Dark Journalist Daniel Liszt and Olivia dissect a conspiracy linking Dr. George Hodel, the Black Dahlia, and Michelle Phillips to supernatural eugenics via the Human Betterment Foundation and Lewis Terman. They allege CIA manipulation of pop culture, sex magic rituals involving the Orphic Circle, and the suppression of sacred feminine energy through MKUltra-style tactics. The hosts connect these events to anthroposophy, Golgotha symbolism, and a broader struggle against censorship, urging listeners to resist digital control via "Cash Fridays" while maintaining spiritual evolution against authoritarian overreach. [Automatically generated summary]
Transcriber: CohereLabs/cohere-transcribe-03-2026, WAV2VEC2_ASR_BASE_960H, sat-12l-sm, script v26.04.01, and large-v3-turbo
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Hollywood's Dark Eugenics Story00:14:56
And we are live.
This is Dark Journalists.
It's great to be with everyone tonight.
What a fantastic crowd already.
And of course, I'm joined by the lovely Olivia.
Hi, everybody.
And Olivia, you know, President Biden came out and said 350 Americans have.
Was it 350 million?
Yeah, 350 million Americans.
That's more like it.
Have received the vaccine.
Well, that's interesting because there's only 330 million Americans in America, period.
So this is very interesting arithmetic.
Maybe.
Some of the underground bases are getting threatened.
Think about it.
This is interesting.
It's great to be with everyone here for X Series 105.
And this one's going very deep because we're talking about female targets.
And we did an episode of Female Targets featuring Vicki Morgan.
And, you know, there was a lot in that episode, and there's more to come even around that story.
And what's going on really in these episodes is we're looking at how these deep state targets show up.
And when they're female, they deal with them very differently.
And also, those cases aren't as well known or as well investigated, frankly, but they are heavy with meaning.
And in this case, we're going to go into an even more obscure area, which is we're going to talk about astral targeting, which is what's going on in a kind of supernatural sense.
And I've picked out this case of George Hodel and.
The thread goes deep through his daughter to Michelle Phillips.
And then, if you go further back, all the way back to Stanford and the founding of Stanford and the eugenics movement.
And as we look at these things and go deep, we're going to find ourselves faced with the very heavy case of the Black Dahlia murder as well.
So there's Hollywood here, there's intrigue here, there's deep state here.
But in this particular episode, we're going to talk almost about a kind of a supernatural.
Stalking force.
And I think it's very important that we look deeply at the people who were in the Cosmos Club episodes because they reoccur here in a different role.
And here they are again, and always coming under this eugenics umbrella.
So this is going to get us deep into the female targets, too, which is supernatural eugenics.
There's a Hollywood story here, there's a Michelle Phillips story here from the Mamas and the Papas.
And there's a kind of supernatural force that is trying to involve all these people in its doings.
And when we go through it, we find it comes into everything from the movie Lolita and the lead actress, Sue Lyon, who was a good friend of Michelle Phillips, all the way to the pop music industry and beyond.
And that's why tonight is going to be so intriguing.
And I have to tell you, in researching this, I don't think there's anything that is less explored than the supernatural aspect on this.
I think that it's been a big missing puzzle.
And I think that some people have done an incredibly able job exposing Hollywood and exposing some of these cases and the deeper links.
But they're all kind of hanging out there with their mouths open at the end, thinking, what was it all about exactly?
And that's where the supernatural piece is going to come in extremely handy.
For us at this time.
And I want to also remind you that in the second half of the broadcast, we're going to be taking your questions, and Miss Olivia will be putting those together for us.
And how's the temperature out there?
It's already excellent.
Yeah, I already said questions.
I happen to think that, you know, when we get into this area of the early eugenics movement, it's also quite fascinating because we're looking at all of the things we're talking about every day.
We see these scientists like the Fauci's, et cetera, coming out, and we can see them very much in this mold of the David Starr, Jordan.
And also, Lewis Terman, who we're going to get into right off the bat.
These characters might, at first, we might look at them and say, what do they have to do with Hollywood or Michelle Phillips or the Black Dahlia murder or Hodel or anything?
And I'm going to show you how that thread goes directly from Stanford and IQ tests and that level of eugenics directly into these different fascinating cases.
So let's start off actually with Lewis Terman.
Unless you have something there.
Okay, good.
Now, Louis Terman has shown up in about five to six different X series episodes.
You're going to see the Varian brothers show up here tonight.
Well, it's Terman's son, Frederick, who found Silicon Valley and uses the Varian brothers to do it.
The Varian brothers had really developed the very early processes that they use at CERN now for smashing particles, the particle accelerators.
And as a matter of fact, they were selling a portable one in 1936 that scientific groups could order.
There were also early radar developers, and the very which we did a couple of episodes on, which was a foundational temple by the group in America of the Theosophical Society that split off from the Besant group.
And we remember also what's going to come up tonight.
Themes from earlier episodes in here tonight.
It's fascinating because the Orphic Circle, which was the early 19th century group that used mediumistic trance to channel, and that's where we get the whole Alice in Wonderland, you know, using these teenage girls to channel these messages.
Well, it's interesting because in that case, we had all of these statesmen and journalists and writers and people deep in that group working with Charles Dickens and people like this, Bulwer Lytton.
And there was a kind of benevolent thing to it.
They were trying to learn about life.
They were trying to learn about the processes behind what we see physically, and they were penetrating into a deeper reality.
I think what we're going to see in this episode is the inversion of that, which is that process being used in a far more pernicious fashion.
But the Varian brothers are unique in this case, which is they were part of the foundation of Silicon Valley, and it was Terman's son.
Who did it?
But Terman himself, being part of something called the Human Betterment Foundation, which was this let's have better eugenics no matter what and create a better race.
And, you know, they were really early with sterilization, for example, things of this nature.
And this got really covered over when Hitler, you know, got influenced by these people and really put his plans into action.
Right.
A lot of people think Hitler came up with this idea.
No.
Well, if you look at it, in the 20s and the 30s, the Rockefellers were all over.
This.
And we know Planned Parenthood and a number of things of that nature came out of this also.
And those were all eugenicists.
And there is, you know, these foundations in the UK and in America are still very active, as is in Germany.
But we see now, even with the kind of medical tyranny thing that we see going on, this is the aspect, this is what it's graduated into.
Let's get a little bit on Terman.
Louis Terman was an American psychologist and author.
He was noted as a pioneer in educational psychology.
He developed the IQ test.
And, you know, we use it as such a bedrock now, but what he was trying to do was say, oh, this is good stock.
This is stock that isn't so good.
These people have a 90 IQ.
They're not qualified.
We want to breed more of these higher IQ people.
So incredibly knowledgeable, but also, you know, sort of playing God in that sense, as we know, as we've seen this before.
And he was on the faculty of Stanford University.
He's going to become important in this story.
But one of the people that he was on the Human Betterment Foundation with also was David Starr Jordan.
Who showed up in the second episode of the Cosmos Club exposes that we were doing just last month?
Now, what's interesting about this is that Star Jordan has all these unusual connections to the work of John Wesley Powell and all of the Grand Canyon strangeness that we alluded to.
There's also a thread in here of Native American wisdom.
These guys become very familiar and fascinated with Native American wisdom.
And as we go into this story and we start to pursue, George Hodel, who is this kind of very powerful villain, we're going to see that he also has a lot of this Native American folklore in his background, and we're going to put things together.
But the thing about Jordan that grabbed me, and I wasn't quite sure what to make of it when we did the episode on the Cosmos Club, was I understood his role in the eugenics part, but there was something about his role in covering up the murder of Jane Stanford.
Who was one of the grand dames of the foundation of Stanford, along with her husband?
And for a while, it seemed like an odd thing to be sort of in his past, in his background.
And I was trying to figure how he was associated with this.
But what happened basically is she went to Hawaii and she ended up being poisoned.
But then he went personally to Hawaii to oversee the case and to get a medical examiner to work on it.
To say no, it wasn't actually poison, it was just that she died of a heart attack.
Later, in fact, letters would come out to the effect that Jane Stanford was looking at removing him from Stanford because of his eugenics research.
So she was definitely in his way.
Whether or not he had anything to do with her murder is an open question.
But here we have a very early connection of these eugenicists in a murder case.
So, the role in apparent cover up of the murder of Jane Stanford.
In 1905, Jordan launched an apparent cover up of the murder by poisoning of Jane Stanford while vacationing in Oahu.
Stanford had suddenly died of strychnine poisoning, according to the local coroner's jury.
Jordan then sailed to Hawaii, hired a physician to investigate the case, and declared in 1931 that Jordan had died.
He got into this whole thing saying, No, no, it was just all natural causes, et cetera.
But that little piece stuck out for me.
And when I started to compare notes along the lines of Dr. George Hodel, who we're going to get into in a minute here, and Star Jordan in this weird case, I started to see similarities.
And then the eugenics part brought them both together.
So we're going to see, as we get into Hodel, we're going to remember Star Jordan and Termin in relation to him because they both show up in his life, interestingly enough.
Everyone, you're watching the Dark Journalist series.
We are here in X Series 105.
This is Female Targets 2 Supernatural Eugenics.
And there's a Hollywood story here.
There is a really deep astral story here about a group that operates completely in astral form.
And we're also talking about very deep elements on the secret society side and right and left hand mystery schools.
But on top of it, you've got all these deep state operations, and we'll find out that this Hodel character I keep referring to is, in fact, very deeply involved with the deep state.
He will find himself in roles in the UN and China and all these other things while also being accused in the high level cases like the Black Dally case or in the incest trial of his own daughter.
So, very serious indeed.
In fact, as we'll learn, His son, Steve Odell, who became an LAPD detective, decided to look into all these allegations and came away more convinced than anyone that his dad was, in fact, involved in those crimes.
So, we're going to go deep into this.
This episode is actually a two parter because there are so many different threads and levels, and we're going to get as much into it tonight as we can.
And then, again, on the second half of the program, I'll get into your questions.
I want to remind you to go to the Dark Journalist website at darkjournalist.com.
Sign up for a free newsletter there.
That keeps us in touch.
We recently ran a three part series with former Assistant HUD Secretary Catherine Austin Fitz, a favorite here and just a close ally of the show for years.
The work that she's doing now is more phenomenal and needed than ever.
But those episodes are there and they're not run on YouTube.
We did a 17 minute kind of mega clip of all those episodes for YouTube.
But there's a real hammer of censorship coming down after Fitz, and she's just kind of showing up, showing up, and they're So, if you want those episodes, make sure you're in that newsletter.
And of course, the episodes are free and available to the public.
But yeah, Fitz, huh?
Amazing.
This is her time.
It is indeed, unfortunately.
Well, her message is resonating stronger than ever.
I think that's why they're trying to slow her down.
We also will have some incredible events and things coming up for you, along with some great episodes of the X series and just.
Phenomenal interviews coming up for August.
So make sure you're on the newsletter.
The Astral Camera Club Mystery00:15:21
Okay, before we go any further, the Human Betterment Foundation.
This is something that we need to become familiar with.
It was mentioned again in the second episode of the Cosmos Club X Series episodes.
And just a quick overview the more I look into this foundation, the stronger it seems their involvement.
And we're going to find more, we're going to reveal more from this investigation.
The Human Betterment Foundation was an American eugenics organization established in Pasadena.
Note Pasadena, it's going to be crucial to this entire episode.
In 1928, by E.S. Gosney and Rufus von Kleinschmidt, with the aim to foster and aid constructive and educational forces for the protection and betterment of the human family in body, in mind, character, and citizenship.
Well, it sounds pretty noble there.
It's interesting how you get to concentration camps from that.
It primarily served to compile and distribute information about compulsory sterilization legislation in the United States.
In fact, there were thousands of sterilizations based on the recommendations of the foundation.
The initial board of trustees were Gosney, Harvey Robinson, a LA banker, George Dock, a Pasadena physician, David Starr Jordan, chancellor of Stanford University.
Yeah, after Jane Stanford died under interesting circumstances, and he tried to cover it up.
Charles Goethe, Sacramento philanthropist, Justin Miller, dean of the College of Law, and so on.
But Louis Terman is the one I wanted to get to, a Stanford psychologist best known for creating.
The Stanford Binet test of IQ.
Again, when we are looking at these characters, Terman is going to be very crucial.
And they also, all of their archives, everything that they developed over the decades that they were operational, are all at Caltech in Pasadena in the Special Collections Department.
Now we know Caltech, we should keep in mind early NASA, let's put it that way.
Then we should say JPL, because the Jet Propulsion Laboratory.
But who else does that lead us to?
Jack Parsons, also very occult, also very involved in this kind of strange nexus between science and the occult, and especially on the dark occult side in the case of Parsons.
But I would say this that I think.
We're seeing an overlap here in Caltech, and when we get some of the clues about those who are associated with Caltech, we'll start to understand why the secret space program and these aspects became so bizarre, and how the aerospace aspect of the deep state became the dominant feature that it is now, with Lockheed Martin and other military contractors running so much of the things that we see now.
So, this is crucial for us to keep in mind just as the background Caltech, Pasadena.
These are the kind of pieces, the breadcrumbs that are coming together.
You might remember that David Starr Jordan, I showed the astral cat, if you remember, but he was involved in something called the Astral Camera Club.
Okay, this is 1895, very, very early on, and sort of an offshoot of these kind of Theosophical ideas.
The idea was that a group there at Stanford could concentrate in this Astral Camera Club on an image and produce it.
On the actual film, just by projecting it without the camera being much involved.
So, in fact, that's the picture of the Astral Kitty there.
And the pictures are remarkable and they worked so well that what happened was it had to be dismissed as a hoax later because they wanted to keep on doing this research, but the public got very freaked out.
And there were all these different questions about it.
And then the university moved in and said it's starting to look like it's not reputable.
And so you're going to have to call it a hoax, which they did.
Years later, things like Kerlian photography and the strange case of Ted Serios, for example, proved that this ability existed, where he would be able to concentrate on a camera and project an image of the Eiffel Tower or the Sphinx, something along this line.
So these were strange suggested abilities and what they could be used for.
I recall lectures of Rudolf Steiner where he talked about clairvoyant vision.
And how they could look at an audience that had gathered for theater and see the kind of clairvoyant impact that it was having.
So it's kind of an extra vision.
In Theosophy, they talk about thought forms.
What does the thought form look like when someone is angry, for example, or when someone appreciates something?
Someone has a great appreciation for flowers, for example.
There's a whole range of clairvoyant vision around this beyond what we see.
So the Astral Camera Club gives us an idea that.
Some of these characters, like Terman and Star Jordan, who are involved, have that understanding.
They're coming in through the mystical door on this, which means they're part of that awakening of the mystery schools in the 19th century.
And then when they go into eugenics, then it's not just the scientific side.
They know they're looking also into involving a supernatural aspect, and that's going to be crucial as we move forward.
I'm going to jump ahead here to give us some perspective, and then we're all going to meet in the middle on this.
But I put up actually on our Twitter feed the All the Leaves Are Brown, All the Leaves Are Brown.
And this is an incredible super group from the 60s, the Mamas and the Papas.
And they produced some of the most classic 60s, Summer of Love kind of stuff California Dreaming.
And pretty much everyone knows who they are.
And there were a lot of interesting little scandals, of course, involving John Phillips and the band in general.
And Michelle was kind of the young breakout of the whole.
Group along with a mama Cass, who was a phenomenal singer and became the most popular solo artist of the whole group later before she died in the mid 70s under kind of weird circumstances in the home that Jimi Hendrix died in.
So, very strange indeed.
But what's interesting is the number of things that the mamas and the papas were around have been looked at at times.
There have been researchers who are like, huh, looks like there was like CIA influence around Jim Morrison and a lot of these 60s stars and 70s stars.
But the 60s Summer of Love, it seems like there were all these intel communications and the explorations on Laurel Canyon have been interesting and have gotten into different interesting aspects around the CIA manipulation of pop culture.
People like Mae Brussel did great early research on it.
Later on, the late Dave McGowan did the Laurel Canyon.
A lot of them crisscross, just like this author who just did this book called Chaos about the Charles Manson.
Case, they crisscross around there because there are a lot of unusual figures who are involved, including psychologists and people who are experimenting on the public with acid and other mind altering drugs.
So there's this whole aspect coming into the culture, and we're seeing some of the doorways are the groups themselves.
Now, I don't want to suggest that the groups themselves are consciously involved, and I think it's a mistake that has been made by a lot of researchers to be like, Oh, well, you know, the Beatles were evil because some shadowy group in the background was controlling them.
I mean, I think that the work that they did was manipulated.
But the genius of these people getting together and producing these things, I don't think, can be called into question that way.
And I don't like the kind of historic revisionism that takes place when someone does that.
But I do feel a need to go a little bit deeper about how these things happen.
