May 19, 2023 - One American - Chase Geiser
59:48
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| Speaker | Time | Text |
|---|---|---|
|
unidentified
|
You guys ever get in like a blowout argument? | |
| Yes. | ||
|
unidentified
|
Does it suck? | |
| In the moment, yeah, because I don't really like, I don't, I don't love confrontation. | ||
| I'm not anti-confrontational, but yeah, we have. | ||
| And a lot of them have been on, if not all of them, have been on camera. | ||
| There's been only like two maybe that haven't been on camera. | ||
|
unidentified
|
Really? | |
| So your blowouts are just live on air. | ||
| Yeah. | ||
| I always thought that was just like part of the show. | ||
| No, that's just a real blowout. | ||
| We went through because there's the pressure of like we're doing a show and then something goes wrong. | ||
| So there's that. | ||
| So it feels like we're failing to look professional. | ||
| But then we address it, which is kind of unprofessional, but it's also entertaining. | ||
| When the collapse happens, the prices plummet. | ||
|
unidentified
|
And when the prices plummet, the political class buys everything. | |
| Dude, I did a deep dive research on all this mysterious deaths around the Clintons. | ||
| About a dozen that are just fucking hard to shake. | ||
| Klaus Schwab famously said that you will own nothing and be happy. | ||
|
unidentified
|
Look at you. | |
| You start a show with absolutely nothing and you have thousands and thousands of listeners and you have force multipliers to send your content out. | ||
| I was actually talking to Chase Geyser. | ||
| He hadn't seen this. | ||
| It just came out. | ||
| I said, oh, you see this? | ||
| You know, all these documents. | ||
| Maybe I shouldn't even say what he said. | ||
| I shouldn't have said his name. | ||
| I won't tell you what he said. | ||
| I actually did a Getter stream last night with Chase Geyser. | ||
| Fantastic interview. | ||
| How did you meet Gavin? | ||
| The... | ||
| I met him at Compound Media. | ||
|
unidentified
|
Okay. | |
| And then it was like a couple years after that when he left Compound for CRTV and his producer resigned. | ||
| And then he was going to just bring me on just to try me out, basically. | ||
| We're going to be like, let's see, you know, until I get a real producer, basically. | ||
| And then I was kind of just like, I think we both thought it was a perfect fit. | ||
| And then we just kept going with it. | ||
|
unidentified
|
Yeah. | |
| So you learned basically how to do all like the switching, fly-ins, all the basically technical shit that's involved. | ||
| People don't realize it's hard, man. | ||
| It is. | ||
| It's difficult. | ||
| I mean, so I knew some of the stuff from Compound Media. | ||
|
unidentified
|
Yeah. | |
| Working with Pat Dixon there. | ||
| But so me and him would record after all the regular technicians would leave. | ||
| And they just gave me, you know, John Sereno there gave me like a rundown of how to work everything. | ||
| And then, but it's not only, it's not until started working with Gavin where when it's all on you and you have to figure out all of the things, like you don't just click different cameras and shit. | ||
| You have to actually, you know, route all this stuff, especially when we moved here from scratch that you're actually plugging in cables to the right or in the back of the soundboard of the switcher or whatever. | ||
| Yeah, it's, there's a lot of wires, a lot of routing. | ||
| And the cable management is pretty terrible, like in my office here, but it's because things will happen that I don't understand and I will have to just like switch things around. | ||
| Or, you know, Gavin's very like he, I need to be agile for his ideas. | ||
| He'll have like new ideas where we have different sets, setups of, you know, like this third shot. | ||
| We have a new set essentially built for different things. | ||
| We have the bar set and stuff like that. | ||
| So you need to be able to unplug things and then just try new reconfigurations. | ||
| So that's me. | ||
|
unidentified
|
Have you guys ever given like a blowout argument? | |
| Yes. | ||
|
unidentified
|
Does it suck? | |
| In the moment, yeah, because I don't really like, I don't, I don't love confrontation. | ||
| I'm not anti-confrontational, but yeah, we have. | ||
| And a lot of them have been on, if not all of them have been on camera. | ||
| There's been only like two maybe that haven't been on camera. | ||
|
unidentified
|
Really? | |
| So your blowouts are just live on air? | ||
| Yeah. | ||
| I always thought that was just like part of the show. | ||
| No, that's just a real blowout. | ||
| We went through because there's the pressure of like, we're doing a show and then something goes wrong. | ||
| So there's that. | ||
| So it feels like we're failing to look professional. | ||
| But then We address it, which is kind of unprofessional, but it's also entertaining. | ||
|
unidentified
|
Right, right. | |
| It's like when I do remember when Rogan went through that phase where he was an asshole to Jamie, it was a very short phase like four or five years ago, way before the Spotify deal. | ||
| I just remember, and I don't know if it was because he was like experimenting with like some sort of like steroids or something at the time, but there was a period where he was fucking snapping on Jamie all the time. | ||
| I'm like, is that part of the show? | ||
| Like, I don't know. | ||
| I don't know if he's all or not. | ||
| I remember one thing where Rogan asked him to pull. | ||
| He's like, hey, where is that thing? | ||
| And it wasn't even dickish, to be honest. | ||
| And Jamie couldn't handle it. | ||
| And he snapped back. | ||
| He was like, well, I'm doing this and I'm doing that at the same time. | ||
| So yeah, it's going to take some time. | ||
| And I'm like, bro, you would not be able to handle working with Gavin at all. | ||
| This is that was really like lame that to snap back that on something that lame. | ||
|
unidentified
|
So if Rogan came to you with a solid offer, would you just abandon Gavin like no problem? | |
| Or is there a loyalty that's built in there with some of the abuse? | ||
| There's definitely a loyalty. | ||
| Because I mean, I don't, I don't think that I desire more money, like that much more money. | ||
| Any money that I that I would need or want, I feel like can be fulfilled with this company. | ||
| And we built it from nothing. | ||
|
unidentified
|
Yeah, and you're basically banned everywhere, right? | |
| I mean, you only broadcast from censored.tv, right? | ||
| Yeah. | ||
|
unidentified
|
And amazing in and of itself. | |
| I mean, I think I'm still a subscriber. | ||
| I'm not sure if I still pay or not, but I watch it from my Roku app all the time. | ||
| Nice. | ||
| Yeah, well, then you must be. | ||
|
unidentified
|
Yeah, I must be. | |
| I don't know. | ||
| I'll have to look and see if I still am because it's been a minute since I've tuned in. | ||
| But I, yeah, I love Get Off My Lawn. | ||
| And Pat Dixon was the one that put me on to it because I had Pat on my podcast. | ||
| Oh, really? | ||
|
unidentified
|
And then Pat introduced me to Gavin, and that's how I got Gavin on mine. | |
| No way. | ||
|
unidentified
|
That's how I met you. | |
| So, yeah, Pat's the shit. | ||
| He's freaking hilarious, dude. | ||
| Yeah, he really does. | ||
|
unidentified
|
