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April 5, 2021 - Praying Medic
49:35
152V Medic Monday - April 5, 2021

Greg Harvey and I discuss the craft of writing and how the deep state is pushing normies to the precipice.  Greg's Dlive channel: https://dlive.tv/greenbeard117

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Time Text
Another weekend over, waking from my bed.
Rise up in the morning, a brand new week ahead.
We gather together to seek God's grace.
It's time for Make Monday.
Make Monday.
And we're back.
Good morning, Dave.
Good morning, Greg.
How you doing, man?
Excellente.
How about you?
I am doing groovy.
I am frosty and I am comfy AF.
Nice.
I love it.
I love it, man.
Do you have a good Easter?
I did.
I did.
Did a little bit of reading.
I'm reading about how to write screenplays, because I keep having these dreams about screenplays.
Writing screenplays and different ways, different strategies and tactics for writing screenplays.
I've never written a screenplay, but I'm reading several books that explain the art of writing screenplays, and God keeps giving me dreams about screenplays, so I guess I'm going to be writing some screenplays and maybe pitching them to production companies and studios.
So we'll have to see how that goes.
That would be awesome.
How was your Easter?
It was good.
It was good.
It was very chill here at the house.
Played Passionate Christ last night.
We got a bunch of the fam together.
That was good.
It was just nice.
I got a couple good naps in because I stayed up way too late this weekend.
Naps are important.
They're very important.
Very crucial to the comfy AF feeling too.
Heck yeah.
Yeah.
So did you get... are you writing on that?
Are you actually... I'm going back to the screenplay, man.
I'm not letting you get away from that.
So have you actually like started?
Yeah, so I have one screenplay started.
And it's kind of interesting the process that you use to write a screenplay.
It's very different from how you would typically write a novel, although the storytelling is similar.
With a novel, there's two ways to write a novel or a fictional short story.
One of which is to create an outline first, and you create Different turning points in the story you create.
Kind of most stories have, short stories usually are a one-act story.
Most novels or novellas are a three-act story.
So most writers think of storytelling in terms of three acts.
That's kind of the way it's been for you know thousands of years.
Coming up with a novel concept You have to think about having Act 1, Act 2, and Act 3.
At the beginning, there's an inciting incident that gets the ball rolling and kind of moves everything in a certain direction.
At the end of Act 1, there's usually a crisis, a minor crisis that has to be resolved.
That segues into Act 2.
Act 2, the action builds to another crisis at the end of Act 2.
And then the resolution of, or the continuing drama of Act 2 leads you into Act 3.
In Act 3, the major crisis of the story, and then the resolution of that crisis, and that's kind of the three-act setup.
Some people who write fiction will actually write a framework or an outline.
In Hollywood, they typically call it a step outline.
A step outline is a structure for the entire production where you describe each scene, a brief description of each scene in the story.
And typically with a film, you're going to have between 40 and 60 different scenes.
Similar to in a novel, you're going to have about 60 to 80 scenes in an average novel.
So right, so some people will actually start out writing their novel or their screenplay describing the scenes.
Just brief one or two sentences to describe the scene.
And this is writing off of an outline.
And you kind of march out in the story the different scenes and how they lead to the Act 1 crisis, the Act 2 crisis, and the Act 3 crisis, and then resolution.
Right, so that's one way to write.
Then another way, which is how I wrote my first novel, sort of.
Actually, that's not true.
The first novel that I wrote, The Gates of Shiloh, I actually wrote a series of cliffhanger short stories, 500 to 1,000 words each.
Over the course of about three months, I wrote 11 of them.
I wrote individual scenes, and I wasn't thinking of putting them together as a novel.
But when I got done, everyone was like, oh, you need to turn this into a novel.
And I was like, no, that doesn't work.
But eventually, I did get around to turning that into a novel.
And that was, I think the production of that was mostly Some people say there's two kinds of writers.
There's plotters and there's pantsers.
A plotter is a person who writes from a structure.