So I think I want to keep it on that tip more, if you get my drift.
Everyone, you're watching the Dark Journalist Show.
This is X Series 105.
We're looking at female targets tonight, and this is Supernatural Eugenics.
We're going to be going deep now into the Mamas and the Papas and what is going on here with the rise of this group out of nowhere.
Their first show, in fact, was at the Hollywood Bowl.
So there's no buildup for this group.
They were in earlier groups where they had a busk and they had to do the New York folk scene, and a study of them individually and You know, the bios and the things that they have available on them are very interesting.
And they're an incredible, you know, it's an incredible biography of these people putting these talents together.
But I think in the case of John Phillips and Michelle Phillips, and then later, of course, Mackenzie Phillips, there's something else operational that's going on in terms of how they're being put into position, probably being put into position to be used large scale to influence the culture.
And I would say largely, probably close to 100% without their knowledge, as is the case with many of them.
And one of the things that I liked about Mae Brussels' work in the 70s and 80s, looking at the deaths of rock stars and things like that, is she wasn't about villainizing the rock stars or villainizing the pop stars or villainizing the celebrities.
What she was trying to do was figure out who was, you know, kind of the marionette in the background and then who would get rid of them when they got to a point where they were too independent, you know.
I think this story about Britney Spears and the conservatorship and the like, you know, she has to wear a chastity belt and can't have a child.
I mean, these are bizarre, bizarre things.
And it's just, it gives us a glimpse of that world of control and its endless revenues and endless control.
And the CIA is deeply involved in that.
And they do participate in assassination of pop figures and they have all the way since the 1950s.
So there's a huge.
Piece there, all the way back to John Belushi, John Lennon, you know, all of these different figures in entertainment.
There's always Sam Phillips, is another one.
So when they want to take the public in a different direction, they will do that.
If they have characters in their way, you know, sometimes, yes, somebody is just kind of a waste case and dies of an overdose.
You know, it does happen.
There's no question about that.
But then in other cases, it seems very unusual and it seems very consciously done.
So when we look, for example, at Michelle Phillips, I think the big key when people have been trying to figure out things about the mamas and the papas and some of those influences, which are very unusual, and there are even in their bio, there's some supernatural things.
For example, the mamas and the papas, before they become big and famous, go to an island in the hot zone.
As a matter of fact, I was preparing an episode called The Mamas and the Papas in the hot zone.
And you'll be hearing more about that.
But what happens is they go down there and The governor's nephew starts to hang out with them and thinking that, oh, you know, this is a bad deal, let's get them off this island.
They go to kick them off the island and supposedly they have no money to get off.
And Michelle Phillips gets this incredible idea let's go into this casino and let's roll for money and we'll get the money.
So they go in there with $20 and they come out with $3,000, which is just good luck, of course.
And yet $3,000 in 1964.
I mean, this is incredible money.
And the fact that she had that instinct and everything else.
There is something.
Yes, absolutely.
So, you know, if you look in those bios, you'll see these little threads like that.
And there's unusual things in the story of the mamas and the papas, including the fact that when they're on that island, Mama Cass shows up and she has this big jar of acid.
And what's funny is, if you look at the years, acid isn't really in circulation yet.
And it's only certain types of dentists and people like that who have it and have access to it.
Or central intelligence people who developed it in the first place.
Dentists are going to show up here in a very interesting way, but it'll be dentists that they will use to dose people like John Lennon and Bob Dylan and the rest.
But opening up that psychedelic wing of the culture, when they knew the culture was moving in this peaceful exploration thing, there's a huge distortion around hallucinogenics.
You know, the kind of mainstreaming of hallucinogenics and taking away the sacred experience, making it like, hey, have fun, you know, be part of the groovy, crazy 60s and all that kind of thing, kind of taking away the sting of the idea that, you know, the hallucinogenic plants, the native cultures understood, put them in touch with higher visions and things like that.
So making it kind of a recreational, let's do it for profit.
And I'm sure that those early intel agencies, including collecting all kinds of money for this stuff, were getting incredible.
Data about how people respond, which is what they were looking for in the first place.
And in fact, we learned later that the Central Intelligence Agency was set up these large apartments for hippies to hang out in and do acid, and they would be behind the different things with hidden cameras, watching them, seeing the reactions, and all this kind of stuff.
So, really, there's a huge story there to be told.
But in the case of the mamas and the papas, if we go just a few years back, From when they shoot off the charts.
The other thing is when they get off that island, they go to New York, they write these incredible songs, they drive to LA, they show up in this big producer's studio, Lou Adler, and they play him the songs, and they are like, it's all the hit songs.
And the guy wants to sign them on the spot.
And that's what happens.
So as soon as all that stuff happens with the, you know, when they're in the casino and when they jet out of there, boom, it's Easy Street from then on out.
Michelle Phillips' Traumatic Upbringing00:09:20
So I found that just to be an interesting kind of pop music story.
But when you go a little bit deeper, And back into Michelle Phillips' career, you will see that she has an unusual childhood.
In fact, she is with her sister and her mom living in California, and her mom dies in front of her of a cerebral hemorrhage.
And this is a very arresting experience that she has when she's about nine.
And what happens is the father takes the family very obscurely to Buffalo.
And so there's Michelle Phillips, her sister, and her dad in Buffalo.
And then, out of the blue, he takes them back to California, but at this time, instead of Long Beach, he goes to Pasadena.
And Mary is in Pasadena, and what's going to happen is he will go down to Mexico City to the University of Mexico down there.
He will take Michelle, and she will actually speak Spanish and live in Mexico for seven years, and then they'll go back to Pasadena.
So, by the time she is 12 years old, she is, you know, very multilingual and she's musical.
And she meets her sister's friend, who is Tamar Hodel.
And Tamar Hodel is going to be a deep kind of influence on her for her whole life.
Tamar is very interesting because she's MK adulterated to the max.
And this is the interesting thing that we're looking at here.
So, Tamar will, this is her later in life, but when she's youthful, she goes through a series of unusual experiences because her father is Dr. George Hodel.
And he is starting to become someone in society there in LA.
And he becomes very close friends with John Huston, the director.
And they're starting to be this kind of nihilist group, heathenistic ways.
There's rumors of orgies and all kinds of bizarre things.
And then they start attracting interesting characters, like Man Ray starts hanging out and Anais Nin, for example.
So, in fact, Tamar, her middle name is Nice.
So it's just like the same.
Anais.
Yes.
And if you think about it, But hers is starting with the N.
So, how would you pronounce that without the A?
Probably Naïs.
Naïs, yeah.
Tamar Naïs Hodel.
But you can see that even in her name, and I'm going to go into actually Tamar's name.
But before she, what's going to happen is she's going to meet and befriend Michelle Phillips, and I'm going to read the account, in fact.
But what it is that is so fascinating in this case is that she actually will become her surrogate mom.
And she will take her to San Francisco at the young age of 15 and live with her there in a lavender apartment.
And she drives a lavender car.
And so there's this strange, you know, kind of association with color.
But then when we go back, we're going to find that it's Hodel that paints these rooms chartreuse, for example.
And, you know, so he does all these things with colors as well.
How much older is Tamar than Michelle?
Oh, she's, well, she's twice her age.
Okay.
So she's in her early 20s, probably about 24, when she meets Michelle at 12.
Okay.
Yeah.
But just a little pinch of her history she was involved in a trial because she had accused Dr. Hodell.
We're going to meet in a moment here.
That's actually Dr. Hodell.
Dr. George Hodell was kind of the villain of this story, but he's actually an interesting piece as well.
And remember that I told you there's a Caltech connection here and a Terman connection.
He's going to become a prodigy of both.
But what's interesting about this case is she diagrams Hollywood sex orgy.
So she is going forward at 14 and saying, My dad incested me, and then he used me as a puppet at all these Hollywood parties, and he was having me do all these things.
And what's going on here is incredibly deep, which is that she has this incredibly.
You know, kind of tragic disposition growing up.
And she is in the clutches of this abuser, which is her dad.
And her dad and her mom have divorced, and she went, in fact, to Pasadena to live with them.
So it gets very dicey indeed.
And what happens is they do, in fact, arrest Dr. Hodel.
And Dr. Hodel's defense is actually quite unusual because he says things like, I'm not sure if that happened or if it was a dream.
Or am I in a dream?
And his, you know, everything he says on the stand is so bizarre.
If you read any of the transcripts, you're like, huh.
One of the things I found interesting, actually wrote it down, is he says, oh, I was just exploring the mysteries of sex, literally, at his own trial.
Interestingly enough, he gets off and Tamar gets thrown into juvenile hall.
Which will really set her up for more trauma, in fact.
And she will eventually have a child, which she will give up.
And then she'll move on into this kind of bohemian lifestyle.
But somehow, there she is.
She shows up in the middle of Pasadena, out of nowhere, as Michelle Phillips' best friend.
Now, Michelle Phillips, the way that she describes it.
That's a great picture.
That is a really fascinating Vanity Fair article.
And I have to say, they did an article in 2009.
It's too bad they can't do articles this well anymore because some of their earlier articles, like they did in the 1980s and 90s, and this one from 2009 were quite remarkable.
Much more edgy.
They would actually take the time to research things.
Now everything is just woke suggestions.
Let's go after the governor of Florida, right?
Because he cares about freedom.
But there's a lot in there about the band and everything else, but there was only one section of that interview that really got my attention.
And I think it's a big kind of key to what's going on here with how Michelle was supposed to be set up and what they were supposed to do with her, which I don't think they were able to do.
And I think that she escaped part of the programming, which we're going to get into.
I want to talk a little bit about her dad here for a moment because there's a strange piece here.
Because, in fact, Tamara will end up dating her father, being something like 30 years his junior.
So, what Michelle says about her dad is, My father was six foot three, dashingly handsome, and so unflappable, nothing could rattle him.
Michelle is saying, sitting in her picture windowed living room in LA's leafy off the status track, Cheviot Hills.
In pride of place on the coffee table is a photo album of her three grandchildren, daughter Chyna.
And actor Billy Baldwin, and we also know that her stepdaughter is Mackenzie Phillips.
So, Gill Gilliam, her dad, a movie production assistant and self taught intellectual, was all Michelle and her older sister, known as Rusty, had after their mother Joyce, a Baptist minister's daughter turned bohemian bookkeeper, dropped dead of a brain aneurysm.
Gill took the girls to Mexico for several years and then back to LA, there as a county probation officer who smoked pot and never made a secret of his love affairs.
He would eventually marry five times.
He seemed to model the axiom hedonism requires discipline.
My father had very few rules, but with those he was steadfast clean up your messes, be a good citizen.
The code stuck.
I've never been late for a day of work in my life.
I refuse to ask John Phillips, her former husband, for alimony.
I've never been in rehab.
Tamar Coaches the Lolita Role00:14:22
It's quite extraordinary considering all the drugs she was around in the 60s.
But the young Michelle needed more than a male guide.
In retrospect, she says, I see that I was looking for a girlfriend mother figure.
In 1958, she found for her sister's boyfriend a 23 year old who had an unsurpassable store of harrowingly acquired female survival skills to impart.
And that is, in fact, Tamar Hodel.
Tamar was one of six children by three different women of what they say in the article is the most pathologically decadent man in Los Angeles, Dr. George Hodel.
That's what Dalhousie we've been talking about.
The city's venereal disease czar.
This is a very interesting key.
Is that his title?
Yes.
And he's also the head of the program for social hygiene starting in 1936.
So, in other words, he knows everyone's dirty secret in LA.
And we have that huge Hollywood entertainment machine.
Even back then, of course, it was very powerful.
So, he's got access to those secrets.
And as a doctor, he's trained to do abortions when they're illegal.
And he's also trained to treat.
STDs and also to cover it up and to blackmail along the way.
In fact, one of the reasons that people say he got off in the trial of incest against his daughter is because he had so many of those different people in the LA court system under control.
Oh, he had put on everybody.
He had his own control files.
Yes, absolutely.
George Hodel shared with Man Ray a love for the work of the Marquis de Sade and the belief that the pursuit of personal liberty was worth everything.
Possibly even for Hodel, murder.
What had recently come to light by way of two startling investigative books, Blockdalia's Avenger by Steve Hodel, who is Hodel's son who investigated him after his death, and another one called Exquisite Corpse.
I haven't read that one.
I read the first one.
Is that George Hodel was a prime suspect in the notorious Blockdalia murder?
In fact, and this is a classic case of Elizabeth Short, and she was from Medford, Mass.
And she, in the 1940s, went to seek the footlights of Hollywood, and she became a classic murder mystery because she was killed and disfigured in this strange position, and it became like a whole wave in Hollywood.
But what's fascinating to me about that whole story is that it's not explained very well, and how the case was just dropped.
And so Steve Hodel went back into it after 60 years, basically, and he figured out it was actually his dad's influence that got the case killed in the first place.
We're going to find out that Hodel, in fact, after being accused and even them tapping his phones and bugging his house, after that, he goes to China and he works for the UN and he just becomes a non person and he gets himself out of it and he has help at a very high level.
How do you get somebody?
Over to China and under the umbrella of the UN.
So, this person, as we get into him, we're going to understand we're dealing with a very, very deep figure.
Everyone, you're watching the Dark Journalist Show, we're going deep here on female targets tonight.
This is Supernatural Eugenics.
We're going to be taking your questions in the second half of the program.
And this is a two part episode because it is sprawling beyond all belief and we could not fit it into the next three hours.
In a way, this is kind of the ultimate episode.
It is.
The episode that is connecting all the dots of everything you've done up to this point.
It does.
There's so many threads in this episode.
And, you know, I've always found that doorway of entertainment as an interface to be fascinating.
And when you see that there's something that is supernatural that's moving these people into position, that's when I really feel like we have to look at things a little bit differently.
And I actually appreciate.
Looking at things from a straight deep state CIA angle and finding out what those people were involved in, or a straight mafia angle, and things of that nature.
And then when people look at Hollywood and they're just looking for the kind of Illuminati symbolism and stuff, even some of that is quite fascinating.
What I'm seeing here, though, is something that is almost a spirit of a thing.
And that's what I think the connection to the eugenics aspect and then the connection with things like the Astral Camera Club and these secret societies who do these things.
Going all the way back to the Orphic Circle, which is a much more benevolent version of this kind of research.
Remember, when you get into those groups, you've got right hand and left hand schools.
And according to Rudolf Steiner, the man who developed spiritual science, you also have extremely right hand groups and extremely left hand groups.
So there are variations even in how this works.
But I think that if we don't look at the supernatural aspect, Of what happens in these cases, then we don't get the full thrust of the whole thing.
And I think that that's really a crucial piece.
I think with Hodel, we're going to find the intermix and then how that, through his daughter, ricochets out into the life of Michelle Phillips.
And it's quite fascinating as we go a little bit deeper into that.
So let's just catch up to their first meeting.
Without knowing any of this, that is, Michelle Phillips and Tamar Hodel, without knowing any of this, The 13 year old Michelle Gilliam, which is what she was then, walked through Tamar Hodal's porch into a room decorated all in lavender and beheld a sultry Kim Novak look alike.
I have some pictures actually that I will pull out for you on her, but it is quite fascinating because she looks like someone, even from an early age, who was programmed out.
And by the end of her life, she looks like somebody who has really been hypnotized so deeply that she's trying to recapture the memory, she's trying to recapture who she is.
But it's almost like a DID type situation.
That is.
Tamara, there as a young girl above.
Do you have one of my?
That one?
Thank you.
Gracias.
This is her over here.
And I think we get that impression of around the time that she met Michelle, would be around here.
Here she is, much younger, of course.
And there she is, a little bit older.
And then at the very end of her life here.
But we're going to have a lot more to say about.
Tamar, let's look at this.
So, Michelle recalls this first meeting and quote, this is Michelle talking about her.
She was someone who never got out of bed until 2 p.m.
And she looked it.
It was late afternoon and she was dressed in a beautiful lavender suit and her hair in a beehive.
I took one look and said, New best friend.
With Tamar and her cocoa skin daughter, Debbie, five, folk singer Stan Wilson, an African American, was Tamar's current husband.
Tamar was so exotic, she was instantly my idol.
It's like they had almost created Tamar for Michelle to follow and to emulate her influences and all the rest.
Tamar's sophistication had a grotesque basis in her father's home, where she had been uncomfortably posed nude, she recalls, for quote, dirty old man Man Ray.
Man Ray is a surrealist, and he does these photographs.
He did something very interesting that no one else had done.
Which is, he took the film and he put things on it, like safety pins or objects, and they would develop with the film.
So he developed kind of his own artwork, and he's worthy of his own investigation.
But he shows up in these stories in a very perverse fashion, shall we say.
So what happens is she also talks about John Huston, the director, being a predator.
Now, this is interesting.
There's a lot of things about John Huston, of course.
