Radio Renaissance - Jared Taylor - The Great Entertainment Replacement
Aired: 2022-09-30
Duration: 09:35


=== Out With The Whites (08:00) ===

[00:00:03]  Hello, I'm Jared Taylor with American Renaissance.
[00:00:07]  The internet's trying to make my videos impossible to find, so if you like this one, please send the link to a lot of people.
[00:00:13]  Out with the whites and in with the blacks.
[00:00:16]  That seems to be Hollywood's motto these days.
[00:00:19]  The Little Mermaid is the latest switcheroo, with a black mermaid as Ariel.
[00:00:26]  The character in the Hans Christian Andersen fairy tale has always been white, and he described her as having eyes as blue as the deepest sea.
[00:00:35]  But the author's intentions don't matter, because it's time to let racially diverse casting be part of your world.
[00:00:42]  A lot of people don't think it's time for that.
[00:00:45]  When the trailer for the movie appeared on YouTube, it racked up more than two million thumbs-downs in just two days.
[00:00:53]  So YouTube disabled the dislike counter.
[00:00:57]  This week the trailer had 63,000 likes and not a single thumbs down.
[00:01:02]  Why don't people like the new black Ariel?
[00:01:06]  Many articles have popped up to explain this ridiculous backlash.
[00:01:10]  Do you have any idea what the problem is?
[00:01:13]  Racism, plain and simple, says this article.
[00:01:17]  Not that complicated kind of racism.
[00:01:19]  Plain and simple racism.
[00:01:22]  The Washington Post explained that white nostalgia is fueling the Little Mermaid backlash and even dragged in the second most evil man in human history after Adolf Hitler.
[00:01:34]  The backlash is part of the wave of white nostalgia that Donald Trump used to win the presidency by appealing to white working-class Americans who feel marginalized by the country's growing diversity.
[00:01:47]  The Post can use even a mermaid to attack Donald Trump.
[00:01:51]  And then the paper thought it landed a real haymaker with an article called Africa Celebrated Black Mermaids Long Before Disney and Not My Ariel.
[00:02:02]  It claims Africans have worshipped a black water spirit called Mami Wata for 600 years.
[00:02:09]  The post forgot to mention that Mami Wata is Pigeon English for Mami Water, and anything African with an English name is not 600 years old.
[00:02:21]  Mami Wata can charm snakes, is supposed to be very sexy, and often walks around on legs seducing men.
[00:02:29]  What was that hashtag?
[00:02:30]  Not My Ariel?
[00:02:32]  The post doesn't explain how Mami Wata justifies turning Ariel black.
[00:02:38]  It was the Disney movies producer Robert Marshall who made the decision.
[00:02:42]  He hasn't explained it publicly, but we do learn from Wikipedia that as of at least 2007, Marshall lives in New York City with his partner, producer John DeLuca.
[00:02:53]  Ariel is not alone.
[00:02:55]  J.R.R.
[00:02:56]  Tolkien's Middle Earth now has plenty of important black characters, and if you don't like it, you are part of the racist backlash.
[00:03:05]  None of this is new.
[00:03:07]  There was an idiotic streaming series set in 12th century Iceland that had an Afro-Viking queen.
[00:03:15]  Bess of Hardwick was a prominent 16th century English woman, but she turned into an Asian when BBC put her in the movie version.
[00:03:24]  Lord Thomas Randolph, who served Queen Elizabeth I, showed up with an Afro.
[00:03:29]  A recent Netflix period drama called Bridgerton, which is admittedly fiction, has a thoroughly fictional cast.
[00:03:38]  The cliché racist response is to say no one would dare take a non-white character and turn him white.
[00:03:45]  Well, you racists are wrong.
[00:03:47]  There's a play about Martin Luther King's Last Night on Earth called The Mountaintop.
[00:03:53]  It's written by a black woman named...
[00:03:55]  Katori Hall, and somehow I suspect she left out the two adulterous trysts he had that night.
[00:04:03]  But look at this.
[00:04:04]  The Kent State Pan-African Studies Department will be premiering The Mountaintop.
[00:04:09]  That's MLK, folks.
[00:04:11]  A white man.
[00:04:12]  It was a six-performance amateur production.
[00:04:16]  The white played King for three performances, and a black played him for the other three.
[00:04:21]  Michael Oatman, the Kent State prof who cast the play, explained that it was a true exploration of King's wish that we all be judged by the content of our character and not the color of our skin.
[00:04:33]  What an idea!
[00:04:35]  Mr. Oatman is black, of course.
[00:04:37]  No white man would dare try that.
[00:04:40]  But protective coloring didn't work.
[00:04:43]  Playwright outraged after a white actor cast as Martin Luther King, Katori Hall, White bodies can be altered,
[00:05:05]  though. I guess that's because our skin reflects back our inhumanity.
[00:05:11]  Katari Hall thinks shows like Hamilton, where blacks play whites, are fine.
[00:05:17]  Another switcheroo opens next month with an old DC Comics villain called Black Adam.
[00:05:23]  He's the arch-enemy of the good guys Captain Marvel and Superman.
[00:05:27]  Now it's not just his clothes that are black.
[00:05:30]  He's an Afro-Samoan, and he's got his own feature film in which he is the superhero.
[00:05:36]  There's a completely different level of phoniness in The Woman King, which seems to happen when you have a black screenwriter and a black director.
[00:05:46]  The movie is about the Agogi, an all-women military unit that fought for the king of Dahomey in West Africa in the 19th century.
[00:05:54]  A few survive into the age of photography.
[00:05:57]  In the movie, they fight to abolish slavery, whereas the historical Dahomey was one of the most aggressive slave-catching kingdoms in all of Africa.
[00:06:08]  It made war all up and down the coast, hunting slaves for human sacrifice and to sell.
[00:06:14]  So this is like a movie about the war in the Pacific in which the fighting begins with a sneak American A-bomb attack on Tokyo.
[00:06:22]  The very name, the woman king, is phony.
[00:06:25]  The main character isn't a king.
[00:06:27]  She's just the head agoji, and all agoji were minor wives of the king.
[00:06:33]  Dahomei started using women soldiers because it had fought so many slave-hunting wars, it had a shortage of men.
[00:06:40]  The real agoji mostly operated at night and sneaked up on enemies and cut off their heads.
[00:06:46]  The movie agoji are superwomen who slaughter men, black and white, in open battle.
[00:06:54]  Dahomey fought a five-month war against the French in 1892.
[00:06:58]  About 14% of the Dahomey army were agoji.
[00:07:02]  They were armed with modern German rifles, as you can see in this image, and they fought in dresses, not the movie get-up.
[00:07:09]  The French slaughtered them.
[00:07:12]  An estimated 2,000 to 4,000 Dahomey soldiers died in the war.
[00:07:16]  The French lost 52 whites and 33 Africans.
[00:07:20]  But the facts don't matter to director Gina Prince-Bythewood, who wept for joy when she read the script.
[00:07:28]  As she explained in this New York Times article, the story was entrenched in truth.
[00:07:34]  People can now learn that this doesn't have to be a fantasy, that we really were these women.
[00:07:40]  According to this article, 59% of the audience so far has been black, so I guess they think they really were these women.