Yeah. | |
| He's a good bud. | ||
| And I'm glad that he's on this network now, you know, because that's where it all started. | ||
| I mean, I did an impression of him and he was on Compound Media. | ||
| And then Anthony Coomi retweeted that. | ||
| And I was like, this is the best day of my life. | ||
| Because my job, I had a couple of jobs around the time that I was listening to OP and Anthony, but it was mostly like a restaurant job. | ||
| And I was just working in the kitchen. | ||
| And I was allowed, since it was just me back there, I could listen to whatever I want. | ||
| So it would be Opie and Anthony like all day, like hours and hours of OA. | ||
| And then so him retweeting me meant a lot. | ||
| At that time, he was already fired from Sirius. | ||
| So he was starting Compound. | ||
| And oddly enough, I didn't sign up to Compound Media to hear more Anthony because I was like, well, I'm already, I already, I don't pay for anything really online. | ||
| I don't have any subscriptions. | ||
| And I like Opie and Anthony. | ||
| And just Anthony is awesome and I want to support him. | ||
| But there wasn't anything to really push me over the edge because I was like, paying whatever a month was not in my price range back then. | ||
| I was very, very broke. | ||
| And so what actually got me to sign up to Compound Media was hearing like a little snippet of Gavin's interview with some other dude. | ||
| And he said, and I was like, and I was like, dude, I've never heard somebody say that without being like, well, I'm just using the words. | ||
| Like he unapology, unapologetically, unapologetically said like the worst words that you could say. | ||
|
unidentified
|
Right. | |
| And didn't like even on Opie and Anthony, they would like kind of shy around certain words, but he was just like full force. | ||
| And so I was like, I'd like to hear more of this guy because his humor isn't typical. | ||
| Like this is, you know, like check the boxes of funny, funny. | ||
| It's just the ideas that he has are have humor built into them. | ||
| So it's not like these are jokes, which is kind of like the Opie and Anthony stuff. | ||
| It was, it was more subtle. | ||
| And so I was like, I'd like to hear more of that. | ||
| And that's when I signed up to Compound Media, honestly. | ||
|
unidentified
|
So tell me about your background doing impressions because I've seen you do some of like the face swap stuff. | |
| How did that all start for you? | ||
| The face swap stuff, Gavin really wanted. | ||
| He was like, can we make that happen? | ||
| And for a while, I said, no, it's impossible. | ||
| And then people started sending me stuff like, dude, it's really possible. | ||
| You can absolutely do that. | ||
| And I was like, okay. | ||
| But right now, the setup that I have to do it is kind of wonky. | ||
|
unidentified
|
Like convoluted. | |
| That was my Jim Gaffigan phase. | ||
| Basically, it's uh I'm using the back end of a program that lets you do a face swap thing. | ||
| I do like there's um snap camera which allows you to um I don't use like Snapchat filters on your computer, but that doesn't output to the TriCaster. | ||
| So, what I had to do was um get the editor software for it where you could actually like make faces and tweak them and do different effects. | ||
| So, this isn't meant to be a final product, basically. | ||
| Like, um, this is what I'm looking at here. | ||
| If you could see, um, like there's just a bunch of uh shit here, like all these parameters, and you got to fill it. | ||
| It's almost like it's it's version of like um after effects, but just for this specific thing or character animator. | ||
| And um, this isn't meant to be a final product, but what I do is I use the preview window to send it to the computer. | ||
| Basically, it just is like a rigged system. | ||
| It's I had to kind of come up with like a weird solution for it. | ||
|
unidentified
|
I gotta show you some shit that I've been working on, dude. | |
| Let me see if I can find it real quick. | ||
| I've been working on this the voice clone stuff. | ||
| Have you have you fucked with any of that at all? | ||
| Yeah, but is it like real time? | ||
| Is it real time? | ||
|
unidentified
|
No, but it's almost real time. | |
| Like, I can have it do any sentence in any voice, like within maybe 30 seconds. | ||
| Is it real time? | ||
| Is it 11 studios? | ||
|
unidentified
|
I use it's called the how is it called? | |
| Play all right. | ||
| Hold on, I'm gonna look this up and figure out what it's called. | ||
| Sure, I because we have one that we use for um we have a friend that's in prison for Jan 6, Nick Oakes. | ||
|
unidentified
|
Yeah, yeah, I heard about him. | |
| Yeah, and he um, he writes us uh a transcript, he just writes us a letter, and then we I use the face swap, I use his face. | ||
| We talked about this before he went into prison because he knew when he would receive it. | ||
|
unidentified
|
And you like make it make it look like he's saying it, yeah. | |
| I just do this, and and the voice clone thing, it's it like really really did a good job of picking up his voice. | ||
|
unidentified
|
So, here's the one that I use: it's called play.ht and it's very inexpensive. | |
| You pay by how many words you want to use, so like you pay like 15 bucks, and it gives you like 5,000 words transcribed, which is quite a bit. | ||
| So, so what I did, and I'll just share my screen and show you. | ||
| Um, let me see if I can do it a window. | ||
| Let me know if the sound comes through on this. | ||
| It should, sure you hearing it. | ||
| No, you couldn't hear it. | ||
| No, okay, let me see if I can get it done. | ||
| Window supposed to was it Trump? | ||
|
unidentified
|
There's Trump, there's me, and there's Jim Rogan. | |
| Wow, what I'll do, I'll rip the video, and then I should be able to play it for you with audio. | ||
| Nice. | ||
|
unidentified
|
So, I'll go to video here. | |
| Actually, I want to just go to studio here. | ||
| I'll chop this up so it's tighter when we publish, so don't worry about it. | ||
| This, the chat GPT, or not really chat GPT, but this, but like specifically, like the voice emulator, it it aims to replace my job of a guy who does voices, yeah. | ||
|
unidentified
|
But it's funnier if a real person does it. | |
| Yeah, there is something still to it. | ||
| That's it's not even like a quaint, uh, more like, oh, there's more genuine or something. | ||
| It's not always about the accuracy as it is, like, funny. | ||
| I know people that you know, like Tim Dylan does a Joe Rogan impression. | ||
| That's, I don't think it sounds less like when I do Joe Rogan, but it's funnier because he's just spamming the muscle man. | ||
|
unidentified
|
Hey, man, let me know if you can hear this one. | |
| Can you hear it? | ||
| No, all right. | ||
|
unidentified
|
What I'm gonna do is damn presenting. | |
| It says you're presenting, which sounds like a mating thing. | ||
|
unidentified
|
You're presenting. | |
| Can you hear it? | ||
| No. | ||
| I can't. | ||
| What the fuck? | ||
|
unidentified
|
You can't hear it? | |
| No. | ||
| I was holding my, I was holding my cans up. | ||
| I'm wondering, do you have like a noise gate on? | ||
| Because like I had to disable. | ||
|
unidentified
|
I may have a noise gate on, and that could be just a matter of the uh Google settings. | |
| But what I'll do. | ||
| Oh, I tell you what, how about this? | ||
