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May 9, 2022 - Health Ranger - Mike Adams

01:08:03

Vicki O'Brien from Relevant Entertainment joins Mike Adams to UNLOAD on Hollywood's evil, twisted pr

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	Welcome to Bright Town Conversations.
	I'm Mike Adams, the founder of brighteon.com.
	And if you've heard about Hollywood being an industry that is infested with demonic evil and child abuse, I don't know where you might have heard that, you'll definitely want to pay attention to this interview today because we have the answer to that.
	which is healthy, Christian-based films, ethical, good morals taught in the films and this is a rapidly growing industry all across America and one of the people involved in this is Vicki O'Brien and she's with relevantentertainment.net and her company is producing some really powerful, healthy films that have healthy messages for adults and children in the future with other films.
	She joins us today to talk about the industry Thank you for joining me today, Vicki.
	It's great to have you on.
	Thanks, Mike.
	I'm really happy to be here, and thanks for having me.
	It's nice to get to meet you in Tulsa.
	My husband and I met you there, and it was a great time.
	It was great to see all the Patriots out and coming together, and it was funny because I had a lot of people start asking me who had heard me do some podcasts and interviews before, you know, why aren't you speaking?
	Why aren't you saying more?
	And I told them, I said, well, I'm here just to be a spectator.
	I kind of want to take it all in, but at the same time, too, I We're actually at a place where we can start talking and start sharing more and sharing some specifics that I know people want to hear.
	It's taken a while to get to this place, so I'm happy to be here and really excited to be able to start sharing with people what's going on and ways they can help.
	So just to be clear, your firm, Relevant Entertainment, is making studio films for mainstream distribution, correct?
	Yes.
	So what we're doing is teaching kind of what you've seen with the independent film production model is it's working kind of in a broken system.
	They don't really understand how the system works, how Hollywood works.
	As broken as it is, and as much as we don't like what they're putting out, they're experts at what they do.
	They are a business machine, and their studio model is one of the best out there, and it works for a reason.
	So we are taking that model because we're familiar with it and using it in an independent realm.
	And just putting clean content together.
	So in essence, what we're doing is taking the beast on head to head with their model.
	Wow.
	Okay, now you say clean content.
	So what is your definition of that?
	What are the boundaries in your films?
	That's a good question, because I don't think that gets answered enough these days, and it really has nothing to do with ratings, because that's a joke, and they really don't.
	They used to a long time ago, but who understands what any of that means?
	I mean, like a rated R maybe nowadays really should be NC-17 or XXX, you know, 20 years ago.
	So for us, those boundaries mean the type of films we're bringing out.
	We don't call ourselves faith-based as a company, and there's a few different reasons for that.
	A lot of it has to do with the perception that's out there from a lot of faith-based companies that have come on the scene over the years, whether it's warranted or not.
	So we are Christians, and at the core of what we do, nothing that we make will go contrary to the gospel.
	But we're going to make mainstream things dealing with very raw, real things.
	Situations people deal with in their life in entertaining ways, but it's all going to have to be in the same thread of what the Bible says and goes along with that.
	So we won't do anything or portray anything that's contrary to what the Bible teaches.
	That's the simplest way I can explain it.
	Wow, okay.
	All right, well, so I guess we won't be seeing, you know, a transgender Cinderella having a lesbian kiss with, you know, some other cartoon character, because that's Disney.
	Yes, thank you for pointing that out.
	Yes, that is Disney.
	No, you will not see any of that.
	Well, dang, because we were all looking forward to that animation.
	But, you know, Disney has become so perverted and so twisted, and they've bought Lucasfilm, and they took over Star Wars, and now they've ruined Star Wars, and they've taken over, I think they bought Marvel, and so now all the superheroes are going to be transgender child predators or something.
	It's really insane.
	I mean, where does this end, or does it?
	Well, the mainstream where it is, and people need to understand for one thing, there's six conglomerates that really control all media and entertainment out there.
	They, whether, because two of the biggest lies, I'll say this, that I think we need to understand as a society and then we can maybe try to wrap our minds around how we've gotten here and why it's so bad is that That their goal is to entertain us.
	That's a lie.
	Because it's not.
	They have an agenda and that's not it.
	And that we have a choice in what we watch.
	How can you have a choice when six conglomerates really control everything and they parrot the same message?
	They just package it a little differently.
	So this has been going on for years, for probably 70 plus years, longer than I've been alive, longer than you've been alive.
	And really at the core of Disney, it's been going on for a long, long time.
	I don't know if that's how Walt Disney started out.
	I don't know when.
	And I'm going to throw out some terms out here.
	They're just true.
	And I'm sure your audience can handle this.
	But I don't know when he got involved with the Illuminati and when that became a big part of his life.
	But Walt Disney, yes, in case people didn't know, was definitely a part of the Illuminati.
	I mean, there's so many references to it and what he did.
	And there's so many links that he has to different people in that.
	And that was...
	Seeing all throughout all this stuff.
	I mean, even years back, there's Disney cartoons.
	Like, there's a Donald Duck cartoon in one of the episodes where there's an eye chart on the wall, and he's at the optometrist, and literally it spells out on the eye chart, ask about Illuminati.
	Really?
	Yeah, I'm not even joking.
	You can see that.
	Did you ever watch or know the cartoon, The Little Rescuers?
	I've heard that, but I don't remember...
	Yeah, they're like little mice and stuff.
	There's a scene when they're on a cart going down the road, and there's a window in the background, and there's literally a shot of a nude woman, her breasts.
	You can't tell me that's accidental and all this stuff that leads to...
	They have so many themes about witches.
	Why is Disney so obsessed with witches?
	I just want to ask that.
	Yeah, and Netflix.
	What's with all the little witch shows for teenagers?
	What is that?
	Thank you for bringing that up because this is something I talk to moms about.
	I beg them.
	I'm like, moms and dads, please, you've got to understand what's going on with teenagers and where they're targeting them.
	And I think a lot of this, the witches, also kind of goes into the whole transgender thing.
	And I'm going to tell you something I heard this week that kind of put that perspective for me.
	But, yeah, you have a lot of shows from whether it's the new Sabrina, the Teenage Witch, but it's called The Chilling Adventures, and it's just dark all throughout.
	There's quite a few differences.
	There's a TV show literally entitled Lucifer.
	It's literally about Satan.
	That was on Mainstream Network.
	Now it's on Netflix.
	But those are two of the most popular shows with teenagers.
	Right.
	On Netflix.
	It's insane.
	But there is an obsession with witches and a lot of the shows that are coming out and what's going on.
	But I also think too, a lot of that plays into the whole transgender issue of what you're seeing.
	And the statement that I saw this week really hit me and made me think about this in a different way.
	And I think it should be a challenge to all of us as Christians.
	And it said that when we understand that their God is transgender, we'll start to understand why they're pushing a transgender narrative.
	Good point.
	Yeah, really good point.
	I never thought about that.
	Well, okay, let me bring this up then because it dovetails with what you just said.
	There's a TV show out there on the sci-fi network called Resident Alien.
	And it's a show about like a lizard alien being who crashes on Earth, kills a human being, takes his form, and then lives in a small town.
