Dec. 15, 2012 - The Political Cesspool - James Edwards
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Welcome to the Political Cesspool, known across the South and worldwide as the South's foremost populous conservative radio program.
Here to guide you through the murky waters of the political cesspool is your host for tonight, James Edwards.
All right, everybody, welcome to the Political Cesspool radio program.
We didn't play a Christmas song at the top of this hour for a certain reason.
We actually let our normal opening of Frankie Valley and the Four Seasons go uninterrupted.
And Keith Alexander is going to tell you why.
Welcome to the show, everybody.
It's going to be a busy show tonight.
We're going to be working in the tragedy in Connecticut.
We're going to give you a fresh perspective on that, the likes of which you probably won't be getting on any other mainstream radio service.
And we will get to that later on in the program.
But first, Keith, why was last night so special for yours truly and you?
James is the world's foremost acolyte and torchbearer and keeper of the flame for the four seasons.
And in particular, Frankie Valley.
So James will travel across the Sahara Desert on his knees over broken glass to go listen to them.
And Jersey Boys is at the Orpheum, which is the big old refurbished grand theater in Memphis.
Most large cities have one like that that's been restored in Memphis.
It's called the Orpheum.
So we went down there and we watched the Jersey Boys.
And you could hear James screaming like a teenager above the people on the stage and the whole place.
I mean, he was just absolutely enraptured by this whole thing.
And it was a great show.
It was a good show.
Although there were a few moments where we saw the entertainment industry showing its skirt to us or showing its slip to us with their typical anti-red state bias, which I'll point out later on.
But it was a great show.
And James took me there as a Christmas gift, but he wound up not having to buy my ticket after all.
I was offered a ticket.
I was waiting in the lobby for James and his entourage to arrive.
And a black guy, a young black guy, came up and said, do you have a ticket?
And I said, no, but I'm going to get one here soon.
And he said, well, I have an extra one.
Do you want one?
And he gave me a ticket.
And it was a better ticket than any of James' cohorts had that came along with him to the show.
Right there in the middle, probably about 10 rows back, you know, perfect view of everything.
So like the furniture credit, we like to give credit where credit, I mean the furniture center, which is a furniture store in Memphis.
Their motto is we give credit where credit is due.
Here on the political cesspool, we give credit to a very gentlemanly black man who offered me a free ticket to go see Jersey Boys, which and it had to be at least $80 or $100, right, James?
Well, that was actually one of the reasons I was planning on perhaps skipping the Jersey Boys performance of the Four Seasons Lifestory because the tickets were so outrageously expensive.
And as you know, Keith, we met for lunch yesterday and had no plans to go.
And this is the last weekend they're going to be in town.
And my wife said, you know, just go.
Treat yourself to a Christmas present.
Go with your brother.
with your cousins and uh and and then i said you know what i'm gonna we're gonna go with keith because keith and i both like the music as well and so we went last night it was a little christmas present uh keith maybe slightly exaggerated my my enthusiasm although my hands were certainly raw at the end of it at the end of it all i don't know if there was any shrieking to be done but i i thoroughly enjoyed it you know i guess we talk about it too much but we bring it up tonight for a couple of reasons.
Number one, we always like to give you a sneak peek behind the scenes of what we do just in daily life when we're off the air, when we're not engaged in the culture war, we're not battling on behalf of our shared ideals and concerns.
And, you know, we're just regular people that like to have a good time.
And a good time was certainly had last night.
You know, the genius of Bob Gattio, you know, Frankie Valley gets the credit and certainly well deservingly so.
But Bob Gattio, the man who, as you learned in the play, wrote all the songs, wrote all the arrangements of all those hits.
I mean, what a genius.
And we just want to do, I guess, Keith and I just had such a good time tonight, or last night.
We wanted to open up the show sharing a little bit about that.
It's all downhill from here.
Unfortunately, there's going to be nothing more in the manner of good news this evening, this Saturday night, December 15th, as we come to you from AM 1380, WLRM Radio in downtown Memphis, Tennessee, not too far from the Orpheum Theater where we were last night.
Lots of stories tonight.
And again, in the third and final hour, we're going to be giving you exclusive opinion and analysis on the school shooting in Connecticut.
What a terrible story.
And I'm not going to say that Barack Obama and the anti-gun zealots in the media are excited that this happened.
But God knows they are not going to waste the opportunity, are they, Keith?
Nope.
Just like Ram Emmanuel said, never let a good crisis go to waste.