| Let's try it now. | ||
| I just turned it off. | ||
| Let's see if that works. | ||
| No, put it a little closer. | ||
|
unidentified
|
No, what the fuck? | |
| Smash like just take one of the earphones and then smash it like right like this. | ||
|
unidentified
|
Why don't I just send you the link to the video? | |
| And maybe you can. | ||
| Yeah, we do that. | ||
|
unidentified
|
I'll Google chat the link to you. | |
| This is so funny that we're doing this. | ||
| This is this is the kind of shit that like you and Gavin would snap at each other over, right, on a live show? | ||
| I really don't. | ||
| I try not to snap back because that's that's not a subordinate's place. | ||
| But sometimes it does happen when there's legitimately things that I uh are beyond my control, but yet I'm getting a why didn't you do that type of thing? | ||
|
unidentified
|
All right, I just link to the video through Google chat. | |
| All right, let's see here in the beginning, yeah, okay, yeah. | ||
|
unidentified
|
We only we only need to listen to like 30 seconds of it, it's 10 minutes long, but you'll get it after 30. | |
| Podcast is fake, folks. | ||
|
unidentified
|
Chase Geyser did not interview Donald Trump. | |
| In fact, neither Chase or President Trump are really in this video at all. | ||
| It's all artificial intelligence. | ||
| Welcome, everybody, to another episode of One American Podcast. | ||
| I'm your host, Chase Geiser, and we have a very special guest. | ||
| Please welcome the 45th president of the United States, Donald J. Trump. | ||
| Mr. Trump, thank you for joining us today. | ||
|
unidentified
|
Thank you, Chase. | |
| And it's just fantastic to finally be a guest. | ||
| Well, wait, so how do you make the mouth move? | ||
|
unidentified
|
So I did kind of like what you do. | |
| I just like Jerry rigged different things. | ||
| So there's a program that I found on some random website of random programs that people come up with where you can upload any cell image or video of someone's face as long as they're not speaking in the clip. | ||
| Right. | ||
|
unidentified
|
And you can upload juxtaposed to that any audio file of speaking and it will automatically make the lips move in accordance with what words are spoken in the audio file. | |
| Can you link me to that bad boy too? | ||
| Because we actually had to do something like that for the Nick Oaks show. | ||
| So we wanted basically the concept, I think you already get it, is like through CGI, I mean, through AI, we are able to bring this prisoner's letters to life. | ||
| And Gavin wanted the intro to be kind of like Twilight Zone-y, like the future. | ||
| And he also wanted to, you know, somehow like let people know that this is a face-swapped type of thing. | ||
| So the face is clearly like, you know, goofy. | ||
|
unidentified
|
Okay. | |
| It's supposed to be like his, it's his face on his own face to the Capitol on January 6th. | ||
|
unidentified
|
Despite being there as a reporter, he was deemed a white nationalist domestic terrorist. | |
| And now he won't see his black wife and kids until 2000. | ||
| Nice work, justice system. | ||
| Fortunately, through modern technology, we are able to bring his letters to life live from the correctional facility in Butner. | ||
| Letters from prison starring Nick Oakes. | ||
| Very cool. | ||
| Very cool. | ||
| I'm in solitary confinement. | ||
| Yeah, it's uncanny. | ||
| There's a lot of, you know, it's almost jarring how weird it all is, like unsettling. | ||
| And, but once you get past that, Nick Oakes is like a really great writer. | ||
| And, you know, even when I talk to him on the phone, he just, he thinks, he thinks very poetically, but he's also very like poignant about what he's saying, too. | ||
|
unidentified
|
It's not, he's got plenty of time to think about what he wants to say. | |
| He does. | ||
| He's always been like that, though. | ||
| So this could only sharpen his. | ||
| Yeah. | ||
|
unidentified
|
So has he been convicted yet, or is he still like awaiting trial? | |
| No, he has been. | ||
| He did a plea deal and took four years. | ||
|
unidentified
|
And you're going to lock him up for four years. | |
| Yeah. | ||
| So he's, he hasn't even done, I think he's just done a couple months so far. | ||
| Pretty bad. | ||
|
unidentified
|
They didn't include time served? | |
| No, because he was out. | ||
| He might have done, he might have done a little time. | ||
|
unidentified
|
Did he like go into the building? | |
| Yeah, he did. | ||
|
unidentified
|
So that's where that's why they were able to get him. | |
| Yeah. | ||
|
unidentified
|
Man, that's so brutal. | |
| That's such poor shit. | ||
| You know, it'd be different if people like him would want to know that and simultaneously look for like honor bidens and all the little bucks that do terrible. | ||
| I am back again, by the way. | ||
| I don't know if something changed, but I just want to let you know. | ||
| I think something just came out about Hunter, by the way. | ||
| And it said that every day, like a Hannity, no, like a Hannity thing saying that he might actually be arrested soon. | ||
| I don't know, but Hannity said it. | ||
| Hannity's kind of, but whatevs. | ||
| You're still hearing yourself? | ||
|
unidentified
|
Oh, yeah. | |
| Yep. | ||
| I must have been something when we were doing share screen or something. | ||
| Now, now it sounds better. | ||
| It is really. | ||
|
unidentified
|
Yeah. | |
| Okay. | ||
| I know exactly that, though. | ||
|
unidentified
|
Wow. | |
| It's the preview window. | ||
|
unidentified
|
Interesting. | |
| Okay. | ||
| Yeah. | ||
| I'm learning stuff. | ||
| We just got a new computer too, like a new MacBook or a new Mac, whatever, Mac Mini. | ||
| And just having to fucking re uh and the Mac Mini or the Mac Studio, man. | ||
|
unidentified
|
The studio is like the real fat one. | |
| Studio's cool, but we got it. | ||
|
unidentified
|
I like the studio. | |
| I use the studio over here, and it's just like a workhorse, man. | ||
| Tower. | ||
|
unidentified
|
Yeah, it's like, yeah, like it's like it's like basically the Big Mac version of a Mac Mini. | |
| Yeah. | ||
|
unidentified
|
It's like you just double. | |
| They got some weird ones like that we when we were with CRTV, like they had like a studio in the Flatiron district, and they had an Apple thing that I had never seen before. | ||
| But it might be the one you're talking about. | ||
| And yours is the Mac Pro. | ||
| Is the Mac Pro? | ||
|
unidentified
|
Mac Studio. | |
| I can't remember. | ||
| I think I got the more expensive of the two. | ||
| Check this one. | ||
| The one, if you look up Mac, Apple Mac Pro, like the 2013 ones or whatever. | ||
| Look at how fucking weird these look. | ||
|
unidentified
|
Like, oh, yeah, the towers. | |
| Those are for like those are for like light yo's. | ||
| You're still here myself better, by the way. | ||
| Damn it. | ||
| Oh, that's probably because of this. | ||
|
unidentified
|
Now it's better. | |
| Yeah. | ||
| Ah, it's much better, but it's still there a little bit. | ||
| Weird. | ||
| Just a baby amount. | ||
| If I don't talk too loud, I don't hear it back so much. | ||
| Interesting. | ||
| So I'm like trying to talk real quiet. | ||
| I'm good. | ||
| Okay, so it works now. | ||
| That's good. | ||
|
unidentified
|
Yeah, maybe it was bleed through your headphones. | |
| Could have been. | ||
|
