.
And it is a terrible story.
And if you think about Casalaro and his sacrifice involved with what he was tracking down, what he called the octopus, what's missed very often is that his stuff came out before Bob Lazar and all that whole bit.
There's a big piece about Hughes Aircraft and Area 51 sitting right in the middle of his work and in his scribbled in his own notes.
So he was very aware around the UFO file aspect.
But whatever it was he was getting close to, And related to the whole thing with Wacken Hut and all the rest of it, there was no way they were going to let him get past that.
And it's interesting because I think they did it more direct with him than they did with Gary Webb.
Really, what they did with Gary Webb is they shortened down his ability to talk about things to the point where he was working in classified ads after being a Pulitzer Prize winning author.
So they have the power to do that.
But in Casalaro's case, they had to act fast.
I think it's interesting because it's an X Protect type move.
And I think that you could be looking at this list of X Protect people who are either victims of the deep state or X Protect.
And people might say, what's the difference?
X Protect, why I think this is important, is very specific to people who get around the UFO technology question.
So that aspect, I think, is crucial.
And they do, they have a series of programs, you know.
But the whole men in black thing that comes directly out of X Protect, yes.
Jeff wants to know DJ, you mentioned in a previous episode the crash in Cape Girardeau.
What Air Force base did they send the wreckage to?
Well, that's one of the most secretive.
What's interesting is there was an author, I did an episode with Linda Moulton Howe on this.
I was going back a few years, but this is very interesting.
Truman was the senator in Missouri at the time.
And His ability to move things through Secret Channel in DC were such that he was connected very deeply as a 33 degree Mason.
The witness testimony that came out of that were that they kept the aliens in jars as part of the way that they did their Masonic rites, as far out and as exotic as that sounds, and that they kept it in the basement of the Smithsonian.
Now, and they incorporated it into this Masonic secrecy.
It's interesting because Vannevar Bush, being the head of the MIT Masonic Lodge, is very important because that's how you get all of the ex steganography being used to move government programs through different agencies because he invented the secrecy.
Silas Newton's Alien Technology 00:03:03
And there's a very interesting article that's from 1942 talking about his development with the Rad Lab.
And they were saying he's keeping things, he's known to keep better secrecy than the military.
So, you know, Vannevar Bush somehow had some great talent for secrecy.
I think it came directly out of his Masonic associations.
Speaking of Masonic associations, I mentioned earlier this thing about Albert Pike.
Before I get there, I want to say this.
Remember, I said, watch the names Newton.
Okay.
Silas Newton is the key figure who is.
Brings out the story to Frank Scully about the Aztec crash.
He's a millionaire and he works with these scientists getting the story about and trying to develop the advanced technology craft from this.
So he's like an early ex tech entrepreneur, shall we say.
Walter Travis, a very interesting author, writes a book called The Manifold Earth in 1962, a little ways 10 or 15 years after the crash.
But a lot of the characters and a lot of the storylines fall right in there.
By the time you get to the movie, It's Bowie playing the character Thomas Jerome Newton.
Silas Newton is the Aztec crash guy.
In the movie, Bowie's craft crashes in the New Mexico desert.
And he approaches a scientist about redeveloping this technology.
And the scientist is starting to figure out like this guy, you know, he knows a lot and like who's behind him.
And so you have a mix of like a Howard Hughes thing with an alien here.
And Bowie develops all this advanced technology, and the government starts to see him as a threat.
By the way, there's tons of X Steganography.
If you watch Mandelfeld Earth, you're going to, if you're an X Series fan, it's all over the place.
But very interesting in the story because what happens is he develops world enterprises because he's an alien, he has advanced technology, and they start to see him as a threat.
And then they start to shut down his operation because what he's trying to do is build a massive.
Space program here.
And the idea in the book and in Bowie's movie is that they are going to transport water back to his dying planet.
That's what it's all about.
But this massive space force type exercise is shut down by the government and then they blow it up at the end.
And he's a hapless alcoholic by the end of it, which is how the book ends.
They examine him and they can't quite figure out because he's close to human, but they can't quite figure out is this guy an alien or is this, you know, what is the story about?
But they know, you know, they take over his technology and just basically leave him as a rich alcoholic.
Gordon Cooper and Earth Programs 00:11:23
But the crossover of the name Newton and then the whole thing that even a lot of Manifold Earth is shot in Roswell, New Mexico.
And so you have that lineage there the Aztec crash 1948, Silas Newton, the character developed by Walter Travis in 1962 with the whole alien Manifold Earth story and then the 1975 movie.
Taking place right in the heart of New Mexico.
That is a real thread because remember this Roswell didn't come out to the public.
It's a one day story back in 1947.
It gets shut down.
Nobody knows anything about it until Jesse Marcel comes back out in 1979 and says, This is what happened, really.
