| Time | Text |
|---|---|
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Dirty Man's Safe Bet
00:02:58
|
|
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| Great folks have commented specifically on my, quote, walking tours and never anything on my political commentary or assiduous review of whatever the particular. | |
| Story is. | |
| So I am not going to question this. | |
| I'm going to say, great. | |
| This is actually kind of fun for me. | |
| It's different. | |
| And it allows me to kind of show you around and to discuss things as we speak. | |
| So let me flip this baby around. | |
| Let me make sure everybody is with us. | |
| I have not really announced this. | |
| I don't announce these ahead of time. | |
| I just do them. | |
| It's a beautiful, beautiful, beautiful, cool, crisp morning here in our nation's largest city. | |
| We are on approximately the west side of Manhattan. | |
| And I don't see anybody logging in. | |
| Ah, I see one person. | |
| So, I hope that before I begin, someone acknowledges that you are hearing me because, oh, I'm getting a stick. | |
|
Schmucks on 52nd
00:14:04
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|
| Yes! | |
| Oh yes, I'm high-tech. | |
| A stick that will allow me perhaps less bouncing, more... | |
| Oh, there it is. | |
| Great, great. | |
| Are we coming in through? | |
| Someone says, yes. | |
| I like this. | |
| Yes. | |
| I don't know what yes means, but what are you going to do? | |
| Great. | |
| Five by five. | |
| Let us begin with this, okay? | |
| First and foremost. | |
| This is the corner of 52nd. | |
| And I love it. | |
| This is the home of Comedy Central. | |
| This is where these schmucks stand outside for reasons I don't know. | |
| This is Jon Stewart, who was a big deal, and then he left to run a petting zoo in New Jersey or something to that effect. | |
| And I... | |
| I don't know why. | |
| He just... | |
| I think he's forgotten. | |
| And I'm sorry. | |
| And I... | |
| I don't want to necessarily say this in a very mean way, but I am older than he, but he comes across to me like my grandfather. | |
| I don't know what it is. | |
| And if you notice the looks of these people with him, they are so monumentally clever. | |
| They think they are so clever. | |
| This, dear friends, is our little place called DeWitt Clinton Park. | |
| Questions of the Kitchen of Hell, of Hell's Kitchen. | |
| And I love this little tribute. | |
| This is how old this place is. | |
| A tribute to our doughboys, if that's what they're called. | |
| Are we doughboys or yanks? | |
| In any event. | |
| From Flanders Fields, if ye break faith with those who die, we shall not sleep, though poppies grow on Flanders Fields. | |
| I have no idea what this is. | |
| It's obviously a reference point. | |
| There's some people doing a variety of drugs in the corner over here. | |
| This is the Clinton War Memorial here. | |
| This is dedicated to the young men from the neighborhood who died in World War I. Is that something? | |
| And of course we have the city kind of getting going. | |
| I wanted to say that. | |
| Or whatever it's worth. | |
| Just wanted to bring you To speed. | |
| Up here, I don't know if you can see this. | |
| I don't want to... | |
| This is the Irish Arts Council. | |
| Very, very nice place. | |
| I was all ready to go until they started giving me a bunch of grief about mask rules. | |
| I think they've pretty much stopped that. | |
| I think they have. | |
| Or they've kind of, you know, come off that mask business. | |
| I can't tell. | |
| This, I love this. | |
| This is McKinney Welding Supply. | |
| Since 1943. | |
| I don't know why this fascinates me. | |
| Oh, do you see this right here? | |
| These are called city bikes, or as we affectionately call them, shitty bikes. | |
| And I find this fascinating. | |
| This was put in during the Bloomberg administration. | |
| And what it is, is I want you to notice this. | |
| This was at one point a three, four lane street. | |
| And look at this. | |
| You have now this stupid bike, and a lot of people do use them. | |
| One lane available only for traffic, and then the rest is parking. | |
| And the reason for this is to destroy any kind of automobile movement in the line. | |
| Now this is fascinating. | |
| This is going to be a bit long-winded. | |
| This is one of the places where all of the carriages are stored. | |
| I hope you can hear me okay. | |
| This is where all of the carriages are stored for Central Park. | |
| This was quite a subject of debate. | |
| Look at these marvelous little devices. | |
| I'm going to show you something across the street first. | |
| As you know... | |
| The street peddlers and vendors, dirty water dogs, they will meet here in the morning. | |
| Many of these hard-working folks who are from various countries, I don't know about this fellow here, but they prepare for their sumptuous New York City hot dog, | |
| the dirty water dog. | |
| It's not dirty, it's actually bathed and boiled in a broth of spices, in any event. | |
| Look at these. | |
| The smell of horseshit is something that I've always loved. | |
| The tack smell, the leather. | |
| Morning, sir. | |
| Beautiful people. | |
| This is the Clinton Park Stables Association. | |
| This is where they have these, where the horses... | |
| I guess meat or whatever. | |
| With the horse's meat. | |
| Did I say that? | |
| I did say that. | |
| Sometimes when you walk, it's interesting. | |
