Exposing Chinafornia: Wildfires, Smart Cities, and the Art of Survival with Christopher Key
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In life's journey, we wrestle to understand truth.
There's a big world out there, and everyone's on their own personal journey, seeking their own truth.
Sometimes we take things too personal.
Journalists should strive to be accurate and fair, honest and courageous, gathering information for everyone to make good decisions for themselves, friends, and family.
Most people are of the opinion that we have been lied to for much too long, and that the sources we've listened to for so many years have been manipulated.
Simply put, we are living in a Truman show.
Our mission is to look for truth and expose the lies.
Thanks for joining us today.
This is the Christopher Key Show.
Wake up or wake up, guys.
Christ?
Christopher Key here with the Christopher Key Show.
I made it to China Fornia.
Here in what city am I in here?
Sherman Oaks.
Sherman Oaks, China Fornia.
I hadn't been back here since the act of war happened where they burned down the Palisades, Beverly Hills.
Where else did they burn down?
West Hollywood, Hollywood, Palmdale, Simi Valley.
Anywhere they could start a fire deliberately.
And they did.
Again, this was not an act of God.
This was an act of war.
And what I'm seeing here is this was a land grab where they're going to build their smart cities where you're going to have nothing and be happy.
And that's not going to happen.
We're going to try to build what we call God communities that we call home., where we're completely, totally off the grid.
We're all self-sufficient.
It's all about bringing people together of God, for God and with God, where we've got our cows, our goats, we've got all our fruits and vegetables that are completely organic, not manufactured by Monsanto or Hell Gates, I mean Bill Gates.
But again, this is China Fornia.
Do you like your governor?
He's the worst.
But anyway.
He should be arrested and off the streets.
This is China Fornia and I loved California.
I used to try to come here and visit because it's beautiful beaches, unbelievable mountains.
Yes.
And I don't know how.
How you guys got so out of control because I thought for sure if anyone, you guys were always so progressive and on top of everything and then you guys are back crazy, you know, we'll talk about that.
But again, one of the things I've tried to show is don't keep your money in the bank, okay?
And we're always trying to find ways to protect ourselves.
I believe in gold and silver tremendously.
I've made some very good investments in Bitcoin.
There's many different things out there.
I believe a potential crash is coming and I've learned a little about art.
I don't know anything about art, but I was able to go the other day to Sir, what was the guy's name again?
Brett Livingston Strong.
Serve Brett Livingston Strong and see this Michael Jackson collection, which I thought was incredibly beautiful.
But again, I don't know anything about art.
I know absolutely nothing about art.
And what I have learned about art is that art is worth whatever someone will pay for it.
Absolutely.
And I don't know whether Michael has sown any art.
I'm getting told separate stories or whatnot.
And I'm trying to bring all this together because there was something in Time magazine that did you know he was an artist?
That Michael was?
Yeah.
I knew that he started painting a little bit of art, but he wasn't really an artist.
He was basically a singer who liked to paint.
Well, the things I saw was very interesting.
And if we've got time, I'd like, since you know more about art, I'd like for us to go back over there possibly and look into it.
Sure.
But that being said, there's an art collection here today that we're going to show you that this man got involved with and it looks beautiful and we're going to show you all that.
And this may be something that you guys may want to invest in yourself because again, the pandemic is coming.
This is about mass eugenics.
They do not like you and they sure as hell don't like me.
I don't know if they like you or not, but they sure as hell don't like me.
And they only need 500 million to operate this.
And that means 6.5 billion.
Flat Earth Dave says it's only 3.5 billion because he doesn't believe there's that many people left on the planet.
And who knows?
I don't know if you answered the census or not, but I never do.
So how do we know how many people we have here on this planet?
But this is pure evil, like the nth degree.
And one of the reasons why I came here to California is because of the pedophilia.
Hollywood is rampant with pedophilia.
I'm hoping to be meeting with Corey Feldman, who put out a video about Charlie Sheen and himself and the other Corey that was that was molested by Charlie.
And again, I don't know if it's true or not, but I do know that pedophilia is running rapid in Hollywood and all over the country.
It's just not Hollywood.
It's everywhere.
This is one of the things that these people in Congress and Senate love to do.
They love to have sex with children.
And I think that's disgusting.
And you people don't want to believe it.
I don't want to believe it, okay?
But the truth is there for those who want to see it.
And I tell people, do not believe anything I tell you.
Do what the Lord commands you to do.
And that is test and prove all things.
And I promise if you do that, He will show you the truth.
The truth shall make you free.
We're going to show you today about art.
And this man is going to educate me about art because I don't have a clue about art.
But I'm seeing some beautiful things here.
And hopefully, he can educate you.
about art too.
So we're going to go to commercial break and we'll be right back after this.
Christopher Key here with the Christopher Key show.
This product right here called Masterpiece, I believe it's a miracle.
This product right here is why I believe Dr. Robert Young is in prison right now.
This product right here is like nothing I've ever seen.
I've looked over the randomized double-glaw placebo studies.
I've looked over study after study after study.
And if you have myocarditis, if you've had a stroke, a heart attack, if you've got taken the vaccine, if you've got the bioweapon inside your temple, if you have the nanobots, the nanoparticles.
If you have the mercury, the aluminum, I believe, and it's my personal opinion, that this product right here, the masterpiece, is a miracle.
This product is like nothing I've ever seen.
If you go to my website, christiskey.life, christiskey.life, if you hit shop, you go down there and you find the masterpiece and you want this product to detoxify your temple.
You can't go preach God's word if you don't take care of your temple.
Masterpiece is a miracle.
Love you.
God bless.
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Okay, I'm here in China, Sherman Oaks.
And last time I was going to the where do the Kardashians live?
Where is that at?
Calabasas.
Calabasas.
And I got in front of a dump trunk and almost got beaten up, as you guys remember, because they were taking all the toxic chemicals and dumping them there in Calabasas.
And someone got pissed and the Kardashians was one of them.
Thank God some people woke up and realized that they are poisoning.
And you guys don't realize Ground Zero, which was not a terrorist in a cave named Osama bin Laden.
That just didn't happen, okay?
There was no way he was able to get the Pentagon to stand down.
But anyway, that was an act of war where they disintegrated those buildings and most of those respondentsers are dead.
Yes.
Okay?
They're dead because of the toxic chemicals that radiated into their body.
And that's why I came out here to Calabasas and came out here to Malibu to help you guys comprehend that they are killing you.
And those people that if they do not detoxify from being there, when people don't realize this and I showed you guys when I went in there, we had the army dressed in tazmat suits.