So when they made the Manifold Earth, there's nothing about New Mexico in relation to UFO literature except for the Aztec case.
And the Aztec case is so heavily debunked.
By the CIA and the FBI, and they go on all these programs.
And it's funny because, you know, Silas Newton, who was this really well respected oil millionaire guy, he gives a talk in 1969 and he said, I can't believe, you would not believe the 20 years of suffering I went through for bringing forward the UFO thing in 1948 to Frank Scully about the Aztec crash.
He's like, they harassed me, they harassed my family, they ruined my reputation, they took me to court.
You know, I mean, this guy went through it.
But trek with that Newton name.
Yes.
Okay.
I should say, everyone, you're watching the Dark Journalist Show.
This is X Series 167, Kona Blue UFO file versus Blue Enigma code revealed.
We revealed it here tonight, what Kona was all about.
And the government admitted last Friday that Kona Blue existed, which we put on the record last spring of 2023.
So they're starting to catch up.
But this is good for looking at steganography because you can see through the work that we did on Blue and Blue Enigma that.
You know, the government had to come out and actually address it, which is remarkable.
Now, I think that they had to address it because of people internally, but the fact that we externally had let it out is another, you know, kind of reason about it.
They just might have said, well, they're, you know, what if people from the inside are talking to people on the outside?
In fact, I put out all of that stuff before I talked with David Grush, the Air Force major who claims to be a UFO whistleblower, but is controlled by Christopher Mellon.
The DOD official.
It's interesting to me because I believe now from things that I've heard that Grush approached me because we did the blue reveal last year.
So, Kona Blue goes right into the heart and right into the center of this whole thing.
And the fact that they're talking about congressional hearings around the UFO file, watch out.
Kona Blue, you know, exploding the code here is going to bring us one step further.
Yes, what do you got?
I'm sorry.
Oh, yeah.
I'm losing my throat.
Yes.
So far, so good.
HWMO Liberty says, We had an alien crash in Aurora, Texas.
As far as I know, it's still buried there.
Yet another A. Isn't that interesting?
That's true.
That's 1897.
Jim Mars told me a lot of weird things about that case, including that they did DNA samples around the grave, things like that.
I'd never heard anything like that.
Mars had that case nailed, and he was obsessed with the airship mystery.
There have been a few good books about the airship mystery, and I think that, you know, Bosley and Farrell are, you get a real idea that there could have been an early development there of advanced technology that we have in the 19th century already.
You can go back even earlier for when it was developed, of course.
It's interesting with Casey also when he's talking about these.
Things.
And I think that Casey's work is going to get a second life now that the Atlantean aspect is opening up.
And I'll tell you why.
One thing that I've learned over the years associating with the ARE is that they've been afraid of the Atlantis material.
One, because a large portion of their audience is Christian.
And there's something about Atlantis that they thought might offend them.
We'll stick to holistic stuff.
And a lot of the stories, I think, that they bring forward about Casey, they Keep it as kind of new age light.
And the Atlantis story would fit in there, except the Atlantis story is so hardcore because it's got, you know, in 28,000 BC, it has the Atlanteans flying all over the place, flying through things, flying under things, flying through mountains, dematerializing, doing anything that their mind could conceive, you know, and using mental abilities to do it.
And this harkens back to the psychic component that creeps into the whole UFO file redevelopment programs and how that's a key aspect that they needed the ability of psychics to work out what was going on with the craft.
If you really look at the Casey work, then you're going to see that what he's talking about is that they're operating craft on a worldwide grid with all of these various two eye crystal, Firestone.
Power stations.
So, when you get into the idea of could there have been an Earth based program that would have advanced technology where the information was kept from ancient times and that there is a more advanced group that's doing that, it becomes a lot more viable because of the Casey information.
So, I guess my advice to the ARE would be the Casey Foundation is now's the time.
Look, you know, Casey mentioned Atlantis in 900 readings.
It's an incredible, vast piece.
And I don't think that they've Been afraid of his Atlantis material.
And they haven't played it up.
I remember listening, not to the recent leader, but the CEO beforehand, who said, well, maybe his mind slipped on the Atlantis stuff, you know, because if it's not proven.
Well, you know, he said a lot of stuff that took time to reveal itself.
But if he was talking about an older civilization and they've developed and found things like Gobekli Tepe, for example, you know, then the guy's batting average is over 100, as far as I'm concerned.
Yes, Miss Olivia.
Okay.
Sorry, my throat's giving up.
Oh, no worries at all.
I can actually take it over from here if you want.
No worries at all.
Here's a couple of things I wanted to mention to you.
So, we mentioned Paharich in relation to Asuning.
So, there's a crash in Asuning, New York.
