Jan. 26, 2013 - The Political Cesspool - James Edwards
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Welcome to the Political Cesspool, known worldwide as the South's foremost populous radio program.
And here to guide you through the murky waters of the political cesspool is your host, James Edwards.
All right, everybody.
Welcome back to the Political Cesspool Radio Program.
I'm your host, James Edwards.
It's Saturday evening, January 26th.
Is it a historic night for the Cesspools?
We'll find out.
You know, I've had guests on that I thought would certainly make news, and it didn't.
And then I've had guests on where I thought, well, this is a great interview.
Nothing too exciting.
And then it made national news.
You know, I remember the first time we had Hutton Gibson on Mel Gibson's pod.
I thought that was going to be just one of the biggest things that ever happened to us because Mel Gibson was making so much news at the time and nothing.
And then Hutton Gibson comes on the second time, and I figured, well, they didn't cover him the first time, so why not cover him this time?
And then it made such big news.
Entertainment Tonight was calling me to have me on their show.
It made 250 newspapers.
We were getting Perez Hilton.
We were getting spoofs on late night comedy shows like Jimmy Kim Alive.
I mean, it would make, that's as big as you can get.
And I didn't think it was going to be anything because I thought it was just, you know, the first one didn't.
So why would this?
You can't predict these things.
Will tonight's interview with Alveda King make news?
I guess we'll see.
It won't make news based upon what she or I had to say during that first segment, that's for sure.
It was pretty much nondescript.
And we talked for the remainder of the first hour about what I would have liked to have talked to her about if she had remained on the show for a little bit longer.
But I'll tell you this.
To say the least, the political cesspool has been exciting in 2013.
You review our shows thus far, going back to the first week of January, Kevin McDonald on, Dr. McDonald, followed by Jared Taylor in the second week.
Last week I did the first hour of the show in the car.
The incomparable Sam Bushman came on and did really an incredible hour.
And I want to mention that to you, Keith, because I haven't had a chance to talk to you about it yet.
I listened to the second hour of last week's show in the Broadcast Archives.
And I must say the show was so much better when I'm not a part of it because you and Sam absolutely knocked it out of the park.
Great radio.
And then we replayed a broadcast with Nick Griffin, which was our most popular interview of all time.
And so that was the third week.
And then this week, the fourth show of the new year, we have Martin Luther King's niece on.
What will next week have in store for us?
I don't know.
But I'll tell you, Keith, I'm feeling as though now, as I've had a few minutes to reflect, and we did talk about what I'd hoped to infuse into the conversation with Alvida King, I feel as though I let in many ways the audience down.
I just didn't get to the red meat stuff.
I wish I'd had more time.
Eight minutes is not enough time in broadcast radio.
By the time you introduced the guest, you mentioned your areas of agreement, which I felt was important to do at the onset.
The interview's over.
I think you're being too rough on yourself, James.
If you'll recall, we have been accused of ambush journalism before.
I remember when we had Elana Mercer, the pseudo paleoconservative, who really is a libertarian at best, from South Africa, a Jewish lady of Jewish origin.
And she claimed that she was lured in with one interview with gentleman Jim Edwards here, and that then Keith Alexander, the white Al Sharpton, jumped on her later on.
But, you know, the truth of the matter is, and we all acknowledge it here at the radio station, the real broadcast professional among all of us is you, James.
You're the guy that's smooth as silk.
You're as slick as a peeled onion.
You're better than Sean Handy.
You're better than Mark Levin.
You're better than Laura Ingram.
You're better than Bill O'Reilly.
You're better than Sean Hannity.
The only person that I can think of that, at least in technical prowess, compares with you is Rush Limbaugh.
You know, you never, you've always got something interesting to say.
You're a nice guy, and you can't stop being a nice guy.
I'm, you know, I'm the type of person, I guess, being a lawyer, that I can turn it off and on, but about, you know, getting hard with them.
But on the other hand, you can't drown a person in 30 minutes.
I mean, 30 seconds.
And you can't nail a guest in one eight minute segment like that.
I think it was, these people know what they're doing.
This is the type of thing, quite frankly, they taught and they learned at the Highlander Folk School.
They knew how to make responses that would appeal to what Rush Limbaugh calls low-information voters.
You might call them typical doofuses out there and get by.
