DAILY BRIEFING: American Music Tribute
The lyricism of the heart. The embodiment of a people. That simple.
The lyricism of the heart. The embodiment of a people. That simple.
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| Welcome to today's Sunday Daily Briefing. | |
| I say a hearty hello and a hi-oh silver to you and you and you. | |
| Two announcements that I want to make. | |
| First, for reasons I do not know, my dear brother-in-arms, our great honeyman, Chris Stose brought this up, another one of you. | |
| I'm going to be at the cutting room on July. | |
| July 16. I think I was saying September. | |
| I don't know why. | |
| I have no idea. | |
| July. | |
| July 16. July. | |
| Let me get a thing for you right now. | |
| I'll pin this up for you. | |
| How about that? | |
| This is going to be a little different than usual. | |
| First, do I have my stuff handy? | |
| Let me see. | |
| I'll get that later for you. | |
| Just go online. | |
| July, July, July, July, July. | |
| Not September, July. | |
| Don't know why. | |
| July. | |
| Number two, comments are open. | |
| I'm not going to go through And that's that. | |
| Now, The other day, I get hit by things. | |
| Sometimes I'll think of something like, oh, that's odd, which is the way I am. | |
| Coming out around, going into the Lincoln Tunnel, the helix, as we call it, and you're coming from Route 3, if you're Jersey-bound, you make this big loop, and you go into the city. | |
| Big sign for Eric Clapton at the Garden. | |
| Eric Clapton, still going on. | |
| Bless us, still doing this thing. | |
| And let me tell you what I thought. | |
| Maybe this is... | |
| As one... | |
| I don't know if it's because one gets older or if it's because we get bored or... | |
| I don't know if it's a matter of age, per se. | |
| But I never, I mean, the last concert we went to, I went to, was Steely Dan at the Beacon. | |
| Here, that's it. | |
| I have absolutely no interest in sporting events, especially sporting events. | |
| Concerts, going there, what do we do? | |
| I don't know, I don't, I don't know why. | |
| What happened? | |
| Are you like that? | |
| Does this make you think to yourself, wait a minute. | |
| What happened? | |
| Maybe because they were more fun then? | |
| I don't know. | |
| Is it because I don't like the human spirit of interaction? | |
| No. | |
| I think it's important. | |
| I thought to myself, at the garden? | |
| Oh, God, no. | |
| No, no, no. | |
| And immediately I'm thinking, oh, I've got to hang around with people. | |
| Oh, no, no. | |
| You've got to wait. | |
| Forget getting a good seat. | |
| I don't know what happened. | |
| Now, there was a time when that, in a weird way, would have actually enticed me, the brutality of the event. | |
| Anyway, it got me thinking, as I'm creeping along the helix, I'm looking at Clapton, thinking about this. | |
| When do we really enjoy Yes, Crystal says the Jones Beach event. | |
| Went to Jones Beach to see Hall of Notes, I think. | |
| Walked in. | |
| I've never been to Jones Beach. | |
| I show up and immediately they say there's what was it? | |
| A purse inspection? | |
| Oh, no purses, and you know what? | |
| See, you know what? | |
| The hell with it. | |
| Turned around and went back. | |
| Hall of Notes. | |
| I can see Hall of Notes. | |
| Why do I want to go see Hall of Notes while I'm there? | |
| I have no idea. | |
| So July, July 16th, at the cutting room in New York City, that's different. | |
| That's Q&A. | |
| That's different. | |
| That's completely different. | |
| That's another story. | |
| Now, when you meet somebody and you want to make some time, so to speak, and you want to just... | |
| Not that you'd be doing this, but let's say you're on a date or something, or maybe you're looking for a job, or you just want to kind of break the ice with a question. | |
| That's kind of an interesting thing. | |
| One question is, people love to talk about, what was your first car? | |
| Everybody loves that. | |
| I don't know why. | |
| I don't know why. | |
| You remember it. | |
| You remember it, and it meant it was the first time that you were able to be mobile. | |