Afterwards, Paharich moves there and he sets up in a house this thing called Space Kids where he tests kids' psychic ability.
And this Valerie Ransone, who was in our Special Valerie Gordon Cooper episode in January, which I highly recommend.
You know, this is interesting because she said that she had been part of that program, and she certainly was clued into this whole kind of UFO piece, as Gordon Cooper says in his very interesting biography, autobiography.
So, Paharich there in the 70s is doing the whole thing again, and he's working with people like Yuri Giller and the SRI lab and all the rest of it.
Now, I found out a couple of weird things about that house, which is that it got demolished in 2018.
And they said there was an article that said Austin Home, slated for demolition, has Star Trek ties.
So I looked into this a little bit.
And of course, Gene Roddenberry had a connection with the Nine and this kind of newer version of the Nine and thought he was getting messages from ETs and things.
But apparently, they developed DS Deep Space Nine based on the Nine.
I didn't know that.
And that a lot of it was developed from material that was taken place here through channeling through these psychic kids, space kids program.
Lab 9 was the informal name of Andrey Paharich's research channeling group that some locals used.
It apparently is a reference to the Council of Nine.
The location of the address was 87 Hawks Avenue, Ossining, New York.
The channelings occurred in a specially designed Faraday cage.
Yuri Geller was also associated with a number of paranormal events associated with Lab 9.
Harch were in touch with a civilization that called itself Spectre, for what that's worth.
There was some kind of AI feeling to this, and I forget the name of it now, but there's a brilliant Gigi Young video on it about Spectre and where she brings that up.
She and I had a conversation about that a while ago, and it was really, she really got what they were tuning in with and what they were trying to use Geller for.
Somebody around Reddit was rolling around trying to figure out what was the name of the Space Kids thing, and now.
Valerie Ransone talks about it in the Gordon Cooper book.
So it's on the record there for a fact.
But he found another reference to it.
And I wish I had the guy's name, but he was a Redditor who was in a thread there.
It says finally, I found a reference to Space Kids in a book written by one of Paharich's wives, namely HGM Herman.
The book published in 1998 was titled Memories of a Maverick.
A series of events that had taken place in May 1975 made him decide to start a program with children.
While in England, he'd met several children who could bend spoons, blades, and pocket knives and keys.
He took the kids to Glastonbury Tour.
This experience with the kids was the first time that Paharich thought about a program for children.
The second time occurred two weeks later in Mexico.
Paharich went to Mexico at the request of a Mexican TV station.
As a result of the visit, three boys, Jamie, Jonathan, and Octavio, were so impressive that he decided to invite them to Ossining.
For a summer program, Paharich wrote, I'm now turning my attention to healing work and work with children.
The nine space kids are also there.
So he had this whole thing about communication with entities.
And the development of child psychic abilities is very strange because it goes and reminds me very much of somebody that I brought to the center of attention.
Theosophical Society and Space Kids 00:08:50
About the Theosophical Society because she developed the Theosophical Society with Blavatsky.
And she had been utilized as a psychic between the ages of nine and 16.
And the people who were utilizing her in relation to all this were quite fascinating because they included people in the group like Charles Dickens, Benjamin Disraeli, and he was eventually the prime minister of Britain.
And this is all in the 19th century.
The group was the Orphic Circle.
And of course, the woman was Emma Britton.
But what she had said about the Orphic Circle is that they had used these girls as psychics in that age range, very early teen.
So I was thinking to myself, here was Paharich trying to redevelop the whole thing, but doing it in a location where a UFO had crashed in 1962.
Interesting to me that the Kona name contains a reference to Osening because they could have used a number of different crashes.
But the fact Let's follow those cases very tightly.
Kingman, Arizona, Austin, New York, Nellis Air Force Base, and the Aztec case.
They must all have something in common which relates to the psychic aspect, or else Paharich wouldn't be involved somehow.
So, for me, there's a psychic link with that.
And I know that there's a psychic piece with the Aztec case.
The Kingman, Arizona case, I've been looking for what would be the psychic aspect.
Everyone, you're watching the Dark Journalist Show.
This is Cone of Blue X Series, episode 167.
We're taking your questions.
And we're gonna read a couple of pieces here that relate to the Kingman case.
And I will actually do another episode on the Aztec case coming up because I think it is so crucial and pivotal on this.
While I have your attention, especially if you're new here, please go to darkjournalist.com and sign up for our free newsletter that keeps us completely out of the grips of this censorship.
It's a free newsletter and it lets you know the incredible things that we have coming up for you, which includes documentaries, events, very special interviews, and Uh, incredible X series episodes.
Great crowd in here tonight with the X series.
We're going to do about 10 more minutes with you and then we're going to wrap it up tonight.
Depiction of the Kingman UFO.