	And his goal is to destroy all of humanity.
	And he's the protagonist.
	He's the hero.
	Okay?
	And in the show, there's a young girl...
	Who is a Muslim girl, and she must be about 10 years old or something.
	And the show is always talking about how Allah told her to do this, or she's a good person because she praises Allah.
	And, of course, they would never have a show that said, Jesus Christ told a character to do this, because the word Jesus Christ would be banned.
	In any mainstream TV show, but they can cite Allah, and they can have an alien that wants to kill humanity be the hero.
	And I'm like, this is so twisted!
	I've got to watch another episode!
	I actually did watch that whole season, because I was struck by how insane it was, and they even had a musical interlude of this happy alien wanting to kill humanity, but being the hero of the town.
	It was wild!
	It's crazy.
	And I think the thing that you just hit on something when you described that show, and I think that the thing that's more irritating me than anything else, or I shouldn't say more than anything else, but one of the most irritating things is that they flaunt.
	What they believe and what they do in our case.
	Yes, they do.
	We don't see it.
	They make it so obvious.
	And a lot of people, I've had friends say to me or people I know, well, Vicki, why would they do that?
	They wouldn't just say what they're doing or tell you.
	That would be stupid.
	Oh, yes, they would.
	Exactly.
	Yes, they would.
	And the reason why they can get away with it is because they've spent the last, what, 70, 80 years just numbing us down to this because it's been all throughout.
	They've been subtly We're interweaving it into the things that we've seen and we've been watching to where now we're numb to it so that if they were to just come out and say, yeah, blatantly, here's what we're doing, we think it's entertainment when it's really a narrative.
	Right.
	Well, really good point.
	But then it brings up my next question.
	How are you able to even get loans or funding for your projects because you don't have Illuminati money?
	Or NSA money or CDC money.
	By the way, we have a source that told us the CDC pays scriptwriters to insert pro-vaccine propaganda into TV shows.
	I mean, it's part of the CDC's budget.
	How do you fund your films, given that probably no one wants to give you money unless they happen to be Christian-based or pro-humanity organizations and There are fewer and fewer.
	It's crazy.
	No, that's a really good question, and I'm glad you asked that, because this is where there has to be a challenge to the church to step up, and this is what we've been doing, and God's been blessing in working in this area.
	But for too long, the church has abandoned Hollywood.
	Or even if it's not Christians, people that have some kind of moral integrity, you know, that realize this goes against what they've been taught.
	We've been taught that Hollywood's evil, so people just abandon it and walk away.
	And when you do that, that doesn't make evil go away.
	It only allows it to flourish.
	This is something there's been a movement of whether it's Christian investors or people again moral people that are out there investing or just the average everyday person to be able to come along and say you know what I'm gonna start backing this and put money into this and I can tell you one of the things that we're doing with these new projects in this new direction we're taking and we also have an ecosystem we're working on in Hollywood super exciting that I love to talk to you about Where it's just going to be a game changer for everything
	across the board.
	Love to hear about that, yeah.
	Part of what we're doing is the SEC, some rules changed in 2016, but I think they went into effect in 2017 for investing, where now you can do online investment campaigns where the average person can come and invest.
	You don't have to just use accredited investors.
	Because like you said, the only way to avoid what I like to call the circle of the cabal, it's just like its own little carnival and it's a merry-go-round of cabal money when you deal with the typical way of investing and you never know if you're going to be dealing with You know, is someone part of the cabal or not?
	So we had to step outside of that completely, which means we have to rely on investors or everyday people to come in and say, yeah, we want to invest in your campaign.
	So it's not...
	Crowdsource investing.
	Exactly.
	Crowdsourcing.
	And that wasn't...
	We weren't even allowed to do that or touch that until 2017.
	So how much influence do the big money investors have over scripts typically?
	Not in your company, but I mean in Hollywood.
	If they say, hey, look, we're bringing $25 million to this production.
	We want to have veto power over the script.
	Is that a very common thing?
	Oh, it absolutely is because typically what happens is with your money and even with the major studios, there's typically two things.
	Most of the major studios don't write their own stuff.
	They probably don't like that info going out, but they don't.
	They'll find writers and stuff or they buy people off because you have so many writers out there that have these Great ideas.
	And they bring them to him, but probably what they bring to him versus what you see on the screen, 70% of it's been changed by the time it's done.
	And that's not necessarily what the writer wants, but they're like, hey, if you want to get this made, here's what we want.
	We'll pay you, but we're going to take veto power on what's written in it.
	So they control just about everything.
	They will always control the narrative.
	And that's what's frustrating for a lot of writers out there.
	They're not going to break in.
	And that's where the world of independent films, Came about and people started getting out there, yet they just didn't understand the business side of it.
	So make no mistake, anything that's done by your major studios or any of your mainstream distributors, the content of what's in that film is heavily controlled.
	Absolutely.
	And I think that explains, you know, over the last 10 years or so, for example, every movie, it seems, and every TV show now depicts gay and lesbian characters very predominantly, way more than they are in society.
	So I don't know what the actual percentage of gay individuals is in society.
	Maybe 2% or something.
	I don't know.
	Something single digits.
	Very close.
	Yeah.
	Do you know what it is?
	The stats that I've seen, they're saying only about 3-4% of all society would categorize themselves as LGBTQ, whatever that alphabet is.
	Okay, but now it's 50% of the stars on the TV show, right?
	Yes.
	It's always got to be, and I was watching a show, I don't know, a couple years ago, it was called The Ozarks.
	Yeah, I watched it until the two lead male characters just suddenly had a spontaneous gay scene.
	I'm like, what is this doing in the middle of the Ozarks?
	Because I've been to the Ozarks.
	That doesn't happen, by the way, in the Ozarks.
	Lake of the Ozarks, Branson, Missouri.
	No, sorry.
	I mean, that's middle America.
	That's flyover states.
	That does not happen.
	No.
	No, that's not happening in the Ozarks.
	So I'm like, this is obviously some gratuitous, just weird, like male, almost porn scene, just boom, right in the middle of an otherwise interesting drama.
	It's like, seriously.
	Well, you know, it's, like I said, it's a narrative they're pushing.
	And I tell people...
	Believe it or not, that's a soft way they start these days, is you put a homosexual character or a homosexual storyline in.
	That's the base point where they start with where they're going and what they're going to do.
	That used to be kind of the extreme back in the day.
	It's not anymore.
	It's the starting point for more.
	I mean, that's what scares me.
	I'm like, no, thank you.
	I mean, if that's a starting point, we're in trouble.
	That's what I'm telling people.
	We treat this as, oh, it's no big deal.
	It's how they desensitize us to think that's a starting point and it's no big deal.
	Like, look at Hallmark.
	For example, who's kind of neutral, not owned by one of the six conglomerates, but they're a publicly traded company.
	One of the reasons we remain private and we won't ever do that because in your shareholders, they start pushing back or you get this mantra and what did they do?
	They said for the first time in 2020 for their Christmas movies, they were going to have gay and lesbian storylines and characters and literally maybe only two or three other movies did not have that in it.
	Yeah.
	Stunning.
	And that's not their audience.
	And that's just the beginning.
	So it's infiltrating everywhere.
