Sean Hannity Show - On The Job Podcast: A Brush with Fame Aired: 2019-06-05 Duration: 13:53 === Investing In Success (01:45) === [00:00:00] This is an iHeart podcast. [00:00:06] On the Job is brought to you by Express Employment Professionals. [00:00:11] Express Employment Professionals is a leading staffing provider that employs nearly 600,000 people annually across more than 800 franchise locations in the U.S., Canada, and South Africa. [00:00:25] Our long-term goal is at the heart of our company's mission. to help as many people as possible find good jobs by helping as many clients as possible find good people. [00:00:35] It takes more than just online searches to land a job. [00:00:39] It takes real people who will identify your talents. [00:00:42] A person invested in your success. [00:00:45] Express Employment Professionals understands what it takes to land a new position at a top employer or start a new career in today's job market. [00:00:54] Express knows jobs. [00:00:56] Get to know Express. [00:00:57] go to expresspros.com. [00:01:08] Welcome to On The Job. [00:01:10] This season we're bringing you stories about people finding their professional stride by virtue of who they know. [00:01:16] Whether it's breathing new life into an age-old profession, taking the reins in a family business, forging your own path with a new idea, or landing the perfect job doing something you'd never before even considered. [00:01:30] Avery Thompson grew up in Long Island. [00:01:32] Today he's a writer and radio producer, but his past is fraught with jobs that span the globe and made him into the person he is today. [00:01:41] He was a ski lift operator in Colorado, a line cook in Zurich. === Summer Job Hell (10:56) === [00:01:45] He's bailed hay in New Hampshire. [00:01:47] Today, a story from his early life as he pursued his dream of being a filmmaker. [00:02:00] Like most 20-year-olds, I had delusions of grandeur. [00:02:10] My particular delusion was that I was going to be a film director. [00:02:15] And not just any film director. [00:02:17] I wanted to be the next Orson Welles. [00:02:21] But with little to show besides some zany, no-budget student films, believe it or not, no studio had yet handed me a blank check. [00:02:30] So if I intended to direct my next film, I would need to fund it with my own money. [00:02:36] In other words, I needed a summer job. [00:02:47] I quit golf caddying after two days. [00:02:51] FedEx didn't think I was overnight box order material. [00:02:56] To work at the local movie theater would have been too large a slice of humble pie. [00:03:02] And so I called my friend Matt, another film buff, and complained about how the world didn't recognize my genius, how my talents were being squandered looking for a job. [00:03:15] Then Matt said, well, we can work for my brother. [00:03:19] He owns a landscaping company in the Hamptons. [00:03:23] The Hamptons, I repeated. [00:03:30] The following Monday, Matt and I talked about movies for the whole two-hour drive out to the Hamptons. [00:03:37] And as the roads gave way to leafy lanes and mansions rose above tall hedges, I knew we were exactly where I needed to be. [00:03:46] Here were the people that would change my life. [00:03:49] These people had taste, they had class, connections, but most importantly, they had the money I needed to direct my masterpiece. [00:04:00] I could already see myself smoking a cigar and yelling, action. [00:04:08] So you can imagine my shock when we pulled up to a barn and were told by Matt's brother to get in the back of a pickup truck with a bunch of weather-worn Latino men. [00:04:22] For the first few weeks, Matt and I met no celebrities. [00:04:26] We attended no parties. [00:04:29] We worked like dogs as rich old ladies eyed us suspiciously from curtained windows. [00:04:35] We dug trenches, we built fences. [00:04:39] We were told to work faster and talk about Fellini less. [00:04:45] And all the while, no one recognized the geniuses toiling in their backyard. [00:04:51] No one even brought us lemonade. [00:04:54] Despite being the future of filmmaking, Matt and I were being treated like a bunch of day laborers, except by our co-workers, day laborers, who didn't appreciate these two pale giants who talked about wide-angle lenses and stopped every now and then to drink water. [00:05:13] And worst of all, these co-workers wouldn't take us to lunch with them. [00:05:19] Instead, every day on their way to some secret Latin food layer, Matt and I would get dropped off in the village of East Hampton, quite possibly the richest, poshest town in America, where the only thing we could afford was pizza. [00:05:35] And not even good pizza. [00:05:37] Because let's face it, wasps don't know how to make pizza. [00:05:44] So every day, we ate crappy pizza. [00:05:48] And let me tell you, for a New Yorker, few things are worse. [00:05:54] But one thing sustained me that summer. [00:05:57] For all the blisters and backaches, I held out hope that it was only a matter of time before I met the right people. [00:06:06] One day Jerry Seinfeld would need a new walkway, or Robert De Niro would need his roses cut back. [00:06:13] And somehow, I figured, that would be all it took. [00:06:24] But that didn't happen. [00:06:26] As the weeks wore on, Matt and I talked at films less and less. [00:06:32] We started crying more and more. [00:06:35] And just when we thought it couldn't get any worse, we got the job from hell. [00:06:44] Our task was to paint a quarter-mile fence wedged between