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00:02:25
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| I don't believe anything Kevin Spacey said at all with Piers Morgan. | |
| Okay? | |
| I don't. | |
| Let me explain to you why. | |
| Let's imagine I'm doing a closing argument and I'm telling you why you as a juror should disregard everything he has said. | |
| Which is what you do in a closing argument. | |
| That's why it's an argument. | |
| You're arguing regarding the weight of the evidence. | |
| You're saying what should be believed and what shouldn't be believed. | |
| Alright? | |
| Good. | |
| Now, it works like this. | |
| First, What is the reason? | |
| What would be the motivation? | |
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Charges Against Clinton
00:12:14
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| This is one of the bases to impeach a witness. | |
| Impeach means to affect credibility. | |
| Why would Kevin Spacey go on TV in the world and say, guess what? | |
| I am broke. | |
| I am on the balls of my arse. | |
| I have nothing. | |
| I am teetering on bankruptcy. | |
| I've lost, I think it was like eight or nine separate... | |
| Successfully, by the way. | |
| He's been very successful in civil and criminal charges for a variety of untoward activities. | |
| And of those, I have been successful. | |
| That's what he would say. | |
| But I have to liquidate everything. | |
| And now we find that he has had a flat in London. | |
| Or not a flat, but a place in London. | |
| L.A., Baltimore. | |
| Okay, fine. | |
| That's number one. | |
| Why is somebody... | |
| Who was trying to get back on the horse, as he said. | |
| Why would he, or why would his agent, or anybody in the business, who I'm sure would offer him advice, say, go on TV and look desperate. | |
| When was the last time you ever saw anybody? | |
| Anybody. | |
| Tori Spelling, even, or... | |
| Val Kilmer. | |
| I'm trying to think of some classic, terrible examples of people who have really been either destitute or on the verge. | |
| Never! | |
| Can you imagine Clint Eastwood doing that? | |
| No! | |
| So, first of all, who does this? | |
| Hollywood, and let's just use that term collectively, is about illusion. | |
| And the creation of an image, the creation of a feel. | |
| Of his invincibility. | |
| He is Underwood. | |
| He is Kaiser Sose. | |
| Whatever. | |
| Why would you do this? | |
| Next, what does this do to your asking price? | |
| If you say, okay, I've got a movie coming up. | |
| I may, in a weird way, want him because people are going to want to see what he looks like after... | |
| This tremendous fall from grace. | |
| But now that he's told me he's desperate, now that he told me he has nothing, I'm going to offer him a half or a third of what I would normally because I know he's desperate. | |
| So why would you undercut your sale ability? | |
| What agent, if he has one, would ever advise him of that? | |
| Okay? | |
| That's that. | |
| Why would you go on Piers Morgan? | |
| Did you hear him on Lex Friedman? | |
| That was good. | |
| It was very good. | |
| In fact, that's the way to do it. | |
| He was most impressed if he was talking about being an actor. | |
| The way to make people forget what you have done is to not talk about what you have done. | |
| Kevin Spacey was talking about acting and how he played Richard III and it was great. | |
| And I thought to myself, you know what? | |
| I even told my wife, I said, you know, you want to see this. | |
| This is, he acquits himself. | |
| He speaks rather elliptically, you know, to the particular charges, but I thought he was excellent. | |
| Then we have Piers Morgan. | |
| Piers Morgan, spoiler alert, is a hack. | |
| He's Geraldo Rivera with a phony, posh British accent. | |
| He's a tackling dummy. | |
| He's a rodeo clown. | |
| Low-hanging fruit. | |
| Clicks, viral videos, sensationalism. | |
| What are you doing going on his show? | |
| He has no interest in anything but... | |
| He wants that Shmuley Botiak moment. | |
| He wants the screams. | |
| He wants the yells. | |
| He wants something where somebody is embarrassed. | |
| What were you thinking? | |
| Whatever you thought you may have... | |
| And by the way, the Lex Friedman interview is phenomenal. | |
| And Lex Friedman is phenomenal. | |
| He's one of the best things on digital platforming today. | |
| But, instead you go on to this hack. | |
| He's a tackling dummy. | |
| He's a jadrool. | |
| He's a low-hanging fruit. | |
| He's a, as they would say, Downtown, he's a chooch. | |
| He's a fool. | |
| But you fell for that. | |
| Next. | |
| Why are you talking about trips you took with Clinton on a certain plane with a certain person whose name we can't mention here? | |
| Did you know he was going to bring that up? | |
| Yes. | |
| Did you think about the questionnaire? | |
| Apparently not. | |
| Why are you talking about this? | |
| Here's one for you. | |
| Mr. Morgan, as you know, and always do this, as you know, whether somebody knows it or not, you can say, as you know, especially with your experience. | |
| As you know, one can never be sure. | |
| In terms of pending civil and criminal cases, that may still have some degree of life to them. | |