They create a structured outline with scenes and they create the plot first and then they fill in the details with characters and narration.
Then the pantsers, they kind of fly by the seat of their pants.
They just write whatever comes to their mind.
They create the story as they go.
They don't create a plot structure ahead of time.
They just write kind of just whatever inspires them.
And I do most of my writing that way, especially for my non-fiction books.
I don't normally come up with a structured outline for a book on dreams or power and authority or healing.
That's typically just, I just transcribe the Holy Spirit.
But writing fiction and writing drama is a bit of a different process.
And I could write, just inspire, just let it go, flying by the seat of my pants.
But I'm actually enjoying writing from a plot structure.
So right now, the screenplay... Now, let's go back to screenplay.
So in the screenplay, what you do is you develop the scenes.
And normally you create kind of a storyboard, a step outline, brief description of each scene.
If you create a storyboard or a step outline, that gives you the ability to switch scenes around and move them in different order until you get a story flow that works.
One of the things that Robert McKee said that just kind of was a light bulb moment for me, He said, the beauty of writing from a step outline is that you have an unlimited ability to write scenes.
And what most writers are going to end up doing is trashing the majority of the stuff they write.
And that's true!
When I wrote the novel, Gates of Shiloh, I handed it to my editor and I had 61 chapters in the finished manuscript.
I got it back and it only had 50 chapters.
She had cut out 11 chapters of the novel.
And I was like, but I really like these chapters.
You can't just take them all out.
And she was like, yeah, we can.
They don't add anything to the story.
You like them, you know, I get it.
But she's like, they don't add to the story.
And it slows down the story.
It slows down the pacing.
These scenes don't really contribute anything to move the story along.
And she was right.
As I've learned more about storytelling, reading people like Robert McKee, he and a lot of other people have commented that if a particular scene doesn't add to the telling, if it doesn't further
The protagonist's goal or their opposition, the antagonist's goal, if it doesn't do anything to illustrate how that conflict is either going to increase or be resolved, then get rid of it.
And a lot of people who write fiction create a lot of scenes that don't contribute anything to the overall storytelling.
And that's just the way it is.
So if you create a step outline, You create a series of, you can do it in note cards, but most people do it electronically on some kind of a program.
You can write brief scene descriptions.
60, 70, 80, 100, 200 scenes.
And it's not unreasonable to write 200 scenes for a novel or a screenplay.
Then what you do is you pick out the 60 that you like and you get rid of all the rest.
I mean, it's a lot of, it's getting rid of a lot of potential information, but you're going to have to do that anyway.
And as I started kind of analyzing the way that you write fiction, it made sense to me because, all right, I wrote 11 chapters in my first novel that got shredded.
And that took me a good month, at least, to write those 11 chapters, probably two months.
Write those 11 chapters.
If I had created a step outline and described those chapters initially and handed them to my editor, she would have said, get rid of those scenes.
You're not going to use those.
And I could have saved myself a month or two of writing stuff that was going to get cut out anyway at the end.
Right?
So from an efficiency perspective, because I don't want to spend a month or two writing stuff that's crap that's going to get edited out.
I like to write more efficiently.
And looking at the step outline, if you create a scene, just describe it in a couple of sentences, like I said, and create 200 scenes with a brief description of each scene, you'll be able to go through all of them very quickly and go, that works.
I like that one.
That one's crap.
That one's stupid.
That one doesn't help.
Oh, I like that one.
And you can then just get rid of all of your bad ideas.
And save the good ideas and spend more of your time working through the good scenes and good ideas and not wasting your time writing a bunch of crap that's going to get edited out in the end anyway.
So this is the process I'm going through as I'm learning about writing fiction for screen and for my novels.
And yeah, I am working on A screenplay.
I think this first one I'm going to write it as both a novel and a screenplay at the same time.
That's an interesting process because when you write a novel, you're able to write passages that describe the inner thought life of your main character, not all of your characters.
In writing, you can go inside their thinking.
And actually, the book The Gates of Shiloh is a really good example of that.
