May 27, 2023 - The Political Cesspool - James Edwards
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You're listening to the Liberty News Radio Network, and this is the Political Cesspool.
The Political Cesspool, going across the South and worldwide as the South's foremost populist conservative radio program.
And here to guide you through the murky waters of the Political Cesspool is your host, James Edwards.
Well, a great night at radio only gets better now as we enter into our third and final hour.
Folks, if you have listened to this show at all over the course of the last, gosh, at least six months, I mean, maybe a little bit longer than that, I guess, going back to the fall of last year, you have heard the ads for Antelope Hill Publishing.
And once in the past, we had Taylor Young and Kurt from the editorial staff of Antelope Hill on the program, but they're back tonight.
They are back tonight to remind us of a few things and to get into some current events and topics as well.
It's going to be a fun hour of radio, I assure you, as we welcome back our friends from Antelope Hill Publishing.
Right now, Taylor Young is a member of the editorial staff with Antelope Hill, and he's going to be on along with his accomplice, Kurt, who not only is a member of the editorial staff, but is also a translator of one of their first and most popular books, The Burning Souls by Leon DeGrell.
And they have both been with the company since its inception.
And so we're going to be talking with them about Antelope Hill Publishing as an operation, what it does, the who, what, where, when, and why, the challenges that come when one expresses a diversity of opinion in the age of repressive tolerance and so much more.
But first, let's say hello to them.
Taylor and Kurt, it's great to have you back on tonight.
Hello, it's great to be here again.
Yeah, happy to be rejoining you.
Well, as I say to all of our guests, but I mean it with all of our guests because we don't have any throwaway hours.
We don't have any throwaway segments.
We don't have any guests on to fill time.
If we have a guest on, it's for good reason.
They have a message, they have a cause, they have something we want the audience to hear.
So when we have a guest on, it is always sincere when we say it is our pleasure to have you on.
But first, let's get to the aforementioned who, what, where, when, and why of Antelope Hill.
What is Antelope Hill?
When did you get started?
How did it take off?
Let's start there.
All right.
Well, Antelope Hill is, at least we like to think, the premier publisher of nationalist literature in the United States and perhaps even in the world.
We got our start several years ago.
Geez, I'm not sure how long exactly it has been at this point.
Long enough that I've forgotten the details.
About three years, I think, right?
Yeah.
Yeah.
Okay.
So about three years ago, we got started.
I think it's fair to say that a lot of us were sort of inspired by another publisher, Arctos, who are still around and still publishing.
That's right.
And so a lot of us Arctos books were a pretty significant part of our own political and philosophical education.
So we sort of knew that being a publisher could bring something to the table for a lot of people that would really help out to build community, to build shared ideas and shared culture.
And we viewed that as a good use of our time.
We hit the ground running early on with some reprinted books that were a little bit more accessible for us.
And from there branched out into translations, more obscure books, some original works of fiction eventually that have been great.
That was something we wanted to do for a long time.
And that's basically the story.
I mean, we got a group of friends together.
We pulled our resources.
We pulled our brainpower, our time, and we made something that we're very proud of.
Well, and you should be proud, if I could interject here.
There are three, to my knowledge.
Now, I don't want to leave anybody out.
I hate doing lists because I always remember somebody a few minutes later, a day later, a week later.
Oh, my God, how did I forget them?
But there are at least three publishing houses, and I'm not just talking about standalone journals or magazines.
That's a separate issue.
But publishing houses that publish a wide variety of authors and topics.
You're looking at Arctos, obviously, Antelope Hill, who we're here to talk about, the White People's Press.
And the one thing that these three entities have in common is the quality of the work.
It isn't just like some black and white flyer that you get copied at your local copy shop.
These are products and books that would compete with anything that any major publishing house is doing in terms of its quality.
Obviously, the content is superior, but in terms of the quality, we talk about the stake in the sizzle, which is more important.
You've got to have a presentation to sell the message, I think.
And the work that y'all are doing there in that, I have some of your books, and we'll talk about that more later in this hour.
But the quality of the artwork, the quality of just the feel of the cover is really a next level type of thing.
How did y'all manage that?
Yeah, so we decided early on that that was going to be a major emphasis.
