All Episodes
Previous Next
May 27, 2014 - Rush Limbaugh Program
36:51
May 27, 2014, Tuesday, Hour #2
| Copy link to current segment

Time Text
Greetings, my friends, and welcome back.
It's great to have you with us.
It's Rush Limbaugh, the EIB network and the Limbaugh Institute.
For advanced conservative studies.
Telephone number if you want to be on the program, 800 282-2882, and the email address, L Rushbow at EIBNet.com.
So the amnesty business, this illegal immigration dealing with it with amnesty is just an absolutely disastrous way of solving the problem.
It for those of you who are concerned that, and there is, folks, there's a battle for the heart and soul of America.
There is a battle for the kind of country we're going to be.
It's being waged by the people we elected in 2008 to lead this country.
They are populated.
That much is regime is populated with people who believe this country is intrinsically flawed from the founding, that this country is the problem in the world.
This country needs to be brought down a couple pegs.
The people of this country need to find out what it's like to live elsewhere in the world.
We are not legitimately a superpower.
We only became a superpower because we were able to take things from other people around the world.
We didn't build them.
We simply marched around the world and took things and impoverished people in the process.
I mean, this is what they believe, and they've I w I love America.
I wish everybody did, and I hope everybody will, but we're not there now.
We are we're dealing with a uh fairly large but still a significant minority.
We're being governed and led by a minority, which has the media on its side, which helps to create the impression that they're the majority.
And they are still in the midst of tactics, strategic tactics designed to overtake the country, hopefully with no resistance.
And the the way they can do that, secure no resistance, is to guilt their opponents into basically letting them have what they want to have and do what they want to do, under the guise that this is only fair.
And the Republicans are falling for this hook line and single.
You've got the Chamber of Commerce and the business lobby, and they see nothing but low-skilled labor, uh low-wage labor, uh, cheap labor being brought in.
Uh to do work Americans won't do, that old saw.
And that's as far as it goes.
There is no ideology as far as they're concerned.
This is this strictly dollars and cents.
And it's a shame that that's the case.
So many people associate the Republican Party with big business and capitalism, and that's not the case anymore.
It's crony socialism or crony capitalism, however you wish to define it, but it involves corporate interests getting close to whoever is in power, and having success be determined by that close proximity and that degree of support and association, rather than standing for a set of principles.
Now, conservatism is a set of principles, and I believe that the vast majority of this country still is populated by people who live those principles and raise their kids with those principles.
But a lot of them have been made to feel guilty over this constant barrage of allegations and accusations of all the rotten things that America has done to the poor and the disadvantaged, and we need to make amends.
And hello affirmative action and never-ending affirmative action if we get amnesty.
This never-ending influx of poor, uneducated, or low-educated People, the minute they get here, they immediately fall into that category, or those categories for which the left points fingers of blame at America.
America's the reason they're uneducated.
America's the reason they're poor, because of income inequality or prejudice and bigotry.
And so we need more affirmative action.
We need to shift the scales.
We need to rebalance the scales in favor of the disadvantaged.
And they all get added to whatever victim group the left wants them to be members of.
And in this way, the blame America crowd grows, and they claim to have more evidence backing up the charge that America is responsible for these poor people.
That the American dream is an illusion.
And it never was real.
It was just a freak.
Sort of like a fad for a while.
It was a quirk of fate, but that wasn't real.
What's what's happening now under Democrat rule?
That's what's normal.
We're we're defining down, and we're we're in the midst of decline that we're trying to imagine manage, and we're now calling it the new normal.
And the more poor we import, and the more uneducated we import, the greater the need for a big government to defend and protect those people from the ravages of bigotry and discrimination and racism.
That is the United States.
That's the belief system of the left.
The only way to fight that is with competing principles, a fearless defense of this nation's founding, a fearless defense of this nation's greatness and why it became great, a fearless factual defense of why this country became the world's lone superpower in less than 200 years.
There are specific reasons for it.
But a powerful United States with the identifying factor, the differentiating factor between us and the rest of the world is freedom and liberty and individualism and entrepreneurism.
The left can't peacefully coexist with that.
Stamp it out, make it the minority, and then blame it.
Blame all of that.
Entrepreneurism, rugged individualism, freedom, liberty, governments and businesses with no regulations will run roughshod over the poor and the disadvantaged, meaning we need Democrats to protect them, and the more poor and disadvantaged we can get here, the better the case the Democrats have for what a rotten place this country is.
And that's what the purpose of amnesty is.