The main character has multiple personalities.
She suffered satanic ritual abuse as a child, and she ended up with multiple personalities.
And, you know, anyone would tell you, for your first novel, don't choose a main character that has multiple personalities.
Because it's hard enough to come up with one good personality for a main character.
I gave my main character like, you know, six or seven major personalities, and they all show up in the story.
And these different characters are popping in and out in different scenes.
I would not recommend that for writing your first novel.
Don't write like Sebel.
What?
Don't write like Sebel.
Yeah, pretty much.
That's what it was.
But in writing that story, I got a chance to develop a lot of interesting characters.
And we get to look at the inner world inside the soul of a person who suffers from severe emotional trauma and satanic ritual abuse.
And people do have an inner world where these personalities live inside of this inner world and they have like a regular life.
So I described the inner life in the soul of a person with multiple personalities and you see these characters interacting in the soul.
That's something that would be very difficult to portray in film.
I mean, you could do it, you could portray two worlds, the real world, the physical world, and then the inner world, but you'd have to use some kind of filter or go to a black and white or a sepia tone You can't see it, you can't hear it.
this is not happening in the physical world.
It's happening in the inner soul of this person.
Hard to do on film.
And that's the issue with film is in a screenplay, typically you only include whatever you can hear or see on film.
You can't see it, can't hear it.
You don't include it in a screenplay.
So if I'm going to write this story for screen and as a novel, I'm going to have to write it in two very different ways.
The novel will have the inner thought life, the characters, the screenplay will really just have description of the scenes, some of the dialogue, background information, things of that nature.
Very different process and challenging, but you know what?
I like challenges.
The first screenplay I'm working on It's about one of our favorite subjects and I'm debating about whether I should make it overtly about one of our favorite subjects or if I should conceal it and kind of make it an allegory about one of our favorite subjects.
I haven't decided what I'm going to do yet on that.
Interesting.
But I have a synopsis for that screenplay written.
So synopsis is about a one page, maybe two pages at the most.
Description of the overall story arc.
So, description of the main character, their problem, a conflict, a little bit of information about the forces that oppose them, and then the crisis moment, describing the crisis in the story, and then the resolution of the crisis.
Kind of just, like I said, a one-page summary that's a synopsis, and then For those of you who are interested in learning about screenplays.
So then what you typically do is you take that synopsis, which is one or two pages, and you turn it into a treatment.
And a treatment is an expanded version of the synopsis, but it's told in real time as a camera would film it.
So you write in the present tense.
Steve walks into the room.
throws his laptop, hits the wall, knocks a piece of drywall out, he grabs a bottle of brandy, pours a glass, and slugs it down.
So you write your treatment of your story in the present tense.
You don't include every scene in a treatment, but it's a real-time telling of the story.
So typically, You write a treatment and then you use the treatment and you pitch that to a production company or a studio.
That's actually what I've been having dreams about.
I've been having dreams about how to pitch a screenplay idea to studios and production companies.
Oh, that's gotta be fascinating.
And I'm also having dreams about how to write a screenplay that leaves options for the storytelling.
Not that this story necessarily has to go a certain way, but leaving options open for the ending to go one of two or three different ways.
That was illustrated in the dream I had last night.
So God is instructing me and teaching me about strategies and tactics for writing screenplays.
It's just, to me, it's fascinating.
I'm like, alright, well I guess I better take this seriously and get cracking on some writing.
Your dreams are pretty right on.
What's that?
I said your dreams are pretty right on.
I love my dreams.
They just amuse me and they entertain me, but I love the way that God teaches me.
And highlight certain things through dreams.
I love it.
I love cooperating with God and working with God.
And knowing what's on his mind.
And what he wants to do on a daily basis.
I'm still working on my dreams, man.
I try to go to sleep telling him, I know this is a valuable time.
I need to remember my dreams.
I'm getting a little better.
I remember little snippets a little better now.
I had a dream yesterday, and I don't know why, but I was driving around, and I couldn't see.
