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Creating Thread Circles
00:07:24
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| Alright, hello, this is Mike Adams, the Health Ranger here, the founder of foodrising.org, the editor of naturalnews.com, executive director of the Consumer Wellness Center nonprofit. | |
| And I'm here to show you some of what goes on behind the scenes. | |
| When we are building 3D printable objects. | |
| So to do that, I have a blank screen here in SolidWorks, which is the software that I use. | |
| I just want to show you a few simple things. | |
| Let's make sure we've got the grid snap on. | |
| Yep, this all looks good. | |
| So if we wanted to build, let's say, an adapter to connect a garden hose to a mason jar, That's what I'm going to demonstrate here. | |
| I'm going to show you how to do that. | |
| We go to our top plane, and we know that the mason jar... | |
| I'm going to use rough dimensions for this, although we could use exact dimensions, but... | |
| oops... | |
| I'm going to use a diameter here of, I believe, 24 is about what we want for masonry. | |
| Actually, I'm going to check that. | |
| Oh, no, that's wrong. | |
| Looks like it's about 44. | |
| So we're going to make a 44 millimeter circle, that's the radius is 44, and then we're going to make another circle that is, I don't know, let's call it 48. | |
| So we have, right here, we have a thin structure, and then I'm going to extrude that structure on the z-axis to about 24 millimeters. | |
| And so this gives us roughly the shape of the lid that's going to screw on to the mason jar. | |
| Now what we have to do is we have to build threads for this and this is where things start to get kind of tricky. | |
| So we're going to go back to the top plane. | |
| We're going to make a thread circle, which will also be roughly the same diameter. | |
| I'm going to make that 44, I believe. | |
| Yeah, that's what we chose. | |
| I'll label this. | |
| This is our thread circle. | |
| You can't see some of the menu commands off screen but those really aren't necessary. | |
| Now I'm going to create a helix and I'm going to define the pitch of this helix. | |
| I happen to know that a 6mm pitch is what is necessary for a thread helix on a mason jar because I've measured that out. | |
| So I'm going to go ahead and create this 6mm pitch. | |
| As you can see right here it says 6mm. | |
| And I can reduce the revolutions down to 5 or 4. | |
| Whatever I need. | |
| 4 looks. | |
| Maybe 5. | |
| 4 looks fine, actually. | |
| And I'm going to create that helix. | |
| Now, in order to make the actual threads, we need to build a triangle that is the shape of the thread. | |
| So we're going to go down here and we're going to create a triangle. | |
| that is roughly the shape of the threads and I happen to know that for a let's see for a mason jar the threads are about three millimeters in diameter which means we want to go up about one point five And we want to... | |
| I'll adjust these later. | |
| We want to go out only about 1.8. | |
| Oops. | |
| Wrong. | |
| Minus 42.2. | |
| That gives us a 1.8 on that. | |
| And our Y on the top hole is going to be... | |
| Actually we're just going to go about 3.5 here and we can do this at about 0.5 and we may go back and fine-tune this later but we're going to call this this is the mason jar thread Now then, | |
| we're going to extrude or actually sweep this thread shape across this helix. | |
| And when we do that, we're adding on the threads, as you can see. | |
| Now we have the threads inside the jar lid. | |
| Now you'll notice we've got some threads that are hanging out below. | |
| Too far below. | |
| So the easy way to deal with that is you're going to create a new plane here by dragging from the parallel top plane. | |
| Let's say I want a four millimeter Plane there. | |
| And then what I'm going to do is I'm going to move our original thread circle. | |
| Come on. | |
| Waiting for the software here. | |
| I'm going to move the thread circle to that plane. | |
| There. | |
| And then I'm going to actually edit the thread triangle itself and I'm going to change the Y position of that to be up for And then, once we do that, you'll see that we no longer have threads below. | |
| We've got some threads sticking out the top. | |
| But what we can do on that, there's a number of ways to deal with that. | |
| We can, for example, we can reduce the revolutions of the thread itself to 3.5. | |
| And you notice it's now right inside the object. | |
| So what we have here so far is A cylinder that will screw onto the top of a mason jar. | |
| Now, suppose we want to now have something that... | |
| Well, we're building what? | |
| A garden hose adapter to a mason jar. | |
| So what we want to do at this point is we want to take a front plane sketch and we're going to build a funnel, a Oops. | |
| A cone that will work with the garden hose. | |
|
Give Yourself Another Line
00:14:12
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| Now we know that the garden hose diameter is about 12.2 for the female garden hose receiving threads. | |
| So we're going to put something here. | |
| We're going to go out here and we're going to do, I don't know, I don't know if you like this angle or not but we'll call it a good angle. | |
| And we're going to connect these along the bottom here so we have a triangle. | |