And when I asked them why they wouldn't answer.
And then when I asked them about Adou, they turned around and walked away.
when I did ask the guys in military uniform, did they know about a dune?
They all said yes.
And you guys saw the blue that I showed you guys, where the blue buildings didn't burn.
I had these blue chairs in the middle of everything.
And Zach, I want you to show that again.
Blue chairs all over the place, not burning.
Everything is disintegrating.
The one that was a little priceless when I went in and we had those two buildings completely annihilated and it had all the green grass.
It had a shrub that was 100 yards long, eight feet high.
And the houses that was right up next to it within a a foot were annihilated, but the green shrub was completely green, you know, and it was crazy.
And it's so important for you.
guys to take care of your temple, to detoxify, and to take care of your money, because I tell people, gun, gold, and God.
And now I'm looking at art.
So can you introduce yourself, tell everybody who you are, and how did you get involved with art?
So my name is David Davis.
I'm third generation Californian, and my family got me involved in art as a very young age.
We used to spend time going to museums, and my father would take me to art auctions and galleries, and we just basically spent all the weekends dealing in art.
I met Steve Kaufman, who used to work for Andy Warhol.
He was a famous pop artist.
And Steve started painting.
And I met him in 1991, 1992 in California.
And he was selling art on Melrose in a parking lot on a Sunday afternoon.
And my father and I were shopping.
And I ran into this guy.
And he's 6'6'295 pounds.
6'6'295.
Was he a ball player?
No, he was just a huge New York Jewish boy who was just taller than anybody.
And he was unbelievable.
I mean, it's like 125 pounds more than me.
And so you sat up next to him and he was just selling art out of this parking lot on a Sunday and he was basically selling some superhero paintings.
And I thought they were really cool.
And so my dad went in the store and went shopping and I'm figuring out which one I want.
So my dad comes out forty minutes later and he says, Have you figured out which one you want?
And I said, No, I'm not sure yet.
So then my dad says, I'm going to go to one more store and come back.
So he comes back fifteen minutes later and he says to Steve, Is my son bothering you?
He says, No, we're just having fun.
And my dad says, Have you figured out which one you want?
And I said, I'm just not sure yet, but I'm going to figure it out.
I called Steve a few days later and I said to Steve, Let's just do all the superheroes.
And he says, well, you really have to pick one.
And I said, no, I want to do them all.
And he said, it's going to take a really big canvas and a little bit of time.
Can you cover my cost on the paint and on the canvas?
And how old were you this time?
Late thirties.
Okay, okay.
And so I said, okay, we'll go ahead.
And you gotten you had your own art collection.
You were into art.
I had my own.
I was into art from family, but I liked Steve's work and I liked his style of painting.
So he decided to make this canvas.
I gave him the money.
We bought the canvas, he bought the paint, and he spent the next four months making this painting that is 500.
That is five feet wide, top to bottom, and ten feet across.
And it has like fifty superheroes in it.
I mean, it's a, you know, it's amazing.
We'll show it to you when we go for a walk.
It's hanging on the side of the wall.
So then he brings the piece over to where I was living, which was by Doheny and Sunset in Beverly Hills, and we can't get it in the elevator.
So he sends two guys over to Home Depot, and they come back with bubble wrap and rope, and we literally wrap up the whole painting and we have to lift it up on the side of the house to get to the top floor and bring it in through the glass and then get it on the wall.
And then as he's leaving, he says, Don't call me when you're moving, because I'm not going to lower this thing back down.
The next thing I know, we became best friends.
We spent time together.
I helped him get into all the major galleries.
And he started working twenty hours a day.
He was going to Pink's Hot Dogs on La Brea and McDonald's and all this fast food.
And within a five year period, after working for a number of years, he's 3.55 pounds?
He had three stroke and the third one killed him and he died in his forties.
So how much older was he than you?
Are you about the same age?
He was a few years older than us.
Okay.
Okay.
And so he never had a wife and he never had kids and he made a will after the first two strokes and he listed all of his assets and who he wanted it to go to.
But it wasn't really a great will.
It didn't say my name is Steve Kaufman and I'm a sound mind and body and this is my will.
It said what to do when I die.
So after he died, the family who had never been to California, they're flying out right away and they're trying to go ahead and say he died without a will and they should get everything.
Well, the seven people who were part of his wish list for a will went ahead and fought it.
Seven years, more than half a million dollars later, the judge in legal fees, the judge finally ruled that the will that he wrote out and had notarized Basically, his intent was to make it a will, and it was basically shaped a will.
Everyone got what they were supposed to get.
So someone got the Camaros, someone got the Fabrics.
So he had made a lot of money still on these paintings.
Oh, yes.
When he died, he was in 35 galleries.
He was making over half a million a year.
And he was having the time of his life and working with celebrities who would basically sign whatever edition painting it was.
So when he made a painting of David Caruso, David would come by and sign all the pieces.
When he made Muhammad Ali or Oscar de la Hoya or Bodie Miller or all these big celebrities, they would literally come by and make a whole big signing ofning of all the pieces.
But now when you met him, and then original, he really nobody knew who he was.
Nobody knew who he was.
He was basically selling stuff on Melrose, living in a studio, and he had his motorcycle and the paint inside the studio.
I mean, it smelled like noxious carfumes.
You couldn't even stay in there for very long.
And then as he got bigger and bigger, he got a bigger place, and he eventually got into 35 galleries, and he was making a fortune.
And did you help him do that or his work was just that good?
I helped him get into the galleries.
I helped him get started with the sales and make the introductions, but then his work took over as Andy Warhol's protege.
And somebody walks in who's 1,80 m.
He had a huge persona and everybody thought his art was amazing.
And if you couldn't afford a $30 million Warhol, you could afford a $30,000 Kaufman.
So it was nice and easy because it set some disparity between super expensive art that's only for the very rich and what everybody could afford.
Now, Tip Warhol, I don't know anything about Warhol.
You told me a little bit last night.
So for my listeners, explain to them who Warhol was and what is a Warhol.
So Andy Warhol was a famous painter back in the 60s.
I think he died in the early 70s.
painting almost exclusively with silk screen on canvas.
So it really wasn't even painting.
It was almost like making a screen, having something screened, and then doing just a little bit of embellishment over it.
But people fell in love with Warhol, and so pretty soon Warhols were getting massive pricing at auction for something that really had no paint.
It was basically a silk screen.
So what is a silk screen?
So a silk screen is basically when someone lays out an image and they actually have to create a screen.
And so if you want shirts made with a screen, you go ahead and send somebody an art image.
So it's a printed image.