My eyes were burning, and I couldn't see, and Jen and Gavin were in the car, and I'm driving through lights and stop signs and stuff.
And then I woke up.
I have no idea what the hell it means, but... Do you want to talk about it, or not?
I don't care.
Yeah, sure.
Right.
So, typically, in a dream, When you're in a car, the car represents you.
Oh boy.
So the features of the car, or the way the car is behaving on the road, or the way that it's driving, or the way you're behaving as you drive the car, that is a symbolic representation of how you are operating spiritually.
Well, there was no accidents.
We made it through everything.
It was like perfect.
But you were having trouble seeing.
Yeah.
Right.
So, that's a real common kind of dream.
A lot of people have dreams where they're driving a car but they're having problems driving.
So, the brakes don't work and they're going through stop signs and they're, you know, out of control or the car keeps pulling into the oncoming lane of traffic.
Those kind of things suggest a person's Who's life is out of control.
If you can't stop your car, metaphorically speaking, that illustrates the idea that you're not able to say no.
And that you're kind of a yes person and you just go along with everything and you agree to everything.
Maybe because you lack self-control or you're a people pleaser, right?
So with your dream, difficulty seeing, well, spiritually, what does it mean to see?
What is spiritual sight?
Is it spiritual foresight?
Is it your ability to see the future prophetically?
Is it your ability to see what's coming down the road?
God's ability to... your ability to perceive what God is showing you about your future and the future of your family and your destiny?
Maybe that's what it could symbolize.
It could symbolize your insight into your own life, your own purpose, your own destiny, or your family's, or You know, what is your ministry really about?
What is God's overall purpose for you and your ministry?
Those things tend to be things we need insight or foresight into, and our spiritual vision, our ability to see things.
is, you know, portrayed in those things.
Here's a good example.
Like if you're driving a car and you're driving at night and your headlights don't work and you can't see where you're going, right?
That dream would illustrate a lack of spiritual foresight.
Like you can't see where you're going.
You can't see what's in front of you.
You might hit something, have an accident and because you can't see very well, right?
So vision problems is related to a car and a dream.
Typically, It is illustrating issues of spiritual vision, oversight in some cases.
You know, if you have a business or a ministry and you have oversight over that, you're supposed to have some control and some oversight over the operations.
And sometimes those issues are illustrated in those dreams where you can't see very well when you're driving a car.
So, you know, it's just something to pray to.
And it could be something as simple as God telling you, hey, you need to remember your dreams.
Because in dreams, dreams are spiritual vision.
We see things, we perceive The future and our destiny and things that God wants to show us through dreams.
So you keep saying, well, I'm having a hard time remembering my dreams, right?
Yeah.
Yeah.
Is it actually illustrated possibly in that dream where you, you know, we're having vision problems.
So it could be confirmation that God wants you to focus more on your dreams.
Well, I'm definitely trying so.
Yeah.
It's practice.
It's discipline.
Yeah.
I like talking about dreams.
I know you do.
What's one of your craziest dreams lately?
Alright, so I'm working on this dream book.
And as I'm working on the book, God is giving me some very interesting dreams.
...illustrate things he wants me to put in the book.
He's like, oh, you didn't include this, and you didn't include that, so let's talk about these.
I'm going to give you a dream, and I'm going to show you what I want you to write about in this chapter.
And he's given me a couple of subjects that he wants me to talk about through things, and he wants me to put them in the dream book.
One of them is, I recently had a dream where God showed me how writing helps define the meaning of words and symbols.
And I knew that God wanted me to include that in the dream book, but I didn't know what the context of it was.
So I prayed about it for a couple of days, which just means I thought about it.
You know, no religious exercises.
I just thought about it for a couple of days and then it dawned on me what he was talking about.
You know how the mainstream media will change the meaning of a symbol to mean something that it doesn't actually mean?
To suit their own purpose?
That's kind of what God was showing me.
He was showing me that our opponents will sometimes change the meaning of our symbols, our language, our words, and our terms to smear us and to cast us in a bad light.