And they're not going to allow this to go to waste, I can guarantee you.
Well, we're going to be bringing on Sam Bushman, owner of Liberty News Radio, host of the Liberty Roundtable Program, the Monday through Friday daily show.
He's going to be joining us during the third and final hour when this will be the exclusive topic of the ending of the show.
But between now and then, we're going to be going through a wide varieties of stories, two of which really draw into sharp focus exactly why I started this radio show eight years ago.
You know why I started this show.
It's been well documented.
We've talked about it a lot.
We want this show to serve as a media outlet and a voice for the dispossessed majority.
We want equal rights for all, special privileges for none.
We want a level playing field.
And we certainly want to remind people that it is okay to be born white.
And there's nothing to be ashamed of there.
In fact, quite the opposite is true.
But there's two stories that we're going to get to, in fact, right after this first commercial break after the opening segment.
And you will know after this first hour, you will be reminded as to why this show exists and what it exists for.
But Keith, before we get into all of that heinous stuff, a favorite moment from last night as we wrap up our recapping of the Jersey Boys musical.
Two heterosexual alpha males going to a musical.
But yes, we did it and we pulled it off.
Well, first of all, it's just, it's worth the price of admission just to go to this theater, the Orpheum.
The Orpheum is so elaborate, so ornate, and I couldn't help but think, you know, after the assaults of postmodernism and architecture and art and in the theater, you're just not going to find any edifice built like this today anymore.
Our ancestors, quite frankly, I mean all of them, they could build something that ornate, that beautiful, and that functional.
It had the best acoustics of any place that I've ever been in, basically, for a concert or for a play or anything else.
It is elaborate.
It just shows you the superiority of Western civilization, in my opinion, over all of its competitors.
That's one thing.
The other thing was I really learned a lot about the origins of the four seasons, the different personalities of the four primary people in the four seasons.
And here's James again.
What do you need to say?
I just need to say we're going to a break and we'll be back with more after this.
Don't let me be this in this to least understand me, baby.
Don't let me be this enough to misunderstand me, baby.
Don't let me be this.
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Jump in the Political Cesspool with James and the game.
Call us tonight at 1-866-986-6397.
And here's the host of the political cesspool, James Edwards.
I feel it in my toes.
Christmas is all around me.
And so the feeling grows.
It's whipped in the wind.
Somewhere I go.
Suffering of Christmas.
Come on and let it snow.
All right, everybody.
Welcome back.
Now, there we're getting back into the unfamiliar sounds of the season.
A little Christmas music.
Basically, a remake of Love is All Around by the Trocs.
But as they say, they switched the word love with Christmas.
And there you have it.
And speaking of all that good music, Keith, that we saw last night and that we were playing on the show this month in honor of Christmas, I had people write into me, actually quite a few, since we started playing some of these songs for the month of December.
And they said, you know, come up with your top 10 Christmas songs.
And so I did.
And I actually came up with my top 20, my top 10 fun and festive Christmas songs, and then my top 10 spiritual carols.
And that's all at thepolitical cesspool.org.
We're actually going to be playing them tonight and next week as well, the last show before Christmas.
But anyway, as I said, we've had too much fun tonight.
This is the political cesspool, and fun ought not to be had on a show that highlights all the things that are going wrong.
Okay, in our society, we all know about Django Unchained, the big movie coming out on Christmas Day, no less, being produced by the Weinstein Company.
It stars Leonardo DiCaprio as the evil Southern Plantation Owner, and Jamie Foxx is the righteous slave.
Django, we know in the movie, in the trailer, no less, that you see on television and in theaters, Jamie Foxx's character is quoted as saying, kill white folks and they pay you for it, not what's not to like.
Obviously, that in and of itself should get this film vehemently denounced, that a character would say something like that.
I know it's just a movie, but could you imagine any movie being released in which the roles were reversed and a white person said that about blacks?
Certainly not.
But what's more disconcerting is the fact that Jamie Foxx in real life seems to mirror the feelings of the character he plays in the movie.
Two weeks ago, Jamie Foxx made national headlines when he called President Obama, quote-unquote, our Lord and Savior.
While hosting Saturday Night Live a week ago, Fox joked about how in his new film, Django Unchained, I kill all the white people in the movie.
How great is that?
Now, you know, we get denounced, Keith, because we say whites ought to have equal rights, affirmative action.
We need to take another look at that.
There's no shame in being proud of our cultural heritage.
There's no shame in our history.
So on and so forth.
