March 30, 2019 - The Political Cesspool - James Edwards
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You're listening to the Liberty News Radio Network, and this is the Political Cesspool.
The Political Cesspool, known across the South and worldwide as the South's foremost populist conservative radio program.
And here to guide you through the murky waters of the Political Cesspool is your host, James Edwards.
Great first hour, great discussion with Paul Fromm about Jared Taylor's deportation from Europe, now banned in 26 European countries.
We're going to be talking this hour about all charges being dropped against Justice Smollett, and he had 16 felony counts, indictments handed down by a grand jury in his race hoax.
And hey, nothing to see here.
All charges dropped and his record expunged.
And he was put up for an NAACP Image Award.
He lost.
What an image.
Anyway, it was last night.
He lost, but they nominated him for it even after this whole ordeal.
We're going to get to that in a second.
First, because of it.
There you go.
But first, I want to read this letter that came in.
My goodness, what a letter from a first-time financial contributor to TPC.
And this is what he writes.
And we're going to take great care not to give out his name or location.
Dear James and Keith, congratulations on meeting the milestone of 15 effective and inspiring years on air and another wonderful program in the books.
Currently, I'm listening a week late, but I'm just about to wrap up the March 16th edition of the show.
And I absolutely felt compelled to pause and write you a quick note.
And this came in on a very nice handwritten card while sending a small gift expressing my appreciation and heartfelt thanks for your work.
Yes, courage is contagious, and you deliver that in such a way as to bring honor to our Confederate ancestors.
Please keep up the great work.
One of my New Year's resolutions for this year is to listen to every moment of your show, which I usually spread out over the following week.
I first learned of TPC in the buildup with the Trump campaign.
Like you, I am 100% Christian, 100% a white advocate, and 100% Southern.
Listening to your show reminds me I am not the only one and that this identity is not only sane and healthy, but moral and right.
Great, great points.
Currently, I'm in what Keith would call semi-stealth mode as I am in leadership and local education, doing what I can in an imperfect situation.
One sad note is that the public school system of a more suburban county near me in less than 20 years has gone from a Hispanic population of zero to now over 20%.
I am a family man doing my part for the cause.
Thanks again for courageously leading and fighting the way with truth, as it says in John chapter 14, verse 6, an inspiration each week on TPC.
You're having a larger impact than you ever know.
In Christ, brothers.
And then he signs his name.
Keith, first-time contributor, a man who's been listening for a couple of years as New Year's resolution to not miss a single minute of our broadcast.
I want to thank you, sir, the gentleman who sent this letter.
We've got a nice package coming to you this week.
Those are the types of people this show reaches.
Professionals, family men, God-fearing men and women.
If I could ever get a letter, I'd want it to be something like this.
I mean, for any letter I get, I mean, this, we get a lot of letters, of course, and I'm thankful for all of them.
But this is what you want.
This lets you know that the work we do here, Keith, is reaching the people in a way, in the kind of people we want to reach, in the way that we want to reach them.
Well, what is so good about it is that we have people that basically resonate on all three of the primary principal approaches that we take here at the Political SET School, Southern, Christian And White.
Okay now, that is great.
That's wonderful.
These people need to know that they're not alone, and we have that.
For example, we had no idea this fellow existed in our um listenership until we got this letter, but he said he's been listening for several years now.
Well, I got another one too this week from a first-time contributor, and do you know what she said?
Just donated 150.
I am a non-white race realist living in Australia.
Keep up the good work.
Now, how about that?
That's wonderful.
How about that?
Yeah, the thing is you can't.
If you don't recognize the right of white people to exist, then other peoples will find that at some point or another in history, they can be attacked in the same way we're being attacked we.
They can be marginalized and they can be cast into the outer darkness and they can be genocided, in effect, either by the tender trap or by more direct and brutal means.
But I think lovers of freedom and lovers of the human race everywhere should recognize that what we're doing is not only working to the benefit of white people, but working to the benefit of all people who love liberty.
Well, Keith Uh, that gentleman who sent in the very nice uh card, made mention of our Confederate ancestors.
And I want to remind you, ladies and gentlemen tuning in tonight across the country and around the world, that next month TPC will once again and that when I say next month, I mean the very next show.
Next week begins.
The next month april, is Confederate history month.
We will recognize that and celebrate that.
Two hours of each show during the month of april will be to get dedicated to all things Southern.
And I just want to remind you we talked about these two donors.
So many people have uh, just really opened the floodgates for us this month.
Our first quarter fundraising drive ends tomorrow, on sunday, if you're listening live tonight.
Uh, our annual Confederate History month series is scheduled to begin next saturday, april 6th.
