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July 6, 2019 - The Political Cesspool - James Edwards
50:43
20190706_Hour_2
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You're listening to the Liberty News Radio Network, and this is the Political Cesspool.
Even want to start this hour if we have to interrupt that song.
Sam Bushman, our beloved owner, and he Moonlights is our producer, even on this particular broadcast.
He could hear a quite animated discussion during the commercial break between the hours.
I would challenge to a duel anyone who tells me that is not the best music of all time.
I love everything about the 1950s.
It was so wholesome and in many ways so innocent.
The Halcyon days of America, even nearly 100 years after America lost the war between the states.
But nothing beats a good doo-wop song.
Now, this is coming from a southerner.
The best music of all time came from the New York, New Jersey, Philadelphia era area in the late 50s, early 60s.
Well, the thing that you're disregarding is that that rock and roll, and doo-wop was part of rock and roll, didn't start really until 55.
The first part of the decade was the pop of people like Doris Day and Frankie Lane and people like this, which I think, at least civilizationally, was an even higher expression of Western civilization.
Well, I was asking Lacey Lynn, or rather we were having a discussion, I guess you could say earlier this week.
Now, she knows the 50s country artists, but she wasn't quite as well familiar with the kind of music we're talking about.
Well, the country was great then.
Patchy Klein and Dunk Williams.
There you go.
And Farron Young, the singing sheriff.
All right.
Well, we could keep this going all night, but I'm afraid work must intrude.
Let us now welcome back to the show for the third time this year, Lacey Lynn herself, a wife, a full-time homemaker, homeschooling mother of two.
She's an Eagle Form member, a Christian conservative activist.
She runs a can't miss YouTube channel that addresses such topics as nationalism and the benefits of a traditional life.
And she's returning to our broadcast this hour to discuss the 50s question, the 50s question.
She actually just put up a brand new video entitled Just That, The 50s Question, and we're going to get her to tell us all about it right now.
Lacey, welcome back to the show.
Well, hello.
Thank you for having me.
Well, you're very welcome.
Thanks for spending a few minutes of your Saturday night with us.
Actually, a little more than that, in fact.
You're going to be with us for the full hour.
So tell us about that video, the 50s question.
What is it about and what prompted you to make it?
Well, it's kind of a nod to the very first video I made, which was made.
I think the best videos, like a southern one than I am, is born out of just pure frustration and wanting to set somebody right.
You know, sometimes people need to be told.
So I think the best videos I've ever done is when I sit people down and I just tell them like it is.
So the first video I ever did was in defense of June Cleaver, and I think we talked about that last time that I was on, or the first time that I was on.
And that was bred out of frustration for feminists who just wouldn't let me be a fan of June Cleaver.
And then I got involved in activism, nationalist activism, traditionalism, and anti-feminism.
And because of my roots on YouTube and because I like pearls, you know, a whole lot of snowballing happened, not just by people of the left, but also people on the right who were kind of saying all sorts of different things about the 1950s, that 10 years.
And I thought that the criticism toward not only the 1950s, but myself, got to a point of just no longer being able to ignore it.
And there's people who are feminists who have criticism, and there's people in the men's rights camp who have criticism, and there's traditionalists who have criticism.
So I just basically wanted to tell everybody at the same time, you're wrong.
You're wrong.
You may be right in some areas, but you're mostly wrong.
Well, Keith, I know you watched the video.
So this is what's an interesting dynamic.
What will make for an interesting dynamic this hour is that we have three people from three different generations.
Keith was born in 1951, so he's old enough to remember the 50s.
I was born in 1980, and Lacey was born in 2012.
What?
Boy, she is young, right?
I really have respect for you doing all these YouTube shows.
And you're only seven years old.
No, but she's a little bit younger than us, but nevertheless, a hell of a head on her shoulders.
But anyway, you watched the video.
Now, as someone who was, in fact, born in the 1950s and early enough in the 50s to remember a little bit of it, what was your take on Lacey's work there with the 50s question?
Well, I think she's right on target.