| And then finally we're going to sketch a center line in this sketch here. | |
| And then we're going to take this triangle and we're going to do a revolved extrusion of the triangle around the centerline. | |
| So now what we have here is we've just built a solid cone on top of the threads underneath. | |
| by again rotating this triangle all the way around this center line which is called a revolved extrusion base and that's a real nice technique now but let's say well we don't want this thing to be totally solid as right now it's completely solid instead let's say we just wanted like a a thin structure and not an entirely solid | |
| because that's going to use a lot of filament if we do it that way. | |
| So what we can do is we can select actually select this entire shape and we can do a linear sketch pattern. | |
| Oh, I'm sorry. | |
| I don't want a pattern. | |
| I want an offset entity. | |
| And we're going to do an inward offset of, let's say, 2 millimeters. | |
| Maybe make it three. | |
| I want it to be a little bit stronger, a little bit more watertight. | |
| So now we have a hollow shape that we're going to extrude around the circle. | |
| Now, the way you can see it is you can change your view to be kind of a see-through view. | |
| So now, as you can see, we have this. | |
| This is a solid wall, but this is an air gap that goes all the way around. | |
| And what we have in the middle here is a location where we can screw in a garden hose as soon as we build the threads. | |
| So that's our next step. | |
| And to do that we're going to go to the top plane. | |
| We're going to create another plane right here. | |
| We're going to start carving some threads. | |
| We'll call that 61.5 And we're going to do a similar thing that we did before with the threads below. | |
| So I'm going to start out with a circle here. | |
| And by the way, when you're doing this, you're always dealing with geometry. | |
| You need to have a good, solid understanding of geometry, good spatial orientation, the ability to visualize 3D space so that you know what you're doing. | |
| Alright, so I have a circle here that's 12.2 millimeters in diameter. | |
| And from that circle, I'm going to do a helix again. | |
| But in this case, I'm going to reverse the helix to go downward. | |
| I'm going to change the pitch to 2.2 millimeters, which is the... | |
| that's the pitch of a garden hose. | |
| And I'm going to add revolutions, give it about 6 revolutions. | |
| So that's a helix that's going down into the object. | |
| Now all I have to do is build the cut threads to cut the threads into the shape. | |
| And I'm just going to cut it up here. | |
| We're going to be cutting into the walls of this shape. | |
| Because we're cutting a female thread pattern into this. | |
| So, well, actually, where do I want to start? | |
| I guess we'll start here. | |
| Oops. | |
| Give me a line. | |
| Come on. | |
| Okay. | |
| Well, you know what? | |
| I'm going to just... | |
| I'm probably going to manually edit these anyway, so I'm just going to do a rough sketch on them right now. | |
| I happen to know the numbers on this because I've done this so many times. | |
| We want a 12.3. | |
| Let's go with the 60 there. | |
| Minus 12.3 millimeters here and 58.005. | |
| We leave it a five thousandths of an inch margin in between them and then we're going to go minus 13.9 millimeters on this point with 59. | |
| So that's actually a good shape for For the threads. | |
| And you know there's one thing that I kind of... | |
| I should have done differently on this. | |
| And that is I want to actually extend this... | |
| Hold on a second. | |
| Oops. | |
| I want this shape. | |
| This helix. | |
| I'm sorry. | |
| This circle on top to be 12.3. | |
| Instead of 12.2. | |
| I like to give... | |
| See how the thread touches the edge of the helix now? | |
| And I like to do that because you don't want things to fit together 100%. | |
| You need to give them a little bit of space, a little bit of margin. | |
| So now, of course, all we're going to do is we're going to do a swept cut. | |
| And we're going to cut that triangle shape along this spiral. | |
| And what we've done there is we have now created a female thread pattern. | |
| And if I change the view here, you can kind of see it in 3D a little. | |
| Oh. | |
| There's something that we forgot. | |
| That I forgot. | |
| I'll show you that on our revolve sketch. | |
| This point is in too tight. | |
| We need to take that out to minus 12.3. | |
| That was actually covering up our threads. | |
| And we need to do the same here. | |
| Minus 12.3. | |
| Now that we do that, you will be able to actually see the threads. | |
| And there you go. | |
| So... | |
| There you go. | |
| That's what the threads look like. | |
| Now, you notice that the threads are kind of... | |
| the cut doesn't go well. | |
| It kind of cuts into this... | |
| this revolve shape that we made there. | |
| That's not good, right? | |
| So we simply edit that shape. | |
| And the way we can do that is... | |
| Well, let's see what's the easiest way to do that. | |
| Simplest way is to just give yourself another line out this direction and attach that on the same point and then trim out the line that you don't want. | |
| And so what you have at this point is you've got... | |
| Oops. | |
| Apparently I have a... | |