People will know his films for years, such as the Maltese Falcon and things, you know, just real classics through the Hollywood era.
Later on, he would do starring roles in things like Rowan Polanski's Chinatown.
So he has just this incredible career and background, but this incredibly seedy association with his best friend, Hodel.
And there he is in this strange mansion, which we're going to get into in a moment, which has a Mayan design.
Doing all these kind of unusual things with this group.
So she called Houston a predatory and said that Hodel had committed incest with her.
When I was 11, she had all these sexual encounters with her dad when she was 11.
And it gets very graphic in here.
What I'm going to do is I'm going to skip to how the trial came about where she accused him of incest and it became quite a Hollywood scandal to the point where between that and then the cops knowing that he was the Black Dahlia.
Killer, him going to China and just getting out of there and then appointing him to the UN.
But the agency that was keeping him in place there and the things that he was doing, and also this is a person who has an IQ level of Einstein.
For him to be so easy to catch in the case of the Blockdelia killing, to leave such obvious clues, shows that something other is going on here.
It's beyond.
All recognition, but he must have lived with the kind of danger that he wanted them to know who he was.
And I'm going to show you some of the things he left as clues.
And it's just absolutely baffling.
Now, when Michelle appeared on Tamar's porch, Tamar saw in her a gorgeous little Bridget Bardot and sensed that she could rewrite her own hideous youth by guiding a prodigy through a better one.
Meeting Michelle felt destined as if we'd known each other in another life, says Tamar.
I wanted to champion her because no one had championed me.
Michelle says, I moved in with Tamar.
She adopted me right away.
Then everything started.
Tamar took the lower middle class bohemian's daughter and polished her.
She bought her the clothes that Gil couldn't afford, enrolled her in modeling school, taught her how to drive her Lavender Nash Rambler.
Here we go with Lavender again, and provided her with a fake ID and amphetamines.
She's 13 year old.
Amphetamines?
Yeah.
Okay.
So she's giving her the drug of choice.
Wow.
Michelle says, A handler, what would you call her?
She's definitely a handler, she's a controller, she's grooming her for some purpose.
I think she's a piece.
What I'm getting at here is her cure.
Is she, I mean, no, she's kind of a vessel, she's kind of a dummy in a sense.
She's been kind of wiped out by trauma, and so she's being used.
I would say that she is a piece of this supernatural agency that's moving these people on the board.
When Michelle appeared, oh yes, as we go, meeting Michelle felt destined as if we'd known each other in another life, says Tamar.
I wanted to champion her because no one had championed me.
Okay, so she goes through this whole thing and she introduces her to real music, like, you know, jazz, Bessie Smith, all this stuff, and she makes her a bohemian, basically grooming her to be the perfect model for the wife of John Phillips.
In fact, Tamar put on perfect airs around my dad, and when it became necessary, she would sleep with him.
This is also interesting because here he has his kind of daughter's new friend who is older.
Granted, she's 23, 24, but this guy is, you know, 50.
So it's still weird.
And you're like sleeping with your 13 year old daughter's friend.
There's something just fundamentally kind of twisted about all that.
But let's move on from that and find out what it is the agency here.
What is the crisscross?
So, um, What happens, in fact, is that Tamara says, You know, you really are so beautiful, Michelle.
You should be modeling.
You know, you really should be.
And when Michelle goes to do these modeling jobs, there's another girl who is doing modeling jobs, and they become best friends.
And that girl is named Sue Lyon.
Sue Lyon will famously play the role of Lolita.
Now, there's an interesting crisscross here with Sue Lyon, Tamara Hodell, and Michelle Phillips, which is that when, in fact, Sue Lyon gets the job in a later interview in 2014, going through this stuff, Tamara says, You know, they weren't supposed to give that to Sue Lyon.
They were supposed to give it to Michelle.
Dr. Hodel and French Aristocracy00:04:48
They were both up for it.
It was neck and neck.
She was selected for it.
And then Stanley Kubrick, who directed it, and we all know about Stanley and his deep.
Unusual, strange connections to everything from the moon landing to Eyes Wide Shot.
He selects Sulan, sinking Michelle as Lolita.
But whatever was going on, it seems like Tamar was coaching her, doing all these things, and then putting her up to be Lolita.
This is the whole thing.
And Lolita is very much like, you know, it could almost be a life story of Tamar, in fact.
Now we know it's from the book from Nabokov, and it becomes this huge movie, and it's very racy at the time.
I want to expend a little bit of.
It's still racy by today's standards.
Well, I just mean it's so culture bending at the time.
We've seen a lot.
At the time, it's shocking.
I mean, you know, the movie itself comes out in 1962, but they shoot it in 1960 when she's 13.
So, you know, and I mean, James Mason, there's a lot of great aspects to the movie, but the project in general and the figures behind it, as we can see, Even with Lolita, we're still looking at a Hodel connection.
And Hodel is connected to who?
He's connected back to these eugenics guys who pull him out.
Because one thing I should say about Hodel that I didn't really get into enough in his early bio is he was a child prodigy.
And he came over, his parents came over from originally Odessa, Ukraine.
They were Russian Jews.
And the mother was in Paris working as a dentist in 1906.
At the time, there were no female dentists in Paris in 1906.
This is an incredibly rare position that she held.
Turns out that she, Hodel's mother, was a member of the French aristocracy that had fled France at one point and ended up in the Ukraine.
So a lot of the money and influence that they have when they come here, and where do they go?
Pasadena.
I mean, it's an interesting choice.
Paris to Pasadena.
But that is where Hodel is born.
And when he grows up, he has all these incredible abilities.
And he's a classical music genius.
And they have Rachmaninoff show up to watch him play at seven years old.
And he writes his own concertos and things like that.
It's just off the charts.
But what happens actually with him is that when he goes to school, he falls in love with the professor's, one of his professor's wives.
And he is at a very early age, 17.
He graduates from school at 15 because he's such a genius.
And then that professor's wife has his child and he wants to be all involved.
And they're like, no, get out of here.
It was a big mistake.
And he becomes very disoriented and he gets thrown out of Caltech.
So we're already seeing weird threads here.
Steve Hodel, who is Hodel's son, would later say that.
He felt 100% certain that Hodel had been molested as a child by either his mother or an older female friend.
So, some of the twist, at least with him, is based on this early piece.
But I want to find another weird thread about his family, which is that their original name was Golgether, G O L G E T H E R.
But by the time they get here, they're called Hodel.
Now, there is something about the French aristocracy piece with the mother, but she's already in Paris and.
This is her husband's name that we're talking about.
So he's the one who changed it.
I think that he was moving or changing and hiding some piece of his identity coming over here to the United States.
And I think that there's, we just don't have that piece on the Hodel file yet.
But Hodel will become such a menace to society with his great genius and destructive understanding of supernatural ways that, you know, that's a very important piece for us to get our hands on.
Everyone, you're watching the Dark Journalist series.
105.
This is Female Targets Supernatural Eugenics.
We've got Dr. George Hodel, Michelle Phillips, Sue Lyon, Lolita.
Shaped Glasses and Hidden Motifs00:12:19
You know, I mean, this is a sprawling story, and which is why we're going to take two episodes with it.
We are going to be taking your questions in the second half of the program in about a half hour here.
And it's great just to be with everyone here.
You know, it seems like it's been a while, but we've been putting out some incredible episodes for you of interviews.
And the latest ones have really focused on Catherine Austin Fitz.
We've done with Joseph Farrell, of course.
But we have some exciting ones coming up for you.
Gigi Young is going to be on the show.
I can't wait for that one.
We really need that kind of stuff.
Yeah, we haven't had Gigi on enough lately.
No, but I can tell you that I've had, and I want to be full transparency on this.
Gigi has looked at some of the material that I've laid out in this episode, and she's given me some very valuable feedback.
And so I really appreciate that.
But having that.
True mystical eye on the situation and going into it.
There's a lot of very interesting keys when we look at this from a kind of metaphysical perspective.
And I think that goes with anything that we're looking at right now.
Also in society, with the incredible push of the censorship, the incredible push of the medical tyranny, these things, there's a deeper metaphysical aspect that doesn't lend itself to just looking at it as it's the communist revolution of 1917.
There's something deeper operational here, and I think that's where Steiner's work on Aramon and the things that we've tried to bring forward about the eighth sphere really make a difference.
And the episodes that we've done on the eighth sphere, tying it into current events, we've done most of those episodes with Gigi.
I highly recommend them and her own work on Rudolf Steiner's incredible legacy.
So we're going deep here tonight.
And we're going to be kind of taking a dive now further into Michelle Phillips' Sue Lyon connection and how that holds up.
This is the imagery, and I also find this imagery advanced for 1962.
I think it's the kind of stuff that was adopted really in the 80s and 90s, but when you look at that poster, wouldn't you say it almost looks like an 80s poster?
It seems very modern.
It does.
That's the Lolita poster that came out at the time.
And I was looking through the movie and the advertising and everything for some steganography to tie it in.
And I started to realize you know, the heart shaped glasses.
There's something about the heart shaped glasses there.
Yes, we can be talking strictly from a fashion standpoint, but considering the level that we're speaking on, let's pursue this just as an aside for a moment.
We think about the poster of that movie and how kind of advanced and off the charts it was at the time.
If we go into that, I can just see what's coming.
When we go into that and we're looking, for example, at the pop music scene now, what's going on?
This motif of the heart shaped glasses exists and steadies on and is the kind of steganography of this supernatural.
Eugenics piece, I believe, that somehow operates in this same field as kind of the Orphic Circle idea of these younger teenage girls.
The Lolita glasses, again, from the movie mirrored in things like Britney Spears when she came out.
There are so many countless examples, but I started to think when I was looking at it, you know, here was the piece that was.
You know, sort of a footprint from, you know, a holdover, that connecting link.
And somehow over and over again, it was popping up.
It was these glasses, in fact.
So we're going to open that up and examine it further as we go down the line on this.
But I do feel that the glasses themselves are a piece of that motif.
It is like a missing piece of the jigsaw puzzle.
And then I started to notice looking at, So many of the pop things that they push on the younger teen crowd now that there's this whole thing about plastic hearts.
So let's look for this plastic heart piece as we go along.
And of course, they're not beyond a little bit of ex steganography when it comes to Lolita.
There it is.
But the film itself is quite remarkable because supposedly they had tried out 750 girls.
And out of the 750, You know, they only had a couple of options, and one of the options was Sue Lyon or Michelle Phillips.
So we can only imagine how that movie would have gone with Michelle Phillips.
But still, here's Tamar Hodell grooming Michelle Phillips, creating her for this role of Lolita, and it gets moved over to Sue Lyon, and then we have Michelle kind of hanging out there.
And then I describe the unusual things that happen where.
Through her association with Tamara Hodell, who was hanging out in all these beatnik clubs, and takes her at the tender age of 15 to come live with her in San Francisco.
And what does she do?
She takes her to a club to see John Phillips, who's playing with his band there.
And they meet.
And in fact, that's, you know, John Phillips already has a wife and children and things like that.
But it's, you know, love at first sight.
And, you know, in fact, Michelle Phillips goes to the wife and says, you know, I'm going to be with.
Him, it's destined and all this stuff.
So it seems like it's all being magically kind of put into position.
Now we're speaking about somebody's bio there.
So these things happen in life.
But it feels when we look at the influence of Hodel, knowing the kind of supernatural things that Hodel himself was dealing with and coming out of this kind of eugenics melting pot.
Tamar, later in life, past the trial, past this period, would occasionally still be in touch with him.
And in fact, through her influence, Michelle Phillips would meet Hodel.
And when she met him, she said, he gave me a look.
It was such a chilling look.
And she was like, oh, does she think that Tamar told me all these things?
And she was like convinced that Hodel was easily a killer.
So, this is just the fact that that even happened is extraordinary if you think of the arc of all those things that needed to be put into place.
So, we're getting a hint there that the supernatural aspect is incredibly active and had accomplished a great deal in relation to Michelle.
But there's more.
I wanted to get, let's see here.
If you have something, Miss Olivia, I'll go for it.
Twilight Mist said dark hearts over the eyes, a dark or tainted innocent love symbology.
Bobby RJJPD says symbolizes that they have been indoctrinated and those in the know know.
Aha, yes.
I like that a lot, actually.
Well, the plastic is interesting, right?
Plastic is always meant to be artificial.
And so, Plastic Heart, it's not real, right?
It's not real love.
It's this very superficial kind of thing.
Michelle Phillips, I think, is very interesting because she gets thrust into the spotlight.
She becomes a huge star at an incredibly young age.
She's a convincing singer, but frankly, in the band with Mama Cass, you know, like in terms of singers, like she's not really the most powerful singer in that lineup.
So, what happens is she becomes a remarkable actor, she gets these acting roles which are off the charts, and she ends up dating a series of people, you know, really high level Warren Beatty and Jack Nicholson and people of this ilk, after she divorces John Phillips.
And it's very interesting to me because in the case of Jack Nicholson, she is dating him while he's working on the movie Chinatown.
And You know, in Chinatown, there's a whole incest story about the character that John Huston is playing.
Director John Huston plays this character in that movie, and Faye Dunaway's character is his daughter who he slept with, and they've had a child, and Faye Dunaway is trying to hide the identity of the child.
And Jack Nicholson is the investigator caught up in the whole thing.
And then, of course, you have Polanski directing it.
And we know what happened to him shortly after that.
So, we've got a whole strange motif moving into place here.
And we're starting to find out that the suggestion is out there.
It's like you can start to feel that they're getting at something.
They're like creating a mythology in the middle of all this.
Now, Phillips herself would move on and play roles like the wife of Rudolph Valentino.
She was in the John Dillinger movie and proved herself to be actually.
An excellent actress, in fact.
Wasn't the wife of Valentino into theosophy or something like that?
Yes, this is exactly.
And there's a whole thing, there's a whole piece that's coming in with this for part two, which is that Valentino's wife became this, the woman that Michelle Phillips was playing became this incredibly powerful, theosophical, mystical teacher in Hollywood and then went to New York and she had all these groups meeting and it was like, you know, kind of the Ramtha cult early on.
But she is very interesting herself.
The fact that they have Michelle Phillips playing her is also just uncanny in a sense.
So I think that she proved herself as an individual talent and she kind of kept it together.
What I do feel happens to her and where she gets some bad publicity is in the case of Mackenzie Phillips and her revelations about John Phillips.
Yes, what do you got?
Tom Tyson said Jack Nicholson's house is where Plansky raped that 13 year old.
Oh, that is Nicholson's house.
Wow.
There's definitely some pattern there, and it's not very obvious.
But again, let's think about the Lolita thing.
Let's go to the movie for a second.
We've got Stanley Kubrick, who is developing the movie, and they apparently try out something like 700 girls for the role.
You might remember this in relation to The Exorcist.
They did this, and they were like, We went through 600 girls until we got to Linda Blair.
Well, In the case of Lolita, that huge kind of, you know, casting call, and they're working with this incredible casting agent, and then Stanley Kubrick overrules them all.
Even the author, Nabokov, is like, he wasn't, he didn't think Sue Lyon was right for it at all.
Wholesome Teenager vs Strange Truths00:14:41
She's the one who gets chosen.
And if we kind of take that piece down, we can see over and over again, this motif is coming up.
About these underage girls in relation to some kind of mystical supernatural piece that is putting these things into place.
And there seems to be some fascination about it.
In fact, the name Tamar becomes very interesting because it comes out of a poem.
And I'm going to get to the poem because it's in this progression here.
But the poem itself is quite fascinating because the poem is about incest and it is.
Uh, Hodel's favorite poem and favorite poet who writes about these things, and he actually is a very established um poet.
And we can see, you know, again, just like in the Orphic Circle, we have these literary characters who are involved.
And, um, like I said, in the case of the Orphic Circle, there's a more benign, benevolent piece to that, it's not, they're not looking to, you know.
Have a black rite and you know, do a black mass, they are trying to discover the secrets of the universe, kind of thing.
And their methods can still be questionable, but their object, I think, is a lot different.
But these people are different.
This is Hodel's house, in fact, it was created by Lloyd Wright, who was the son of Frank Lloyd Wright, student of G.I. Gurdjieff.
This is a Mayan temple layout.
And this is where many of the strange stories about Hodel come from because he has all these secret chambers inside this very unusual house that he has.
The mysteries around Hodel and the things that were taking place are well documented in Steve Hodel's work.
You know, the Black Dahlia Avenger is the name of the series that he put out.
And being You know, an LAPD detective, he can really get into the nooks and crannies.
He does a phenomenal job, but um, on our part, what we need to do when we're looking at it is we need to kind of feel through the supernatural piece because here in the ideas room, here on this show, our minds are open enough that we can comprehend this, and it's crucial because when people look at it and they don't quite understand it and they see, you know, the drug influence, they see the CIA influence.