The wrap-up smear.
The wrap-up smear, right?
So, they take our terminology, they take Pepe the Frog, And they say, well Pepe the Frog symbolizes white supremacy and the OK symbols represent this.
They change the meaning of our symbols and our terms and our language.
And that's what God was illustrating in this dream.
He wanted me to know that when we write about our culture, about our lay, about our subjects, we define the terms.
We define what these things mean to us.
And when we don't, if we don't write, if we don't do broadcasts, we let them decide what those symbols and terms mean.
So I included that, that's in one of the chapters in the Dream Book.
There's this discussion about how sometimes a word or a symbol is relevant to a certain culture, and sometimes the enemy of that culture will redefine the word or symbol because they have a political agenda.
Right?
So that's a recent dream God gave me.
Then He gave me another one.
It's kind of interesting.
This dream is hard to describe, but I'll do my best.
This dream I had about a week ago.
So in the dream, God showed me a series of dreams, and He showed me the process He uses to instruct me through my dreams, right?
So it was like taking a behind-the-scenes look at how God teaches someone through dreams.
In this dream, I was observing myself and that hardly ever happens in dreams.
I hardly ever see myself in dreams.
I saw myself Having a series of different dreams, and in each one, God was showing me the purpose for that dream.
Why he gave it to me.
What he was teaching me.
How, in some cases, he was finding a way to work around a problem that I had.
Like, I was not understanding something.
I was having a mental block.
Some issue of pride or self-reliance or whatever was being illustrated, and how God was working around that problem.
He was giving me revelation, giving me understanding, despite the fact that I had this obstacle that was standing in the way of what He actually wanted to do.
So, I'm going to write about that in the dream book.
I haven't put that down in words yet, but Katsu has given me some very interesting dreams.
As I'm writing a book about dreams, he's illustrating various principles that he wants me to write about in the book.
So it's all good.
It's all fun.
I'm learning.
Yeah.
You gonna put any dream sequences in the screenplay?
Let's see.
You know, I have a chapter I want to write in a book called Three analogies and a dream sequence.
I don't know.
I like writing dream sequences.
In the book Gates of Shiloh, part of the storytelling is done through dreams.
Because for two of the characters, It was a good way to foreshadow some things that were going to happen that I wanted the readers to know about.
And I wanted them to understand that one of the characters, Charity, has a particular prophetic foresight that's helpful.
And explain to readers what that looks like and how it works.
Will I use dream sequences in the screenplay?
I might.
I might.
The screenplay, the concept I have right now for the first one doesn't really require any of the characters to have dreams for the storytelling.
At least not the way I'm thinking of it right now.
But it looks like I'm going to be writing a number of screenplays and I'm sure some of them will have dream sequences.
The science fiction book that I'm working on The science fiction series, I should say, the trilogy.
I'm debating whether I want the main character to have dreams that foretell the future, or at least visions.
Because I think that would help his character.
A lot of characters in fiction have, they have a superpower.
Something they're good at.
Something that is kind of a little unique.
And that makes them stand out from the rest of the crowd.
And in this science fiction series, the main character is chosen for this mission.
He doesn't know it.
He doesn't realize he's been chosen.
He just shows up on this planet and has no idea why.
But he's been chosen because... I think he's been chosen because he has A gift that no one else has.
And he's the only one who can do this mission, right?
So, the way I want to tell the story, it would be best if he had prophetic foresight.
If he just saw things happening.
If he had a really well-developed ability to see in the future.
And actually, what I want to do with this character is give him Give him the ability to see the future, but have it poorly developed and have him go through training on the planet that would actually sharpen his ability to see the future.
I don't know if that's going to make its way into that series or not.
I hope it will.
I'm just kind of trying to grow with the ideas of that science fiction story.
Um, and that's an idea that I've been playing around with for a long time.
Well, we'll have to see if it makes it into the final cut or not.
What do you think about all the states that are, uh, look, changing their election laws and looking to do audits of the November election?