=== Elimination Of White History (01:46) ===

[00:07:49]  Later this year, there will be a sequel to Black Panther, and I don't think any of the Wakandans will be played by white people, or by anyone else for that matter.
[00:07:59]  So what's the thinking behind this?
[00:08:01]  That race is a social construct?
[00:08:04]  Hardly. It's elimination of white people, even from our own history and our own fairy tales, while blacks glory in a heroic, all-black fantasy past and an all-black, high-tech fantasy future.
[00:08:19]  If that's supposed to boost their self-esteem and make them stop shooting each other and us, it's not working.
[00:08:28]  Or is it supposed to demoralize whites, make us think we were bit players in history, and have a meager future?
[00:08:36]  Judging from television ads, in which all the couples are now mixed race, it looks like we're supposed to miscegenate ourselves into extinction and have no future at all.
[00:08:47]  Black people are posting videos of their children bursting with happiness when they see the trailer for The Little Mermaid.
[00:08:55]  She's black, like me.
[00:08:57]  What about the little white girls who say, Daddy, that's not Ariel.
[00:09:02]  Who cares about them?
[00:09:04]  They can't have their own stories.
[00:09:06]  This is all part of the sick and sickening adoration for blacks and loathing for whites we see everywhere.
[00:09:14]  The good news, you don't have to watch this trash.
[00:09:18]  Read The Little Mermaid.
[00:09:19]  It's a beautiful, poignant story.
[00:09:22]  Disney didn't make a movie about Mami Wada because there's no beauty or poignancy there.
[00:09:29]  We still have the wonderful things our people made, and we will make more.