So, see, these people know how to keep the ball in the air at least for eight minutes.
If you can't do that, you know, it's like trying to drown somebody in 30 seconds.
If you can't hold your breath for 30 seconds, man, you're in a pitiful shape, you know, and that's exactly what, that's why her handlers just wanted her to have that one eight-minute segment in there because they knew that even, you know, almost anyone can keep the ball in the air for that long.
Well, Keith, thanks for your comments on that.
And I appreciate your honest assessment there, and we'll move forward from that.
We spent far too much time.
Eddie here, we got to put a bridle, we got to put a bit in his mouth and ride him like a horse.
I mean, we got to.
I mean, this man is so excited about what's forthcoming in the third hour tonight that he showed up to work three hours early.
He came here an hour before the show.
He's sitting here till 8 o'clock Central Time.
That's how excited he is about his bit.
But, you know, the thing, you know what's amazing is that as we sit here in this broadcast studio tonight, you and I have the only two headsets, Keith.
For Eddie to be able to hear the interview with me and Alvita King, he had to go down to the parking lot and he's sitting in his truck.
And he did that.
He did that.
He said he was actually sitting with Alveda King.
She was in the parking lot with him.
Well, anyway, what more can be said about that?
And I want to mention, too, though, one fact that we are forgetting in terms of the great shows and great moments we've had so far this year, I think that one, it may or may not make news.
We'll see what happens over the course of the next week.
You know, it puts the media in an awful predicament.
Yeah, when Pat Buchanan comes on the show, he's going to get shouted down as a racist.
They're going to shout down Martin Luther King's niece as a racist for talking to me.
Pat did no more, no less.
But so, you know, we'll see.
We'll see if it makes news.
It might pass over us like the plague.
You know, we might water off a duck's back.
You might not hear about this.
It might be fleshed down the memory hole.
You just never know what the media is going to do.
If you didn't want them to cover you, they would.
If you wanted them to give you a little attention, they wouldn't.
You can't buy their time.
And that's why, frankly, Keith, I turn down most media appearances.
I get all the time, Channel 5, the NBC affiliate here in Memphis, they want me on all the time.
I always say no.
I mean, to hell with them.
What have they ever done for me except give me a hard time?
And I'm not going to give them what they want.
I'm not going to give them an open target.
But if you wanted them to do something for you, you couldn't beg them or pay them enough.
Well, what it really gets down to is who can predict what will turn on or turn off somebody like Perez Hilton.
I can't think like these people.
So on the other hand, I can't predict what they'll find newsworthy or not.
But you're allowed to see The TMZ crew come out, or you're allowed to be listening to nothing but crickets in the background.
But that doesn't matter.
We're going to do what we do, and we're going to, you know, drive forward without fear or favor.
We're going to make sure that the word gets out.
You know, you said there are plenty of people that are towing the politically correct line out there.
On the other hand, as far as being an advocate for the white Gentile population of America, we're just about the whole game right now.
We're the lone voice.
This program, this network, absolutely the only mainstream media voice our people have.
And that's why we should be supported, folks.
That's why we should be supported.
Please support us.
We're out here fighting for you.
Stand with us.
We'll be back with more right after this.
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Yeah?
Did you want to see me, sir?
Well, I did, but now that I do, I'm not so sure.
Sir?
Johnson, I got a mission for you that could change your life.
Oh, good, sir.
It involves traveling halfway around the world without so much as half a clue of where you're going or what you're going to do when you get there.
Situation normal, sir?
But I'll be leading this mission, Johnson, so I'll be telling you what to do.
You, sir?
That's right, Johnson.
And I say first things first.
Oh, good plan, sir.
And when I say as first is food, always remember that, Johnson.
Food is a big deal.
Sir, my brother-in-law can get us a really good deal on some surplus MREs.
Johnson, if you've got half a brain and that empty head of yours, you'll call the freeze-dry guy like I did.
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And it keeps for up to 30 years.
Will we be gone that long, sir?
I hope not.
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Yes, sir.
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Welcome back.
To get on the political cesspool, call us on James's Dime, toll-free, at 1-866-986-6397.
And here's the host of the Political Cesspool, James Edwards.
Born on the mountaintop in Tennessee, green estate in the land of the free.
Raised in the woods, so he knew every tree.