They make it into a screen and then they take ink and they literally move the art back and forth, the ink across the screen in different colors.
So if whatever is going to be black, you'll have a black screen which will do the black.
And then if you want red in a different spot, you'll have another screen which you'll then screen the red ink.
So you could technically screen six or seven different colors one step at a time so that each screen only covered a specific area and then that ink was spread out in a screening process.
So for Steve's stuff, if it had a lot of colors, you would basically see the screening of different images.
So when Warhol was screening, he would basically do four or five sets of screens.
And he could make whatever image he wanted and then he would sign it.
But it didn't really take any talent because anyone could make a screen, but because it was a Warhol name and everybody fell in love with Warhol, it became very expensive to have a Warhol.
And how much did a Warhol?
Now, Warhol's can go anywhere from five million to thirty, forty million for one soak screen Warhol.
What Steve did was when he was working with Warhol, is he brought a lot of color into Warhol's images.
So what Steve would do is he would paint some of the backgrounds and then Warhol.
So he worked directly with him.
He was his protege.
Now this is before you met him.
Before I met him.
This was back when he was in New York.
Then Steve came to California and then he was basically doing full on paint, you know, images, usually superheroes.
And they were fully painted, nothing to do with screening.
The problem is he could only make one painting at a time.
So if you're selling ones and twos, it's very easy to make a living that way.
As Steve got more and more famous, the demand increased.
He's like, I can't just make one.
It takes too long.
I need to make additions.
So at that point, he started getting canvases and he would paint all the back backgrounds.
And then he would make a screen of the image he wanted and screen over the painted canvas so that technically no two would be alike because the painted canvas underneath the screen would be different on every piece.
So they were all kind of unique, but it was an edition.
Then what he did was he would sign each one and number each one.
So maybe the edition was fifty or seventy five or one hundred as a limited edition where it was like Beethoven, Einstein, Napoleon, Van Gogh.
He took famous people that everyone knew so he didn't have to educate you as to who the person was, he would just paint the backgrounds, do a screen, do hand embellishment over the screen, and there was your art.
So he went from painting one at a time by hand to then getting involved in screening and painting, and then later, as technology improved, he was then even getting into, he could make a digital screen print of the whole entire image, and then just do embellish over it, where he didn't even have to paint the background.
He could literally screen the entire image, and then do hand embellishment over the screen to make each one a little bit unique.
And he was making those.
And then he had his third heart attack and died in his forties.
Now, the most expensive painting that he's ever sold was how much?
His non-superheroes, some sold as high as I think 45,000 euros.
There was a Ferrari Enzo Museum in Italy, and some of his uniques, which was an addition of 10 or less, were getting 40, 45,000 euros.
How much is that?
At that point in dollars, it was maybe 58, 60,000 dollars.
Okay, wow.
The superhero paintings, which are the one of a kinds, some of them have sold for up to 100,000, and that would be ones that were also signed by Stan Lee.
As Steve became more and more famous and was working with gang kids and troubled kids and kids who had been in the prison system, when they came out, nobody would really hire these kids.
So Steve kind of made it his mission to give kids a break and give kids a break.
But he would hire these kids out of jail.
He would hire the kids coming out of jail.
To help him paint or what?
To help him paint, to help him do the screen, to help him frame the canvas.
Basically, it's people to work with him.
But when you're 6'6 and the kids are coming out are 5'5 to 5'9, nobody was ever going to hassle Steve because he could throw you 15 feet if you wanted.
So he felt very, very safe.
So Steve was working with these kids And Stan Lee liked the fact that Steve was giving kids a chance and how did Stan Lee find out about this?
I don't remember if Steve called up Stan Lee because he loved him and thought he was amazing.
Stan Lee living here in California?
Stan Lee lived not even three miles from where Steve was.
Okay, okay.
So I'm not sure if So somehow they ran into exactly.
They met, it might have been at a comic convention where Steve went up to Stan.
Right.
And then Stan came by the studio, saw Steve's work, saw all the kids, and they took an instant liking.
Then they started working on collaborations where Steve would and Stan would take multiple caricatures of the superheroes, maybe a DC comic guy and a Marvel comic guy and they would kind of put them together as either enemies fighting or friends fighting the bad guys together and so Steve and Stan started collaborating on different images and made about 80 81 one of a kind superhero paintings which were signed by Steve of course because he was the main artist and
Stan because it was his collaboration his idea and his caricatures that he was the one who created through Marvel comics so everything that was basically the one-offs of superheroes was done with Steve and Stan and so what makes those very unique is those are hand-painted originals instead of things that are painted and screened and embellished or basically just screened.
This was like the cream of the crop, the best stuff.
And how many of those do you have physically?
I have 82, 83 pieces because some are called diptics where Steve would basically do two canvases that were meant to be kind of put side by side.
So it's two separate art pieces, but I call it one piece because it's really like one piece cut in half with two pieces that kind of belong together as a set.
He probably made maybe 100 or 120 all together and then sold them over the years and I have a collection of probably 80 of what's left over.
80, those I know they're all different prices and people go to your website to get the exact price, but they range from prices from what to what?
Somewhere around between 100,000 and each one comes with a digital animated NFT and the NFT.
NFT, what's an NFT?
So they're non fungible tokens as the legal name, but it's basically like a certificate of authenticity that shows that you own the piece.
So it's they made a group of people made these NFTs in a sense.
So like if it's correlating with the Spiderman painting, you will see the NFT digitally moving where Spiderman is flying through the air.
And if it's Johnny Storm from the Fantastic Four, you will actually see him flaming on and flaming off.
On the painting?
On the NFT.
So the NFT are literally 30 seconds digital animated image that you get.
That you get with the painting that you buy.
Is it like a coin or something?
Is it a piece of paper?
Is it an email or what is it?
I'm sorry.
You get it where you basically can download it to a wallet, like a crypto type of thing.
it is a one-off and it's numbered and it's registered that correlates with that painting.
At that point, the person could keep the painting and sell the NFT, or he could sell the NFT and keep the painting, but it's basically to be sold as a unit.
And so what makes them unique is there's only 80 digital animated NFTs to go with the 80 paintings.
Each one is specifically designed to mirror that painting.
And it's kind of cool to have it as a set.
And that's the current market of these pieces.
There's one piece that I have downstairs that's 60 pairs of boxing gloves.
And they're all hammered together and then Steve painted Muhammad Ali against Superman literally painted on the boxing gloves but I'm afraid to hammer it into a wall because even if you find the stud, it has to weigh about 250 or 300 pounds, 60 pairs of gloves hammered into this huge backboard, and you can't even lift it without three people.