Are you ready?
Okay.
Uh, now this is the Fowler part that I didn't get to.
By the way, I found this pretty interesting.
The Marriott has a property there in Hawaii and it's called Kona Blue.
Come on, come hang out at Kona Blue and.
Relax while the UFOs fly overhead.
You know you want to go.
Okay.
Case of the Kingman UFO retrieval was brought to public attention by Raymond Fowler.
And there's a whole piece here on Fowler.
I'm just going to include a couple of key aspects.
One, an engineer who took preliminary measurements to assess the momentum of a crashing craft, measurements useful to any reverse engineering efforts.
The engineer.
Who brought the story to light was Arthur Stancil.
And in the books, in Fowler's books that I read, they call him Fritz Wiener or Fritz Werner.
Stancil graduated Ohio University in 49, was first employed by Air Material Command at Wright Patterson Air Force Base.
Everything seems to go back to Wright Patterson.
The fact that we know about it is an aspect.
The thing that they don't tell you about in these cases is Moon, Pennsylvania.
They've been able to leave that off the record, but that's another ex geography point that we've put on the record.
Now, this is important.
Dr. Eric Wang, who was suspected of leading a reverse engineering team on alien craft, headed the installations division within the Office of Special Studies where Stencil worked.
Now, Wang, we did a few episodes featuring him, and it turned out that it was Henry Kissinger that was his boss saying, I want to know everything about the UFO file 1956, way before Kissinger came to prominence.
But he was working for Rockefeller and a section of what they wanted to.
Put out there to the public or have their own internal research for.
They did a series of programs.
One was on economic development in the US, the other was on race relations and all the rest.
The UFO program was kept off the record and is still, it's like one of those stealth archives that we've referred to on this program.
It is locked up in the Rockefeller archives, the UFO study that Wang did for the Rockefellers with Henry Kissinger as his boss.
Dr. Eric Wang was suspected of leading a reverse engineering team on alien craft, headed the installation division.
The case of the Kingman UFO retrieval was then brought to the public attention by Raymond Fowler.
This is Nick Redfern's account.
A respected UFO researcher in June 1973, it involved an engineer who took preliminary measurements to assess the momentum.
In 1949, let's see, I'm going to skip ahead here.
Stancil told me he was loaned out to the Atomic Energy Commission and was designated on a project engineer on some atomic bomb test referred to as Operation Upshot.
Not whole.
The location of these events was at a Frenchman's flat in the southern end of Nevada test site.
The test director was Dr. Ed Dahl.
Stancil worked for Raytheon in Sudbury, Massachusetts.
How far away is Sudbury?
Not too far.
In the early 70s on avionics systems.
It's unknown as to whether he had further involvement with alien technology, especially since it's likely that he worked for Dr. Wang at some point.
Dr. Wang was an Austrian born graduate at the Vienna Technical Institute and close associate of Victor Schauberg, who had, according to legend, developed a concept of flying discs, allegedly worked on a German flying disc program as early as 1941.
So Wang is his student.
So these things start to open up considerably.
Let's go back and flash back to the Warner account of Paul Mellon and his grandfather.
They have that program by 1945, a football field and a half saucer.
Think about that.
Here's Wang in the early 40s working.
Here's Schauberger working with that German program.
So this could very well have been how they developed it through Schauberger's anti gravity work.
But then this Wang character shows up as his student, and then Wang is redeveloping.
The UFO stuff for us.
Now, this is very interesting for those of us who want to know how much of the UFO stuff in that period is related to just very advanced German craft.
Dr. Wang supposedly examined some of the recovered crash disks and compared them to vehicles tested in the alleged German V7 program, but found that the retrieved craft to be different in nature than the Nazi craft.
So, whatever was crashing, the Aztec crash, for example, wasn't related to Nazi technology.
In 1949, he became the director of the Department of Special Studies at Wright-Patterson, where he worked long hours in cooperation with scientists like Vannevar Bush.
Then he passed away in 1960.
Curiously, Leonard Stringfield, who reopened the case for crash retrievals, mentioned testimony he'd gotten from a naval intelligence officer who had seen bodies from a crash that occurred in the Arizona desert in 1953.
He viewed the bodies at Wright-Patterson when the crates arrived at night aboard a DC-7.
There were five crates in all, three of which contained little humanoids.
About four feet tall.
Their heads were hairless and disproportionately large, with skin that looked brown under the hangar lights.
They were wearing tight fitting dark suits.
It's been suggested by some researchers that these bodies could have come from the crash mentioned by Stencil in Kingman, Arizona.
So, engineer Bill U House, we'll wind up with him, we started with him, said there was a crash of extraterrestrial.
Origin near Kingman, Arizona, in 1953, and that four entities survived.