Killed in the bar when he was only three.
Davy, Davy Crockett, king of the wild frontier, fought single-handed through the engine war, till the creeks was whipped and peace was in store.
And while he was handling this risky shore, made himself the legend forevermore.
Davy, Davy Crockett, the man who don't know fear.
He went off to Congress and he served a spell, facing up the government and laws as well.
Took over Washington, so we heard tell.
And patched up the crack in the Liberty Belt.
Davy, Davy Crockett, since do he declare.
When he come home, it's politic and done.
The Western march had just begun.
So we packed his gear and trust me gun and lit out the grin at the follow the sun.
Davy, Davy Crockett, can the West of Gay.
You know, I know the year is young and we're only four weeks into 2013, but one of the highlights has to be Keith's a cappella rendition of the ballad of Davy Crockett last week.
He sang the first verse during the first hour, the second verse during the second, and that was the entire and complete ballad of Davy Crockett there for you here on the Political Assess Bowl radio program.
And Keith, you know, Eddie said, you know, let's play a song for the sheriff that's coming up in the third hour.
I said, how about we sing The Man Who Shot Liberty Valence, you know, because that makes me think of a lawman.
Sam Bushman, I know that you're not mic'd up, but you heard our, you heard our practice.
You heard us singing in the commercial break, did you not?
So we sang the great late Gene Pitney, the man who shot Liberty Valence.
You know, I actually sang that at my wedding.
Yeah, you were there.
You were at my wedding, Eddie.
You should remember that.
You might have, you know, Eddie was probably, you know, drinking too much that night.
Actually, my pastor would not let us have any beer or wine at the wedding.
So I know it was a dry wedding.
So I know you must have left before I got to that.
But that's one of my dad's all-time favorite songs.
My dad's a big Western fan.
And so in honor of my father, karaoke was at my wedding reception.
We had a karaoke place.
And so I sang The Man Who Shot Liberty Valence.
So I love that song.
We sang it during the commercial break.
Keith, you sang the Bell of Davey Crockett last week.
I don't know where I'm going with this, but I'm going to get – Well, make mention of that, and then I'm going to get to my point.
I want to thank Courtney from Alabama who complimented me on my singing, which I find hard to comprehend, actually.
But I have out in my car right now an audio CD that has all of these great Western ballads.
I love the Western and Country Western.
It's got Ringo with Lauren Green, A Gunslinger's Prayer by Lauren Green, Man Who Shot Liberty Valence by Gene Pitney, Hanging Tree by Marty Robbins, yeah, and that Big Iron, that's another one.
Then I have, what is it?
Oh, Gunfight at OK Corral and 310 to Yuma by Frankie Lang.
Come here.
All right, here's what we're going to do.
I'm going to leave it to the audience.
I'm not going to say we're going to do something or we're not going to do something, but we've got myself, Keith Alexander, and Eddie DeBombed Miller in studio right now.
I have pulled up on my computer the lyrics to The Man Who Shot Liberty Valence by Gene Pitney.
Now, if anyone wants us to sing that song as a trio, we will do an a cappella rendition of The Man Who Shot Liberty Valence during the next segment.
Here's how you make it happen.
You have to send me an email, james at thepolitical cesspool.org.
It couldn't be easier to remember.
James at thepolitical cesspool.org.
If I get just one email from the Political Cesspool listening audience saying, yes, I want you guys to sing the song, we're going to sing it.
Now, if I don't get an email, we're not going to sing it.
And I'm going to be profoundly disappointed.
I'm going to be profoundly disappointed.
But if I get one email in the next five minutes, we will sing it at the top of the third segment.
Okay, that's what we're going to do.
And if you don't know the song, we got Eddie here.
You know, Eddie, you and I have sang karaoke before with Winston Smith and Peter Scoop Stanton.
We actually did it at a karaoke bar.
We sang, well, I sang Mac the Knife.
I sang Mac the Knife by Bobby Darren.
Then we all got up.
Me, you, Winston, and Peter Scoop Stanton, our correspondent, we all got up and we sang Run Around Sue by Dion DeMucci.
Dion.
I want one email right now.
Please, God, one person listening in the audience, james at thepolitical cesspool.org.
Say yes, James, sing it.
Sing it.
I want you to sing it and we will sing it.