| Your brain, I'm holding this device in my hand. | |
| My brain and everything else disconnects. | |
| Now a while back, there was a big debate whether this was somehow animal cruelty. | |
| And one of the biggest purveyors, one of the biggest supporters of this, The handsome cabs, or whatever they're called, is or was, and still is, Liam Neeson. | |
| Liam Neeson, from Ireland, of course, said that these horses are treated beautifully. | |
| They are meant to and equipped muscularly and physically and skeletally. | |
| They are made and allowed to do this. | |
| Consequently, it is not... | |
| And any wise torture or what have you. | |
| This place to my left is one of the big fresh direct hubs. | |
| And at any given day, they are working their ass off. | |
| And who does this, of course? | |
| Who is responsible for this? | |
| Foreigners. | |
| Migrants. | |
| Legal, I trust. | |
| This is, I think, this is the hustler club. | |
| My friends, I was in the realm of criminal defense. | |
| I had a lot of, every now and then, clients. | |
| A couple of dancers and the like, who, I'm crossing, by the way, West Side Highway. | |
| Again, if you hear a careening of tires, a screech, and a loud thud, it is me. | |
| Anyway, I appreciate the First Amendment right that people have. | |
| Look at this. | |
| Kind of a quasi... | |
| Colosseum-esque. | |
| I don't know what you want to call it. | |
| Depiction architecture. | |
| But the idea of spending money to have some woman gyrate on you, pretending that she's aroused by you, I find disgusting. | |
| The din of traffic, ladies and gentlemen. | |
| We're looking uptown on the West Side Highway. | |
| The Joe DiMaggio Park. | |
| I don't know. | |
| Now what is this? | |
| This is where the ships dock. | |
| Do you remember a while back the Comfort, SS Comfort or whatever that was called? | |
| This is the ship that was supposedly going to save us from COVID, where the dead and the affected could be loaded. | |
| Preferably if they were loaded. | |
| We never saw anything. | |
| The ship docked right there. | |
| People... | |
| I hate that. | |
| People crossed the street, cheering and screaming and yelling. | |
| All along here were Marines, Navy men and women doing their PT, their exercise and the like. | |
| Now I'm crossing when it's safe. | |
| I don't believe one COVID person was taken. | |
| I don't believe one person was helped. | |
| I don't believe any of it. | |
| But we clapped like fools, like idiots, for reasons I shan't understand. | |
| This is a very dangerous area. | |
| Remember, if you come to New York, you will most probably die not by the hands of a thug, but by somebody on a bike. | |
| We're now moving downtown on the West Side Highway in this beautiful little park area. | |
| A veritable cacophony, ladies and gentlemen, a concatenation, a melange, a myriad, a pastiche, and a mystique. | |
| Here we go. | |
| This is where it was. | |
| Can you see this? | |
| This is where the, across the, that's the Hudson over there. | |
| That's Jersey. | |
| I don't know if that's Weehawka, or Edgewater, or who that was. | |
| Up here, Musica. | |
| La Musica Latina. | |
| A lot of biking here. | |
| A lot of activity. | |
| One thing I will tell you, and this, I think, is so much better than the east side. | |
| So, so much better than the east side. | |
| But I've got to tell you something. | |
| In a country and in a city that is rather torpid and rather lethargic and sedentary, there's a lot of activity moving here. | |
| Again, to my right, this is where all the ships converge. | |
| This has been part of the landscape of New York forever. | |
| The big liners used to come here. | |
| I think, if I'm not correct, if I'm not incorrect, I should say, the Queen Mary or something may have been here. | |
| I don't know. | |
| Titanic. | |
| Who the hell knows? | |
| But remember, in the 40s, the Normandy. | |
| The Normandy was the ship. | |
| That capsized. | |
| And everybody suspected it was sabotage. | |
| When in fact, it wasn't. | |
| It was just a ship that capsized. | |
| So Joe Sox Lanza... | |
| By the way, I hope you're not hearing the bluster of... | |
| How did we say this? | |
| Yes, the SS Normandy. | |
| So the ship capsized. | |
| And people thought it was, of course, Nazi saboteurs. | |
| But it wasn't. | |
| So they went to Joe Sox, Lanza, who ran, I think he was Genevieve, I'm not sure, but he ran the docks, and they said, "Can you help us?" | |
| And he said, "Yes, we can, but we have to work it out through Lucky Luciano, who was upstate in Dannemora." | |
| Dannemora, I think, is now Clinton's home. | |
| Again, remember, this wasn't sabotage, it wasn't anything. | |
| And the mob at the time couldn't do anything to stop it. | |
| But they didn't necessarily tell them about it. | |
| So they made a deal. | |
| Okay, if you can make this stop or help us stop this, we will let Lucky loose, so to speak. | |
| Not release him necessarily free, but release him to be deported back to La Cara Frida. | |
| Anyway, and the rest is history. | |
| That was a boring story. | |
| This is the glass house. | |
| This is the glass house. | |
| And people who live in glass houses, as you know, you know the rest of the story. | |
| This is where I saw Robert Kennedy Jr. and Shmuley Botiach as Robert Kennedy was doing his public apologia to explain to the world that he wasn't anti-Semitic because he suggested that at some particular point there may be, | |