	But that's the starting point, people, and it should scare you.
	Tell us about your next film project then and maybe the title of what it's about.
	What's the theme?
	Yeah, sure.
	So the next one that we're going to be working on, we're super excited about because our company focuses on the millennial and the Gen Z. Audience, because they're the largest consumer of media and entertainment in the country, but they're also the least understood and the least catered to, believe it or not.
	Even though they're the largest consumers, they really don't like what's out there.
	They're just consuming what's there.
	So this film, it's an original story, which we're super excited about, and more of what we do is going to be original screenplays, because there's a serious lack of that.
	If I see one more remake or sequel, I think I'd rather go see The Dennis and Get a Root Canal.
	How many more Batman's can we have?
	Or Spider-Man's?
	I mean, how many different Spider-Man's have we had in the last 10 years?
	Yeah, I don't know.
	I'm confused.
	There's probably five or six.
	I'm like, this is getting ridiculous.
	So, it's an original storyline, and it's about a guy named Joel.
	Joel Baker, who grew up as a typical teenager in Dallas, and he went to college.
	He was studying to be a lawyer, and he fell in love, met the love of his life, Stacy, and they were engaged, getting ready to get married, and like some typical teenagers, he grew up with his mom, was a Christian, and went to church, so he grew up in church and knew about the things of God, but It was, that was about it.
	You know, he knew about God.
	That was about it.
	Had a moral compass that way.
	So the night before his, uh, the night before they get married, he goes to a bachelor party, drinks too much.
	Some things happen or he thinks some things happen with another girl.
	His fiance finds out, calls off the wedding.
	He's distraught, moves back home and didn't realize there was a dysfunctional relationship kind of with his mom and stepdad.
	And his stepdad kills his mom one night in a fit of rage.
	And yeah, he has all these things happen to him.
	And long story short, he ends up homeless.
	And so the story starts off with him on the streets.
	And you learn all this about him and why he ended up there.
	But he develops this relationship with a quirky teenager named Chris, being kind of like a good looking Napoleon Dynamite who's confident in the fact that he's kind of a nerd.
	And he works at the Burger Barn.
	And that's how Joel gets his food.
	He feeds him food.
	And he takes him in anyways, befriends him, takes him in and helps him clean up his life and get off the streets.
	But it's how you learn about his past.
	But it also shows you the power of redemption, that he doesn't have to stay there and how he moves forward and how God uses other people in his life to do that through everyday brokenness and things.
	So there's laughter, there's redemption, there's heartache, there's real life struggles that are dealt with.
	But it's just unique in the way it's written and done.
	And it's perfect for The Millennials and Gen Z audiences.
	So we're really excited about it.
	Well, that's great.
	When is this coming out and is there a website for it yet?
	There isn't a website.
	Anything you see will be on our main website, relevantentertainment.net.
	Right now, we are working on shoring up our development funding.
	So for each film, that's $2 million that we need.
	And so that's what we're working on with the investment funding to get that going so that we're trying to get the funding for all three at once so we can move on all three.
	And that'll allow us to be independent from any of the other money and move forward from there and do our own stuff.
	So once we get that shored up or once we're at a place where we can start moving forward, we'll start really digging into the story because just like the studios do, it's going to take us anywhere from 20 to 40 rewrites before we're ready to move into development.
	I'm just stunned.
	I mean, $2 million is a shoestring budget to produce any kind of a film today.
	I'm amazed that you can do a film for $2 million.
	Well, actually, there's actually two budgets on the films, and this is what the studios do.
	And when independents try to do it for just the shoestring, like you said, just the $2 million, that's why they're so bad.
	So the development funding is $2 million.
	And what that does is it helps us get the writing where it needs to be to take it to secure distribution, as well as bring on kind of like...
	Hold a director.
	Hold a few name cast people.
	Get all that set up.
	Then once we have that, we know the writing's good.
	You go to a distributor.
	You secure distribution.
	US and international, we will be distributing in the nine largest markets around the globe.
	And then once you have that, you can go to a bank and you can get your production funding.
	They give you because that secures it.
	So if the budget, but however, we are going to flip the script on Hollywood because what Hollywood tells you a budget has to be is ridiculous because again, it's cabal money.
	They're just lining each other's pockets.
	So why not spend as much as they want?
	But on a character-based film like ours, we should be able to make it for somewhere between $7 million to $10 million total.
	Oh, okay.
	That seems more reasonable.
	I was wondering how you could make it for $2 million.
	$2 million, no.
	You can't do it.
	That gets us off the launching pad.
	But yeah, $7 million to $10 million, right about.
	Okay.
	All right.
	Okay.
	Hey, I got a script idea for you.
	How about a bunch of globalists build a self-replicating vaccine bioweapon to cause global extermination using technology originally developed to exterminate black people in South Africa under apartheid, and now it's run by DARPA. Oh, oh, wait a minute.
	We don't need to make that film.
	That's today's headlines.
	Yes.
	Okay.
	Oh, there will definitely be a film coming out about this.
	I actually have some writers that have some stuff, literally, that have written things that are kind of about the cabal, and they're geared towards younger kids, and it's kind of set like a divergent meets comic series kind of thing.
	Super cool that we've already seen.
	Oh, yeah.
	No, we'll be busting the bubble with a lot of that.
	You know what's amazing about being an independent studio is, in effect, you can make movies that are way more interesting because the censorship of the mainstream studios, I mean, the narratives are so rigid, they can't break out of those narratives.
	So you can do experimental narratives.
	You can really break the mold and, I think, do whatever you want, you know, within reason.
	I mean, you have your boundaries, obviously, but you don't have to stick to the mainstream boundaries.
	No, absolutely.
	Well, that's the beauty of it.
	I mean, this is a creative industry, but it's lost its creativity because the studios are pushing an agenda, and that's all they care about, agenda, money, and power.
	So there is no creativity.
	And we have been taught, and this is so irritating to the creative people in this industry.
	They've created this narrative with the mainstream that teaches you The stars they put out there, that's good acting.
	You know, you base acting, if it's good or not, based off what they tell you it is.
	Or these storylines, these are the good storylines that you want to hear about.
	I'm like, oh, thank you for telling me what I want to hear about.
	Because I don't know on my own.
	And so we've been taught that that's what we think good acting is or good storylines are.
	There's so many creative things out there that I think people would be shocked to realize, wow, there's some really good stuff that could be done that's already out there that's been written.
	It's just not being given the time of day.
	Yeah, exactly.
	And getting back to your funding comment earlier, I just want to follow up on that.
	Because I remember a couple years ago, I don't think this was with your company, but I think Sean Hannity helped fund a movie with Kevin Sorbo, right?
	And Kevin Sorbo is typically associated with faith-based films, correct?
	Yes.
	Is that someone that you know in the industry or have ever worked with?
	I'm just curious.
	No, I never worked with him.
	I know that everything I've heard about him is great and that he's a really, really good guy.
	And I don't even think my executive co-producers worked with him either.
	Both of us have been in the mainstream industry for 50 years combined now, but we know of them, just haven't worked with him.
	We both stayed mainstream in what we did and even our acting credits and stuff because that's kind of where God called us.
