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| Time | Text |
|---|---|
| Imagine my show. | |
| I'm angry. | |
| I've had enough of these people. | |
| They're a bunch of Christian murder scum. | |
| They're one giant death factory. | |
| Keep the babies alive. | |
| They're selling their body parts. | |
| What more do you need to know about these people? | |
| I don't want to face these scum. | |
| They literally crawl out from under rocks. | |
| They have queer looking skin. | |
| And they run around. | |
| new John Segasca. | |
| The Halloween Babies I have them on video Heres in a creepy with six stuff now She sleeps in the same room as a creepy with a run up It's my time, it's a hurt all over her head She's so cute | |
| Yeah, she dies And that was a portion of one of our early entries into our Jones Iver, | |
| Hillary's into creepy weird sick stuff man with a lot of people. Hillary's into creepy weird sick stuff man with a lot And that was a portion of one of our early entries into our Jones Iver, Hillary's into creepy weird sick stuff man with a lot of people. | |
| We love our Somalis cover song contest. | |
| It's got a really long title. | |
| We still haven't nailed down a really short, concise title for it, but Hugh Bannister was one of the first entries to come in that I thought was really powerful. | |
| He did a metal version. | |
| We've since got a couple hard rock and metal versions in, but his, I think, was the first, and he's the only one. | |
| That so far played all the instruments on his recording and did his own video. | |
| So now we turn to Mr. Hugh Bannister joining us from South Africa. | |
| He actually lives near London, but he's on holiday right now. | |
| But we invited him here and we're really glad to have you on, sir. | |
| And what was it like? | |
| What was your first impulse when you saw the contest? | |
| How it was going to happen? | |
| Like what made you go, man, I'm just going to do a metal version and stick it? | |
| I saw a run. | |
| One of your writers, Paul Joseph Watson, I'm a big fan of him. | |
| I saw him. | |
| He shared an article about the contest, and I was reading through it. | |
| And it was late at night, and I was like, I saw the metal. | |
| You could do it in a style of metal. | |
| And, you know, I listen to loads of metal. | |
| I play it. | |
| I'm in a couple of bands. | |
| So I thought, you know, why not give it a shot? | |
| And, you know, even if nothing comes of it, you know, I've had fun making it. | |
| I love watching the show. | |
| So it'll be a good thing to do. | |
| I've just finished my exams. | |
| I got loads of spare time. | |
| It's not like I had to sacrifice anything. | |
| I can tell you're a Paul Joseph Watson fan because you use Imagine My Shock at the beginning and you're standing in front of a map wall. | |
| That's also two telltale signs that you're a Watson fan. | |
| That was the first thing I actually thought of doing was the Imagine My Shock. | |
| It's the first thing I thought about incorporating. | |
| I had that idea with the hi-hat in my head, and then everything just followed after that. | |
| It wasn't like a clear-cut, like I've written what I was going to do out all the parts. | |
| It kind of just followed when I was recording it. | |
| I was like, oh, I was just noodling around with the guitar, and I was like, oh, that riff sounds nice, and working out the keys as I was going along, and then comparing that to the original, and also trying to make it in my own as well. | |
| To try and differentiate myself from some of the other entries. | |
| Well, that little lick, that little high lick you do before you go into the Hillary part, to me, really sells your song as like, this is a cover version, but this is my own interpretation of it. | |
| Oh, yeah. | |
| Thank you very much. | |
| Yeah, no, I thought that was one of the last things I actually put in was with the tremolo picking. | |
| I wasn't going to have that in originally. | |
| You can hear before that part, there's the clean guitar. | |
| And that had a nice delay on it, and the delay cut across to the other bar. | |
| And I was thinking to leave that in, but then I just thought I'd add that in, you know. | |
| I'm a fan of those screeching guitars, the fast guitars, so I thought, why not? | |
| And it came out nicely, so I was pretty pleased with that. | |
| Well, let's jump into the politics of this song, because it's got a lot of lyrics about Hillary, Obama, and also about the immigration crisis that's going on right now. | |
| And when you really look at what is going on in this world, I mean, you're in London, near London. | |
| What is it like for you? | |
| Are you dealing with loads of immigrants? | |
| Well, I live in Reading, which is just off London. | |
| There isn't much of a problem in Reading. | |
