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June 18, 2025 - Project Camelot
01:20:07
PIERRE SABAK AA19
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So this is Pierre Sabac, and please do welcome him.
Thank you.
Thank you very much.
Okay, today we're going to be looking at the saucer cults and the concept of the ancient flying saucer.
And so we're going to look at what I have labelled as new ufology.
And new ufology really is scaphology.
And scaphology is the study of angelic vessels.
And by angelic vessels we're talking about here the flying saucer phenomenon.
So here this is a new discipline.
Now, we're going to be looking at examples of flying saucers or the scaphological tradition within the scriptural and mythological tradition.
And we're also going to be looking at scaphological motives.
I'm going to be arguing that the scaphological motives are relative to the alien phenomenon.
So in other words, that they are actually one and the same thing.
Now, this is a restricted teaching.
It's a hidden discourse.
And so it's concealed from the public.
And we find that these signifiers are found throughout the Bible, they're found through mythology.
And here we're really dealing with non-human entities.
But in particular, within the biblical tradition and the traditions regarding the emissaries, the angels, etc., we're really dealing with non-human crew members.
And so we're going to go into this idea.
Now, the evidence for extraterrestrials are reproduced within the artifact.
Now, I argue that the artifact is an alien code which is inserted into human language.
Okay, so this is the artifact or the alien code within human language.
Now, when carefully deconstructed, the artifact is the very same signal that scientists have been looking for within the SETI program, which is a search for extraterrestrial intelligence.
To emphasize the transmission from aliens are not to be found within the electromagnetic frequencies that are present within space.
Maybe our previous speaker may have different views upon this, but we're talking about here, we're talking about actually we're going back into the symbol.
What does the symbol actually represent?
And I'm arguing today that there is this universal code within human language, and it's based upon polyglottal symbolism.
These are word plays which are found repeated throughout multiple motifs throughout human language.
So, for example, in English we get the word play 'god and dog', which is a reversal.
Now, God and dog is found in Arabic as latopolo, latro which is to bark or to snarl.
In Arabic, Allah is a god.
Awa is to bark.
In the Japanese also, Kami is God.
Oh, Kami is a wolf.
All of these are signifiers of the dog star.
And we're going to be going into the signifier of the dog star, because the dog star is intrinsic to the symbolism of the angelic emissary, the symbolism of the deities who are said to have originated from Sirius.
So, I'm just going to change my slide now, and we're going to be looking at the following today.
So we're going to look at scaphology, which is the study of angelic vessels, and then we're going to move on to what I have termed as the angelic sailor.
The angelic sailor is typically represented as a crew member of a naval vessel, and this goes back into the traditions of...
And then we're going to look then at the detailed deconstruction of the opening wheels.
The opening wheels is the old Aramaic word for a flying saucer.
So these wheels were represented as shining or spinning wheels.
And then lastly we're going to look at what I have termed as a holographic culture.
so we're looking at societies or cultures that have deconstructed the mechanics of physical reality so first of all so I'm Within the religious and mythological traditions.
So, essentially, we're going to be looking at non-human entities, and in the biblical and the apocrypha tradition, these are the seraphim.
Now, the seraphim often appear in conjunction with human entities.
Now, I define these as proto-human entities, and they are the cherubim, and the cherubim are identified with the Pleiades within symbolism.
So, for example, within Judaic symbolism, The menorah or the seven lights, the seven-branch candlestick would represent the Pleiades, and this would represent the Caribbean tradition.
Now, it's very important to understand.
Okay, so within the occult tradition, there are two sets.
Two groups of knowledge.
So you have the seraphim and you have the cherubim.
And this is represented within Freemasonry as the two pillars of Freemasonry.
And this is essentially knowledge or occult knowledge which is gathered from angels.
And one set of knowledge is non-human and the other set of knowledge is from human or proto-human angels which are the seraphim or the cherubim.
So in order to deconstruct this we need to look into the subject of scaphology.
So what is scaphology?
So, in my own work, I've defined scaphology as the new ufology, and it utilizes occult symbolism to deconstruct the historical traditions of flying saucers and their occupants.
Now, for the purpose of this critique, we're going to look at decoding of scaphology, which is the analysis of angelic ships within the ancient mythology and its careful expunction from religious belief.
so I'm going to emphasize this this is a So behind the concealment of the angelic sailor in contemporary parlance in the alien there is this secret teaching.
And it's remained concealed for thousands of years.
Now, Radical, the analysis of scaphology presents a rewriting of history, and I think that this is important to emphasize.
When we go back into the biblical and the apocrypha traditions, and we understand that there are these entities which have been interfacing with human society for thousands of years.
Then we really need to go back and understand history.
It puts a different face upon historical analysis.
And I think you'll find that when you go into history, you'll find that a lot of history is allegory.
And allegory is allosagoria, which is other speaking.
Now, the others refer to the aliens, so the allogenes in the Greek are the aliens.
And so this other speaking is literally referring to the aliens.
And these aliens are represented within scriptural tradition as the angels, as these messengers.
So, I'm going to now give you a definition of scaphology.
The definition of scaphology taken from my book, Holographic Culture.
Scaphology is a major and new academic field.
Scaphology refers to the study of divine vessels, otherwise flying saucers, within the religious and mythological tradition.
Its prime focus is the deconstruction of the angelic sailor within the teachings of the scriptural and apocryphal codices.
So the Apocrypha is that which is concealed or that which is hidden.
A crucial branch of research covering the humanities and social sciences, the rediscovery of scaphology is a significant advancement within human knowledge.
So it's really intrinsic to understand as human beings where we've originated from, where we are going.
And this is part of the puzzle.
This is the scaphological puzzle which is looking at angelic sailors.
I'm just going to quickly go over the etymology of scaphology.
So, a neologism, so I invented the word scaphology, but it's a derivative from the Greek noun scaph, which is a light vessel, literally anything dug or scooped out, from scapto to dig, hence a small, hollow boat or a vessel.
Particularly one belonging to a larger ship or a mooring vessel.
So this is really a study of angelic vessels.
In today's parlance, we would refer to this as a study of flying saucers, a spaceship, if you like.
Now, academically, scaphology is the study of these heavenly boats within the biblical and classical tradition.
And this includes emetic and the apocryphal literature.
So I'm going to show you some examples of the scaphological tradition.
So here we've got an angelic boat, and this boat represents the lord of the host.
Now this is Arabic calligraphy.
It's drawn in the shape of a boat, a vessel which spells the Bismillah, which is in the name of God, the first words of the Quran.
Now one of the reasons why the Bismillah is represented as a boat is because we're dealing here with the angelic host, and the sailors are represented as this host of a naval crew.
So in the Judaic tradition, Now, the etymology of seboeth, which is the study of words, so seboeth is from the etymology sevet, which is a crew of a naval vessel, and teva, which is an ark.
So typically, within representation, the lord of the host is equated with boats or ships.
And this is going back to the scaphological tradition, which is uniform both within Greek mythology and throughout classical mythology.
And again, when we look at classics, classes is a naval fleet.
So this is the study of the angelic tradition.
Again, the etymology of angel in the Hebrew.
Malak and angel is a polymorphic symbol of Malak, which is a sailor.
So they are one and the same thing.
Now we have another example of a ceramic tile.
Again, this is showing the name of Allah in Kufit calligraphy.
And this is modeled on a ship.
It's 7th century.
You made Dynasty Damascus.
Now what we can see is this is working on what's known as Visio Paranomasia or a visual pun.