Now all month we've been offering a copy of Pat Buchanan's book Day Of Reckoning, in addition to an unnamed surprise gift as an incentive to listeners who contribute $100 or more.
We're going to let the cat out of the bag here, with only one day to go in the fundraising drive.
If you contribute $100 or more, you're going to get that Pat Buchanan book.
You're also going to receive a beautiful Nathan Bedford Forest flag from our friends at Dixie Republic.
Now, if you don't know what the Nathan Bedford Forrest flag is, it basically looks exactly like the Confederate flag that we know and love, except the center star is missing out of that iconic emblem.
That was the flag used by Nathan Bedford Forrest's Escort.
Now, that was the best of the best.
That was the elite.
That was the cavalry unit that completely rewrote the history of mobile warfare.
That was the group that would charge so hard, so fast and so fearless into the enemy that they left the rest of their company 100 yards behind.
They were like the green berets of their day.
You couldn't become a member of Forest Escort group unless you could hit targets galloping at full speed, with you know, using your pistols and whatnot.
You had to be absolutely accurate under the most stressful of circumstances, and if you were in that group, then you were a force to be contended with.
Well, that's the truth, and that's why we want you to have this flag.
I believe we live in a world that needs more Confederate flags, and in return for your contribution, we're going to help get some of those out there.
So if you've already contributed this month, don't worry, your flag's already packaged.
Perhaps you've already even received it.
But for the rest of you, a hundred dollars or more before tomorrow night at midnight you're going to get Pat's book.
It's a nice book.
I think it retails for 30 bucks.
Day of reckoning and uh, the Nathan Bedford Forest flag from Dixie Republic.
Want to thank Scott Goldsmith for his never-ending support at Dixie Republic and helping us set up with those flags.
And it's important that we remember our heroes, honor our ancestors and rally behind a symbol.
The more that they attack them, the more that they attack our uh heroes and our ancestors, the more we have to celebrate them, the more we have to keep them close to our hearts.
And that's coming absolutely Keith, that's coming, that's coming beginning next week.
So um, this is a flag.
That is what is this a symbol of.
It's a symbol that stands for resistance to tyranny.
Resistance to tyranny is what the Confederate flag is all about, and it's, of course, for us Southerners uh, much more than that.
Uh, but donate, donate tonight uh, donate tomorrow at the very latest, and uh, get that flag in time for our annual Confederate History month series which begins just next week.
So that's that.
That's the business.
Now let's talk about Jesse Smollett.
When we come back, oh boy uh, we'll tell you what's going on there in Chicago.
What a wild, wonderful world we live in.
We'll be right back.
Okay, girls, about finished with your lesson on money.
Daddy, what is a buy sell spread for gold coins?
Well, when you sell a gold coin to a coin shop, that's worth say, twelve hundred dollars.
You don't actually get twelve hundred dollars, but don't worry, we're members of UPMA now, so we don't have to worry about that.
Daddy want somebody seals that gold.
We don't have any gold at the house.
It's stored safely in the UPMA vault, securely and insured.
But the S P 500 outperformed gold daddy, gold is a bad investment.
Some people do think of it that way, but actually gold is money and as members of the United Precious Metals Association, we can use our gold at any store just like a credit card.
Or I can ask them to drop it right into Mommy and daddy's bank account because we're a UPMA member family.
Find out more at Upma.org.
That's Upma.org.
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And now, back to tonight's show.
I just want to thank everyone again who has sent in contributions and letters and cards and emails this month.
You are our family, and we are yours, and we love you, and we're never going to stop fighting for you.
And when we do fight for you, we're going to do it with that retreat, surrender, or apology.
We're going to do it the right way.
It really inspires us to know, for example, we get a letter like the one that James read over the air of someone who's been following us for years and then tells us who he is, what he's doing, how he is inspired by what we do.
I mean, that is, you know, that's what we're doing.
That's what we're looking for.
I mean, that's why we're here.
That's every reason why we're here.
Okay, Jesse Smollett.
Absolutely unbelievable.
I mean, this is the guy, of course, Ramsey Paul was on our show last month to talk about this.
He perpetrated this diabolical race hoax, it would appear.
And hey, he's getting away with it.
And here's the story.
All criminal charges against Jesse Smollett were dropped after the Empire Star was indicted on 16 felony counts and filing a false police report earlier this month.
We believe this outcome is a just disposition and appropriate resolution to this case, said the Cook County State Attorney's Office.
Today, all criminal charges against Jesse Smollett were dropped and his record has been wiped clean of the filing of this tragic complaint against him, said his attorney.
So again, he was the one who said these two guys at 2 a.m. in the morning during the deep freeze, the polar vortex in Chicago were walking around with Donald Trump hats on, a noose, and a bottle of bleach, and they just so happened to recognize him.