That would have been six years after the famous Roswell crashes and retrievals of interplanetary craft of unknown origin.
In Kingman, according to U House, two disabled aliens and two more were in good condition and were retrieved by the U.S. government units specially trained for retrieval missions.
Kingman Retrieval of Disabled Aliens 00:03:10
And that's where the whole J Rod story and all that stuff comes from.
Now, it's interesting because I noticed that.
The Betty Hill alien looks, the description of her alien versus what they found, I think is very interesting.
And again, an artistic impression of what the Kingman craft was all about.
And that's what it was discovered.
It's very interesting when you get into what we're talking about dealing with actual beings, because then you get to the point of okay, extraterritorial versus extraterrestrial.
Then, what do the beings represent?
And why is there always this apotheum effect involved with the beings?
They seem super capable with telepathy and all these other things.
But they can also make time stop.
They can do healings, you know, and they can float you through things in order to abduct you.
I remember one of the most interesting things around the whole UFO piece was when I was reading John Mack's cases.
His cases were always different than anything else I had ever read.
His, a lot of his people who came to him were being floated through things.
So, when they had their abduction experience, they're going through stuff.
That's a complete apotheosis thing.
And so, it's the apotheosis idea started to become a foundation in my own mind.
What I'd like to close with tonight, everyone, is the Albert Pike piece.
And what we'll do is I'm going to revisit Pike in earnest around Blue because I have a whole episode on Pike in the pipeline, as it were.
I do want to show this.
This was a shot of Leonard Stringfield, often forgotten.
He's the foundational researcher on crash retrievals and abductions, way before any of these other guys, with a lot of integrity as well.
So I highly recommend going back and rediscovering Leonard Stringfield.
All right.
Yeah, interesting also.
Oh, yeah, for those of us who, just before I get into that, For those of us who didn't see what I was talking about earlier with the counterfeit conspiracy piece with Casalaro, this is the journalist who is, you know, quote unquote, for the Casalaro Netflix series dressed up as Casalaro.
And I think that that's morbid and kind of a sick thing to do, actually.
And also, it deceives the viewer into thinking that they're watching Casalaro when, in fact, It's this other guy who's just like a plant for Netflix.
So I thought that was a weird thing to do in the reenactment.
So here's how we'll wrap up Blue for tonight.
Blue is ongoing, and we've exposed Kona Blue tonight for you.
Blue Degrees in Freemasonry 00:05:22
The Blue Degrees of Freemasons, that is Albert Pike's work from 1888.
And there's a lot, lot in there.
One of the things I found most fascinating reminded me very much of what they do when they pretend to read people into the UFO file.
He said, when somebody becomes an initiate in the Blue Lodge, that they are taught all the secrets, but all the secrets are wrong.
So roll that one around a little bit.
Albert Pike's Esoterica, this is a fantastic book.
It's all about the blue degrees of Freemasonry, and it helped me to understand the steganography around.
Blue and my project Blue book and Blue Gemini and Kona Blue and all of these pieces, how they came to be called blue.
And there's an esoteric aspect to that as well.
It's a wonderful quote from Pike.
There he is in all his glory.
One thing I will say about Pike is he did put a lot on the record.
And I think that we, you know, there's going to be a lot of mixed impressions about.
Pike, no question, but there were things that were boxed up around the esoteric tradition of masonry that he got out there.
And they may have even been upset with him for kind of redeveloping the whole thing.
How many of us have attached any particular significance to the continual recurrence of the number three in the ceremonies of blue degrees?
This is from Albert Pike's Esoterica.
Or been moved by that recurrence to a desire to know why it so recurs and what connection, if any, that number has with the other symbols of the degrees?
Of course, that 33 hanging out right there in the middle.
Of course, Jesus, when he is crucified, is 33 as well.
The numerology is heavy on this.
Numbers, as well as words and things, are symbols.
Blue.
And this number has always been regarded as special sanctity.
It is represented by the triangle of equal sides, and one of the sides, a right-angled triangle, as four.
The numbers of the square, the number of the square, is by another of the sides, and five by another, and seven by three added to four.
The triangle upon the square, with one line belonging to, To both.
In the Scottish and French rites, the cable toe is placed not once only, but three times around the neck of the candidate.
He obtains admission to the lodge by three knocks.
Having entered, he makes three circuits around the lodge, halting while making each at each of the three stations the master of the wardens.
His haltings thus mean three times three.
And just a couple of interesting things he has to say here about blue.
This is Pike.
I have been for some time collecting the old Hermetic and alchemical works in order to find out what masonry came into possession of from them.
I have ascertained with certainty what the square encompasses, the triangle and oblong square, the three grandmasters, the idea embodied in the substitute word, the double headed eagle of the Ankh, the right, the sun, the moon, master of the lodge, and others did.