So we see that the ship of Allah is sailing on what appears to be waves.
But these waves are a visual pun of wings.
And the wings are connected underneath to what you can see is a circle within a circle.
Now this represents an axle wheel.
And so it's a signifier of the opening wheels which was used in the ancient languages.
To denote a flying saucer.
Now, importantly, we can see that this circle within a circle is also in the shape of the ancient votive dish.
And this is because they worshipped angelic vessels.
And we find the remnants of this within the English language, worship, ship.
Okay, so you're venerating a boat.
Within a church, you have a nave within a church, which is etymological to navis, which is a boat.
Again, within the Greek shrines.
Naus, a boat, is related to naus, which is a sanctuary.
Naus, which is a type of ship or a vessel.
Again, it's all identical, even within the Japanese symbolism.
Utzonofone is a hollow ship, or a hollow tree.
It's a polymorphic word.
And so the temple sanctuaries in the Japanese shrines, they're surrounded by these hollow trees, which represent hollow boats.
Now, what does Utzonofone look like?
It looks like a flying saucer.
It is a circular ship.
Or a vessel.
So this is an ancient tradition.
It's based upon polyglottal symbolism.
And this is the artifact or the code which is found within human language.
So I'm just going to show you now that we also find evidence of these signifiers also within the modern calligraphy as well.
This is modern calligraphy.
The spell is named Allah.
And again, we have this representation of a boat.
The boat is illustrating the fact that Allah is the lord of the host.
He is the lord of the angelic host.
Okay, and I'm now going to show a slide of a monastery within Transylvania.
Now, this is very useful because this actually has a depiction of an opening wheel.
So this is a monastery.
It's in Transylvania.
We know that it's dated from around 1483 to 1546.
We can date it fairly accurately, and this is because of the German quotation, which is taken from the Lutheran Bible.
Now, in the quotation, it's coming from the Song of Ascents, which is the book of Psalms, chapter 130, verse 7. So, it states in Psalms, Let Israel rely on Yahweh as much as Yahweh relies on the watchman of the dawn.
Now, the watchman of the dawn is a signifier of the seraphim, which are these non-human angels.
So, for example, The seraphim is related to seraph, which is a non-human angel, the seraphim.
Again, which is a cognate of seraph, which is fire.
Now, fire is a signifier of Sirius.
So, sarah, which is a spark in Arabic, is related to sirah, which is Sirius, which is the sparkling star.
So, the seraphim typically are translated as the jinn.
Now, the jinn are born from fire.
And that is an astrological signifier of Sirius.
And they are one and the same as the Ruach Elohim, which are the high spirits.
so the high spirits all the Jane and all the angelic host that these are all interchangeable okay so So this is based upon a concealed discourse, and the dissemination of scaphology within academic research is integral to understanding the flying saucer enigma.
Okay, so we're not going to really understand what flying saucers are if we don't go into the occult tradition.
And this tradition is protected by the Disciparati.
I refer to them as the Disciparati.
it's a word which is related to the word disciple but in Latin actually means to deceive so this is knowledge which is And we have to go back into the scaphological tradition, the study of ancient mythology to understand flying saucers.
So we can say...
And this is another important study within scaphology, is the deconstruction of these crew members of naval vessels.
Because obviously when I was younger, when I went to Sunday school, nobody told me that these angels came off vessels and that they were represented as crew members of vessels.
And this is a hidden part of the tradition.
So, who are the angelic sailors?
Well, as I said before, the angelic sailors, they can be categorized into two main elements.
And these are the non-human elements, which are the seraphim.
Again, the seraphim in scaphology is related to the scaphological tradition.
So we've got seraph, which is a cognate of Safina, a boat.
And again, we've got the cherub, which is related to carib, a boat.
So both types of angels, whether they're human or non-human, They work together and they work in unison.
They are seen as being complementary and indeed within ancient symbolism they often appear together.
So we're going to now look at examples of the seraphim and the cherubim and we're particularly going to look at the example of the angel and what the angel signifies.
A central tenet within biblical symbolism is that the angel is featured as a mariner and is encoded in the Hebrew word malach an angel, a synonym of malach a sailor.
Now the definition of an angel is intimately tied into the encoding of the name of a God in Hebrew.
And I mentioned this earlier, but this is really important to underline.
And this is really underpinned within biblical and classical exegesis.
This idea that God is the commander of this nation.
So, for example, in the ancient Hebrew, we have Seboeth, the angelic host, and that's a modification on Sevet, which is a crew.
In the old Semitic, Teba, a vessel or a ship.
Now, the connotation is of an armed force, as expressed in the modern Hebrew nouns, Savi military and Savi an army.
So this is a military host, and we need to be under no pretensions about these.
And again, the cherubim are represented as armed angels.
It's an etymology of cherub or a cherub in English, but the etymology cherub is related to cherub, which is a sword.
So typically, the human angels are represented with a sword to highlight this human origin.
And again, as I said before, the priesthood itself can be split into two compartments.
There is this human knowledge and then there is this non-human knowledge.
And the two groups are antagonistic, but they're also working together and they're contracted to each other.
And this is another important point.
Because it is at the basis of every civil war on the planet.
This idea about whether we subscribe to the teachings of the angels or whether man goes alone and whether he represents himself and his own legal institutions.
This is all a part of the scaphological tradition.
I'll just comment on this picture.
This is the Virgin Mary.
Again, we've got two keys on the sailcloth of this ark.
And again, the ark is related to an archon.
The boats are sometimes represented as curved to represent this idea of a flying saucer.
But again, the boat can often have a shield as well to represent this idea of a flying saucer.
So, for example, in the Greek, you would find the relationship between opylon, a shield, and pleon, which is a boat.
Now, the shields are also a type of missile.
Because in the classical world, they were catapulted or they were used as projectiles.
So the shield is used as a signifier of a flying saucer.
And they literally did define them as flying saucers because some of the Greek etymologies for a shield is the same as a saucer.
And as I said before, the flying saucer, really when we go back to the occult tradition, is a votive dish.
And they were worshipping these vessels and making blood sacrifices to these entities.
We're going to now have a look at the depiction of Noah's Ark, and I think that this is important also, because Noah's Ark links into the tradition of Seboeth the host.
As we said, Seboeth is related to Yahweh Seboeth, the lord of the host.
And I want to try and prove to you that I'm not making this up, that really they were dealing with flying saucers.
It's not me projecting a modern idea onto something which is very old.
We can actually demonstrate this through the critical study of language.
So...
So here we have a picture of Noah's Ark.
Now we've got Teba and Ark.
Teba and Ark is obviously related to Seboeth and Sava, which is an army.
So this is part of the naval host.
So Noah was saved or he was appropriated by the naval host of Yahweh Seboeth.
But the wording is closely aligned to tabat, which is a ring, and tabac, which is a platter.
And this is why Noah's Ark was represented as circular.
It's a representation, another representation of the opening wheel.
Now this illustration, although I copied it myself, but it is actually based upon Petrus Comesta's Historia Scholastia.
In 1173.
So it's very old, but it was republished in the Bible Historial in 1372.
So this depiction is an illustration taken from an illuminated manuscript.
So this knowledge is old, and this knowledge is coming out.
And one of the key ways of analysing this knowledge is through scaphology.
So, I'm just going to quickly now summarise what we've learnt so far.
We can say that the angelic host are related to ships.
We can also say that Yahweh Sabaoth, the lord of the host, he is the captain or he presides over a naval host.
And this naval host is understood as Sevet, which is a crew.