So you're afraid to put it on the wall.
So it's leaning up against the wall in the garage.
Now, there's one painting that you have of Muhammad Ali that is in a camera, acrylic, that you're looking for someone here in California, and it's very affordable.
So you can talk about that real quick.
Yes.
So Steve has audition that he did with Muhammad Ali with probably, I think, it's 75 of each.
There's two images.
One is called Muhammad Ali, the Olympic G collection and that was for when Muhammad Ali was in the Olympics.
And they're all signed Muhammad Ali AKA Cassius Clay because that's the name he went by when he was in the Olympics.
The other one is called chronology and that's all of the fights that Muhammad Ali fought and it shows if he won or he lost and part of it is screened on the side of the painting so you see the whole chronology of all the paintings.
So there's two different ones and Muhammad Ali came to the studio, signed them all.
I have pictures of them all.
was actually there when Muhammad Ali was signing them and have pictures with me and Muhammad Ali and Stephen Muhammad Ali, and it's really fun.
There's probably about 10 or 12 left of each image.
Recently, somebody brought over one of the images, but he spent $1,400, $1,500, and he had it encased in acrylic.
And so I know people that would like to buy it, but they're not in California.
And if you ship 70 pounds of acrylic, UPS is definitely going to drop it.
So somewhere along the line, I'm afraid to ship it because if it gets cracked, you've now just ruined the whole idea of the piece.
But but there is this one piece where it's actually the piece is in a 4 inch acrylic frame it just makes it weigh a lot and it's just very fragile so i need to find a california buyer preferably within 100 square miles because I don't want to wrap it, I don't want to ship it, I don't want to take it anywhere.
I just want it nice and safe.
And how much is that one painting right now?
It's worth, without the acrylic enclosure, somewhere between 8,000 and 12,000.
This person who wants to sell it, who basically needs money, he's willing to sell the acrylic version for less than 5,000, and 1,500 of it is what it costs for the frame.
Oh, wow.
So you're talking about getting the painting for 3,500.
These paintings were selling for over 10,000 when Steve died in 2010.
After Steve died, the price went up.
But during COVID, a lot of art and other tangible began to go down in value.
So the piece is now back to a little higher than what it was when Steve died in 2010.
But with the proper marketing, like we're planning on it, our hope is to get the prices back up from the 2010 price back to what they should be in 2025.
So right now, if someone in California wanted and that lives within 100 miles, what would they pay for that painting right now?
Depending on if they're buying a number of pieces, if they're in the gallery.
They're not a one painting.
And they're not a gallery, they're just a person.
I'll get it to him for less than five grand and we'll be friends for life.
Love it, love it.
Mama Ali is coming on the show next week.
I got to meet Muhammad Ali's second wife at the Super Bow here in LA.
Beautiful so.
This woman right here, there's stories I can tell you that Muhammad Ali's second wife told me that would blow your mind.
I mean, it's unbelievable.
And you guys, she's going to tell that on the show next week.
Her book has come out now and the things that she told me, I couldn't relate to you guys.
And we're going to sit down with her and go over that.
We have to go to commercial break.
When we come back, we're going to go through and look at everything.
But I but I want to really go over what makes a painting valuable.
Okay.
So if you can kind of break that down for us on what makes these paintings valuable and we'll be right back after this.
Christopher Key here with the Christopher Key show.
This product right here called Masterpiece, I believe it's a miracle.
This product right here is why I believe Dr. Robert Young is in prison right now.
This product right here is like nothing I've ever seen.
I've looked over the randomized double guan placebo studies.
I've looked over study after study after study.
And if you have myocarditis, if you've had a stroke, a heart attack, if you've got taken the vaccine, if you've got the bioweapon inside your temple, if you have the nanobots, the nanoparticles, if you have the mercury, the aluminum.
I believe, and it's my personal opinion, that this product right here, Masterpiece, is a miracle.
This product is like nothing I've ever seen.
If you go to my website, christiskey.life, christiskey.life, if you hit shop, you go down there and you find the Masterpiece and you want this product to detoxify your temple.
You can't go preach God's word if you don't take care of your temple.
Masterpiece is a miracle.
Love you.
God bless.
Love you.
God bless.
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What is the case?
Real quick, uh, before I show you all the art and everything around here, um, you know, like I went and saw those Michael Jackson paintings and they look beautiful to me and, you know, I don't know anything about art and what what makes a painting valuable?
What what gives it value?
So number one is really the artist.
Some artists, if they promoted themselves and marketed themselves well, you're buying an art.
You're buying it from who the artist is.
So you can have a painting that's amazing, but if nobody knows who you are.
If you don't know who you are, you're not going to be worth as much as a really average painting by somebody who's famous.
So if it is an Andy Warhol, you're going to get a greater value because it's an Andy Warhol, even if it's not a great painting, versus if Steve Coffin painted something that's much better than the Warhol, but he's not as famous as Warhol, the painting is worth less.
Now from Steve's personal collection, like everything else in life, the bigger the painting, the better.
It took more time to make, there's more canvas, there's more paint, there's more energy.
So the bigger the piece, the more time it took, the more valuable it is.
The second thing is the addition.
Is it an addition of 100 pieces?
Is it an addition of 50?
Is it a one off one of a kind?
So the less amount of pieces that are out there in the addition, the more valuable.
So Steve has additions in some things of 200, and they would fall into price X. And then if it's an addition of 100, the price is higher.
If it's an addition of 10, the price is higher.
And if it's a one of a kind, then the price is at the highest level.
So you're talking about scarcity, limited edition, and size, and who the artist is.
So if it's a Rembrandt or a Van Gogh or something that was done in the 1500s, 1400s, 1600s, those are very, very rare, very expensive, and they consider those the masters.
Whereas today's artists tend to knock out pieces by the hundreds, and so as they continue to make more and more, the price goes lower and lower because they're still overproducing.
And so you want to find somebody, preferably, who is just starting to paint, who's 75 to 80, that maybe is going to make 50 paintings, who's really good, and then when they pass, their art is now more valuable because they can't make any more, versus an artist who's 25, who
has his whole life ahead who's knocking out 10 pieces a week it's hard to put a price on his art because he's continuing to make more and more paintings and he's got another 60, 70 years to live, therefore, how do you put a value on something that someone can continue to make?
So it's really about numbers, scarcity and who the person is.
Like the really malleat, they can go in and spend a crap ton of money on one piece of painting and then someone nobody did it, then all that's going to do is push up the value of the other things that that person did, right?
Yes, absolutely.
Does that happen?
