Davis Aurini dissects the "Revelation of the Method," an alleged occult technique where ruling classes warn the public to gain consent and erase karma. Drawing on Manley P. Hall's insights into stage magic, Aurini contrasts "prestigitation" with transformative alchemy, arguing that disclosures like MKUltra files or Epstein emails are merely mundane finales designed to normalize lies. By forcing public participation in a constructed reality, this strategy aims to render the occult mundane, leaving individuals to choose between accepting the status quo or seeking a better existence. [Automatically generated summary]
It's a term used to describe a technique used by the occult members of our ruling class.
It explains why they always seem to warn us about what their evil plans are, as if they want to gain our consent, as if they want to wipe themselves karmatically clean, because after all, they told us what they were going to do, and all of us agreed to it.
There is some truth to that analysis, but there's also a deeper level to it.
There's a metamagical reason why they do this, and it's not merely because these monsters are afraid of a guilty conscience.
No, it's actually crucial to the methodology itself.
And to explain this, I'm going to talk about stage magic.
I'm going to talk about real magic.
And then we're going to get to this particular dark form of enchantment, which they're using again and again and again.
But to introduce this, I'd like to share a quote from Manley P. Vall, a writer who's fast becoming one of my favorite authors.
Now, as it ever was, the crowd always screams, give us miracles, not save our souls.
The crowd wants the excitement, but the crowd doesn't want the work.
Remember, before Enlightenment, chop would carry water.
After Enlightenment, chop would carry water.
I posted a recent video about the no-trick trick, about Teller of Penn and Gillette, and how he delights in performing acts of prestigitation that nobody else is even aware of.
He loves the art for the sake of the art.
Prestigitation, the flipped card, the palmed coin, the distracted audience.
This is the basic skill of stage magic.
And I dare say that most of us, at one point in childhood, have learned a magic trick or two.
And while our parents may humor us, nobody actually finds those tricks all that impressive.
Yeah, we get it.
You coined the pawn.
You pawned the coin.
Very, very neat.
Can we get back to work, please?
Prestigitation is necessary to be a stage magician, but it's not the core of being a stage magician.
The core is the performance, or, as described in the eponymous film, prestige.
The interesting thing about the prestige, if you actually study how these stage magicians pull it off, is that the flourish at the end is the least impressive part of the trick.
They're up there on stage.
They're distracting the audience.
They've got the gift of gab.
They're ditching the coin.
They're stealing the coin.
They're distracting.
They're creating illusion.
That's all fun and games.
But then the awe moment happens.
The moment where they flip reality upside down with the prestige.
And the prestige, nine times out of ten, is not prestigitation.
It's a stagehand or a trapdoor.
It is utterly unimpressive once you see what it is.
Which is the irony of stage magic.
The part that's so difficult, the part that takes years of mastery, the work, is not the part that impresses people.
The cheap trapdoor at the end.
The woman saw it in half, the bunny rabbit coming out of the hat, the hat turning inside out.
It's just a prop hat, but that's what blows people's minds.
Years and years of work on the part that nobody notices for 30 seconds of cheap trick, and you fill the audience with awe.
Transforming the Mundane with Magic00:05:18
Real magic is very similar.
Everywhere people ask for miracles, nowhere do they ask to save their souls.
Recent story.
I was giving a reading for a girl.
She asked, would she get her heart's desire?
And the answer came back, yes, but not today.
Not in the next near future.
Keep working, but you will get your dream.
The next day she wanted another reading.
Nothing had changed.
But she wanted the miracle, not the transformation.
Actual magic is about altering the self, about going through Nicredo, albedo, before you get to Rubetto, before you become the philosopher's stone that turns lead into gold.
The goal of magic isn't to turn lead into gold.
It's to become the agent that changes lead into gold.
That's the work.
That's the miraculous.
And you use the miraculous to transform the mundane.
You transform yourself, you transform the world.
And everybody is impressed with the miraculous, completely missing that that's just the work.
Transforming of self and environment.
That is the goal.
The ultimate result of magic is completely mundane.
So now let's talk about revelation of the method.
What is the work of revelation of the method?
The work is sharing these ideas in a deniable manner.
It's peppering them throughout the society, throughout media, making sure people know about them while also denying them.
Get everybody to participate in the reality which is created by this substrate of lies and graft and manipulation, while also denying that any of it exists.
Get people to join you in the lie.
And if that is the work of Revelation of the Method, to gradually slowly reveal it, what then is the prestige?
Prestige is the disclosure.
It's when the MKUltra files get released.
It's when the Epstein emails appear across everybody's feet.
We finally get to see that all of it was true.
And there are no sadder words of voice or pen, but we learn that Pole was right again.
And then, nothing.
The goal of stage magic is to turn the mundane into the miraculous.
To use basic tricks of sleight of hand to make people believe in magic again.
The goal of magic is to use the miraculous to transform the mundane, to make it sacred.
And the goal of revelation of the method is to take the occult and to turn it into something mundane.
Oh, we always knew about MKUltra.
We always knew about the JFK assassination.
We always knew about Epstein.
And we participated and did nothing.
Disclosure is just the final part of the magic trick.
And it's the part that leads into the next magic trick.
Which leads to the question: what will you see next?
Will you continue to participate?
Or will you find a better reality to participate in?