In addition to creating or providing a never-ending permanent underclass for the Democrats, people who will vote for Democrats as the stewards of big government, redistributing wealth to the poor and so forth.
If you import people who believe that's the purpose of government, and that's exactly what amnesty is.
And I really believe the only way to stop this is with the principles of this nation's founding people, whoever we get, wherever we get them, whoever they are, but we've got to be able to proudly explain them, infectiously do so, defend them.
It used to be what the Republican Party was.
It used to be what it was known for.
And now the left has successfully made establishment Republicans feel guilty about that.
So establishment Republicans want to end the guilt.
They want to, it's not feeling that way, and they want to, in their minds, Get rid of the reasons the left can accuse them of that, so they go along with amnesty.
And the one thing I can't get through their heads is that no matter what they do, the Democrats are going to continue to portray them as racists and sexists and bigots and who no matter what they do.
They're having too much success.
They're never going to study.
They don't want the Republicans to really change is the bottom line.
They uh I I just I think it's crucial point.
And amnesty gets talked about in the economic sense, but I think this other aspect of it is even poses even greater harm.
This idea that affirmative action never ends.
The idea the country is, by virtue of its founding unjust and immoral, this is what they're trying to codify.
This is they're trying to establish it as fact, which will give them open season on redoing restructuring this country in their eyes, to make it something over which they have never-ending total power.
And that means a loss of individual liberty and freedom.
And this is where we are headed.
In the meantime, uh, how about do you remember Valerie Plame?
Do you remember how you heard about her?
Do you do you really remember how you first heard about Valerie Plame?
Robert Novak, the late Robert Novak wrote a column in which he casually mentioned that he'd been told that Valerie Plame, wife of Joe Wilson, had been over there supposedly on a mission assessing uh Iranian and uh other Middle Eastern nuclear capabilities.
His wife, uh supposedly Novak outed her as a CIA agent, and thus destroyed her career and ruined her life and made her a target.
This begot a special prosecutor, Patrick Fitzgerald, to dig deep to find out who it was that told Novak.
Except by the time Fitzgerald got in gear, we already knew.
It was a guy named Richard Armitage, who worked with Colin Powell at the State Department who had outed Valerie Plame.
Novak did not reveal his source at first, but it came to be known that it was Armitage who did it.
A man by the name of Scooter Libby was found guilty of it in a witch hunt.
And for years the media was obsessed with who in the world went out this woman.
Why, what kind of what kind of ignorance and lack of attention?
What kind of what kind of arrogance could lead to people simply outing the identity of a very brilliant, it was said, very effective, just totally valuable CIA agent, Valerie Plane.
Meanwhile, she and her husband were on the covers of magazines in Washington, driving around town in convertibles, not doing a thing to keep her identity secret.
Richard Armitage, who was the original leaker, was never made to pay a single price for this.
Scooter Libby was the target of a witch hunt, special counsel.
Scooter Libby who worked for Dick Cheney, which is what made him an excitable or exciting target.
They tried to get Carl Rove as well.
So for what was it?
Two years the media couldn't let go of this.
And we told what a dangerous, reckless bunch of incompetence were at the Bush presidency, the Bush administration, and outing this poor woman because her husband did something that Bush didn't like, came back and said that the Iranians weren't doing nukes or somebody wasn't.
It was all about this yellow cake trip to Niger.
And so it was said that the Bush administration purposely outed her name to get back at her husband, and they're both kind of the elevator does it go all the way to the top.
Oh, yeah, had the movie and everything.
And Naomi Watts starred as Valerie Playham in the movie, and uh it was just it was an absolute media frenzy.
And the guy who leaked her, first thing the leak was not that big a deal anyway, but secondly, the guy who leaked her name to Novak never it w when people found out he did it, they left him alone.
Because he was with Colin Powell, and they were both anti-George W. Bush.
So they were on the right side as far as the media was concerned.
So what happens this past weekend?
Obama in trouble with the VA has to make a super secret trip to Afghanistan to prove his bona fides with the uh with the military.
And the White House leaks accidentally, quote unquote accidentally, the name of the CIA station chief in Kabul.
Not some analyst at Langley protected by security there, but the CIA station chief in Afghanistan in Kabul twice.
And they were told by somebody at the Washington Post who somehow knew that the name that there was uh was supposedly the on the guest list appearing with Bush at Bagram Air Force Base.
And somebody the Washington Post were like, that's a CIA station chief.
It told a regime about it.
And the regime goes and now you want there's no the media, why it's just unfortunate.
It's just a momentary lapse.
This leak, the CIA station chief in cop this is a death warrant making his name public.