I cannot conceive of anything that could have induced Ashmole, Mainwaring, and other men of their class to unite themselves with a lodge of working masons except that.
This, except this.
As alchemists, hermeticists, and Rosicrucians had no association of their own in England or Scotland, they joined the Masonic lodges in order to meet one another without ever being suspected, like UFO Bilderberg Cosmos Club.
I'm convinced that it was the men who inherited their doctrines who kept their symbols into Masonry, but kept the hermetic meanings to themselves.
To these men, I believe we owe much.
And then finally, Somebody in speaking about Pike, who was a Masonic expert in those days, looked at his work and look what he came out talking about the blue jacket and how this related in Masonry and the whole costuming.
And he says, When Pike wrote of the blue jacket and yellow pair of breeches, he mistakenly inverted the colors as seen in the text of the catechism.
Have you seen your master today?
Yes.
How was he clothed?
In a yellow jacket and a blue pair of breeches.
Actually, the yellow jacket is the compasses and the blue breeches, the steel points.
Samuel Pritchard, Masonry Dissected.
That's where that book comes from.
So Pike himself was playing around and using, inverting the whole thing about blue there when he was talking about the colors.
And this Masonic expert picked up on that.
I thought that was interesting.
National Guard and Secret Traditions 00:08:10
The last thing I'll say about.
Pike, for now, is that what he's talking about in terms of the blue degrees?
To me, is how exactly we got into the blue space program.
Just like we get the blue piece around the UFO file, how the X steganography comes directly from Vannevar Bush, how they develop X is that way to use and move it through different government agencies comes directly out of a secret Masonic tradition.
That piece in the mystery schools and the blue piece from the Masonic.
Tradition, which has a lot in common, gives you the foundation of why the UFO file and the space pieces were like related directly to the mystery schools on one side and the esoteric mystery surrounding the Masonic lodges.
And with that, Miss Olivia, I'm going to wrap up tonight's episode.
Okay, let me throw this out to you.
David Termina said, DJ, taking your blue suggestion, I came across the new aerospace company called Blue Halo.
They specialize in everything X tech related, especially directed energy weapons.
Oh, that's fascinating.
Of course, well, what's interesting when you think of Bezos and Blue Origin, think of the term origin in relation to what we're talking about.
That's suggesting that our origin has to do with the advanced technology.
You know, that's the communication of Blue Origin.
So if Blue relates to the X deck and the UFO file, and then he's saying the origin, then, you know, there is.
But they really have pushed out Musk forward on that, and they've had.
Bezos hanging out in the background with Blue Origin.
But there's a heavy, heavy duty piece there.
You know, I wanted to wrap up with an interesting email that I got from someone, and it'll bring us into our next episode because it's about Autech.
But anyway, the email reads like this I won't say their name, but I do want to thank them in advance for sending this to me.
And I'm sure this is for public edification.
Okay.
Trump's plane at Autech.
Dear DJ, I am currently visiting my mother in Palm Beach.
As we drove by Palm Beach International Airport today, we noticed the black and gold Trump plane parked in front of a hangar located near the fence next to the road.
My partner noticed that the terminal of the airplane was parked in front of had the word Autech on the side.
My mother said it had always been parked there.
After some research, I learned that this terminal is used for flights to and from Autech.
Perhaps it is used for the president because of the infrastructure security already in place to accommodate him, or perhaps it's something else entirely.
Just an interesting sighting today, I wanted to share with you.
It's very interesting indeed.
And Trump with Autech, the fact that his plane is parked where Autech goes back and forth, yeah, that's pretty significant, especially with him being at Mar a Lago in the hot zone.
Of course, with the John Trump background, it doesn't surprise me a bit.
And with that, Miss Olivia, we have one last question.
Yes.
Okay.
Matakwe Oyasin said Does DJ think the UFO file has anything to do with Project Blueprint, which is an attempt to stop the biological aging process?
I'd have to know more about Blueprint, but it's easy.
What's interesting is with steganography, you can find a way in because it has to be obvious.
Steganography is interesting.
What I've found from it and the way to read it and open it up is to consider yourself as someone looking at it for the first time.
Does it seem maybe out of place to keep showing up around a particular thing?
So, if you start to see all of these projects and they're all incorporating some version of the name somewhat altered, just like they were trying to say, well, Cone of Blue, that's just something that Homeland Security turned down about alien crash retrieval in the 2010s.
But the program goes way, way back.
So, the blue is the aspect to pay attention to.
You know, the acronym. Of Kona is one piece, but blue is the thing that links it to Blue Gemini, Blue Book, Blue Beam, and all the rest of it.
So the only thing I can say about steganography is it starts to open itself up.
Now, there are some things which might have a close name but don't have any association, and you just throw that aside and keep moving.