I think she's right that the cultural icons of the 50s, the television shows like Leave It to Beaver and Ozzy and Harriet, things like this, were wholesome and good.
And we've had a sad falling away.
It happened in the 70s with things like Maud and All in the Family and whatnot.
I remember when a Jewish producer director in Hollywood named Silverman decided they were going to do away with all of the rural themed shows like Green Acres and Petticoat Junction and Beverly Hillbillies because they didn't want to celebrate white Gentile southerners anymore.
So, you know, before that, what we saw was this, you know, celebration of the middle class in America.
And they were very moral.
They were very proper.
They were, you know, there was never real impropriety that was excused in any of those shows.
And I agree with you that it was a golden age for television at least.
Right.
And before we get started, I did want to say that in the video, I said not all boomers.
Hey, Lacey, I got to tell you, Keith is sensitive to the criticism that boomers get.
Are you not, Keith?
Well, yeah.
The thing is, what we hear the left saying that race is a social construct, which is ridiculous, but generations truly are a social construct.
You know, there's something artificially imposed upon humanity.
And, you know, the problem that we've all had in every generation is dealing with Jewish power and influence.
And if you can show me a subsequent generation or a prior generation to the boomers that has successfully dealt with Jewish power and influence, I'm going to touch on that.
You lit him up, Lacey.
You shouldn't have mentioned the B-word.
There's no argument from me there.
I completely agree.
Well, the thing that Keith says that is so true is that you could go up to someone born in the 50s and after you gain their trust just a little bit, they will be much more forthcoming and frank about race than someone from our generation.
And I do believe that, by and large.
Well, we're just getting started.
That was pretty much the long way to introduce Lacey to the show tonight, but we had a little fun with it.
And it's a holiday weekend installment of TPC, so why not have a little fun with it?
But good news for you, folks, is that we're not wasting her time because she's still got three more segments to come.
And we're going to hear a lot more from our featured guest this evening, Lacey Lynn, right after this.
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Pretty, pretty, pretty little angel.
Angela, you are so good to me.
And when I'm in your arms, you've been so ever me.
You know I love you, my darling Angela.
That is the kind of music, ladies and gentlemen, that only the 1950s could have produced.
It instantly brings a smile to my face.
My feet instantly start tapping.
I even muted my mic so I could sing along with you.
I can tell you this.
James loves the four seasons above and beyond all other musical groups, basically because they extended Doo Op into the 60s and 70s.
They absolutely did.
I was actually talking to Lacey about that this week as well.
But again, this goes back to the era, the essence of this era, the Halcyon days of America.
I mean, and it all went down precipitously after the 50s and early 60s.
I mean, it went down.
Media went down.
Music went down.
Everything about America went down.
The 60s and the 20s were the two corrosive decades.
Now, Keith is big on 50s and prior to that movies.
I'm big on the music, but together you get it both.
But anyway, Lacey, I was talking with Sam Dixon about this just a couple of weeks ago.
And, you know, one movie that was actually made during my era, the 80s, was Back to the Future.
And it shows you a recreation of what 50s Main Street USA looked like.
And I was talking to Sam about it.
And Sam, like Keith, is a guy who lived through the 50s.
It was around to actually see it, unlike me and you.
And I said, you know, Sam, it was just so great.
I mean, you know, what would be so bad about going back there, pushing the reset button and going back to the 50s?
And Sam said to me, you know, I know how wonderful it was.
I lived through it.
But there was something fundamentally flawed with the 50s.
It was, and that flaw was inherent even in the 50s.
And it's what got us to where we are today.
So, number one, it would be impossible to go back there, but even if we could, we would need something different in order to inoculate ourselves.
What would your reaction be to that, Lacey?
Well, I would definitely agree.
One of my biggest frustrations is with the conservatives that say, well, if only the Democrats were like JFK today, well, if the Democrats were like JFK today, we would still be on the exact same trajectory.
We would still be dealing with the fallout of the 60s.
I think actually today mirrors a lot of the 60s.
