Premium Episode 82: CUCK (2019) Movie Night (Sample)
They wanted to make Taxi Driver. Instead they created a cliché-ridden liberal fantasy about a profoundly humiliated young man radicalizing to the far right. We were highly triggered by the cinematography and content of 'Cuck', a 2019 film that sees its redpilled protagonist get sucked into a porn ring and subsequently conspire with a Gavin-McGuinness-style youtuber. NSFW and content warning across the board. This is our most furious movie night ever.
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So on his way to The Job Interview, we see Ronnie further fueling his rage by listening to a Gavin McGinnis-type radio personality.
It's 1000% cringe.
He, of course, gets distracted by a MILF gardening out in her yard, and then tries to get a job driving for Ride.
With a Y. Which is, uh, yeah, which is Lyft.
Just incredible.
Lyft, Uber, whatever.
It's so lame.
I hate this movie.
The MILF in the backyard, I'm like, what is this, a fucking Mickey Mouse cartoon?
Like, what the fuck are we dealing- Like, that was...
I was like, this has to be, like, his fantasy or something, but no, they just throw in another, like, cliche of, like, the blonde in her backyard who is literally, like, tending to her plants as you drive by and showing you her ass.
I mean, it's just ridiculous.
These people have never experienced reality.
First of all, it's an honor to be back, Jim.
And I think the true credit for the book must go to all the loyal subscribers who helped me get this project off the ground.
We're seeing more and more, Jim.
It's the unification of like-minded patriots who've had enough of the liberal media's war on the American identity.
We're tired of having minority victimhood and trans hysteria shove down our throats.
But unfortunately, that's the battle that is being brought to us by these cultures with their identities that are so weak that they have to construct false narratives.
He's seeing the ass and they're playing the ass music.
Yeah, this is like the ass synth.
The ass synth is coming in.
Our company offers louder discounts to drivers who are able to work high traffic shifts.
Holidays, professional sports, big concerts.
Did you find that driver's license?
Oh, this is a state ID.
Where's your license?
And the social?
I think it's somewhere in here.
If you give me the number, I can look it up.
Can I just mail it?
Sure.
If you take out your phone, I can show you how to use the app.
I forgot my phone at home.
Did you at least bring your car?
Oh, it says abortion is murder on the car.
Yeah, the car has a ton of fucking conservative bumper stickers.
Again, the racist car is now his obstacle.
The car is also filthy.
He didn't even bother to clean it out before he took it down to the job interview, the driving job interview.
He didn't even bring his phone.
Yeah, just incompetent in every way.
So that's pretty much at the end of every scene in this fucking...
He is.
Him, like, hitting something and calling everybody.
And going... And look, I've raged like that in my car, but, you know, I mean... But, like, this guy, like, it's like, it's just a weird series of, like, humiliations where something bad happens to him and so that we know that he's frustrated with it.
He doesn't do it in any sort of subtle way.
He has a dramatic freak out in which he yells and screams and punches things every fucking time.
Yeah, my notes for this were, Ronnie is absolutely useless, his car dies on the way home, he of course doesn't get the job, and immediately gets into a fight with his mother who blames everything on him.
I mean, it's your classic, you know, the whole world is pressing down on your shoulders and you're ready to blow.
But now it's time to introduce one of the worst characters in the whole entire movie, this parole officer.
Who, once again, person of color.
Every single person he interacts with except his mother is a person of color.
It's weird.
It's crazy.
It's like this movie takes place in the world in which whites actually are the underclass.
It is, that's true.
This is like a post-replacement theory fucking movie.
This movie is like his replacement film.
These guys deserve to be...
I don't know.
We do not.
You could bleep that.
Yeah, we'll bleep it.
You could bleep it.
That's a first bleep for a Jake.
It's something about filmmaking.
Dude, writing and filmmaking touches a special place deep inside of me.
Yeah, that's right.
Oh, Henry Kissinger?
Pfft, whatever.
Some guy who made a kind of bad AFI-style movie?
Fuck you!
Hey, you know, we you know, we are what we're passionate about for trap, you know for you it's it's history for Travis It's fighting misinformation.
And for me, it's it's writing that movie a good script The parole officer so after Ronnie throws his mom's television remote across the room shattering it His Ronnie Ronnie's mother is forced to call his parole officer who then makes a visit to the house Hello, Ronnie Sir You know why your mother called me here tonight?
Yes, sir.
You know, frankly, I'm... I'm tired of getting these calls.
You've been off probation long enough.
What's the problem?
I'm just frustrated.
No one listens to me.
I feel like shit.
I'm listening to you, Ronnie.
Loud and clear.
Now, I could cite you for a domestic, but I won't.
If you touch your mother, that's a whole other story.
We're clear?
Yeah.
Alright.
He's left alone in his room.
We haven't had a real man in this house in so long.
Why under an American flag yeah, yeah, we yeah weeping under American flag
We haven't had a real man in this house and so long Thank You officer okay, yeah
If he has any more outbursts, we can refer him to county for it.
Yeah, the mother who was like this ancient oxygen tank is also horny.
Horny for the parole officer.
She actually like kind of physically assaults him, basically puts her hands all over him, tries to pull him close.
It's super weird.
Yeah.
And he's furious.
He's doing Hulk arms.
This image is cursed.
It goes back to the mother who's relishing and feeling her hands.
She's feeling her hands like she touched literally a magical Negro.
Yeah, exactly.
It is crazy.
It is grotesque.
This is a grotesque scene.
Nasty.
This movie is cursed.
Yeah, look at her, she's smiling.
But how about that dialogue?
I'm frustrated, no one listens to me, I feel like shit.
What kind of dialogue has no subtext?
Where a character feels something and just states it out loud.
I feel bad, and here is the reason.
And here's a moment where you could have Just throwing it out there.
The parole officer come and sit down next to him and be like, well tell me man, what are you going through?
And humanize a person of color in front of Ronnie which is going to make his struggle as a racist and white supremacist better.
By the way, every person of color that he interacts with is either weirdly rude or condescending to him or sexually dominating him or physically dominating him or threatening him every single time.
It's like crazy.
It's crazy what these guys were thinking when they wrote this.
There's like a hair's breadth away from this in the Turner Diaries, right?
Some of the foundational stuff, for sure.
Yeah.
Yeah.
They've inadvertently, I guess, shown the white supremacist side of their own liberal ideology by trying to paint the opposite of it and kind of revealing in the negative space their own fears, terrors and racism and insanity.
I love it.
I make like a point about this later on in my notes.
I came to the exact same conclusion that I was like, man, what?
What the fuck is really going on with this guy?
So after his parole officer visits, it's not a good visit, Ronnie sits down at his computer and records a political monologue for no reason.
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