| I'm friends with people of all sorts of races and religions, and everyone seems to get on. | |
| But of course, there is in certain parts of the UK with certain groups of people, problems that we need to deal with. | |
| And I think the song really draws attention to those details. | |
| And I mean, ironically, the song was supposed to be almost like a hit piece. | |
| And, you know, CNN, the mainstream media came onto that. | |
| And try to use it as a hit piece for Jones, but ironically, it's flipped on its head, and this contest has really brought into the limelight some of those issues. | |
| I think it has, because it's a good song with the melodies and stuff. | |
| We had a guest on yesterday who said it wasn't too complex, but sometimes you don't need complexity, you just need to get the melody out there and get the words out there, because my kids running around singing the song, everybody in the office really likes the original song. | |
| And so I think opening it up to a whole, you know, group of people to take on and make their own versions has really been exciting and seeing all the different cover versions coming in. | |
| It's just, it's been really successful. | |
| I've been very pleased so far. | |
| Yeah, it's a cracking tune. | |
| I mean, I mean, it's simple when in the bare bones, when you look at the, when you're laying out the chords, but there's a lot of flavor you can add to it. | |
| I mean, my version, I added in some in the clean version, you know, ninths and elevenths that you wouldn't necessarily The harmonic function of the chords shouldn't work, but you can make it so it works, and it adds more flavor. | |
| Some of the other entries are great as well. | |
| I mean, a personal favorite is probably the jazz one, and that one's great. | |
| That's one of the ones where it was actually, like mine, it was properly spliced up and truly made their own. | |
| Have you seen the footage of these truckers going through the tunnel? | |
| They're about to go through the tunnel, and they kind of get backed up, and then people start breaking into the backs of the trucks, trying to jump on. | |
| I mean, how is England dealing with this migrant crisis that's going on? | |
| And then also tying that in with Brexit, do you think you'll see a drop in immigration if your leaders get their act together and actually follow through with what Brexit is supposed to be? | |
| I'm seeing reports that Brexit won't be carried out until 2019. I mean, all sorts could happen then. | |
| You could have a global financial crisis. | |
| I mean, anything could happen in that time. | |
| We live in such an unstable period. | |
| The way that this country can deal with immigration, it's not so much the numbers. | |
| Well, of course, the numbers does have something to do with it, but it's the way that we integrate these people into our society. | |
| Or don't integrate them, essentially. | |
| Yeah. | |
| Or lack of integration, I guess you could say. | |
| Yeah. | |
| I mean, some places. | |
| You can go to the UK now. | |
| And you wouldn't know it was the UK. It's not a problem because, I mean, I'm for having all sorts of cultures, but when the dominant culture is just lost and there's no identity. | |
| Yeah, what's interesting is that, you know, England's got a lot of Indians, a large Indian population from the 1800s when they were colonizing India. | |
| And it seems like the Indians came up, they learned English, they assimilated. | |
| You know, there's multi-generations of Indians living in Britain, but it seems like from these Muslim countries, they're coming in and they want to be left to their own devices. | |
| They don't want to be part of the culture. | |
| And then they want the culture to change to Sharia law. | |
| There's a lot of protests coming out about that. | |
| I got a little bit of time left. | |
| What's your advice to anybody about to enter this contest in the waning days of it? | |
| Try and do something that hasn't been done before. | |
| I mean, we've had a few metal covers. | |
| We've had a few... | |
| I'm not saying do banger or something, but just do something that no one's done before. | |
| Try and make your own video. | |
| I don't want to blow my own trumpet, but I spent the best part of 40-50 hours putting it together, splicing it. | |
| The harder you work, the better the outcome will be. | |
| Thank you for joining us, Hugh Bannister, one of our contestants in the... | |
| Jones-Ivor cover song contest. | |
| And you too can get your entry in. | |
| Send your emails to contest at InfoWars.com. | |
| Be sure you put InfoWars somewhere featured in that video. | |
| Otherwise, it's not eligible for some of that prize money. | |
| That's been Rob D. reporting for InfoWars.com and InfoWars Nightly News. | |
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