I think we kind of identified that there's sometimes a tendency in dissident political circles to kind of embrace your dissidents in potentially unhelpful ways, you know, not really putting any emphasis into like how do you appear and like basically taking your own ideas seriously enough.
So we decided, you know, we didn't want that to be the case at all.
What we're presenting is works that are worth reading, that are worth being preserved, ideas that are worth considering.
And we wanted that very much to be reflected in the overall quality of what we're doing.
So, you know, that's something that we've continued to professionalize in, and we're very happy that it clearly has made an impression on a lot of people.
You know, you mentioned our artwork.
That's something we're continually praised on.
We're, you know, very blessed to have a really, really fantastic graphic arts designer who has done almost all of our covers.
So, yeah, you know, the covers, they really help it stand out, give it, we're always generally going for kind of like a modern kind of feel, which again serves to illustrate that while these accounts or ideas may be old, they're not dated.
They're just as relevant, if maybe not even more relevant now than they ever have been.
So, you know, in that way, like the presentation really goes hand in hand with the message.
Well, and more than that, I think, is they actually feel to the touch a cut above so much competition.
I have one book, and I'll mention this in a later segment that I read to my son off and on.
And it feels like leather.
I mean, the actual cover actually feels, it doesn't even feel like paper.
What is that?
I'm talking about the thrilling adventure.
I don't know, honestly.
Yeah, I'm telling you, I got a lot of books.
Thrilling adventures among the early settlers, but we'll go ahead and give it away.
But I got a lot of books on my bookshelf.
I've got a lot of dust jacket covers.
I got a lot of, you know, they all feel the same.
This feels different.
Anyway, what I'm saying is what I'm trying to emphasize is what you get from Antelope Hill when you buy an Antelope Hill product is a cut above in terms of both content and presentation.
Yeah, and even if we're talking about just like, you know, the physical covers, like you've alluded to, you know, we even put variety into that.
Like that, that cover is a little different than some of the other books.
We do hardcovers as well for many editions.
We do nice dust jackets.
So, yeah, we really try to put the effort in everywhere.
So we've talked about the quality of the content.
By the way, folks, go to antelopehillpublishing.com.
You've heard the ad.
Go to antelopehillpublishing.com while we're on this break, and you can peruse through some of the titles that are available there, but you can't get a feel for how well presented these contents are until you buy one.
We'll talk a little bit more about that and so much more when we come back.
The Honorable Cause, A Free South, is a collection of 12 essays written by Southern Nationalist authors.
The book explores topics such as what is the Southern nation?
What is Southern nationalism?
And how can we achieve a free and independent dictionary?
The Honorable Cause answers questions on our own terms.
The book invites readers to understand for themselves why a free and independent diction is both preferable and possible.
The book pulls in some of the biggest producers of pro-South content, including James Edwards, the host and creator of The Political Cesspoo, and Wilson Smith, author of Charlottesville Untold, Arkansas congressional candidate and activist Neil Kumar,
host and creator of the dissident mama podcast, Rebecca Dillingham, author of A Walk in the Park, My Charlottesville Story, Identity Ditches, Patrick Martin, and yours truly, Michael Hill, founder and president of the League of the South, as well as several other authors.
The Honorable Cause is available now at Amazon.com.
In message one, we said that Satan, the father of lies, John 8:44, gave the left evil spiritual power the more they use the lies.
The political left today is the beast.
Now, the Bible confirms that the dragon gave him the beast his power.
Revelation 13:2.
The extra evil spiritual power that comes from the beast by their lying is what accounts for the string of the leftist criminals in the government that have never yet been prosecuted.
It also explains why American capitalists support communism in the 21st century.
Note one: that behavior of capitalists was predicted by Vladimir Lenin, a sell of the beast.
Note two, Henry Ford was a capitalist, and he would have never gone communist.
The difference between Ford and the present-day end-time capitalists is that Ford was born and educated in the kingdom of Christ, 19th century America, the New Jerusalem, Revelation 21.
We're back now with both Taylor and Kurt of Antelope Hill Publishing, antelopehillpublishing.com.
We were talking a little bit with them in the previous segment about how it all got started, the who, what, where, when, and why.
But there's one question I want to ask them before we move on to a bigger topic, that is the censorship of ideas.
For all of the people who love diversity, there is certainly no love for the diversity of opinion, and we'll find out how Antelope Hill works around that.