| there may come the day When certain pathogens and certain viruses are genetically manufactured and tweaked to attack and to affect certain people. | |
| Let me stop and read some of your comments. | |
| Hoghead, why is it called Hell's Kitchen? | |
| Great question. | |
| If you ask people, to this day, they don't know. | |
| The best answer I understand is if I believe. | |
| Is that late 19th century, it was a very rough place. | |
| This was bad. | |
| In the 70s in particular, you did not want to come here. | |
| But now it's, oh, multi-gazillion dollar apartments and the gentrification. | |
| But at one particular time, there was a police officer who had a rookie. | |
| And the rookie was being told how dangerous it was. | |
| And the police officer, who I believe had a name, of course he had a name, but I think it was noted, said to this rookie, the only thing hotter than hell is Hell's Kitchen. | |
| And that's kind of where you are now. | |
| So hence the name. | |
| There was some ridiculous story bandied about that. | |
| It was Heil's Kitchen, a German restaurant, which is ridiculous. | |
| Some of the best car washes here. | |
|
Donuts and the Intrepid
00:04:33
|
|
| This one, I don't know if you can see this to your left. | |
| To your left. | |
| What the hell does that mean? | |
| To my left, your right, whatever. | |
| They used to serve donuts. | |
| Donuts? | |
| Yes. | |
| Donuts as you either drove through. | |
| I never tried this one. | |
| But there are some great... | |
| There are car washes in New York that you would think, I'm not bringing my car to this. | |
| They're the best. | |
| Now, coming up to your right is the famous Intrepid. | |
| This is the Air... | |
| And Sea Museum. | |
| I don't know if you can see through that. | |
| We'll get to that very shortly. | |
| This is, oh, this is terrific. | |
| Years ago, years ago, ladies and germs, the famous, the Westies ran the West Side. | |
| The Javits Center, which is more, which is further down the road. | |
| The Intrepid. | |
| Anything on the West Side. | |
| Any job. | |
| Anything. | |
| The theater union, stagehands, anything, had to go through the Westies. | |
| The Kunin and Featherstone crew, etc., etc., so the story goes. | |
| They made a deal where they united, by the way, State of Grace, with Sean Penn, interestingly enough, and Gary Oldman, probably one of the best depictions. | |
| Of the Westerns. | |
| Gary Oldman. | |
| Oldman. | |
| I think he's the second best actor next to Daniel. | |
| No, take that back. | |
| I think he's the best. | |
| I think Daniel Day-Lewis might be second. | |
| Coming up here, do you see a submarine? | |
| That's right, folks. | |
| An actual docked submarine, which I want to show you. | |
| This is really a lot of, dare I say, fun. | |
| We'll get to this in a moment. | |
| Check that back. | |
| I'll stop my movement here. | |
| Isn't that interesting? | |
| I cannot tell you how many times I've been on this, and I don't know why. | |
| You see the old spy plane, similar to, I'm thinking, the Francis Gary Powers plane. | |
| I speak out of turn, I don't know. | |
| By the way, there was an old joke that said he was so stupid, he thought Vito Powers was an Italian spy pilot. | |
| So you can figure that one out. | |
| There we go. | |
| Bigger, bolder, never before seen. | |
| Now open the new permanent exhibition, the Intrepid Museum, located in Hudson River Park. | |
| That's it, my friends. | |
| Let me move over here. | |
| Ah, yes. | |
| There it is. | |
| To this day, I will never truly understand. | |
| How the ship does not tip over. | |
| I know what you're going to say. | |
| You're going to say ballast. | |
| I understand it. | |
| I can answer an essay test, but there we go. | |
| Look at this. | |
| Look at the size of that one. | |
| How does it just not tip over? | |
| How is it perfectly balanced? | |
| How can it not? | |
| Granted, it's moored. | |
| You know, there was a time when they had to take this out. | |
| To have it repaired. | |
| And that was something to see, this thing moving down the Hudson. | |
| Look at that. | |
| Isn't that beautiful? | |
| Think of the men, the history. | |
| I think it took flak, or whatever the particular term is, during World War II from the Japanese. | |
| We had a bit of a row with them, as you might recall. | |
| Circle line. | |
| Ah, yes. | |
| Circle line. | |
| My idea of the inner circle of Dante's hell is to be on a circle line for the rest of my life. | |
| The circle line. | |
| And there's all kinds of fairies. | |
| That's F-E-R-R-I-E-S. | |
| Please. | |
| No homophobia here, ladies and germs. | |
| But there are constantly these fairies back and forth. | |
|
Pier 84 Boathouse Tour
00:15:51
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|
| And this... | |
| It's a tourist thing by the by. | |
| I'm going to say something parenthetic. | |
| It's a free country. | |
| And you can wear whatever you want. | |
| But why people, young women in particular, believe that it's now fashionable to walk around with their midriff, hanging out, this panis, this paniculus, this tenter-bellied spare tire. | |
| I'm sorry. | |
| I don't understand it. | |
| I don't get it. | |
| Makes no sense to me. | |
| Pier 84 Boathouse. | |
| I know I have no idea what this is. | |
| Here, one of the seemingly innumerable men and people patrolling the area, doing something. | |
| Let me give them a salute. | |
| There you go, sir. | |
