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Manipulating Reality Through Gaslighting
00:14:02
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| I want you to listen and listen carefully, especially if you're younger and you're new to this conspiratorium world that we live in. | |
| This might be your first rodeo. | |
| You might see what's going on for the first time and think, wait, what do I do? | |
| Why all these accusations of insanity? | |
| Let me explain. | |
| When argument collapses and ridicule and making fun of people tends to replace reason, when evidence runs thin, | |
| labels get real loud and mean and nasty, and when power feels threatened, the fastest weapon, as I've been telling you, is not debate, but diagnosis. | |
| Call them crazy. | |
| Call them unstable. | |
| Call them dangerous. | |
| It's the laziest tactic in politics and one of the most effective. | |
| And this tactic has a name, gaslighting. | |
| I'm sure you've heard it. | |
| Not in the casual internet sense, but in its original psychological meaning. | |
| The deliberate distortion of reality to make a target doubt their own perception, their own sanity, while the surrounding audience absorbs a kind of a manufactured narrative of discredit. | |
| And the term gaslighting didn't originate on social media. | |
| Nay, nay. | |
| It comes from a 1938 British stage play titled Gaslight by Patrick Hamilton. | |
| And the story centered on a husband who very subtly manipulates his wife by dimming the gaslights in their home and then denying that anything has changed. | |
| And over time, over time she's wondering what the hell's going on here. | |
| Over time, he convinces her that she's imagining things and she's losing her sanity. | |
| And the concept became widely known after the 1944 Hollywood film Gaslight, starring Ingrid Bergman and Charles Boyer and Joseph Cotton. | |
| Now in that film adaptation, the manipulation is even more explicit. | |
| In that film, the husband rearranges objects, lies about the events, and then repeatedly denies obvious changes in the environment. | |
| All. | |
| All in order to gain control over his wife and to isolate her psychologically. | |
| And the technique was simple but devastating. | |
| You alter reality. | |
| You deny it happen. | |
| And you watch the victim then begin to doubt themselves. | |
| That's not happening with Candace, but that's the intent. | |
| You see, psychology later adopted the term to describe a form of emotional abuse in which one person systematically undermines the confidence of another in their memory and their perception and judgment. | |
| And it appears most commonly in narcissistic and coercive relationships. | |
| You might have seen a friend who's had this happen, or it might have happened to you in a prior affair or relationship gone bad. | |
| And the manipulator, he denies facts, rewrites the events, and then reframes emotional responses as irrational. | |
| And over time, the victim becomes confused and anxious and dependent on the manipulator's version of reality. | |
| They don't know what's real. | |
| They don't know what's up or down. | |
| And what many people don't realize is that gaslighting didn't stay confined to private relationships. | |
| It migrated into mass communication and media narratives and political warfare. | |
| The same techniques work at scale. | |
| You see, instead of one person manipulating another, institutions and platforms and groups and organizations can manipulate millions. | |
| The goal remains the same. | |
| Control perception. | |
| Discredit dissent. | |
| Call them crazy. | |
| And shape reality through repetition. | |
| And this is where Candace Owens enters the picture. | |
| Not because she's unique, but because she's visible. | |
| When she challenges the dominant pervasive narratives on culture or politics or meaning, the reaction often bypasses argument and jumps straight to character framing. | |
| Headlines don't ask whether her claims are correct. | |
| They ask whether she is mentally stable. | |
| That is textbook gaslighting. | |
| And it's coming at her from places, from folks that I'm very surprised. | |
| People who themselves have been crazy before, you think would be a little more sensitive to this, unless they're being paid off altogether. | |
| But who do I, what am I to know? | |
| I don't know. | |
| It just seems like it. | |
| I wouldn't be surprised. | |
| You see, the focus here with Candace shifts from ideas to psychological credibility. | |
| You see, once a person is framed as unstable, this is the goal, then their arguments no longer require any kind of rebuttal because they're nuts. | |
| They can be dismissed without engagement. | |
| She's crazy. | |
| She's the one who brought up the thing about the time travel or the remote view. | |