I mean, you remember this whole absurdity.
And I mean, it's clear what really happened there.
It's truly clear.
And the just us system, as Sam Dixon calls it, has struck again, Keith.
This immediately ranks.
I think this immediately ranks up there with the historically absurd miscarriages of justice that we saw in the O.J. Simpson murder trial and the Michael Jackson child molestation trials.
And the James Fields conviction in Charlottesville.
Don't forget that.
American courts and the American government are criminally corrupt.
I really like what Richard Spencer wrote in reaction to this.
It's just spot on.
One of the most important and fascinating aspects of the Jesse Smollett case, he said, is that the Cook County prosecutors are completely out of step, not just with the Chicago police, but with the collective opinion of Hollywood, liberals, and the mass media.
And he's right.
I mean, even Rahm Emanuel and the black police chief there in Chicago were saying this is ridiculous.
And I believe that they're serious in saying that.
From the establishment's perspective, Richard continues, it would have been wise to let Smollett be punished and continue on with its crusade against quote-unquote real racism.
Instead, it created a situation in which the justice system is viewed as brazenly hypocritical, anti-white, partisan, and unserious.
Well, remember, we're in Cook County, also known as Crook County.
That's where Chicago is located.
Chicago is the tale that wags the whole dog of Illinois.
Pity the poor people of Illinois that don't live in Chicago or the surrounding areas because their votes count for nothing when it comes to governing that state.
Now, the Democratic Party in today's America is really just a lunatic asylum.
That's probably the most concise way to describe it.
And there is no place in America that more represents the present-day Democratic Party in America than Chicago.
Now, what happened here is that you have a totally partisan black female attorney general who is in charge of Chicago, who, despite the wishes of the government of Chicago, the police chief of Chicago, and the mayor of Chicago, decided to cut her friend a deal and dismiss the charges in a case that had been, you know,
painstakingly put together to his credit by the black police chief in Chicago.
And this is that the corruption in Chicago is deeper and more, you know, what would you say, out of control than it is just about anywhere else.
Now, this woman, this woman tried to pretend that she had stepped aside and was letting other people do this.
And now it's come out that she was the one pulling the strings that caused this to happen all along.
Now, this is Obama's breeding ground.
This is where Barack Obama came from.
This is where Rahm Emanuel came from.
Although Rahm apparently wanted, at least in this case, he wanted what was happening.
At least originally.
And then somebody talked to him.
And overnight, he has suddenly changed his tune on this.
And at the very least, the silence is deafening.
And at the very worst, he's now finding a way to justify what was done.
This shows you that a major American city is now a third world city.
That's exactly, that was my takeaway, Keith.
Absolutely.
I think ultimately your takeaway from this is the takeaway from all charges, the 16 felony counts against Jesse Smollett being dropped is just another example of America's transition to a third world country.
This is third world justice.
There is no rule of law.
This is the banana republic of Chicago.
And now supposedly the FBI is stepping in.
Well, lots of luck with that.
We've seen just how corrupt and how partisan the FBI was in this Russiagate matter.
Now, you know, I would love to see them vindicate themselves and come back and prosecute Jussie Smollett because if he sent the letter, he used the U.S. mails, which makes it a federal crime.
And they would have jurisdiction.
Well, you know, and on the other hand, let's say that that's a slam dunk.
Well, then we're sitting back.
Will this be another situation where when all of a sudden done more will be said than done?
Or will they actually serve the ends of justice?
And will the FBI actually get on the side of law and order again for the first time since Jay Edgar Hoover stepped down, probably.
Good one, Keith.
No exaggeration there.
In any event, Jussie was, we mentioned that he was up for an NAACP Image Award as a result of all of this.
He lost.
And then when he lost, he didn't even attend the awards dinner afterwards because he was pouting that he lost.
This was just last night, I believe.
Now, he probably lost to this guy.
Now, this is how you go the extra mile.
There was a black man in Jackson, Mississippi who pled guilty this week to, he literally burned his church down and wrote vote Trump on the charred remains of his fellowship hall.
He's a hate crime host.
He pled guilty to it.
So that's the guy who probably won the award.
I don't know if all charges have been dropped against him yet, but we put something up on it on Twitter.
But yeah, I do think that I think this is as ludicrous as what we saw in the Simpson and Jackson, Michael Jackson cases.
Speaking of Michael Jackson, he was up twice on these child molestation charges.
The first time he settled out of court for $10 million.
The second time he was found not guilty based largely on the testimony of a couple of kids.
Now, these kids came out in a new documentary that was released, made major news in the last month called Finding Neverland.
And they said, yeah, we lied on the stand.