| Thank you for your service. | |
| I tell everybody that. | |
| And they like it. | |
| But they keep this pretty damn, uh, clean. | |
| This area right here, is it here? | |
| No, it's up here. | |
| This is where they have fountains in the summer that spray children with dirty regenerated or recycled sewer water so they can branch it out. | |
| I have a theory about that. | |
| I know people here who... | |
| Oh, see this? | |
| Chuck Schumer was talking about it. | |
| I'll finish my theory about that. | |
| Chuck Schumer was talking about getting rid of helicopters after that tragedy. | |
| Here we go. | |
| Yes, right here. | |
| This is the area where they have sprinklers and jets for kids too. | |
| Again, I was going to say, George Carlin said that when he was a kid, they actually swam in either the Hudson or the East River. | |
| With actual human waste floating about. | |
| And he believes, and I think there's something to be said for that, that that toughened them. | |
| They didn't need vaccines. | |
| They didn't need any kind of immunosuppressant boost. | |
| No, not suppressant, what I'm saying. | |
| They needed no boosters because they were basically raised swimming in human waste. | |
| Take that, Fauci. | |
| Take that. | |
| Are we having shortings coming? | |
| Well, Schumer's knee-jerk. | |
| Yes, yes. | |
| Good, good, good. | |
| A lot of fun here. | |
| Let me tell you something. | |
| Some of these ladies, you know, they talk about the fairer sex, but they are quite athletic, and I say it's about time, damn it. | |
| I am not athletic. | |
| My idea is a gym on some type of a little elliptical. | |
| Here's a man who's paid to hold a stop sign. | |
| That's it. | |
| Now why he's pointing in that direction, I have no idea. | |
| Who's coming from this direction? | |
| Oh It | |
| Probably unionized. | |
| Makes a couple hundred grand a year. | |
| Look at this. | |
| If you're one of the spirited folks, you can try this. | |
| The Beast. | |
| Ladies and gentlemen, the Beast. | |
| Don't know what this is. | |
| Not Mr. Beast. | |
| And for the life of me, I do not understand Mr. Beast. | |
| This is the Beast. | |
| And you're wondering, ah, the smell. | |
| The smell of... | |
| You might have, like, John's Pass. | |
| You know, flauta. | |
| Here we go, the Beast. | |
| The rules before you ride. | |
| Number one, you may get wet. | |
| Thank you so much. | |
| Number two, hold on to your hat. | |
| Three, no food or beverages. | |
| Four, it's extreme. | |
| Due to speed and bumpiness, we cannot allow infants, pregnant women, people with heart conditions, back, or any other recent injuries on the vulgar. | |
| Sit down and buckle up. | |
| Number six, 40 inches or taller. | |
| Children must be 40 inches tall. | |
| Have fun and thanks for riding. | |
| This is good too because the more warnings, the better. | |
| Think about it. | |
| Doesn't interest me in the least. | |
| Can you see some little geoengineering trails over there? | |
| Can you see this? | |
| Maybe not. | |
| I can't tell. | |
| The dimmings. | |
| Loads of boats. | |
| Ah, you can smell. | |
| All that people who are smoking cigarettes just talking to themselves. | |
| Talking to themselves for no particular reason. | |
| Going on and on. | |
| Just talking. | |
| Rambling. | |
| Rambling incoherently. | |
| Nothing wrong with that. | |
| It's a free country. | |
| It's a free country, my friend. | |
| There's no reason for anybody to think that you have to be coherent or lucid. | |
| Nothing in the rule book that says you have to know where you are. | |
| Let's stop over here for a second. | |
| This is the other side. | |
| Again, the West Side Highway. | |
| A lot of big... | |
| Look at this. | |
| Eat tacos on a boat. | |
| Is that great or what? | |
| It's not too catchy. | |
| La Barca Cantina. | |
| Eat tacos on a boat. | |
| That's it. | |
| Sorry for this bad panning. | |
| My panning is pretty good. | |
| I tend to do it very slowly as I move about. | |
| I don't want people to think that I'm videotaping him, so I'm pretending like I'm one of these psychotic people talking to myself, which I am! | |
| North River Lobster Company. | |
| You know, I've not had lobster in, oh, I don't know how long, but I love a nice sea bug. | |
| Isn't this something? | |
| Look at this. | |
| Who knew we need a bigger boat? | |
| Remembering Roy Scheider, ladies and germs. | |
| Eat lobster on a boat. | |
| You notice the way they market things. | |
| Eat tacos on a boat. | |
| This one's called the lobster on a boat. | |
| Mine's what's called throw up on a boat. | |
| Over here, as you know, is a series of marine-themed bric-a-bracs. | |
| Wakes with something styrofoam flotation devices for something God can do. | |
| Look at this. | |
| See, this is everywhere. | |
| These little... | |
| Close for you to attach to your whatever you want to call it. | |
| Isn't that beauteous? | |
| Isn't that something? | |
| This was quite the activity. | |
| Ah, bienvenidos. | |
| I thought it tells you where this country is going, you know what I mean? | |
| Ladies and gentlemen, I like signs that pop out of nowhere. | |
| No motor vehicles. | |
| Here? | |
| Here? | |
| Okay. | |
| Eat taco on a boat. | |
| Please, dismount. | |
| Bicycles, skateboard scooters, please, dismount. | |
| Violators may be issued a summons. | |
| They're very interesting. | |
| Now, over here is the Javits Center. | |
| Ladies and Germans, I gotta tell you this. | |