Now this is the angelic crew or the angelic sailors.
And they sail on ships, which is Teva or Teba and Ak.
Again, the wording Malak and Angel is polymorphic of Malak, which is a sailor.
Nekal, which is a container.
Now, this is going back into what I refer to.
The cytological tradition from the Greek word kutos, which is a vessel.
Now, kutos, a vessel, in the ancient world, in order to represent a boat or a flying saucer, they would use vessels.
In the same way that we say a vessel is a ship, they were using the same type of symbolism.
So, for example, a barrel, which would be used to denote a large or a heavy opening wheel, which is a large opening wheel, would be used as a cytological motive, as a motive of a vessel.
We've also got the seraphim, which I mentioned were non-human angels.
Now, seraph is related to sapana semen and saphena a ship.
Now, if you haven't studied morphology, that connection might not be apparent, but there is this switch between the P and the F, and you would find a similar switch in English and Greek between the wording father and pater.
So there is this switch.
So a seraph is a type of semen, and this would actually make sense, because malach an angel is malach a sailor.
As we said before, Yahweh is saboath.
Now, also, we've got zar, which is the Aramaic word for an angel or an alien, which, again, is related to sar, which is a captain or a prince, and syrah, which is a boat.
And I think that this is an important symbol, because when they were depicting boats, the symbolism was multi-layered.
Here we're dealing with a special type of wordplay now.
This is diptych paranormasia or a folded pun.
So the Hebrew word syrah, a boat, is a wordplay on the Arabic word syrah, which is Sirius.
So the angelic boats or the angelic vessels are astrological to Sirius, as is the symbolism of the seraphim.
And this can be understood when we break down linguistics.
So the seraphim traditionally is a type of alien.
Now, I've got a note here about Michael.
I've just mentioned that Michael is the captain of the naval host.
And this is really emphasised between the representation of Michael and the etymology of Mechal, which is a container, which we mentioned was a type of vessel.
In this respect, this would be an angelic vessel or an angelic boat.
So, I'm just going to show you now a quick summary.
So we can say that their heavenly host are the angelic sailors.
The angel equals the sailor.
The host is an army.
This is an armed host, hence the angels were often holding swords.
The cherubim was shown with keruv, which was a sword.
And they are crew members of a ship.
They are derived from heaven, and this is an armed military force.
In today's parlance, we would say that this is a type of flying saucer.
So, who is the lord of the host?
Now, unambiguous within the Bible, there are over 300 references to the Lord of the Host.
In the literal sense, the Lord is a commander of a naval retinue.
His crew members are represented as the angelic host.
To quote the book of Amos, chapter 4, verse 13. The Lord, the God of hosts, is his name.
And as we said before, this is not just, if you like, a land army, or it's not just abstract.
When we go into the scaphological tradition, the host is based upon the naval tradition.
So Seboaf host is related to Sevata crew, Teva, which is an ark.
These are flying arks which are represented as literally as shields or flying saucers.
In military force, the angelic hosts are presented as typically alien crew members of aerial vessels and are entities which traverse in celestial ships.
Vessels that are reminiscent of flying saucers.
Encoded within the ancient languages, the concept of an alien is shown to be identical to an alien.
So the alien and the angel are synonymous.
They are one and the same thing.
You have been led to believe that they are entirely different, but I can assure you they are the same thing when you go back into the ancient languages.
So, for example, the Aramaic word, I'll just put this on.
So, for example, the Aramaic word zar and angel is polymorphic of an alien or a stranger.
Zar appears in the modern Hebrew lexicon, kezar, a space alien, a compound from ke, a living creature, and zar and angel are an alien.
They're one and the same thing.
So, kezar, a space alien.
This alien is deemed as being living or a living type of creature.
And this is important because obviously there has been, if you like, some ambiguity, particularly when you're dealing with...
But when we begin to understand here that we're dealing with a holographic culture, they have dematerialized the mechanics of reality.
They have dematerialized the waveform.
So they can exhibit themselves physically, but they can also dematerialize.
They are outside of time.
And this is an important concept to really understand and to get our heads around.
Now, I believe myself as human beings that we also...
I don't believe that we're that far away.
So this is another thing which we need to bear in mind.
So I'm just going to...
I want to also mention that the KSAR, which is a space alien, is...
So in the biblical tradition, Yahweh Seboeth, or his living hosts, are sometimes represented as an El-A-K, which is a high god or a living creature.
Now an El-A-K, in today's language, could easily be translated as an extraterrestrial biological entity.
Because the terminology Elohim is coming from Ela, which means...
It's the plural noun for God.
Sometimes it's used honorifically to represent Yahweh or an angel.
So, again, we can say that zar, which is an angel or an alien, that by definition they are muzar, they are strange.
So, the terminology strange, again, would imply an angel or an alien.
It would imply czar, an angel or an alien.
So, yeah.
So, as I mentioned, zar an angel, alien or stranger, visitor or foreigner.
It's a polymorphic word.
In the modern Hebrew, we find the equivalent kezar, which is a space alien.
Ke is a living creature.
And an eleke is a living god or a high creature.
And again, these are creatures or entities which originate from naval vessels.
Vessels which are represented as circular or round.
So, it's idiomatic of a flying saucer.
very literally a flying saucer as we'll find out.
As we can see the study of scaphology Classified is coming from the etymology of classes, which is a naval fleet.
Again, one's class is dependent on whether one is born from an angel, the sons of a boat, the bensirah, whereas the son of a boat.
In English, we would say lordship.
And again, the same comparison is found in the Semitic word or the Hebrew word malach an angel is related to melech a king.
Again, Sarif, a lord, is related to Seraph.
Again, within the Greek, we've got the Archons, which is an angel or a ruler.
Again, Nosarchos is a naval captain.
so these are all examples if you like of the sons of the boat who can be defined as Lordship so an angel of the bloodline of the angel Now, in the ancient languages, the demigods were represented typically using different metaphors, but they were represented either as a grafted lineage, so the family tree becomes very important, whether you are born from a scion, whether you are grafted.
Again, you've got the family shield.
The shield is representative of a boat.
Again, the shield is typically adorned high to represent the elohim, the high ones.
And again, even within modern English, We would refer to the monarch as highness.
Again, this is a deferential to the elohim, to the high ones.
So, we're going to now move on to the opening wheels.
What are the opening wheels?
Well, we can summarize what the opening wheels are very simply by saying that they are a type of flying saucer.
Literally, they are represented as a type of spinning or circular vessel.
Now, the wording ophonym is very interesting when we begin to deconstruct the word.
So, we've got ophonym, a wheel.
It's used typically in the plural as the ophonym.
Now, this is because the ophonym is typically constructed as a series of interlocking cogs.
And again, in the book of Jeremiah, the ophonym is described as a construction.
So, here we're in no doubt about what the ophonym are.
Physical vessels, they are constructed from a series of cogs, and they contain an LRK, or a high creature, a living creature.
Again, some of these creatures are non-human in appearance, hence the seraphim are represented as serpents.
But when we look at the etymology of oph and a wheel, we see that it's related to panna, which is to turn, and ophir, which is to radiate golden light.
So these are radiating wheels, these are spinning wheels, and this is a type of angelic carrier.
Now, interestingly, The wheel is often combined within symbolism with the throne.
Now, within angelology, the thrones is a type of angelic classification.
Now, this is because when you combine the wheel with a throne, you get the throne chariot.
And the throne chariot is another signifier which is used to represent the LRK, or the living creatures, or the high creatures.