That's pretty much what this show exists to talk about.
But we get denounced as some of the most despicable Cretans in all of media, certainly undeservingly so.
So we're racist, though, because we do that.
Jamie Fox, however, what he says, not in character, but as himself, as he hosts Saturday Night Live, is not racist.
Let's play the clip so you can hear it for yourself, and then I'm going to turn it over to Keith.
Come on, make some noise, man.
New York City, New York, Brooklyn, Staten Island, Queens, it's crazy.
Black, and I'm dressed all black because it's good to be black.
Black is a new white.
I'm telling you, black.
I mean, how black is this right here?
Nice, nice flying movie.
I'm saying, you know, black is that.
You know how no black is in right now?
Because the Nets moved to Brooklyn.
How black is that?
They got black jerseys, black court.
I mean, how black is that?
And Jay-Z is the owner, a rapper.
How black is that?
And Jay-Z only owns about this much of the team.
But he acts like he owned all of New York.
Black as that.
Got a movie coming out, Django.
Check it out.
Leonardo, the Caprio, Samuel Jackson.
Django Unchained, I play a slave.
How black is that?
And in the movie, I have to wear change.
How whack is that?
But don't be worried about it because I get out the chains, I get free, I save my wife, and I kill all the white people in the movie.
How great is that?
All right.
Let's stop it right there.
I kill all the white people in the movie.
How great is that?
And then I don't know what's more troubling, Keith.
The fact that he said that and he's not being denounced as anything other than a great actor and an Oscar winner, and he's still cashing in those million-dollar paychecks.
I mean, compare what he said to what Mel Gibson said that ruined Mel Gibson's career.
But what's more troubling, Keith?
What you just heard Jamie Foxx say, or the fact that that roaring, thunderous applause was from an all-white audience?
Well, just like Jamie Fox said, black is new white.
And he's absolutely right.
Cultural Marxism has managed to brainwash white people into cheering for their own dispossession.
We commented on it when we were reviewing the help back last year.
You know, the white audience in the, or predominantly white audience in the movie theater was cheering and, you know, applauding sympathetically when the haughty white character was fed a pie, I suppose a chocolate pie made from her own poop by the black maid.
This, I tell you what, this shows, you know, if you step back from this shows why we need to secede from the union.
I'm tired of having bilge like Saturday Night Live pumped into my home every Saturday night.
I'm tired of watching David Letterman.
In fact, last night David Letterman was interviewing Samuel L. Jackson about his role in the movie.
And they played a clip from the movie, which was likewise objectionable, just as objectionable as Jamie Fox's comments.
David Letterman didn't say a peep, didn't have anything come out of his mouth that could be construed as even remotely a defense of white people or of giving the white viewpoint, but there he was.
He was a white guy who was more or less just like Jamie Foxx, assuming that black is the new white and white people should take this subservient, subordinate position to black people, black guests on his show, black people generally, movies that are anti-white.
Quentin Tarantino is, quite frankly, the worst film director in Hollywood at the present time.
From the beginning, from pulp fiction where he modeled blacks killing white kids, buying drugs from a pusher, a black pusher, he's modeling for non-white people how to deal with white people, particularly as their numbers dwindle in the West due to the policies of cultural Marxism.
This guy is a poisonous individual, James, and we need to secede from this culture.
Well, we're going to have much more commentary about what Jamie Fox said and the fallout from it or lack thereof when we come back.
We're just getting started.
Stay tuned, everybody.
You're listening to Liberty News Radio.
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We gotta get out of this place.
Merry Christmas.
Hey And a real famous cat all dressed up in rift.
And he spent the whole year working on a display.
It's the little Saint Louis.
It's the Little Saint Liza.
All right, everybody.
Welcome back to the show.
The Beach Boy is there singing Little St. Mega Beezy.
He was a critical part of this segment, I assure you, as we continue to cover the fact that, again, compare and contrast the treatment Mel Gibson received for the same comment that I think to any objective observer were far less inflammatory and far less offensive than what Jamie Fox said during his hosting stint on Saturday Night Live.
Even if he was playing a character, it would have been bad enough, but he wasn't.
He appeared as himself, and those were his true feelings.
He talked about the fact, celebrated the fact, gloated over the fact that his character in Django and Chain kills all the white people in the movie.
How great is that?
And then you hear all the white people roar and cheer and laugh at such a comment.
I guarantee you that I would have been thrown out of that place if I'd have been there because, you know, you just could you imagine a white comedian getting up there and saying that in front of an all-black audience and them hooting and hollering.
