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Protecting What Matters Most
00:02:21
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| Years ago, I got my start in talk radio in... | |
| well, I actually hit the airwaves in October of 1988. | |
| I was doing a weekend show in Florida. | |
| Just on a whim. | |
| And it was a great radio station and they allowed me to ask anything, talk about anything. | |
| And the question that I came up with one time, which was the greatest talk radio question ever was, what's the worst thing you've ever smelled? | |
| I'll never forget this. | |
| I did it one time. | |
| It was 9 o 'clock in the morning. | |
|
Something Memorable
00:04:58
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|
| It was 9 to noon was the show. | |
| So it was right before lunch. | |
| And I remember the program director at the time says, you do realize this is radio? | |
| I said, yes. | |
| And you do realize that you can't smell things on the radio? | |
| I said, yes. | |
| But people can describe it. | |
| And people who are not necessarily the most, well, the most literate, descriptive, have a recollection of something. | |
| I said, my only Warning was, please, nothing bodily or inguinal or perianal or anything like that. | |
| That's easy. | |
| I'm talking about something that you remember in life. | |
| And, and, and, the reason why is that olfactory memory, smell memory, is 100%. | |
| And the reason why it's 100% is that there's a reason why nature wants you not to forget bad smells. | |
| And it set me off The world of talk radio. | |
| Nobody had ever done this. | |
| I don't know why. | |
| So people who called up and said, well, I may not know too much about politics, but one time, I didn't realize that changing grease traps, people who worked in the restaurant business who changed grease traps, grease traps, apparently, this is the worst smell. | |
| People always talk about burnt flesh and feathers and things like that. | |
| But grease, I heard a number of people talk about grease traps, changing them. | |
| But the one that I remember the most, the best explanation was brevillequence, meaning brevity and eloquence combined, kind of a truncation, a portmanteau, so to speak, of the two. | |
| It went as follows. | |
| And now, this was 35, whatever years ago. | |
| I have no idea how long ago this was. | |
| In any event. | |
| It went like this. | |
| A guy calls up and he says, I'm a veterinarian. | |
| And one day, I got a call. | |
| We had to put down a horse. | |
| And I always love that term. | |
| Putting down. | |
| Hey, nag. | |
| Hey, sway back. | |
| Like you hurl insults at them. | |
| Old paint. | |
| Anyway. | |
| And it went like this. | |
| He said, and I found out it had a rather pronounced, irreverent, we heard about vaginal, Vaginal tumor. | |
| Now, stop right there. | |
| Now, just remember, this is Talk Radio, 1990... | |
| I don't know what it was. | |
| No! | |
| It doesn't matter. | |
| And, you see what I did? | |
| That's a sign of age. | |
| Old people do that. | |
| They'll say, it was a two... | |
| No, it was a one... | |
| Who cares? | |
| So, I heard this. | |
| Vaginal tumor on a horse that he had to... | |
| Put down. | |
| Just your brain is going. | |
| Just your brain. | |
| And I did what people did on 60 Minutes. | |
| Ever watch 60 Minutes? | |
| Leslie Stahl? | |
| They just repeat what you say. | |
| So I walked in and there was a guy dressed up like a rooster. | |
| He was dressed up like a rooster. | |
| Yeah, like I just said it. | |
| Leslie, I just said that. | |
| Yeah, we're dressing like a rooster. | |
| So anyway, so I walked in and I did what I had to do. | |
| I pulled out a gun. | |
| You pulled out... | |
| Are you going to repeat what I'm saying? | |
| This is what they do on CBS. | |
| CBS Sunday morning they do it in 60 minutes. | |
| Why did something kind of near that? | |
| I stretched it out. | |
| I said, wait a minute. | |
| Let me get this straight. | |
| Let me get this straight. | |
| It's a great cross-examine. | |
| You heard it had a vaginal tumor? | |
| Oh, yes. | |