So when I say that I can relate to, You know, being a 50s housewife, I mean, I kind of am in a sense.
I'm raising my children in a time where, you know, the 60s is going on around us.
I mean, we have women's marches.
We have, you know, every civil, every group of people winning civil rights.
It's you and it's on the television, and you have to be worried about what your kids see and what they hear and what they're exposed to.
And it's very much like what parents were facing when the fallout of the 60s happened, and it was very new to them.
And I remember a time, you know, when I was growing up that it was more innocent, but we were on a trajectory.
And even if we go back, quote-unquote, you know, go back, it would still be the same trajectory.
So unfortunately, I would love to go back, but I know I'd be right where I am right now.
And I'm raising my children in 2019, which is kind of hard to raise children in, but it's all very difficult to raise children in the 60s.
Lacey, this is Keith.
I really say that the apogee, the zenith of American civilization, was May the 16th, 1954, the day before the Brown versus Topeka Board of Education decision was handed down.
That was like the opening shot in the culture war where liberalism got the upper hand.
Now, and that's where all these radical egalitarian movements came from.
They were basically following the template of the civil rights movement.
But on the other hand, that doesn't take away from the fact that these TV shows we had back then were great.
And I was going to ask you this: what is your favorite 50s-era television show and why?
Oh, no, you have to ask this.
Okay, I actually cannot decide between Levit Weaver and the Donna Richo.
And I will tell you why.
I am friends with both families.
I have actually spent a lot of time not just researching the characters, but also researching the people.
And I have personal connections to Barbara Billingsley's family and Donna Reese's family, and don't want to upset anybody.
But I love both of those shows.
Oh, by the way, did you know that?
No, we've got to put her to the fire.
We demand a Lacey Lynn endorsement on the definitive number one show of the 50s.
Who's one and who's one A?
Maybe we should let her off the hook, Keith, and ask her favorite movie because I know you have a favorite movie from the 50s, Keith.
I have to move.
Henry and the Bachelor.
Two of them.
First of all, did you know that Hugh Beaumont was from Memphis?
I did.
Did you know he was a preacher?
Yeah, his father was a Methodist preacher.
He went to tech high school in Memphis.
Oh, we got to get Lacey and Keith together.
I really think that Hugh Beaumont was the quintessential 50s father, more so than Carl Betts on Donna Richo.
Alex Stone.
See, my husband is a lot like Alex Stone, and I think that's because my husband is a little bit younger and he's got that manly fire.
You know, he goes on those rants like Alex would.
Ward is a little bit well, he can always strive to be like Ward Cleaver, though.
Yes, but he has more of that youthful kind of fire, you know, to him, kind of the grit.
And my father reminds me a lot of Ward.
Well, ask her about him in the Bachelor.
Let me just say, let me preface the question, Lacey, by saying this.
When anyone comes to Memphis in hopes or expectations of meeting us, if they're lucky enough to actually make it into Keith Alexander's home, you can bet that they're going to set through a showing of Tammy and the Bachelor.
And why is that, Keith?
Okay, well, that's a movie from the same era of the music and the TV shows we're talking about.
I have two iconic 50s movies that are particularly of interest to Southerners because a whole generation of Southern boys was named after one of the movies, and a whole generation of Southern girls was named after the other.
You got 30 seconds of explanation.
The girls were named after Tammy in Tammy and the Bachelor.
The other Tammy movies are complete junk.
Don't watch them with Sandra D.
But the one with Debbie Reynolds is perfect.
And the boy's name is Shane.
That movie with Alan Ladd, that shows you what male heroism was like in the 50s.
And Tammy is the girl that wants to be the Adam's rib to her husband as opposed to her opposite Barbara Crane who wants to wear the pants in the family.
So I'm big on 50s music.
Keith's big on 50s movies.
Lacey big on 50s TV shows.
Now, are you familiar with any of the films of that era, Lacey?
I am.
I love a lot of 40s and 50s movies.
I'm a huge Greer Garson fan.
So Donna Reid and Greer Garson movies.