Well, they've been doing some of that for sure, but cheering and laughing.
It's utterly despicable.
It's disgraceful.
And there is no fallout of this.
No charges, no accusations of Jamie Foxx being a racist.
No calls for him to apologize.
Just, wow, did you see how funny Jamie Foxx was on Saturday Night Live?
Did you see where he said, kill all the white people?
Man, that's hilarious stuff.
That's great.
You know, his career will only be further advanced from this sort of behavior.
And this, again, Keith, is why the political cesspool exists.
There are no white organizations.
Are no white media entities that are standing up in defense of ourselves and our children and our ancestors over affronts like this, and there should be and well there is at least one US.
Well again, let me get back to the succession, or the secession, theme on this.
All of these pernicious shows like Saturday Night Live, like David Letterman, like Jay Leno, are either from the East Coast or the Left Coast and pumped into red state America.
You know, the Great American Desert, as they call it, the Flyover country, and we have no choice but to listen to these people that have this bizarre outlook, and that's probably the most charitable thing.
I could call it.
I would call it a hateful outlook, I would call it an insane outlook.
It is insane for white people to cheer for their own demise, and that is what the audience at Saturday Night Live was doing.
Apparently, people in Blue State America think it's fashionable to hear people talking about their death and the death of their kind of people uh, on television uh, you know that this is the type of thing they admire, that they apparently have a death wish and, make no mistake, this is what is planned.
Even the chief justice of the United States Supreme Court now has suggested that the way that racism will be finally conquered in America is when white people are blended out of existence through intermarriage and interbreeding.
In other words, these people that so uh, eloquently talk about celebrating diversity.
They want none of our diversity to be uh, you know, able to survive the transformation of the nation, and we're having people like Quentin Tarantino, Jamie Fox, Samuel L. Jackson, one, held up to us as role models, and two, we hear them unabashedly calling for our death and Destruction.
This is crazy.
I don't want to be a part of any country that is like that.
I want to have Red State America producing its own movies, having its own talk shows, having its own version of Saturday Night Live in which white people are treated at least as well as non-white people.
In the new America, just like Jamie Fox said, black is the new white.
Black people are the ones that are exalted.
White people are the ones that are degraded.
And I don't want my family to have to live in that type of America.
It's just still, and I hate to sound like a broken record, but just mind-boggling.
Where are the media talking heads when it comes to taking Jamie Foxx to the mat about this?
Do you remember Michael Richards?
You know, again, and that was inappropriate, his actions.
But look at the screaming.
And, well, you've never heard of him since then either.
True.
Just like Mel Gibson, his career was ruined because he offended the false gods of cultural Marxism and political correctness.
I mean, Mel Gibson was certainly far less offensive than Michael Richards and 100 times less offensive than Fox.
All he said was, you know, Jews, in his opinion, started all the wars of the world.
That's what he said.
What's worse, that opinion or the opinion that all white people ought to be dead and how great it is that Jamie Fox at least got to kill him in the movies.
And, you know, the next step is doing it in real life.
And then you have Harry Belafonte this week saying, you know, Barack Obama should jail all Republicans.
I mean, they really believe that.
This isn't them being funny.
This is their true feelings.
This is their soul.
But again, it just is, that's why the political cesspool exists.
To defend our people, to do our best in situations like this.
You know, we do the best with what we've got, Keith, that's for sure.
And the audience has seen that we have become quite well-known.
But I just, we couldn't talk about this enough.
Just the utter and grotesque hypocrisy and double standards in play here.
And I use those words often on this show because that is, in fact, one of our taglines.
This show exists to discuss race politics and hypocrisy in 21st century America.
Jamie Foxx is Exhibit A.
Well, you know, I have the rare privilege of having lived in the time of segregation in America, and I never heard any white entertainer, I never heard any white person in a position of authority speak as hatefully about black people or non-white people as Jamie Foxx speaks about white people in that Saturday Night Live segment that we played for you.
And furthermore, the idea of having black people, for example, let's say, let's reverse roles.
If a white person had said, let's kill all the black people, could you imagine black people applauding that?
That tells you the crazy world that is trying to be thrust upon us by the mavens of American taste and culture that hold forth in blue state America.
We need to divorce people.
Secession is an idea whose time has come, and we need to really consider it carefully.
If you don't want your children and your families poisoned by exposure to that absolutely insane mindset and worldview, secession, in my opinion, is the only answer.