So, right, so the opening wheels, we can say that they...
We mentioned that they can also be symbolized in conjunction with a throne, which ties into the symbology of the throne chariot.
Again, the wheel and the cog is very closely aligned to the scaphological tradition, which is the study of angelic boats within religion and mythology.
The scaphological tradition, and I'm sorry about a lot of these big words, but the problem So in order to convey and to communicate these ideas, we have to use new language.
And so we have to try and empower ourselves through language in order to communicate some of these concepts.
And some of these concepts are very abstract.
So we've got the cytological tradition from the Greek word kutos, which is a vessel.
Again, the symbolism of the cytological tradition goes into the symbology of lamps.
Barrels, caskets, all types of symbolism.
We've got numimastological symbolism.
Now, this is very important, but the symbol of the coin represents the opening wheel.
Now, many people may say to me, yes, Pierre, but that's a bit of a stretch, isn't it?
But no, not when you understand that the terminology redemption, which is to buy back, is going into the redemption of sin, and that the votive dishes are representational, both of the hieroglyph Sirius, but also of this spinning wheel.
This wheel and axle, which is a type of flying saucer.
As we mentioned before, we said worship.
Again, in the Arabic, sabah is to glorify.
And sabah is related to saboaf, which is the host.
It's polyglottal.
In English, we would say worship.
It's the same thing.
It's the veneration of these angelic vessels, which are tied into the deities and which have these astrological significance.
And lastly, we've got the telecognitive vessels, which are vehicles of the mind.
Now, these are type of smart vessels or vehicles, so it's controlled via the mind, and there is evidence within the biblical and the apocryphal traditions that these vessels were somehow interconnected to the mind of the angel or the entity.
Now, again, we can understand this language in today's language, but then it would have been very abstract.
So, we've got the Ophanim or the flying saucers.
Again, these are all different representations, cogs, vessels, containers.
We've got on the left the votive dish, which is a signifier of Sirius or an axel and wheel.
Again, we can also see that the axel and wheel in symbolism is often duelled with the shield and the boss, which is a type of spike on the right.
So they are one and the same signifier or symbol.
At the bottom, we have got the boat, which is represented as a type of lamp.
So it's a type of gin or the genie.
We've got the throne chariot, and again, we've got scapta, which is to carve out a boat.
Okay, so this is a hollow boat or a vessel.
Now Moses'basket, as in the same way as Noah's Ark, it's the same word, Tevar, which is...
Again, Moses' name means to pull up.
Again, the baskets were pulled up.
So the symbolism of the basket is often used to denote a heavenly basket, which is pulled up into heaven.
It also can have connotations of a seed basket as well.
Now, this goes back into the arcane traditions of panspermia, which was the planting of mankind on the earth.
This is the second creation, again.
And this is important to remember.
Mankind was replanted on the earth.
So he wasn't created by the Elohim, but he was replanted.
And if we have time, we'll try and move on to this symbolism.
Now, this picture was a copy which I made when I was about 19, because before I came interested in this, I wanted to be a painter.
So this is one of my personal favourite artists, Lawrence Tadema, and this was a picture which I copied.
Now, let's just have a look at where we are at the moment.
So I want to now look at the idea of a wheel or a cog.
And again, within Byzantine iconography, we can see that the angel is often combined with the wheel.
Again, that this is also understood to be a type of votive receptacle.
Now, the angel is walking on water because, as we said before, Malak an angel is a cognate of Malak, which is a sailor.
Now, appearing in arcane symbolism, the opening wheels are synonymous with the Elohim and their hosts.
To quote from the prophet Ezekiel, chapter 10. So this is an example of what the opening wheels actually look like when we're dealing with them within biblical discourse.
So then the glory of the Lord, Yahweh.
Now the terminology glory is very interesting because it's used often.
It's coming from the etymology of heavy and it's also coming from the etymology of cavit, which is a barrel.
Now the barrel is heavy and it was used to denote a heavy opening wheel.
So the glory of the Lord, so it's a scaphological or a cytological motive specifically of this vessel.
The glory of the Lord went up from the cherub and stood over the threshold of the house.
And the house was filled with the cloud and the court was full of the brightness of the Lord's glory.
And when I looked, behold, the four wheels, they were the ophanim.
By the cherub, one wheel.
by one cherub and the appearance of the wheels was as the colour of beryl.
Now this is a polymorphic symbol.
The word beryl in the ancient Semitic So, again, we're seeing that there's an alignment between the opening wheels, which can be represented as a throne chariot, but it's also jewelled or typically paired with this idea of a boat, ship, or a vessel.
It's part of the scaphological tradition.
Now, this is the living creature.
As we said before, K is closely equated with Elake, which is a high creature.
And again, Kezar in the modern Hebrew, a space alien.
But Kezar is coming from this old root of zar, which is an alien or an angel or an alien.
The two terminology are one and the same.
So this is a living creature that I saw under the God of Israel by the river Kebar.
And I knew that they were the cherubim.
So I'm going to now show you some depictions of the opening wheels.
So we've got an early Babylonian representation of the opening wheels, and we've also got the Judaic fresco of the opening wheels.
As we notice on the right, the wheels are interconnected, and this is because the wheels were constructed from a series of cogs.
And again, within symbolism, the tooth is very important because the tooth is attached to a cog, and so it can have connotations of an opening wheel.
Now, again, this is Renaissance art, and again, it's working on what I refer to as diptych paranymesia, or a folded pun.
So we have the Greek word othon, which is a sheet or a sailcloth, and that equals to ophan, which is a wheel.
so in this respect the ruach elohim which is a high spirit again spiritus which is to breathe so he's breathing into the sailcloth but the sailcloth is used as this diptych parinamasia to represent this of an in wheel and again when we look and This idea that he's been risen up in this shroud has this connotation of the opening wheels.
So, I now want to look at pulpits and what the pulpit symbolizes.
Well, they don't tell you this at church, but the pulpit symbolizes a flying saucer.
Again, it's one of their carefully kept secrets.
As we see here, this is an example in New York, 1900, and this is an example of an opening wheel.
Notice how it's elevated.
It's on this pillar.
So we're in no doubt here that this is a type of spinning wheel, which is a type of carrier of an angel.
And again, the trumpet is used to denote an apparition, because the Egyptian Arabic word for an apparition is very similar to a trumpet.
This, again, is going back into Pythagorean theory, denoting sound in different dimensions.
Different dimensions can be represented as different sounds, and the angels use music, or the music of the spheres, in order to materialise.
So there are very strong, if you like, connotations which are scientific.
So this is ancient scientific knowledge.
Again, I...
This is a very early example of a pulpit.
And again, we've got this opening wheel which is above the preacher.
Again, the idea is of the Ruach Elohim who would inspire the teacher.
The Word of the God is coming.
From this receptacle, it's coming from the wheels or this type of ship.
Now, on the front of this altar, we also have a rhombus, which is a type of diamond.
Now, the etymology of rhombus is coming from the root to turn.
And as we mentioned before, oph and a wheel comes from the root panna, which is to turn.
Again, this is all part of the artefact.
So in English, we would say wheel and whirl.
So these are all, if you like, this universal grammar, which is playing out through polyglottal symbolism, word plays which repeat in many languages.
And which I have argued is part of this alien code, which is found within occult symbolism.
Symbolism which is concealed.
And again, occult symbolism is relating to the jinn, because the terminology jinn is from the root janna to hide or to conceal, and jen which is a serpent.
So this is hidden knowledge regarding the jinn or the seraphim, because they are one and the same.