| Oh, I didn't. | |
| The trim didn't work. | |
| Let's try it again. | |
| There. | |
| Trim it. | |
| Okay. | |
| And there you go. | |
| So now you've got your shape and you don't have that problem. | |
| And if you wanted to, you could even... | |
| Actually, let me zoom out to show you this. | |
| It's kind of cool. | |
| You can look underneath it and you can see the threads up there inside it and you can see the lower threads as well. | |
| Now if you want to on this you can even do a photo view add-in and you can do an integrated preview render of exactly what we're seeing. | |
| So it's going to actually do a photorealistic render at this point to show us what this piece would look like even as we're doing our designs. | |
| And it's pretty cool because you can rotate it around and it's going to give you a photorealistic look at your part. | |
| And the pixelation you see is here. | |
| It's not in the video. | |
| It's actually... | |
| Because it's rendering this in real time, at first it's strongly pixelated. | |
| And then it increases the resolution as it calculates it. | |
| And I can actually work with the piece using this integrated preview. | |
| And there are the threads that we built. | |
| Now this piece will allow you to attach a garden hose here. | |
| And then the bottom will attach onto a mason jar. | |
| I'm not sure why you'd want to do that, but if you did, you could do it. | |
| And then you take this piece, you just print it out on your 3D printer, and you're done. | |
| You've got your piece. | |
| So this is some of what I am doing as I'm designing all these various inventions that are going to be released on foodrising.org. | |
| Let me go back to the regular view. | |
| These are some of the geometries that I'm working with. | |
| One of the things you'll notice here, you see this angle? | |
| In a 3D printing environment, you can't print an overhang angle that is more than 45 degrees. | |
| For example, you could not I'll show you a quick example. | |
| Oops. | |
| Let me try something different. | |
| You could not have a shape such as this. | |
| I'll draw you a sample shape. | |
| You could not have a shape like this and expect it to print if you extrude it. | |
| This will not print because this overhang here means the printer would be trying to print in the air and it can't print in mid-air. | |
| So you can't have an angle like this even if you try to do a revolve base with it, let's say. | |
| Let's give it an axis here. | |
| It doesn't like the axis selection. . | |
| Let me edit the sketch. | |
| Put it in a center line. | |
| It's not even in the center exactly, but good enough for this demonstration. | |
| Okay. | |
| If we were to take this shape There we go. | |
| And if we were to do a revolved extrusion, and you can see it better from underneath, that shape will not print. | |
| So when you are dealing with the geometries of 3D objects in a 3D printing context, there are things you can do and there are things you cannot do. | |
| And one of them that you can't do is this. | |
| So this is a very strict and critical limitation that you need to understand if you are hoping to design objects for 3D printing. | |
| So Actually, let me remove that extrusion and in fact I'm going to extrude it a different direction. | |
| I'll show you even like this, even if you just do a standalone block like that, that won't print either. | |
| So there is a reason why I use this cone shape here, which has roughly a 45 degree angle. | |
| That is printable. | |
| But many things that you first imagine are not printable. | |
| Another example of that is you can't turn this entire object on its side and expect Let me show you that. | |
| You can't turn this object on its side and expect to print this. | |
| If the shadow is your base, you won't be able to print this shape because what you have here is you have a negative space cylinder parallel to the x-axis. | |
| And 3D printers cannot print those shapes with any kind of accuracy. | |
| They can do them when they're very, very small, such as one millimeter or a couple of millimeters, but to print a large cylinder, such as this entire cylinder here, to print this standing on its edge like that, it's impossible. | |
| It won't print. | |
| You get a big mess on your printer. | |
| So obviously you don't want to do that. | |
| You need to print from the z-axis and understand the strengths and limitations of 3D printing when you're designing the geometry for practical items, such as the ones I'll be releasing on Food Rising. | |
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Innovations to Enhance Life Quality
00:00:40
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| So check it all out on foodrising.org. | |
| This is where we will have the inventions released. | |
| It's all a non-profit. | |
| And you can see some of the company's technologies that we're working with. | |
| We use Agilent Laboratory Instrumentation. | |
| We use Flash Forward to printers right now. | |
| SolidWorks software. | |
| And we're sharing many of these via open source. | |
| So check it out at foodrising.org. | |
| Subscribe to the email if you'd like to be alerted when we announce these really revolutionary objects that you'll be able to use in a practical context in your own life to create abundance and enhance the quality of your life. | |
| Thanks for listening. | |