I love Greer Garson.
They're wholesome.
They're romantic.
They're chick-flicks.
They're over-the-top.
They're glamorous.
They're not degenerate.
They're great movies.
I love Greer Garson.
Well, we are talking about how fundamentally flawed the 50s were, but I'll tell you what, if we're not romanticizing them tonight here on TPC with the one and only Lacey Lynn now.
We can bring you down.
I'm sure you want to know how to be in contact with this lovely lady, and we're going to let you know how to do that.
But we still got her for another half hour.
Lucky us.
We'll be back right after this.
You're listening to Liberty News Radio.
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Cause I want girl and decor.
I want to dream of her so I don't have to dream alone.
Dream lover, where are you with love so true?
And the hands that I can hold as I grow old.
Cause I want girl in DeCo My own.
I want to dream of her so I don't have to dream alone.
Well, the topics tonight, ladies and gentlemen, is of course, or rather, the topic this hour is Lacey Lynn's video, The 50s Question.
And so since that's the theme, we are accentuating that theme with the music that defined the era.
And that was the late, great Bobby Darren with Dream Lover.
The music of the 1950s be still my heart.
And of course, today, I think y'all were just dogging Sandra Dee, who Bobby D, or rather, Bobby Darren was married to in the last segment.
She was in the latter part of the 50s where things started to go downhill.
And by the way, Taming the Bachelor was the last good chick flick.
After that, all these sensor boards fell out of favor and Hollywood was let loose.
The next one was Summer Place, which celebrates adultery.
And the 1959 summer chick flick was Pillow Talk, which basically set the table for transgenderism.
All right, don't get Keith Star on Taming the Bachelor because that's opening Pandora's box there.
Taming the Bachelor was totally wholesome.
I'm telling you that there may have been some flaws in the 50s that led us to where we are today.
Perhaps the die was already cast even then in those wholesome 50s.
But I'll tell you what, I'm jealous of the people who lived through it.
So anyway, you know, folks, that we were at a conference last weekend, and our guests included Kevin McDonald, Michael Hill.
A lot of boomers.
Tom Sunick, Rich Hamlin, Simon Roche, and an old-time friend of mine, David Duke, who spent his birthday with me.
He actually spent the night at my house on Sunday night, and we spent his birthday, his 69th birthday on Monday we spent together here in Memphis.
And I was talking with David's daughter this weekend, and she was talking, Lacey, about what women want.
And she was saying, yes, we do want to be taken care of, but we'll also take care of you, talking about how traditional women take care of their husbands.
How can we recreate that?
We're talking about the 50s and everything that was good about the 50s.
I have, you know, so many of people in our ranks have written off Christianity and the church.
And I get it, if I had inquired upon Christianity as someone in my 20s or 30s, I would have looked at it and gagged based upon what's coming out of the current institutions.
But if you do want to find, and I say this so many times on this program, if you do want to find a traditional woman, a submissive woman, a woman who will bear your children and raise them in the way that they need to be raised, if you want to find a good woman, you need to be looking in the churches.
How can we recreate the 1950s type woman in the current year, Lacey?
Wow, that's a loaded question.
Well, I don't know if it's possible to have an average woman that would be your average 1950s, for most women on average to be your average 1950s woman.
Without a whole lot of other societal changes.
But one thing that I mentioned in the video and I mentioned before on my channel is that we're kind of in this position where, you know, the 50s started the modernist era, you know, the new modern kitchen suburbia.
Everything was modern.
And that's what they were selling at the time.
And it was this shift, this cultural shift into this new modernist era.
And that's why in 2019, we can look back at the 50s as something that if you do hold traditional values, you can look back and you can say, oh, I kind of see a little bit of what I can relate to myself and what I'm going through and what I look like and what I want from my family.
And so that's why it's so easy to look back to and relate to.
Creating the 50s woman again would have to be creating 50s churches again.
It would have to be creating 50s demographics again.
It would be having, you know, so there's a lot that plays into a lot of different factors.
I mean, you know me, I'm against feminism.