Of course, he was raping us.
And they go into graphic detail about how he raped.
And Barbara Streison comes to his defense and said, well, at least he didn't kill them.
Well, but here's the thing.
Here's the thing.
I mean, now this is a guy who's Michael Jackson.
Now, I know he's dead now.
But that didn't stop them from excoriating John Wayne for telling the truth in a 1971 Playboy interview.
And I couldn't help but compare this.
I mean, there's been very little fallout to this, to this documentary on Michael Jackson and these, now they're grown men now, but talking about in graphic detail.
I watched the whole thing with my wife.
They talk in graphic detail about how he raped them.
And that has not caused his legacy or his image to be damaged at all.
His songs are still played on the radio.
Now, compare that to Roy Moore.
Roy Moore without a shred of truth to any of it.
Without a shred of truth.
Everybody could look at Michael Jackson.
Now, I know he was never found guilty officially in a court of law.
You look at Michael Jackson.
Yes, some of his songs were catchy.
Even going back to the Jackson 5 day, but you know there was something wrong with that guy.
I mean, obviously.
But it hasn't bothered him at all.
But compared that to Roy Moore, what he flirted with an 18-year-old when he was 30.
Well, it's like Martin Luther King, James.
They're trying to promote his legacy.
They've tried to turn Neverland into the black Graceland.
Well, it's languishing.
I read it's languishing on the real estate market.
They're trying to sell it for $61 million, but it's like 2,700 acres in California.
That's probably a pretty good deal.
Anyway, we'll come back.
I got something special for you when we come back.
Something very special.
Stay tuned.
You're listening to Liberty News Radio.
USA Radio News with Wendy King.
President Trump has threatened to close down the border with Mexico unless the country prevents migrants from entering the U.S.
The statement from Customs and Border Protection reads as follows: The U.S. Border Patrol has been transparent for several months by conveying the message both publicly, internationally, and to Congress that the immigration system is broken and that they are at critical capacity levels across the southern border.
Customs and Border Patrol facilities and manpower cannot support this dramatic increase in apprehensions of family units and unaccompanied children.
There is no consequence that the Border Patrol can apply to this demographic under current law and court rulings.
They say they hope to send up to 300 people a day back over the Mexican border by next week.
Attorney General William Barr says he plans to make public in the middle of April the redacted version of the Russia probe results.
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Another investigation into hazing on college campuses.
USA Radio's Rick Vincent has the story.
The University of Texas at Austin has suspended the Texas Cowboys Spirit Group from campus for six years following an investigation into alleged hazing during a retreat last fall, the night before a new member was injured in a car accident and later died from his injuries.
That, according to ABC News, an investigation by the school found evidence that new members were subjected to multiple forms of hazing, including physical brutality, coerced consumption of alcohol, and degradation, among other things.
At least four Palestinians were reportedly killed in clashes between Israeli troops and demonstrators in the Gaza Strip.
Reporter Robert Bateman.
The Israelis have sent 200 snipers at sniper positions around the fence of three extra brigades to the south of Israel, to the area surrounding the strip.
As for Hamas, it has asked people to remain peaceful, but it says if there is what it calls Israeli aggression, it will respond with equal force.
You're listening to USA Radio News.
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It's time to jump back into the political cesspool.
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All right, so something a little special that I wanted to work into the show tonight.
I think I made mention of it last week that last weekend was my daughter's birthday, and she turned nine years old.
And she had a slumber party at our house with some of her friends last Saturday night.
So while I was here doing the show, they were doing the slumber party.
And when I got home after the show, they were watching Mary Poppins.
That was the movie that she picked to watch with her friends, you know, as part of the slumber party festivities.
And of course, Mary Poppins, a lot of people say that was Walt Disney's magnum opus.
It was the live-animated, well, it was, you know, live acting with some animation.
1964.
Everybody remembers it, of course, Dick Van Dyke, Julie Andrews.
One of Disney's last movies before he died in 1966.
And so that got me thinking about another movie that I saw at the theater with my brother.
I have one sibling, a younger brother, and we saw it a few years back.
It's called Saving Mr. Banks, and it's the true story about how Walt Disney came to get the rights from, or her name was Helen Goff, but she went by the pen name of P.L. Travers, who wrote Mary Poppins.
Very interesting story.
Tom Hanks plays Walt Disney in the movie, and he is actually a distant relative of Walt Disney.
And it's a very good movie, too.
There are some good movies that come out even still in this day and age.
In spite of Hollywood's best efforts.
In spite of Hollywood's best efforts, and we actually saw another one today.
I would recommend Saving Mr. Banks.
It's on Netflix.
We went to see today the remake of Dumbo.