| And a lot of kids today, unfortunately, are not experiencing that. | |
| Because there appears to be not the same degree of desire to want to get away and cruise or do whatever you're supposed to do. | |
| And the other one is, speaking of Clapton, your first concert. | |
| And why does that matter? | |
| What is it? | |
| Why do we go to these things? | |
| Why? | |
| Is it to see the person? | |
| Sort of. | |
| Sort of. | |
| Let me ask you a question. | |
| Assuming you wanted to go see Clapton, which is good. | |
| And I saw him, oh my god, in high school. | |
| Not exactly the most exciting performer, but still. | |
| I think the most boring performer ever was Robert Palmer. | |
| Just didn't move. | |
| Whatever. | |
| Leo Kotke was up there as well. | |
| Not exactly riveting. | |
| But what is it? | |
| Do you want to... | |
| Think about this. | |
| Do you go to a concert because you want to be with other people? | |
| Or do you go to a concert because you want to see this person? | |
| You say, I want to see. | |
| I want to see this person. | |
| I've got to see whether he's really alive. | |
| Yep, that's him, alright. | |
| Let's go. | |
| No, I want to see him. | |
| Well, that's him. | |
| He's playing live. | |
| What does live mean? | |
| What is it? | |
| What does it matter? | |
| I don't know. | |
| I ask you. | |
| It's a conviviality. | |
| A conviviation. | |
| It is you are a part of a human circuitry. | |
| You are part of this event. | |
| This event where you are sharing your You're like a transistor. | |
| You're part of the circuitry. | |
| You and whatever. | |
| In addition to seeing the person. | |
| There are certain things you have to go see. | |
| Broadway. | |
| I wish every one of you could see a really great Broadway show kind of the way it used to be. | |
| The way it used to be. | |
| With actually a curtain. | |
| You know, not this weird thing they're doing now, but a real Broadway, something serious. | |
| There is nothing like it. | |
| There is nothing. | |
| I'm not a musical person, but that you have to see. | |
| You don't want to see, you know, whatever. | |
| You have to see it live. | |
| Going to a bar can only be done there. | |
| It's one of the reasons why you don't want to drink at home. | |
| You want to go to a bar with other people to be served. | |
| To see what happens. | |
| To see people in their various stages of interbriety. | |
| So there's sometimes when you have to do something. | |
| Woodstock was an example of a... | |
| That is the classic Gustave Le Bon kind of a crowd movement. | |
| This is not... | |
| That wasn't just a concert. | |
| That was... | |
| They didn't even know what happened. | |
| And if all of the people who claimed to have been at Woodstock actually were there, you would need the state of Wyoming. | |
| To handle all these people who swear they were there. | |
| It is quasi-religious. | |
| I agree with you. | |
| It is. | |
| There is something spiritual about that. | |
| The notion of sharing something with the humanity, kind of like we're doing now, in a weird way, in a strange way. | |
| But it's something that I don't know if people... | |
| Because we are getting away from mass celebrations. | |
| We are getting away from people there who want to be a part of the cacophony, the melange of humans. | |
| People are not into that. | |
| But, in my lifetime, concerts were great. | |
| I loved it in high school in particular. | |
| My first concert, Three Dog Night, Tampa Stadium. | |
| Opening act. | |
| A friend of mine told me he was Buddy Miles, too. | |
| I don't know. | |
| But it was... | |
| Oh, God. | |
| Not Proko Harum. | |
| Oh, God. | |
| Steve Marriott. | |
| Who is Steve Marriott? | |
| Come on, what was the group? | |
| Humble Pie, Humble Pie. | |
| Hot and Nasty, still one of the greatest songs ever. | |
| Peter Frampton was in Humble Pie. | |
| That was the most incredible thing. | |
| Three Dog Night, nobody gets how big they were. | |
| Nobody gets, nobody understands it. | |
| They think, oh, joy to the world. | |
| They were unbelievable. | |
| Unbelievable. | |
| There was a riot. | |
| There was a riot on the field. | |
| I couldn't believe it. | |
| You know, I mean, it was there. | |