You don't get stuck on anything.
But if you found something that opens up like that, for example, if Blueprint were somehow engaged in That process.
What was that thing they were doing with Ted Williams where they're freeze drying them?
There are all these companies that are doing that.
And I'm convinced that they have a definite crisscross.
Cryogenics.
It's a complete tie over directly to the space program.
It's undeniable.
So it's not just an AI aspect, it's literally they want the cryogenics for space.
And where else?
It doesn't get any colder than that.
So, but yeah, great questions.
My God, fantastic ideas from tonight.
Just lovely.
And, you know, for me, this is really the kind of conversation that's the very thing with the censorship they're trying to shut down.
So, the fact that we're here tonight talking about these things is very, very exciting.
And I think that Kona Blue, now you've only heard the beginning of what's going to come up about as a result of this, but it's always good when the government has to go on the record about the thing.
And they're trying to blow it off, you know, be like, well, Kona Blue, you know, yes, it was alien crash retrieval.
You know, alien tech crash retrieval, but, you know, it never got used.
So, you know, it's nothing what anybody says about it.
Well, we put it on the record and now they've responded about it.
So that's a huge thing in the public arena.
How that came about certainly wasn't just related to the fact that I mentioned it, but it was related enough.
So I think that we're onto something big there.
And the Kingsman case is going to be very important.
Looking at this because whatever it is they got from Kingsman, that's the thing they've been able to extrapolate out to today.
And with that, Miss Olivia, you're up.
Okay, I do want to ask you this.
So, we had a few people ask whether you're going to do a show on the April 8th eclipse because Texas is already declared a disaster.
Schools are out.
You know, people have been told to get canned food and whatnot.
What do you think is the eclipses are very important?
And I. I'm going to address it as we get closer to it, but there's no question that there's an incredible tie in with X and the eclipse coming up.
But whenever it comes to eclipses or things that are dramatic in relation to cosmic arrangement, remember this.
Think of it like a native culture, like the Native American culture would.
What does it represent to them?
Then we start to get closer to the answers around it.
It is weird that they have National Guard things.
Geared up for that.
But they're trying to activate the National Guard everywhere, aren't they?
But it's just something we're going to keep a very close eye on.
Can I add something to that?
Yeah, sure.
Okay, so Hindus believe you should not ever look at the eclipse.
That's interesting.
Yeah, so I'm leading into that.
I wanted to read one quick thing from UFOs Over Arizona by Preston Dennett, and then we'll wrap it up for tonight.
Stenzel and the Undamaged Crash Site 00:02:45
It was interesting how the case for Kingman kept coming up in little ways.
It would come up in the 50s, it came up in the 60s, and then finally in 71, Fowler got it out.
But this one is interesting.
The next hint of the case was revealed when MUFON researcher Richard Hall in 1964.
Hall spoke with a man soon to be a commander in Vietnam who said that in 1953, a UFO crashed in Arizona.
Four bodies were recovered, and the craft was described as 30 feet in diameter and undamaged.
I could not imagine a less likely hoaxer, says Hall.
The third big break came from the highly respected researcher Fowler, perhaps best known for his work into the Betty Andreessen case.
Fritz Werner, his real name now known as Arthur Stenzel, is one of the only early whistleblowers saying that our military had in possession crashed UFOs.
Stenzel had an engineer manager at the Air National Command in Wright-Patterson in Ohio, which has been named by multiple witnesses and researchers a clearinghouse for UFO hardware.
At the time of the crash, Stenzel was studying blast effects at Frenchman's flats in Nevada when Dr. Wang, who we mentioned earlier, diverted him to a special Project.
Wang explained to Stencil that a UFO had crashed nearby and Wang had been placed in charge of its recovery.
He ordered Stencil to go to the site with a group of about 40 other scientists to assist in the recovery.
Stencil's job was to calculate the velocity and trajectory of the disk based on the structure of the UFO, how deeply it had burrowed into the ground, and the entire blast pattern.
He was taken to the site on a bus with blacked out windows.
He was told to concentrate only on his assigned duties.
And not look around.
Upon arrival, Stansel saw a 30 foot oval object constructed of an unfamiliar metal which resembled brushed aluminum.
The disc was undamaged and had penetrated only 20 inches into the sand.
He saw a hatch about three and a half feet high.
There was no apparent landing gear.
After making his measurements and studying the crash site, Stansel concluded that the craft had struck the ground at an estimated 1,200 miles per hour.
He also concluded that the craft was not human made.
The object was not built by anything, obviously, that we know about on Earth, said Stanzel.
It was more like a teardrop shaped cigar than a streamlined cigar.
That teardrop shape coming up again.
I think that there's a lot in the Kingman case, which is why I think it heads up the Kingman Kona acronym there.