And we shouldn't lose sight again, and I know we've mentioned it a couple of times, and you addressed it at the very top of your commentary on this topic, Keith.
But to harken back to a subject we covered last week, white pathology.
I mean, this is a disease.
This political correctness has rotted the minds and brains away of whites.
You saw in that Saturday night clip, and we played it for you here on the radio, but we actually have the video of it at thepoliticalspool.org.
If you haven't seen it, you know, go take a look.
But the camera pans during Jamie Foxx's routine there, and it's an all-white crowd.
And then there they are cheering, laughing.
What's wrong with them?
And we talked about it last week, and we've only got a minute or two left in this segment, and it's certainly not enough time.
We could spend months covering that and analyzing it and debating it.
But could the victory be more complete for the left?
Well, you know, cultural Marxism is often described as a blending of Marx and Freud.
And I think that the Freudian aspects don't get enough play when we discuss cultural Marxism.
Cultural Marxism has basically worked through brainwashing, through psychological conditioning.
And I've never seen anything more counterintuitive than the response of this white audience to the prospect, to the suggestion that they be killed off.
Where have you seen in the history of the world people cheering at a pronouncement of their own death sentence?
This is crazy stuff.
What is going on in the minds of these people?
And let me say this.
Whatever is going on in their minds, I don't want my family, my children, my grandchildren exposed to this corrosive, pernicious outlook.
We can block the airwaves and we can have our own shows in Red State America that support our values and support fairness and even handedness.
And like I said, I lived through the segregation period and I never saw anything even remotely this pernicious come from white cooney towards black.
Got to take a break, folks.
At the end of the day, that's really what's so troubling is the white reaction to that joke.
Jamie Foxx is just another black guy that hates white people.
There's no shortage of those.
But anyway, we got to take a break.
We're going to shift gears.
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And here's the host of the political cesspool, James Edwards.
Hi, this is Mallory with Bill.com, and we're giving away some...
All right, everybody, welcome back to the show.
James Edwards, Keith Alexander, as we continue on this evening, shifting gears down to another story.
Nothing is as repugnant as the Jamie Foxx story.
In fact, that's got to be one of the top 10 we've ever covered in terms of its just sheer offensiveness.
A black group.
Now, you see, you know, back in the 50s and 60s, when there was segregation, you can say, okay, well, we might not agree with it.
You understand why black organizations existed.
Blacks wanted access to the places that they were forbidden.
It has gone, and they got everything.
And not only did they get it all, they got that plus extra goodies and incentives and throw-ins like affirmative action, set-asides, welfare, food stamps.
They're the beneficiaries of racial discrimination now.
But you could at least say, okay, there was a reason that those groups existed, but now, I mean, blacks are not locked out of any aspect of public life.
In fact, as I said, and as it's been well documented for anyone who wants to be honest, they're given a head start to getting anything they want now.
So, but these organizations still exist, and they've got to find fights.
And there's a black organization, of course, again, it's perfectly fine for all of these organizations to exist to advance.
This isn't even advancing their lot in life.
This is just sheer extortion and just whining and hatefulness and craziness.
But of course, whites can't have any organization at all, unless we be shattered down as racist and just take our story and we know it all too well.
But anyway, in France, they have beauty pageants in France, and the French version of the Miss America pageant was won, God forbid, by a white French woman, a 19-year-old knockout.
And we've got her picture.
If you've not gone to thepoliticalcessible.org this week, you want to go just to see the picture of this beauty queen.
You take one look at the picture and you can figure out why she won.
But there are black advocacy groups over there that are crying racism.
How dare a white woman be named as Miss France?
Here's the story.
A black rights group, quote unquote, on Monday slammed the latest Miss France competition for producing a whitest snow winner from a field it claimed was unrepresentative of the country's ethnic makeup.
The president of the representative council of black associations there in France lamented the lack of contestants from France's black communities.
The failure to represent the contemporary French population in an event such as this is obviously serious.
Okay?
It amounts to denying Keith the very existence of French people of African origin.
The statement released by this pro-black advocacy group in France concludes by reading, Miss France is as white as the end of the year snow.
All right, let's get down to it.
Did this pageant ban black contestants from competing?
Absolutely not.
In fact, while France's population is 85% white, 33 of the contestants were black.
So right there, they're overrepresented by about 100%.
What this organization is complaining about is that Miss France wasn't black.
That's it.
And they're saying, what did they say, Keith?