And if I don't get the email, we're not going to sing it.
Anyway, Keith, I want to talk about, yeah.
Eddie, you're bothering me.
Go back over to your side of this.
Hey, we have a good time, you know, tonight.
It's a good time.
What we're having is the after party from the Alvita King interview.
All right, let's real quick.
Davy Crockett.
Now, the song talks about him whipping the Creeks during the Indian Wars, Keith.
That's one of the verses.
Now, could you imagine now if Davy Crockett were alive and the Creeks were still in existence, he would have to go to them, offer them his land, his wife, the still-beating hearts of his children in order to gain favor with them.
But that song celebrates the fact that they fought in the war and he beat the Creeks.
Now, I have a point to make.
I took my daughter, my wife and I took our daughter to the Children's Museum of Memphis a couple of days ago.
And we go there every so often because my daughter's too.
She likes it.
Now, there's this one panel on the wall that talks about the history of the Mid-South.
This is Memphis.
So they got the history of the Mid-South.
It talks about the great and glorious culture of the Chickasaw Indians, who were basically just hunters and gatherers.
They were nomads.
There was no culture.
There was no civilization.
They lived in TPs.
They chucked spears.
But it talks about how great this culture was.
Then it fast forwards to Hernando DeSoto and the arrival of the Spanish conquistadors and how bad he was.
Then it goes into slavery and the Civil War.
And then it goes into Martin Luther King.
So basically, the history of Memphis in the Mid-South is that the Chickasaws were great, and we pretty much reached the pinnacle of our culture during the Chickasaw era.
Then the racist Spaniards came in and then the racist Southerners and then there was Martin Luther King and that's it.
So basically, you know, Memphis and the buildings and all the technological achievements that have been made, basically, that compares nothing to the glorious civilization of the Chickasaws, who, as I say, were basically hunters and gatherers.
Now, the whites didn't arrive in the Mid-South till the 1600s, Keith.
That's 1,600 years after the Roman aqueduct. of Pont de Garde.
I've been reading a book that my wife gave me.
It's called the 100 Wonders of the World.
There's a Roman aqueduct that was built in the first century A.D.
So they had running water.
Okay, imagine this.
This is 1,600 years before whites came to the Mid-South.
There was a spring in this Roman province in France.
Consider this masterful achievement.
The spring is located at an elevation just 60 feet higher than the Roman city, which lied 30 miles away.
So they had, with very primitive tools, had to build an aqueduct to carry the water from the spring to the city 30 miles away that descended an elevation of just 60 feet.
So that water flowed down with a gratient of 1 to 3,000, around 1 foot per mile.
And the aqueduct supplied the city with water for over 300 years.
They figured that out 1,600 years before whites settled the Mid-South, at which point the local indigenous population were again living a hunter and gathering existence.
And this is the history that my kid has to read about at the Children's Museum of Memphis.
In fact, all of the indigenous population of the New World was at best stuck in the new stone age.
We'll get back to this after some words from our sponsors that are coming up right now.
I hear the music.
Actually, they're going to hear the music after the break because we've got a lot of emails saying they want us to sing a song.
So hang on, everybody.
We're going to do it.
Stay tuned.
We're going to do it.
You got it?
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Each week, the political cesspool, known worldwide as the South's foremost populist conservative radio program, hits the airwaves to bring you the other side of the news and to report on events which are vital to your welfare but are hushed up or distorted by the mainstream media.
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go online to www.thepoliticalcesspool.org and make a donation today.
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All right, folks, in the last segment.
Now, this proves that we can have a good time.
I had a couple of dozen emails in the last couple of minutes from people all around the world, from Memphis to Idaho, countries in Europe, you name it, saying sing the song.
So we gave them the challenge and they threw down the gauntlet.
They want to hear the barbershop.
Well, we're not a barbershop quartet.
We're a barbershop trio.
It's James Edwards, Edward the Bombardier Miller, Keith Alexander, the Political Cesspool 3.
We said in honor of the guest forthcoming during the third and final hour, we're not going to give his name yet, but he's a sheriff of a county in Kentucky that said he's going to defend our rights to the Second Amendment no matter what.
We said, in honor of him, we'd like to play the man who shot Liberty Valence.
But much better than just playing the Gene Pitney classic, we're going to sing it.