Very important question and topic.
But first, gentlemen, we're talking a little bit about some of the books and some of the authors, but what is the process?
We're talking about the quality of the product, the quality of the content, but what is the process of selecting authors and titles?
I know a lot of people out there would like to be a published author.
What is the criteria that goes that you employ when you are selecting an author and a topic and a title to publish through Antelope Hill?
Well, the process takes quite a while.
We usually like to have all our books lined up about a year in advance.
And the way we select for that is mostly, I guess, what you'd call crowdsourced.
We have submissions open on our website.
Original authors submit stuff through there.
You know, usually we'll get an email, someone inquiring, hey, would you be interested in this?
We'll take a look at a draft.
We'll get back to them.
And also, people will send in suggestions on things that they would like to see us translate or things that are out of copyright that we could reprint.
And, you know, we'll go through those and we'll see what looks promising.
The main criteria we use, other than just quality of writing, is whether or not a book offers some significant contribution to the way that we understand the world that we live in today, the struggles that we face politically, spiritually, philosophically.
What we strive for over everything is, I think, just relevance to people living in the here and now.
We don't want to be a publisher that just collects sort of old, dusty tomes that maybe have outlived their particular relevance to concrete issues.
Well, there you have it, ladies.
Excuse me.
There you have it, ladies and gentlemen.
And so that is how the process goes when selecting what to publish there at Antelope Hill.
And we've talked about the quality and the content.
But now, how do you get around the censorship?
So this is, and I shared this story with you, Taylor, a couple of days ago.
We covered this last week on the program.
Interestingly, the ADL, I believe it was just last week.
We covered it just last week on this program, last week's episode, recently complained about the book burnings in Germany.
And they said on this day in 1933, all of these books were burned and we should never, never, never, never forget.
And they got roasted on Twitter, so to speak, if you'll pardon the pun.
And you had all of these.
We talked about this last week on the show, comment after comment after comment, seemingly organically, because I didn't know any of the commenters.
They weren't any of the fellow travelers that I know before I'd been banned on Twitter.
And they were saying, you know, what books were they burning?
You know, what was the content of these books?
So on and so on and so on.
But the ironic part of this is, it is organizations like the ADL who are the biggest book burners of the 21st century in terms of how books are burned now through censorship and deplatforming.
You don't have to put a book to kerosene anymore.
All you have to do is just click the button and you're off of Amazon.
You're off of PayPal.
You're off of all of these different platforms.
And they love censorship.
They actually love it.
So, and of course, the kind of content that you would find at Antelope Hillpublishing.com is top of their list.
How do you work around that?
Yeah, so this is something that we have obviously encountered.
And we also, again, kind of foresaw that we would have problems with censorship going into it.
We've been pretty forward-thinking with our resilience in that way.
So we've had books that were on Amazon and they've been banned.
I think the Transgender Industrial Complex was an early example.
So we do sell primarily through our website.
We benefit, of course, from getting to go on programs like this, other podcasts, people who will connect with us and introduce us to their audiences.
We have, in some cases, we found some workarounds to get our books up on Amazon.
We've had printers that have refused to work with us.
We actually rely a lot on foreign printing companies now.
So, yeah, you know, we've definitely had our share of obstacles, but one way or another, we've been able to keep going.
So, yeah, we've also, you know, we've tried to make our strive to make our website and our general online presence as immune to that kind of censorship as possible.
So it's definitely an ongoing struggle.
It always will be, but we're trying to stay a step ahead as much as we can.
Nobody gets out of this unscathed.
And I know that y'all have been attacked mercilessly, as everybody who's ever appeared on this program, it seemingly has been.
But you still endure and you're still able to exist.
Now, nobody exists at a deficit.
I mean, and this is the thing.
I mean, you look at our counterparts on the left.
They're all lavishly funded.
They're all lavishly paid.
We're barely getting by.
We're single for nickels and dimes.
And we're hoping.
And it's not wrong to want to turn a profit for doing good work.
I mean, that's the thing.
There is nothing immoral with being able to succeed by doing what's right.
And so I want Antelope Hill.
I want American Renaissance.
I want V-Dare.
All of the people we've talked to tonight, all the people we talk to every night.
I want them all to succeed and prosper.