unidentified
|
It could have been. | |
| Could have been bleed. | ||
| Do you have it cranked? | ||
| No, I de-cranked it. | ||
| I de-cranked it. | ||
| It was cranked, though. | ||
|
unidentified
|
So what's an expert for sensitive TV, man? | |
| We got a tour going on. | ||
| That's so we did a tour in Austin last year. | ||
| We are. | ||
| Yeah. | ||
|
unidentified
|
When? | |
| Let me see. | ||
|
unidentified
|
I've got the dates right here. | |
| I don't know. | ||
| Right down the road. | ||
| I live in Austin right now. | ||
| You live down the road from Austin? | ||
|
unidentified
|
I'm in Austin technically, but I'm at the very edge. | |
| Let's see. | ||
|
unidentified
|
I've been near the edge and I've been near the edge. | |
| By the way, I got these disposable toothbrushes. | ||
| They're the best. | ||
| Quip are they the quip? | ||
| They are the Cloggate Wisps. | ||
| Wisp. | ||
| Sorry. | ||
| Quip, Wisp, you know. | ||
| So, yeah, we're doing Austin. | ||
|
unidentified
|
June 16th. | |
| Tampa. | ||
|
unidentified
|
If I buy tickets, can you get me like VIP access? | |
| Because I know you guys. | ||
| You could absolutely go there. | ||
| The one we had in California, believe it or not, that was like the start of the tour was in California in Torrance. | ||
| And we had no protesters, no nothing. | ||
| Nobody calling the venue saying, hey, what the fuck? | ||
|
unidentified
|
No one's going to give you guys any shit here. | |
| In Austin? | ||
|
unidentified
|
No. | |
| I mean, Joe Rogan does shit every fucking week here. | ||
| Joe Rogan. | ||
| Joe Rogan is mainstream. | ||
| He like, he still has UFC shit going on. | ||
|
unidentified
|
Why did he take the episode down with Gavin? | |
| I don't know. | ||
|
unidentified
|
Did he ever tell you guys about that? | |
| Probably said some spicy things, but I mean, Gavin made some like shocking points about incest in Saudi Arabia, but it wasn't like anything inaccurate. | ||
| It's probably, I have a feeling it was like suggested by Spotify and just to make life easier at the time. | ||
| And then also, he knows, here's the thing, too. | ||
| So all that stuff is still on YouTube. | ||
| And I think he knows it's going to live forever anyway. | ||
|
unidentified
|
So it's on archive.org too. | |
| I downloaded all the band episodes. | ||
| Yeah. | ||
| And we have them on our site too. | ||
| But maybe he kind of realizes like, all right, I'm just taking it off of Spotify. | ||
| They still exist all over the place. | ||
| So maybe that I don't, I don't love that that's the position he was, he had to be put in, but it's whatever. | ||
| I mean, he still likes Gavin. | ||
| Said he before that whole thing happened where Spotify was kind of like, um, hey, pumped up, yeah, which I agree. | ||
| Um, uh, but so they uh, he wanted Gavin on, he wanted him to be one of the first guests. | ||
| This is what I, this is what he told, um, uh, Anthony Cumiya. | ||
|
unidentified
|
No shit, and then they just decided that it was not the politically uh the right political environment for him to do that. | |
| Yeah, I mean, he was able to get Alex Jones on, but I guess it's probably because January 6th, and somehow, you know, proud hold it into that. | ||
| Meanwhile, there were like what, like six of them total or four, um, maybe six. | ||
| Let's say if it is 12 or 15 or 20. | ||
| Um, the point is, is that you have to, if you have a chapter, it's like you own like a McDonald's franchise, basically, and you have to follow. | ||
| Can't be a fucking you can't be like a Nazi. | ||
| I hate using the word Nazi because like only Nazis were Nazis, but you know what I mean? | ||
| You can't be like a neo-Nazi, yeah. | ||
| We're not, this isn't like the clan part two or anything. | ||
| This is a men's drinking club of all uh not all genders, all it's just all men, uh, all fucking racist races, creeds, whatever. | ||
| Yeah, you could be queer, um, you could be whatever you want. | ||
| Um, so you know, no, like uh, no fucking racists or whatever and all that shit. | ||
| So, you have to follow those rules. | ||
| Another thing you have to do, if like you want to go to protests or do something like that, you have to check in with your your chapter and say, Can we go, you know, like as Proud Boys to this thing? | ||
| And they said, No, like if you're gonna go to Jan January 6th, go as an individual, not as a fucking proud boy, right? | ||
| It's like that doesn't reflect the group, and there wasn't any like plan either. | ||
| They tried to just like look at their Telegram chats and be like, Well, you said uh, this is war, and it's like, Yeah, people fucking say that about football, you idiot, right, right. | ||
| It's like you was Gavin still involved with the Proud Boys, no, but people remember him a chapter, though, just as a regular one, no, does he just like this well with Proud Boys and like and uh at least once a year we'll hang out and we'll party. | ||
| But last time we were there at Westfest, it was just just drinking and going around. | ||
| We didn't even, I don't think there was an event to go to, there was just like a party. | ||
| There were two party houses, so sounds like fun, yeah. | ||
| It's really the opposite of a nefarious thing, which by the way, have you seen Nefarious? | ||
|
unidentified
|
No, I'm not seeing nefarious. | |
| What's nefarious? | ||
| Did it come out in a new movie or something? | ||
| You're Christian, right? | ||
| Yeah, I'm Christian, dude. | ||
| It's very good. | ||
| Now, I don't know if I have like Christ goggles on where I'm like, this is one of the best movies ever seen, but it is a movie about a psychiatrist going to evaluate this prisoner who's on death row. | ||
| He's about to get executed that day. | ||
| And his whole goal is to go in there and prove he's sane enough to be executed. | ||
| If he's insane, then he can't execute the guy. | ||
| But he claims to be possessed by a demon. | ||
| And most of the movie takes place just two guys in a room, the prisoner and the psychiatrist, sitting in a room. | ||
| And this guy's possessed by a demon. | ||
| You know, like that's they let you know that there's no faking it or he doesn't get executed, right? | ||
|
unidentified
|
That's what they got to figure out. | |
| He definitely isn't. | ||
| Like, there's it's crazy, dude. | ||
| Like, I was, it's, I, it might be in theaters right now. | ||
| Uh, you know who wrote the book? | ||
| Steve Dace or Dees. | ||
|
unidentified
|
Steve Deese. | |
| Yeah. | ||
| He wrote the book. | ||
| Now, the book's a little different. | ||
| I bought the book, but it's a little different than the movie, but it's two Catholic people that directed it. | ||
| They have a bunch of other movies that are good too. | ||
| But this is how you know it's good. | ||
| Audience score of 97%. | ||
| Critic score 33%. | ||
|
unidentified
|
It's got to be awesome, bro. | |
| Really good. | ||
|
unidentified
|
Calls out a whole lot to see it in theaters. | |
| I mean, to support it, I would, or just pay for it somehow. | ||
| But I think, dude, it's really, really good. | ||
| We went to go see it with our priest. | ||
| So we had like a full, fully adorned in a frock priest from our church going with us. | ||
| And it was tackles abortion. | ||
| He did. | ||
| He really did. | ||
| And he noticed the little driblets of scripture every day that like the like demons are evil, but they are still abide by the reality of the Bible. | ||