There are certain auctions where if a guy only has, let's just say, eight or nine paintings that he's made and you get an auction price that's at a very, very high level, it then sets the value for the other eight or nine pieces.
As long as the next piece doesn't sell for a very, very low level, now you've gone ahead and you've got conflicting auction values.
So you really have to figure out what the piece is worth.
Most people that I sell to, I tell them to buy what you like.
The odds are things go up with inflation like everything else.
So what you spend for ten thousand today, it's going to go to twelve thousand next year and then it's going to go to fourteen thousand and it should move fifteen percent to twenty percent a year as long as you're buying very good quality art.
Especially since the artist is deceased and they're no longer making more versus if you go to auction for somebody who's twenty five, you could buy something.
and a year later, if that artist produced another thirty pieces, it could go down ten or fifteen percent because now there's just more of his art flooding the market.
And like anything else, the more that's out there, the less valuable it is.
Well, and that's why, you know, I love Michael Jackson.
And I have to bring this, and Michael Jackson was, I believe, one of the greatest pop stars there was.
I had no idea he did art.
I went over there yesterday, met with Sir, what's his name?
Brett.
Sir Brett.
I'm sorry, I'm terrible with names.
And what I saw, and again, I'm not an artist, but what I saw looked amazing.
And if he did all this himself, and it's all in authentic and all him doing this, would that not be valuable or no?
Michael Jackson was really known as a singer.
Right.
So if you found some lyrics to a song that he never produced, that would really be amazing because everybody knows Michael as a singer.
As far as his art goes, I don't think that his art really had auction value to actually set a price.
So I don't know what it's worth.
I've seen some places where they have Michael Jackson signed memorabilia.
It gets 3,000, 5,000, 10,000.
It's hard to tell what a Michael Jackson painting is worth.
My thought is, and I've told this to Brett, get one of the paintings, get it to Christie's, get it to Sotherby's, have an auction.
Once it's sold, you will now know technically what the other pieces are worth.
Because you can't set a price just because you think it's worth something, you have to find out what there's other things selling for.
I don't know of one piece of Michael's that has sold at an auction, so I can't basically value as to what it's worth.
Now the guy we were talking about at the very beginning that was the understudy to your guy.
Tell me his name again, though.
Andy Warhol was, I went and saw a painting and I got paperwork and whatnot that said this was a Warhol that was done at Mellon Monroe where Warhol did it and Michael Jackson did it and they were both signed and supposedly there was a Warhol auctioneer that came in and evaluated this and whatnot.
And it was interesting.
I don't know.
I thought it was amazing to be able to because I was told that from Sir Brett that Michael's true love was art.
His father was an artist and he loved art, but his father wouldn't let him do art or let him do art, but he wouldn't, you know, he wanted to to to to to to to make the money.
Right.
You know, so it's very interesting.
The whole situation is sad.
But with Warhol, what's the deal with the Campbell Soup?
So Warhol was very, very famous for doing things that were Campbell Soup related, Marilyn related, and Mickey Mouse.
He was taking already pre-established icons that everybody knew, and he was capitalizing on that market figuring, I don't have to teach you and explain to you who these people are.
I can create them and paint them, and everybody will already know who they are.
That makes sense.
So with the Warhol that you were talking about with Michael, I'd have to sit here and do some numeric calculations.
But if Warhol died, I think it was 72 or or 74.
Michael might have been born maybe 1960, which means Michael might have been 12 to 14.
So I have to calculate and figure out how old Michael was when Warhol died.
So if there is this Maryland piece that is supposed to be with Warhol and Michael, that means either Warhol did the whole thing and Michael might have signed it later, but I can't imagine Michael working with Warhol when Michael was 12 to 14.
I mean, he was probably just still in school and was just launching his singing career.
Well, what Brett told me was that Warhol came in and Michael was trying to learn from him.
I don't know, was there a relationship with Sir Brett and Warhol at all?
I mean, I don't know.
Not that I know of.
But again, I'm just doing from a numerical computation of ages.
Right.
I don't know what Warhol, who would have been, who passed in, you know, in the seventies, what he would have been doing.
I mean, it makes sense.
With twelve or fourteen year old Michael.
I mean, Michael at that point was basically singing with the Jackson Five group.
But again, he had a love for art and, you know, somehow or another, he was famous.
I mean, he was a famous kid, so Warhol would put, you know, again, artists love things.
It's possible.
You know, but the whole thing is very interesting.
So what I want to do now is have you walk around and so we can see these.
But if anyone right now wants to go to your website and see all these catalogs of everything, because everything in this home is cataloged.
90 percent?
Okay, where did they go?
So the website is Steve Kaufman K A U F M A N Pop P O P Art A R T com Steve Kaufman Pop Art.
Okay, one of the things we didn't cover, because you talked about the will and everything, but you didn't say you were in the will.
So how did you get this art?
So I was in the will.
You were in the will, yeah.
I was his best friend.
Okay.
Somebody got the Harley Davidson, somebody got the Camaro's, somebody got his jewelry, somebody got his comics, somebody got his studio, and I got 2,500 paintings.
And I had about 400 before that, so then I had close to 3,000 paintings.
Really?
And he died how many years ago now?
2010, 15.
Oh, wow.
Wow.
So his father.
Nobody knows how how 15 years went by.
Wow.
So he died about the same time as Michael did, because Michael's been dead about 16, 17 years.
Yeah.
Wow.
Okay, so guys, what we're going to do now is we're going to walk you through and show you.
these paintings.
And I'm going to get David to explain to each and every one of them.
We're not going to go through all of them, but some of the major ones.
The De La Hoya.
How did he get there?
Isn't there a De La Hoya out there?
There was one that was signed by De La Hoya.
Okay.
How did that happen?
I think with the De La Hoya ones, Steve would go to different boxing events and different charity events.
And he would paint in the.
And he would go to the celebrities.
And he would say, hey, he'd call up some of the celebrities and say, listen, I really want to work with you.
If I paint an edition, will you come and sign them?
And I'll give you a couple.
Or I'll give your charity a couple.
And they would think it was amazing to to work with Steve who was working with kids and giving back to the community.
And so Steve could basically get in the door to work with every celebrity he could think of.
He was doing Andrew Dice Clay.
He was doing Leonardo DiCaprio.
He was doing stuff with Bill Clinton.
He was working with Stan Lee.
He was working with all these singers.
So he had built a really good relationship here in Hollywood.
Yes.
Everyone knew who he was because he used to work with Warhol.
He was very personal.
And he would always give a portion of all of his sales to kids' charities.
So all the celebrities loved working with him because they knew he was giving back.
Okay.
What caused it?
Was he depressed?