| I think I took my sister and her friend. | |
| I'm kind of like the quasi-adult. | |
| I was just a couple of years older. | |
| But it was great. | |
| You walked in there. | |
| It was festival seating. | |
| Remember, this is weird to say this, but the smell of weed when it was actual grown, it kind of smelled nice. | |
| Spooky Tooth, by the way, was... | |
| Gary Wright. | |
| Remember that, Gary Wright? | |
| Dreamweaver? | |
| Anyway. | |
| It was different. | |
| The beach ball. | |
| You got there at noon. | |
| Gates opened at noon. | |
| You walked in with coolers. | |
| Nobody checked anything. | |
| You just sat around? | |
| Nobody. | |
| I don't know. | |
| They just did this thing. | |
| Loved it. | |
| I don't know why. | |
| It was just, I loved it. | |
| It's just people watching. | |
| How about just walking around? | |
| That's the greatest thing in the world. | |
| Nobody got into fights. | |
| No fights. | |
| No nothing. | |
| It was wonderful. | |
| I loved it. | |
| Loved it. | |
| Loved those concerts. | |
| I remember going to see Motown. | |
| My cousin. | |
| We were, I don't know, young. | |
| That was something. | |
| Motown is still the greatest. | |
| That's an act. | |
| Seeing, yes. | |
| With Rick Wakeman? | |
| With laser lights? | |
| Oh my God! | |
| It was incredible. | |
| I saw Chicago a million times. | |
| I saw Bob Seger so many times, it's not even funny. | |
| Lakeland Civic Center. | |
| I saw Steely Dan open for Chicago. | |
| Steely Dan wearing baseball uniforms. | |
| Is it Steely Dan? | |
| Nobody remembers that one, but I saw it. | |
| I loved it. | |
| Don't have any interest in it. | |
| Don't want to have a ticket with a number L3. | |
| Are we in the loge? | |
| Where is this? | |
| We can't see. | |
| It didn't matter. | |
| Remember the feeling when you were a kid and all of a sudden, at night, you're waiting and you're hearing the music. | |
| And then in the... | |
| I never understood this. | |
| In the... | |
| kind of like... | |
| they weren't really... | |
| Tailgate parties. | |
| But somebody would be outside with the door open of like some big muscle car with playing the music of... | |
| I'd say, what are you doing? | |
| One time I saw, was it the Meadowlands or whatever, the Stones? | |
| And somebody was playing the Stones in the parking lot. | |
| I was like, can you wait? | |
| I don't want to hear, bitch, you know, or... | |
| Can't you hear me knocking? | |
| I mean, we're going to see it. | |
| Can't you wait? | |
| It's like it ruins it. | |
| Don't play. | |
| Anyway. | |
| But that's not the one that got me. | |
| Look at this. | |
| MC5. | |
| Oh my God. | |
| Kramer. | |
| Wayne Kramer. | |
| MC5 was an exceedingly important critic. | |
| Let me stop for just a second. | |
| Miles Davis. | |
| Miles Davis is deity. | |
| Edgar and Johnny Winter, ACDC, look at this, In the Round. | |
| I love this. | |
| Those days are gone. | |
| I think so. | |
| I think so. | |
| Blood, Sweat and Tears with David Clayton Thomas. | |
| David Clayton Thomas. | |
| David Clayton Thomas, in my pantheon of white singers who did not sound gratuitously soulful. | |
| Or inauthentic. | |
| David Clayton Thomas. | |
| Bill Champlin, who played with Chicago for years. | |
| He was like Sons of Champlin. | |
| Listen to him on a song. | |
| Listen to him on Isn't She Lovely on Captain Fingers, Lee Rittenour. | |
| Listen to him. | |
| And when you tell somebody, when you say he sounds authentically like a black blues singer, and you say with the utmost respect, not like Michael Bolton, but somebody who has their own style. | |
| Their own... | |
| Terry Cass from Chicago had their own... | |
| It's not a rip-off, but it's as close to it. | |
| Bobby Caldwell. | |
| What you won't do for love? | |
| They thought he was black. | |
| They thought Charlie Pryde was white. | |
| Because nobody knew. | |
| Nobody knew what Tony Orlando from Dawn, because he was a CBS employee and couldn't show his face. | |
| Van Morrison, yes. | |
| Van Morrison. | |
| Where did that come from? | |
| That is a real sound. | |
| A real... | |
| I used to have a list I could just rattle off. | |
| The people who sounded so... | |