two strands of overgrown hollybushes. [00:06:52] Now for those of you that don't know, hollybushes have little prickly thorns. [00:06:58] And as a grown man, I don't have a problem saying that thorns really hurt. [00:07:03] So the only way that Matt and I were able to paint this fence without bloodying our backs was to jam a piece of plywood in there, lean against it, and brush just in front of us. [00:07:14] Which worked, some of the time. [00:07:22] When it didn't, if we tripped or got a little tired, then the hollybush would shove us against the fence that we had just painted. [00:07:30] And that happened a lot. [00:07:32] By lunchtime, Matt and I were covered in green paint. [00:07:37] I mean, covered, head to toe. [00:07:40] And when the truck arrived to pick us up for lunch, the Latino guys can't help themselves. [00:07:46] They slap their knees and laugh big, gold-toothed laughs right in our face. [00:07:52] And then they drop us off in the center of East Hampton. [00:08:02] We'll get back to the story in a second. [00:08:04] First, a word from Express Employment Professionals. [00:08:09] A strong work ethic takes pride in a job well done. [00:08:13] This is you. [00:08:14] But to get an honest day's work, you need a callback. [00:08:18] You need a job. [00:08:20] Express employment professionals can help. [00:08:23] We'll connect you to the right company. [00:08:25] We're committed to your success and never charge a fee to find you a job. [00:08:30] Express knows jobs. [00:08:32] Get to know Express. [00:08:33] Find your location at ExpressPros.com or on the Express Jobs app. [00:08:41] And now, back to our story. [00:08:45] Before we can even climb out of the truck, people were staring. [00:08:49] Not that I blame them. [00:08:51] We were two life-sized G.I. Joe figures. [00:08:54] And as such, our mission was to reach the public restroom to wash this paint off. [00:09:01] Except when we get there, the paint doesn't come off. [00:09:08] And I want to reiterate, we are covered. [00:09:11] Matt, who is 6'4, bore an uncanny resemblance to the Jolly Green Giant. [00:09:18] I looked more like Gumby. [00:09:22] So Matt called his brother, who informed us the paint thinner would take it right off. [00:09:28] But we were on Main Street in East Hampton, whose shops weren't exactly stocked with paint thinner. [00:09:34] So then Matt's brother says the gasoline would do the trick. [00:09:39] Yeah, gasoline. [00:09:42] So Gumby and the Jolly Green Giant go walking through a living J. Crew catalog in search of a gas station. [00:09:50] Let me tell you, being laughed at by a bunch of our day labor co-workers was one thing, but to be laughed at by people wearing boat shoes and pastel pants, that's a pain that sticks with you. [00:10:07] After a few blocks, Matt and I find a gas station, and then we start rummaging through the garbage because, obviously, we need something to put the gasoline in. [00:10:18] We find an empty Gatorade bottle beneath a rotten sandwich and then pump 30 cents of gas into it. [00:10:26] And then we pour the gas all over us. [00:10:32] And I know what you're thinking. [00:10:34] That's not a good idea. [00:10:36] But this story doesn't end with self-immolation. [00:10:40] Well, not literally. [00:10:46] Because as Matt and I stand in this parking lot, our bodies covered in a toxic smear of gasoline and paint, one of the most beautiful cars I have ever seen pulls up beside us. [00:10:59] And we look up to see a familiar face. [00:11:02] Gray beard, round glasses. [00:11:06] I'd know that face anywhere. [00:11:08] That's... that's... [00:11:09] Steven! Steven! [00:11:13] Matt yells at Steven Spielberg. [00:11:23] And Matt, who now resembles the creature from the Black Lagoon, starts running toward the car and screaming at him. [00:11:30] Stephen! [00:11:32] Stephen! [00:11:34] Now I don't know if Steven Spielberg saw us or not, but I do know that he didn't stop. [00:11:41] He kept right on going. [00:11:43] But Stephen didn't go far because down the street we see his brake lights come on. [00:11:50] Come on, Matt shouts, running back to the pump for more gas. [00:11:54] Pump more gas. [00:11:55] Stephen's getting pizza. [00:11:56] can catch him, but I don't. [00:12:05] I may have been only 20, but that summer I learned that no amount of gasoline would help Steven Spielberg or anyone else see through to the genius underneath. [00:12:18] Instead, I walked over to the little convenience store attached to the gas station, bought a Snickers bar for my lunch, and I decided, screw movies. [00:12:30] I'm going to be a writer instead. === Produced By Otis Gray (01:12) === [00:12:41] This piece was written by Avery Thompson and produced by me, Otis Gray. [00:12:46] You can find more of Avery's work at averyhompson.com. [00:12:50] We'll have a link over on our website, expresspros.com slash podcast. [00:13:17] Thanks for listening to On the Job, brought to you by Express Employment Professionals. [00:13:22] Find out more at ExpressPros.com. [00:13:24] This season of On the Job is produced by Audiation and Red Seat Ventures. [00:13:29] Our executive producer is Sandy Smollins. [00:13:32] Our producer is Otis Gray. [00:13:34] The show is mixed by Matt Noble at the loft in Bronxville, New York. [00:13:38] Find us on iHeartRadio and Apple Podcasts. [00:13:42] If you liked what you heard, please consider rating or reviewing the show on Apple Podcasts or wherever you listen. [00:13:48] We'll see you next time for more inspiring stories about discovering your life's work.