Why did he start eating all this fast food and gaining all this weight and having to work?
Workaholic.
Workaholic.
No, he didn't smoke, didn't drink, didn't do drugs.
Fast food was his drug.
He was going to bed at two in the morning and waking up at six.
And just painting all day.
It was all fast food and cokes and sodas and, you know, cream sodas and root beers and that was it.
Again, the cholesterol 575.
Well, and that's like the Walking Dead.
Well, not really, again, I'm not a medical doctor.
I never practiced medicine without a license, but again, that may be a little hard, but again, these cholesterol medications is a croc.
Cholesterol is a croc.
You have to have cholesterol.
The only way to make testosterone is cholesterol.
Your brain is cholesterol.
And sadly, every five years that they raise that cholesterol number higher thanigher and higher and higher because they want every single one of you on these medications because again, the last thing they want is real men.
They don't want real men.
We real men stand up to this tyranny.
They want these feminine men, these training men, and this is wrong and that's my opinion.
And if we had our men be real men, this country and this world would not be in the predicament we're in.
But they've done this by design with all these estrogen mimicers that are in the water, the food, the air, and this man died.
And it's very sad.
So guys, please, you can't go preach God's word if you don't take care of your temple.
I got this man some of our products, so he's gonna give it a try.
You're gonna give it an honest try for 90 days and we're gonna see.
So again, guys, please, if you want to get and support what we do, KNN dot world, not CNN.
Don't be a lip tart and go to KNN.
It's key news network dot world.
Spell it WORLD.
Don't be LD and go to dot org or dot com or dot IN FO KNN dot world.
So we're gonna walk around now, brother.
Okay.
Yep.
So this piece is on the cover of some of Steve's books.
It's basically called Greatest American Icons.
And what's really cool about this almost all of Steve's paintings is you don't have to explain what each item is.
So you have Ben and Jerry's and Campbell's Soup, Marilyn, Harley Davidson, Mickey Mouse, Coca-Cola, Red Bull and Starbucks.
Everyone knows these icons, everyone knows who these images are, and so Steve kind of made like a spoof, kind of putting it all together in a collage.
Beautiful.
So this one is one of my favorite pieces.
It's called Pretty for the Press.
It is a takeoff on Roy Lichtenstein's Pretty to the Press.
Roy Lichtenstein's piece, I think, went for over sixty million dollars.
You pay 60 million dollars for a piece that was only a screen.
It's not even nearly as good.
There's no paint.
It's just a regular screen print that goes for 60 million.
Steve's piece is full of paint.
It's much better.
It's much more vibrant.
It's all done by hand.
And this piece probably retails between 35,000 and 40,000 versus one that's 60 million.
For a piece that is actually better than the one that is the Leroy Liechtenstein, but you're paying for what is, quote, a Liechtenstein versus one that's Steve Kaufman.
Is this the stencil stuff that you talked about?
No, this is all paint.
This is all paint.
So this is paint.
So this is He painted every bit of this himself.
Yes.
Now, it's the same image that Roy Liechtenstein did.
Steve just went ahead and saw the Liechtenstein image and said, I can paint that.
And better.
And so, and better.
So Steve painted what was someone else's image, just did a much better job.
Wow.
Everyone knows I love crystals.
God spoke when we were.
Everything is frequencies.
What made you get into crystals here, brother?
Started when I was a kid and I went to a lapidary and they basically sell you geodes.
and then you get to cut them in half.
And so what's really cool is you don't know what's inside.
But after I had a couple of geodes and I saw what was going on, I could look on the outside of the rock and tell you what was inside, which made it a lot of fun.
So the guy in the store is sitting here with my dad and I said, Well, dad, this one's going to be amethyst.
And the guy in the store's kind of looking at me, he's kind of laughing.
And I said, I know, I know what it is.
He said, It's purple, it's amethyst.
I just know.
So he says, Okay, I'll make you a bet.
If it's not amethyst, then you pay for that one and you have to buy another.
And if it's the amethyst, it's free.
I said, Okay.
So my dad's looking at me smiling.
He cut it open, it was amethyst.
So then he says, Shoot, and he kind of got upset.
So I picked up another one and I said, Oh, this one's blue lace agate.
And the guy says, How do you know this?
And I said, I know.
And he says, Okay, same deal.
If it isn't, you buy.
I did this three times in one day.
And the guy's like, Oh my God, don't bring your son around.
So pretty soon I knew what was in all the crystals, I could see them, I could feel them, I could look at the back, I would check for certain things.
And I got involved in crystals.
And this collection spans a whole lifetime.
So how could you not mention the ones.
But how could you know what was inside there?
If you're looking at the back of it and you can see little bits of like an agate type of a color, whether it's gray or blue or an off yellow, you knew it wasn't going to be like an amethyst.
But if you can see a little bit of like a hollow sound to it, if you hit it, then you know it's more of a crystal formation versus a solid formation.
So I was picking up things, sometimes even the weight.
If they're both the same size and one is weighing more, then one's going to be solid on the inside and one's going to be hollow.
Okay.
But I was like 12 or 11, so the guy's looking at me like this.
He doesn't know anything.
This is a what?
I'm going to try to put the lights on it for one second, but they're.
They're all wands that were done by a crystal smith who I met who was in Tahanga.
Oh wow.
And I saw one of his wands at a rock and gem show and I wanted him to then make me one.
And he said to me, I won't make you one, but if you want to come to my lapidary in Tahanga, I will work with you and we can make one together.
And I said, Okay, so then I literally went down there and we had to make the clear quartz tubing, the distilled water so there's no algae.
We did all of the silver work, we did all of the cabochons, we tumbled all the centerpieces.
We made the headstone and then the next thing I know I was hooked.
And so each one of these was a three to four month process going every two or three weekends down to Tonga.
So this collection was about five years in the making.
Wow.
First I had a showcase that was only holding eight.
And then I said, I'm done.
Then it was twelve and I said, I'm done.
Then sixteen.
I kept replacing the showcases.
Yes.
So I kept, as the collection increased, I kept replacing the showcases.
Love it, love it.
So this painting is obviously Jimi Hendrix.
Once again, this is all hand painted.
I think Steve did three or four versions of the same piece where each one is painted with different colors.
The hair will be a little different, the jacket will be a little different, but these are what are considered unic kind of unique pieces.
But if you just look at it, it's absolutely beautiful.
I think it's one of the best Hendrix pieces there is, and this piece probably sells for 25,000 to 30,000.
Beautiful.
I mean, this was like Oceans Eleven, right?