| Bill Medley. | |
| And that's the ultimate respect. | |
| There's this... | |
| I remember years ago people would say, you can't say that. | |
| Yes, you can. | |
| Anybody who says this, you don't think you can hear John Lee Hooker? | |
| You think John Lee Hooker could be anything but this black blues man who spent his whole life in honky-tonks and cigarettes and booze? | |
| I mean, are you kidding me? | |
| Or Muddy Waters? | |
| I mean, stop it! | |
| Stop! | |
| Steve Winwood! | |
| Steve Winwood! | |
| Weather Report. | |
| Jaco Pastorius. | |
| A friend of mine told me one time he thought he was at a bar in New York. | |
| It was ladies and gentlemen. | |
| Special guest, Jaco Pastorius. | |
| He thought he said Jaco from Astoria. | |
| From Astoria, Queens. | |
| Jaco Pastorius. | |
| Oh, look at this. | |
| Christos. | |
| Christos. | |
| Rory Gallagher. | |
| You're like fixated. | |
| Rory Gallagher. | |
| Nothing wrong with Rory Gallagher, but anyway. | |
| Jaco Pastorius. | |
| Stanley Clark. | |
| Bootsy Collins. | |
| Jamerson from the Motown. | |
| Paul McCartney. | |
| You're going to laugh at this one. | |
| Peter Cetera. | |
| Lewis Johnson from the Brothers Johnson. | |
| Larry Graham from Graham Central Station and Sly, the family's known. | |
| Those, they... | |
| They created jazz bass. | |
| Not jazz bass, but... | |
| Oh, my God. | |
| Jaco came along and said, what is he doing? | |
| Phoebe Snow. | |
| Phoebe Snow was a great, great friend of ours. | |
| She was one of the funniest people she could tell a joke. | |
| Outlaws. | |
| Outlaws from Tampa. | |
| Is it Monty Yoho? | |
| I went to school with a guy, Robbie. | |
| I think his brother was in Outlaws. | |
| Remember, now listen to this. | |
| See, I love doing this stuff. | |
| This is my favorite. | |
| Outlaws was a very important part of that time. | |
| My great friend, Jerry Wexler, they formed Capricorn Records. | |
| He and his buddy, they were both Capricorns. | |
| That was the time of Marshall Tucker, Wet Willy, 38th Special, Lynyrd Skynyrd, Allman Brothers, Outlaws, Molly Hatchett to an extent, but not really, but sort of, yeah, yeah. | |
| Atlanta Rhythm Section. | |
| That was Southern Rock. | |
| Oh, can't you see? | |
| Toy Carwell, Charlie Daniels, CDB, all that stuff. | |
| That's Southern Rock. | |
| Now, listen carefully, but in the middle, there was this incredibly, this natural biologic connector, the missing link, so to speak, was Graham Parsons. | |
| Graham Parsons came along and gave us the birds, eagles, Flying Burrito Brothers, little Emmylou Harris, and made it. | |
| Clarence White, the bender, you know, the bee bender, whatever that Kelly he had, playing with the birds, and a little bit of Dylan, because of his coordination with Johnny Cash, but Graham Parsons was this link that connected. | |
| Because remember, country was always there. | |
| Keith Richards loved George Jones. | |
| That's my picture back there, me and the possum. | |
| George Jones, hardcore. | |
| That was, of course, a precursor to rock. | |
| Rockabelly was country. | |
| Prior to that, prior to that was, of course, blues, electric blues, right? | |
| But Graham Parsons, absolutely critical. | |
| He countryfied it. | |
| But Southern, Allman Brothers. | |
| Leonard Skinner, that was a whole different thing. | |
| And nobody will ever understand this. | |
| During that time, growing up in the South, I know people don't think Florida is in the South. | |
| Believe me, it is. | |
| Because Leonard Skinner is from Jacksonville. | |
| Tom Petty is from Gainesville. | |
| Florida's got a big, you know. | |
| Anyway. | |
| There was this preponderance and this love of the battle flag, Stars and Mars. | |
| Nobody thought at all about slavery. | |
| It was that thing about the South. | |
| Nobody will ever understand this. | |
| Nobody. | |
| It was about saying We're not very cool. | |
| Are we cool? | |
| Yeah, we're cool. | |
| We are? | |
| Oh, they like us? | |
| Yes. | |
| And all of a sudden we had the resistols and those whatever the rest... | |
| Well, not resistols. | |
| Those hats to it have steamed and bent down. | |
| I mean, it was something. | |
| Buffett. | |