	And the reason why we're able to do the types of films we can do and work with the people we can work with in the mainstream industry is because we've been there.
	And so we have respect from those people and we understand it.
	And we're going to work at the same level that they do.
	This is the thing where it gets difficult.
	And I say this, and I hope your audience understands, I'm not slamming any of these faith-based actors or faith-based producers that are out there because they are good, good people.
	But this is a business, and there's a business aspect to this.
	And the types of products you bring out and the types of acting you do and what you do, it has to cater to everything.
	The taste of everyday people.
	And it has to be things that people outside the doors of the church want to see.
	Well, I mean, you can't just lose $10 million on every film.
	That's not viable.
	Exactly.
	It's a business model.
	And the goal is entertainment.
	That's the business.
	So it doesn't matter if your message is good.
	If it isn't entertaining, no one's going to watch it.
	So that's kind of what we keep at the forefront of our thoughts is make sure it's entertaining to everyone.
	And the message can come along with it.
	And that just really isn't happening.
	But I think it's because it takes people from inside the industry to understand the mechanics of it.
	Well, this is why it's so great to talk to you.
	I mean, I don't know much about Hollywood, really, just as an observer.
	Probably a good thing.
	Yeah, probably a good thing.
	I'm never invited to their parties, that's for sure.
	You don't want to go.
	No, probably not.
	But, I mean, Kevin Sorbo is someone that I respect from what I know about him, and also John Voight.
	Yes.
	John Voight's a man of principle, and he's an A-list actor.
	He's done amazing work, and he holds his ethical boundaries, even though he's surrounded by demons and creatures, literally creatures in Hollywood, but John Voight maintains his guidance.
	So I honor that.
	I don't know very many people, but I know those two are two that I respect.
	Absolutely.
	John Voight and Jim Caviezel Right, Jim Caviezel, yeah.
	There are three names that I would say in mainstream, and there are three of the few.
	And as a believer, I simply believe God protected them and allowed this to have them to stay in the mainstream and be able to do this.
	Who stand on their convictions, they say what they mean, they mean what they say, but they had established careers.
	And because they're so respected for their craft by others in the industry, they're able to continue working.
	Right.
	They understand the skill and the craft.
	And I will say that's one thing that you don't see from a lot of the faith-based production companies that come out.
	It's one of the industries that...
	I don't know any other industry or business where people can say, I don't have any skill or training, but I can do this.
	Yeah, anybody can do this.
	You know what I'm talking about.
	But there are people like, I've never been.
	I've never...
	Yeah, maybe I've never acted.
	I've never been behind the scenes, but we can make a movie.
	Yeah, we can all do it.
	It's easy.
	You hear it all the time.
	No way.
	Then that's the disaster of what you see on screen and why it doesn't work.
	It takes years to understand the mechanics and the skill set and do it, and those are three actors that get that, and they're respected for it.
	Yeah.
	Yeah, yeah, you can't, I mean, acting is not something, it's not just, oh, just be yourself.
	No, I mean, that doesn't really work, actually.
	Because it turns out nobody actually wants to see you as yourself, it turns out.
	You're boring!
	That is very true.
	Your favorite actors, you do not want to see them as yourself.
	Very true.
	That is so funny.
	Okay, I got another question for you then.
	Sure.
	A culture question.
	So let's talk about women as heroes in modern films because something that I noticed...
	Watching Aliens with Sigourney Weaver, who was one of the first female leads in a physical role, and she was awesome.
	I mean, we love Sigourney Weaver in Aliens, right?
	And then we saw Sarah Connor in, well, I mean, that's her character's name, in Terminator.
	Yeah.
	You know, Terminator 2.
	And we loved her character and how she was so strong and so powerful.
	No problem.
	But there was always a mix.
	Some heroes were men and some heroes were women.
	But the women who were heroes kind of earned it.
	I mean, they worked out.
	They were physical.
	You could tell they could kick some ass, right?
	But today what we see is these really small, dainty female characters who have no combat training.
	But they're beating up like 250-pound Navy SEAL men all throughout the whole movie.
	The men are depicted as completely incapable of anything, totally clueless, dumbed down, and physically inept, but they're saved by a 135-pound woman who beats them all up.
	I'm not against heroic women like Sigourney Weaver, but what is going on?
	What's the deal?
	Again, it's an agenda and a narrative.
	And there's this narrative, and I'll say it as a female, I'll say it even outside of Hollywood, because I'm a third-generation Texan.
	And my husband is a manly man.
	And so I do not understand this demasculization that's happened in society with those guys.
	I mean, my husband fixes everything on a car, knows how to do it.
	He can build, does everything.
	I don't understand, like, the average guy nowadays doesn't even know how to check his oil.
	I mean, let's just be honest, which is baffling to me, because if I know how to do it, and I don't want it to come change a tire for you, and you don't know how to do it, but That's kind of where we are as society.
	But again, it's because they want up to be down and down to be up.
	They want you to not know whether to scratch or watch or wind your butt.
	In society nowadays, they want you to be that confused about everything.
	That sounds like a Netflix special, actually.
	It very much could be.
	That might be a good name for a special.
	But it's just true about everything in society.
	Everything that should be up is down.
	So...
	And again, I have nothing wrong with there being a female heroine in a story, if it makes sense.
	Right.
	It's got to make sense.
	Understand why the hero has to be male or female.
	I don't understand why you have to, and I refuse to cast this way, and it drives me crazy.
	If a writer tries to come on and say they want this, I'm like, we may not be the right fit for you, where they're writing a story and they're picturing it like, okay, we need to make sure we have one Hispanic in here, one black person, one white.
	I'm like, stop.
	Stop before I lose my mind because that's the dumbest thing I've ever heard.
	They can be anybody.
	I want to see everybody that wants to audition and whoever's right for the role gets the role.
	Period.
	I'm not going to rewrite based on these stereotypes because we've got to stop focusing on that.
	But that's really why they do that stuff is because I really think it goes back to the demasculinization of society and If they depict females as the heroes, they get all these females thinking, we're not being given the right shot or the right opportunity, and we need to power up, we need to take over, and men need to take a back seat.
	Because God made men...
	I mean, let's face it.
	We are physically different.
	He made us physically different.
	It doesn't mean females can't be strong.
	But as a 116-pound female, I am never going to be able to do something that requires a lot of strength better than my husband.
	Or who outweighs me and has more strength and has different muscle mass than I will ever have.
	So that's just reality.
	And that's not bad.
	It's how we're different.
	So we need to, films need to reflect that instead of reflecting what they want us to think or they want it to be.
	But that's why they're doing it.
	It's just another agenda and we need to push back and say, no, that's stupid.
	Stop.
	And females should be offended by that.
	Yeah, really.
	Yeah, I think they should be too, because it's so absurd.
	Again, it needs to make sense, but I guess in a culture where you have then biological males pretending to be women so they can be on the women's sports team, you know, the transgender women beating up women on the wrestling mats or in the MMA ring or whatever, I mean, there's all this now fluidity between roles that makes no sense.
	But let me ask you about children, because I noticed that the theme in every Disney movie that caters to children is the following.
	Your parents are retarded.
	I mean, this is what every movie says.