I think we should roll back policy.
There's people who want to bring men up in law and enacting more policy, but I'm just, I'm simple-minded and I'm like, well, you know, we should roll back policy rather than just bring in new policy.
And that makes sense to me.
So I think definitely we need to look at reform.
We need to look at law reform.
Is that possible?
I don't know.
I'm not a politician.
I'm just a commentator.
But I can tell you what I what I find wrong in society.
And I think that definitely we have women have too much freedom and too much liberty that we've definitely taken for granted.
And we have superity over men and law.
And that's definitely wrong.
And a lot of women are wielding that superiority.
And they know that they have it.
And they're perfectly capable of using it and want to use it.
So I think you sent me a blog from Keith about mentioned hypergamy in the article.
There's so many, so many factors that we need to consider, but definitely you mentioned the church would be a big one.
We need to put pressure on our churches to actually preach what is in the Bible.
So that's a huge one.
Is that the truth?
A lot of luck with that.
Well, you actually mentioned, I forgot all about that.
Yes, we sent you for preparation of tonight's program an article that Keith had written some months ago, maybe even a year or two ago.
Keith, would you like to ask a question along the way?
Well, the reason we sent you those is because there were several reminiscences in both of those articles about life in the 50s, my childhood.
And one of the things that was written in there was that in the working class block in which I grew up, first of all, all the men dressed in suits and ties to go to church and their children were in their family vest and the wife was, and the whole family attended church, not a father going to this church and the mother going to that church.
And furthermore, there was only one divorce on the entire block and that was so shameful to the children involved in it that the whole family had to move to Forest City, Arkansas to get away from the shame of it all.
Of course, now, if you haven't had a divorce, people want to know why.
What do you, let me ask you this.
Do you think that you are a typical, are you a 50s-era wife and woman?
Yes or no?
And if you're not, in which ways do you vary from the 50s prototype?
Well, I guess it would, I guess it would depend on how some people define what is the average 50s woman.
I mean, I think, yes, I'm very much a June Cleaver type.
I would say that.
And I know people hate hearing that.
People in all camps hate hearing that.
It doesn't matter where you come from.
You hate hearing that.
But it's the truth.
I don't hate hearing it, Lacey.
Well, thank you.
But I've gotten, I mean, I've got it from every corner of the earth, from every angle, too.
But when I actually grew up in a very small town, so I was used to small town worldwide.
And when I got married, I became a suburban housewife.
And that didn't make much sense to me.
And it didn't make much sense what I was seeing around me.
So I was kind of going through some blackfilling before I knew what the term blackpilling meant.
And I was thinking, you know, neighbors don't help each other out.
And I can't go to this person for a cup of sugar.
And this business person is only caring about the bottom line.
And nobody cares about anybody else.
And nobody, where's humanity?
Where's God?
Where's traditionals?
And where's the churches?
I was just looking on.
My husband was doing the same thing.
And we have two babies.
And I have two sons.
So that gives me another June Cleaver thing.
And I'm just like, where's Emily Post?
Where's our dinner parties?
Where's it, you know, what is going on?
What is happening in this world?
And then I turned on Leave at the Fever and I was like, I just felt, it was my first time seeing it.
I just felt incredibly grateful.
And Honoree came after that.
But I just felt incredibly grateful that I was able to see myself in something.
And it was kind of a validation.
And I mean, I love attending church.
I love having people over my house.
I love hosting.
I love, I even love the rules that you have to follow, you know, like turn your knife inward towards the plate.
I mean, so I like, I like social graces.
I'm southern bell type, you know, social graces.
So probably if June Cleaver was a Texan, probably.
Well, you know that.
Let me just say this.
June Cleaver was a Texan.
This is a question that has never been asked and never will be asked again on broadcast radio.
Do you think that June Cleaver and Donna Reed had the wrong husbands?
Do you think that June Cleaver should have been married to Carl Betts and Donna Reed to Hugh Beaumont?
A yes or no answer, Lacey.
That's all we got time for this segment.