| So they drop in and twist scripture around here and there. | ||
| And like nothing really got past the priest, our priest there. | ||
| I won't say his name because I guess I don't want anybody to bother him, which is a weird world we live in where you can't. | ||
|
unidentified
|
I know, dude. | |
| I'm up to one death threat a week. | ||
| Really? | ||
|
unidentified
|
Yeah. | |
| Every time I tweet anything about Ukraine, somebody tries to say they're going to kill me. | ||
| Yeah. | ||
| I got added to a list. | ||
| I got added to a list on Twitter of people who sit by windows. | ||
| And this is a window behind me. | ||
| Like, what the fuck? | ||
| Like, they probably just guessed, but still, it's annoying when you see shit like that. | ||
| Oh, was that a separate one from people that this is where they watch TV? | ||
|
unidentified
|
Yeah, it's a different list. | |
| But I checked that one. | ||
|
unidentified
|
I hope they come, bro. | |
| I hope they come. | ||
| That's what everybody says. | ||
| That's true. | ||
| I mean, like, but if I really hope they don't, because like just, I don't want to put, I have a wife and kids, so I don't want to put them through any trauma, even if everything works out the way it ought to. | ||
|
unidentified
|
It's uh, bro, but sometimes the trauma makes it better. | |
| Like, Steve Jobs is Steve Jobs because he was adopted, bro. | ||
| True, you know, Rosie O'Donnell is Rosie O'Donnell because she had a perfectly normal upbringing. | ||
| That sounds like it almost sounds like a Kanye rant. | ||
|
unidentified
|
It's like, uh, Steve Jobs was Steve Jobs because he was adopted. | |
| Um, that was damn odd, wouldn't it? | ||
| She, she, she wouldn't have been funny if she didn't have uh uh John Goodman, Walt Disney, American Express, Visa, Chick-fil-A. | ||
| You ain't gotta turn up on me, bro. | ||
|
unidentified
|
It's me, Sway. | |
| Remember that interview with Sway and Kanye? | ||
|
unidentified
|
No, I don't even know who Sway is, dude. | |
| Bro, that's so white. | ||
| They argue with each other. | ||
| No, I respect that. | ||
| True, I have this whole music playlist that I put together, and I was like, I don't, I didn't even try to avoid rap. | ||
| I literally have no rap on there. | ||
| I had to force myself to put like Lil Wayne on it to show that people I did have a phase where I liked hip-hop and rap. | ||
| I was in a hip-hop rock band. | ||
|
unidentified
|
Was it good? | |
| Was it like Lincoln Park? | ||
| Is that what you mean by hip-hop rock? | ||
| There wasn't screaming. | ||
| It was less, it was more like gym class heroes-y, you know, but they're a little like followout, like a little light. | ||
| We were a little somewhere in between Limp Biscuit and uh gym class heroes. | ||
|
unidentified
|
What's in play? | |
| Guitar because you sing harmonies. | ||
| No, we we had we should have utilized that a lot more, but that's back when I didn't even try to sing. | ||
| I only started um singing my own music really after that band or like towards the end of that band's uh career. | ||
| You still make music? | ||
| I do, but it's um like I've been collaborating with some things. | ||
| Uh, I've been recording stuff steadily, but um, not really writing the way I used to, which is just acoustic guitar and vocals and lyrics. | ||
| But I used to, you know, I used to, yeah, I got. | ||
| Let me see, what do I got? | ||
|
unidentified
|
You play one of yours, then I'll play, then I'll show you one of mine. | |
| Oh, what do you get? | ||
| Do you play guitar? | ||
|
unidentified
|
I used to be a musician many years ago. | |
| Ooh, what I have is mostly what I would do was like synth stuff. | ||
| Like, most of my releases are synth, which is weird because that's not even like my third instrument. | ||
| It would be guitar, bass, and then synth. | ||
| But when I got my laptop to finally start working with Pat Dixon and stuff and editing videos and using the Adobe products there, like Premiere, whatever, I was like, well, let me mess around and make some music. | ||
| So here's one of the beats. | ||
| That one's okay, but wait, where's my Wildwood one? | ||
| This one will be better if I search Nope Yup. | ||
| That's the name of my, that's the moniker for my group, which is just me, Nope Yup. | ||
| Here, this one's so it's just really cool, dude. | ||
| Thanks, man. | ||
|
unidentified
|
Do you have you finished anything or are you still working on it on it? | |
| I got, I do have some finished stuff. | ||
| But I'm trying to see if I have any, what's it called? | ||
| This one's pretty neat. | ||
| this is just garage band and the patches there the | ||
| only thing i don't program i i obviously edit it but uh i don't do by scratch the drums very often i do i've done it but it's easy to just they you know the the garage band drummer if you just want to program it yeah yeah you could tell it what and you know like more snare or whatever like that there are parameters but you can't really | ||
| drums yeah but all the synth stuff i do and then there's um the singy stuff but uh i'll send you that on the other on the other there's i have two soundcloud accounts so i'd have to log into the other one we're fine so what do you got here you sent me a link here yeah this is in the shit that i 10 years ago 10 years ago nice let me see | ||
| inspired by tom waits i just watched the video on tom waits i'll bring it up after this it's pretty interesting oh i hear the weeds in this yeah i'm gonna break the law or um going out west | ||
|
unidentified
|
but anyway you get the point i won't make you listen to the whole thing but that's the kind of shit that i was doing in college i like the layering and shit there too like | |
| there's like one little stab of guitar that was just like i like those sorts of like little details where it's like you could absolutely live without that thing going but the fact that it's there is like i love attention to detail like that and layering a lot of stuff i figured out that the only reason i was making music at all was just so that i had something cool to mix like because i love going through and adding textures and stuff more than even the songwriting like i wouldn't care to play that song like on an acoustic guitar i'll sing it to you but like to put it together like into a production is kind of it | ||
| was so fun you know you know um what's it called uh like foley work where you put sound oh yeah yeah i took a class called foley in college for my audio degree and they made us do like foot stomps you know check this out so this is i had to do a little bit of i mean it's not impressive foley work but for my show celebrity mailbag i was tony soprano and i i i my hair did not look like tony soprano's hair because i'm not horseshoe bald so | ||
| i wore this kangaroo hat and he's like you're probably wondering why i'm wearing this fucking hat and he's like it's from this infamous episode and so i had to pretend that it came from an episode so here the clip is check it out well i found my fucking kangaroo hat in the fucking pool who put it there | ||
|
unidentified
|
tell me tell me i didn't move your fucking kangaroo hat you're paranoid about that ever since you bought it you've been asking where it was what his mouth doesn't even move when he says what what | |