	Your parents are stupid and don't know anything.
	You're special, and you're going to save the world.
	Turns out, most people aren't that special, and this message that your elders don't know anything is absolutely the wrong message.
	I mean, we should be learning from people who have lived more than we have, but Disney, it's like they want to destroy families and say, children belong to us.
	We're going to tell them what to think, not parents.
	Well, absolutely, because I think it's because they want to be the largest voice and the most dominant voice in In children's life, because they have to start them young and indoctrinate them young.
	And this is what parents need to understand.
	I've said this over and over to moms.
	I'm begging them to please listen and understand this, that not only is Disney corrupt, But think about it like this.
	And I don't think we've looked at this the right way or framed it the right way.
	And I know in the Dallas-Fort Worth area, and I think this has happened in a lot of school districts around the country, but I know in the Dallas-Fort Worth area, almost every school district moved up.
	The predominant way students learn is online now.
	It's a computer or a laptop that's either Assigned to them, checked out to them, or it's given to them for the year.
	And I wholeheartedly believe this is media and entertainment working together.
	And I tell people what they're trying to do is they're indoctrinating at an early age because they're teaching them that facts and truth and what you learn come from technology.
	Anything that you need that you want to get you learn it through there and it's true so that when they're watching things on in TV on TV or in film or they're looking at media they automatically associate it with truth it's like true it's true until proven wrong to them because that's how they're taught this is being done intentionally because I mean Microsoft and Bill Gates did the sponsoring I know in the Dallas-Fort Worth area I'm going to have a hard time believing there's a good,
	altruistic reasoning behind that.
	So all of that kind of feeds into that.
	They're trying to indoctrinate them.
	And one of the big things that stands in the way is the teaching of the parents in the church.
	So if you can't overtly get rid of that, because you're not going to overtly get mom and dad out of their lives, you have to subtly come in in other ways and do it.
	And you have to feed stuff into their minds alongside their parents, and it has to dominate the voice of the parents.
	And that's how they're doing it.
	Yeah.
	Right.
	Well said.
	Okay, next question.
	I hope you don't mind me asking all these questions about the industry.
	No, please feel free.
	Okay, so next question.
	Do you think that the movie industry, the mainstream movie industry, are they underestimating the intelligence of the audience?
	Or is the audience really so stupid that they believe spaceships make sounds flying around in outer space?
	Or you watch a fight sequence with Matt Damon, and there's 75 cuts in two seconds, and he never actually throws a punch that connects.
	And it's just all edited because he can't fight.
	The actor can't fight.
	So it's all edited, but it's just like, it's an insult to those of us who are intelligent, but do people buy that?
	Or are people so dumb that they just buy into that stuff?
	Or what do you think?
	You know, I don't mean to offend your audience, but if I'm answering honestly, I think it's a little bit of both.
	I do think you have those out there like yourself, and there is a portion of the audience that looks at that and says, Well, that just doesn't make sense.
	There's no way that's real.
	And then they start picking up on other things and you start tearing it apart.
	And like you said, you start thinking, huh, I'm not that dumb.
	And so then you have to start making the decision.
	If I keep watching this, I'm actually allowing them to insult my intelligence on a regular basis.
	Do I want to do this?
	But then I think you have a large part of the audience that they don't even think about that.
	And I don't know if it's they haven't been taught or if...
	Maybe they've been taught it, but I think we have this disconnect a lot of times between reality and what we want reality to be.
	And so people are willing to just say, oh, yeah, maybe that isn't real, but it could be.
	I have people that say that to me all the time, and I'm like...
	What do you mean it isn't real?
	But it could be.
	You want to live in this alternate universe that doesn't exist, and that's how you justify going along.
	Okay.
	Well, I mean, I understand.
	If you're doing sci-fi films, you know, time travel films, right?
	You got to suspend disbelief, but things have to make sense.
	So there was a, let me run this by you.
	There's a new film called Stowaway.
	I haven't seen it, but I know it's on Netflix.
	I'm going to ruin it for you right now, sorry.
	These three astronauts get launched into space on a spaceship headed for Mars and while they're in space they discover there's a black male technician squeezed into the ceiling panel of the spaceship and to get him out they had to unscrew multiple screws and open the panel and then he fell out and the storyline is somehow he got stuck there.
	And I'm like, who screwed him in there?
	I mean...
	I mean...
	Oh, and he damaged the only component that could create oxygen or filter out the CO2. I'm like, this storyline makes no sense.
	I was laughing as you were saying that simply because I'm like, I just keep the thought runs in the back of my mind.
	Well, I know NASA goes with the lowest bidder on everything, which if I was an astronaut, I'd be like, let me out of here because I know this went to the lowest bidder.
	But even with that, this is a little bit of a side note here.
	I don't mean to chase rabbits, but I'm really intrigued by all the storylines around space.
	Over the past five or ten years.
	There's a ton.
	And I'm like, hmm, we might just want to investigate why that is.
	I think people need to kind of pay attention to that and that with everything that's going on.
	But with that said, yeah, no, that's a ridiculous storyline.
	It makes no sense.
	Yeah.
	There's more, if you don't mind me sharing.
	So, it comes down to this ethical conundrum, like, which person needs to commit suicide?
	Now, the scientist is a Korean guy.
	The ship's captain is a woman, a strong, assertive woman.
	The stowaway guy is a younger, healthy, athletic black male.
	And another astronaut is a small, dainty, frail, white female.
	And she eventually decides to commit suicide to save the black guy.
	But all throughout the movie...
	What they're saying is that it turns out they say the black guy doesn't have enough coordination to climb the cables to get more oxygen, so they send the young, frail white woman who outclimes the athletic black guy.
	So that's number one.
	I'm like, that never happens.
	This guy should be playing football.
	I mean, he's athletic.
	And then secondly...
	The Korean scientist kills all the algae on the spaceship.
	So they're saying that the Korean scientist can't grow algae, and algae's hard to kill.
	It turns out, like, you know, in a pond, in a birdbath, you can't kill algae.
	And somehow, this Korean scientist kills all the algae, and then the white female astronaut has to commit suicide to save the black guy.
	So I renamed it Black Lives Matter, even in outer space.
	So that's...
	That was a film.
	Hilarious.
	Thank you for giving me that storyline synopsis because I saw it on there and I was like, I wonder if this is any good.
	No.
	No, you didn't.
	It's funny.
	It's almost a parody.
	It sounds like a comedy.
	It almost sounds like the spoofs on the scary movies, the spoofs that were done that made fun of it.
	It almost sounds like that to where I'm like, now I would watch that if you're making fun of it.
	It almost sounds like it's making fun of the Netflix show Away.
	Oh, I know.
	Yeah, it's kind of like that.
	But they should have just had like a transgender meatloaf dancing in the spaceship called like Rocky Horror Picture Show in outer space.
	That would have been really the bomb right there.
	That would have been a lot more entertaining and much more easy to watch, much easier to watch for sure.
	Definitely.
	But anyway, I mean, consumers like me, we look at those films and we're like, who is writing this and who who okayed the script, right?
	How does that happen?
	Yeah, you wonder, who signed off on that and who checked that and didn't lose their job?