Yeah, we're going to sing it.
That's what we're going to do.
Me, Keith, and Eddie are about to sing this thing a cappella.
Now, folks, this is a white knuckle experience.
You got to give us a little leniency.
We have not practiced this.
Well, we actually did a verse during the commercial break, but we have not practiced this.
Yes, we have the lyrics up.
It's going to be bad, but it's going to be fun.
And I hope that in the true spirit of any given singer, you will remember us and leave a little something in our tip jar after this performance.
You know, the show does need support.
We normally try to solicit your support based upon the work we do in the court of public opinion and politics.
But tonight, if you like the song, give us a donation.
Let us live with ourselves.
If we get 100 bucks as a result of this, we'll say that, hey, it was a success.
You know, at least we have that to show for our embarrassment here.
And the thing about The Man Who Shot Liberty Valence is that it's probably the longest song recorded in the 60s.
It's like a 10-minute long song.
So we'll see what we can get.
All right, guys, I'm going to count down.
Sam Bushman is keeping the beat at the network in Utah.
If we get too loud or not loud enough, I'm going to try to place this station microphone here in Memphis in between the three of us here.
I wish you could see this, folks.
We're all leaning in.
It's a little bit discomforting, but here we go.
The man who shot Liberty Valence by Gene Pitney.
Now, I'm going to count down from three, and we're going to start with the first verse.
Try to keep up, guys.
Here we go.
On three, two, one.
When Liberty Balance rode to town, the women folk would hide.
They lied, Eddie.
When Liberty Valence walked around, the men would step aside.
Because the point of a gun was the only law that Liberty understood when it came to shooting straight and fast.
He was mighty good.
From out of the east, a stranger came, a law book in his hand.
A man, the kind of a man which would need to tame a troubled land.
Because the point of a gun was the only law that Liberty understood when it came to shooting straight and fast.
He was mighty good.
Many a man would face his gun, many a man would fall.
The man who shot Liberty Balance, he shot Liberty Balance.
He was the bravest of them all.
Now, here's the part in the real song where a fiddle would come in for a little solo, but we're going to go straight to the next verse.
The love of a girl can make a man.
The love of a girl, Eddie, not the love of a man.
That's crap.
All right, again, again.
The love of a girl can make a man stay on when he should go.
Stay on.
Just trying to build a peaceful life where love is free to grow.
But the point of a gun was the only law that Liberty understood.
When the final showdown came at last, a law book was no good.
Alone and afraid, she prayed that he'd return that fateful night.
Oh, that night.
When nothing she said could keep her man from going out to fight.
From a moment a girl gets to be full grown.
The very first thing she learned: when two men go out to face each other, only one returns.
Everyone heard two shots ring out.
A shot made Liberty fall.
The man who shot Liberty Ballast, he shot Liberty Ballads.
He was the bravest of them all.
All right, that's it.
Eddie, you're kicked out of the group officially.
You messed up.
Look, I need Winston Smith.
Even Def Winston could do better than you.
Look, yeah, your glasses didn't do it.
You did, look.
You went to the high parts when it was still in ballad mode.
You went to ballad when it was supposed to go up.
You said the love of a man can make a man stay on.
Yeah, Eddie, you've disgraced this program.
Look, you've disgraced us tonight.
Me and Keith are going to go out on the road with this.
You're like the guy from the Beatles that broke his leg.
Pete Best.
Pete Best.
Who took his place, Keith?
Ringo?
No, you're not Ringo.
that Ringo took the place of.
You broke it.
All right, so we apologize for that, folks.
We had a kick.
We blew some horrific singing blew some fuses in the studio here and somehow we got disconnected.
That was actually not, well, I guess it was a coincidence, but it was not on purpose.
The fact that we lost our signal there for a few seconds.
Did we make it through the song, Sam, before the audio distorted?
Okay, okay, okay.
So Eddie's singing knocked us off here.
It was so bad they cut us off.
All right, Keith.
Anyway, we're back now.
Actually, that was a pretty bizarre coincidence.
The fact that we had an absolute technical anomaly on the heels of our a cappella singing.
I don't know what to make of that.
That's the Lord speaking to us.
Perhaps he's saying we should never do that again.
Amen to that.