| I would want to do nothing to deliberately or inadvertently revivify those charges and challenges by virtue of saying something that would do nothing but rekindle, reiterate, revitalize. | |
| Charges against me, accusations against me, investigations against me by virtue of discussions of that person whose name I will not mention. | |
| So as you can tell, Mr. Morgan, is it? | |
| As you can tell, sir, it's in everybody's best sense, especially me, after I've been 100% successful in acquitting myself, literally, For me not to discuss this. | |
| So what's the point of you going on? | |
| Because then he gets to this other stuff. | |
| Are you aware of any airplane flights you took with Bill Clinton? | |
| And that's it. | |
| I said, that's it. | |
| He's done. | |
| He's finished. | |
| Because don't you understand something? | |
| When you try to explain that, you come across as a fool. | |
| And no one believes you. | |
| Do you understand what I'm saying? | |
| No one believes you. | |
| Because in order to believe you, we have to believe you're an idiot. | |
| I don't know who these people were. | |
| I don't know who these people on the plane were. | |
| I don't know. | |
| I'm just there with President Clinton and we're doing some good things for the Clinton Foundation in Africa. | |
| I don't know if there were a number of Nubile sylphs who seem to be out of the ordinary. | |
| I am sorry. | |
| I don't know what to say. | |
| I'm not really sure. | |
| I'm not... | |
| What are you, an idiot? | |
| You don't think that on the way over, when you talk to Clinton, Clinton says, listen, I want you to know something. | |
| We're flying over with such and such. | |
| I want you to meet him. | |
| I want you to meet him. | |
| This particular person, whose name we cannot mention, was so well known in New York, everybody could not wait to go to a dinner party with him and his confidant and Gal Friday and Paramore or whatever she was. | |
| Everybody knew this. | |
| I saw him. | |
| He was walking all over the place. | |
| Eastside, one time he was a friend of Bergdorf Goodman, wore the same thing. | |
| A lot. | |
| Because when I saw pictures of him later on, I said that's what he was wearing then. | |
| Everybody wanted to know him. | |
| Go to his Meetings. | |
| Everybody knew all about him. | |
| Every piece of property he ever had, including that plane, was a recording studio. | |
| And Bill Clinton has access to the Secret Service. | |
| And the Secret Service has access to every living, breathing version of an intel service and office on the planet. | |
| They know exactly who he is. | |
| And I think we all know where all of those interesting recordings were, but we'll talk about that later. | |
| Not now. | |
| There are people listening, if you know what I mean. | |
| So don't tell me you don't know this. | |
| You come across, nobody believes you. | |
| And as far as crying goes, let me see this. | |
| You are a two-time Academy Award winner, Oscar winner, Best Supporting Actor, In Usual Suspects, Best Actor in American Beauty. | |
| You were the production manager of the Vic in England. | |
| You did Shakespeare, Richard III. | |
| You are an actor. | |
| Your role in life is to give breath and life to other people's thoughts and words. | |
| You are A professional liar. | |
| That's what an actor is. | |
| A liar. | |
| A trained liar who can lie, call acting, using other people's words, other people's stories, other people's presentations. | |
| This is what you do. | |
| So when you cry, first, It is most unmanly. | |
| You heard me. | |
| It's a term which nobody uses anymore. | |
| Can you imagine Bruce or Clint Eastwood crying? | |
| Woody Allen wasn't crying. | |
| I don't even think Alec Baldwin was crying. | |
| I think he was upset about something, but he doesn't cry. | |
| What is this crying business? | |
| What is this, some show of sensitivity? | |
| Look, you may think that we live in a world that Appreciates and encourages frailty, downing a handful of edibles and petting your therapy ferret or whatever it is. | |
| Maybe you think we like that. | |
| Nobody does. | |
| And when you're on screen, when you're trying to play a tough guy or... | |
| Whatever it is. | |
| They're going to remember this with you and Piers Morgan. | |
| And by the way, Piers Morgan is as dumb as rocks. | |
| Remember this. | |
| See, Americans have this thing where we love British accents. | |
| I mean, we just think they're great. | |
| There are things, for some reason, I don't know why, we think that British accents somehow contain And are appended to a concomitant form of respect, of erudition, insincerity. | |
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Years Of Harsh Criticism
00:01:02
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| You'll see. | |
| But even the Brits, with a stiff upper lip, will know that a man lacrimating and crying comes across as most insincere. | |
| Most, shall we say. | |
| Inauthentic, I should say. | |
| So I'm not buying any of it. | |
| That was the dumbest thing you've ever done. | |
| And I used to respect you as an actor, as a, you know. | |
| And by the way, everything they said about him, they've been saying about him for years. | |
| For years. | |
| I'll leave it at that. | |
| What do you think? | |
| Am I being too harsh? | |
| Or do you agree with everything I'm saying? | |