Okay, so I mean, I could talk about this one, but I'm just trying to make sure it doesn't was a takeoff from the movie Oceans Eleven.
2011 with Frank Sinatra, Samuel Davis Jr., Dean Martin, Angie Dickinson.
This is all done by hand.
And so if you have it under amazing light and it's kind of on an angle, if I pivot it a little bit and you can see it, you can see all the detail in the painting.
Wow.
The hair, the skin, the colors.
Beautiful.
I mean, there are artists whose paintings sell for hundreds of thousands that don't paint nearly as good as Steve, but because Steve did a lot of painting, this probably sells for thirty to forty thousand.
Wow.
So this is the acrylic right here, right?
This is the Muhammad Ali.
It's inside acrylic.
It's signed by Muhammad Ali in the front.
They're all signed by Steve Kaufman in the back.
And so first with this one was Steve painting the background.
Then there's a screen print of Muhammad Ali.
The paint comes through the background because the screen went on top of the paint.
And then Steve hand embellished on top of the screen.
Wow.
And so they're all signed and numbered.
This one just happens to be really cool because it's inside acrylic.
And this one in the acrylic, they get the acrylic and the painting for how much?
They can get it for under 5,000, just this one.
If they live within 100 miles of your family.
Just because I don't want to ship it.
This was done for the big fight that was done at the MGM hotel.
So this is when De La Hoya did a fight with Vargas.
MGM and Steve had a deal where Steve was going to make fifty of these.
De La Hoya was going to sign them all and they were going to give away, I think, thirty of them to high rollers who came to Vegas for the show and just give them as gifts.
And so Steve kept about five or ten of them.
Thirty of them were given away for gifts and ten of them were already sold.
I think there's two left.
They were probably in the neighborhood of around ten thousand to twelve thousand and that would have been two thousand four, two thousand five.
2005 prices.
So they're really cool with the punching bag and the glove and they're all signed by De La Hoya.
Beautiful.
This is another Muhammad Ali.
Do we want to show this one or no?
Yeah.
So this is one of the Muhammad Ali paintings from his Olympic collection.
So it's signed in the center, Muhammad Ali AKA Cassius Clay.
Each one of these is signed and numbered.
And so this one says it's six out of 25, signed by Steve.
And this is really cool because this was when Ali was in the Olympics and he used to go by the name Cassius Clay.
And so this is his jacket and his seams from when he was getting ready for the Olympics.
And that was, you know, back in the 80s.
So it's a fun piece.
And so this probably would sell somewhere between 12,000 and 15,000.
Galleries and friends get it for a little bit cheaper.
but there's only, I think, seven of these left over.
Oh, wow.
That's Evel Knievel, which is a great piece.
This one is another takeoff on Roy Liechtenstein.
So you've got kind of the crying girl and then part of a comic book that was done that Liechtenstein used to do, and he put it together on one piece.
This is probably four feet by eight feet in size.
It's just an absolutely amazing piece, and you're not having to pay the Roy Liechtenstein price and getting one that's even better than Roy's that's all paint at a Kaufman price.
Beautiful.
The one on top is a double Marilyn.
This one is Andy Warhol with Marilyn and Andy's famous things that he painted, which is the Campbell Soup, the Coca Cola, the Marilyn, and kind of like a Jackson Pollock, you know, under the Warhol outfit.
The uniform.
The most famous painters.
So you've got Warhol, Van Gogh, Salvador Dali, Chagall, Keith Herring, Picasso, Jasper Johns, all in one painting.
So you've got one of the most famous paintings of each one of the artists in a collage of basically artists in general, and it just kind of shows pop art as it should be.
Oh, God, this has to be the one he did for you at thirty, right?
It is.
Oh, wow.
So, hey, have you done anything like this before?
Never.
This was his biggest piece he's ever done.
This was the biggest piece he's ever done.
Yeah, and if you even read it, it says, All the world's superheroes have gotten together to save Dave.
All the world's superheroes have gotten together to save Dave.
Oh, wow.
Now, if you look at the very top dead center.
Is that you?
That's me.
I took a little liberty with the abs.
Yeah.
Oh, wow.
That's awesome, brother.
Is this one for sale?
Is this one priceless?
I guess everything has a price.
Everything is priceless but everything is for sale.
Right, right.
Oh, wow.
Here's one Dolly melting time.
This one's Van Gogh with a Mohawk.
And once again Warhol with all of his famous icons.
You've got the soup and the Coke and the Marilyn.
Beautiful.
There's Marilyn again.
Here you've got Deadpool.
Okay.
Superman.
A Marilyn collage.
Carolyn Collage, Spiderman and Venom.
It's hard to really see the size in the camera, but these things are going to be over 1,20 mm high.
Oh, wow.
This is Spiderman flying.
This is about 60 mm 60 mm.
And these are all signed by Stan Lee.
These are all Stan Lee's?
Yeah.
Or signed by him.
They're all signed by Stan.
They were all done in collaboration.
Okay, beautiful.
So like, obviously, this is Spiderman versus The Punisher.
Spiderman never fought The Punisher, but this was a really great comic book that was called The Punisherher, where they were basically doing the scene.
And then Steve basically took what was a comic book and painted it and made it his unique version of that.
Beautiful.
Go.
This one's in Bubbles, but it's really kind of cool.
It's called The fifty Greatest Fights You Never saw, which is Mike Tyson versus Muhammad Ali.
They never fought.
It's just a really cool pop art spiff because they never fought.
And so it's called The fifty Greatest Fights You Never saw, but it's just a really fun piece.
Beautiful.
How much is this one roughly?
I think retail on there is about eighteen to twenty.
So gallery price.
to be about 30% discount.
Beautiful.
Bob Marley.
This is a double Warhol.
And this is physically what Warhol looked like.
This is okay.
And how old was he when he passed?
I think he was less than seventy or seventy two.
Okay.
This is one that Steve Kaufman did.
It's really cool.
It's a Warhol quad called The Four Sides of Warhol.
Once again, Warhol loved painting Campbell's Soup, but you can see this is all painted.
All painted.
Now behind you there, that's Warhol in boxing gloves with Basquiat.
Basquiat was another famous painter.
They used to work together.
They were friends and they painted together.
And so that is a shot of the two of them.
And this man just passed.
Ozzy Osbourne.
Beautiful.
This is amazing work, brother.
Again, if people want to see your full catalog, they go exactly to where again?
It's WWW dot stevevee Kaufman KAUFMAN popartart dot com Steve Kaufman popart dot com.
Is there a phone number or something that's right there, but if you want to call me it's 310 625 2541.
I'm David.