Now, this one isn't a cartoon.
This is live action.
The animals don't talk.
Great cast.
Michael Keaton, Danny DeVito, and I know some of these people are liberal, but they're great actors, and this was a great movie.
There was nothing subversive.
There was nothing that any of us could take issue with in this film.
Eva Green was in it.
Colin Farrell.
Just fantastic movie.
And we've touched on this a couple of times in recent weeks.
I thought we'd do a little bit deeper dive and just go ahead and get it all out there again.
Walt Disney and Dumbo was really the movie.
The original Dumbo in 1941 was the movie that really saved Disney Studios and launched The Empire, of course, along with Mickey Mouse.
But anyway, this movie today was set in 1941.
And it follows the story generally.
I mean, there are some variations.
It doesn't have those so-called objectionable to liberal incidents in it like the crows and the workers and whatnot.
All of that.
No, that's not in there.
In fact, in this one, The Ringmaster is the good guy.
But it's still a good movie.
And very well done.
Well, let's go back to 1941 Dumbo.
Now, we talked about Disney having these traditional political viewpoints.
Now, one of his critics, I think it was a Jewish fellow by the name of Leonard Mosley, wrote an article that takes issue with the original Dumbo.
And I'm going to read the whole thing.
Now, it's going to take me a minute, and then we'll get Keith's response.
At the time of its release in 1941, Dumbo was held by critics as Disney's least pretentious work.
Nothing in the movie heralded a technological breakthrough, as the studio had done with Pinocchio and Snow White and the Seven Dwarfs in 1940 and 1937, respectively.
And certainly, nothing in Dumbo can match the computerized wizardry of modern-day Disney classics like The Lion King.
Despite their merits, however, these films do not come close to achieving Dumbo's raw power.
Indeed, The Little Elephant with the Big Ears, who only wants to reunite with his mother, has moved audiences like few other Disney protagonists.
And Dumbo's compelling narrative provided a forum for Disney's more extremist views.
Watching Dumbo as a kid, the author of this piece writes, I didn't question its content or probe for meaning beyond the elephant's tail.
Only after revisiting the film as a young adult have I been able to see why it was special to Walt Disney, according to critic Richard Scheckle.
I would kid you not.
That's his real name.
In his book, The Disney Version, published 20 years ago, the book angered many Disney fans by suggesting that Walt was less than perfect.
The book portrays the artist as a paranoid man and not a little contemptuous of his colleagues, particularly the numerous Jewish moguls who reigned in Hollywood during the 30s, 40s, and 50s.
According to Scheckle, Dumbo reflects Walt Disney's deepest convictions regarding the United States and its entry into World War II.
The protagonist represents the innocence of the heartland where Disney himself grew up, and his story reflects how this innocence comes under fire by political forces abroad and subversive elements at home.
In his suffering at the hands of the ringmaster and his own fellow Pachyderms, Dumbo functions as Disney's own alter ego.
Indeed, Disney saw himself as a victim in the three-ring circus that was Hollywood.
He felt that Hollywood studio systems of the 1930s and 40s threatened his creative control.
The studio heads he opposed included Louis B. Mayer at MGM, Jack Warner at Warner Brothers, and Harry Cohn at Columbia.
Each had a vested interest in Disney's animation empire and was eager to buy him out.
Though hard-pressed for money, Disney refused their offers.
In particular, he resented Harry Cohn's so-called ruthless tactics.
In his book, Disney's World, critic Leonard Mosley recalls an incident in which Disney, referring to Cohn, vowed to, quote, never let that fat Jew rescue me from bankruptcy, end quote.
Disney projected his own sense of alienation onto others in Hollywood, namely Jews, blacks, and union workers.
In retaliation against the studio moguls, who were predominantly Jewish, he refused to employ Jews in high-level positions at his studio or as actors in his live-action features.
Not until 1969, two years after Disney's death, did a Jewish actor, Buddy Hackett, feature prominently in a Disney film, The Love Bug.
Disney Studios denied black workers even minimal opportunities as technicians and support personnel.
Such racism is apparent in the Crow sequence in Dumbo, appearing well outside the circus limits.
The black caricatures are shown to be anonymous members of a marginal group.
One is only given a name.
Only one is given a name, and that is Jim Crow.
Even outsiders, however, the Crow still managed to torment poor Dumbo.
Mosley reports that Disney saw union workers as a third parasitic subset of U.S. society.
It is significant that many of Disney's employees had gone on strike in the spring of 1941, costing his studio some $2 million and paralyzing operations for three months.
The release date for Dumbo had to be pushed back several times, awaiting financial changes that could be made only after production resumed.
These changes included the insertion of a new scene featuring drunken clowns, thinly veiled caricatures of the strikers at Disney.