They said It's a serious situation that they didn't have enough contestants from the black communities of France.
Even though 33% of the contestants were black, they represent less than 15% of the population.
Basically, to cut to the chase, it's now racist if you don't let them win everything.
If you don't give them everything, if you don't let them win everything, then there's going to be some organization out there to call you a racist.
And what effect will this have in future pageants there in France?
I mean, certainly they'll feel the pressure to name an undeserving contestant, an undeserving winner.
You look at this woman's picture that won, you see why she won.
Come on, Keith.
What else can you say about this?
Well, one thing I've noticed in studying race relations across the globe is that the French are admirably standing up for the principle of colorblindness.
They will not stoop to affirmative action for admission to their highly selective colleges and universities, for example.
And this is causing no end of weeping, wailing, and gnashing of teeth and rending of garments by the minorities in France.
But God bless the French, they're sticking to their guns.
They're not discriminating against white people or their own founding stock to the extent that America is, for example, or Great Britain is, or Germany is.
And I think they're to be applauded for that.
Now, again, let's turn things on their head.
What if a black woman had won the Miss France contest and white groups, white activist groups were vocally denouncing the pageant and the pageant's founders and the pageant's judges?
They'd be immediately dismissed as rabid racists.
Well, then, why aren't these non-white critics of the pageant similarly hoisted on the same petard?
They're not going to be.
See, this is the way that the left works.
This is cultural Marxism in action.
This is the theory or the strategy known as critical theory that is working against us.
And what it leads to is what the cultural Marxists called cultural pessimism.
What the white audience at Saturday Night Live was doing when they cheered the suggestion of their own death and destruction is cultural pessimism.
This has been incorporated.
And this was intended by Gramsci and the cultural Marxists.
They knew you had to change the culture in bourgeois democracies before you could have a true Marxist reordering of society.
That's what they're planning to do.
Now, in France, they are holding the line.
They're doing what they ought to do, which is we're going to have no discrimination, no tolerance for discrimination from any group against another.
Unfortunately, in America and in Germany and in England and in a lot of other nations in the Western world, Australia, it's okay to discriminate against white people, but not against non-white people.
That is what Jamie Foxx would call whack.
That is crazy.
White people who predominate in these societies in terms of their numbers, whose ancestors were the founders of these nations, now find themselves shut out of the action.
We're not even allowed, apparently, to win beauty contests without a hue and cry and creation of a big hubbub, which has a chilling effect on the judges and on the pageant.
And they will undoubtedly find themselves compelled to elevate some undeserving non-white person as a winner of the contest sometime in the near future.
That's the intention of the left.
And America in particular needs to take a lesson from the French and how they handle this type of situation.
Well, we'll see how well they handle it in future pageants.
But to offer you another side of the coin, Keith, if this pageant had not allowed black contestants to enter simply because they were black, then, okay, maybe this organization has a right to gripe.
Okay?
That wasn't the case.
They're griping simply because a black didn't win, whether they deserved it or not.
If they didn't win, so it had to be racism at play there.
They couldn't possibly lose because they weren't the most beautiful contestant.
And it's not just graded on beauty.
You know, they ask them questions and this, that, and the other.
But could you imagine, try this on for size.
Again, no media outlet in the world is going to touch this and say, you know what, that's utterly ridiculous.
There has got to be some accountability in the black community.
You know, they do themselves a disservice by acting this way, by acting like spoiled children.
That is exactly what this group is acting like.
Could you imagine a white group, Keith, existing in, let's say, Angola or Nigeria.
And then, you know, you're there and a black woman wins Miss Angola.
And then a white group in Africa complains that, you know, there weren't 98% of the Angolan pageant were white and that a white person didn't win Miss Angola.
I mean, that would never happen.
But if it did, what would the reaction be?
Well, there'd be a lot more basis for that type of dissent than from what we normally, from what we have in this Miss France situation, because let's just use common sense here.
When a black athlete or a black person succeeds and gets wealthy, what is one of the first things that the male black person typically does?
They go out and get themselves a white girlfriend.
They're choosing the white contestant over the black contestant in real life.
Why do you think that in a beauty contest you would get a different result?
You know, these people are belied by their own actions.
We've got to take a break, folks.
But two more hours forthcoming tonight, including the third and final, where we offer you exclusive opinion analysis and commentary on the horrific tragedy in Connecticut.
Stay tuned for that and much more.
He fell to his knees to plead and beg, and the squirrel ran out of his bitch's leg unobserved to the other side of the room.