| This, this is it. | |
| This is the Javits Center. | |
| Named after Jacob or Jack Javits, a moderate Republican. | |
| I believe he died tragically of ALS, but you see here, this is very interesting, the Javits Center took the bar exam here. | |
| Thousands of people, thousands crushed. | |
| Everybody had their IDs out on the table. | |
| And I swear to God, There wasn't an American driver's license with Chinese passports. | |
| I'm wondering, how do they know this? | |
| Well, let me tell you about this. | |
| One day, Mrs. L and I were watching TV, and it was during the COVID-mania. | |
| Oh, here we go. | |
| There's the ferry. | |
| Again, folks, F-E. | |
| This is where you go back and forth to Hoboken or Jersey City or wherever the hell it is. | |
| It's a pretty decent trip, in any event. | |
| Back to this. | |
| So we heard this story about how ambulances were pulling up at the Javits Center. | |
| The doctors were in a bound, dealing with the sick. | |
| So we said, we've got to see this. | |
| It was right during the Rona. | |
| I mean, serious. | |
| So we walked down. | |
| It was nothing. | |
| This is... | |
| The 11th Avenue, or West Side Highway, there's no place for anything. | |
| We went to the front, nothing there. | |
| But they just told us on TV, on the news, that there were scores. | |
| These are the ferry buses. | |
| Let me stop. | |
| This is fascinating. | |
| These pick you up all over the city and drop you up at the ferry. | |
| Again, F-E-R-R-1. | |
| These people are lining up. | |
| Ready to go into Manhattan from Jersey, looking thrilled to be alive. | |
| Like cattle. | |
| Is this all there is? | |
| Is this all there are? | |
| Ah, e-bikes. | |
| The bane of my existence, ladies and germs. | |
| Look at the look of excitement on their face as they begin their trudge, the slog, the drudgery. | |
| as they move like cattle | |
| Isn't freedom great? | |
| This is something that is called art. | |
| Don't know why. | |
| But somebody probably paid a fortune for this piece of shit. | |
| I don't know what this is called. | |
| I think it's called a piece of shit. | |
| Are we having fun, yes or no? | |
| Give me a one. | |
| Give me a five by five. | |
| Just do something. | |
| I'm doing this for you, mind you. | |
| But to be honest, I get up in the morning, I can perambulate, I can locomotive out. | |
| My sister even called me. | |
| She said, I watch your walkabouts, as the Aussies call it. | |
| Your walking tours. | |
| That's it. | |
| Somebody wants to hear about my thoughts on tariffs. | |
| Trump's 100 days. | |
| Eh, who needs it? | |
| Check out these... | |
| There are more people in this little swath of real estate. | |
| More people than in some cities. | |
| Right here. | |
| Just people stacked atop each other. | |
| Think about that. | |
| Many of these places, by the way, empty. | |
| Which I find very interesting, don't you? | |
| Very interesting. | |
| Exceedingly interesting. | |
| I don't know how much more I'm going to... | |
| If you're enjoying this, I'll do a little bit more of this. | |
| Again, more people ready for their... | |
| many for their... | |
| looking at me like I'm demented, and for good reason. | |
| Can't you see the look of excitement? | |
| By the way, no earbuds. | |
| No earbuds. | |
| Mine are always tethered. | |
| You're putting radiation in your ears on both sides of your head. | |
| I think I'm going to... | |
| Show you a couple more things and then that's it. | |
| Huh? | |
| Get your motor running. | |
| Head out on the highway looking for adventure. | |
| Whatever comes our way. | |
| This is the Atlantic Star. | |
| Of course, Mexican or Spanish music. | |
| A lovely tune. | |
| Cushions floating about. | |
| Notice how expert I am with the nautical terms. | |
| I really know my stuff. | |
| I'm going to show you a couple of things here. | |
| There's a great car club, which I think is rather interesting. | |
| This is Starship Tours and Events. | |
| Remember Starship? | |
| We built this city knee-deep in the hoopla. | |
| You know who wrote Knee Deep in the Hoopla? | |
| I think it was Bernie Taupin, along with the usual folks. | |
| A lot of sightseeing here. | |
| Let me tell you, again, I'm not exactly a big fan of the sightseeing. | |
| After five minutes on this boat, you say, I got it. | |
| I understand. | |
| The world's best ferry, ladies and gentlemen. | |
| My vote for that would be Alan Seuss. | |
| Ask your parents. | |
| Can you hear the seagulls? | |
| See that guy in the back with that little uni? | |
| That is a death trap. | |
| I would do a special... | |
| Morgan and Morgan, are you injured? | |
| Do you want to be injured? | |
| Are you stupid enough to get on this goddamn thing? | |
| This is a beautiful structure that I can't really figure out what it is. | |
| Notice all the piers are numbered. | |
| See, look at this. | |
| This says, no bikes. | |
| And this says, no walking, I guess, or no breakdancing, or no polka. | |
| I'm not sure what that means. | |
| No walking? | |
| You don't want to... | |
| No bikes and no walking. | |
| Well, what the hell are we supposed to do? | |
| I don't understand this. | |
| Again, a lot of these, a lot of warnings that nobody ever pays attention to. | |
| Let me show you. | |
| This is Pier 76, as you can see. | |
| Isn't this groovy? | |
| Let me see if you can see that out there. | |
| This is an event space. | |
| I think that's what the kids call it. | |
| Flags are at half-mast. | |