And the same media that couldn't get enough of the Valerie Plain League is treating this as uh just another unfortunate thing, just another unfortunate incident in a terrible year for Obama.
I don't know whether they did it on person.
I have no idea.
It doesn't matter.
They're just totally inept and incompetent, and it just goes to show, if you ask me, in the final analysis, they don't care that much.
They really just don't care.
I gotta take a break, and we're gonna get some of your phone calls.
It's time for that.
People have been patiently waiting, but we'll get to the sound bites on this too.
And we got VA stuff coming up as well.
That's not over yet, so don't go away.
You know, actually, as I remember it, it was uh Richard Armitage outed Valerie Plame to Bob Woodward first, a month before Robert Novak found out about it.
And Armitage said, Yeah, Wilson, he's mad about all kinds of stuff, and uh is you know his wife uh is over at the agency.
It was Wilson that was telling people.
When you get right down to it, but but the whole thing was outrageous.
Scooter Libby didn't do anything, it was just it was just but the forget that the media couldn't let go of it.
It was so bad, it was life-threatening, it destroyed this woman's life and her marriage and her world, and oh my god, it was horrible, horrible.
And they let go of the name of the station chief at Kabul, and it's just well, an accident, not intentional, and just didn't mean anything by it.
And uh it's unfortunate uh name got posted in the list, it wasn't supposed to.
He didn't mean anything by it, blah, blah, blah.
It's a sickening.
This this double standard that exists because it's destructive.
Here's uh here's Doug in uh Tampa driving.
Great to have you on the program, sir.
Hello.
Hello, thank you.
Thanks for taking my call.
Yes, sir, you bet.
Uh I want to tie maybe a comment in to what you were discussing uh earlier in your program with regard to everybody putting their life out for everyone to see.
Uh years ago, the whole cliche was the mail would have uh a midlife crisis.
Um I think that's kind of changed.
Um public media, uh Facebook, Twitter, different things like that.
It's if you look at I I've seen people that have had four or five, six hundred friends.
And they visit that every day and by the numbers if you look at some of the people that are going on vacation, enjoying life.
Um if you're just an average person and i it it would appear that everyone is having a ball everyone's doing exact that's exactly right.
Everybody's out there living this life of luxury and fame and fun and you're not and that's the impact social media has on you.
It is a factor We have a couple people here who want to talk about the hunger games and we'll start with Debbie in uh Gardnerville, Nevada.
Hi Debbie, great to have you here.
Hello Hi Walsh, it's good to talk to you.
Thank you.
Thanks very much.
I'm doing well thank you.
Good.
Um so I got a little upset at what you said because I think ninety nine point nine ninety nine percent of the time you are right but the Hunger Games is not just about kids killing kids.
We read the whole series it's about a revolution.
It's about people excuse me people mad at their government who's been oppressing them and who take over and uh attack the government.
And I actually like it it can't be.
Hollywood wouldn't produce something like that.
You gotta be do kids kill each other in these movies?
Yes you do, but that's not the point of the books.
That's not the point of the series.
The point of the series is that they finally get tired of being oppressed and they attack the government.
When you read the third book it all comes to light but you have to read all three otherwise people get the impression it's just kids killing kids.
And that's just not what it's really about if that's if that's how you see it, I'm not gonna sit here and argue with you about it.
Well did you read the third book?
Because you can't read the third book to get that.
If you don't read the third book it is just kids killing kids.
No in fact I'll be honest I haven't seen one minute of the movie or read a book I had somebody tell me about it.
So it's not I'm not surprised that you know when people tell you things uh what you get is their impersonation or impress impression of it.
Uh and so I was just passing on what I had heard.
I haven't seen one minute of either of the movies and I have not read any of the books.
Well typical of any movie here's the point.
Wait a second though if we're all this came up in context to this uh this this this kid running amok and what his dad does and what did this kid do this kid was that killing people do people do kids kill people in this movie or in these in in the books.
Do kids kill kids they do but that the reason they do it is they're forced to do it to keep their um their their district alive.
If they're in their district like goodies for the next year.
And if they don't remain access in the okay okay look I f I'm I'm I cannot understand a word you're saying because the cell phone connection um but I I gathered that you said before it all started jamming up was that they kill yes but because they were forced to in order to uh to save their districts which is fine and dandy.
Uh but Debbie thanks the call appreciate it uh another Debbie McLean Virginia hello.
Hi Raj, how are you?
Good, thank you.
I'm I've it's got a third time caller dittoes for you uh from a brush babe.