But where are we at with that in terms of the outlay, in terms of the sacrifice, in terms of all of the scars, all of the battles, all of the setbacks?
Where's Antelope Hill in terms of, hey, we've got all of these great books, we've got these great authors, this great content.
It's presented well.
And this is the kind of stuff our people, and even our children, we'll get to that in the next segment, should be reading.
Where are we at in terms of, you know, hey, the risk is worth the reward.
We were actually being able to sell enough books to inoculate ourselves from all the arrows we're being hit with.
Well, you know, I think it's fair to say that we get by all right.
But a big part of that is having a strong community.
And the thing that really helps us is that everybody pitches in, right?
We have a lot of reliable people, friends, and associates and people that we're able to rely on to help out when problems arise, when we hit, you know, we do a sale and we have a huge number of orders to ship out.
And people are willing to come and volunteer their time.
You know, we are able to pay the people that do work and contribute.
But it wouldn't be possible if people weren't willing to simply take a couple hours out of their already busy days to come and make this a reality.
That, I think, is the most important thing.
I can't overemphasize this, folks.
And this is just coming from the heart.
This isn't something that we were put up to do.
This is something that I wanted to do.
And this is why I asked both Taylor and Kurt to be on the show tonight, is to give you an idea because we need people who are presenting our issues and our arguments in a professional way to step to the forefront.
And I think that's what we've got with Antelope Pill.
But this is, again, far from what you would see some years ago, where you could get a black and white flyer underneath the windshield wiper of your car.
That was the best we could do.
The products that you'll find at antelopepublishing.com would not be out of place at all at any Barnes Noble bookstore in the country.
They are that level of quality.
And I think it has to be that way.
It has to be that way.
We're at such a deficit already for being truth-tellers with what we're up against and what we're faced with.
And you only dig yourself into a further hole by producing a substandard presentation.
I don't want to overemphasize this because I know we've revisited it a couple of times, and we're going to shift gears here in the next segment.
But that is something, guys, that I think y'all do quite well.
Yeah, I mean, we definitely appreciate that.
And like Taylor said, that's something that we strive for.
And, you know, I think it's encouraging.
Other publishers have also been doing really good work on that front and have brought the level of quality up.
Of course, I think we would consider ourselves, to some extent, excuse me, trailblazers in that regard.
But it has been looking up across the board, which is very encouraging.
So what's next?
We're going to shift gears here in the next segment.
We're going to talk about somebody's got to raise your kids.
Is it going to be you as the mother and the father?
Is it going to be the system?
Is it going to be, well, here we go.
And here's the music.
Give me 10 seconds.
What's next for Antelope Hill?
What are you looking to do?
We're going to keep on doing what we always have been, I suppose.
Yep.
Hey, that's good enough for me.
We'll talk a little bit more about that when we have a little bit more time.
We'll have a little more time in three minutes.
Sit tight, everybody.
Proclaiming liberty across the land.
You're listening to Liberty News Radio.
USA News.
I'm Jerry Barmash.
President Biden and House Speaker Kevin McCarthy had a short phone call on Saturday evening, CNN reported, as the two sides look to get the debt ceiling raised.
Both McCarthy and Biden said negotiations are very close to an agreement that will avoid a government default.
Treasury Secretary Janet Yellen said on Friday that the USA will be able to pay its bills until June 5th.
The Texas Senate will decide the fate of State Attorney General Ken Paxson, who was impeached today by the state house 121 to 23.
Before the vote, lawmakers spent hours speaking on the floor, including Democrat Terry Canalis, who said this should be above politics.
We listened to our colleagues, a bipartisan committee that sat and listened to hours of testimony that held investigations since March that come before you, members of the highest integrity.
20 articles of impeachment were filed against Paxson with allegations, including disregard of official duty, bribery, and obstruction of justice.
The hills may be alive with the sound of music, but one production will be missing the sight of Nazis.
A Southern California elementary school is going to present the sound of music without any Nazi imagery.
Officials with the Fullerton School District said they made the decision after a parent expressed concerns over their sixth grader wearing a swastika.
That Nazi symbol, as well as the Heil Hitler salute, will be omitted from the musical, which is set in 1938 Europe and follows the von Trapp family as they flee the Nazis in Austria.
I'm John Schaefer.
J.P. Morgan Chase is telling a thousand First Republic bank employees that they are being let go.