	It's the same people who you'd be surprised at what they spend to make those.
	Right.
	Tens to sometimes even, probably not hundreds of millions on that, but I guarantee you that was upwards of $30 million to make.
	Well, the set was amazing.
	All the interiors, I mean, whoever did the set should get an award.
	It was amazing.
	So then you're probably, since I didn't see it, I didn't think about that, that was probably upwards of $60 million to make it to do because of doing the set design, because you're paying their prices, the studio prices and what they get.
	And I see that all the time, and I think, you make this trash, you spend this type of money, and for everyone in America who's asking this question, I know your audience is, if they can make that and spend that, why can't we get something good?
	It's not that they can't, it's that they won't.
	It's not that there's a lack of it.
	They're just not going to do it because it doesn't fit with their agenda.
	Their agenda is power and control and creating a narrative, and it doesn't fit with it.
	So the only time they really pour their heart and soul into something is in those quirky films that come out.
	They're always the ones that get nominated for the Academy Awards that you're like, I've never heard of this, nor would I ever watch it.
	That's the dumbest thing ever.
	Like the Woody Allen stuff, and you're like, what the heck is that about?
	What's he talking about?
	I have no clue about Woody Allen films.
	And I'm like, unless you're crazy, nobody...
	What?
	So what do you think is a good film, you know, outside of your studio, but somebody else made a film that you think is actually worthy of seeing?
	It could be any year.
	I mean, it could be from 30 years ago, whatever.
	Good.
	I'm glad you said that, because recently it's like...
	I know.
	Um...
	So some of the ones that like, and I'm going to go back old school here, and this is one that we're comparing the film I told you about, Through Thick and Thin, to, because I think it's timeless, and that's still Magnolias.
	Okay, that was in the 80s, was it?
	Yeah, it was in the 80s.
	Yeah.
	It had real raw humor and grit and like some real characters from the South.
	Those are real people you see.
	There are Weezers in the South, you know, and there's Trubies and some of the sayings are just hilarious.
	But it dealt with real life in a very raw, vulnerable way that people could relate to.
	But everybody could relate to somebody in the movie.
	And it was just real and it was funny and heartwarming and true and And something that you could see and you could take with you and there were life lessons in it.
	You know, that's a really good one.
	There are some comedies that I think have been good.
	Like, did you ever see The Jerk?
	Yeah, Steve Martin.
	Yeah, that was hilarious for like a comedy that's just funny.
	That was true good comedy.
	Yeah, even back then there were some things that you're like, you might frown at, but for the most part it was good.
	Those days of that kind of writing...
	It's been a long time.
	It's been a long time since we've seen a lot of that.
	Yeah, yeah, it has.
	I mean, even movies like The Jerk, you couldn't make that today because of all the cancel culture.
	And certainly not, you know, Blazing Saddles, that's for sure.
	Oh, I love that movie.
	I was talking with some friends about that the other day.
	They're like, yeah, we couldn't watch that.
	We were talking about how even The Office, that TV show, because of cancel culture, that couldn't be on today.
	And that was what, only 10 years ago?
	Yeah.
	Yeah, I know.
	No, the office wouldn't make it today because the things that came out of Michael's mouth, true and funny, but no, it would get canceled today.
	So you just can't even do like, I mean, Tim Allen's a good example of an actor of like his show.
	They got canceled for it.
	I'm like, are you kidding me?
	For the stuff that he said because he was conservative on there, and he didn't even really go far.
	You almost barely knew that.
	It was just...
	Well, no, not at all.
	But I mean, listen to the podcast of Adam Carolla, if that's the correct pronunciation of his last name, that talks about this, the cancellation.
	I mean, I grew up in the 70s and 80s, and we idolized filthy-mouthed comedians like George Carlin, Richard Pryor, even a young Eddie Murphy.
	And...
	They couldn't tell those jokes these days.
	Even Chris Rock couldn't do his early stuff today.
	Comedy has been banned, and it doesn't matter if it's black or white.
	I mean, George Carlin had seven words you can't say on television, but Richard Pryor was just, I think he's the most genius comic of all time.
	And he could not talk about what he talked about today.
	And that's crazy, because that stuff sets your mind free to laugh, you know?
	Yeah.
	Exactly.
	Well, and that's the art of the entertainment, too, is to be able to say things without and it be creative in what comes to mind and what's real, what's raw, what your audience will laugh at and connect with versus what they want you to say.
	and I would even go so far as to say and push that narrative even further with what you said in the fact that as raunchy as people would have thought what they did was back in the day, it's nothing compared to what you've said and done today from the people that are canceling that it's nothing compared to what you've said and done today from the people that are canceling that out saying you can't do it and they're taking it to a level that none of Yeah, I mean I used to think the raunchiest thing in the world was Richard Pryor with the exorcist bit
	But that's nothing compared to today.
	That's clean!
	That's PG! I know!
	That was taboo.
	We had to smuggle cassette tapes of that around the school.
	I mean, that was how bad that was back in the day.
	When I was young, my dad would not let me watch Dirty Dancing.
	Oh, you're kidding me?
	Yeah, because he was like, I don't know.
	That's just too much.
	And I look at that and I think, oh, wow.
	Today, compared to what they're seeing today...
	Yeah, what they did in Dirty Dancing, they're doing at the high school prom now.
	Every prom.
	Oh, high school?
	Let's talk about elementary kids.
	I'm like, I'm sorry, you know how to do what?
	I'm like, I can't move my body that way, and you know how...
	It's disturbing.
	It's like tween-age twerking is now all the rage.
	It's crazy.
	But let's get back to your film company.
	I know you're not going to make films about that, thank goodness.
	Are you ever going to do comedy or anything that's satire?
	Actually, yes, we would love to.
	I actually had a writer that's going to do some stuff for children, and he had this idea for a TV show.
	Think of it as...
	I can give you the title of it, because we may change it, we may not, but think of it as...
	It's set in a school, and it's about teachers, but kind of like the office style.
	And I told him, I said, oh, I could have so much fun with this, because please, if you're a teacher out there...
	Listen, we love you.
	We respect you.
	I get it.
	I'm not trying to make fun of you, but my husband and I, my background is in actually science.
	It was my husband's.
	I majored in biology with a double-liner in chemistry and English.
	Really?
	That's funny.
	I know.
	Isn't that crazy?
	Which is why...
	Side story here, which is why I think understanding what's going on and seeing the cabal and everything for what it is and what's happening wasn't hard for my husband and I because I learned early on what was going on with the health industry and how tainted that was and what they've been doing.
	And once I was able to wrap my mind around that, which is why I didn't follow them and professors failed me and stuff like that because I wouldn't go along to get along.
	And I thought it was me for a long time until I realized what was happening.
	So my husband and I talked about how that was a pretty easy transition for us to understand stuff because we were red-pilled a long time ago with things and what's going on.
	But yeah, no.
	Having that background kind of made it easier.
	But I don't know.
	Crazy times.
	Crazy times for sure.
	But yeah, no.
	We'll do some comedy.
	And I think that what I was going to say with teachers is There is something in the education world that we just don't understand.
	It's not all teachers, but a lot of them.
	And it really doesn't matter where you are on the spectrum.