Um with and with my predecessor Debbie uh I like to agree with her that it's not glorifying the killing it's criticizing it and the whole point wait a bit are we talking about the movies or the books here?
Books.
The the in the books it is and I mean it is there because it is kind of to show you how bad this government is forcing their people, their citizens, to compromise their personal beliefs and devalue life the way they do for entertainment for the bourgeoisie capital people.
And the command and control government doesn't give the people in the districts, if to put in your terms, the ruling class versus the country class.
Let me try this.
Let me let me ask you a question.
Okay.
No wrong answer.
I just uh just want to know what you think.
As you watch these movies or read the books, and you imagine young people who vote Democrat and think Obama's great and love big government, as they watch these movies, are they going to be inclined to be more in favor of Democrats in big government, or are they going to think, wow, this is not good.
I don't want to support government if it does this kind of help.
Well, unfortunately, because of our education system, I don't think that they're getting the metaphor.
They're seeing that, oh, President Snow, he's a bad guy, he's the villain, and he's forcing these kids to go into this arena and kill each other while while he and his friends in power, the ruling class, get to reap all the uh the resources from each of the districts, be it coal mining, technology, farming, livestock, uh textiles, uh lumber, you know, they basically take the hard work of the citizens for themselves.
They never have to work a day in their life, all they have to worry about is what color their hair is gonna be, or how much they can eat at the party, okay and stuff, and they watch it for entertainment, kinda like running man where the government controls the media and to the citizens of the Capitol, the ruling class, it's entertainment.
I can't talk to her.
I haven't seen what is it running either.
Uh but i let me ask you is is the is the m would you describe the movie the books, the movies as anti-government?
Well, from from like I said, I I think with anything you read, you get out of it what you put into it.
Just like people who read your books are looking for you to be the bad guy.
I look, you know, I mean, my personal conservative core beliefs, I that's what I see.
I see anti government.
You know, the hero trying to overthrow this government and so that way the killing can stop and they can stop the hunger games and Okay, who is the hero?
Well, the main heroes are Cadmus Everdeen and Peter Mullark, who are, as you mentioned before, are the spoiler alert, two survivors of the first uh in the first book.
And they go on and they have to kind of become a part of this system that they don't agree with and then they, you know, basically from the inside out try to uh, you know, have their own personal statement, own personal protest.
Cadness sort of becomes a beacon uh of the revolution, the symbol of hope that things can change.
Let's back up what you you said people that read my books want to look for me to be the bad guy?
Well, I mean, even with your with your recent books, you know, people say they're appalled of oh, Rush Limbaugh wrote a children's book and he's going to I've I've read some, you know, very biased reviews, which are obvious that people, you know, haven't read the books.
They claim that you and Sean Handy go back to change history, and that's not what you do, obviously.
I've read the books, my nephew uh my nephews have read the books, and you know, you're trying to teach them the truth about you know what has been misinterpreted.
We're not trying.
We are.
Yes, you're succeeding very well.
You know, frankly, uh the the reviews have been somewhat surprisingly good to me.
I've uh we got a a stack and collection of they've been surpr amazingly good.
Uh yeah, there's uh there's uh uh what you got an Amazon email that mention.
Yeah.
That's true.
That's true.
Amazon's pitching them.
That go figure.
Um but I even read a review by some guy who just despises me, who books are actually quite good.
I don't really be hard to write.
I'm I've not seen too many bad reviews, but I get your point.
People have preconceived notions and they plug what they see into what they want to um believe.
Um I haven't seen any of these books or movies, and I haven't read any of the books.
And I'll tell you why.
The title is The Hunger Games, and then when I first heard what these movies are about, I didn't get the connection between the title, and then when I saw everybody in it winning awards, well, the hell with that.
And I can't...
What?
No.
Yeah, see, I mean, I mean, so no, it's really, really good.
The kids killing kids, that's just a minor part.
It doesn't.
Right.
Right, they don't.
If everything I've heard so far about, we ought to have legions of teenagers marching to the polls voting every Democrat out of office if the movies and books are that good.
We don't, do we?
What's that?
Oh, well, that's just, you know, I I uh it's it's fascinating.
Take a look at what people see.
It always is amazing to me.
It's that's why I try to keep an open mind about everybody's perception of things.
I mean, here kids are killing kids?
It's not a big deal.
Okay.
Yeah, they have to because they're being told to, and then they eventually rebel against it, and they get rid of the oppressive government while they vote for one to live under themselves.
Over and over again.