They schemed to hit the big boss or the ringmaster for a raise.
According to Mosley, Disney summed up many of his beliefs in an off-the-record attack against President Franklin Delano Roosevelt, whose liberalism Walt opposed.
Disney denounced Roosevelt for calling the 1900s the century of the common man.
Balls, Disney said, is the century of the Jew, the union cutthroat, the fag, and the whore.
And FDR and his National Labor Relations Board made it so.
Ironically, soon after Dumbo's release, Walt would turn his filmmaking efforts to the FDR war effort.
However, Disney never ceased to see Roosevelt's government as a threat or resent the loss of the creative control he had previously wielded over his projects.
Disney's subsequent efforts for the next four years consisted mainly of short cartoons commissioned by the government to boost wartime morale.
In later decades, his work mellowed, taking over the cheerful, rather antiseptic cast of the 1950s and early 60s with cuddly live-action features in kiddy TV shows such as Pollyanna and the Mickey Mouse Club.
Dumbo now seems remarkable not only for its adorable child's tale, but for the depiction of Disney's particular brand of patriotism.
Good article.
Good article.
I don't know if what is true in it, if those quotes are accurate or what, but it's interesting.
Well, it's true up to a point, but it does come from a left-wing perspective.
Here's what actually happened: Let me get, as Paul Harvey would say, give you the rest of the story.
By the late 30s, every major studio in Hollywood had been bought and taken over by Jewish interests.
Like Roy Cohn at Columbia Pictures, the Warner Brothers, Jack Warner, they were Jewish.
Carl Lemley, who was Jewish, had Universal Pictures, which made all the horror movies.
Paramount, you know, you had just RKO General.
All of them had Jewish owners and Jewish CEOs except for Disney Studios, the sole Gentile-owned and directed movie theater studio.
Well, of course, they wanted his studio as well.
When he wouldn't sell out, they tried to sabotage his studio, which was dependent upon cartoonists, which were a very specialized group.
And they unionized them and then had the union go out on strike.
And that almost brought Disney to his knees.
That's why you saw in the 40s a departure from having all cartoon features like Snow White, Bambi, Dumbo, Pinocchio, things like that, to having movies that were half cartoon and half real movie, like Song of the South and So Dear to My Heart, things like that.
Then in the early 50s, what you had was Disney making total movies that had no cartoons or very little cartoons in them, like in Darby O'Gill and the Little People.
They have, you know, the Coach DeBauer and they have the Banshee put in there.
And you can tell in the background that the ruins of Nakanoshiga are actually artwork, not actual footage of a ruin on a hill in Ireland.
But what he did too, this is another thing, being the odd man out in Hollywood, he had trouble getting first-rate actors to be loaned to him to work in his movies.
What happened after World War II was that in England, we'll get back to this as soon as we get through with these words from our sponsors.
Let's hang on and come back to the political cesspool right after these messages here on the Liberty News Radio Network.
Why don't we say to the government writ large that they have to spend a little bit less?
Anybody ever had less money this year than you had last?
Anybody better have a 1% pay cut?
You deal with it.
That's what government needs, a 1% pay cut.
If you take a 1% pay cut across the board, you have more than enough money to actually pay for the disaster relief.
But nobody's going to do that because they're fiscally irresponsible.
Who are they?
Republicans.
Who are they?
Democrats.
Who are they?
Virtually the whole body is careless and reckless with your money.
So the money will not be offset by cuts anywhere.
The money will be added to the debt and there will be a day of reckoning.
What's the day of reckoning?
The day of reckoning may well be the collapse of the stock market.
The day of reckoning may be the collapse of the dollar.
When it comes, I can't tell you exactly, but I can tell you it has happened repeatedly in history when countries ruin their currency.
Hey, listen up.
This is a deep state alert.
Former Texas Congressman Steve Stockman, who moved to arrest Lois Lerner for contempt of Congress, has been imprisoned by the very office that Lerner led.
You heard right.
Stockman hit the Obama administration hard and they hit back with the full force of the federal government.
The guy who said he wanted Mark Levin as Speaker of the House was the first to threaten Obama's impeachment, exposed Hillary's selling steel to the Iranians, and blocked both Obama's immigration and gun bills from even reaching the House.
But Obama holdovers came after him in federal court with trumped-up charges and have locked our guy up.
Like many others, he was on Obama's hit list.
Steve fought for us in Congress.
Now we need to fight for him.
Don't abandon this wounded hero on the battlefield.
Let's help cover his massive legal costs.
To chip in five bucks or more, text the word fight to 444-999.
That's fight, F-I-G-H-T to 444-999.
Or go to defendapatriot.com.