	A lot of the ones we know, we'll put it this way, not all of them.
	But they're in this bubble, and it's almost as if they can't think on their own.
	They can only think inside what they've been taught and how to reason just doesn't really exist.
	Some of the craziest things we see or we hear come from people that are teachers.
	I'm like, I can really have fun with this sitcom.
	Oh, yeah.
	I mean, because children say the craziest things sometimes or do the craziest things, and you start collecting a database of that, that's rich content right there.
	Oh my goodness.
	It'll be so funny.
	Just the world and how they work.
	I mean, they become kind of robotic, like our doctors and our nurses, because they're just doing what they're told to do, even if it makes no sense.
	And if you're looking at it from the outside, you're like, what are you doing?
	Can you wake up?
	Can you snap out of it?
	Why are you going?
	Okay.
	But it makes sense to them, I guess.
	Well, get this.
	We had a script that got cancelled.
	In fact, my producer, who's on this call right now, was going to be part of this project.
	And we were going to do an ad for Brighteon to just poke fun at culture.
	And it was called The Invisible Ma'am.
	And...
	It's going to be like a two or three minute deal.
	It's going to be like a biological male who shows up at a party and a knock on the door is introduced.
	He's like, oh, this is my friend Sherry.
	She's a ma'am.
	And then he says, I'm invisible too.
	I'm the invisible ma'am.
	And then everybody has to pretend that he's an invisible woman.
	That's hilarious.
	I thought it was hilarious, too.
	But no one would do it.
	No one wanted to appear in it because, of course, the cancel culture.
	So we had to scrap that whole script.
	And I thought, man, that would be so funny.
	But you can't do it in Austin, anyway.
	That's when we were wanting to recruit people.
	Can't do it in Austin.
	So we're going to have to do something different.
	But wouldn't that have been funny, the Invisible Ma'am?
	That's actually hilarious.
	I mean, what happens to the days of, even if you're on the other side of the fence and you're living in crazy land, what happens to the days of being able to laugh at ourselves?
	Exactly.
	Because I can make fun of rhinos, conservatives too.
	I can, oh, welcome to the rhino petting zoo.
	We can have like a, you know, Australian accent.
	It's amazing.
	These rhinos are walking wild through the fields.
	You know, we can do that too.
	We can have fun.
	Who likes that?
	Yeah.
	Yeah.
	I mean, we can poke, but see, again, I grew up listening to George Carlin and Richard Pryor, and we're not allowed to think that way anymore.
	It's crazy.
	No, you're not allowed to do it, especially if it goes contrary to what they're saying.
	You're not allowed to think for yourself.
	I mean, don't you understand that?
	Haven't you watched enough of their shows?
	They've been trying to drill that into our head.
	You cannot think for yourself, Mike.
	You're not learning.
	I know, it's crazy.
	But look, this has been a fascinating conversation.
	I think people will really like sharing this with their friends.
	But just to bring it back, your company is relevantentertainment.net.
	Yes, sir.
	You've got multiple films coming out.
	You're doing really important work.
	I'm so glad you exist and that your projects exist.
	And please use Brighteon to put out the trailers.
	Okay, yeah.
	Absolutely.
	I mean, we'd love to help promote the trailers and just bring more publicity to your projects.
	I think that'd be great.
	Absolutely.
	No, we definitely will.
	Thank you for that.
	Because, like I said, we're going to be creating an ecosystem.
	This is huge.
	And actually...
	This is the first time I've talked about it in public, so I'll talk about it to your audience.
	This will be your first time.
	I'll break the news to them.
	This is huge, and this is definitely a God thing that he put together.
	This is on the side from relevant entertainment, but relevant entertainment is going to be at the center of shaping this and teaching this.
	So, Hollywood's broken.
	We know that.
	It's got to be gutted.
	It's got to be gutted, and you start over from the foundation.
	There is no fixing what currently exists.
	It's just not possible.
	And a lot of people within the industry, if they're honest, they're intellectually, spiritually honest, they know that.
	And we've had people reaching out to us from the distribution side, from the writing side, from the producing side.
	So what we're going to do is create, we've created a company that is going to kind of be at the center and the hub.
	We're going to decentralize this monster because centralizing it was part of the problem with the six conglomerates.
	And we're going to bring all those different entities together and help them work with one another.
	Because one of the biggest problems is if you have producers out there that have good scripts and stuff, unless they have a connection to a distributor and unless you get distribution, It doesn't matter it's not going to be seen and then the distributors they need good quality stuff that's done at the studio level so they need to know who they're partnering with so they're going to get their money back and vice versa all the way around so we're going to kind of work as a central agent to bring all those entities together and they're all going to be working at high level studio quality level stuff people
	want to see but the basis of it is it's going to be stuff that's good for mankind and humankind And it's not going to be anything that goes against the gospel.
	So is it like a Netflix model?
	I mean, people pay a monthly fee and they get this content?
	How does it work?
	Oh, actually, it's going to be even bigger than that.
	So we'll be working with all the content providers as well.
	That'll be a portion of it, all the distributors.
	And we'll be connecting, like, your movie makers with your distributors so they get stuff out there so you can have more content coming.
	We'll work with streaming entities to kind of beef up what they're doing.
	We'll be going against, like, the Netflix's and the Amazon Prime's with some other companies out there.
	Now, if they want to join on, they can, but they're going to have to clean up their act.
	So is it a pay-per-view model for the films?
	Yeah, it could be that.
	There's still going to be theatrical distribution, but I will tell people this, we're not sure how things are going to fall.
	A lot of things are going to shift in this industry post-COVID and everything that's happened, once everything fully opens up, a lot of people still aren't...
	There will be theaters, but how many are left?
	I don't know.
	So the way we've...
	Injusting movies is probably going to change.
	There's probably going to be more streaming and stuff done.
	So that's going to ramp up.
	It doesn't mean theaters are going away altogether, but you might start seeing simultaneous releases.
	Or if you see a release in the theater, it's only in there a weekend before it goes to VOD or streaming and stuff.
	So you've got to beef up those other entities, but it's all going to kind of be done at the same time.
	But it will, because if we, we need to get rid of what's going on.
	But if you get rid of it and you don't have something to replace it, there's a void.
	Evil's just going to fill that void.
	And there's no one doing it in this industry.
	No one.
	I'm telling you, no one is doing it at that level.
	No one.
	Wow.
	Well, I'd love to hear more about that.
	I mean, please keep us posted because it sounds like a game changer and we need...
	There's demand for quality content that isn't full of demons, you know, it turns out.
	Right, or...
	You know, transgender stuff or any of all that.
	And two things I could say real quick, if I could, for your audience, of two ways they can get involved and help this.
	Because Hollywood is really at the center of everything that's going on.
	And I say that because they're the mouthpiece for the cabal.
	You get rid of the mouthpiece, you can't spread the message, and you can't indoctrinate.
	And it's kind of game over.
	So how do you get rid of that beast?
	To kill that beast, you've got to get rid of its funding.
	So, two big things that people can do is, one, support companies like ours who are doing this, who are taking them head on.
	Trust me, I'm already an enemy of this industry and I'm about to be a bigger enemy with things I'm saying and talking about.