Well, I look at polling data, millennials are openly telling pollsters how much they hate big government, they don't like it, they think it's ineffective, and they're voting for it at the same time.
Which I also understand because I understand why they're doing it.
And it all comes down to Republican branding when you get down to basics.
Anyway, Debbie, I appreciate the call.
Really do.
Gotta take a brief time out, my friend.
Sit tight back after this.
Don't go away.
Okay, so I just got an email from somebody I know who is 60.
Don't believe what these two callers have told you these movies are sick.
They are about socialism and government control of food, and they are dystopian.
Now, I think I understand this.
Follow me on this.
We've had two women call today who praised these books to the hilt.
They're really, really good.
I don't know how old those women were.
I couldn't tell.
It's really tough to guess based on voices.
So I'm not going to.
But you take somebody who was nine or ten years old in the 50s, and take them through the 60s or teenage years.
You put this movie in front of them back then, and it's a horror story.
Kids killing kids just was not portrayed.
War movies were.
But even the war movies back then.
Nowhere near the realism that you get today in terms of the gore.
But the idea of a movie that is entertaining that has good in it that shows a government making kids kill each other unheard of.
So you take a you take somebody who grew up, their formative years were the 50s and 60s.
You plug this movie, you put this movie in front of them, and I guarantee you're going to get sick.
But you put the movie in front of kids today.
It's just no big deal.
It's just it's uh I mean, compared to what else they've seen, what else they've heard, what else they've been exposed to, it's no big deal.
Maybe even can see themselves in it.
Um I I find all this fascinating.
I it's why I have vowed that I was never gonna become a fuddy dudby.
When I was 60, I was not going to look at what was going on with young people when I'm 60 and and and immediately put it down as trash or whatever.
But I can honestly tell you that something like this would never even gotten made back in the 50s or six.
Would you agree with that?
Something like this couldn't even get made.
And why?
Because it's rotten.
It's an absolutely horrible, worthless premise.
And yet today it's award winning.
Now, is that so hard to understand in an era where abortion occurs for the convenience of the living?
I think not.
There are reasons.
Why what used to be considered coarse and taboo and uh not or intolerable today is considered art.
I remember the outrage when Piss Christ happened.
Andre Serrano, the crucifix.
Piece of art submerged in a in a jar of urine.
And we were told we had to learn to appreciate.
Here's the difference, folks.
One of the differences.
You put the hunger games or something like it, but mad magic, dystopian movies.
What is troubling to me is the dystopian nature of these things.
That there's no good in the world anymore.
That everything's right.
Everybody's corrupt and everything's sick.
And no, I'm not not talking about just this movie.
I'm talking about if if you had, if I had somebody from the current drive-by media here explaining why the hunger games or movies like them are winning awards, it's because this is the world people live in today, Rush.
This is what life is about to them.
This is what they they're scared.
This is what they see as possibly their future.
To which I would say, why?
How has that happened?
It wasn't all that long ago that the future was an optimistic thing.
Not a pessimistic thing.
It wasn't that long ago that the future, I mean, wasn't that long ago that young people couldn't wait to get out of the house, couldn't wait to strike out on their own, couldn't wait to make their own way in the world.
And the reason for that was bubbling effusive optimism, eagerness.
But today there's not so much of that.
There's a lot of pessimism, fear, and even dystopianism in the media.
That defenders of it all, well, this is this is this is what this is what the world is to them today.
This is what well, then I would say, how did that happen?
That's that's not that's a shame.
I mean, I don't I know pessimism's easy.
I know anybody can do it.
I know optimism takes work.
Optimism has always been an applied discipline.
But it used to be natural.
It used to be a defining characteristic of leaders and people who were otherwise inspirational.
Today, it seems like people who can see the evil ahead and who can see the horrors, they seem to carry a lot of weight, the pessimists.
I mean, I would much rather have everything in life be optimistic or as much, you know, tempered with reality.
I mean, I'm not everything is.
I'm not talking about rose-colored glasses or anything here, but a dystopian that so many movies are dystopian, end of the world destruction.
You know, LA is nothing more than a giant landfill dump.
The people flying around in space machines and all kinds of human debris are involved in selling them this and that, and the whole idea is to escape it.
And LA's not gonna be that.
Well, no, it's not.
It's not gonna be that.
I'll tell you what I think some of this also shows, and I'm gonna get in trouble for this, but I'm gonna say that I think it shows how desperate some people are to find their ideas and beliefs validated by Hollywood.
I really do.
On our side, I mean, on our side.
Got to take a quick, just like people hope one day the news media will see things our way.
▲
Export Selection