| Buffett was critical living there because his whole thing was the beach thing. | |
| He made us... | |
| Buffett taught people from flora. | |
| That it was cool to be part of that beach thing. | |
| Because, I mean, it was a beach, but Buffett made it cool. | |
| A1A, changes in latitudes of sound, drinking, oh, Key West, that whole thing. | |
| Those are really critical moments. | |
| Then, Detroit, Mitch Ryder and the Detroit Wheels, Bob Seger. | |
| I think, who else was a big... | |
| Well, the Boston groups. | |
| Of course, Chicago. | |
| Chicago. | |
| See, this is... | |
| That whole scene. | |
| I don't know if we even have that anymore. | |
| But there was a real... | |
| Oh, and then Jersey. | |
| The people who... | |
| Springsteen, Bon Jovi to an extent. | |
| Southside Johnny. | |
| Then, there was the New York story. | |
| Long Island versus the city. | |
| Billy Joel was Long Island. | |
| This was great stuff. | |
| Who knew? | |
| Who knew? | |
| How? | |
| By the way, Jimmy Carter was president. | |
| That's a fascinating connection. | |
| A fascinating connection. | |
| Kimberly's from Florida. | |
| Now, are you born? | |
| Are you a cracker? | |
| That's right, too. | |
| Those... | |
| I listen on my Spotify, my thing. | |
| I don't... | |
| And it's not because... | |
| I mean, there's certain... | |
| There's new things I know. | |
| There's new bluegrass I love. | |
| Billy Strings is just... | |
| He's not really sort of new. | |
| I have no real problem with... | |
| I don't know anything about Top 40. I don't... | |
| Understand any of it. | |
| Herb Alpert was important. | |
| Herb Alpert was critical. | |
| Herb Alpert is critical. | |
| Married to Lonnie Hall. | |
| Remember Herb Alpert? | |
| A&M Records, Tijuana Brass, and the Baja Marimba Band. | |
| Does anybody even care about the Baja Marimba? | |
| This was the knockoff. | |
| Jeff Beck, Rod Stewart. | |
| Do you know Jeff Beck, who is this? | |
| Have you seen... | |
| Oh, I've got to tell you something right now. | |
| By the way, I hope you enjoy this as much as I do because I'm sorry. | |
| You're stuck with this. | |
| Have you heard Tal Wilkenfeld? | |
| Tal Wilkenfeld? | |
| I think she's from Australia. | |
| She's 35? | |
| Wow. | |
| She's been playing with... | |
| She looks 10. Maybe it's an old video. | |
| I don't know. | |
| Tal Wilkenfeld is, I think she's Australia, right? | |
| Yep. | |
| It's from Sydney. | |
| Is a monster. | |
| Monster bass. | |
| Let me tell you one thing which is great about YouTube in particular. | |
| They have introduced us to some of the greatest women drummers, bass players, bass players, Just Have you seen Tal? | |
| She? | |
| T-A-L. | |
| Tal. | |
| Tal. | |
| T-A-L. | |
| Wilkenfeld. | |
| W-I-L-K-E-N-F-E-L-D. | |
| Have you also heard this one? | |
| Now this. | |
| How about J.D. Beck and Domi? | |
| Tell me one person. | |
| Have you ever heard that this J.D. Beck? | |
| He looks 10. He looks... | |
| The outfit, the overalls. | |
| Have you ever heard of him? | |
| He plays drums. | |
| They're going to stare very, very... | |
| They put a box on top or a towel or something to mute the sounds. | |
| J.D. Beck is... | |
| And Domi, I guess it's his girlfriend, she plays... | |
| I think she was Juilliard. | |
| She plays keyboards. | |
| I've never seen anything else. | |
| It's unbelievable to see this. | |
| There are some... | |
| Here's one. | |
| Another one, too. | |
| I was listening to you the other day. | |
| I know it's Randolph. | |
| I think it's The Family. | |
| Robert Randolph. | |
| Robert Randolph is an African-American young man playing the pedal steel, playing 12-string and 7-string pedal steel guitar. | |
| Robert Randolph, I think his family plays it as well. | |
| Now this is a guy, if anybody came along and said, where do you think the likelihood of finding a hip black musician playing pedal steel, which has always been associated with country music, He reinvented it. | |
| Completely reinvented it. | |
| I've never heard anything like that. | |
| He's J.D. Maness from Desert Rose Band. | |
| I think he's the best. | |
| I love to watch him. | |
| But that's old style. | |
| This is amazing. | |