They see, you know, in the case of Hodel, they see the murder trail, they see the cases.
You know, they're looking at it from these different angles, but the supernatural piece is not how it operates and how it plays into all this, and how almost the people involved, from Kubrick to Tamar to Phillips, all seem to be kind of puppets for whatever this thing is that is trying to move these.
Concepts and mythologies into the culture.
It is kind of like a massive right in a sense.
So, if we can get our hands on that, I think it applies in a variety of political situations.
I remember I did a series of episodes with Dr. Joseph Farrell on 9 11 as a supernatural, mystical right that somebody was enacting there.
And we saw, you know, there's a lot of information that can be cited on that.
But I think what we're looking at here.
And what we're getting to is that it's almost like a supernatural stalker.
I think that's almost what I call the episode.
But there were so many choices.
Everyone, you're watching The Dark Journalist Show.
This is episode 105, and it is Female Targets 2 after Vicki Morgan.
Vicki Morgan, you know, we did a lot in that episode, but she, there's an interesting crisscross here, which is the billionaire.
Mutual fund person Koenig, who was kind of using Morgan, like Bloomingdale was, as sort of bait to get blackmail and information and intel on foreign countries.
He will come to Hollywood and he will become, you know, a big, major, major character in Hollywood.
And he is going to.
Be best friends with two people, Warren Beatty and Michelle Phillips.
So, again, even the Vicki Morgan story has that overlap with this.
And I do recommend that Female Targets Part One episode, which had a very unusual and disturbing piece about Alfred Bloomingdale, his wife Betsy, and their close, close relationship with President Reagan and Nancy Reagan, called the First Friends.
And also Bloomingdale's.
Deep state ties with the CIA.
And that's really the reason that, of course, Vicki was eliminated.
So that having that peace hangover of Michelle Phillips being so close.
And I mean, this guy cultivated those types of relationships, this billionaire who came in here from the Netherlands.
But, and we did spotlight him in that episode as well.
But it's just more and more these things are kind of, they feel like they're all in the same place, right?
Exactly.
And on that note, David Tormina says, DJ, didn't Vicki Morgan describe Arthur Bloomingdale as having a Marquis de Sade complex?
Yes.
Excellent point.
So we've got a double kind of pattern.
There.
We can lock it in that this is suggested a few times.
So it's a great catch in that sense.
Also, there's going to be a doubling of names, and I'm not going to go too deep into that one today.
But for example, Hodel's wives, Dorothy and Dorothy.
One of those Dorothys is Dorothy Houston, who, by the way, is the wife, former wife of John Houston.
And she definitely has a kind of a mystical.
Peace all to herself.
But she is, in fact, the one who realizes during all the things that are going on with Tamar that Tamar has to get out, that she has to run away because things are going to go very badly if she doesn't.
And she assists her running away, and she will, in fact, divorce Dr. Hodel.
So she's seen the handwriting on the wall.
At a certain point in that sprawling Mayan mansion, he's got his first wife.
His second wife, his, you know, common law wife.
I mean, you know, it's like everybody is there along with his whole family.
So it's like a strange bigamy palace of some sort.
And then at night, you know, he has all these orgies, but he also has these weird medical rooms and things in this place.
And some of the things I'm going to read from his son, Hodel, I, you know, are going to give us that clue because he grew up in the house, which I feel bad for him.
In that sense, when he describes it.
And you can tell when he's talking about it, he's still torn because he still loves his father, Dr. Hodel, even though he knows and has determined that he's this monster.
So there's a very interesting thing playing out in his work.
And so I look forward to speaking to him about this.
One of the things I wanted to mention the place that I mentioned about Lloyd Wright had developed, this Mayan temple for Hodel, he is called the Soden House.
It's interesting because they still do rituals and things there now, as a matter of fact.
Well, who owns it now?
Well, it's moved around, actually, and they do rent it out for these types of things.
But there it is.
And I keep saying to myself, no, no, whoever you are, whatever performance arts group you are, you don't want to conjure the spirit of Hodel, whatever you do.
Run while you can, lads.
A couple of interesting pictures I ran across.
It's photos of Hodel and family life.
Taken by Man Ray.
It doesn't get any better than this.
This is Wholesome.
It's the Wholesome Hodels.
And you can see Hodel there.
This over here, let's see.
Yeah, that is.
Oh, there it is.
That's Hodel's wife, Dorothy, the other Dorothy.
And then we have Man Ray's wife here, and she's.
That's the other Dorothy.
And this hotel and just the whole vibe there.
We're sort of getting a feeling of the family, if you will.
But I think we're getting kind of that weird feeling when you look at those pictures.
It's like there's an afterglow.
DJ, Kat Guido wants to know was Jack Parsons in that mixtoon?
Where does he show up with.
Like, when did he pass, Jack Parsons?
Yeah, he's.
Was he part of the orgies and all of that?
There's no question.
And the Caltech piece, you know, there's different sides because he's working more on the OTO, the very obvious Crowleyan side of things.
And he does die in a very strange explosion in the early 50s.
And.
It's very likely that he was killed, and they also thought that he was spying for Israel.
So there's a great deal about Parsons, and I won't give away too much by saying Parsons is in part two of this episode.
That is the Black Dahlia herself, and she was the one who the murder case almost took down Hodel because they almost figured out that he had done it because some of the things that had been done to her had been done with that kind of surgical precision, but also had the mystical precision.
Pieces and one of the pieces, in fact, that researchers compared it to was Man Ray's picture of the Minotaur.
So, very creepy all around.
And I'm sure whenever we get into the Black Dahlia, and you know, people get in, there's a whole gore aspect, and there's a tragedy of the whole thing.
And it's a very sad story, but I think we can miss things by.
You know, the sensationalizing of it.
If we're actually looking at a group and what they did, in fact, with her, there's a lot of strange things that Hodel's son has uncovered.
For example, the place where she was found had all these references to the other cases that he believes his dad has committed.
So he thinks his dad has been involved not only in just this murder and the whole kind of hedonistic scene that he was doing in Hollywood, but he thinks that he's been involved.
In all of these.
And he is, in fact, Hodel died in the 90s and he was living in a high rise there on the West Coast.
But there he is, diligently at work at practice.
This is an early news story on Hodel, making him look like just such a thoughtful, considerate doctor.
I think that Hodel gives us, you know, a really interesting lens to look through because he is at once a musical prodigy.
He is also.
The person who runs away with this, you know, gets this professor's wife pregnant, gets thrown out of school.
As a teenager.
As a teenager, and goes back to the University of Berkeley and gets a medical degree.
But in the meantime, he's also someone who becomes a chauffeur.
And who does he start driving around but John Houston?
So he has this range of things.
And then he shows up as kind of the VD czar in 1936.
The social hygiene.
You know, enforcer in Los Angeles.
So he knows everybody's secrets.
And by the time he is accused of incest with his daughter and the Black Dahlia killing, you know, as the cops are moving in on that, as I said, he goes and he gets a job in the UN in China.
Somebody can place this guy anywhere.
What was he doing for the UN in China?
Well, he has a variety of medical.
He actually became a psychiatrist and they had him advising prisoners.
But one of the pieces I found out about him.
That grabbed me.
I made a note of it because it's not well publicized.
Is that he worked extensively after he got his medical license in New Mexico.
And then I found that he was working on Hopi Navajo reservations.
So that again gave us, you know, there's always this piece of the Hopi or these other Native American traditions around these eugenicist people.
And it is a hard thing to figure out, except that they seem to be aware of this supernatural aspect.
And so those Native cultures understand that.
Supernatural aspect.
And I think that they're looking to learn from those native cultures, these supernatural aspects, in order to control and interact with these supernatural beings.
So it goes deep.
It goes really deep when we're thinking about it.
Everyone, you're watching the Dark Journalist show.
This is Female Targets 2.
And we're going to be taking your questions shortly here.
Let's just take a look.
By the way, he would end up calling the second Dorothy Dorero, which I think is interesting.
Body Found in Death Valley00:09:34
Any particular reason for that?
I think the.
It's some kind of combination of Dorothy and Eros.
Oh, okay.
I mentioned there that Anaïs Nin was involved here.
And here she is hanging out, actually, at the Soden House with Henry Miller, her muse.
And Man Ray has done some interesting things with her face.
He's kind of painted cat whiskers and things on her.
It's very unusual.
And I would say that there's another tie in here.
Same theme again is going to come up, like we were talking about Chinatown a moment ago.
What is it that she wrote?
Well, Nim had House of Incest.
And what does she talk about?
Let's see if we can get a shot of that.
Well, it's a weird looking bird.
It doesn't show up too well in the camera, unfortunately.
But it's all about this affair that she has with her father after she meets him later in life.
And so there's, again, this whole blood.
Intermingling thing.
And it makes me think of something that Zachariah Sitchin said, who, you know, there was a certain point in the alternative world where they were just pushing Anunnaki and Sitchin and just selling it like hotcakes, basically.
But nonetheless, his books like The Twelfth Planet and things like that are very interesting material and not to be brushed off because it became so overbloated on the alternative side.
But What I do find fascinating about all this is he said there was an ancient Egyptian tradition where the rulers would marry their sisters.
But he said it was never their direct sister, it was always a half sister.
And that in their lineage, this is how it was done.
And I feel that there's a connection here with all of the incest aspects around the more supernatural sides and the kind of freaky.
Stuff that Hotel did, for example.
So they may be looking at that, they might be trying to kind of recreate that DNA pattern that existed there.
We don't know.
You know, it's almost like there's something back there that is a mystical school, you know, a mystical group, and they're trying to emulate it and bring themselves back into contact with it.
So there's like, you know, it's like an harmonic ritual in a sense.
I have to throw this in here.
So a cult fan, okay.
Remembering that all things lead back to Twin Peaks says, Remember, the main theme in Twin Peaks is the father who is possessed by an intradimensional who rapes his own daughter and it fractures space time consciousness.
Wow.
Absolutely.
Yeah.
It's something you need to kind of sit and meditate about.
Yes.
Excellent point.
Well, Twin Peaks would use, they used a lot of Steiner's themes as well.
They're very familiar with the, as a matter of fact, in the books, they list Cooper as a theosophist, which I find interesting.
But we know that they used all these Steiner concepts, and they would usually have Hawk quoting Steiner if you pay attention closely.
I also wanted to tell you.
We'll have Hawk talking about the dweller on the threshold.
That's pretty interesting.
Mordecai says Any thoughts on Steve Hodel's theory that his father was also the zodiac killer?
Yes.
Here's the thing that what Hodel noticed is that there were these periods when his dad, after being in China in exile, basically, Would come back to America briefly and he would stay in the West Coast.
But when he went through the different waves, like serial killer waves, he would always find things that connected his dad and he could prove his dad was there in the vicinity at the time.
So he thinks his dad was responsible for a series of waves way beyond just that one killing, that he was basically, this was part of his, you know, what he did.
I think it's a pretty compelling case.
And I'll show one of the examples from that tonight.
This is so fascinating.
There's so much to work with on it.
Here is a shot of Steve Hodel with his dad at the end of his life.
And I think that there's a lot in that picture, in fact, because we have kind of the evil genius who has played sort of the good guy with his son.
And his son, you know, growing up as an LA detective, like it's quite an earth shattering experience for him to realize.
The monster that his father is, and he got a lot of support for his theories about his dad being the Black Dahlia killer because a number of transcripts came out and they showed that when they were bugging Hodel's house, he was basically saying things like, So, what if they know that I killed the Black Dahlia?
They can't prove it.
And one of the things that he says at a certain point is, They can't question my secretary, she's already dead.
And in fact, she was a 27 year old.
Secretary that he had who died of a barbiturate overdose.
So he obviously was good at eliminating witnesses, shall we say.
So this is all very, I think, fascinating.
What I'm going to do now is I'm going to take a few words directly from Steve Hodell about his dad, and then we're going to get a few interesting insights on Phillips.
Then we're going to take your questions, and that'll be.
It for part one, okay.
Um, okay, so Elizabeth Short, dubbed the Black Dahlia by the tabloid press, was 22 years old when her body was found staged some six inches from the sidewalk.
What's interesting is the street that the body was found on was facing another street, which was the name of this also this other weird murder.
And uh, the son here, Steve Odell, thinks that his dad did that on purpose.
To kind of point to clues and things to get them guessing, you know, is he related or leaving clues out in the open?
Because it's almost like he thrived on this bizarre fetish of almost getting caught.
Now, more than 70 years after Short's murder, another clue appears to identify Dr. George Hodel as the killer of Short and at least one other woman has recently surfaced.
This one in the form of a three page handwritten letter dated October 25th, 1949, that is included in Steve Hodel's latest book, Black Dahlia Avenger.
The voice from beyond the grave is W. Glenn Martin, a former LAPD informant who penned the detailed missive to protect his then teenage daughters.
So it's kind of like, you know, here's my insurance policy.
If anybody says anything, that letter will come out.
Martin feared the man he referred to as G.H., George Hodel, and the potential consequences that came with keeping dark secrets.
Martin's granddaughter, Sandy Nichols, 62, of Indianapolis, Indiana, discovered the letter in July, tucked in her mother's belongings.
After her mother's death, unfamiliar with the murder cases detailed in the letter, Nichols turned to the internet for answers and found Steve Odell, the son, still investigating the case.
I have lost lots of sleep over the letter, said Nichols from her home in Indianapolis.
The letter created some serious questions for me.
I suddenly had my hand on something very important.
Who was this man, G.H., and who were the women that he killed?
Steve Hodel acknowledges having significant blank spots in memories of his early childhood during what would have been the years immediately preceding and following the Black Dahlia murder.
Years he spent living in a famed Hollywood mansion, the same home in which he now believes that she was killed.
So that's the strange Mayan palace that Hodel had.
So he lived there.
So he has this kind of creepy memory of something going on there, but he can't get his hands on it.
He's lost the.
Blank spots in his mind.
A couple of quick things that I found interesting.
Dorothy married George Hodel in Sonora, Mexico in 1940, John Houston's ex wife.
So here's Mexico again.
And there's that Mexico piece with this.
Remember, out of nowhere, Michelle Phillips' dad says, You know what?
Your mother is dead.
Let's go down to Mexico City.
I'm going to go.
To Mexico City, and I'm going to go to the university there, and you guys are going to speak Spanish.
And they're there for seven years.
It's an unusual step.
You know, Buffalo, Pasadena, Mexico?
Mexico City's Supernatural Twist00:04:01
There's something in that progression that doesn't quite feel right.
Why do the go gethers who become the hotels go from Paris to Pasadena?
Why would you go to Pasadena?
You know, it's an unusual place to.
Pick off the map if you're coming to America.
And I think the answer is that eugenics cult that we started with, the Human Betterment Foundation, Terman, all those people, Caltech, they're all in Pasadena.
Parsons is in Pasadena.
So they're all going to be there.
And of course, Hodel is going to be there.
But who is going to meet Hodel's daughter there, Michelle Phillips?
It's really quite interesting.
I'm sorry, I'm blown away.
That first comment, if this is true.
Cultural forensics professor Hamamoto.
Okay.
Dr. Hodel had the telescope in his San Francisco penthouse pointed across the bay to Mountain View Cemetery, where Elizabeth Short was laid to rest despite having little money.
That is interesting.
He did have a telescope.
I remember that.
And that, you know, that with his Caltech piece, I think, you know, there are things, he's one of these people who shows up in about six different fields.
As a matter of fact, I found a report on him in China for three years.
And what is he doing?
He's giving therapy to prisoners.
So, you know, all of the different and unusual things that he did, he's moved around on a board.
I can't help.
Just, you know, it just occurred to me that he was probably enjoying hearing them sort of confess their crimes.
He was sort of getting off on, you know, vicariously living through their criminal retelling of their antics, right?
Yes, absolutely.
Well, naming the daughter Tamar based on an incest poem was, you know, gives us some idea.
But, you know, he's twisted and a genius, right?
So he's twisted from birth, in a sense, with.
The way that they brought him here, but then he's also twisted with this very early sexual dysfunction.
And he's rejected, it's noted, throughout his school years by the girls that he's interested in.
So he doesn't have any luck.
Later, he becomes this kind of power figure, you know, sadomasochist.
But I think that we're looking at something unusual here and somebody who is kind of primed for the supernatural agency to move him around.
What else you got?
David Tormina said, Tamar is very similar to the name Tomar, which is the fantastic castle and headquarters of the Knights of Christ, the Portuguese version of the Templars.
And on that note, this was really interesting too.
There's a Tamar, yeah, it's a biblical name.
Al Qaeda said, Lavender goes back to the French Knights and Crusades, connected to Monaco, the most surveilled state on earth.
There's a lot here to dig into.
It's unbelievable.
This is interesting.
Speaking of lavender, this is another color.