No, I think they were perfectly paired.
All right, there you go, Keith.
A straight answer for a straight question.
We'll be right back.
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Put the two words together to get coach certified, which is spelled with an SCH instead of just SH.
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And it made it easier to trademark.
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An hour with Lacey Lynn isn't nearly enough, especially if we're on a topic so near and dear to our hearts.
But I would ask Lacey this as an aficionado of 50s television.
What about your introduction into 50s pop music tonight?
You knew 50s country.
Pretty wholesome stuff, wouldn't you agree?
Yes.
Well, it can be wholesome.
It can also be, you know, I got drunk and I lost my wife.
So you don't know if it was.
Well, we didn't do that in the 50s, did we, Keith?
Well, I think 1964 is J. Frank Wilson's last kiss.
That may be what she was saying.
Well, they died in that song.
Or she died anyway.
It was Teen Angel, where she goes back to get her ring from the reboard.
That's too much.
All right.
Anyway, Lacey, so let's very quickly.
Yeah, breaking up is hard to do, as they say.
There's Neil Sadaka said, who just sang the last song.
Lacey, let's go with the contact info.
If you want to learn more about Lacey Lynn and her latest video, The 50s Question, how can they do that?
Well, you can YouTube search me at Lacey Lynn, L-A-C-E-Y, L-Y-N-N.
And I have a Twitter for the same name.
All my information is in the description boxes of my YouTube channels.
On Facebook, I'm at Trad Lacey, T-R-A-D-L-A-C-E-Y.
All right.
Well, there you have it, ladies and gentlemen.
And of course, you can always go to our Twitter at James Edwards TPC or our website, thepoliticalsuccessful.org.
You can link over to all of her good stuff.
And we're talking about the 50s tonight, of course, and that's what's been anchored by the musical selections this hour.
Should we go back?
Could we go back?
What's better?
That's a good question.
It'd be like going back to the future, like the movie.
What would you change if at crucial junctures in the 50s, what should have been changed to get us off of this terrible trajectory we're on today?
Yeah, let's start there, Lacey, because we have a couple more questions for you this segment.
But take Keith's first.
If we could go back to the 50s, what changes would we implement to preserve the wholesomeness and everything we like about the 50s and prevent it from evolving into where we are today?
Well, I think Keith hit it on the nail on the head when you mentioned Brown versus Board.
And I would start there.
I think I guess it's already been mentioned, so I guess I can go there.
The Jewish influence that was already seeping into culture by way of the Frankfurt School, and it brought along feminism.
So you saw Women's Live fallout of the 60s.
That was terrible.
I mean, I don't think we haven't even recovered from Women's Live.
I mean, it's not a question of recovering.
We've just gotten worse.
So I think that we definitely should have maybe had our eyes a little bit elsewhere when we thought a communist was, you know, under every bed.
We should have really taken that a little bit more seriously.
Definitely.
Should have identified who the communists were.
More focused on communism.
Well, Keith, I got to ask you this, as a child of the 50s.
What do you think about Lacey Lynn in her 20s still?
I think it's wonderful.
I think it's great that she has the prescience and the intelligence to realize that we've lost an awful lot of our culture that existed in the 50s.
The 50s was a time of change, but the 60s and the 1920s, I think, were the two bad decades of the 20th century.
One was jazz, sex, and, let me see, jazz, sex, and then booze, booze.
That's it.
That's what I said.
Yeah, booze.
And then the 60s were sex, drugs, and rock and roll.
And that's, you know, again, all of these things are, you know, if you, really, I think Lacey is doing a great job by just focusing on those TV shows and seeing the cultural values that were on display in those shows compared to what happened from the 70s on.
They basically used television as a battering ram to knock down traditional American values.
Well, this question, Lacey, comes from our producer, and we're talking about Lacey being a relatively young lady compared to the people from the era which we're focusing on this evening.
How can families, nuclear families, God-ordained families with the traditionalist model of the man that leads and the woman that leads?
Husband, wife, and two and a half children.