| So what I'm trying to say, my dear friends, is there is so much great music. | |
| I don't really necessarily have to Go to concerts. | |
| I see concerts all the time. | |
| Now, let me see what you're saying. | |
| Billy Cobham. | |
| Billy Cobham with George Duke. | |
| George Duke. | |
| George Duke played with Zappa and the Mothers. | |
| Billy Cobham, one of the mainstays. | |
| One of the... | |
| I guess you would call him maybe in the Pantheon. | |
| Boots Randolph. | |
| Yakety Yak. | |
| Oh, Steve Gadd. | |
| Christos is right. | |
| Steve Gadd is just... | |
| How about Steve Gadd? | |
| Is it Asia? | |
| Rick Beato did a piece, I think, on some of the... | |
| Steve Gadd... | |
| There's one thing about Steely Dan, too. | |
| All of the guitar solos, all of them, are so unique. | |
| Larry Carlton played with them. | |
| Denny Dias played with them. | |
| There's others as well. | |
| I think Elliot... | |
| Randall, who did, of course, Reeling in the Ears, completely different, but all of their stuff. | |
| Walter Becker's no slouch either. | |
| Steve Wolfe, Golden Earring, Sugarhill Gang, Old School Rap. | |
| Sugarhill Rap, remember where it came from. | |
| This is Uptown. | |
| It's in the Bronx, right? | |
| It's in Harlem or the Bronx. | |
| Bronx, they narrowed it down to an apartment. | |
| I loved that. | |
| That's syncopated. | |
| But you're going to think I'm crazy. | |
| Go back and listen to Hank Snow with I've Been Everywhere. | |
| Talking about syncopated lyrics. | |
| Very, very difficult things to say. | |
| Look at this song. | |
| Tao with Jeff Bex 12 years ago. | |
| Awesome. | |
| It's unbelievable. | |
| They're just... | |
| Bob James is great. | |
| Bob James played Yogi with... | |
| Remember he did that great... | |
| I think I mentioned it the other day. | |
| Played Angela. | |
| On the great Fender Roads, the theme from Taxi. | |
| Skunk Baxter. | |
| Excellent with the Doobies and Silly Dan. | |
| Tommy Emanuel. | |
| Larry Coriel. | |
| Larry Coriel. | |
| A sad story. | |
| Larry Coriel was part of that... | |
| I'm sorry, Harlem. | |
| Oh, Harlem. | |
| Okay. | |
| Larry Coriel was part of the Larry Carlton Larry Coriel I don't want to speak. | |
| He was yeah, he died in 2017. | |
| That was he was excellent. | |
| What was died of heart failure? | |
| Yeah, he was at the Iridium. | |
| By the way, the Iridium right there on Broadway Is where Les Paul would play every Monday night. | |
| That used to be in... | |
| Remember when the Iridium was across from Lincoln Center in a hotel that was in the basement? | |
| And then they moved. | |
| You never knew who would show up there. | |
| You never knew who would play. | |
| Anyway, but Coriel, I'm reading your... | |
| By the way, this is just for me today. | |
| So, I'm sorry. | |
| Tommy Emanuel, as I said, is a monster. | |
| Tommy Emanuel. | |
| Carlos Santana. | |
| Christos has got it right. | |
| Dance Sister Dance off Moonflower is, I think, the greatest guitar solo ever. | |
| He does everything from wah-wahs to sustains. | |
| Carlos Santana is incredible. | |
| Lionel Hampton. | |
| Remember when Lionel Hampton's house, his apartment caught on fire? | |
| Remember that? | |
| Here in New York, he had all his stuff. | |
| Curtis Blow. | |
| I'm looking at your things. | |
| Okay. | |
| So, going back to where I started from. | |
| It is wonderful for us sometimes to stop The Cacophony of Lunacy that we have to go through. | |
| And through... | |
| I love Spotify. | |
| I love when all of a sudden I will hear someone... | |
| I was rediscovering Diane Shore the other day. | |
| Great piano player. | |
| Art Tatum. | |
| I love the way you can just put in classic jazz piano. | |
| Oscar Peterson is my favorite. | |
| Monty Alexander. | |
| A friend of mine. | |
| Lives in the city here. | |
| A monster. | |
| Monster! | |
| There's just... | |
| It is the thing that I hope to God we can... | |
| I don't know. | |
| I'm afraid we're not... | |
| I'm afraid for the newer... | |
| Maybe I'm wrong. | |
| Maybe I'm wrong. | |
| But I don't know if they are as attuned to our music because when we were... | |