Have you been paying attention to that much at all?
Uh, loosely, loosely.
I find it, I find it amusing.
Uh, you know how Biden's losing his mind over it a little bit, you know?
I think it is a major event that we need to be watching over the next three months.
I think that is the big story right now.
Yeah.
Trump comes out.
He's been posting on Gab over the weekend.
Posted a bunch of messages.
And every message he is telling us, do not forget what they did to us in November.
His messaging is, we need to stand up, the silent majority, be heard, be loud, contact our elected leaders, and let them know we are not moving forward, we're not getting past this, we're not going to the 2022 election until changes in the election process.
Until these voting machines are gone, until the 2020 election has been audited, the ballots have been looked at, the data has been looked at, the connections to the internet have been looked at, where the data went and who had access to it.
Trump, I think, is clearly signaling to us That we need to make that November election rigging the issue for the next three months.
We can't just, you know, oh let's forgive and forget.
It was what it was and let's just move on and maybe we'll win next time.
That ain't happening.
You look at the way that a lot of state legislatures, and now we have this battle with Coca-Cola and Delta Airlines and American Airlines and everybody else, all these CEOs and various companies are coming out and expressing vocal opposition to Georgia's election law changes.
I wonder why.
Yeah, I wonder why.
It's a huge issue.
It shows that there's a little bit of panic on the Deep State side.
They're getting all assets deployed.
The mainstream media, the corporations, you're going to see it in academia, you're going to see it in Hollywood, a lot of other places.
They are going to muster all of their people to get their messaging going in that direction to fight these election law changes.
And we need to stand our ground and hold the line and insist that these laws be changed that corrupt people like Raffensperger, Doug Ducey, and other people.
Gavin Newsom and Cuomo are replaced, removed from office and replaced.
That's kind of the game plan right now from what I see, and I'm liking it.
Because, you know, again, we talk about this every week, but I'm going to hammer this nail one more time.
It's about driving people to the precipice.
Whether it's, you know, the vaccination passport issue or the election rigging and the election law changes and the vote culture, whatever it is, all of these issues, they're throwing at us.
They're trying desperately to push this globalist agenda, shove it down our throats and force us to swallow it.
And the more they do it, the more they're waking people up to the realities of control.
If there's anything that I've learned over the last two years, I've learned a lot about the control of science and the science of control.
And, you know, the way they've manipulated the scientific reports regarding COVID, the masks and everything else, and hydroxychloroquine and all the other treatments.
It's just, I have learned a lot about how the mainstream media and the medical technocracy Control the flow of information within the scientific community to push an agenda.
And the more they do this, the more they're waking people up to the truth that they really want to control us.
That is their game plan.
They don't have our best interest at heart.
They want to control us.
They want to take our money and tell us how we're going to live.
And they want a tyrannical government.
That's their endgame.
And they're shoving this down our throats so fast.
Like, everything that Trump did over the last four years is being undone so quickly that it tells you you're in panic mode.
They want to get this done quickly because they know they don't have much time to do it.
Yeah.
So that, you know, everything from making the military a green military and getting the army off of fossil fuels and, like, we're going to have, what, solar-powered jets?
Are you freaking kidding me?
Yeah, come on, man.
What the hell are these people?
People who have common sense listen to this and go, yeah, I think that'll work.
I don't feel it.
It could happen, right?
But it's waking people up to the reality that these people really are kind of insane.
So I'm enjoying it because It's exposing their stupidity.
It's exposing their real agenda.
It's their thirst for power.
The fact that they don't care about our rights.
The gun legislation, they keep pushing.
There's more false flags, more shootings, and they keep pushing magazine capacities and more and more anti-gun legislation.
And what are the states doing?
Every state that is at all concerned, Arkansas, Iowa just passed a bill legaling constitutional carry, so you don't need to have a permit to conceal carry or purchase.
And a lot of states are falling in line.
They're following Texas and Arizona in constitutional carry laws.
Everything that the deep state is doing is backfiring.