Closing Thoughts on the Great Show 00:05:20
And with that, Miss Olivia, your super chatters are ready.
Okay.
Give me one second.
See, now that the show's over, my throat got.
You sound great.
Okay.
Uh, Eurythmia's Fun, Les Scott, Norman Smith, Thomas Ball, Doreen Hewitt, Fulcanelli, Bella B, Planet Nine, Carol Andrews, C.A. Beverforden, Blazing River, Wolfgang McCarthy, Anani Mouse, Tommy Van Gompel, Debbie McAdoo, and Bo Krills.
Thank you so much for your generous super chats.
Oh, wow, April 8th eclipse, exactly.
Thank you very much, everyone.
It's been great to be here with you tonight talking on Kona Blue and how it relates to our Blue Enigma.
Research.
The Blue Enigma show is part of our Steganography Cinema playlist, and I put that playlist in the description of this video.
And that includes our November 22nd JFK 60 Blue Enigma show and the show that we did on Apotheum, the UFO file Wars, which we just released in February.
And I did a combination of both of those a couple of weeks ago.
So that one is very interesting and has a lot about NASA psychics and even some Steiner in there.
We're doing a very important presentation for you, and that's coming up on May 3rd.
Watch for that one, a two hour presentation The Craze and the Hot Zone.
This is the Atlantis story.
You don't want to miss it.
I'll do a couple of shout outs before we leave here tonight, but what a great time we've had here with you.
Joseph's out there.
It's great to see you, Joseph.
Lots to talk about.
Bo Krills, he says, smash that like button.
He's got the right idea.
Destroy the algorithm.
There you go.
Exactly.
Tina Boric, you rock.
Thank you, Tina.
Najat, it's great to see you.
Great show.
She says, thank you.
Roosevelt, another great show.
DJ and Olivia Wings Girl.
Yes, Olivia did great.
Congratulazioni.
Bella B, be safe, healthy, and free.
I like that a lot.
I like it a lot.
See you all next time in the ideas room.
That's next week, next Friday.
We're back at you.
And I am going to do some kind of emergency broadcast to the Bobby Kennedy campaign not to choose Aaron Rodgers as his VP.
What a disaster.
Whoever gave you that advice, fire them on the spot.
Who, you know, this quarterback, New York Jets quarterback?
What's going on there?
Bobby, you're supposed to be the savviest guy in the room.
What's going on?
Danny Warren?
Yes.
Roger Claiborne?
It's great to see you out there.
Let's see here.
Thomas Bell.
Let's see.
Robert Scott, thank you, DJ and Olivia.
Red Cap Goblin, still alive.
It's good to hear.
Jennifer and Bucks, thank you, DJ and Olivia.
Fantastic.
Mr. Wolf, great show this evening.
Thank you very much, sir.
Do a program on Moo.
Wow.
Well, you know, you'd have to get into the really good stuff for Moo Lemuria.
But it could be done.
It could be done.
Emily Little, Thomas Ball, fantastic.
Excellent.
Planet Nine.
Thank you.
Nines are really fitting in tonight.
You know, I was reading about John Lennon and his numerology fascination for number nine.
Number nine.
Very interesting indeed.
Thank you, DJ and Olivia.
Djibouti Adeen.
Thank you very much for being here.
Golden Girl.
Love you guys.
Wow.
We love you too.
Don Nguye.
What is it?
Craze almost took over the Beatles.
Gonna have to explain that one.
I've never done research on the craze, but I do know about Diana Doors.
Oh, yeah, yeah, yeah.
Oh, right.
Sex parties.
That's it.
Yeah.
But the craze were a part of that.
Bo Krill says, Exorcist.
Yes, boy.
That one.
Watch out.
That's gonna be a great one.
Blue Man, Debbie McAdoo.
Indeed.
How about Jesse Ventura?
I don't think, you know, if he's trying to appeal to young people, Jesse's in his 70s, right?
So that wouldn't make sense.
Les Scott, thank you, Daniel and Olivia Wingsgirl.
Great show.
Lisa Davis, wonderful show.
Blue Moo, that's it right there.
That takes the cake tonight.
We will see you all next week.
And of course, you're going to be hearing a lot more about Kona Blue and Blue Enigma and all of the different pieces around this.
We'll have a special report for you, a broadcast directly to Bobby.
See if we can talk him out of that and never let it be forgot.
Once there was a Camelot, and whether it's Bobby or not, it's Camelot can be again.
And Daniel Foster, great show, DJ and Olivia.
Thank you very much, sir.
We'll see you all next week.
And, you know, it says end broadcast, but after all, Never really ends.
It never really ends.
Thank you very much, everyone.
Lavender blue, dilly dilly.
God bless everybody.
Have a great night.
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