David, what are you telling Christopher Key from the Christopher Key show sent you there and art is amazing.
This is beautiful and art's whatever you want to pay for it.
So again, in closing, anything to say, brother?
Nice to meet you.
I love you, brother.
But we'll be right back after these messages.
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Find these and much, much more and support this show.
Go to ChristisKey.life now, and thank you in advance.
Christopher Key here with the Christopher Key Show.
This product right here called Masterpiece, I believe it's a miracle.
This product right here is like nothing I've ever seen.
I've looked over the randomized double-glue placebo studies.
I've looked over study after study after study.
And if you have myocarditis, if you've had a stroke, a heart attack, if you've got taken the vaccine, if you've got the bioweapon inside your temple, if you have the nanobots, the nanoparticles, if you have the mercury, the aluminum, I believe, and it's my personal opinion, that this product right here, the masterpiece, is a miracle.
This product is like nothing I've ever seen.
If you go to my website, crisiskey.life, crisiskey.life, if you hit shop, you go down there and you find the masterpiece.
and you want this product to detoxify your temple.
You can't go preach God's word if you don't take care of your temple.
Masterpiece is a miracle.
Love you.
God bless.
Wake up or wake up guys.
Christopher Key here with the Christopher Key show.
You can't go preach God's word if you don't take care of your temple.
They're poisoning your temple with the water, the food, the supplements, the air, the frequencies.
They're poisoning everything.
And how do you take back your temple?
It's very simple.
Christopher Key believes there is no disease.
Yeah, I said that.
All there is is lack of self-communication.
When the cells quit communicating with each other, it causes inflammation.
That inflammation has many names that big pharma has called.
cancer, COVID, measles, mumps, AIDS, hepatitis.
I believe they're not real.
I believe they're inflammation.
Okay?
And all you have to do is make the cells communicate again.
And how do you do that?
Well, it starts with my pain chips, my energy chips.
Any pain you have anywhere in your body, you take these little chips, you put them where the pain is, and the pain is greatly decreased, if not gone.
You take this little cell phone chip, you put it on the back of your cell phone, your laptop, any electronic device, and it's going to help you deal with the bad frequencies better.
It's going to make the cells begin to communicate again.
Okay?
It's that simple.
Go study Royal Raymond Rife, go study Nikola Tesla.
These people knew these things.
And more importantly, you have to get rid of the toxins.
How do you get rid of the toxins?
Masterpiece.
This is a miracle.
Two hundred peer reviewed, published papers proving the Nanobots, the Nanobots, the Mercury, the Aluminium, the Snake Venom Peptides.
Yeah, there's Snake Venom Peptides in you, unfortunately, the graphene oxide, even the IP addresses, they've been able to get those to be disconnected.
Ninety days of using this product.
This is a 45-day supply.
And what you need to do right now to detox your body, go to kn dot world, not CNN, don't be a lip tart.
KnN, that's key news network dot world.
At the very top, click Masterpiece, go all the way down to the bottom., sign up.
You become an affiliate, You get paid 25% commission.
Nobody does that.
All you have to do is give us a username and a password.
Your password has to have a special character and a capital letter.
You don't have to buy any product, okay?
But I would go ahead and get two bottles because that's a 90 day supply.
But then you have to give the body the nutrients it needs to rebuild itself.
Your food is not that medicine anymore.
The medicine in the food, the food is crap now.
All around the world it's filled with pesticides, herbicides, hormones, you name it.
They're killing you with the food, okay?
So what do you do?
IGF one derived from Deer Outwood Velvet.
IGF one derived from Deer Outwood Velvet.
Building block for life.
They're killing the chickens because the chickens lay eggs.
The eggs have what's called IGF one, building block for life.
Don't believe me, ask Dr. Judy Mykavis, ask Dr. Lean Maire, ask any antiagent doctor in the world.
They will tell you if you want to stay young, if you want to slow down the aging process, you want to do synthetic HGH, human growth hormone.
I don't have anything to do with it because in synthetic, you also have to inject in your subcutaneous fat.
When you do that, your liver transfers what's called IGF one, building block for life.
Dr. Lantini has deer farms in New Zealand.
His deer, their antlers are literally the fastest growing substance on planet Earth.
They grow one inch a day.
Why do they grow so fast?
The high concentration of IGF one that's in the tip of the antlers.
He's been able to freeze drought out, put it into a lipodelivery system that his scientists invented that they patent that gives your body grow 98% absorption.
Everybody laughed, made fun of, said there's no way you're getting 98% absorption.
The patent ran out a few years ago.
Now every supplement company has half a brain is using Dr. Lantini's lipodelivery system that gives 98% absorption.
But more importantly, clinical studies to prove that they increase your IGF 1 levels by 60%.
This is a game changer.
This is why this product is banned by the NFL, the PGA, Major League Baseball, and the NCAA because it is the building block for life.
And you guys, if you go right now to KNN.
World at the very top click IGF 1.
You buy any product on the page.
You get another bottle for free.
And he's going to give you the $300,000 for free.
So if it was me and I was a man since you male a bunch of pussies because you've been feminized, you've been exercised with all the toxic chemicals, I would buy the Men's Edge.
This is going to increase your test levels by 40%.
And you're going to get another bottle, so you get two months and you're going to get the $300,000.
This is a game changer, guys.
Growth hormone costs about $4,000, $2,000 to $4,000 a month.
If you get on Men's Tea, it's costing you about $100, okay?
This right here, you're going to get for free.
And you're going to get the Men's Edge.
Unbelievable.
This is the cycle.
I do the $600,000.
That's the one that Christopher Key does.
But again, buy any product on the page, get another bottle for free, and you get the 300,000.
You women, we haven't forgotten about you.
You need the women's only product.
I would buy one, get one free.
Use coupon code 111, you get the 300,000.
This is how you take back your temple, guys.
You are the resistance.
We're being so shadow banned and whatnot, and I need you right now to know how much power you have.
Well, you can take this information you've learned today from me and you share it with one person.
One will turn to two, two will turn to four, and before you know it, six point five billion people around the world will finally comprehend the satanic Luciferian mass eugenics that is happening right here, right now, and you are the resistance.
They don't want you to know the power that you have where you can share this information.
You can help us get around the algorithms, the AI, and people will finally realize the truth.
You have to take back your temple so you can go and preach God's word.
I'm not funded by big farm or big ag.
So right now, guys, if you can make any kind of donation, it's greatly appreciated.
If you want to be a founding member, $17.76 will get you $100 with the paint chips every month, $100 with the energy chips every month, and you get access to the key report where that report is put together so that if you went to a jury trial, you would win unanimously.