| When you were growing up and you were 15 or 16 or whatever years old, your music, your music that you listened to was a part of your experience. | |
| It was your statement. | |
| Otis Taylor. | |
| I play Otis Taylor for the Lionel Media. | |
| I have all, all. | |
| I have, for the subscribers, the video portion, some pros. | |
| Then a song. | |
| Something that I've been listening to. | |
| Something that I think is incredible. | |
| Something that is just. | |
| And American blues. | |
| American blues and American jazz. | |
| That's it. | |
| This is fundamental. | |
| You do not. | |
| The greatest thing that we do as a country. | |
| The greatest has been our music. | |
| Period. | |
| Period. | |
| I will say that unabashedly. | |
| I'm not going to compare it to Mozart. | |
| No, no, no. | |
| I'm talking about popular music. | |
| From Broadway to rock to blues to electric blues to Robert Johnson blues to ragtime to Stride, Fats Waller to name it. | |
| Hip-hop, rap, metal. | |
| Just the type. | |
| Just the country music. | |
| And country music got a little bit from Gaelic, but country music is bluegrass. | |
| This is Bill Monroe. | |
| Torch and Twang. | |
| Kitty Wells. | |
| Kitty Wells one day will get her due. | |
| Kitty Wells is one of the most important female artists ever. | |
| This was a mom, Mary, singing about honky-tonk angels and fallen women. | |
| Anyway, Kitty Wells. | |
| Lefty Frizzell was honky-tonk. | |
| The man, George Jones's. | |
| Country and Western. | |
| Western was Bob Wills. | |
| The Texas Playboys. | |
| Bob Wills. | |
| And Western, to an extent, maybe a little, you know, Eddie Arnold and Slim Whitman, the great. | |
| But Ray Benson from A Sleeper in the Wheel took that over. | |
| So, so far we've got all of those. | |
| Then, Rockability came along, which was country. | |
| Carl Perkins, these guys, these were country singers. | |
| Ever fool yourself. | |
| You'll never forget what Elvis was. | |
| This was country. | |
| Yeah, gospel true to an extent. | |
| Then they kept going. | |
| And the most important, the most important was the outlaw group who basically told Nashville, we're going to do what we want. | |
| When Red-Headed Stranger came out, it was one of the most explosive. | |
| 1976. | |
| I remember at the time, everybody had this. | |
| Willie Nelson, who's that? | |
| Waylon Jennings, it was Tom Paul Glazer, Jesse Coulter. | |
| They broke away from Nashville. | |
| They said, we're going to do what we want. | |
| Johnny Cash, in my opinion. | |
| In my opinion, Johnny Cash is absolutely an outlaw. | |
| Roy Acuff told him, no drums. | |
| He played mariachis. | |
| He got drums. | |
| Ring of Fire. | |
| I mean, come on. | |
| He broke away from everything. | |
| And the one today, I'm telling you, who's kind of sort of doing it from Bill Monroe is Ricky Skaggs, but Billy Strings. | |
| Billy Strings is a monster. | |
| Listen to him. | |
| He's got it. | |
| Absolutely got it. | |
| Look at this. | |
| UB Blake playing piano on Bill Boggs. | |
| Remember UB Blake's fingers? | |
| His fingers were just like... | |
| UB Blake was incredible. | |
| Ah, Sister... | |
| Rosetta Tharp, absolutely. | |
| This is a very, very enlightened group here. | |
| Stevie Ray was wonderful. | |
| Of course, it goes without saying. | |
| Glenn Campbell, one of the monsters. | |
| Monsters. | |
| Jimmy Vaughn. | |
| Jimmy Vaughn's opening for... | |
| Jimmy Vaughn, bless his heart, to have Stevie Ray as your brother. | |
| But... | |
| He's opening up for Clapton. | |
| By the way, John Jorgensen, remember the Helicasters? | |
| He was also with Desert Rose Band, a great, great, with Herb Peterson and Chris Hillman. | |
| But we saw him at Lincoln Center. | |
| No, Jazz at Lincoln Center, excuse me. | |
| And it was a tribute to... | |
| Django Reinhardt. | |
| And he had all these gypsy guitars from all over the world. | |
| Merle Haggard. | |
| In my mind, I'm going to Carolina. | |
| I think that's true. | |
| George Jones is the greatest. | |
| Full stop. | |
| That's it. | |
| George Jones. | |
| Nobody. | |
| But nobody. | |
| And He Stopped Loving Her Today is the greatest country song that's ever lived. | |
| And that's it. | |
| That's it. | |
| That's it. | |
| Haggard, number two. | |