This comes just weeks after America's largest bank purchased the failed San Francisco lender.
J.P. Morgan did say that 85% of First Republic's workers will get either full-time or transitional roles.
This is USA News.
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water is always getting into something and fire As ordered, we run a little hot.
This shop is the dream of our family.
Someday it'll all be yours.
But we all live by one simple rule: enemies cannot mix.
The pipe squished me all out of shape.
That's better.
Oh.
Steve never left Firetown.
Sorry, buddy.
Elements don't mix.
Hey!
Plus, my dad would boil you alive.
Why does anyone get to tell you what you can do in your life?
Come on!
Why do they even have these?
Who knows?
Watch this!
I see a change in you.
What, hair guy?
You live here?
It's my mom's place.
We got two kids that are swimming around here somewhere.
Marko!
Baba!
I've been trying to fill my father's shoes, but I never once asked what I wanted to do.
All right, gentlemen, let's just stop right there.
That is the official trailer from the new Disney movie that is going to be released this summer, Elemental.
It's a Disney Pixar picture.
And in the, well, you just heard the clip.
Elements do not mix.
It's a movie about elements.
There is a young girl who is made of fire and a boy who is made of water.
And their parents, their bigoted parents in this movie, they're backwards, obviously, immoral parents do not want them to mix.
But, you know, the dead never asked them what they wanted to do.
Their fathers never asked them what they wanted to do.
Well, what we know in reality is in nature, if fire and water mixed, one would extinguish, literally kill the other.
But it's a non-too subtle jab at what.
What did you hear in that clip, gentlemen?
Yeah, I mean, you really don't have to dig too deep to find what the message is in this.
It's not too subtle.
Yeah, I mean, that one line.
That one line in there was great.
Why does anyone get to tell you how to live your life?
I mean, if that's not the definition of sort of regime-approved messaging for today's youth, I don't know what is.
Exactly.
I mean, so this is the new Disney movie coming out, and it's disgusting.
I mean, I won't be seeing it, obviously.
I won't be seeing the new Little Mermaid with the black little mermaid.
The Little Mermaid's White.
I mean, that's a Han Christian Anderson story from what, Denmark?
I mean, it's from Scandinavia.
Cleopatra was not black, this Netflix thing.
It's all an attack against our people.
But this is even more in your face than others.
But it's interesting, though, because if you look at it, water kills fire.
Mixing of the elements or of the people kills the bloodline.
And this is what Disney is pushing now.
And this is the point that I brought this up, is that the bottom line is that somebody's going to raise your kids.
Somebody's going to raise our kids.
And it can either be the system, the media, academia, it could be the schools, or it could be the parents themselves.
And that's why I am happy that Antelope Hill Publishing offers alternatives to this.
They offer books like Thrilling Adventures among the early settlers.
I read this book to my son.
Now, we have a few different books that we read during our bedtime routine.
And this is one of them that we've been infusing intermittently.
It's a collection of several dozen short stories.
And I mean short stories, each chapter is three, four, five, six pages long.
And you've got titles like Davey Crockett's Fight with the Bear as told by him.
You have Lewis and the Rattlesnake, A Perilous Adventure in a Canoe, which I actually just read to my son about three or four days ago.
And he loves the book.
When I pulled this book out and I said, this is the book we're reading from tonight, he gets excited.
You also have a fly in the house.
There are content in books and things that can be shared with your children that is age-appropriate, that our movement is producing to combat wicked messages like what we just heard from Disney Pixar's Elemental, and you can get it at Antelope Hill.
So talk a little bit more about that category of your content, gentlemen.
Yeah, I think it's just like you said.
The system will raise your kids if you don't.
But at the same time, the old saying goes that it takes a village, and it at least takes a community.
It takes more than just the parents by themselves.
Or at the very least, it's much easier if you have some support in your ideals and what you're trying to communicate and pass down to your children.
You need culture, right?
You need books, you need movies, you need music, you need everything.
That's what's going to reinforce and make things stick.
And maybe not even just for children, but for adults as well.
You need to be surrounded by things that, you know, if not completely agreeing with you ideologically, or at least not trying to destroy you.
And that's what all of the current pop culture, the corporate pop culture is trying to do.
Thrilling Adventures, I think, is really great.