| Was it significant? | |
| Quite significant. | |
| Okay. | |
| Significant! | |
| Significant. | |
| Horse. | |
| He's got to kill it. | |
| It's so bad. | |
| Here is the word. | |
| This is the word. | |
| This is what did it. | |
| And it was never anything explicit. | |
| He said, I was walking towards the horse. | |
| And when I got to about 10 to 15 feet away, It hit me. | |
| That was it. | |
| It hit me. | |
| I knew it was good, the topic, because people were coming up to the window. | |
| And there was this window where you could look in. | |
| This was right before their lunch. | |
|
Tales That Haunt Us
00:04:16
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|
| And they're looking at me because they can't believe what they're seeing. | |
| They can't believe what they're saying. | |
| And I never said, what did it smell like? | |
| Never! | |
| I never said, can you describe it? | |
| Never! | |
| Because like Hitchcock taught us, let you, let the audience come up with the image, the horror. | |
| Let them fill in the blanks. | |
| And it hit me. | |
| That was it. | |
| It was the most beautiful thing in the world. | |
| And it was at a time when talk radio was so wonderful. | |
| I could tell you a bunch of wonderful stories I heard. | |
| In fact, I'm going to do this because I love people who can tell a story. | |
| And they say it in a way where it's so... | |
| It's like people who can tell a joke. | |
| It's the economy of words, the perfect sequencing. | |
| Quick story like that. | |
| I asked one time, and we may do a topic on this, the worst thing you've ever seen, and that's a little bit different. | |
| This guy told me, he says, he always wanted to go along for a ride with his friend who was a cop. | |
| And I think it was in the New York area, and he said, I want to do a ride-along. | |
| And he said, no, no, no, please, please. | |
| He goes, okay, alright. | |
| So they did a ride-along, and he signed the waiver and did all this stuff so he could see what was going on. | |
| So, they got this call. | |
| It was an accident. | |
| A young kid hit by a car. | |
| And he told his friend... | |
| He told his friend, you stay here. | |
| This is pretty bad. | |
| His friend says, oh, no way. | |
| No, I gotta see it. | |
| He goes, no, it's a kid. | |
| It's a car accident. | |
| It'll freak you out. | |
| He goes, even better! | |
| He said, okay, but I'm warning you. | |
| I said the same thing too. | |
| But the first time I saw something like that, it haunted me. | |
| He says, oh my god, I know I've got to see it now. | |
| So he crept up, not crept up, walked up, kind of parted, and there was the kid on a bike, tipped over, covered with red, like blood-looking substance, and a white, he was amazed, it was this white, gooey, he's trying to figure out, what is this? | |
| What is this reaction? | |
| Blood and... | |
| Body humor, dura. | |
| What is this? | |
| Meninges? | |
| You know, pick your... | |
| And the kid all of a sudden snaps out of it and says, My pie! | |
| My mother's going to kill me! | |
| He was bringing home a pizza, a pie. | |
| And he was fine. | |
| It just kind of knocked him out. | |
| But it was all over him. | |
| He couldn't see the box. | |
| But there was this kid covered in red and white. | |
| Goo. | |
| And he almost lost it. | |
| And then he said, wait a minute. | |
| It's okay. | |
| It's pizza. | |
| Now, here was what was interesting. | |
| He said he had to go from disgust and shock to hilarity and surprise in a millisecond. | |
| Now, this may not hit you now. | |
| But you think about that. | |
| It was a reaction he's never found in life like this. | |
| Immediate shock, horror, disbelief, hilarity. | |
| Think about that, my friends. | |
| And welcome to my world, because I love the human experience. | |
| I'm asking you, please list below, what's the worst thing? | |
| And please, don't be gross. | |
| No, no, no, please. | |
| There's no need. | |
| Don't be obvious. | |
| I'm talking about grease traps. | |
| Equine neoplasms. | |
| Please, subscribe to the channel. | |
| Thank you for letting me into your brain. | |