| And I believe it's because of the Pope, perhaps? | |
| Maybe? | |
| We have the New York flag, New York City flag, and this one on the right, I don't know what that is. | |
| I have no idea. | |
| I'm going to go to the next one. | |
| A lot of propellered themes here. | |
| This is one I want to show you. | |
| If you can still bear with me, if I'm not losing you, ladies and germs, if I'm not losing you. | |
| I've been using that corny term too much. | |
| You know, sometimes when people run, they look so painful. | |
| I mean, God bless them. | |
| But I just don't think humans should run. | |
| Look at this, huh? | |
| Imagine a big concert or something there, I guess. | |
| Covered by nothing. | |
| Kind of a... | |
|
Losing Power
00:12:51
|
|
| I'm going to walk down there, but what's the point? | |
| I want to show you something, because I'm losing out of power. | |
| I ain't got no power, Kappam! | |
| That's my attempt at Scottish. | |
| This is a classic club car. | |
| This is interesting. | |
| This is a New York City, I guess... | |
| I hope you can hear the seagulls. | |
| A club? | |
| This is the clubhouse and stable. | |
| Members only. | |
| Classic... | |
| Classic car club. | |
| Or club car, as I call it. | |
| I don't know what they did. | |
| I don't see any classic cars. | |
| I think you could rent them. | |
| I have no earthly idea. | |
| It gets pretty boring down here. | |
| You know what? | |
| Let me go back. | |
| Let me take you down to this park right now. | |
| Let me take you down, because I'm going to Strawberry Field. | |
| Nothing... | |
| Sorry, I've never been a big Beatles fan. | |
| I know, can you imagine me saying that? | |
| How heretical. | |
| Not to be a Beatles fan? | |
| What's the matter? | |
| You know, come to think of it, this looks exceedingly boring. | |
| There's another propeller. | |
| Let me tell you a couple of things before we get done. | |
| I think I am in the wrong. | |
| Ah, this is the walking area. | |
| A stickler for detail. | |
| There we go. | |
| I want to do a show. | |
| Listen to my idea. | |
| I've always wanted to do a show called... | |
| Pardon my French. | |
| I don't want to... | |
| I'm not normally profane, but the show is called Where the Fuck Are They Going? | |
| And I will stop people randomly. | |
| And ask you, excuse me, where the fuck are you going? | |
| And we'll follow them. | |
| Just one day we'll just follow somebody. | |
| Because everybody is going somewhere. | |
| They're on their way to do something. | |
| Except for me and this guy here. | |
| And I want to ask people, where are you going? | |
| What are you doing? | |
| Such pained expressions. | |
| The sound of... | |
| You know, that panting cannot be good for you. | |
| And the reason why I say that is that we are bipedal. | |
| We have two feet. | |
| Quadrupeds are able to transition energy better. | |
| Look at this. | |
| The day you see me... | |
| That's an interesting gait. | |
| The day you see me wearing a parachute with a suit... | |
| I hate that. | |
| Give me a... | |
| What is this? | |
| I want to party with that guy. | |
| That's all I want to know. | |
| How are you? | |
| What was I saying about running? | |
| Ah, who cares? | |
| You don't care. | |
| Are you having fun? | |
| I'd look at my phone, but I can't see because of the glare and the sun. | |
| You know, I've been doing this YouTube thing for a long time. | |
| And every now and then I'll say something. | |
| Oh, that's good. | |
| I'll go on various shows. | |
| My good friend Natalie and Clayton on Redacted or Sean Atwood. | |
| I'm booking a Charles Ortel coming up. | |
| We're going to have him back on. | |
| Oh, we. | |
| What do you mean we? | |
| It's me. | |
| Then I've got Eric Thaddeus Walters the Great. | |
| The great mind, the wit from Rome. | |
| And people say, that's terrific. | |
| And it is good. | |
| They are great. | |
| Great numbers, great response. | |
| But I take a call, a phone, and I walk around. | |
| And I just mumble nonsense. | |
| Seriously. | |
| Mumbling nonsense. | |
| And people are saying, I love it. | |
| That's great. | |
| I'm thinking, this? | |
| Yes. | |
| Okay. | |
| Next we're going to go to Central Park. | |
| Oh, that's a good one. | |
| I'll take you there next. | |
| Maybe tomorrow. | |
| If you want it, leave something in the comments section. | |
| And don't forget, how do you thank me for this? | |
| Pay me. | |
| I don't make any bones about it. | |
| Pay me. | |
| All of us are doing it to be paid. | |
| PayPal and Venmo and buy me a coffee. | |
| Filipino Krugerrands. | |
| I don't care. | |
| Deutsche Mark, Bitcoin, bit shoot, poop shoot, I don't give a damn what it is. | |
| If it has any value whatsoever, if it can be smelted or sold or pawned, I'll take it. | |
| Why? | |
| Because I'm in it for the greenback, the gold, the soldi, pecunia. | |
| I get more people. | |
| Excuse me, sir. | |
| Where the fuck are you going? | |
| I think it's a great idea. | |
| This week we follow this guy. | |
| We just pick somebody out of just randomly. | |
| And you know what I found out? | |
| People are pretty interesting. | |
| Everybody's got a story. | |
| Oh, can you see these garbage scows? | |
| And from our window, I see some of the strangest vessels. | |
| But I can't really make out what they are. | |
| You know, trash and garbage and whatever. | |
| But Hudson River, ladies and gentlemen, is quite the waterway. | |
