Premium Episode 101: Donald Trump: The Chosen (2020) feat Annie Kelly (Sample)
Movie night is upon us! And it's not good, folks! We have Annie Kelly join us for a British perspective on this uniquely violent cultural product. A critique of due process and a celebration of murder, all backed by the state. Our friendly deep dish attorney Allie Mezei also drops in at the end of the episode to share some backstory about the filmmaker, who used to be a correctional officer.
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So let's jump straight to 3010, where my notes say drunk grandpa at Christmas shows up after great radio guy bit.
This just in, 13 people were shot to death at the Holly's and Dolly's Bar and Grill.
These devils will stop at nothing while enjoying to inflict pain among the innocent, the vulnerable, and the weak.
Thank God, though, for the actions of an off-duty police officer and a police captain that were there shooting it out with the bad guys.
You keep those kids coming.
The money's right, and the power feels good.
Hey boss, we just set up a new secret compound in Florida.
From there, we just ship the kids overseas.
Listen, you keep up the good work.
I got a surprise for you.
Hi, boss.
We have your bricks of cocaine.
Sorry, we had to lay low for a while.
Unfortunately, I gave the guys a little vacation.
Remember your princess?
And all the other guys?
Yeah, well, they got popped by some off-duty cops.
My princess is dead?
Well, I wouldn't say dead.
No, I would say... I want to know the name of the cop that killed my princess.
I told you, everybody dies!
Yeah, I think this was around the time where my boyfriend was just like, we've seen Frank kill so many criminals in cold blood and yet that fucking Smiley guy still stays alive.
He's like so annoying.
You know what he's playing?
He's playing fucking Austen Steinbart, basically.
Yeah, just mugging all over the place.
He's a big, good-looking guy.
He basically doesn't really have any physical flaws, so it's just so funny.
He just looks like he jogs every other day and works out and eats well.
The funny thing is that Wilfredo didn't stop him from that in performance, or maybe even encouraged it.
I think they did because there's another actor, unrelated to Smiley, who also does the Joker voice.
So I'm thinking the director is playing in a bit.
His vision of bad guys is a bit like Escape from L.A.
or Escape from New York.
That's his vision of the world.
He thinks New York is currently at that stage, basically.
Yeah, it felt very, like, I don't know, those, like, old 80s movies, like, yeah, like Escape from New York or, like, Warriors or something like that, where, like, the criminals are supposed to be, like, so jacked up on some kind of drug that they're kind of, like, giggling and hysterical and kind of irrational.
At one point, the criminal that you've heard, this kind of drunk grandpa at a Florida Christmas, he starts talking about how Trump has been fucking up his business.
Guys, this new president, Donald Trump, He's killing our business.
You know he wants to build a wall on the border with Mexico?
Now, the Mexican politicians, they all have a price.
But not the big Don.
No.
He has so much money, we can't even buy him.
Anthony, did you get those guys from Mexico?
Two, actually.
And they both pulled from the border.
Gina, what's the count?
30 this month.
I'm going to be a I'm going to be a
I'm going to be a little I'm going to be a little
I'm going to be a little bit I'm going to be a little bit
I'm going to be a little bit I'm going to be a little bit
By the way, boss.
Still doing pretty good in Belize.
Each body we send out there, they pay out about a hundred grand.
Woo!
Alright, way to go, baby!
That's what I'm talking about!
Woo!
This leads to Wilfredo fucking Frank walking into the criminal's lair, just strolling right in to have a goddamn
conversation with him.
And they're all kind of like chill about it.
Yeah, it's really weird.
The dialogue, there's no subtext.
It's all just text.
Like the wall at the border is going to stop crime and Donald Trump can't be bought like other politicians.
This would be like a tweet from a straight up Trump supporter, but that was coming out of the mouth.
Not the big dog.
No, but that was coming out of the mouth of like someone who opposes Trump.
Like they're just saying what you ought to think.
These people, they don't have an inner life.
They're just words for a message.
That's like it and I think it's again what like really bothered me particularly about the Alexandra Ocasio-Cortez scene as well where it's just like it almost feels like this the filmmaker just like lacks theory of mind that like someone can think differently to you and so even when it's creating a voice for the antagonists it's still like very clearly the voice of a Trump supporter.
It can't actually articulate any kind of critique because it simply just like does not have that like understanding.
What the hell are you doing here?
♪♪ You know why I'm here, right?
No, I don't know why you're here.
Enlighten me.
You got one minute.
Word has it that you have something to do with the kidnapping of my partner's two little girls.
And you're behind the Hollies and Dollies massacre.
Hehehehehehehehehahahahahahaha!
Kidnapping a little girl?
Massacre?
You're barking up the wrong tree, pal.
You're only putting the spotlight on you and the other families.
I don't think that's such a good idea.
We will be bumping heads again.
The next time we bump heads, I just may bump you off.
Absolutely awful.
I hate how Wilfredo uses every, like, stock sort of, like, cool guy move.
Yeah.
Like, adjusting his lapels of his jacket and kind of, like, everything is just this kind of, like, cartoon sort of, like, archetype of, like, how a tough cop acts.
It's, uh, it's torturous.
You have two choices.
A, you don't tell me what I want to know, my partner is going to put a bullet in your head.
Or B, you tell me what I need to know, and you're going to walk out that door.
What do you want to know?
Huh?
Who was behind the Hollies and Dollies Massacre?
Tell me!
The boss!
Who's responsible?
For the missing children throughout the city.
And the two daughters of my fellow officer.
The boss.
And the hit on us?
How much?
How much?
A hundred grand.
Like I said...
You can leave.
Ugh.
You're dead.
Listen, Tony.
Internal Affairs is gonna be on our ass on this one.
This was a robbery.
A robbery?
Robbery.
I need you to call it in.
Okay.
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