And as I mentioned before, the seraphim are these type of aliens which are from Sirius.
We're now going to move on to the throne or the throne chariot.
Again, this is part of the symbolism of the opening wheels.
So here we've got an early example of a Judaic shekel from dated 33 BC.
We've got the throne chariot.
This is a deity sitting on a throne chariot.
We know that the throne chariot is elevated because we have a man on the right.
So this is an elevated throne chariot.
And on the right, we have got the schemata of the Vatican.
Now, here we've got a representation of the key.
Claeser key is related to classis, which is this naval fleet, which, as I said before, is the naval tradition.
The naval tradition is the classical or classified tradition, which appertains to Malachan angel and Malachan sailor.
Now, the key is important because it unlocks something, and a lock is a series of interconnecting cogs.
And what are a series of interconnecting cogs?
So, when we look at the opening wheels, as I mentioned before, they can be represented variously as a type of throne or a throne chariot.
We can also see that they can be combined with a deas as well.
So, when we look at the symbolism, we can also see that the wheel can be represented as a shield.
So, if we look at the diagram, one, two, three, four.
The wheel or the shield.
Okay, so that can be understood as a wheel or a shield.
It's also represented, it's the hieroglyph for Sirius, and it's also used as a votive dish.
Okay, so remember, religion is religare, from the Latin root, religare to mar a vessel, a ship.
Okay, so religion is appertaining to the scaphological tradition.
So, let's go and have a look at the passage of Enoch.
And Enoch combines the idea of the throne with the wheel.
And I wanted to use the quotation of Enoch because the angels are sometimes referred to as the thrones.
And without understanding the symbology of the opening wheels, then it's very difficult to understand what the thrones are.
But the thrones is another word for a flying saucer.
It's another word for the opening wheels.
So Enoch wrote, And I looked, and I saw therein a lofty throne.
Its appearance was as crystal, and the wheels, the word Ophanim, thereof as a shining sun.
And there was the vision of the cherubim, and from underneath the throne came streams of flaming fire, so that I could not look thereupon.
And we can see here that the throne is, in this representation, combined with the serpent.
So we have a visual pun of an opening wheel combined with a serpent.
Now, this is very common because this represents the seraphic host.
There is this etymological connection between Saba, which is an army, it's a bow of host, Sevev, which is a crew, and we've got Sefev, which is a type of seraph.
So the seraphic host, this is a representation of.
But we see, typically, the seraphic host is also combined with the human host.
These are the two traditions being merged together.
They're being combined together.
And again, we find within modern ufology, often the aliens appear with humans.
And again, the humans often appear to be wearing military uniforms.
So this goes back to a very, very old, very ancient tradition.
Now, going back to the study of Enoch and Ezekiel, we can say that certainly during the vision, Enoch ascends and he meets the angelic order, an agency that is comprised of the seraphim, non-human angels, in conjunction with the cherubim, which are proto-human angels.
So I just want to quote Enoch because, again, this illustrates this combination of the human and non-human host.
And the angel Michael, as we said, Michael is related to Mechal, which is a textual.
which used as a cytological symbol of a vessel or an angelic carrier, translated my spirit into the heavens of heavens.
And I saw there, as it were, a structure built of crystals, and between those crystals tongues of living fire.
And my spirit saw the girdle which girt, that's the word for encircled, that house of fire, and round about with seraphim, cherubim, and opening wheels.
And the only angels who are above the heavens go in and out of that house, And there are many holy angels without.
Okay, so we've got, if you like, the full range of symbolism there.
We have got the seraphim combined with the wheels, and we've also got the human host as well, which are appearing together.
This leads us on now to the study of scaphology or scaphological symbolism and I want to just draw your attention to shield motives which are used to illustrate the angelic tradition and these angelic carriers.
So, just say moving on.
So again, we've got the scaphological symbol of the shield.
The shield in Greek, we've got oplon, a shield, which is related to oplitis soldier.
In this context, this will be understood as the angelic host, but again, So the angel here is represented with a boat signifier.
And we saw this earlier on with the Virgin Mary, who was carrying the boat.
Again, this would be a denomination of those who were born of a boat, this angelic lineage.
So when we look at angels, I'm going to now look at the cherubim and the seraphim because these are the two main types of angels which appear together with the opening wheels.
But again, they are related to boat and chariot symbolism.
So we've got the cherub, which is a cherubim.
Now, I translate the word cherub as a marine.
In fact, we could actually literally say that they were space marines.
And this is because the word in cherub is from the derivation cherub, a sword, and carib, which is a boat.
If you like, one who is derived from an army, because we said Saba is an army, Sabaoth is the host.
And one who is armed and from a boat is a type of marine.
So the angels, or the cherubim in particular, were understood to be a type of marine.
And the cherub is related to carib, which is a small boat.
But again, the word in cherub is an anagram on rekav, which is a chariot.
And the chariot here is used to represent the spinning wheel.
The spinning wheel is a flying saucer or the opening wheels.
So, now we move on now.
To the seraphim, these are alien angels.
Again, I think it's useful here to just refer to what I refer to in a holographic culture as the seraphim-kerabim dialectic.
This is this discourse between two different groups of angels which impart this knowledge.
And this knowledge is about human and non-human knowledge.
Now, within the Greek mysteries, this was typically found within the Pythagorean-Euclidean tradition.
Now, the name Pythagoras is Puthonagoras.
The speaker of the serpent.
Now, he was the speaker of the seraphim.
He represented one part of the seraphic tradition.
Again, Sifra and Numero would relate to seraph.
This was the numerical tradition which originated from the seraphim.
So the seraphim taught mankind mathematics.
But then also we have the Euclidean tradition.
The Greek word euclides, which means good glory, but is coming from the Arabic, euclid, which is to ape or to copy.
And mathematics copies our apes, the external world.
And here we're talking about euclid's elements of geometry.
So his geometry copies the earth.
Now, euclid is coming from this Arabic derivation, kurd, which is an ape.
Now, the ape is used to represent mankind within occult symbolism.
Two strands of knowledge from two different angelic beings which are represented with boats, which often come together and are shown as the seraphic cherubic host within the symbolism.
But they are part of two distinct traditions which can be represented as the two pillars of Freemasonry.
So when we now look at Seboeth, the angelic host, we can say that it's related to Sabaranami, Sefer for which is a viper, which can in this respect be understood to be the Seraphic host.
Again, the Seraphic host in the Apocrypha codices were deemed or represented as the watchers.
Sofeth, which is a In the Latin they were referred to as the serpentagina, the serpent race.
But the dragon is another terminology for the seraphim, the jinn.
The Ruach Elohim.
They have dematerialized.
They can dematerialize.
They have deconstructed the physical parameters of reality.
So, the host, as I mentioned, are related to Tevar, which is a large ark or a carrier vessel.
Again, within the Greek, and I'm sorry if I'm bombarding you with these knowledge bombs, but I'm just...
But we said that the archons is a type of angel but is related to an arc.
And again, the word in arc is a curve.
And this is because the vessels were curved.
But anyway, Tevar, which is an arc or a vessel.
Again, we're seeing Seboeth, the Angelicos.
Close relationship, certainly within the symbolism, with Toshavet, which is a wagon of the host.
So we can say, when we begin to deconstruct scaphology, that scaphology is closely aligned with both ship and boat signifiers, but also chariot signifiers as well.
And again, that's encoded within the language.
So here we've got Merkava, which is a chariot, Arabic, Markab, which is a ship.