| Just think, you take this all the way to the top, you curve around where West Point was, where Benedict Arnold would pull the chain to thwart British ships. | |
| The history here, you know what's really historic is New Jersey. | |
| Unbelievable. | |
| Unbelievable. | |
| Something about people sitting and eating. | |
| I'm a very quick eater. | |
| If I take a sandwich or something, I see how much can I put in my mouth at one time. | |
| Other people can sit and they take these little bird bites. | |
| I don't do that. | |
| You can't taste it. | |
| You have to have a certain amount of acreage and square. | |
| Meters of food per bite. | |
| Oops, excuse me. | |
| That taco's acting up. | |
| But you have to have enough food to really enjoy it. | |
| That's like potato chips. | |
| Popcorn. | |
| Handfuls. | |
| Or is it hands full? | |
| You decide. | |
| Leave a comment. | |
| That's what they always say on YouTube. | |
| What do you think? | |
| Leave a comment. | |
| I don't give a shit. | |
| Leave a comment. | |
| Eat tacos on a boat. | |
| That's some ad copy, folks. | |
| La Barca. | |
| We're going back, obviously, as you can see. | |
| Look at this. | |
| 40 bucks. | |
| Max to close. | |
| Did you ever think there was this much activity here? | |
| Seriously. | |
| A lot of you folks, people love to trash New York. | |
| I hate New York. | |
| You ever been? | |
| No. | |
| No. | |
| Why do you hate it? | |
| Well, I don't hate it. | |
| Yes, you do. | |
| Well, I say I hate it. | |
| Why do you say you hate it? | |
| Well, because that's what I do. | |
| I just say stuff. | |
| Like Virginia's Euphraie. | |
| They killed her. | |
| How do you know that? | |
| I don't know. | |
| I just say that. | |
| Do you have any information? | |
| No. | |
| Anybody tell you that? | |
| No. | |
| By the by, if anybody's interested, you know her husband wouldn't have gotten a penny from that. | |
| Reported 15 million bucks or more. | |
| Can you see the intrepid straight ahead? | |
| I don't want to enlarge this because it... | |
| There's something you don't hear too often. | |
| I don't want to enlarge this. | |
| Look at the planes assembled. | |
| But in any event, I kind of keep an eye on them. | |
| You know what else I would put my money on if I had to bet? | |
| Fentanyl. | |
| Oh, yeah. | |
| See, she was going to have a lot of pain. | |
| They were making her out to be a nut. | |
| She was crazy. | |
| Uh-huh. | |
| Yeah, yeah. | |
| And she was a lunatic. | |
| Right, right, right. | |
| So maybe she took something. | |
| Oh! | |
| She overdosed. | |
| Let me tell you something right now. | |
| Nobody overdoses on fentanyl. | |
| It's a poison. | |
| There's a woman sitting there. | |
| Bless her heart. | |
| She looks like her name is Madge. | |
| Smoking a tarot. | |
| With all of her belongings and a suitcase. | |
| It makes me sad when I see people like that. | |
| I really... | |
| They don't hurt anybody. | |
| They're not bothering anybody. | |
| I don't know. | |
| I would love to know what their story is. | |
| What happened? | |
| Again, waiting more lines. | |
| My father used to always say, I don't want to wait in the line. | |
| Why? | |
| If you're in the military, you hate lines. | |
| I said, yeah. | |
| I think there's probably more to dislike about the military. | |
| I would imagine. | |
| I don't know. | |
| Waiting for the circle line. | |
| Look at the backpacks. | |
| The omnipresent backpacks. | |
| This man here making sure nobody stops. | |
| This is his job. | |
| He has on 12 helmets and a sign that says stop. | |
| I want you to understand something. | |
| We're not kidding around here. | |
| Don't even think about coming here. | |
| Don't even think about it. | |
| Again, stop. | |
| Stop. | |
| Don't go here. | |
| Don't think. | |
| Another man. | |
| Stop. | |
| In the name of love. | |
| There we go. | |
| See the intrepid? | |
| Isn't that something? | |
| Imagine those Japanese bastards. | |
| Excuse me. | |
| Not the current Japanese bastards. | |
| The World War II zeros. | |
| What a terrible name for a... | |
| I don't think they named it that, but... | |
| What are you? | |
| I'm a Zero. | |
| I'm a Spitfire. | |
| I'm a Mustang. | |
| What are you? | |
| I'm a Zero. | |
| There was this great comedian years ago, I don't know who it was, who said that the way Japanese soldiers were always depicted in planes during combat, during dogfights. | |
| They would have the American soldier, great engine, Rolls-Royce engine, you know, Dana Andrews, flying, and their cockpit, the actual canopy was open, and there was no wind, | |
| no nothing, and they could talk on some kind of an intercom with the Japanese soldiers, or pilots, which I thought was odd. | |
| And you would see... | |
| This terrible, filthy, disgusting, angry Japanese pilot. | |
| Okay, thank you, doodle dandy. | |
| And their plane was terrible. | |
| There were zeros. | |
| Bucket of bolts, loud noise. | |
| But the American plane, smooth. | |
| German even worse. | |
| No racism there, ladies and gentlemen. | |
| None whatsoever. | |
| Manhattan, mini-storage. | |
| Straight ahead. | |
| Can you see the construction? | |
| More of these. | |
| See that little finger of building? | |
| Ugly. | |
| Do you know that these are hundreds of millions of dollars per either floor or unit. | |
| Bought by oligarchs around the world as money havens. | |
| 1984. | |
| Do the math. | |
| Yes, there are. | |
| But they're empty. | |