I tell you what, what I would like to do, though, is pay some bumper music of these type of songs like The Hanging Tree by Marty Robbins or Gunfight at OK Corral by Frankie Lane or Ringo by Lauren Green, who is Jewish, by the way.
See, when Jewish guys are great, we are more than willing to give them their credit.
But we're getting back now to the meat of the coconut, what we talk about all the time.
James, take it away.
All right, Keith.
I'm so disconnected now from the program after that that I don't even know what we were talking about.
I believe I was talking about the fact that Davy Crockett is a hero of mine.
The song talks about him whipping the creeks.
You go to the Children's Museum of Memphis.
The only good thing that ever happened in this region was that the Chickasaws once lived here.
Then we had conquistadors, the racist conquistadors, the racist southerners who actually built the cities.
And then Martin Luther King thankfully came in to play and is our saving grace.
And I compared and contrasted that to the Roman aqueducts.
You know, 2,000 years ago, Romans were doing more than the indigenous population was doing at the time of the settlement of white culture here.
You can probably tie all that together into a cohesive point, Keith.
Yeah, what I would say is this.
The natives of North America, the mestizos, the Indians, whatever you want to call them, hadn't even developed a wheel, the use of the wheel by the time the white man came to the new world.
And everything that they, you know, for example, and they were not these peace-loving early environmentalists that the left likes to portray them as being.
Instead, what actually were bloodthirsty savages, and for example, the mound builders were wiped out by the Chickasaws.
These Chickasaws that are extolled as being these sweet, kindly, wise, tuned into Mother Nature people wiped out one another and they wiped out the mound builders.
And basically all they did was build some mounds.
But that was the highest level of civilization, the highest level of joint cooperative venture that we had in what is now the United States as a result of the activities of the native population.
So, like you said, we know about the guilt.
Where's the gratitude?
Everybody that lives in a first world environment today has white people to thank for that, James.
Keith, we just got an email in from the Lord of the Board, our former producer Art Frith, who said, oh my God, my ears.
Winston Smith is lucky he's deaf after tonight's show.
Although, Courtney from Alabama, who you referenced early in the broadcast, said that was great.
And I love the reference to the Beatles afterwards.
So one man's piece of you know what is another man's work of art.
One man's trash is another man's treasure, I think, is the cliche you were searching for, okay?
You handed the mic back over to me as if I'm expected to go somewhere after all.
I'm expecting, I don't even know what you said when you were talking.
I'm so thank God there's a break.
There's our music, and so we're going to take a time out.
Mercifully, we'll be back, and I don't know what we're going to get into.
God doesn't even know, but he does, but we'll find out.
We'll return.
Are you familiar with the term vigor?
Strength in body and mind?
He pursued his tennis game with vigor, for example.
Well, I hadn't, but I learned about it from Kurt Crosby.
All right, and he actually let me take a scientifically proven free vigor test.
And I got 13 out of 32, not very good.
But I worked on it with him, and believe it or not, now I have a 29 out of 32 and improving vigor score.
You say, Sam, what on earth is this scientific vigor score, huh?
My response is, you got to take the free test available now.
Get a hold of Kurt Crosby to learn about it.
The number's 801-669-2211.
That's 801-669-2211.
Or email Kurt, C-U-R-T, at LibertyRoundtable.com.
That's Kurt, C-U-R-T, at LibertyRoundtable.com for your free vigor test today.
Kurt, LibertyRoundtable.com or 801-669-2211.
Vigor test, free, scientifically proven today.
This is Mercy.
If you're listening to this message, Warriors, you are the Resistance.
Warriors, you are not alone.
There are pockets of resistance all around the planet.
We are at the brink.
Read about it in the Sovereign, newspaper of the Resistance.
Available now at newsstands everywhere.
The Sovereign is a monthly 24-page tabloid newspaper featuring incendiary content about life during wartime in the age of Obama.
Warriors, keep to date every month.
Remember to read The Sovereign, newspaper of the Resistance.
Available at newsstands everywhere.
This alert is for all you boppers out there in the big city, all you street people with an ear for the action.
This is Mercy.
If you're listening to this message, Warriors, you are the Resistance.
This is Mercy.
Mine will be the last voice you'll ever hear.
Don't be alarmed.
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Jump in the Political Cesspool with James and the gang.
Call us tonight at 1-866-986-6397.