As we mentioned before, ships and chariots are representational of the same thing.
The shield, Oplon, is denotational of Pleon, which is a boat.
And again, we've got the tiller on the right with the large...
He is wearing this helmet, which is a symbol of Hermes.
Hermes wears this helmet, which is shield-like, again, because he has come from the heavens, and he is one who is born from a boat.
But we see here that the boat is typically also represented as curved.
And again, this is a symbolic signifier of these curved vessels, which can be represented as shields or flying saucers, votive dishes or wheels.
So just quickly summarising the ophonym wheels, we can say the following.
We can say that the ophonym are a type of carrier.
The ophonym are wheels and that they signify a vehicle of a deity.
And this is important.
And again, I mentioned that this was a secret tradition.
It's not something talked about.
You know, when you go to university and you talk about the votive dish and the classical priestess and the votary offering, You don't get anyone saying, yeah, but what about the flying saucers?
Yeah, but that's what it actually represented.
Nobody talks about it because this is a hidden tradition.
So, we mentioned that these vehicles of a deity can be represented as a chariot or a ship, typically.
They're equivalent to a wheel or a shield, which is a spinning shield or a spinning wheel.
Again, I just want to make a reference here that we've got Sirius, the star Sirius is the flaming one.
If we looked at the etymology in Hebrew of seraph a serpent, seraph a fire, sopheth which is a watcher.
This is going back into the Greek drachain which is to watch or to look which goes back to drachos and I, dragon.
They're all the same things.
We can see here that the circle or the flaming circle is combined with a triangle.
So this would represent a shield.
This would be the shield and boss.
But again, sarah which is a spark is denotational of syrah which is syrius.
And again, it's going back to the seraphim, because seraph of fire.
So this is going back to an alien race, which is part of this scaphological tradition.
We also mentioned that the ophanim are combined with the throne, and this gives us the throne chariot.
This is another name for an angelic carrier or a vessel, which corresponds with the flying saucer.
Again, I just want to draw your attention to the fact that within artwork, typically the throne chariot will be combined with scaphological motives.
So in the depiction on the right, we have this chariot, but it's in the shape of the prow of a ship or a vessel.
So it actually looks boat-like, and this is because it was understood within the symbolism to be a type of boat.
As we mentioned before, Yahweh Sabaoth is the lord of the angelic host, and these angels are represented.
So the symbolism makes sense.
This is part of the scaphological symbolism.
And again, when we look at, on the left, we've got the symbol of the cherub, which would be the human host, cherub.
But again, it's combined this chariot with a seashell.
So these are scaphological motifs.
Now, it's very interesting because within the original painting, we've got the woman on the horse, and she's combined with this red cloth.
Again, the cloth is another signifier of the opening wheels, but red, Adam, is from the etymology of Adam, which is man.
Again, in Hebrew, Mahadim is Mars.
So the Adamic man is very closely aligned to the Martian within the symbolism of Jerusalem.
But interestingly, in the Hebrew, susahos is this diptych paranamesa, or it's this wordplay on sus, which is the Egyptian Arabic word for a worm.
And the worm is another symbol of the jinn.
As we mentioned before, jinn is coming from the old Semitic root, jinn, which is a serpent or a worm.
So it's this combining together of lineages, or they're grafting together of lineages which are being represented.
I did mention also about the seraphim and the cherubim, that their two sets are orders of angels.
They go back to two different specific traditions, which were the Pythagorean and Euclidean tradition.
And this is the basis behind the split of all priesthoods, whether it's the Sunni and the Shiite, Protestants and the Catholics.
It's all going back to this symbolism, this split and compartmentalization within knowledge.
Okay, so we've got both groups of angels are added under the Seraphic host.
I think that's also important to mention.
The Seraphim are deemed to be a higher rank of angel than the Cherubim.
Okay, so the Cherubim, the human angels, take their orders from these non-human angels, which are from Sirius.
Again, it's easier to see the word plays.
Now the word plays particularly play out within the linguistic symbolism.
This is why I've included this slide.
But we've got Seboaf, which is the seraphic host, as we mentioned before.
Yahweh Seboaf is the lord of the host.
Now Seboaf is closely related to Sefeth, which is a watcher.
Sefeth, which is a viper.
Sevet, which is a crew of a naval vessel.
As we mentioned, this naval vessel can be understood to be a type of ark.
Teva, or Teba, which is an ark, and Sabah, which is an army.
So we see here that the serpent, or seraph a serpent, is combined with the wheel.
Again, we've got...
So the sphere or the wheel is combined with the serpent to represent the opening wheels.
And the opening wheels are this seraphic host, which are this non-human host.
And as we can see illustrated within the slide, the seraphic host is often combined with the human host.
So they're working together, they're working in unison.
Now here we've got Athena and again this is working on similar symbolism.
Now the Greek priesthood loved to use Arabic and Aramaic to encode their symbolism.
So again they're often taking their symbols and they're taking it one step further apart.
And this is to keep it hidden from the general populace.
So you've got the outer and the inner mysteries.
The outer mysteries are literally the fundamental interpretations of the mythologies of the religious texts.
And then you've got this hidden private discourse.
Here we can see Athena, and this is working on a series of word plays.
As we said before, the shield is a signifier of a flying source or a boat.
Oplon, a shield, is related to pleon, which is a boat.
This is a type of angelic vessel or a flying vessel, because the Greek military, they would use shields.
They would typically put in hot mud and excrement.
And hot sand.
They would heat them up and then they would fling them off in catapults and they would be like giant frisbees.
So if you wanted to represent a flying saucer, what is the best way of representing a flying saucer?
A giant frisbee in which its etymology means a boat.
And this is because the angelic sailors were viewed to be crew members of vessels.
Now, here we see that there is this wordplay on Jannah in the Aramaica shield, which is related to Jannah, which is to conceal, because the shield is a protective guard, but it hides or it conceals the jinn, which is jen, which is a serpent or a worm.
So this is a hidden or a concealed tradition.
Again, the cloth is often used to denote something which is hidden or concealed.
Again, the connotation is of the gin, but as we said, the sailcloth can also connote a wheel because othon, which is a Now I thought I would show you this illustration because it really combines all of the symbolism.
So we've got scapto, which is to carve out, which is a hollow boat.
We've got Othorn, which is a sheet, which is related to Ofan, which is a wheel.
Now, as I said before, the wheels can be represented as shields, so we've got the shield in the left-hand corner.
But here, note that the shield is actually drawn as a type of opening wheel.
It has an axle and it has spokes.
But the shield is leaned across the throne in order to represent the throne chariot, which is this angelic vessel.
And again, we've got the curvature of the boat or the ship or boat to represent these.
These arcs which appertain to the archon.
The archon is a type of angel.
And if I was to guess what type of tree in the background, I would probably say it's an olive tree.
And the reason why I say this is that the word in olive is related to olcas, which is a ship.
And again, it's closely related to a carrier and also a barrel.
so this would be a type of heavy wheel because the barrels are heavy they're circular so if you want to represent a big flying saucer or a heavy flying saucer you represent it in the symbolism as a barrel the barrel is a cytological motive of a Okay, there we have it.
So we've got the Greek vase, Odius, and he's pursued by the north wind, and he's on top of a vessel.
So this is doubling over as a wheel, but it also has this connotation of a ship as well.
And we have the Ruach Elohim.
Now, interestingly, we've got a fish on the right-hand side.
The probable connotation here would be of a whale, because the whale, the etymology of whale and vessel are closely aligned within the Greek, and again the symbol of being swallowed by a whale is used to denote this idea of an angelic carrier, which is equated to a vessel or a ship.