At the Soden House, the Mayan temple, sacrifice temple, Steve Odell, as the middle child of the three brothers, remembers a revolving door of people he calls rumors who would stay at the home for periods of time, many of them aspiring actresses.
Boy, was that the wrong place to be.
He remembers his parents entertaining friends by hosting painting parties soon after moving in the five bedroom house, and later it would be listed.
As an LA historic cultural monument.
Steve's room was at the very back.
Quote By the time they got to my room, they were all pretty drunk and they painted my room chartreuse.
Alligator Movie and 1980 Finale00:03:11
Again, remember it is Tamara Hodel when she meets Michelle Phillips.
She has this lavender apartment and a lavender Nash Rambler.
Something with these colors in the organization, I think around these colors we're getting to.
This is a picture of.
Steve Hodel and his brothers growing up basically as innocent kids with this completely genius psychopath killer father.
So it is a disturbing image.
And it's interesting when I get to Hodel because what I'm trying to really see, he's a really good window to track this supernatural agency because we see through him Sue Lyon, Michelle Phillips, all these people get moved into these positions.
In a vulnerable position.
In fact, Sue Lyon, if you track her life, it's quite remarkable because her life was basically destroyed by the movie, Lolita.
And when they redid the movie in 1997, starring Lena Del Rey, is that right?
Who was starring in it?
Oh, maybe she was just.
Maybe that was.
Yeah.
Well, whoever did the 1997 reboot, she actually.
Sue Lyon came out with a statement and said, Why would they redo a movie that destroyed my entire life?
And if you go through her movie career, it's very, very strange.
And it's, you know, there's a point at which she marries a bank robber who is in prison for shooting Atella for murder.
And.
She marries him in prison.
And then he gets out.
They let him off after serving a year and a half or something.
And then they're living together.
And he goes and he pulls another job, you know, but it completely destroys her career because she's associated with this strange prisoner.
It's just all these strange moves in her life.
So that by the time we get to 1980, she plays in her last role.
And I was looking into her.
Career because it is all very slanted and they completely unplug it by the 70s.
But this is 1980 and the movie is called Alligator.
But the sad thing is, Sue Lyon, you know, who's a very beautiful actress, by the time you get to Alligator, she is just drained.
It's like she's been MKUltra, she's been completely the essence of who she was has been removed all through the process of getting chosen to be in this.
Powerful vehicle, this film that they were trying to move out into the public.
And we have seen these films moved out into the public.
Rosemary's Baby is such a film.
It is a classic film.
And they actually say that in some ways the satanic community was upset with Polanski for revealing so many things in that movie.
I think there's a lot to see in that movie.
But at the same time, it is also kind of indoctrinating the culture around witchcraft and themes of this nature.
Prosecuted Sirhan and Hodel Research00:04:34
So I think we're getting into interesting territory.
When we get around that.
And I think what they were doing with Michelle Phillips, I think they were going to use her as that conduit that they ended up using Lion for.
And then she was kind of set free into this other career as an incredibly powerful, influential star.
And I don't think that any of that is, you know, I don't think there's anything conspiratorial about Michelle Phillips and her fame and things like that.
That's not the point.
I think that something from the supernatural side was trying to move these people into position.
That's really the key, I think, with this.
And we're going to go deeper with it.
And with that, Miss Olivia, the questions are for you.
Okay.
I guess for me.
The Biomancer Perspective says Hotel in China was at a precursor to the Wu in Hankow, which later became Wuhan.
Excellent point.
Fantastic.
Wow.
Yeah.
Probably a lot more we need to research about Hodel in China.
Well, he married a very highly influential, like one of the top families, this woman in the Philippines.
And he became, like, you know, the first husband there.
This guy knew how to manipulate so many of those situations.
But, you know, it is interesting because in China, he could kind of disappear into the woodwork and continue.
You know, the gig was up in a sense.
After he went on trial for his daughter's incest.
Even though he didn't get prosecuted and he also didn't get prosecuted for the Black Dahlia murder, he still was in this, you know, he was on too many radars.
And they say that the only way that he got out of the Black Dahlia, because they had the evidence on him, and that's what the guy's letter showed that I referenced through Steve Hodel's work.
What's fascinating about it is he had so much blackmail available on the legal system, on those characters, that they could not prosecute him.
And he also talked when those recordings came out of him talking, as he mentioned, he talked about his secretary and how they couldn't question her.
He also talked about how there were so many background deals with the DA's office.
And they, you know, so they have these things.
So they knew there was corruption that was happening.
Look, I think LA Confidential gets at some of that.
LA was just incredibly corrupt.
On the police side, they always have been.
And when you go down the line from the 40s, it was incredibly corrupt.
But by the time you get to the Bobby Kennedy assassination in 1968, they cover that crime up completely and pin it on an MKUltra, you know, Manchurian candidate, Sirhan Sirhan.
In the case of Vicki Morgan, as I showed in her, the female targets episode one, the investigators who try to go in there and get the information on that case, because of course the LAPD botched that case also, you can't get it.
And they say, if you know someone in that family or if you are involved in the case, then you can get it.
Otherwise, you're out.
You can't get any information.
You can't get any of our records.
And by the way, the tapes of the guy who supposedly killed Vicki Morgan disappeared.
His confession tape is just gone.
So, you know, very, very.
But they didn't even make an excuse like they needed to save space.
This is an incredibly high profile case that people would be interested in for decades.
Right?
Why would they get rid of the guy's confession tape?
It's like, oh, we couldn't save the space.
You know, I mean, they did this with the Robert Kennedy assassination when it was proven that there were 11 shots in there and that Sirhan's gun only could fire eight.
And, you know, they had all the pictures of where the shots were.
And then they still have the photos, but the actual boards and doors and things, they were like, oh, we got rid of it.
You know why we got rid of it?
Because it was too much space, you know, we needed the space.
Sure, you did.
Yeah, as you can see, everyone, it's X Series 105.
We're going to take your questions now.
That was an excellent question.
Crowley, Atlantis, and Mexican Magic00:15:06
Let's keep going.
Esoteric 369 Wall, is the supernatural connection just a form of energy vampirism in this female target series, Daniel?
Well, vampirism, I think, is very important to understand.
Energetic vampires.
We've run across them all in our lives, in our families, and things.
So there is always low level cases of this anyway.
But then on a much deeper level, when they become kind of like, you know, super predator on that level, I think that they join in a kind of supernatural spirit of things.
And I think that, you know, this is why I think the Native American wisdom pops up so often because.
In those Native American cultures, they understand the nature of evil, they understand the things to avoid, and they understand that there are primordial powers that we deal with that are far beyond the kind of normal day to day consciousness that we have.
That's why they train the medicine men.
That's why they have that connection with the spirit aspect, because if you aren't aware of it, ultimately you are vulnerable to it.
So, yes, I guess would be the answer.
Yes.
So you're kind of getting to this.
Najat was asking, why the obsession with sex?
I get the pleasureslash alchemical aspect, but is there something else?
Well, all of these cults back to Atlantis, there was a very interesting Casey reading on a.
Sex goddess who was from Atlantis who came to Egypt when Atlantis was sinking.
And there were many, you know, it's this whole egress of Atlanteans into ancient Egypt, bringing their advanced technology and their robots.
Is anyone going to talk about the robots thing?
It's pretty interesting.
Sitting there in the Casey readings, the Atlanteans come in and they have these weird servants or something.
But this is what's interesting this sex cult that they had there.
Started to basically take over, and they were, you know, really denigrating the culture and bringing it down.
That sex part is always utilized.
There's a whole piece of sex magic, which is in Masonic ritual, it's in the Crowleyan ritual.
And the Crowley stuff, remember, we talk about it as if Crowley invented it.
He doesn't invent anything, he takes the aspects of the Golden Dawn and the older rites and he enacts the older rites.
I mean, sure, he had his own.
Knowledge, his own kind of genius for this stuff, evil genius in a sense.
That was an interesting thing that that just triggered me off on, actually, which is one of the things that Hodel did when he was kind of a jack of all trades, he ran a bookstore in Pasadena.
I mean, is this recruiting for his cult or something?
I mean, that was pretty unusual.
The chauffeur thing was weird enough, but the bookstore, that really got me.
But yeah, I think the sexual aspect when you get into it is Kundalini aspects.
And so you're dealing with a very powerful creation level energy or death dealing influence.
So you're moving right between the two.
So you can, you know, it can be utilized.
You know, there's a whole thing about Kama Sutra that comes out of this tradition where it Sex magic and things.
There's a wonderful chapter in The New Order of the Universe by P.D. Ospensky.
It looks from like 1910, talking about sex on this whole different level.
So it is the utilization of that sex energy which produces an incredible psychic outpouring.
And it's that, you know, using the sexual energy properly.
The kind of thing that they do in the other schools is when they use it to manipulate, you can use.
Sex is a way for MKUltra, for example, because you are arresting the entire nervous system and endocrine system of the individual.
So there are deep truths to the fact that they're utilizing these things.
And sex will always, you know, it's going to be, along with brainwashing and these types of things, it's always going to be a key component for any kind of ritual magic.
Yes.
Tom Tacho Fiergirl says, The suppression, perversion, corruption of the sacred feminine is a staple of this realm.
Oh, that's true.
We can't forget that.
That's a big part of it.
Yes.
And David Termina says, DJ, do you think these mysterious murders are all part of some ritual sacrifice that elite secret societies are using to connect with occult technology?
Wow.
Well, this is interesting because we do see a very kind of, you know, the sacrifice idea.
When you come into those older cultures and you look at the Aztecs and things, if you really go back and see what they were doing and how it was a distortion, and this again gets back to the Casey readings, there's so much in the Casey readings that can be drawn from in dealing with this.
But one of the things he said was the idea was that they were supposed to offer up aspects of themselves.
So, you know, you'd give up your ego, you'd sacrifice your ego, you'd put it on the altar and it would be sacrificed and you would bow and walk away.
Your ego was gone, and you could move into a kind of spiritual higher state.
They took that process, and these etheric beings influenced, for example, the Aztecs to say, you know, actually, that sacrifice needs to be, you know, you're going to sacrifice to this sun god to get the rain for the crops this year.
And so they would use the sacrifice aspect.
You'll see sacrifice in the Bible, of course.
They sacrifice a lamb on the Sabbath and things of this nature.
So the sacrifice is a piece.
And then Who is the ultimate sacrifice in the Bible?
It's Christ, his incredible sacrifice for the world and the mystery of Golgotha.
And isn't it interesting that Golgotha sounds a lot like Golgether, which is the original name of the Hotel Clan?
And you wonder about that too.
It's like a weird kind of tie over with that.
But it is interesting because you've got the distortion of sacrifice.
Used by the left hand groups and the way that they do these things.
Certainly, it's part of their magic rituals.
There's no question about it.
Yes.
Total touch of Piracle again.
Sex is the only mode that activates all six senses.
They don't call it dopamine for nothing.
So I wanted to get back to the temple.
Okay.
So Zorn 1961 says only in LA does the ego need a Friggin' temple.
Could we talk a little bit more about the Mayan temple, about the house, about hidden rooms in the house, et cetera?
Well, I think what we have there that's interesting is that Lloyd Wright's son did it.
And there's a lot of things, Frank Lloyd Wright's son, Lloyd Wright, did the architecture.
And I think right off the bat, it already has this kind of Bizarre feeling flavor to it.
A cult fan says, What is this, the sex series?
That's great.
You know, when I look at it again, though, when these guys were going to Mexico, and we see this kind of, you know, Michelle Phillips' dad takes them down to Mexico, Tamar goes to Mexico for many years after she gets out of Juvenile Hall before she comes back and becomes this incredible influence on Michelle Phillips.
And Hodel, he gets married in Mexico.
There's all this stuff in the center of Mexico.
If you go into deep state activity, there's the whole Oswald Mexico piece.
There's something about Mexico, it's like it's easy to cover your tracks, but I'm going to go a lot further.
I think that they are looking at the model of the ancient Maya and trying to figure out how to determine that the Maya were in touch with these entities.
Whoa.
And that they want the same contact as that.
And that's why his house is a huge Mayan temple.
What was it that Crowley was trying to do?
He was trying to call in.
These beings like Lamb to get instructions about how do I become, you know, like you on this dark astral realm?
How do I get all that power and everything else?
And these beings are very happy to come in and do it.
But those rituals are tight, you know, and they're learned over many years and they're kept in secret dark societies.
So I think that there's something with Mexico.
When Mexico comes into play, it's the Mayan aspect.
They're down there.
Remember, around Mexico, there's a hot zone aspect.
There's a secret there because there's the Temple of Records.
What we might be looking at is a little battle that's taking place, a literal battle between the kind of white brotherhood mystery schools and this left hand path,
because there's a whole thing about, in the Steiner work, Vislaputli, who Is kind of there's a whole Christ figure in Yucatan who takes on the ultimate Aramonic black magician, the most profound evil black magician.
And when Christ is crucified there, Vislaputle is tying up this black magician, this Aramonic black magician.
But Aramon's purpose, according to Steiner's work, was to take over Mexico and North America.
And so there was.
A necessity for this action taking place.
Now, that's all I understand is a kind of historic, almost a cosmology involved with that.
But what it is really is there's an indication that there's something, you know, Casey said that they had put one third of the Hall of Records there in the Yucatan temple.
So we're looking at some very deep aspect there having to do with Mexico on the mystical side.
And these people, you know, they're very locked into it.
Whatever aspect that is, that's why they're sitting in the middle of a Mayan temple trying to figure out how to take on this black magic identity and take it to the point.
And I think what Hodel does is he takes it too far and he gets cooked and somebody saves him and they take him to China and they make him a UN official.
So who saved him?
Who else is in Los Angeles in 1947?
And so you can see that this part two is going to be kind of interesting.
David Jermin is reminding us that Mexico is a very Basque place, actually.
Ah, yes.
Michael Goldby says, don't the Mormons have a very deep Mexico connection?
Yes.
And here's the thing in the Mormon religion, they sailed over the oceans, that lost tribe, and they landed in Mexico.
And they've done, they sent out groups to do archaeology, trying to find traces of this.
But here's the interesting thing about it.
If you go into the Casey readings about this, he also talks about how the lost tribe went from Israel to Mexico.
So you have a number of forces that go to Mexico, and at a certain point, it is kind of a melting pot of Lemurians, Atlanteans leaving.
The culture that sinks, that was between Cuba and the Yucatan, was like the last thread of Atlantis.
It's post Atlantis, it's the Poseidia piece.
When that goes down, that's also another culture.
Which is a little bit younger.
Those people egress.
Everybody meets there in Mexico, which is why you have such a mixture again.
So by the time they come over, this lost tribe, we're talking somewhere in that period, 1000 BC, perhaps, somewhere in there.
So again, they're a mixture.
So that culture and the things that come out of it, There's a series of things.
If you've ever looked at the Mayan mysteries, you will see there are all these unknown statues, and they're like, they don't know what to make of them because they have kind of Semitic features and beards and things that you don't find in Native American culture.
I remember Graham Hancock got into trouble because he was pointing out that there was this whole group of Olmecs, and he said, you know, they have African Negroid features, which is what they do.
They look exactly like African heads.
And they were like, Graham Hancock took all this fly for it.
But you have these gigantic heads of these groups that came over and took over.
It's just that the orthodoxy is that nobody could cross the Atlantic Ocean because that would make them more advanced than we were later when Columbus did it.
It's just ridiculous.
So none of that stuff means anything.
Yeah, I also just wanted to add that Mexico, actually, Cosmic Ocean says Mexico has a lot of dark energy.
I've been there and I know.
Personally, because of the Maya, and um, but there's no they have an uncut line of shamanism and uh sorcery, so you know, brujos and all that.
DeGnan Street and Artificial Insemination00:17:11
It's um, that if you're practicing it, they never stopped, right?
And it's very rich, and they also, you know, very much believe in aliens.
You know, they see the UFOs, they see the spaceships coming in and out of lakes and whatnot, and they see mountains, and they say, Oh, yes, you know, this is they just know, yeah, right?
They um.
There isn't a skepticism there for that sort of thing.
I'd like to know, you know, I would like to track down the UFOs volcano aspect all around that region because of Central America, I think, is very revealing and we know the presence of UFOs around that.
But yes, they live very closely with it.
And some of the more compelling sightings, I think, that we've had that have been filmed that are completely, you know, you can't say that they were faked.
Of large mass UFO sightings, I think, come out of Mexico, interestingly enough.
I remember having the thought that, you know, they're down there, they're looking for the mines.
They're like, where's the culture that we worked with all the time?
And we're back, and they're gone.
What is this?
Yes.
What else you got?
So I wanted to get back to this.
Wendy Eater asked, can Hodel be linked to any murders in China?
Why would he stop, is the question.
I mean, I know that there's a theory that the Black Dahlia murder was his masterpiece.