The most interesting thing about it to me is that it's not just stories from, you know, the Western frontier, Cowboys and Indians and all that kind of stuff.
It's also stories from when America was very young, fighting in the Appalachians, the Ohio Valley, Florida against the Seminoles, and along the Gulf Coast against the Creek and Andrew Jackson and that sort of stuff as well.
Which I think reinforces that there's a continuity here.
Cowboys and Indians isn't just an isolated episode.
It's not just one little part of what America is.
But rather, America's always been defined by this sort of more or less existential struggle and by race as well.
Well, it sure is by race.
And on the cover of this particular book that you mentioned, I mean, it's got a Daniel Boone, Davy Crockett type character against an Indian with a tomahawk in hand.
And it certainly was racial.
I mean, Indians, you know, that was the thing.
That was their culture.
I mean, they were never going to be agrarians.
They were never going to be agriculturalists.
Their whole system, their whole strata of manhood was built upon being a warrior.
And so, and of course, I mean, well, I don't want to relitigate this.
We've talked about it so much over the years, but of course they were constantly at odds with their fellow Indian, with their fellow American Indian, with their fellow man.
I mean, it was all about genocide and slavery and rape and plunder.
I mean, one tribe wiping out another.
That was their culture.
You couldn't even be a man until you had taken a scalp in so many of these tribes.
So, yeah, that was it.
That was all they knew.
And they were taught a lesson by their betters.
And that's the thing.
I don't feel ashamed for doing better than what these people had wanted for themselves.
And we did good by them, certainly better than they did any of their vanquished people.
None of their vanquished people got casinos and reservations and places where they could practice their religion and their language, etc., etc., etc.
But nevertheless, this is it.
This is a great book.
It's a book about heroism.
It's a book, Thrilling Adventures.
It's a book about bravery, about appointing oneself as a man.
And you also have A Fly in the House.
Tell us about that.
Yeah, so it's our latest kid's book.
So if I may, it's A Fly in the Hive by Nathaniel Williams.
Fly in the Atlantic.
And it's, yeah, it's cool, actually, that you open this segment with the elemental trailer because this book is really kind of the antithesis of that.
You know, it talks, you have this happy little colony of bees that's just living, minding their own business, producing their honey.
And then one day, a fly comes along and he enters their hive and he says, you know, I don't want very much.
I just want to live here.
You know, I'm not going to be a bother to you.
And they let him in because they're kind.
And he picks up on their kindness and then he starts to slowly use it against them.
He says, well, you know, bees are nice.
That's like his refrain.
Bees are nice, so you got to give, you got to let my family in.
You know, you got to give some honey to the wasps.
You got to let the wasps into the hive.
And it just keeps going like that until the bees kick him out.
So, you know, it's just like you were saying at the beginning, you know, there's a reason why that subversive message of diversity, of mixing, you know, different races, different, you know, anything is pushed by the regime because it's ultimately a very destructive message.
You know, these bees, they don't benefit from, you know, pretending that these strangers are just like themselves.
It just causes them harm and they don't, you know, they can't return to their happy way of life until they recognize that they are who they are, that they are different, and they need to enforce healthy boundaries.
So that's a healthy message.
If I may also.
Yeah, please continue.
I just wanted to say the illustrations in this are really, they really make it shine.
I mean, well, I mean, really credit to both of them equally because it's very hard to do children's books in a way that really evokes something while also not being too mature.
A lot of, you know, it's very difficult.
I don't want to patronize kids either.
I mean, kids, you don't want to patronize kids.
You want to talk to them.
Right.
But the illustrations done by Wormwood, they are just really fantastic.
You know, I wish I could show them, but of course, we're not on a video feed.
They are, I mean, we just, we loved these.
Yeah.
Now, how can people get it?
I mean, because there are other books like this.
I mean, we had mentioned Ann Wilson Smith, who is in one of our other ads for the new book that we have been a part of of the Honorable Cause.
She's written a children's book about Robert E. Lee.
And there are things like this.
You don't talk down to kids.
You just talk to them.
And you tell them the truth.
I mean, they can get that.
They can get that.
And believe me, the enemy is watering down its message in a fundamental elementary level that they can get.
And so can we, and so should we, right?
Absolutely.
So, yeah, I mean, it's available through our website.
Taylor, do you know if it's on Amazon?