And here's the host of the political cesspool, James Edwards.
They'd hide.
When Liberty Valence walked around, the men would step aside.
Because the point of a gun was the only law that Liberty understood.
When it came to shooting straight and fast, he was mighty good.
From out of the East, a stranger came, a law book in his hand.
Oh man.
The kind of a man the West would need to tame a troubled land.
Because the point of a gun was the only law that Liberty understood.
When it came to shooting straight and fast, he was mighty good.
Many a young man would face his gun and many young man would fall.
The man who shot Liberty Valence, he shot Liberty Valence.
He was the bravest of them all.
All right, everybody.
Hey, that's how it is supposed to sound.
A little bit of a contrast there.
And I guarantee you, if you listen to the rest of the song, in no verse would you find where Gene Pitney's saying, the love of a man made the love of a man made the man stay home on that fateful night.
But that was Eddie's version of it.
I mean, that was Eddie's version.
Eddie was, you know, singing it the way he was.
He signed a politically correct revised version of today's America.
James, that's what he did.
Well, look, I mean, should we just end the show?
I mean, I know we got a sheriff coming on in the third hour.
Should we end the show?
I mean, could it possibly get better than where we are?
Could it possibly get any better than we've had Martin Luther King's or any worse, depending on your perspective?
We've had Martin Luther King's niece on.
We've had Eddie singing about it.
Look, we sang the man who shot Liberty Balance.
Oh, folks, listen now.
I'm serious now.
Let's get serious here.
Make us feel better about ourselves.
Now, we did that.
We castrated ourselves in public.
Now, give us a tip.
I at least need somebody to make a $25 donation.
Put $25 in the tip jug at thepolitical cesspool.org so we don't feel like completing utter jackasses for what we've done tonight.
You know, if we did it for 25 bucks, well, we'd sacrifice our dignity.
We don't want to do it for free.
Look, folks, we don't want to do it for free.
We don't want to make fools of ourselves for free.
If you enjoyed our effort, I'm not going to say if you enjoyed the song, if you enjoyed our effort, let it be known that that effort was worth something in the political cesspool's coffers that will help our show move forward.
A dollar from a million people makes a million dollars.
I mean, you see where I'm going with that?
Well, what you can do, too, you can use a tape of that rendition of The Man Who Shot Liberty Balance, and I play it enough, and you'll run all the rats and mice out of your home.
Well, it's like garlic for Dracula.
The next time you're in a debate with a liberal or you're getting unwanted advances from a liberal, you can play our version of Gene Pitney's song, and it'll scare him away.
So, you know, we're giving you something that you can use.
But, yeah, help us feel better about ourselves, folks.
This is beneath us.
All right, let's try to get back to some semblance of political commentary tonight.
Russia, Keith, holding the line on marriage, as we talked about on our website this week.
This is out of Moscow.
Kissing his boyfriend, the story reads.
Eddie, this song might be this article.
No, we're just kidding.
I mean, if there is one man in the studio tonight, it's the bombardier.
But the very married and heterosexual bombardier.
We all rag each other.
I mean, that's the point that, you know, it's all in good fun.
But kissing his boyfriend during a protest in front of Russia's parliament earned Pavel Sambarov 30 hours of detention and the equivalent of a $16 fine on the charge of hooliganism.
But if a bill that comes up for a first vote later this month becomes law, such a kiss could be defined as illegal homosexual propaganda and bring a fine of up to $16,000.
The legislation being pushed by the Kremlin and the Russian Orthodox Church would make it illegal nationwide to provide minors with information that is defined as a propaganda of sodomy, lesbianism, bisexuality, and transgenderism.
It includes a ban on holding public events that promote gay rights.
St. Petersburg and a number of other Russian cities already have similar laws on their books.
The bill is part of an effort to promote traditional Russian values as opposed to Western liberalism, which the Kremlin and the church see as corrupting youth and by extension contributing to the current trends.
Keith, this is outstanding news.
God bless Russia.
God bless Russia.
Russia, the Russian state, and the Russian Orthodox Church is working in unison for a common good.
Could you imagine something like that happening here?
Is Russia the key to our survival?
Well, I tell you.
Well, anyone wants to sing the Russian national anthem after that.
I will say this.