| I hear Lefty Frizzell, Ernest Tubb, and they're very, very good. | |
| But that's, maybe it's before my time. | |
| But today, the two are George Strait and Alan Jackson. | |
| I think they are, they are, they can really do it. | |
| And I'll tell you another guy, too. | |
| Nobody wants to give him any credit, because he's sometimes, I think he's a misnomer. | |
| It's Toby Keith. | |
| Toby Keith is a monster. | |
| Toby Keith and Merle Haggard doing Mama Tried. | |
| Oh! | |
| I spent 21 in prison doing life without parole. | |
| No one can set me right. | |
| Mama Tried. | |
| Mama Tried. | |
| Alright. | |
| Robert Plant and Alison Krauss. | |
| Loved it. | |
| Tony Rice. | |
| Oh! | |
| Tony Rice, Doc Watson, Larry Sparks, Jerry Reed, Coco Taylor. | |
| Listen to anything from the Alligator. | |
| Just go online. | |
| Alligator Records. | |
| Coco Taylor is... | |
| Big Mama Thornton, but Coco Taylor is just... | |
| She does woman, voodoo woman too. | |
| Incredible. | |
| Funkadelic. | |
| Explain funk to someone. | |
| Explain that. | |
| What is it? | |
| Is it soul? | |
| Well, souls. | |
| Come on, James Brown. | |
| Explain fun. | |
| To really understand it, the greatest proponents today, and always has been, Tower of Power. | |
| Absolutely. | |
| Emilio Doc, remember Rocco on base? | |
| Uh... | |
| I think they've had like 180 people throughout the years. | |
| Funk. | |
| Funkadelic. | |
| Parliament. | |
| Here's one for you. | |
| Ohio Players. | |
| Sweet Sticky Thing. | |
| Greatest song. | |
| Deodato. | |
| Deodato's son-in-law is Stephen Baldwin. | |
| Dave Brubeck. | |
| Dave Brubeck. | |
| Is responsible for giving us Paul Desmond. | |
| Paul Desmond was the greatest, sweetest, most incredible. | |
| Randy Backman. | |
| Not Bachman. | |
| Backman, as he pronounces it. | |
| Incredible. | |
| Part of that wonderful Canadian influence. | |
| Guess who? | |
| Burton Cummings. | |
| My favorite. | |
| Power in the Music. | |
| Road Food. | |
| Star Baby, of course. | |
| Rain Dance. | |
| Listen to the Power in the Music album with Dominic Troiano. | |
| Do you remember CTI? | |
| Creed Taylor. | |
| Gary Moore. | |
| Incredible. | |
| Maceo Parker. | |
| Yes. | |
| James Brown. | |
| Eddie Van Halen. | |
| On his own. | |
| Just on his own. | |
| Louis Armstrong. | |
| Louis Armstrong or Louis Armstrong. | |
| Nobody understands the significance of him and how he was. | |
| His house is still in Queens, right? | |
| You can go see it. | |
| John Prine. | |
| It broke my heart when he died. | |
| Love John Prine. | |
| One of the simplest guitar players. | |
| That's it. | |
| Two fingers. | |
| What is this? | |
| Anyway. | |
| Thank you for letting me do this. | |
| Thank you. | |
| Thank you. | |
| Let's continue talking. | |
| Continue commenting. | |
| Let us go back to what we are. | |
| We are proud. | |
| And everybody from around the world, God bless you. | |
| By the way, I don't know if our friend Eric is here. | |
| The Italian group... | |
| PFM, Primiata, Funeria, Marconi. | |
| Il Banquetto, one of my favorites. | |
| Joni Mitchell, by the way. | |
| You never can hum a Joni Mitchell song, but Joni Mitchell and her tribute to Mingus and the work she did with Pat Metheny. | |
| Have you seen that? | |
| Coyote and... | |
| With Jocko and Pat Metheny. | |
| I can go on and on in there. | |
| I'm not going to... | |
| Mickey Gilley. | |
| We just lost Mickey. | |
| Brian Stelter. | |
| Remember Stray Cats? | |
| Remember when that swing stuff? | |
| I don't know if it was called Swing. | |
| Whatever that was. | |
| I was overwhelmed with it for a while. | |
| But it's very, very good. | |
| Played the big arch top. | |
| Very good stuff. | |
| Alright, my friends. | |
| Thank you. | |
| Don't forget. | |
| July 16th at the Cutting Room. | |
| July. | |
| July. | |
| Thank you. | |
| Don't forget to follow me at lionelmedia.com for the nasty stuff that we can't talk about in public. | |
| And don't forget Mrs. L. Lin's Warriors. | |
| And please, as soon as you're done with this, go to her YouTube channel, Lin's Warriors, and subscribe accordingly. | |
| Thank you so much. | |
| Have a great day. | |
| See you tomorrow. |