Like the Minotaur was for Man Ray.
Yeah, that's very interesting.
But once you develop a taste for murder, you amp it up, right?
Well, I think that's true.
What's so fascinating about Steve Odell's work is that he tracked him after he went to China and came back.
Whenever he would come back, there would be some kind of a wave.
You know, there would be some serial killer wave, and he would track these different cases.
And each time the person involved, like the Zodiac Killer, would taunt the press, and he would use different types of cutout letters.
He would use Odd phrases, he would use certain languages that were archaic, and um, he was like, That's my dad, you know.
So, over and over again, he's having these realizations, it's like an endless trauma stream for him.
And there's three books of the Black Delia Avenger series that he did, and um, there's no question that he has an extra ability, almost like an intuition, because it is his father that he's investigating, I think, that gives him that incredible edge.
I'm not saying he's right about everything.
But I do feel that in fact he's able to track this thing.
And what's interesting is I'm trying to give a name to it because it's almost beyond his dad.
It's like a supernatural force because look at all the other things that it was doing at the time and think about the influence of people like John Huston on the culture.
Not to say that he hasn't done genius movies and things, he certainly has.
He is incredible.
But what is his actual influence?
What is the role that he's playing in Chinatown?
What is that telling us?
You know, there's another interesting thing about Nicholson that comes up, which is that he is dating Michelle Phillips at the time that Chinatown is being made, and she is telling him the story of Tamar and, you know, this incredible impact.
And for her, it's like, you know, she has all this empathy for Tamar, and yet it's the very story that kind of binds her.
Because Tamar isn't just somebody who shows up in her life and You know, gives her a push to go to Hollywood.
She's there for the whole thing.
As a matter of fact, Michelle is the godfather for her, the godmother for her children, which is kind of fascinating.
And what's also interesting is that Tamar is there when she divorces John Phillips.
Tamar guides her through career decisions.
She's there for the whole ride.
She's an influence and a handler from day one.
And I feel that.
She's put in that position.
And she's also, it's not like she's some villain out there, themed all this stuff up, but she's been emptied out.
She's been traumatized and she's been moved through this process.
So, whatever that process was that's trying to set up Lolita and Sue Lyon and all these other things is operating.
It's definitely operational.
If you watch it, you start to realize oh, wait a minute, it's not just Hodel.
As a matter of fact, when they question Hodel on the stand, as I said, he starts to say things like, Am I in a dream?
Or maybe this is reality?
You know, he's working on a different.
Yeah, I mean, if you should read that transcript of the trial, maybe I'll bring out some of those in the next episode.
But it's really interesting when you get into it because he's sort of now just become an agent of the thing.
So his individual identity, you know, if we were trying, I mean, he has to answer on the public record for the crimes that he committed because those are individual acts.
But we're looking kind of above.
Trying to see what this thing is.
And it'd be easy to demonize, as they have at times, certain celebrities for things.
But I think what's actually going on is it's interesting to acknowledge the talent and the things and how it is manipulated.
And actually, how when those celebrities get out from the claws of the controllers, like the Britney Spears situation, It's very interesting, isn't it?
Because here we can kind of see that thing is tracking them down.
And if it doesn't, if it can't get what it wants from them, it will completely toss them aside too.
So, you know, it's a user force.
And we see it very active, especially in Hollywood, certainly in politics.
I think it's the same energy that is trying to give, you know, children as young as 12 the ability to go around parents' consent to get, you know, Experimental injections.
It's the same spirit of things.
No doubt about it.
Everyone, you're watching the X series, Dark Journalist X series 105.
This is female targets.
And we're looking at supernatural eugenics.
We started that with Frederick Terman and Louis Terman, who developed the IQ test.
And also with his cohorts like David Starr Jordan.
This piece, we're going to, we can understand.
People and psychopaths like Hodel, if we understand what was their association set up in the first place, the super genius thing, what was it that Terman was looking for?
Why was he trying to find these child prodigies and things?
What are they searching for?
Just genius?
We're trying to find the smartest people anywhere and put them all together in a room?
Or are they looking for something else?
That becomes the question from this episode.
Yes.
Well, actually, I mean, when you get down to Brass tacks.
There's just two paths.
One is serving God and one is playing God.
And that's all there is to it, right?
Yes.
But too many people are interested in playing God.
I see.
Vern Baumgardner just showed up on the board.
He says, It's been a long time since I've been able to catch a live show.
It's great to have you back, Vern.
Thank you, Vern.
Thank you.
Okay, so Maggie Smith wants to know what happened to the child he fathered as a teen?
I'd like to know that too.
That is very interesting.
There's not a lot there, but he did have multiple children.
And when he married this kind of high society woman in the Philippines, they had four children.
So this is someone who, yeah, multiple families, no doubt about it.
And, you know, there's a weird thing with Steve Hodel, as I said, talking about his dad, because he has this crisscross going on where he's like, you know, I know he's the monster who did these crimes.
I found this and I know that that's him.
And, you know, he's pulling these threads together like a good cop would.
But then he's also like, you know, my dad was tender with me.
We played games.
You know, he talked to me about becoming somebody in the future and all that.
So this guy, again, there's a Jekyll and Hyde aspect.
And that's a key thing, I think, when we get to Hodell's story.
Yes.
So Beth Berry Lawrence Durrell says Anais Nin's friend also had an incestuous relationship with his daughter.
Who later committed suicide.
I actually think you got the idea from Anais' recounting of her relationship with dad.
Oh.
This is, you know, there's too much of this going around.
It is.
And it's all centered.
Remember, they all know each other.
It's very strange.
It's Henry Miller.
And I didn't catch whether you mentioned.
And I pointed out that Tamar's middle name was Nice.
Nice.
Right.
So Tamar was so brainwashed by her father that she thought he basically told her it was not only normal, it was sort of godly for a father to have sex, to initiate his daughter to sex and to have a sexual relationship, that it was sacred.
You know, and she years later, after they weren't even sexual partners anymore, was still spouting out this kind of belief system to Michelle.
Yes, and also interesting that she would deal with him after even after the trial and everything like that, and after he basically got her sent into juvenile detention for four years, and where she was, you know, she was basically raped and she had a child.
There's a whole story there because.
Her children also have a very unusual name piece, which we're going to get into in part two.
A couple of quick things.
The plane of ether being further extracts from the records of the Astral Camera Club.
These are there, available at Caltech by President David Starr Jordan.
So there's a lot to investigate about the Astral Camera Club, which we're looking into getting that information.
A couple of quick shots of Man Ray.
Again, This is a very mixed bag because now we can see through the eyes of Hodel's daughter the kind of twisted stuff that Man Ray was involved in.
But, you know, of course, he made fantastic art.
So, just like we know Hodel himself had this like incredible classical genius, but he, you know, is twisted by this thing and willfully or otherwise.
But it is interesting to get into it.
Two quick things.
To round this up, this is the letter that the authorities got after the Black Dahlia killing, which convinced Hodel years later, looking back at it, that this was his dad.
It says, I will give up in Dahlia killing if I get 10 years.
Don't try to find me.
So, the way that that was done, he said, This is exactly the type of stuff like my dad was always.
With his kind of artsy influence.
He was always doing things like this.
And the whole don't try to find me.
This is another piece that Steve Hoddell put forward about his dad, which is he points out that all of these different crime waves and murder waves that took place all referenced the other crimes that his dad committed.
So here he has where they find the Black Dahlia is right near, right off of Degnan Street.
Let's see if I can bring that in.
So Degnan is there.
And Degnan Street is where these lipstick, so called lipstick murders happened in Chicago.
And that Hodel had been there.
And during the trial of the person accused of those killings, he says, I keep having this memory of being hypnotized by someone named George.
And like he can't remember.
Wait, wait, wait, wait.
Go back to that, man.
Can you remember that again?
It's the Lipstick Alley murders, they are something that took place.
Place around the time of the Black Dahlia killings, just before 1946.
And George Hodel was there in the area when it happened.
And it has all the strange trademarks of this.
And they blamed this kind of young hood from the Chicago neighborhood.
And the death took place on the street, it was called Degnan.
And then later, that person who was accused of it, and he was in prison the whole time.
It's funny because he goes in there, he's this young, like 17 year old kid.
And then they show him being interviewed about it and how he got set up about it.
And he's been in there for like 50 years.
But he's talking about it.
And they go back over the trial and he says, you know, I.
I don't know, you know, you guys have to find out who was messing with me because I keep having this memory of being hypnotized by this George person.
But then the fact that Degnan Street is there where they find the Black Dahlia, Steve Odell suggests there's a pattern to this.
And he puts together, just like one of the killings, is Zodiac Street and then the Zodiac Killer.
So he feels that he has nailed this history of his dad's crimes.
So absolutely fascinating.
Yes.
Kantiki Mammals Journal, did I miss something?
What was Hodel's link with the Astral Camera Club?
Well, the Astral Camera Club is David Starr Jordan, and David Starr Jordan will work with Louis Terman, and they will set up the Human Betterment Foundation.
And Terman is the one who is seeking out these advanced children.
So it is Hodel's parents bring Hodel to Terman to analyze and say, Can you, you know, Can you figure out if he's a genius?
And they realize.
And they create a monster.
Well, it's interesting because the suggestion is, from my point of view, that it is Pasadena.
That's the reason they're there because they come all the way from Paris to Pasadena.
There's some network there that's saying, come down here.
But it's strange.
And I'll tell you why because Hodel, that's where he's born.
So they come over here, then they have him.
He's a super genius.
and he's an only child.
So did he come there and did they have the ability in 1907 to artificially inseminate?
And were they experimenting with their own eugenics?
This stuff doesn't come up, you know, the kind of influencing these types of things until the 70s.
The question is, we know the Germans were working on these types of things.
How far back does it go?
Really?
And you could say, well, there's no, you know, they didn't have the ability to artificially inseminate or, you know, test you babies or any of that stuff.
Well, not as far as we know, but did these networks have access to that stuff just like they had access to flight and things like that hundreds of years earlier?
This is the question.
So did they bring the Golgathers there, change their name to Odell, you know, artificially inseminate them with the super genius, and he turns out to be this freaky.
Erratic super genius monster, it's a question, uh, but that might be the answer.
Yeah, um, now John's asking if Pasadena has any significant occult meaning in the name itself, I, you know, or possibly leyline power, power center.
Why Pasadena?
It is very interesting.
Um, we're gonna have to look more into that.
Yeah, I mean, David, there are there are power spots, right?
Yeah, there are power spots.
Pasadena Leylines and Lemuria00:05:04
You know, if you think about it, California, the Theosophical Society thought California would be entirely the place.
So that's why Krishnamurti is there.
Halcyon Temple, which has the Varian brothers, and they are under the master ray of scientific genius.
They bring forward Varians, and the Varians become very technologically advanced.
And the people who basically set up Silicon Valley and who is their teacher, it's Frederick Terman, who is the son of Louis Terman, who is.
Starting this human betterment eugenics thing and is taking on Hodel.
So there's something there.
And I literally started with this one analogy, which was here's the great white brotherhood here, and here is this kind of Aromanic, dark black occult.
And they're both intersecting and interacting in the plays.
California was definitely the front line for this.
You know, so I think that there is something there to consider.
I also think Ojai, you know, with Krishnamurti there, there are aspects all through California of some extra Mount Shasta, of course, all of the Lemurian stories about Mount Shasta, and in the Casey readings talking about Death Valley and saying, literally, this is the last strip of Lemuria that's above the water.
The death, you know.
Right there in Death Valley, and suggesting there were ruins there.
So, yes.
Two things.
So, Thomas Tyson says almost 33 degrees latitude, Pasadena.
And Ratboy Genius, thank you very much, says the word Pasadena literally means valley in Ojibwe.
But it has been interpreted to mean crown of the valley or key of the valley.
So, obviously, a significant place to the Ojibwe.
Wow.
Thank you.
I like the sound of it.
I think it's a nice name for a city.
This poem that they got the name Tamar from, I just want to read a couple of quick things about it and we'll take more of your questions.
Everyone, you're watching the Dark Journalist Show.
This is X Series 105, and we are going deep.
This is Female Targets 2, and we're talking about supernatural eugenics.
We're going to be taking your questions here for a little while longer, and it's great to have so many of you here with us tonight.
It's just a fascinating group out there in the ideas room.
Okay.
Jeffers is the name of the poet, and in Tamar, Jeffers treats all aspects of his characters and the way they act as part of nature.
As in his early unrhymed lyrical poems, humans are presented as expressions of natural forces, but unlike in the lyrical poems, Tamar's action oriented story places the characters in situations where they confront or attempt to avoid what this implies for human action and consciousness.
The English studies scholar William Nolte and Terence Diggory have interpreted Tamar's dance scene as the moment where it becomes clear that Tamar cannot, as she thought, live outside of nature.
After writing Tamar, a major theme in Jeffer's lyrical poetry becomes the struggle of humans to find a place and a form of meditation in a world defined by nature's drama.
So it's all very high minded, sort of like searching stuff.
And yet, the actual story that they're drawing it from.
I'll just read a little bit of the background.
Here's the setup for the plot for the poem.
It's an epic poem.
Lee Codwell, the son of a ranch family in Point Lobos, California, decides to stop drinking one night when he returns from Monterey, falls into the sea, and is saved by his sister, Tamar.
Also living at the ranch are their brother David and their deceased mother's mediumistic sister, Stella, and their father's mentally disabled sister, Ginny.
Sometime later, Lee and Tamar visit a secluded water pool, and after Tamar sees her own reflection in the water, she manipulates Lee to have sexual intercourse with her.
They continue their relationship.
By coincidence, Tamar learns.
That her father had a sexual relationship with his now deceased sister, Helen.
Tamar is disappointed that her own transgression appears to be a mere repetition and develops a desire to destroy her family.
She learns she is pregnant with Lee's child, and to disguise the incest, she begins a sexual relationship with another young man.
As Tamar's frustration grows, she consults Stella in an attempt to contact Helen's ghost.
Remote Viewing and Incense Waves00:05:03
So, this is the weirdness of it.
Tamar.
They have all this incense, incest part to it.
But the crux of the story is she needs to go to a medium to contact the ghost of the deceased sister.
So this is weird.
This is weird stuff.
Instantly, we can see again Astral Camera Club, Orphic Circle, you know, 1922 poem, and she's going to a medium.
There's an incense wave in there.
Nin and her story, this whole thing.
Again, we have that piece.
Hodel is so twisted at this point, he needs his own daughter tomorrow.
So, you know, he's anticipating doing this whole thing and having this whole relationship and drama with her when she grows up.
So, you know, something, this seems to have tracks laid out very far and very delicately in the past.
Yes.
The remote viewing program started at Stanford, also?
Any connection?
That is an excellent point.
That is SRI, and there's a lot of weird programs.
There's an early psychic program that was also at Stanford in the 60s.
So, remote viewing is basically an offshoot of that one.
So, absolutely.
And I think that we have that piece with Stanford and the Silicon Valley in general that.
There is a supernatural piece that they're doing.
If we think about also Steiner's work and what he's projecting out into the 21st century, talking in 1920, and he's saying, you know, it's going to come through the various industries.
And so, what he's describing is he basically describes the internet, and then he describes almost like a cyber being, and then he describes the projection in the cyber being.
What I get from that literally is that, and he talks about Armand's incarnation in the 21st century.
I think that the Armandic force comes directly through technology and ultimately will be like the advanced supercomputer type thing, the spirit operating inside of that.
That's the kind of dark wave, I think, on that.
And the key point that Steiner made about it was humanity can overwhelm it and learn.
From facing it, if it didn't meet it unawares.
So, if we show up to that moment and we're not aware of this incredible threat of the harmonic forces that Steiner and the mystery schools through anthroposophy have left us that legacy, if we do show up aware, then we have a substantial chance of being able to, on the spiritual side, overcome and meet this moment.
Look what we've moved into.
And look at the AI and the things that they're moving forward through us and the transhumanism.
Of course, when you engineer a human being, With technology, um, you know, I just want to say this in relation to Elon Musk when he talked about beaming his consciousness into a cube.
Look, those people understand the mystery school's information, I have no doubt about it.
They realize that your entire system and the way that it's been laid out, your glandular system, there is no way to take the essence of yourself and put it in a cube because it operates.
Because it's operating on the silver cord of the Leydig cells, the pituitary gland, and the pineal gland.
So they know when they say things like that that they that's an eighth sphere thought.
That is that's an attempt to trap and capture consciousness conceptually by thinking, oh, that's how it's going to work.
I'm going to be my consciousness somewhere.
Your consciousness operates in a physical world because it's operating inside you.
You are the kind of energy matrix for it.
So The transhumanism is a way to kind of trick you out of your own defenses against that type of artificial intelligence coming in.