So the symbol of the whale is sometimes interchangeable with the fish, which is metallic-like, and which is elliptical, which looks like these silver, spinning, shining wheels.
Now I just want to go back a couple Let's take a couple of slides and just deconstruct these slides.
So we've got Seraphim.
The Seraphim is represented by light, so we've got the lamp which is a signifier of light.
As we mentioned before, the lamp or the barrel or the vessel is used to represent a type of ship or a boat.
So the djinn are typically shown as coming from lamps.
And it's a cytological motif of light, but it has this connotation of a ship or a vessel.
As we mentioned within the Egyptian hieroglyphics, the Egyptian boats were often represented as a type of lamp.
And again, in the English, we would say bark, which is a type of Egyptian flatboat.
But bark is to bark.
It's a polymorphic symbol of the dog star.
And it's a polyglottal symbol.
And I know it's very difficult to try and get your heads around this because you don't spend all your time looking at words.
But in the Arabic, sirah, the wolves, is related to sirah, which is a boat.
And sirah is the dog star, Sirius.
So we say bark, and the Egyptians in the ancient languages, they said a boat, but the boat is related to wolf and Sirius.
same symbolism.
So, here The basket is covered, so this has a connotation of the gin.
It also has a connotation of the opening wheels because the sailcloth or the cloth is related to a wheel.
As we can see, this is really appertaining to panspermia because we see that the bird is serpent-like and it's also phallic-like.
so there's a conversation a of an angelic carrier which is a seed carrier now again the ideas are We've got Zeus impregnating a virgin.
And we can see that Zeus is represented as this vessel.
Now the vessel here is probably a libation.
But again, the vessel is used to connote a type of ship or a boat.
So this is an angelic boat or carrier.
And again, she's concealing her arm with the sheet, and this can be understood to be the hidden hand.
Now, the hidden hand is a very complex symbolism that goes into the symbology of Orion.
Now, Orion is important within all of this because the descendants of the gods And they are descendants, and they were related to the Nephilim, the giants, Nephilia, which is Orion.
So these motives, they're all replete with scaphological and astrological and cytological symbolism.
To break that down, that's basically boats.
Vessels and obviously symbols to do with stars.
So it's very, very complex.
So she's been impregnated by Zeus and this is an angelic carrier.
Again, isn't it very interesting how this all intersets with the modern tradition of the flying saucer?
We're seeing the retelling of the same story over and over again.
But what we haven't been told about is that the priesthood is featured in this and that they're covering up the symbolism and they know about this.
So, just to reiterate my earlier example, Bensirah are those, the sons of a boat.
They are from Sirius.
Sirah, which is Sirius.
Sirah is the wolves, which is the dog star, and we can say that the boat is represented as a type of lamp.
The lamp is, again, a signifier of something which shines, which denotes the seraphim, seraphim, which is fire.
Sirah, which is the sparkling one, from the etymology of Sarah, which is a spark.
And I just wanted to show how scaphological and cytological motifs are combined together, or the symbols of the boat and the vessel.
So the vessel here is the bottle, and it's combined with the boat.
And they're combined together.
So they are examples of cytological and scaphological motives, and how they are combined together.
But this is very common within symbolism, particularly within ecclesiastical symbolism.
You will often see that the chariot is combined with seashells, or you'll find that the chariots look boat-like in their appearance, or you'll find that the chariot is combined with a shield, which is another signifier of a boat or a vessel.
So, we're now going to move on to numimastological symbolism.
Gosh, this is a mouthful.
I can't even pronounce the words.
for so long.
So, this is about...
And because they don't want the general public to know what they're talking about, they're dealing always with symbolism.
Typically polymorphic symbols, words which have multiple meanings.
Now, one of the ways of representing an angelic vessel was as a type of weight, and this would make sense because in theology, the ancient religions, they would sacrifice, and the sacrifice of the offering was correlated to the redemption or the purchasing.
And so the coin is used.
It's a codified symbol of the opening wheel.
And this is why today when we have coins, they often have serrated edges.
And the serrated edge is used to represent the cog.
And the cog is this interrelated cog which denotes the opening wheels.
Now here I've got some Christian literature here.
And this is showing the weighing of sin, which would be redemption.
But notice the cytological motives.
These motives are related And again, with the apocalypse as well.
Apocalyptin, which is to unveil.
What is to unveil?
It's disclosure.
It's disclosure about these beings, these beings that originate from Sirius and goes back all the way into the ancient mystery religions.
I've got ten minutes.
Right, I'm going to rush through some of these because I want to make some important points.
Okay, so just to go through some of these, this is the hieroglyph of Ra, which is Sirius.
There are all kinds of word plays on Sirius, but we need to be looking at polymorphic language, words which have multiple meanings.
So Sirah, which is Sirius, literally we can say Sir is a secret or the mystery of Ra.
Sirah is the mysteries of Ra.
Ra is the sun god, ostensibly, but the mysteries of Ra are pertain to Syrah, which is Sirius.
And the mysteries of Ra can be represented by the votive priestess with the votive dish, and she's carrying the hieroglyph of Sirius.
But as I mentioned before, the hieroglyph of Sirius is the axle and wheel, which denotes the opening wheel, and the opening wheels can be represented as a type of cog.
It can be represented as a type of shield or a circle within a triangle.
These are all the same symbols, and they're all saying the same thing.
So when we go back into religion and religia, which is to mar a vessel, we see that in the ancient world they were really venerating angelic vessels.
So sabah to praise or to glorify sabboah for the host, we would say worship.
Thank you.
So I'm going to now move on to God from the machine, which is a very curious word.
It's coming from the classical Greek statement, apomachenes theos, God from the machine.
Now, we can say that nos, which is a ship, is related to noose, the mind, and pneuma, the spirit.
Now, I argued in my book, Holographic Culture, that these were telecognitive vessels, that these vessels are controlled via the mind.
And we can understand that these are some pneumatic species.
Now, by that, I mean that they are both physical and spiritual.
In the same way that mankind can be understood to be both spiritual and physical, these are the same.
But they have the advantage over mankind, and that is that they have deconstructed the parameters of time and space.
And when you begin to deconstruct the parameters of time and space, this then goes into the spiritual realm.
So they've also deconstructed what happens after death in the spiritual realm.
So it's all interrelated, and this is what we're finding within the religious discourse.
What is a holographic culture?
So I'm going to try and just look at what holographic culture is.
We can say that the Elohim, the high ones, they are represented as the L-A-K, a high god or a living creature.
We mentioned that the modern translation, that the extraterrestrial biological entity would be applicable.
And again, we also mentioned that the Hebrew word kezar, meaning a living alien, connotes this living creature.
And as we said before, zar is the ancient Aramaic word for an angel.
But zar also means an alien.
Muzar is one who is strange.
Now the L-A-K are the identical.
To the Ruach Elohim, the high spirits.
So they can dematerialize.
So just as in Star Trek, where they can go from A to B or beam themselves up, we're dealing here with a species which have these properties.
I've described them as a holographic species because they have deconstructed the hologram.
They've deconstructed physical reality.
Now the Elohim, the high ones, are also related to panspermia and the planting of humanity on the earth.
So, I just want to now go into some of the etymologies of a watcher, and I'm sorry I'm going to have to rush through this, but this always works.
So, Yahweh God.
It's related to Yara, which is to see.
So again, the eye has this connotation of a watcher.
But as we said before, the eye also represents the dragon.