There you go.
How do we raise more women to be like you?
What are the attributes of a 50s woman that we could recreate and how do we go about doing that?
Well, I think your upbringing is going to do a lot.
So my particular upbringing, I saw in my father what I wanted to recreate and in my mother what I didn't.
And unfortunately, it just happened that way.
So I kind of went the opposite direction of my mom.
Now, if I had two parents that were going down a wrong path, then it probably would have been more difficult for me to find the right one.
When I was younger, I mean, like I said, some of these videos are born out of frustration and completely kind of a rebellious nature.
So traditionalism was kind of my rebellion of kind of seeing what went wrong with my mother and some of the decisions that she made in her life and wanting to do differently.
But as I raise my children, you know, I only have two boys.
I don't have a daughter.
I can't speak of raising a daughter.
But I raised them with the values that I want them to grow up to follow.
So I wanted to give them an example to follow.
If you had a daughter, I mean, I would say that somebody who has a daughter, raising them with that foundation of family, faith, bulk, that is really important.
I think, you know, even though some of my parental influences wasn't exactly the way it should be, my parents always put me in church.
So I always had the foundation of faith to go back to.
And a lot of my family is heavily involved in church.
So I think the foundation is a good, strong foundation is essential because no matter what you go through in life and no matter what challenges you face, if you can go back to that foundation of family, faith, community, then, I mean, I mean, it says in the Bible, bring up a child in the way of the Lord and they shall never depart from it.
So that's what I'm keeping in mind with raising my children.
Well, Lacey, have you run into this problem?
It seems like the cultural Marxists long march through the institutions, march through denominational headquarters in all of our churches.
They have exchanged the gospels of Matthew, Mark, Luke, and John for the Gospels of Peter, Paul, and Mary.
Address that.
Basically, I have to look.
I think that the true religion resides between the covers of the original King James Bible now and very hardly anywhere else.
Well, I'm sure Lacey is well aware of the fall from grace that even the Southern Baptists, yeah, the Southern Baptist for sure.
Yes.
The churches have had.
But yeah, comment on that very quickly, Lacey.
We only have about two minutes remaining.
Yes, I did some talking on my channel.
I think there's a video called The Cucked Church, and it was a preclude to a case for nationalism and Christianity.
And that was kind of a two-parter video, and I talked about cultural Marxism through the church.
So definitely back to the foundation I was talking about.
I do have a foundation of traditional Christianity and being brought up into that, which is very anti-egalitarian.
It's very anti-feminism.
I have heard the egalitarian theology philosophy, and I'm not a fan.
It doesn't make sense to me.
It's not scripturally based.
And then I've heard some feminist Christianity as well.
And that's just horrible.
So, I mean, my advice to people is always figure out what you believe, what denomination you're in, and find the most traditional in that area.
If you have to drive a little bit to find a more traditional church, then I think it's definitely worth it because you're raising your kids there.
I mean, that's going to be kind of their second home.
So you want to pick a good church.
And I know they're hard to find, but I think they're worth a drive, and it's worth the time and effort to go on the search.
And I hope you found one.
You obviously have.
I did.
Praise the Lord.
Well, folks, we've only scratched the surface of this question, the question of traditionalism, and the reason we're bringing it back up tonight.
Well, it's never far from our heart and never far from this program, but Lacey's and the 50s woman's lets the husband lead the home.
She's absolutely true rather than trying to wear the pants in the family.
That's absolutely right.
She's a sweet lady.
Check her out on YouTube.
Her video, The 50s question, is what brought her back to our program tonight.
I would encourage you to check it out.
We've given you all of her contact information.
Lacey Lynn, if you don't, if you still can't find it, just send me an email and we'll direct you to the right place.
Lacey, I hope you enjoyed your time with us tonight as much as we did.
We look forward to talking to you.
Lacey, watch Tammy and the Bachelor.
If you do nothing else, watch that and report back to us.
Please do it for Keith.
Thank you so much.
We'll talk to you again soon.
Lacey Lynn, everybody.
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