So I think Steiner's point is if we meet it and we're aware, then it doesn't stand a chance.
But if we come into it, as Gurdjieff would say, in sleep, in slumber, then we become.
Subject to it through sleep.
So I think the concepts run deep there.
Pleiadian Control and Cybernetics00:14:33
Yes.
Brandon Push wants to know did cybernetics start at Stanford?
Ah, well, it's certainly one of the places that would be foundational to it.
Of course, the Macy conferences put together people from multiple disciplines and also different universities.
So I don't know if we can name one particular university for it, but I would say.
Probably, if you really had to lay it out, Stanford is the leader.
So, absolutely.
And just, you know, the incredible.
I was making this point about when I was talking to Joseph Farrell that in 1936, the Nazi Olympics were shown all over Germany on television.
And he was telling me that the person who created television was grabbed by the Germans and brought over there to do it.
But we didn't get TV until 1950.
So they have these things and they'll use them when they think, okay, we can control the reactions and everything else to this.
But you know, it's really interesting to think about it because those people in 1936 were watching live Olympics on TV and we didn't even have it in America until 1950.
Yes.
Well, you got some.
Does Howard Hughes play into any of this?
Well, Hughes is at the very heart of the aerospace side.
And so the aerospace dynamic is that if you lead in space, if you lead in satellites, then you control information, you control information flow.
Ultimately, you create a global grid.
So it's interesting.
I think that Hughes is very manipulated, and he, instead of thinking, he would never think of himself.
I'm an occultist.
I'm going to be like a black magic guy.
He would think, I'm doing it for God.
I'm helping the CIA for God or something.
So it's a very different kind of mentality.
But the incredible control that the CIA had through Hughes, using him as a puppet and using his billions to create a completely off the books space program, it's fascinating because it was Nixon that gave him the ability.
To run Hughes Aerospace as Hughes' medical charity.
So he never had to pay taxes.
That kind of unfettered financial, they could do anything.
And it was a big slush fund for the CIA's space ambitions as well.
So, I mean, it's pretty fascinating.
You could say that that kind of takeover, the idea of the planet as a grid to be controlled, so much of what comes out of.
That space control aspect, the space fence, and all that kind of thing, comes directly out of those moves to let Hughes Aerospace become the key.
And, you know, they used his network because of the people that he had around him.
They used it as when a group got out of control, they could send assassination networks that were non state actors in to do something and then come back out.
So they were using Hughes Aerospace as like a huge mercenary.
Training ground.
So it's such a story, I think, and the impact of the Hughes thing.
I think very often we just think of him, oh, wasn't some interesting, eccentric character.
Hughes Medical, which is still operational.
You know, Hughes Aerospace, which was sold off to Northrop Grumman some years ago, but, you know, they had the bulk, the vast bulk of the majority of it.
So many things from Hughes have developed into the world, the 21st century world that we're looking at now.
I think they leave Hughes out a lot in the Measuring this stuff out.
And they're like, oh, well, you know, he died in the 70s, so that's it.
The things he set in motion for 40 years, and not just Hughes, of course, but that whole machination of the kind of black project, off the books projects, things that they ran through the Hughes organization, it's just off the charts.
So a huge influence.
I don't see them particularly occult, except that the CIA is a very occult organization.
This was an early question I want to get back to.
The Philip K. Dick Film Festival wants to know microcosm and the medium.
Joseph Farrell talks about the impact of music on social engineering.
Where does that fit into all this?
You know, this is it.
This is really what we're talking about because it is that influence that is deep and subconscious.
And we know when they did gangster rap and they try to, you know, What was the song we were talking about?
There was a song that was like Pleiadian, right?
It was a Carpenter song.
It was a Carpenter song.
So much of their music is Pleiadian.
This is it.
Think about it, and I'll just use Pleiadian as a list.
This is a Gigi Young way of looking at it.
You know, that higher influence coming in and the higher culture aspects.
The Pleiadian influence would be artistic, it would be, you know, higher cultural arts and all that.
And then you put that next to like gangster rap or something like that.
And actually, I'm catching it.
It has to do with refined emotions.
Yes.
More than anything else.
Not gross emotions, not base emotions.
It's more refined.
It's aspirational, right?
So the whole tone of it is I just think that's an important word to use refined.
Well, think about it.
In the mystery traditions, they use the music of the spheres, right?
The planets moving creates a sound.
In all of the mystery trainings, they all use.
The keys.
As a matter of fact, the octave and the whole system of music that came through the Pythagorean schools was a way to show the whole universal influence of energy.
So they're laying out, they're saying, oh, we can put it all in there and have them discover it.
There's all the mathematics and everything else.
This is what's so interesting to me about the battle that we're facing right now on a day to day basis with the types of energies and people that we're seeing out there.
You know, the Gates and Fauci's and all this kind of stuff.
Because what's happening is, you know, they don't understand that in human interaction, like our rays.
So there are interactions that create certain types of energies and rays.
And when you are sending out this type of information, you know, when you're trying to control a culture through a physical action, On the energetic spectrum, from somebody with clairvoyant vision, for example, there are so many other things that take place that will have an impact on you.
So that, you know, at a certain point in culture, for example, it looks like Hitler's taking over everything, right?
And then basically a year and a half later, you know, the Russians are in Berlin, you know.
So they use a line in the Bible God's not a respecter.
Of persons.
You know, it's not like Hitler is going to say, I'm taking you on, or, you know, the forces behind the Biden thing, you know, they think they can lock down the culture.
From our perspective, looking at things on a mystical level, you know, there are etheric interactions that create energies that are exchanged.
You cannot, it's in error to think that you can control.
With just force.
Seen from a spiritual level, it's pathetically weak.
And you can see it's a devouring energy that devours itself.
So those who are setting an emotion, you know, are making the same mistake that all the others who have set an emotion are making, which is they will be consumed by the thing that they are sending out.
So I think I want to get us on the right hand because I've heard a lot of people say, oh, there's no hope and, you know, we're not going to be able to.
Take on this machine that's coming after us.
And it is dark.
A lot of people need to stand up, especially journalistically.
And it's incredible the place that we've come to censorship wise.
And those forces have to be exposed and fought against.
But it should never be thought that from an energetic level that that stuff can win just because they're consolidating the money and the forces.
These things, you know, I mean, if you had a pole shift, they might all be out of business.
So we have to be prepared for things to go really well.
Also, and look for those opportunities.
Everyone, you're watching the Dark Journalist Show.
This is episode X Series 105, and we are going deep on female targets too.
We're taking your questions here now.
Supernatural eugenics is kind of the fundamental theme, and we've moved into areas like Hollywood, we've moved into areas like entertainment.
And I think that music has an incredible influence on the culture.
And if you just go back and listen, I mean, there's always good and bad music in every era, of course, but you can see right now is one of the worst eras for music.
And I would love to see music and musicians come in.
Right now, I think the media, entertainment, and music, all those industries need to be kind of like wiped out and started over again.
And maybe they can find the incredible magic, you know, like the mamas and the papas.
Tonight, we've had a lot of quotes from the Bible in the ideas of the fight.
And Christ seems to be in the air.
And I think that a lot of people are realizing that we need him in the fight.
That alone, I was listening to Dr. Tim Penny earlier today talking about how the forces that we're up against are two ahead of us.
They're 10 years ahead of us.
They have it all lined up.
We're outgunned, we're outbanked, we're out everything, and that it's going to take God to fight for us.
And so, on that note, Steiner de God said, Can you ask DJ to give a brief description of what Steiner says about Christ for the chat?
A lot of people seem unfamiliar with the Christ in there.
Oh, well, there's some fun.
I mean, the entire structure of anthroposophy is based on the fact that Christ at Golgotha, by being crucified, Created an impulse in the earth that hadn't been there that allows us to spiritually evolve and that's, you know, takes us into spiritual science.
So it is the crucial moment of earth evolution.
So it, you know, fundamentally, anthroposophy is based on an esoteric Christianity, but so is Gurdjieff's work and Casey's work.
Theosophy, Isis Unveiled has that as well.
When it starts, theosophies like that, it gets kind of hijacked.
As we've demonstrated through Steiner's work, that when he's talking about theosophy, he will say they were going along in a particular direction and then they got kind of co-optered by these Eastern initiators who had more political goals, and it got worse and worse in that theosophy was able to be played with.
But fundamentally, anthroposophy was coming from the perspective that it's time for the Western initiation tradition.
Because it is the Eastern tradition that has passed the torch to the Western esoteric tradition, and now it is the point of time where the Western esoteric tradition needs to ride the day.
We've learned from the Eastern tradition, but if we were to take up, I mean, all of the religions and movements have had their impact, but if we were to take up the Eastern initiators, then we'd be missing out on 2,000 years of development since.
Golgotha, you know.
So, this is kind of, there's a lot of depth in how Steiner sees that.
I want to address something, though, about outgunned and outmanned and outarmed and all that.
I understand that.
And Tenpenny has some incredible things to say in relation to the dynamics that we see going on.
However, you know, the Germans had the Russians at a certain point.
And it looks like they were going on gun, except they forgot that they were going to come up against winter.
And they were so arrogant that they went in there and they froze, but the Russians knew how to deal with the cold and the Germans didn't, which is how the Russians, although they were outgunned, they weren't outmanned because they had more men, but at a certain point they were riding horses, men on horseback against tanks.
YouTube Beast and Mark's Warning00:04:14
So all the odds were that the Germans were going to take over, but they were roundly trounced.
That started the turn in the entire situation.
So, we should always look for that weak spot in Goliath, and it's available to us if we can see it.
And if we can see it, we can act on it.
Everyone, you're watching Female Targets.
This is Dark Journalist Episode 105.
I want to remind you to go to darkjournalist.com and get on our newsletter list because we're going to have some fantastic shows coming up.
You know, with the incredible.
Things that we've seen going on in relation to censorship.
And these are the very things that you were discussing there about being outgunned at everything.
It seems like we all got tricked and enticed onto these platforms.
And then they were like, ha ha, we've now controlled the world with these platforms.
You've given us all your information.
Now we can shut you off.
And they will, they'll try to shut us off, but it's not going to work.
But one of the ways we can get around it together is if we do, in fact, Have this direct communication.
So, the newsletter list is a way that we can do that.
And it's a free newsletter.
You'll get it about once a week.
Make sure that you're on board there with us so we can have more conversations like what we're having here with the X series.
Look, about a year ago, everyone was saying to me, You're going to get thrown off YouTube.
You're going to get thrown off YouTube.
You're going to get thrown off YouTube.
And I was like, You know, it's probably true.
But then I'll just broadcast from my iPhone.
You know, I mean, I'm going to do what I'm going to do anyway.
And I've never tailored my information or tamped it down.
So, and we're still here, you know.
I wouldn't do Elton John's.
I'm still standing.
But, you know, when you get right down to it, it's going to be there.
And when you have it, we have this opportunity.
So, on this Friday, August 6th, here into the third hour of the episode, it's great to be here with everyone.
We have the ability right now to do this.
And we've defied all the odds to do it because we were supposed to be gone a long time ago.
No such luck.
Go ahead.
Najat says, My anthroposophical teacher predicts Aramon Resurrection to arrive in another 200 years, so this is not ending anytime soon.
You know, Armand Resurrection would probably be the best X Series title of all time.
So thank you for that.
I love it.
I'll tell you, it could be.
You know, I don't think there's any way to tell.
I really don't.
I don't think even Steiner knew exactly when.
He just knew he was in the era of it and he pointed to this time.
I think it's tricky to, you know, look, it's very interesting.
When we were growing up, They would say things like, you know, oh, this person believes in the mark of the beast, haha, whatever.
And it was always like, you know, a kind of a joke that a super religious person would believe, oh, the mark of the beast, you know, what a joke.
This guy's a Bible thumper freak, you know.
But everything that they're doing is pointing to a mark of the beast system.
There's no question about it.
So, John at Pecmos, in his mystical vision, where he's seeing these things, he's getting.
A direct transmission of how things are going to be 2,000 years in the future.
So, think about that in terms of human ability and the things that we can achieve.
2,000 years being able to perceive what's coming in and us only being aware of it now, it's quite fascinating, really, if you think about the era that we're in.
So, it opens up all kinds of possibilities, but it also opens up the possibilities that.
We don't know how many different options that we have yet.
Inevitable Solidarity Breaks Down00:08:12
So we're in there, we're kind of in the arena, and it's kind of like in this place of the ideas room that we're able to do this.
Because by interacting with our energies of thought and intention and energy around these questions, we produce something else that we didn't have before.
So we're moving into a different level.
Of these questions.
And we don't know.
It's endless the kind of solutions that are available to us, even when we get really dark clouds.
So we're in an interesting place.
Yes.
Yeah.
And I just wanted to say to everybody, you know, I know we're all really tired and weary.
And, you know, and yet we still have to dig deep and put on our big girl and big boy pants and, you know, and do it another day, right?
And not, it's hard to, Hold on to hope and to know where to find hope, what direction.
And I just wanted to say, I've been feeling very blue this week.
But being in the ideas room with all of you, I feel so nourished.
I feel so much better than I have all week.
And I want to thank you.
Fantastic.
You know, I should have cheered you up by telling you all the fan mail that you get all the time.
It's ridiculous.
It doesn't matter.
It's the beautiful coherence in the ideas room.
Right?
It's like, you know, I click on it.
It says, DJ, I can't wait to tell you.
I click on it.
I'm like, yes.
And they're like, how about how great Olivia is?
And I'm like, I know.
She is great.
No, you're doing fantastic.
But it does make a difference.
I absolutely agree with you.
We feel alone, you know?
Nobody.
No question.
I mean, and the media structure, it's so interesting to watch because they think they're doing it when they lay it out there for a bunch of idiots.
I mean, it's funny how they work.
They're like, aha.
You know, run against the anti vaxxer.
He's your problem.
Just like they ran against, you know, like, oh, the terrorists are there, you know, we have to go bomb Afghanistan.
Oh, the Iraqis are enemy now, you know.
So, you know, they're very skilled at this, but now in their twisted game, they're trying to get it, you know, they couldn't get a fallout civil war.
I think they tried really hard.
I was talking to Fitz about that, and she said, you know, it failed.
I think they could try again, but that failed.
So, this is kind of interesting, isn't it?
Two years ago, they wanted a civil war to take place in the country to alleviate them from the debt of the missing trillions that they have.
They didn't get it.
So they're hardly infallible.
Look who they have as their operators Joe Biden and Kamala Harris.
I mean, you know, it's kind of interesting.
It's quite an interesting sideshow.
Yes.
You know, it's their ugliness.
Actually, I'm going to relate it to music.
It is like one harsh note.
On a piano or something, that's all they are.
It's one dimensional.
You know, the more we dig in, we are growing in leaps and bounds, and it's, you know, creating a symphony of higher emotions and depth and beauty within us.
They're doing us a favor, the soul growth that's happening right now.
Truly, I don't like it.
I would rather, I'd like things to be a little lighter and easier.
But in truth, you know, if we rise to the challenge, like, you know, it is a symphony of humankind and love and higher emotions and compassion and, you know, It is.
Brotherhood.
Yes.
That is being born here, you know, globally.
We need a, what we've been talking about is a solidarity of humanity, a global solidarity.
Once we are together, they, that's it.
We win.
I'm not sure what it's going to take, but it has to start in the heart.
You know, that's where we're at.
Oh, yes.
They want to keep us in our minds, locked in our minds, hating them or fearing them, you know.
But if we shift down to the heart, it's like that's where all the courage is.
You know, where we can face everything.
No question.
No question.
Wow.
I do.
I think of it as I mean, it's the great example of King George overplaying his hand, sabotaging the colonies, going after their leaders and everything else.
What did he get out of it?
He got the American Revolution where they really sent him back over.
And, you know, it is that overreach of the tyrants which.
Has that potential to really tie them up.
And this is the incredible period that we're in.
There are challenges ahead with this, and there is a real crisis in human affairs on it right now with the kind of biomedical state.
And politically, I see them, they're moving on a number of levels.
They may try to create a nuclear incident with Russia once this.
Don't go quite the way that they envisioned it.
So we have a lot of things to have a solidarity about, but fundamentally they're all embedded in the Constitution, frankly.
The ability to speak freely, to possess arms, to defend ourselves against the government, the ability not to be searched in our homes.
These are concepts that we have lived by, and that every official in the United States, from court officials to the president, have to swear an oath to.
That's the law, and that's what they've sworn to.
That's the key to it all.
The covenant exists.
When they break the law, it's like when you break the laws of nature, it comes back on you.
So it's an incredible boomerang.
And when you concentrate that much power at the top, it falls over.
It's inevitable.
It's pretty ugly, too.
These people are so despised.
All of them, right?
Yes.
They really are.
And one thing we've talked about is how when you get a certain figure, let's just say one person, and all of this hatred is aimed at them, their fall is inevitable, right?