| so towel sounds those were hard to get i might have even i'm not sure yeah we had to do one they took a scene of uh from born identity for our class it was just like a random scene where he was like duct tape and shit on a snowy mountain and it was just muted then we had to have a person come in and do the lines over the like over the lips the lip syncing part and like the drone sounds of like the flyover drone and the duct tape around the canteen and it was it was like a bitch it took us like three hours to get a 15 second scene right and if | ||
| you duct tape the canteen there's a part where if he moves it you want to hear that hollow like yeah sort of sound dude it's that is so fucking it sounds so painfully tedious but it's such a cool job man like imagine and like even if you watch like the sounds behind star wars documentaries it's amazing how they got those lightsaber sounds by holding like a magnet next to an old school tv and it was like the closer the magnet guy that was like they're like sitting there waving it you know for the scenes | ||
| he's a bunch of like metal things and like had them like rotating and grinding and stuff like that and yeah and for the laser sounds it was just the those metal ropes that they're really tight that hold up telephone poles yeah they were whacking them with baseball bats so it would be like like an aluminum bat on that metal rope you know in old school when they had fucking telephone lines that were above ground metal bat to that yeah and that was the laser for the guy one of my favorite sounds ever is like when um like those tension wires or | ||
| whatever like broken by like a dinosaur or something like in jurassic park like the when they go through like telephone wires and they use that sound that's real good my wife i had to let her know that there's a thing called the wilheim is it wilheim right the scream was like yeah i was like no remember that scream you're gonna hear it like every movie puts it in it's like a joke it's like now it's like a thing you have to do yep oh yeah so the tom waits thing was um | ||
| what's it called so he uh he had to sue doritos i think it was or something because they wanted i don't know why they wanted him so bad he was just he's just that guy he's just so unique you know like i'm not a huge tom waits fan but it's actually bad texan who who showed me some of his some of his shit and it's like this guy is like really good yeah yeah i mean he was in dracula you remember the fucking braun stopper's dracula he was the guy in the jail cell that wanted dracula to convert him so bad really like the kind of pathetic guy that | ||
| was like please make me a vampire that was fucking tom waits i had mystery man remember mystery man with the spleen that i that i know this is a guy with the weapons the non-lethal weapon specialist no way you know where he's fantastic in the the ballot of buster scruggs oh i didn't know he was in that dude he it's it's just a it's basically him in the entire thing like there's a whole section like they're a bunch of mini stuff you know what it is right buster no he was the | ||
| the gold miner the panning for gold guy yeah what do they call them i forgot what they call them but uh you never seen that i've i've seen several of those episodes but i've not seen everyone in the whole series but he was the panhandler or whatever yeah i forget what they call those guys but um prop not proper tier freaking | ||
| damn it that's a word that i really want to use painting for gold though yeah let me see weights um buster scruggs it's dude it's like the best it's the second best one of the whole fucking thing excuse my language i curse a lot that's the one thing i have to peel back a little more but bro so this is uh there's a scene from it and he sings in it | ||
| and it's like heartbreaking and exciting and it's he does such a good job he just seemed he just radiates genuineness you know so basically he didn't want his voice on any sort of prospector prospector that is yep totally tpt for you yeah and it's like it's almost like asmr that he's actually going through the process of of panning for gold and stuff like that and digging for it and finding out where the deposits are and you're on this guy's side you're like i want this guy to find gold and then just things start happening that you're like | ||
| oh no and it's so good and you have to watch it if you like tom waits but i appreciate him 100 i have to listen to more of his music but him that's the charles bukowski of music really yeah like if you like like bukowski is to poetry what tom waits is to music in my opinion yeah i mean i know he's done more than music now but like his music is poetry i mean like some if you listen to the bone the bone machine it's basically the only record you need to listen | ||
| to obviously he's got a million great ones that's the one that uh pat turned me on to yeah but like i don't know i don't know the earth died screaming as i lay dreaming like that's cool shit like i slept through the end of the world what the fuck right she did tom waits i was sleeping people thought that uh heath ledger's joker was mildly inspired by an interview that tom waits did back in the day you you Ooh, I didn't know that, but it wouldn't make sense. | ||
| Missing sort of like I heard that he has hearing problems. | ||
|
unidentified
|
He's got some sort of hearing problem. | |
| And his favorite sound is the sound of hissing bacon. | ||
| And that has inspired a lot of his sound. | ||
| Yeah, he just is just something he would have made up. | ||
| You could totally see him making up, but it could also be totally true about him. | ||
| Just hissing bacon on a pan. | ||
| A lot of his music is like that really sizzly, like high-hat sounds. | ||
| Yeah. | ||
|
unidentified
|
Just very sizzly, treble-y. | |
| Was he into drugs or was he straight edge? | ||
| Because I feel like it can go either way with him. | ||
|
unidentified
|
I don't know. | |
| It's Chat GPT. | ||
| Did Tom Waits do drugs has been open about his past struggles with substance abuse, according to Chat GPT, throwing up theater, particularly in the 70s and 80s, Waits battled with alcohol and drug addiction. | ||
| However, he has been sober since the late 90s and has publicly discussed his recovery and the positive impact it's had on his life and creativity. | ||
| So apparently he did, he drank a lot at one point. | ||
| That's the way to do it. | ||
| Nice. | ||
| He's clean after all that time. | ||
| That's cool. | ||
| But I need a little bit like if somebody, like, if let's say if Jimi Hendrix was like clean, it would feel like what he's doing is a cinch phony for some reason. | ||
| I feel like the artist to that level or like a music artist specifically. | ||
|
unidentified
|
Lifestyle should match the art. | |
| Right. | ||
| If they have depth to them, they should be struggling with some sort of like, you know. | ||
|
unidentified
|
I saw an interesting Stevie Ray Von interview where he basically said, he said, I don't think that Jimi Hendrix died choking on his vomit. | |
| I think he had a little help. | ||
| I never heard the conspiracy that like he was killed, but it's wild to me that Stevie Rayvon thought that. | ||
| He's like, I think he made too many people mad. | ||
| Wow. | ||
| He had a little help. | ||
|
unidentified
|
That's what he, that's how he said it. | |
| I think he had a little help, and that's all I'm going to say. | ||
| Then, of course, he was dead like a year later. | ||