That's defendapatriot.com.
You know where the solution can be found, Mr. President?
In churches, in wedding chapels, in maternity wards across the country and around the world.
More babies will mean forward-looking adults, the sort we need to tackle long-term large-scale problems.
American babies in particular are likely going to be wealthier, better educated, and more conservation-minded than children raised in still industrializing countries.
As economist Tyler Cowan recently wrote, quote, by having more children, you're making your nation more populous, thus boosting its capacity to solve climate change.
The planet does not need for us to think globally and act locally so much as it needs us to think family and act personally.
The solution to so many of our problems at all times and in all places is to fall in love, get married, and have some kids.
All right, welcome back.
We were talking about 866.
Well, we talked about it really for a couple of different weeks now.
In a recent broadcast of TPC, Paul Kersey and I were discussing the virulently anti-white films like Black Panther that are now being produced by Disney.
John Go Unchained?
I don't know if they did Django.
They might have.
Quentin Tarantino did it.
I thought he has done some for Disney.
Well, I'm not sure.
But in any event, I'm bringing it back up tonight for a couple of reasons.
Number one, like I said last week, my daughter and her birthday party's fellow slumberers were watching Mary Poppins.
And then later this week, I re-watched Saving Mr. Banks.
My wife had not seen it before, nor had my kids.
So we watched that together.
Good movie about the making of Mary Poppins, the backstory behind the author, and how Disney was able to make that movie.
And just today, we saw the remake of Dumbo.
And it was really a fantastic film.
And like I said, Keith, I mean, you know, we don't need Hollywood, but I do think that, you know, again, this is an institution that our people had such a heavy hand in creating, motion pictures.
I mean, why give it to the left?
Because there is something about a beautiful motion picture or an uplifting song.
You know, the arts have a way of reaching our people in a different way than the spoken message, like on this radio program or something that you write can do.
I mean, different people are attracted to different means of receiving their information.
And why can't we make it?
You know, there's something about a fantastic movie with a sweeping score that can reach our people and motivate and inspire.
And in some ways, I think that movie today did that.
And as Paul Kersey said, even movies like Toy Story, there are still some rare movies out there, even by major studios, big budget blockbuster releases that have uplifting messages.
Anyway, back to you, Keith.
Well, the problem is this.
We aren't creating those things.
They've been created basically since the 1920s and 30s predominantly by Jewish power and influence.
And that Jewish power and influence has been working against the interests of our people, quote unquote.
Now, the Dumbo movie in 1941 was a watershed for Walt Disney.
He was the last white movie mogul, the last white studio he had.
I think still to this day.
Yeah.
And it was at that point that his outlook crystallized.
He was able to say, they are really coming after me and they're coming after me because I'm not one of them.
And it made, brought into focus his opposition to it and steeled his resolve.
Now, as you see, they found an Achilles heel with him with his all-cartoon features that were what he did in the 30s and early 40s.
Because he used cartoonists and was dependent upon a very small, specialized group of people that the Jewish leftists that ran all of the other studios secretly caused to be unionized and then to go on strike against Walt Disney.
Well, Walt Disney then started making movies that were less dependent on the work of the cartoonists and more in line with regular movies.
Things like Song of the South, which has cartoon sequences and regular movie sequences.
So Dear to My Heart is another one, which I would recommend to people, starring the same pair.
They call them the sweetheart pair, Luanna Patton, the girl, and Bobby Driscoll as a boy.
Then he had Peter Pan, which was all cartoon in the early 50s, but he also started with Treasure Island.
Now, another thing that happened was because he was an outsider, he had to depend on some of the other studios, all the other studios, to get named actors to come and work in his movies.
And as you will note, if you look at his movies, he didn't have a lot of big-name actors in his movies.
They basically, they were his own people, and they didn't have the same box office drawing power.
So something happened which basically liberated Walt Disney in the post-war era.
After the World War II was over, England had been basically decimated and impoverished by World Wars I and II.
Well, they wanted to make sure that their movie industry came back.
So they required all foreign movie companies to hire English actors to make movies in England and to use England production crews, English production crews, in order to make, to sell movies in England, in the United Kingdom.
Well, most of Hollywood was very reluctant and very uncooperative with that effort, with the exception of Walt Disney.
He said, this is great.
Now I can get all these old Vic actors from the old Vic in London and whatnot, all these great English actors that aren't under the spell or under the control of Jewish Hollywood, and I can use them in my movies, and that's what he did.
People like Dennis O'Day and Robert Newton, people like this, in movies like, he really focused on Robert Louis Stevenson.
He had Treasure Island, which was great.
I think the best version of Treasure Island ever was the one that Disney made in the early 50s.