When you think about how many people hate the power elite, There's just no way they can hold on to their power, really.
I mean, they can do a lot of damage on their way out, but they cannot stay in power.
The karma, it's already, they've created the karma.
They've engendered their own demise.
There's no question about it.
What's weird is that Louis Farrakhan, of all people, came out and said something like this.
And he said what they were meting out was going to be meted out to them.
And I was like, you know, this is fascinating because whatever one can say about Farrakhan, you know, he understands their dynamic because he never played up to them and he was never in that.
He has his own, you know, way of looking at things and whatever it is.
But I think it is fascinating because that is in the sacred texts as well, which is it'll come in the way that you meted out, it's going to be measured back to you.
It's inevitable, inevitable understanding of law.
So, this is the deeper key realization.
And the surface is ugly.
It was ugly when the Nazis took over.
CIA Sabotaged Soviet Central Plans00:03:01
It was ugly when the Soviets took over, you know, in Czechoslovakia.
It was ugly when the CIA, you know, sabotaged Central America.
But those things, you know, History does move, and there's a great feeling, I think, going on right now.
Which the more that we tap into it, the stronger we are.
You know, it's like I think we have to, it's a good time for us to consolidate more and more and interact in a kind of tighter fashion, in a way, so that I think we have to be.
More ready to listen to each other right now in this period of time and also work together maybe a little more than we would under normal circumstances.
I actually hit Fooper Fighter says they got the guns, but we got the numbers, gonna win.
Yeah, we're taking over.
And I say one thing this I'm just gonna bring this up.
Five to one, we love the doors.
Um, so I've been thinking lately, um, that I want to wear dresses more and skirts and open.
I just wanted to invite uh, women in the audience.
Men too who may want to go around to the feminine side.
But that, you know, there's this, we've been, you know, masculinized.
And, you know, I sort of want to open up to my softness.
And I almost wanted to link it to Cash Fridays and my feminine Fridays.
Oh.
And just really let myself wear soft clothing, gentle clothing, and see how it changes my consciousness.
And almost as a form of rebellion, because that is not what they want.
That's fascinating.
Yes.
They want me to wear, you know, pants and boots and skulls and all that we're talking about.
But, you know, this is very good to open up to flowers and pastels.
And all this kind of stuff, and see how it alters me.
And doing that on a regular basis as a form of rebellion, as an ex-con with a lot of tattoos and a hardcore police record, you're not going to get your own TV show.
That's the way it is.
That's fascinating.
I think this is a great idea, actually.
And let's pick up on your reference to Cash Friday there, because Cash Friday is something that Fitz started, and we need to promote it even more, which is just use cash.
Catherine Albrecht used to say this to me, which was cash, use it or lose it.
So we don't want the central bankers taking over that ability and using any of the digital currency systems.
We've done a whole series of interviews on this to consolidate.
They've said openly that that's what they want to do, that they want to know where the money comes from, where it goes.
Cash Friday and Stanford Coming00:02:43
And if they don't like basically the interaction, they just press the smite button.
So Fitz introduced this idea you know what?
Friday, just use money.
And use actual cash and cash Friday.
So let's go for that.
Let's try to do it as much as we can.
You go to the cafe, you know, you go to the restaurant, use actual cash.
And I think that's a great world to live by.
And then Femme Friday.
The Olivia creation here.
Dress up for Fridays.
Let's do it, everyone.
All right.
So we'll take two more questions and then we'll round up this episode and have a couple of things.
Okay.
So Alan kind of said, Can you ask Daniel to give us some homework for the next episode?
Ah, that is right.
Do you know, is the next episode going to be part two?
It's part two of this episode, no question.
Well, maybe this will help.
A couple of interesting things.
Jane Stanford.
Following their son's death, Jane and Leland Stanford sought ways to memorialize him.
Before they left Europe in April 1884 with his remains, they changed their wills to give everything to a proposed institution.
In Palo Alto.
In November 1885, they created foundational plans for Leland State Junior University, which opened October 1st, 1891.
After her husband's death in June of 1893, Jane Stanford effectively took control of the university.
The university struggled financially in this period.
The trustees advocated a temporary closure of the university.
Basically, Stanford becomes, you know, their.
Kind of gift.
And the piece about the cover up of the murder of Jane Stanford is going to be something that we're going to follow up on because it seems to set off so much of this eugenics activity and it has that supernatural feeling to it.
So certainly Leland and Jane Stanford are kind of coming up in the next piece.
Yes, occult fantasy Leland was the name of the father in Twin Peaks.
Hey, he's got the Twin Peaks piece, and uh, well, Cooper, right?
Cooper, indeed.
Can I just throw a question at you about something else completely that I'd like to know?
Sure.
Okay, so Lambie Lambowski says, What ever happened to NSAM 57?
Trump Memorandum Security Strike00:09:58
Well, National Security Action Memorandum 57 was what was created by President Kennedy to shut off the powers of the Central Intelligence Agency and turn them back to the Pentagon, which is where they belong, Special Operations Office.
And when he went to do it, they wouldn't implement it at the time, and he was assassinated, and it never got done.
It was just hanging out there, but it was a presidential memorandum that was never enacted.
So, President Trump, G7, and we did a series of episodes on it.
While he was still in office, he enacted it, and he stripped, starting in January of 2021, the ability.
Of the CIA to have any of that military support for their covert missions, that all went back to the Defense Department, the DOD.
There was a huge battle underneath the scenes there, and when Trump activated it, he showed that he was coming from a totally different place and that he understood.
Somebody put that in his ear or he knew it, but it's such an earthquake, I can't even describe it to you.
What they've done to NSAM 57.
Since Trump enacted it, I'm sure they logistically could have been a symbolic move on Trump's part, and that he knew if he wasn't in office, he wasn't going to be able to enforce it.
So I think that they've put it back into the same state it was in before President Trump activated it.
I think it's hanging there in midair, and I think that they have slowly tiptoed around it and moved personnel around and all the rest.
But there's no signs of NSAM 57.
You know, being on the policy table, so they've done something behind the boards.
There, my guess is they ignored it because Trump wasn't going to be in power.
Um, but it seems like the Trump, uh, populism side, you know, and the moves of governors in Texas and Florida and stuff like that is rolling like that's what's on the rise.
If you want to know what's on the rise besides inflation, it's that because the Biden.
Administration, their numbers and their push and their misunderstanding of the situation, and him constantly mistaking things and forgetting where he is, and the incredibly unpopular vice president they selected to satisfy different groups.
That's not a winning formula.
The only way that they can win these elections coming up is by taking them.
And what they're setting up, interestingly enough, is this.
Thing about, oh, the Russians are hacking our elections.
Look for them to try to avoid on the Democratic side a huge loss in 2022.
You know, and some Republicans, you know, you could take them like Mitch McConnell or whatever.
What we're looking for are good Democrats, good Republicans, and good libertarians.
But look for this thing not to want to get its key people out by claiming, oh, the Russians hacked us.
We need sanctions, and maybe we even need to get into a shooting war with them.
You know, that's their next kind of piece to keep us off balance.
So, those are the types of things I would look for.
But in terms of National Security Action Memorandum 57, it's on the books there at the Kennedy Library, if anyone wants to see it.
NSTAM 55, 56, but 57 is the hardcore one.
And, you know, presidential memorandum that he wrote out, it's part of the official record.
And what happens with the presidential memorandum, it becomes active.
In the government.
So once Trump enacted it, legally it's there, but I'm sure that they have sidestepped it.
Wow.
Yeah.
And that was a fantastic episode.
Yes.
Well, I'll go there.
So Bug in the Garden wants to know can you address the increasing police powers being organized to knock on our doors for a jab?
Oh, yeah.
Well, I mean, the thing is, you know, It's under the guise, all of this stuff is under the guise of, oh, we're trying to get you the things that you need.
Well, you'd say, like, okay, you know, you're sending people out to do this stuff.
Interesting.
Then your Homeland Security person, who was huge in the Obama administration, was the deputy director of Homeland Security, comes out in Atlantic Magazine, which is owned by Steve Jobs' widow, and says people who don't have a vaccine should be on an anti fly list.
You put terrorists on anti fly lists.
No fly list.
Right.
Oh, did I say fly list?
No, just it's called a no fly list, not an anti fly list.
Oh, oh, oh, oh.
Yes.
Well, the idea being that they wanted to create a no fly list for people who weren't going along with their program fundamentally, stripping away the power of the citizen for their own medical choice.
Beyond absurd.
But these are the things that they think, you know, in their dictatorial minds because they have a seething thing.
They can't.
You know, if we can't get total power, what can we do to these people?
You know, look in Australia, they've said, oh, we had four cases, you know, we're going to keep you locked up in your homes, we're going to police the streets, we're going to send the cops out and act, the military's going to get on the cops.
And, you know, I mean, you know, so they're just taking over these places.
And then you have the voices of people in Australia, you know, and they come out and they do a huge demonstration in Sydney.
And in France, there's a huge demonstration.
And, you know, so these, These things aren't working.
Macron is like, you know, you can't go to a cafe without showing your, you know, Star of David.
It's not.
I mean, it's funny to do that in France where it was the Nazis that took over after all, right?
I mean, come on.
So that kind of open Nazism, let them do more of it because that lets people who live in a foggy dream world see them for the beasts that they are, which I actually think is a great mirror to hold up.
Or just to let them show us exactly how ugly that face is.
So when they talk about sending out these teams, you would think, oh, you know, if you were an average person, they're trying to spread information or whatever.
But then Jen Psaki up there at the board, she was like, our strike forces will go out there and get the strike forces.
Well, you know what that reminds me of?
Jen Psaki, who was she the spokesperson for before she was Biden's spokesperson?
The Pentagon.
So, you know, this answers itself.
That's the reason that she's up there, also.
So, I think the way that I would deal with that is I wouldn't deal with it at all.
I would never talk to anyone about anything that personal if they came up to the door and asked me about it.
You don't have to answer the door.
They can even look in the window.
You don't have to open the door.
You don't have to talk to anyone.
I would start talking to them about the Great White Brotherhood.
I would say, I am that.
Everyone in the story.
They brought up that very quickly.
I would say, let me tell you about Arma.
Everyone, it's been great to be here with you.
And, you know, yeah, I don't, any kind of force like that, you know, should be completely resisted.
And that is exactly how we're going to do it.
And the key is to get the media back because the media informs people about their thinking.
And, you know, this idea that we're going into these periods where these people just become mouthpieces for.
Pharmaceutical companies, oil companies, whatever it happens to be, in such a ridiculous fashion that they used to hide it pretty well.
If you go back and watch, go back and watch a 1985 newscast with Ted Koppel.
You're going to get the substance of the news that's going on, and there's going to be slants and things, but they realize that they have to appear impartial and get the news out.
They've forgotten that now.
Now they're crazy.
And so they're getting called crazy.
Strike forces are crazy.
You know, it's just crazy stuff.
Just the term strike force.
Exactly.
What?
I mean, something's very wrong here.
Yes, you think?
I absolutely agree.
And when we are looking at the political process now, it's divorced from any kind of logic.
They just need, they're under pressure to parrot this system.
And if they don't go along with it, then.
You know, the wrath of God upon them.
But I think fundamentally what we're looking at is these people, when they go back to Davos, they're, you know, they have to say, Well, I was able to do this.
I was able to repress this many people.
I was able to kick this guy off social media.
Great See Sir Next Week00:07:02
I was able to do this all so we could achieve our ends.
And if they aren't able to do that, if something gets through on a big social media network, I wanted to tell this story actually, and we'll close with this.
But, you know, many people know that when I was younger, I did a lot of music, and one of the College stations that I would play at was Tufts University.
And there was a thing there, a theme, where there was a DJ.
And it was well known that in 1982, when this DJ was around, he had done these incredible things.
And so by the time I got there, it was this legend of this guy who had done this incredible stuff.
And what happened was there's a railroad tracks that go behind the radio station, and he was an electronics whiz.
So, the railroad tracks went and they go all the way up to Canada.
So, what he did is he devised a system to take the radio transmitter and attach it to the railroad so that the signal went all the way up north to Canada.
And he had this incredible audience for a long time, and it wasn't technically illegal.
But, you know, it is that human ingenuity about getting around things.
I think we're going to need a lot of things like attaching the antenna to railroad tracks to get the message out.
And so it is this kind of inspiration and things.
And eventually, you know, of course, they caught up with them and got rid of it.
But it's that kind of almost pirate radio that we're going to need going into the future.
And with that, I invite you all into that future with us.
And it's great to have you here tonight.
Let's do a couple of shout outs.
Okay, well, I have to thank a bunch of people.
Yes.
So, Eurythmia is fun, Robert Schneider, W.C. Ray, a cult fan, Catherine Sways, Stephen, Kenneth Gahn, Vern Baumgartner, Shazam, Beth Berry, Joe Spindler, and Riz Fizz.
Thank you so much.
Fantastic.
We really appreciate it.
It helps us to keep going on the work that we're doing here for you.
And we'll be bringing forward that information on a regular basis, coming forward regardless of the platform that we're on.
And hopefully, we can just stay on and do what we're doing.
To all our subscribers, we really appreciate it as well.
We will be back next week and we have some exciting interviews coming up for you.
And of course, we also have X Series Part Two of this Female Targets.
It's going to be Part Three, I guess, of Female Targets, but Part Two of this episode.
How do you like that?
Um, so it's been great to be here with everyone.
I'm going to do a couple of quick shout outs.
Can I make a request?
Yes, it's great to see you out there.
Wait for a second.
A cult fan, great to see you, sir.
Jennifer and Bucks, what do you got?
I just think we should really focus on eugenics.
Oh, yes.
So I know Whitney Webb has done a lot of research, she's fantastic.
Yes, and um, but I would personally need to know more.
I think we all need to know more about that.
We're talking to Whitney.
Um, it's, I think.
It's a key piece, actually.
If I can open up the eugenics supernatural conversation further, I would be so delighted.
And I think it's a crucial conversation for us to have.
ModWiz, it's great to see you out there, sir.
Hey, hey.
Candace, Fubar Fighter, Cosmic Ocean, I like that name.
Jennifer Walters, excellent to see you out there.
The Ideas Room is hot tonight.
Jay Bird, Living Soul, Quickening Spirit, I like that.
Shazam.
What does that remind me of the two names?
Living Souls, something spirit.
I don't know.
It's like a movie title.
Dark Navigator.
Lou Weed.
I like that.
Walking the Wild Side.
Thank you, DJ and Olivia.
Great show.
Thank you, Private Pilot, for being here with us.
Fantastic group tonight.
Excellent.
Gypsy Moon.
Golden Girl.
Truth Flower.
I know Deborah's out there tonight.
Oh, this is nice.
Michael Snow says fear is a reaction.
Courage is a decision.
Stay strong.
I love that.
Thank you.
Yes.
Stay strong.
Absolutely.
Beth Barry, outstanding.
Quite a group.
Everyone, everyone's in the house tonight.
Life Hope, Michael, Good Humor Man.
Amen.
Yes.
Nothing as it seems says, I'm not leaving.
Jennifer and Bucks, fantastic.
We will see you all next week and thanks so much for being here.
I'll do a couple more.
Jennifer Walters, Kate, if you're watching, it's great to have you.
Dan Guzman, Alien Scientist, good to see you, sir.
Old as dirt.
Golden Girl, woo.
All right.
Unconscious Zone, the man, the myth, he is there.
Michael Gulpey.
Great to see you.
Thank you very much.
Scarlet Fire.
Wow.
Excellent.
We will see you all next week.
Thank you so much for being with us and being us, of course, astrologically.
We will see you.
Have a great weekend.
And it's hot here in Boston.
I don't know if it's hot where you are, but try.
To enjoy what's left of this month because you know, we know what happens when the fall hits, the temperature drops.
But we love the fall around here, Contiki Man.
Great to see you, sir.
Have a great evening, everyone, and we'll see you next week.
Okay, thanks, everybody.
God bless, Miss Olivia.
Anything else?
Um, actually, I'm not on Twitter anymore, but if you decide to go for Femme Fridays, um, hashtag Femme Fridays.
How do you spell Femme, though?
Well, it's E F E M M E Fridays, right.
I like it with Cash Fridays.
Double up.
Share your pictures.
Hey.
You should really do this on Instagram, but on DJ's Twitter.
I don't do anything on Instagram.
I put up Rudolph Steiner quotes.
Everyone else is like, look, my cat has like a rabbit's foot.
Yeah, but I absolutely look.
Cash Fridays, you're on.
Femme Fridays, so let's double it down.
Let's make it fun.
Right, we need more fun.
All right, what about Steiner Sunday?
Yeah, great idea.
Thanks so much, everyone.
Have a great night.
We love you.
And it says end broadcast, but you know, never really is.