| She's a nut. | |
| Crazy. | |
| That's the hope. | |
| And this pattern appears repeatedly in political discourse. | |
| Step one is emotional labeling. | |
| Words like crazy, unhinged, extremist, and dangerous are deployed early. | |
| Step two, repetition. | |
| Media outlets, commentators, and online influencers echo the same framing. | |
| And step three is social signaling. | |
| Audiences receive the message that listening itself carries social risk. | |
| Be careful. | |
| Are you listening to that, Candace? | |
| You know she's crazy. | |
| You're not crazy too, are you? | |
| Oh no, you sure now? | |
| Okay, don't let us catch you listening to her. | |
| And step four, isolation. | |
| The target is positioned outside acceptable discourse. | |
| Psychologically, this works because humans, humans rely on social cues to interpret reality. | |
| You see, when one voices, you know, when, you know, when, what am I trying to say? | |
| When voices repeat the same message, the mind begins to normalize it. | |
| It's habituation. | |
| This isn't weakness, it's human wiring. | |
| Social proof is powerful. | |
| See, gaslighting exploits that instinct. | |
| So Candace Owens is not the first to experience this. | |
| Oh, no, no. | |
| Whistleblowers, dissident journalists, independent researchers, and political insiders, or outsiders, I should say, have been treated the same way. | |
| Many of us have. | |
| Believe it, if you do this long enough, you have. | |
| Now, when inconvenient information threatens established power structures, the character assassination becomes even easier, even easier than engagement. | |
| And calling someone irrational is cheaper and easier than proving them wrong. | |
| See, gaslighting also involves emotional validation and invalidation. | |
| When critics say someone is too sensitive, too paranoid, or exaggerating, they dismiss the emotional reaction rather than addressing the underlying issue. | |
| Now, in clinical psychology, this is a hallmark of manipulative behavior. | |
| In politics, it becomes a tool to neutralize opposition. | |
| See, you're not being censored. | |
| You're imagining it. | |
| You're crazy. | |
| You're not being targeted. | |
| You're overreacting. | |
| Take it easy. | |
| You're getting paranoid. | |
| And this shifts responsibility away from institutions and onto individuals. | |
| Another common tactic is deflection. | |
| When uncomfortable questions arise, attention is redirected, deflected to unrelated controversies or personal flaws. | |
| The original topic disappears. | |
| The public forgets what was being debated. | |
| And this mirrors personal gaslighting dynamics, where manipulators, in essence, avoid accountability by changing the subject. | |
| Denial completes the cycle. | |
| You know, that never happened. | |
| That was taken out of context. | |
| That's nuts. | |
| That's misinformation, disinformation. | |
| And often these statements are used without evidence. | |
| You see, the goal, I keep saying, the goal isn't clarity. | |
| The goal is confusion. | |
| And confusion, they hope, weakens resistance. | |
| Candace always disrupts the system by refusing to retreat when labeled. | |
| She doesn't bat an eye. | |
| She just moves on to her next topic. | |
| It's like it never happened, which is what a lot of other people should do. | |
| Candace continues speaking. | |
| And that persistence itself becomes threatening to centralized narrative control. | |
| It shows that the tactic doesn't always work. | |
| And it exposes the machinery behind it. | |
| You know, there's also something involved here. | |
| This is a profit motive. | |
| You know, outrage generates clicks and controversy drives engagement. | |
| And social media platforms reward emotional reaction over calm analysis. | |
| You know this is true. | |
| Media outlets benefit financially from conflict. | |
| We want to mix it up. | |
| And gaslighting becomes not just a political weapon, but a business model. | |
| You see, the hypocrisy, the hypocrisy is impossible to ignore. | |
| A whole bunch of folks who ridicule unconventional ideas simultaneously accept abstract ideological claims without scrutiny. | |
| It's weird. | |
| Economic theories that repeatedly fail remain unquestioned. | |
| Political promises with no evidence are treated as gospel. | |
| Institutional narratives are trusted despite long records of being wrong. | |
| And the difference is not truth. | |
| If only that were that simple. | |
| No, no, no. | |
| The difference is social permission. | |
| Approved beliefs are considered irrational. | |
| Unapproved thoughts, unapproved ideas are treated as dangerous. | |
| And this creates artificial consensus. | |
| People remain silent, not because they agree, but because the social cost of dissent feels too high. | |