	That's okay.
	Well, you did mention the Illuminati, so that puts you on the radar right there.
	I'm about to join the ranks of some of the most wanted.
	I've already kind of been on a small list, but I think the bouncing on my head is probably going to jump in the near future.
	But I would say, you know, one thing, so support us.
	First thing, through prayer.
	You know, we need your prayers because of literally, I'm joking about it, that literally what we just said, we have attacks coming at us from all sides, in all avenues.
	So definitely.
	I pray.
	And then secondly, definitely go to the website, relevantentertainment.net, and here's where the deep state hates me and they're really going to start coming after me because not only are we going to go head-to-head with what they're doing and films we're making, and not only are we not using their financing model, But we're going to allow everyday average, ordinary people that have never been allowed to invest before to invest so that they can make money off of our success.
	So not only are we saying kind of screw you to the cabals, you know, carnival of sick money, but we're saying not only are we not going to use it, we're going to allow everyday people to make money and God to bless them for deciding to join in with us.
	I mean, it's kind of like a GoFundMe, but you get more back than you put in.
	I mean, that's...
	Exactly.
	Exactly.
	And as you know, the fiat currency is getting ready to crash and burn big time.
	So people are looking for a way to diversify other than gold and silver.
	It's God's currency, so use it and it's good.
	It's always happening.
	But if you want to diversify and do something else, invest in companies like ours so that you can get a return on that.
	And we're going to be protecting the money from a lot of the stuff that's going on.
	We're already researching that so that we have it moving forward.
	But we want to be able to bless people.
	So you're even able to move your IRAs over and invest with them.
	Really?
	Wow.
	Okay.
	So if you're trying to move fiat currency around and protect it and do something good, if you go to the website at relevantentertainment.net, there's a link where it says WeFunderCampaign.
	Click on that.
	It'll explain it, and there's another button that says Learn More You Can Click, and it walks you through, and you can always email.
	Email me at vicki at relevantentertainment.net.
	I can answer any questions.
	Wow.
	You should give out your email like that?
	I'll give it out for this.
	I can filter through.
	Okay.
	All right.
	I can filter through.
	But the last thing I would say is get involved, too, really quick to let you know how this is affecting things politically, because I think this is important that we understand what's going on in Georgia.
	What happened politically in the election is 100% tied to Hollywood.
	And it's not just the mouthpiece stuff.
	You have to understand that when...
	Georgia is probably the largest area for filming now.
	And Hollywood moved in there.
	And it's because of the tax incentives that the states give.
	SAG pushes that.
	However, it benefits Hollywood more than it does the states.
	But it's the taxpayers' dollars that are doing that.
	Like, they get 40% back from the state of Georgia.
	Wow.
	So taxpayers are subsidizing demon films, basically.
	They get 40% back.
	And that's not a tax write-off.
	It's not a tax deduction.
	They have to meet certain criteria, and then once they do, they turn that in once the film is done.
	Once the state checks to make sure it is, they cut them a check for that 40%.
	Wow.
	That's muddy up front.
	Wow.
	Unreal.
	So they're literally getting that cash back.
	That's why everybody's flooding to Georgia.
	And by the way, the main studios there, Tyler Perry has one, but the state of Georgia actually built studios.
	And it's not people within the state doing it.
	It's all the outside people coming in.
	So pretty much in essence, what they did was they ruined California, New York, Chicago, everywhere they went, and they're all states that tax you to death.
	So they're running to the states that don't do that, and they're sucking up Their money from their taxpayers, and the taxpayers don't even realize it, they're getting literally subsidized off the top, and they're not using local people.
	They're bringing people in from out of state.
	I see.
	Well, this explains why every military film I've seen recently looks like it was filmed in Georgia.
	It's because it was!
	Yeah!
	It's like even, here we're at the North Pole, there's ice everywhere, but it's filmed in Georgia!
	That's fake snow!
	What?
	Wow, that's amazing.
	It's all happening there, so people need to get involved.
	Talk to your state legislatures.
	There's nothing wrong with incentives, but they need to make sense for the state.
	And it needs to be, and if it's definitely don't support it, if it's stuff being made that doesn't support your values or your state.
	That's how they turned Georgia.
	That's how they infiltrated it.
	It was done specifically.
	I see.
	I see.
	But you mentioned Tyler Perry.
	Wasn't he one of the people at the recent Oscars who didn't go all in with the crazy left-wing cult?
	He may not have, I'll be honest with you, I'm not sure.
	I haven't watched awards shows since the last time I watched the Oscars was the year that it's hard out here for a pimp.
	Well, I didn't watch it either.
	No, I mean, but I heard this that he, I forgot exactly what he said, but that people should have integrity or something.
	You know, everything I've heard about Tyler Perry seems to be good, seems to be like he pushes against the mainstream fray.
	But I'll be honest, I don't know, because there are other things that I see.
	I have to question anybody that has any kind of a working relationship with Oprah.
	Good point.
	Yes.
	I mean, it's hard for me.
	You can say one thing, but she needs to be kept at more than just arm's length, and she's a lot closer than that.
	So I kind of have to question your reasoning abilities.
	Anybody who's wondering what you just said, go to DuckDuckGo and search for Oprah, John of God.
	And you're going to find out some crazy stuff about who Oprah promoted, who was running child sex trafficking out of South America.
	So there you go.
	Yeah, Oprah's fooled a lot of people.
	I'm like, don't buy it.
	Don't buy it.
	Just like the bushes here in Texas.
	Don't buy it.
	Yeah, so true.
	Well, look, we've covered a lot of ground.
	It's pretty amazing.
	Obviously, we could talk about a lot more stuff, and maybe we will next time.
	But in the meantime, keep making these amazing films that you're working on.
	Keep us posted.
	We'll help get the word out for you.
	Absolutely.
	Definitely.
	Well, thanks.
	Thanks for having me and keep doing what you're doing.
	We've, I will tell you that you're the only person when all this kind of started going out and down after the election, because I have family members that don't understand everything that well.
	I'm like, listen to Mike Adams.
	No, don't listen to anybody.
	They listen to things.
	I'm like, no, listen to Mike.
	He's giving good info because I've followed you for years on the health stuff.
	Um, because you were one of the only people out there who was speaking truth.
	And so I, we knew we could trust you on this because your history improved that.
	So no, no, I've been following you for years.
	So keep doing what you're doing because it makes a difference.
	It's funny when I don't send a video of yours, my mom's like, uh, what's going on with Mike?
	Is he still doing anything?
	She literally asked me, well, we haven't sent a video in a long time.
	I was like, okay, mom, I'll send you another mic.
	I had to get back on the train because she was wondering if you were okay.
	I was like, no, he's still out there.
	No, I hear that too.
	If I'm one day late, my phone starts blowing up.
	Are you alright?
	Are you surviving?
	It's Saturday.
	I'm working on the ranch.
	It's fine.
	You have a lot outside of that.
	Yes, indeed.
	But thank you, Vicki.
	It's been a lot of fun.
	Best to you.
	Blessings to you and your company and all your films.
	And we'll talk again soon.
	You too.
	Sounds good.
	Alright, take care.
	Bye-bye.
	Bye-bye.
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