Yes, it is on Amazon.
This one is on Amazon as well, so you can get it either from there or from our website.
So how about you?
For an international customer, we recommend Amazon.
Okay, so I mean, you can go to antelopehillpublishing.com and get the full catalog.
But if you're looking for this particular children's book, A Fly in the Hive, you would find it at Amazon How.
Would it come up promptly with Fly in the Hive as your career?
Yeah, just look in the title.
Just look for the title.
Yep.
Should be the first result.
It'll come right up.
Yeah.
Generally, we recommend that American customers, I'm sorry.
Generally, we recommend that American customers buy from our website.
And we recommend that foreign customers buy from Amazon because it's going to be cheaper for them.
But again, we try to get every book up there on Amazon that we can.
And this one we're able to sell in both locations.
Well, you know, that's the thing.
I mean, it's like Amazon.
It's like Twitter.
It's like any of these social media or credit card processing platforms.
It's hit or miss.
They come for you.
When they come for you, it's arbitrary.
It's nonsensical.
It's random.
Have you been doing with getting some of these titles on Amazon?
It's hit or miss.
It tends to be the more, you know, politically controversial ones that don't last long on Amazon.
Something like a fly in the hive, we would expect to stay up there.
There's nothing outwardly objectionable about it, and they tend not to take those ones down.
You know, that's the thing, in nature itself.
Yeah, you never know.
You never know.
I mean, because I lasted seven years on Twitter before I got banned.
I mean, Jared Taylor was banned before David Duke.
I mean, it doesn't make any sense.
and you would drive yourself mad trying to make sense of it.
I lasted longer than both of them, and then my time came, and then there's other people far more radical, at least on the surface, than I am, who are still there.
It doesn't make sense.
But as far as this goes, I mean, yes, it should be there.
There's no reason why it shouldn't be there.
It is a very healthy and wholesome message, and it backs up nature itself, as we said earlier.
Fire extinguished.
Did we miss a break?
I think, Mr. and Mrs. Producer, we may have missed a break there.
And that's fine by me.
I'm just looking at the clock.
I don't know if we missed one there intentionally or so.
There's still one coming.
All right.
Anyway, but in nature, water extinguishes fire.
So they couldn't marry and get together and have a nice, happy relationship and future because they would extinguish one another.
One would win out.
There's the music.
My apologies.
You know, I should never question my production staff because they're always right and I'm always wrong.
If there's ever a question, I'm the one that's in error.
It is true.
It is true, Jay.
We're going to take a break.
I was looking at it.
I was like, wow, this seems a little bit late in the segment.
We'll be right back with our friends from Antelope Hill right after this.
Stay tuned, everybody.
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Well, times shouldn't change, and they can change faster than you know, which is why we appreciate the kind of people we have on this program every single week, especially tonight.
Peter Brimerlow, Jared Taylor, our representatives from Antelope Hill Publishing, Vidair, Amran, Antelope Hill.
I mean, this is it.
We're talking about the heroes and geniuses of Western civilization and what Disney has become.
But Walt Disney himself was a world apart from what his organization has become.
And I'd like to, we've covered this before, but I'd like to take a moment to talk about this here very quickly while we're with our content creators, Taylor and Kurt from Antelope Hill Publishing, get their take on this and why this is germane to the hour and to the topic at hand.
But you go back to 1941.
Now, this is Walt Disney, the middle American.
He was from Missouri, the Gentile who founded the Disney Corporation, which has now long since been taken over.
But in 1941, it was a whole different ballgame, buddy.
Dumbo was Disney's least pretentious work.
It wasn't a technical breakthrough, as the article reads, along the lines of Pinocchio or even Snow White and the Seven Dwarfs.
But it is said by his critics that Dumbo created a compelling narrative for Disney's more extremist views.
So his critics say.
The book and then the movie portrays the, excuse me, the book, which is a book written by, I kid you not.
You're going to think I'm making this up.
Movie critic Richard Scheckle.
The book is the Disney version.
And he talks about some of Disney's past and his movies while he was still alive.
And he talks about that Walt Disney was a paranoid man, not at least contemptuous of his colleagues, particularly the numerous Jewish moguls who reigned in Hollywood during the 1930s, 40s, and 50s.
According to Scheckle, we make this up not.