And we mentioned that Yahweh Seboeth is the lord of the seraphic host.
Seboeth is related to Sabah an army, Sefeth, which is a viper.
So there's a connotation of the seraphim.
But again, it's polymorphic.
We're finding in the Aramaic also.
The Elohim, the high ones, are related to erin, which are the watchers.
Now, it's a polymorphic word, erin.
It also means the shining ones.
So the watchers are the shining ones, which are the seraphim.
And we know that the watchers are the seraphim because in the Apocrypha of Amran, Amran describes the erin as having a face like a viper.
And we would find the wordplay with seraph and sopheth and seraph, which is fire.
But going on into the Egyptian Arabic and the Egyptian mysteries.
We have 'ra' which is serious and 'ra' which is to see.
But remember 'ra' is also as in a dog.
Okay, so there's a strong connotation of the dog, which is the dog star.
Now, this is because dogs actually bay, or they bark at the dog star.
So this is the symbolism of the dog.
And in Greek, we've got Theos God, which is related to Theoros or Watcher.
We could also mention that Theoros is closely related to Phos, which is light.
Again, these are all polyglottal symbols.
These are all evidence of the artifact and how the alien code within language is playing out through multiple different languages.
So, again, we mentioned that the angels, the non-human angels in particular, is related to Sopheth, which is a watcher.
The shining ones are the flaming ones.
Serepha, which is fire, has this connotation of Sirius, in the same way that in the Greek, dracon, a dragon, is related to dracon, which is to watch or to gleam.
Again, this has the connotation of Sirius.
So, I want to now move on to some of the old etymologies for Yahweh, the lord of the seraphic host.
Now, in the Bible, in the book of Exodus, Yahweh is referred to Eiyah, Asher, Eiyah, which is the old transliteration for Yahweh.
And I mentioned that this is because he was the lord of the seraphic host.
So he is represented within the symbolism as shining, as flaming.
He's represented as a flaming angel.
Again, the malach elohim, a high angel, is a combination of the word elohim and malach, which is an angel.
But remember, malach also denotes a sailor.
Again, another name for Yahweh in the Bible is El Shaddai, Almighty God.
But we're seeing that there's a close correspondence with Shed, a ghost, ghoul, jinn or goblin.
So again, this is really a referential to the Ruach Elohim or the high spirits.
And as we said before, the Ruach Elohim can be represented as the jinn.
The jinn are those who are born from fire, which is a signifier of Sirius.
but the word jen is related to Jen which is a serpent or a worm okay so the Arabs would translate And when they would render it into the Hebrew, they would render it as a seraph, seraph, which is fire, this flaming serpent, this denomination of the seraphim, of Sirius.
Now, as I mentioned throughout this lecture, the seraphim are the watchers.
They are one and the same thing.
They can be represented as the flaming eye.
They can be represented as the shining ones.
And again, they are closely concordant with the opening wheels.
They are crew members of the opening wheels, which can be represented as chariots.
Now, again, these are all words what we would apply to a flying saucer.
So, I haven't got time to go into this too much.
I've got about four and a half minutes.
But I will just go into what it states in the Quran.
It says, Man isn't created from nothing.
He doesn't appear from anywhere because this is in the Gnostic tradition.
Mankind or the Anthropos is created with the Elohim.
The Elohim and mankind are created together.
Now the terminology Anthropos literally means human but it was also used to denote sentient creatures which were alien.
So they would say human.
We would really use the word humanoid.
But they have sentient characteristics.
Now, the Elohim created mankind, and he created him from a drop of sperm.
and this is important to emphasize but here we also have And we have the 969 names of Allah, and they're all written on a boat.
And again, this is really reiterating the connection between the Judaic tradition of Yahweh Sabaoth, the Lord of the host.
This is a naval retinue.
This is a naval host.
And this host originates from Sirius, hence he is the Lord of Sirius.
Now I'm going to read you another similar passage.
Man, we did create from a quintessence of clay.
Then we placed him, our creation, as a drop of sperm in a place of rest.
Clay is used really as a signifier of skin, of dust, and dust is skin, so he was genetically engineered.
We placed in our creation as a drop of sperm in a place of rest, in a receptacle firmly fixed.
Then we made the sperm into a clot of congealed blood.
Then of that clot we made a lump.
Then we made out of that lump bones and clove the bones with flesh.
Then we developed out of it another creature, other forms.
Now the other creature is Eve because in the book of Genesis, God...
And again, this is another reference to genetic engineering.
The planting of the race of mankind, which is this second creation.
In the Greek mystery traditions, this was panspermia, traditionally shown with baskets, and it was feeding into this mythological or codified discourse.
Now on the right, we can see that within Quranic discourse, the Quran is often concealed within a cog.
Now, the cog is used to represent the opening wheel.
As I mentioned before, the opening wheels are interconnected, so they are constructed from a series of cogs.
And again, in Frank Scully's book in the 1950s, the military took apart one of these wheels, and they said that they were made from a series of cogs or wheels.
But the prophet Jeremiah knew about this thousands of years ago, when they were talking about that these were constructions of the Elohim.
Again, we've got another depiction of the seraphic host.
We've got about a minute left.
So this is a dragon combined with a wheel, which is a symbol of the seraphic host.
The idea of a child being taken by the seraphic host leads into this idea of abduction.
We'd say a polite soldier is related to the apuis, or those who abduct.
In modern English, we'd say a harpy.
But again, harpy is related to opolite, which is a soldier, pleon, which is a boat or a vessel, opolon, which is a shield, which is a flying shield, flying swords in today's language.
Conclusion, we don't really have time for our conclusion, but I would like to just sum up a couple of things.
In Kerry Cassidy's project, Camelot, we have an interview by William Mills Tompkins in 2016.
He said, I think the disclosure of aliens is extremely important because every PhD on this planet has been given incorrect information.
It's the major problem that we have in this subject as far as disclosure is concerned because the PhDs have all been lied to.
Yes, they have.
And if you want to understand classical mythology and you want to understand religion, you're going to have to understand the scaphological tradition.
But where can you find out about it?
Because it's hidden.
Nobody knows about it.
There are no books on it.
I am deconstructing the symbols.
So that is the scaphological tradition.
This is something that needs to be inserted into academia so that we can understand the mythology of what the myths actually appertain, who the angels are, what the angels are, how they relate to aliens, how they relate to flying saucers.
So, lastly, I would just say on the last point, and I know that we are now six seconds over time, so, right, I would argue, why does Yahweh need armed soldiers to do his bidding, which are the cherubim, cherub, which is a sword?
Why does he need transportation to travel archaically in a wheeled shield or a saucer?
Why does he need human sperm to genetically recreate mankind, which is the second creation or the recreation?
And lastly, Assert, that is the god of Sirius.
And we've got the example of the seraph standing on Sephira, which in this respect is a type of wheel or a sphere.
We've got Sopheth, which is a watcher, which are the shining ones.
And I'm sorry, but I think I'm going to have to draw it.
Although it's a premature conclusion, we're going to have to draw an end there.
If you are interested in my work, then please...
You can buy them on my website at PSABACbooks.com.
Please subscribe to my YouTube channel because I'm trying to get more subscribers.
My book Holographic Culture has just been completed.
It's 580 pages.
It took me eight years to research.
to be so long to research because no one's written about it I had to go back into the original dictionaries because the alternative media If you want to learn something for yourself, you have to go into the subject and you have to go into it deeply.
That's my presentation.
Thank you all very much for being very patient.
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