| Completely, totally empty. | |
| And what's interesting, what I find interesting is that when you get to that height, not height, but that height, there's no cell phones. | |
|
Why Languages Matter
00:06:04
|
|
| No cell reception whatsoever. | |
| None. | |
| Nobody knows who lives there. | |
| Nobody lives there. | |
| A hundred million dollars? | |
| For what? | |
| And they're all over the place. | |
| Look at these, see? | |
| Can you see this? | |
| You can see this triangular, this pyramidal top. | |
| That's the World Plaza. | |
| That's where the original, well, one of the original Madison Square Gardens were. | |
| Now look at that beauty, huh? | |
| Look at that beautiful, beautiful. | |
| Keeping America safe. | |
| And I mean it. | |
| World War II was a different story, ladies and germs. | |
| I don't know any Vietnamese or Viet Cong who ever had my First Amendment rights in his crosshairs. | |
| I guess theoretically, but that was a generation. | |
| And we're still trying to figure out what happened. | |
| We're still trying to figure out. | |
| Now think about that. | |
| We're not really sure exactly. | |
| So, Pearl Harbor, did we know about Pearl Harbor? | |
| Was that a surprise about Pearl Harbor? | |
| I don't know about Pearl Harbor. | |
| Not sure. | |
| So if we're still debating that, how much do you think we know about, oh, I don't know, Iraqi freedom? | |
| Now, is this a perfect design? | |
| Somebody somewhere said, I'm going to bend this. | |
| I'm down to 20%. | |
| I'm doing all right. | |
| I hope you've enjoyed this. | |
| Languages? | |
| I hear languages. | |
| Of sounds. | |
| In my CVS, there's a sign that says, if you need an interpreter for the following languages, let us know and we'll get one. | |
| I don't know why you need this to get some rectal litch cream, but if you do, and I never realized there were that many languages. | |
| It's just incredible. | |
| The heterogeneity of this place is like nothing you can imagine. | |
| And that's a good thing. | |
| Leave a comment. | |
| Later on, I'll read your comments. | |
| All I ask is that you be relatively civil. | |
| Be nice to each other. | |
| Don't argue with each other. | |
| Don't be a prick. | |
| That's all. | |
| You would think of something called social media, but have so many anti-social people. | |
| I don't understand that. | |
| I really, honest to God, I do not understand that. | |
| I have nothing but love in my heart. | |
| Look at this guy here. | |
| Is that great or what? | |
| Can you imagine him just hitting something? | |
| That's about, what, 20 miles an hour? | |
| Who knows? | |
| And those e-bike engines or batteries, they're known to just blow up. | |
| For no particular reason. | |
| Very, very dangerous. | |
| Bicycle helmets? | |
| No way to wear one without thinking of this sound. | |
| That's terrible. | |
| In high school, what... | |
| This is terrible. | |
| My friend. | |
| My friend. | |
| Oh, God. | |
| Scott. | |
| His favorite joke was, he goes, what's Helen Keller's dog's name? | |
| Terrible. | |
| Not even funny. | |
| Did you ever see her dog? | |
| She didn't either. | |
| Terrible. | |
| Horrible. | |
| Why was her cane yellow? | |
| Her dog was blind too. | |
| Disgusting. | |
| How did she burn her fingers? | |
| Trying to read the waffle iron. | |
| Terrible. | |
| How did her parents punish her? | |
| Rearrange her furniture. | |
| By the way, Manson did that. | |
| Supposedly. | |
| Helen Keller jokes. | |
| Have we stooped to that level? | |
| Have we? | |
| Have we gotten that low? | |
| Leave a comment. | |
| Well, anyway, my friends, I don't want this thing to poop out in the middle of my brilliant dissertation. | |
| Let me tell you the following, okay? | |
| Listen carefully. | |
| I want to thank you. | |
| I hope you've enjoyed this. | |
| I had a nice little constitutional. | |
| I'm walking out here. | |
| I love this. | |
| Leave a comment. | |
| Do you want more of this? | |
| Leave a comment. | |
| Do you want less of this? | |
| I can't help you with that. | |
| But if somebody had told me, seriously, that this would be popular? | |
| Well, compare, look, I'm no Mr. Beast, and I don't want to be. | |
| But I would have thought, why is this interesting? | |
| But it is. | |
| So if it is, that's great. | |
| Leave a comment. | |
| I'm going to be doing more of this. | |
| I want to thank you. | |
| Let me remind you to follow Mrs. L at Lin's Warriors. | |
| I'll be doing a live later. | |
| I don't know. | |
| I'm not really sure. | |
| Let's see how this goes. | |
| In any event, my dear friends, I want to thank you for your support. | |
| Thank you for your patronage. | |
| Thank you for your love. | |
| Thank you for your contributions. | |
| I can't see who did what. | |
| I really... | |
| You know what? | |
| We love each other. | |
| You know you love me. | |
| Something like Sally Field. | |
| You know you do. | |
| You love this. | |
| And so many of you have met other friends talking about this. | |
| Hey, Harold. | |
| Hey, you know. | |
| Whatever. | |
| And that's wonderful. | |
| It's very interesting. | |
| And despite the fact that there's certain words we can't say, lest we be removed to internet oblivion. | |
| In any event, my friends, thank you so much. | |
| Have a great and a glorious day. | |
| We will see you later. | |
| I thank you for this, and don't forget these final words. | |
| The monkey's dead. | |
| The show's over. | |
| Sue you. | |