Then he did Kidnapped, which was probably Robert Louis Stevenson's biggest, most well-known work of literature back during his life.
That was well done, again, using all these old English actors.
Then he did things like Darby O'Gill and the Little People, starring a very young Sean Connery before he was a big star.
And Sean Connery has said even to this day that his favorite role and favorite movie he was in was Darby O'Gill and the Little People, made in 1959.
I would suggest that you look at it.
Then he did things like Mary Poppins and He Died.
He did things like Haley Mills and the Parent Trap, things like this, using English actors.
And that worked very well with him up until his death.
Then Roy Disney, his brother, took it over.
And like was said in that article in 1969, the first Disney film featuring a Jewish lead actor was The Love Bug, starring Buddy Hackett, who came across his Lovable Fuzball, but actually was the most profane comic in the Borschbelt up in the Catskill Mountains.
Well, in any event, great history there, Keith.
I tell you, there's not a topic we can toss up to Keith that he can't run with encyclopedic knowledge.
And in any event, I do think Walt Disney was an American hero.
I think he's a little bit different than the heroes we're going to be profiling next.
And just think about what he said.
Those words are words that I think any person in our movement would own today.
You know, that man had it figured out back in 1941, folks, and that is a credit to him because things certainly weren't as far advanced as they are now.
That's true.
And he is, like I said, a hero different than the heroes we're going to be celebrating throughout the month of April.
They're in our Confederate History Month series, Jackson, Lee, Forrest, etc.
But a hero just the same.
And a cultural hero.
Sure, that's exactly right.
And it's hard to imagine a true American like Walt Disney ever making a violently racist movie like Django Unchained that glorifies the murder of white Southerners.
But needless to say, of course, those who share Disney sentiments are no longer leading his company.
We all know that Germans and white Southerners are the two types of people in this world who are hated above all others.
Especially, I got to get to this, Keith.
We've had a couple of run-ins with Hollywood.
There's one story here that I don't know if people will remember.
And who owns Disney now?
Jews, okay?
Let's just come out with it.
We're especially hated by Hollywood.
A couple of years ago, you mentioned Quentin Tarantino and his role in Django Unchained.
Well, he also directed the movie Inglorious Bastiards.
Now, this was the film set in World War II France that features the sadistic butchering of scores of Germans by a character named The Bear Jew.
Now, that's his name in the movie.
That's not any sort of slight or ethnic slur.
His name is.
It was Tarantino pandering to his paymasters.
So the climatic scene of this movie features a theater full of Germans burning alive.
It was nominated for eight Academy Awards in 2009.
Now, here's where it gets interesting.
So you've been around as long as TPC has been around, and whatever you talk about, we've got a story that can relate.
So In Glorious Bastiards, the actor Eli Roth is his name that played the Bear Jew.
Now, he publicly attacked the political cesspool, and we had one time his comments posted on the— We wouldn't have it any other way.
Well, this is the guy that's in that movie publicly attacked the political cesspool as a result of our interview with Hutton Gibson, Mel Gibson's father.
And anyway, so they do know our name, that's for sure.
And we know theirs.
That's right.
Django Unchained, of course, was that film about a slave-turned bounty hunter who sets out to rescue his wife from the brutal Calvin Candy, a Mississippi plantation owner.
Played by the wimpy Leonardo de Cochin.
That's right.
That's right.
Well, I can tell you that Django enjoyed killing Confederates as much as Bear Jew enjoyed killing Germans.
And, you know, this was the movie, of course, where the tagline was kill white people and get paid for it.
What's not to like about that?
Well, you know, the thing about every one of Quentin Tarantino's movies, they're basically a how-to book on killing white people.
Well, I'll tell you.
I'll tell you this.
That movie, this is how perverted Hollywood is and how much the entertainment industry has changed since the days of Walt Disney and Dumbo in 1941 to where we are now, with a few exceptions.
To be sure, there are a few good movies out there.
95% of them are complete and utter degenerate trash.
Django Unchained, this snuff fetish murder white people films.
Can you guess what day it was released, the year it came out?
What, Robert E. Lee's birthday or what?
Christmas Day.
Christmas Day, yeah.
Merry Christmas from Quentin to all the white people that attend his movies.
Well, you know, Quentin was a great guy.
He's a Tennessean.
He was born in Knoxville.
I guess a self-hating one.
Well, he was obviously not a native son of the soil.
Anyway, interesting.
Interesting.
I wanted to work that in.
The rumors of Disney's beliefs and, of course, how Hollywood has changed from his time to now.
But I do want to tell you, there are some good movies out there.
The New Dumbo, Saving Mr. Banks, check them out.
Anything made by Disney during his life, of course.