We've had plenty of people from Eastern Europe, like Tom Sunik and Sergi Trifkovich, who have said that Soviet-style communism was less invasive and less intrusive on the thought processes of the average citizen than Western political correctness.
We've said this many times before.
Political correctness is a soft tyranny.
They don't arrest you at midnight, drag you down to the basement of the Lubianka, and put a bullet in the base of your brain like they do in, or they did in the Soviet Union at the height of Bolshevism and Stalinism.
But on the other hand, you could talk freely with your neighbor about topics that are totally off limits to average Americans nowadays.
They're trying to get your children to turn you in now, like you used to see these propaganda films about Nazism and whatnot, or the communists turning in their, you know, the children like a bunch of zombies, turning in their parents.
That's what they are angling for now in America.
And Sunik, Serge Trifkovich, people like this, have said that basically from the vantage point today, Soviet communism, the old classical communism, was a blessing because it kept out the cultural Marxism of liberalism that has basically swept through the West, Western Europe, America, Australia, New Zealand, places like this, and is rotting out our culture.
They still have healthy conservative instincts, social instincts in the Soviet Union.
And like I said, Putin is apparently a better friend of conservatism than any American president that we've had really in the latter half of the 20th century.
Now, compare and contrast what the Russian government and the Russian church.
And this is how church and state should work for the benefit of the common good, not for the benefit of perverts.
And let's just, you know, you know, today's perverts are yesterday's victim class.
You know, the newest victim class is perverts, and that's what they are.
That's all they are.
I don't hate them, but it's not healthy.
It's not natural.
It's not moral.
It's not Christian.
It's not decent.
It's not appropriate.
And so, but in Russia, you have the government and the church working together for the common good.
Now, fast forward back to the Western world where we have, did you know, Keith, and you would know if you've been to the website this week, we only have about two minutes left in this hour, so we've got to make it quick.
Scientists are now looking for a female surrogate to carry the embryo of Neanderthal DNA.
Basically, they want a female to, they're calling for an adventurous woman to serve as the surrogate mother for Neanderthal DNA.
And the reason for that is that, according to the scientist who is putting on this, Neanderthals could have a different way of thinking that is far greater than ours, and it would benefit diversity to repopulate the world.
This is serious.
This is serious.
That's a great comment.
I can't say what Eddie just said.
I can't say what Eddie just said, as much as I agree with it and believe it.
I can't say what Eddie just said.
But Keith, Jurassic Park, have you ever seen it?
Did you ever think you'd live to see it actually happen?
I tell you what, the truth is stranger than fiction, as they say.
And, you know, this shows you how absolutely absurd this slavish devotion to the cult of diversity and multiculturalism and multiracialism is in the West now, that they're basically telling us that we have a lot to learn from the Neanderthals.
You know, this is Franz Boaz on LSD, I guess.
This is, you know, Franz Boaz was the Jewish expert, quote unquote, who transformed anthropology from a hard science into the softest of soft social sciences with his idea of cultural relativism.
Margaret Mead was one of his primary students, and even she began to see the absurdity of it all by the end of her life.
But the idea that all cultures are the same, all races are the same, everybody is like a soybean.
You know, race is a very trivial matter.
All of this is now finding its ultimate expression in this attempt to recreate Neanderthal man through the wonders of modern biological research.
All right, Keith, we're running out of time this hour, but I got to say this.
I'm disappointed in the audience, and I don't mind saying that after what we put on the line tonight.
What I asked for was a very modest donation, $25 or less, from everyone who emailed me saying they wanted us to sing.
Now, give us a dollar if you could do that.
I mean, I do.
I pity.
Actually, I just want one.
Instead of everybody who sent me an email asking us to sing, how about one?
Just show me that the donation system still works.
I want one person who asked us to sing to send us a donation.
$25, $1 a cent.
Come on, help us out, folks.
We're feeling pretty bad about ourselves.
Obviously, if it was much better, we could have gotten a little bit of money for the show.
It's not for ourselves.
It's to keep the show going.
I know you want it, Keith, but the show's, this hour is done.
You got one second.
Okay, we need to all keep our day jobs is obviously the message we're getting.
Go to thepoliticalsucepool.org and make a donation if you if you heard the song.
I'm not going to say if you enjoyed it again.
Help us out.
Hey, third hour, we're going to have a sheriff on.