And it's causing state legislatures and governors to do the right thing.
And it's causing people to wake up.
I know that people are frustrated and angry.
I know that people get anxious because they don't want the vaccine passport.
They don't want a lot of these things.
That's fine.
I get it.
I understand that you don't want these things.
Right, but what you have to realize is the larger context is as they try to push these things on us, you may not want it, but the unintended consequence for them is it's waking people up.
I'm not I'm not worried about vaccine passports.
I'm not worried about any gun legislation that they're trying to push in D.C.
It's not going to work.
I'm not worried about H.R.
1 and them infringing on our voting rights.
I'm not worried because, number one, I don't think that legislation is going to pass.
They're not going to successfully pass this anti-gun legislation and stripping away our voting rights.
And if they do manage to pass it, what it's going to do is it's going to force more states to take action against it.
It's going to cause more states to stand up to the federal government and say, well, you know what?
Go ahead and pass your anti-gun legislation.
Because a lot of states now are passing laws that make it illegal or make federal laws unenforceable.
Two states recently passed laws making federal gun legislation unenforceable.
And in Arizona, if you're a federal agent and you try to enforce gun legislation, it opens you to litigation.
You can be sued.
So, a lot of states in the face of this opposition, From the federal government, from the kleptocracy that rules over us, we're getting a lot of good legislation at the state level where states are taking back their rights.
From the federal government, the founders gave most of the power to the states.
There wasn't a strong centralized federal government.
That only came later.
Yep.
Well, and that's what Trump tried to do over the pandemic.
You know, he was given.
Well, you know, it's not up to us.
You got a governor.
What is he saying to do?
I mean, put the power back over there.
Thankfully, we got Ronnie D, Ron DeSantis here in Florida.
He's even had a thing going out.
He made it illegal for the vaccine passport here in Florida.
Yep.
And guess what?
I would imagine in the next three months a few other states are probably going to pass similar legislation outlawing the vaccine passport.
Yeah.
DeSantis does it in Florida.
Someone in another state is going to do it, and another state, and another state, and another state.
And like I said, it is these idiotic policies that are coming from the Biden administration are forcing the states to take back their rightful power.
And that's a good thing.
That's why I'm not freaking out about this stuff.
And look, if you live in California or New York, where your state is run by Nazis, Move to a state where it's not run by Nazis.
Move to Florida!
Move to Arizona!
Where you have rights and liberties.
Just remember, when you come here, you don't get to vote for the Nazis.
You have to vote for patriots.
That's our thing.
Well, I think anybody that would make the move, I think they would be in line.
Right.
If you're moving out of a Nazi state and you go to a free state, don't vote for the Nazis when you get there.
Well, I think Gavin Newsom's gonna implode himself, man.
I think he's gonna... I think the whole recount with him, you know, everything, the mess around they're trying to play with that petition and everything, I think that's gonna open up people's eyes over there, too.
I think California's red anyway, I mean... Yeah, Newsom is burnt toast.
Yeah, he is.
He's crisp.
He's as crisp as those trees that got burned in the fires last year.
It's only a matter of time.
And, you know, again, What is it?
What is it due to?
It's due to these obnoxious, stupid, far left wing nuts hoisting their idiotic policies on people and the people saying, OK, red line, you've gone too far.
We are getting rid of you because you're a crazy person.
And that's that's just what's happening.
Um, you know, it's, it's unfortunate that, that it took Trump being removed from office and all this other, you know, the COVID stuff, the vaccine passport and everything else to wake some people up to the realities of institutionalized corruption.
But people are waking up and they are not having this anymore.
So, you know, I'm comfy.
Me too, man.
Comfy AF.
Comfy AF.
I'm feeling comfy AF.
I was feeling really comfy AF for the shoutout on X22 the other day.
Thank you so much, man.
You got a shoutout from X22?
Yeah, you!
You said you were over here.
Oh, I might have a clip for that.
I am doing a Monday morning live broadcast with my friend Greg Harvey on CloudHub.