Dumbo reflected Walt Disney's deepest convictions regarding the United States and its entry into World War II.
The titular protagonist represents the innocence.
He's talking about Dumbo here, the innocence of the American heartland where Disney himself grew up.
And his story reflects how his innocence comes under attack by political forces abroad and subversive elements at home.
In his suffering at the hands of the ringmaster and his own fellow pachyderms, Dumbo functions as Disney's alter ego.
Indeed, Disney himself saw himself as a victim in the three-wing circus that was Hollywood.
He felt that the Hollywood studio system of the 30s and 40s threatened his creative control.
The studio heads he opposed included Louis B. Mayer of MGM, Jack Warner of Warner Brothers, and Harry Cohn of Columbia.
Each had a vested interest in Disney's animation empire and were eager to buy him out.
Though often pressed for money, Disney refused their offers.
In particular, he resented Harry Cohn's so-called ruthless tactics in his book, Disney's World.
Critic Leonard Mosley recalls an incident in which Disney, Walt Disney himself, referring to Cohn, referred never to, quote, let that fat Jew rescue me from bankruptcy, end quote.
Disney projected his own sense of alienation onto others in Hollywood, namely Jews, blacks, and union workers in retaliation against the studio moguls, who were predominantly Jewish.
He refused to employ Jews in high-level positions at Disney or his studio as actors or even live-action features.
Not until 1969, two years after Disney's death, did a Jewish actor, Buddy Hackett, feature predominantly in the Disney film, The Love Bug.
And it goes on to Lambash Disney a little bit more, Walt Disney, the man himself, not the company that has grown out of his name.
But Disney denounced FDR.
who called the 1900s as the century of the common man.
In response, it is alleged Disney said, balls.
The 1900s is the century of the Jew, the union, cutthroat, the fag, and the whore.
And FDR and his National Labor Relations Board made it so.
Ironically, soon after Dumbo's release, Walt Disney would turn his filmmaking efforts to FDR's war effort.
However, Disney never apologized for these beliefs, on and on and on.
Anyway, gentlemen from Antelope Hill Publishing's, our good friends Taylor and Kurt, it's hard to imagine a true American, a true American, a true patriot like Walt Disney ever making a movie like Django Unchained.
But needless to say, those who share Disney's sentiments are no longer leading his company, as we heard from the trailer to I've already forgotten the name, Elemental, the new movie coming out.
But thank God and thank everyone that we do have people like you and Analope Hill Publishing who are promoting and producing content for people who are thirsting still for the truth that apparently Walt Disney agreed with.
Gentlemen, two minutes remains and it's all yours.
Yeah, I guess I just wanted to say, you know, it's always sort of baffled me how America during that time period had all these great men like Disney, Ford, Charles Lindbergh, all of these guys who had a lot of sway, a lot of charisma, a decent amount of power and really did understand what was going on, what the danger was.
And we couldn't do more with it, right?
And we just wound up here anyways.
I mean, I do, it's fascinating, but it is, it's truly somewhat baffling to me.
And I'd really like to gain a greater understanding of that one day.
And it's also always been sort of crazy to me that he wound up making all these cartoons for the War Department.
Strikes me as a little bit sad, honestly, that he sort of wound up as an adversary to the people who, you know, really, ideologically, he was on their side more than he was on the side of his own government, as evidenced by his criticisms of FDR, who landed us in that war in the first place.
That's absolutely right.
But, I mean, still, to stay in control of your company, dollars a dollar.
I don't know what was going on there, but I think in his heart, Walt Disney had much more in common with us than the system that we suffer under today, as did people like Charles Lindbergh.
I didn't intend to take up that much time in the final segment, but that was an important thing so much as to impress upon you that there are alternatives to the narrative that is being fed to you by even places like Disney that have been taken over from once good men and once good leaders.
You have antelopehillpublishing.com, and I want to thank Taylor and Kurt both.
We'll hear from another Antelope Hill representative in June and beyond.
We're happy to be in league and in working cooperation with Antelope HillPublishing.com.
Taylor and Kurt, thank you so much for Peter Brimlow and Jerry Taylor.
I'm Davis Edwards.
Next week, it's a whole new show.
Thank you for having us on.
Yeah, you're very welcome.
Thank you for coming on.
And thank you for working with us as we are happy to work with you.