| Helicopter accident. | ||
| Yeah. | ||
|
unidentified
|
So, but yeah, what is it with these guitar players just dying? | |
| Randy Rhodes, plane crash, Jimi Hendrix vomit, BB Ray Von helicopter crash. | ||
| Not to mention like fucking all of, oh God, Leonard Skinner. | ||
| Oh, Leonard Skinner. | ||
|
unidentified
|
Yeah. | |
| What's up with these guys just dying all the time? | ||
| You know, they're rockers. | ||
| They're living on the edge. | ||
| But I mean, you don't have to be, you know, you don't have to abuse drugs or alcohol to be a good artist, but it does kind of feel like it's more genuine. | ||
| It's like, wow, you're struggling with some stuff. | ||
| And it's almost like it feels like basically what's happening is you're like increasing your chances of death. | ||
| So it makes everything that you're saying more pertinent and more like dire. | ||
| But either way, so Tom Waits, ultra, ultra genuine seeming guy. | ||
| He didn't want to be involved in any commercial, but they he did a thing for a dog food commercial because he said he likes dogs and he just put his voice on this dog food commercial. | ||
| He was a little broke at the time. | ||
| And then he kind of like resented it and approached by like a Doritos commercial and they said, please don't. | ||
| No, I don't want to be a part of it. | ||
| Don't put my music in it very nicely. | ||
| And they went with an impersonator of his to do, and everybody thought it was him. | ||
| Like they were messaging him and emailing him or whatever, being like, why, why are you in a whatever commercial? | ||
|
unidentified
|
And he's just so they had an impersonator that was so good that covered one of the songs. | |
| No, I think it was an original deal. | ||
|
unidentified
|
Oh, wow. | |
| So he sued him over it because it was his likeness that they used. | ||
| And the guy, the guy who recorded it, was a big Tom Waits fan. | ||
| So he actually was a witness for Tom and they became friends afterwards. | ||
| Yeah, it was cool. | ||
| But it's like so weird that they wanted Tom so bad. | ||
| And it was like, it was like tomatoes, onions, and cilantro, yum. | ||
| It's like his kind of rappy, more like fast-worded. | ||
|
unidentified
|
She did a lot of spoken word shit. | |
| Why not do like what is what? | ||
| And like a bunch of different ad campaigns wanted Tom Waits. | ||
| Like it's so strange. | ||
|
unidentified
|
It seems a little like the same thing happened with the doors, though. | |
| Like the Jim never wanted to sell Light My Fire to the door to whoever, to any advertisers. | ||
| Yeah, he kept blowing off meetings because he was getting so fucked up all the time that the band agreed without him to sell the rights to one of their old songs. | ||
| And then he shows up. | ||
| He's like, what the fuck is our music doing on a commercial? | ||
| And they're like, you weren't here, Jim. | ||
| Wow. | ||
| I don't think there's anything so bad. | ||
| It definitely. | ||
|
unidentified
|
What if Gavin came out and did like a commercial for Kia Sol? | |
| Like, I love the gas mileage. | ||
| If it was for Beamer, like BMW, I feel like he'd be like all for it. | ||
| He'd be like, I like beamers. | ||
| So yes, please put me in a commercial. | ||
| But for, I don't know. | ||
| It's kind of endearing that the only one that Tom Waits ever did was just for dogs, like dog food. | ||
| It's funny, that's really funny. | ||
|
unidentified
|
We gotta pull that up and find it. | |
| Yeah, I mean, from like the 90s, too, so it's probably all wholesome and shit with a CPO like overglow on it. | ||
| You know, some kid waking up in the morning with a dog food going down, down. | ||
| My dog likes food. | ||
| I don't know what yours. | ||
| It's like, yeah, my dog does like food. | ||
|
unidentified
|
Tommy, that is there's one thing above all, temps and most the taste of meat. | |
| And that is why Purina makes Butcher's blend. | ||
| Butcher's blend is the first dry dog food with three tempting meaty tastes. | ||
| Oh, that's awesome. | ||
| So you already had it all pulled up. | ||
| That's pretty cool. | ||
| It's a cool commercial and it actually fits the vibe. | ||
| Doritos. | ||
| Now, this is the one that ripped him off. | ||
| Oh, you might not be able to find it anymore because they might have pulled it. | ||
| Yeah, but it's in this document, mini doc about the lawsuit. | ||
| It's called the Tom Waits Bizarre Lawsuit Against Frito Lay over a Doritos commercial. | ||
|
unidentified
|
I think it's a natural here. | |
| We go. | ||
| It's pretty bad. | ||
|
unidentified
|
It's buff-o, bop-o, bravo, gung-ho, tally-ho, but never mellow. | |
| And it's on your taste from the tangy tomatoes, flavored peppers, peanuts of onions, and sass and spices. | ||
| But news follows the real demands. | ||
| Now that tongue tick is quite a sickle. | ||
| It's compounding, resigned, and perplexing, complexing. | ||
| What's up? | ||
| Yeah, he did. | ||
| Yeah, there was a precedent sent by not Bette Midler, but some other, I think it might be Bette Midler. | ||
| But so basically, they use her likeness, and the court ruled that she was famous enough for her to be, you know, harmed by that. | ||
| But they were arguing. | ||
| So in the boardroom, they were like, I don't think he's famous and Bette Midler famous. | ||
| And they said that because that's just below the precedent. | ||
| They thought that Tom Waits wasn't well known enough to be harmed by people thinking that he was in a Doritos commercial. | ||
| It's like insulting on top of the fact that they, yeah, but that's the angle they had to take. | ||
|
unidentified
|
But he is famous enough. | |
| He's in like so much shit that people don't even know he's in. | ||
| Like I said, Dracula, Mystery Man. | ||
| He's in countless movies, TV, shit. | ||
| And not to mention the over 20 like studio albums he's made. | ||
| Dude, it's totally famous. | ||
| I got to dig into it. | ||
| See, the way that I find music mostly is like it, it's playing at a place, and I want to capture that memory. | ||
| And for somebody who loves me, I really do love music of all sorts, too. | ||
| Like I was listening to some like Indian music the other day where it's just one of those drums, those tromba drums or whatever they're called. | ||
|
unidentified
|
Oh, like the it's like the big drum with the different tones across depending on where you hit it, like made out of metal. | |
| Might be, it might be a Tamba, a Tamba, something like that, tabla, tabla drum. | ||
| They play with their fingers, basically. | ||
|
unidentified
|
Usually like a fat guy and like a and like a river playing it. | |
| Yep. | ||
| And it goes. | ||
|
unidentified
|
Yeah. | |
| Yeah, that's cool. | ||
| And then a guy on a flute, and it's like some of the most amazing music. | ||
| So anyway, I can appreciate all sorts of uh melodies, time signatures, all the anywhere from complex stuff to like super simple garbage music, like whatever, like garage band music. | ||
| But I don't seek out music very often, and I never really have. | ||
| I just kind of wait for it to like find me in a way. | ||
| And a lot of good stuff I've heard just through friends playing it or it playing on top of the radio or something. | ||
| But Tom Waits, that's another thing. | ||
| It's like until Pat Dixon showed me it, I just refused to explore Tom Waits. | ||
|
unidentified
|
Pat takes it as a fucking treasure of a person. | |