| And that's what's happening with Candice. | |
| Silence then appears as widespread agreement. | |
| And gaslighting thrives in that environment. | |
| The historic irony is amazing. | |
| The original gaslight story showed how in effect manipulation works inside a home. | |
| Modern political gaslighting does the same thing to entire populations. | |
| Reality is adjusted and tweaked. | |
| Language is controlled. | |
| Memory is rewritten. | |
| It's all tampered with. | |
| And those who notice the flickering lights are told they're imagining it. | |
| And the antidote is awareness. | |
| Once people understand the tactic, once you make them aware of it, it loses the power. | |
| It loses the power it has. | |
| And instead of reacting emotionally, audiences can slow down and then ask very simple questions, which is what they've been trying to avoid the first time. | |
| You're going to ask what claims try to be avoided? | |
| What evidence is actually presented? | |
| And who benefits qui bono qui protest from this framing? | |
| What is not being discussed? | |
| Critical thinking doesn't require genius. | |
| It requires discipline. | |
| Separate emotion is important. | |
| And it also causes you from divide analysis from reaction. | |
| Demand evidence. | |
| That's what this is about. | |
| Look, Candace Owens represents the most important voice right now in political commentary. | |
| She represents one visible case study. | |
| But the issue is broader. | |
| It reflects anybody. | |
| It'll happen to you. | |
| Whether it could be Alex tomorrow, it could be anybody else. | |
| Nick Fuentes, who knows? | |
| But anybody else who challenges centralized messaging is at stake. | |
| That's what we're talking about right here. | |
| And that's all I'm saying. | |
| It's a very, very, very simple thing. | |
| Remember something right now. | |
| Healthy societies, which I hope we are, debate ideas. | |
| Evidence is examined. | |
| Ideas and positions she has, whatever, whether it's Egyptian planes or Fort Wahucha or whatever. | |
| Wachuca. | |
| Sounds like a bug. | |
| Anyway, they're challenged. | |
| But disagreement is normal and unhealthy societies pathologize descent. | |
| And then language becomes weaponized. | |
| What they're doing is very simply this. | |
| They're not winning. | |
| And they're trying to make everything that she is saying crazy. | |
| But it's not working. | |
| You see, gaslighting becomes attempted gaslighting when the victim of the gaslighting doesn't react accordingly. | |
|
Gaslighting Victims Don't Respond
00:02:01
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| And that's what this is about. | |
| When the victim doesn't act respond. | |
| So that's it, my friend. | |
| A very simple thought. | |
| Very simple. | |
| Gaslighting, you hear it all the time. | |
| I've been through it a million times. | |
| When I first started talking about 9-11 or geoengineering or whatever it was, I thought I was just being, you know, responsible because I had evidence. | |
| Didn't matter. | |
| They call me crazy. | |
| Even Building 7, remember that's 5.20 p.m.? | |
| You're crazy. | |
| What do you mean I'm crazy? | |
| I saw this. | |
| Anyway. | |
| Candace is blowing these people away. | |
| Every single day, she continues on her particular path, continues on her vector, unimpeded, uninterrupted, unaffected, like nothing happened. | |
| She doesn't even care, which is the way it should be. | |
| Thank you. | |
| Thank you for watching. | |
| Thank you for being a part of this. | |
| Thank you for liking this. | |
| Do me a great big favor. | |
| Please continue to follow us. | |
| By the way, thank you for following my wife at Lynn's Warriors for her fight, her fight against human trafficking. | |
| I mean that so much. | |
| Also, please hit that little bell so you're notified of live streams and new videos. | |
| And also, like this channel. | |
| We find out that about 70% of the people who actually see us never subscribe. | |
| So we need that. | |
| Put us into the HOV lane so more people can follow us. | |
| I love explaining to you the breakdown of this, kind of like a post-mortem to go through all of the factors. | |
| Because you're going to see this again, whether it's Candace today, it could be somebody else tomorrow. | |
| And those people who are in the business should come to her aid and come to her defense, whether you agree with her or not. | |
| Because let her talk. | |
| Remember, if you don't like what she's saying, don't listen to her. | |
| And I thank you, my friend. | |
| Have a great and a glorious day. | |
| Thank you so very much for watching. | |
| And please, as we always say, by the way, I've got some great questions in the comment section. | |
| I want to see your response. | |