Monday morning medic, that is it.
Let's see.
I know, Monday morning medic.
Monday morning medic!
That's okay.
So today, I will contact Dave and see if he's interested in coming on your show.
Woohoo!
Everybody say a prayer!
Say a prayer, lift it up right now.
You guys are my main.
I don't think he does a lot of appearing at other people's shows, but he might.
I don't know.
It doesn't hurt to ask.
Yeah, well, I put up a nice graphic and everything, you know.
I mean, I can do that.
Yeah.
Yeah, so we'll see what happens.
I was excited though, man.
I was like, he said my name on X22 Report, man.
You guys are my main daves, man.
So, what are you doing this week?
You got any more interviews this week coming up or anything?
We gotta get out of here, bud.
Yeah, I don't have any interviews coming up this week.
I got motivated to get some classes up and gonna start recording some videos for a couple of classes.
One of them is gonna be the class on self-publishing and also working on a class.
You know, I was thinking I really should do a class on Dream Interpretation too.
And one on Singing the Spirit.
So, probably working on some videos for the classes.
Definitely working on a couple of books.
And continuing to learn about how to write screenplays.
That's kind of my schedule for this week.
That's awesome.
That's awesome.
Well, we love you brother, man.
Thank you so much for being here.
You want to pray us out?
No.
Okay.
You can.
Lord, thank you so much for this time with Dave.
We just love him.
We love everything that you're doing.
Just continue to pour the creativity into him.
Give him some rest along the way, too, Lord.
And thank you so much for him and Denise.
Lord, we just love everything that they're doing.
And we know that you're shining that light on them.
And Lord, keep them strong, keep them going, and keep that light shining bright.
In Jesus' name, amen.
Amen.
Thanks, man.
Appreciate it.
Yeah, yeah.
Hey, and I'll talk to you before.
Like, you got blown up over on Foxhole this morning.
Everybody wants you over there, so.
Can someone please explain to me how the heck Foxhole works?
Like, I went on the app, I installed the app on my phone, and I'm like, this is connected to something called pill.net.
So I tried to create an account there, and I don't know, I don't understand how this whole Foxhole thing works.
It's like, I don't get it.
I need a tutorial from someone.
I'll help you, man.
Yeah, I'm totally enjoying it over there.
Let's do a Zoom and you can explain it to me.
Will do.
Will do.
And I know Methods is a little happy over there.
Yeah, Methods is the one who messaged me.
He's like, hey man, you need to get over on Foxhole because we want to livestream with you.
And I'm like, uh, alright.
Well, I'll pray about that.
It's good.
You'd love it, man.
I'll call you later on, man.
Alright.
Alright, but right now I'm going out on Where We Go When We Go All Eyedrop Media.
I'll see you guys tonight.
God bless your day.
I love you guys so much.
Tell that stuff in your life.
Get out!
Get out!
So God can replace it with some goodness.
A little bit of heaven here on Earth.
And we'll talk about it tonight.
So I love you guys.
I love you Dave.
And here we go.
Love is a powerful thing.
It defines us.
It refines us.
It connects us.
No matter how far apart we are, love can move mountains, soothe hearts, and heal souls.
And we are all one!
No matter what anyone else tells you!
So, let's send some love out to everyone listening around the world!
Come on!
Come on, help me out.
Where we go, what?
We're welcome to home.
Where we go, what?
We'll never go home.
Where we go, what?
We need to come home.
Where we go, what?
We go home.
Can you feel the new vibration now?
Do you see what's going on?
Is it the gift of revelation?
Or revival of the crown?
You see the force of our intention And the snake-ass of disease Have been called to find the Lord By the one who changed the beast And the legion of the faithful Come to battle with men undone Gain your reach to the bad guys That the devil's on the floor
Where we go, what?
And with God my only witness If anointed to this day I take his sword, right to fire And call the right to king Free the righteous children, but the evils of the flesh.
Take my final breath in heaven, and that's it, all I have left.
Where we go, where we go, where we go
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