| He sure is, man. | ||
| He sure. | ||
| We got me and him, we got to jam sometime and do some. | ||
| We used to go to the compound media afterwards and just I would bring in my guitar. | ||
| He brought an amp. | ||
| We were just, he would play piano. | ||
| I play guitar. | ||
|
unidentified
|
So have you heard of this new like Sigma trend? | |
| I don't know if you're on like TikTok or Instagram or YouTube shorts at all, but there's like this whole trend called Sigma, S-I-G-M-A. | ||
| And I don't really understand what it comes from, but basically the motif is, you know, that famous part in American Psycho where Christian Bales characters like makes the major sense. | ||
| Yeah, yeah, all this music is music that has gone viral on like right-wing Sigma video. | ||
|
unidentified
|
And so I'm going to go to this playlist. | |
| If you want to get a collection of music, I recall just throwing to my right-wing extremist public playlist. | ||
| Listen through these 54 songs, see if there's any that you like. | ||
| This is the shit that I've been jamming lately. | ||
| I already see the Synthwave Goose one, which I love. | ||
| Yeah, hell yeah. | ||
|
unidentified
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There's some good shit in here. | |
| Some of it's like whatever, but this is all inspired by like just right-wing sort of like Andrew Tate type videos. | ||
|
unidentified
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Even if you don't agree with all the points, they added that. | |
| That's pretty cool. | ||
| I've been actually doing like sizzle reels for the daily episodes of GOML, and I'm using like nothing but that. | ||
| Like After Dark by Mr. Kitty, but slowed, like as if it wasn't Sigma already. | ||
|
unidentified
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When the I will let you know. | |
| Yep. | ||
| It's cool shit. | ||
| It's a cool little genre, dude. | ||
| It's like a sub-genre for the radical right-winger. | ||
| You see, I got sizzle. | ||
| The first one I did, it might have been the best. | ||
| They're pretty short. | ||
| Let me see if I could play in one here. | ||
| 253. | ||
| No, 251, I feel like would be good. | ||
| Yeah, this one's that one's pretty good. | ||
| 246. | ||
| Let's try. | ||
| Yeah, there we go. | ||
|
unidentified
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Okay, so I'll open it up. | |
| Some right, some of them might do a better job of representing the episode than others, but it's got that vibe. | ||
|
unidentified
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I feel like if I was blind, I'd be able to tell an Asian. | |
| Their heads are different sizes. | ||
|
unidentified
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I took a bunch of dudes and dressed them up as women. | |
| What are you building? | ||
|
unidentified
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Where do the chickens go? | |
| Oh, boy. | ||
| Oh, boy. | ||
| Me and my wife seem to get a lot more active enjoyment out of not having kids. | ||
| His laugh, his whole Jew thing. | ||
| I'm so Jewish. | ||
| Not really. | ||
|
unidentified
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You can't be that Jewish in Vancouver. | |
| That's a new. | ||
| I just made up a new rule. | ||
| Get fired. | ||
| Get in trouble. | ||
| Be brave. | ||
| And never stop fighting. | ||
| I love it, dude. | ||
| Good sizzle. | ||
| And it's true. | ||
| You can't really be that Jewish in Vancouver. | ||
| That's it's it's a rule, bro. | ||
| Whether you like it or not, that is a fudging rule. | ||
| So I let me see if I could play this. | ||
| This one is old. | ||
| I got another song I want. | ||
| I would like to show you something that has a little singing in there. | ||
| This one is, it's not emo, but it's guitar and voice, and it's about emotions. | ||
|
unidentified
|
Oh, true. | |
| It's sad, but it's very true. | ||
|
unidentified
|
One day for it. | |
| Can't predict where it's going to be, folks. | ||
| I have a vocal harmony pedal, which it's, it's so, yes. | ||
| Yes, I do. | ||
| Really good. | ||
| I saw this one dude at an open mic play with one. | ||
| I was like, I need that. | ||
| This one was a little cheaper. | ||
| I think. | ||
| They have the voice live, which is like the cheapest, but they have the voice live 3, which is the one I really want because it actually listens to like your guitar or keyboard input. | ||
| Yeah, this one says it does too, but you're right. | ||
| There are some artifacts here and there. | ||
| But you could always set the, and it's a pain in the ass too, but set the key at the songs and do key changes. | ||
| Like, good luck. | ||
| But yeah, so this is my, if you go to my Nope Yep SoundCloud or Ryan Catsu Rivera, either one, that's my plug. | ||
|
unidentified
|
I'm going to check it out, dude. | |
| That's really cool. | ||
| I got a couple. | ||
|
unidentified
|
So, where can people find you and follow you and all that shit? | |
| I don't know. | ||
| I should get a link tree, but basically, I'm most active on Twitter. | ||
| And judge me by my likes, not by my tweets. | ||
| A lot of fish tank stuff on there. | ||
| But yeah, so Ryan Katzuva or Asian, yeah, Asian Pat Dixon, actually. | ||
|
unidentified
|
You look mad ass in that picture. | |
| Thanks, man. | ||
| That's when I had my fresh mullet. | ||
| Now it has grown out a little bit. | ||
| That is fresh. | ||
|
unidentified
|
Yeah, now you just look like you have a shaggy haircut. | |
| I don't see the moles part. | ||
| I know it's flat back here. | ||
| Yeah, I gotta get it worked up because uh we're filming a movie/slash, it could be a show, could be cut into a show depending on the editing. | ||
|
unidentified
|
But hit me up when you're in Austin because my neighbor is a celebrity-level hairstylist. | |
| Really? | ||
|
unidentified
|
And he will cut your hair either on set or at his house right down in Austin. | |
| And it's not hyper-expensive. | ||
| I think it's like 55 bucks or something. | ||
| It's the shit. | ||
| I mean, he'll do it perfect. | ||
| So it'll look great the rest of the tour. | ||
| So if you decide you want to do that, hit me up in a month when you're here in Austin and I'll hook you up. | ||
|
unidentified
|
Nice. | |
| That would be cool. | ||
| If we're still filming, I probably can't get that done, which that would suck. | ||
| But I'll ask the boys and I'll see if I could get it trimmed down to regular specs. | ||
|
unidentified
|
He can do the whole crew, man. | |
| Everybody on everybody that's touring with you guys, he can do it too. | ||
| That's awesome. | ||
|
unidentified
|
I can work out a package deal with you just to hang out. | |
| Very cool. | ||
|
unidentified
|
Yeah. | |
| And I'll let you know when we're down there. | ||
| Hopefully, if you want to type in the Google message, I'll get your number afterwards. | ||
|
unidentified
|
Yeah. | |
| I'll shoot you my number on a Twitter DM. | ||
| Nice. | ||
|
unidentified
|
Cool, bro. | |
| This has been a good hang, dude. | ||
| Thanks for hopping on, dude. | ||
| I appreciate it. | ||
| Absolutely. | ||
|
unidentified
|
All right, man. | |
| Hopefully, I see you in a month. | ||
| Yes. | ||
|
unidentified
|
Excuse me. | |
| And God bless. | ||
|
unidentified
|
Okay. | |
| Love you. | ||
| Love you too. | ||
|
unidentified
|
Bye. |
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