April 29, 2018 - The Joe Rogan Experience
03:14:12
Participants
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| Speaker | Time | Text |
|---|---|---|
| Boom, boom, boom, boom, boom, boom, boom, boom. | ||
|
unidentified
|
$15? | |
| Oh, something. | ||
| 3, 2... | ||
| Boom! | ||
| And we're live, ladies and gentlemen! | ||
| Live! | ||
| Mauro Ranallo and Big John McCarthy! | ||
| Eddie Bravo rocking the old-school Elio Gracie shirt. | ||
| I love that shirt. | ||
|
unidentified
|
Respect. | |
| Deep respect. | ||
| Brendan motherfucking shop. | ||
| Oh, and I got a Sugar Sean O'Malley shirt. | ||
| I might strip down later and put this motherfucker on. | ||
| Is that the best shirt Reebok's ever made? | ||
| Might be one of the dopest shirts in history. | ||
| It's pretty great. | ||
| Reebok. | ||
| Reebok's getting better, man. | ||
| I'll give it to him. | ||
| I'm wearing a pair of Reeboks, right? | ||
| Oh, no. | ||
| I thought I was. | ||
| I thought I was for a second too. | ||
| I had them on earlier today. | ||
| Reebok sent me a bunch of sneakers. | ||
| But that's a dope shirt right there. | ||
| You know me, I was super critical on them for a while. | ||
| They're getting way better, man. | ||
| Way better. | ||
| This is good. | ||
| When they posted that, I got my boy who works at Reebok. | ||
| I sent him a screenshot and went, God damn, you guys hit this one out of the park. | ||
| They're embracing it. | ||
| They're embracing the fact that he's a stoner. | ||
| Like, heavy duty. | ||
| Yeah, it's just a fun shirt. | ||
| He talks about me? | ||
| Oh, yeah. | ||
| What code is Instagram? | ||
| Dude's getting high all day. | ||
| Didn't you see him on the last... | ||
| How does he fight? | ||
| Well, he just takes time off. | ||
| You don't have to take much time off anymore. | ||
| Three weeks or something, right? | ||
| No. | ||
| Two weeks? | ||
| Two days. | ||
|
unidentified
|
Two days? | |
| Two days. | ||
| Yeah, the new USADA rules. | ||
| You just can't be high when you fight. | ||
| Depending where you fight, though, right? | ||
| Because there's some issues coming up. | ||
| I forget which state, but they do it different. | ||
| Probably Texas, right? | ||
| The commissions are haters. | ||
| So, Dylan Dennis, this is not his MMA debut? | ||
| Yeah, it is. | ||
| Oh, against Kyle Walker. | ||
| And Eddie, tell us about Dylan's jiu-jitsu. | ||
| He's pretty high level. | ||
| Yeah, he's one of the best around, for sure. | ||
| He had an amazing match with Gordon Ryan at 2017 Abu Dhabi. | ||
| I mean, the fight was really close. | ||
| It could have went either way, and the judges' decision gave it to Gordon, and Gordon went on to win his division. | ||
| So he's top of the food chain. | ||
| And he was with Marcelo Garcia. | ||
| He got his black belt for Marcelo Garcia. | ||
| Yeah, Marcelo kicked him out for shit-talking, right? | ||
| Is that the deal? | ||
| He started hanging out with Conor McGregor, and Marcelo Garcia's The opposite of that kind of shit. | ||
| Super humble. | ||
| Incredibly humble. | ||
| Yeah, you would think, though, that Marcelo and him would work it out, though. | ||
| Give a guy a black belt, and the guy's a high-level black belt. | ||
| It was just too much drama. | ||
|
unidentified
|
It was a lot of drama. | |
| But if you've ever met Dylan in real life, he's a super nice guy. | ||
| He's a great guy. | ||
| He's just trying to make some money. | ||
| He's smart. | ||
| He talked shit to Jon Jones tonight. | ||
| Here we go. | ||
| Oh, that's stupid. | ||
| I know. | ||
| All these guys talking shit to Jon Jones are eventually going to have to meet him. | ||
| And they will get slapped. | ||
| But then I saw Dylan when the Conor and Floyd fight, me and him sat next to each other. | ||
| He was the nicest guy in the world, man. | ||
| Look at his stance. | ||
| He's very Conor McGregor-esque with that stance. | ||
| Same coaching, right? | ||
| Same coaching, same camp. | ||
| Oh, dude. | ||
| He's got real problems with his striking. | ||
| That dude just stepped in and cleaned him with that left. | ||
| Oh, no! | ||
| Dude, he got some problems. | ||
| His stand-up is super rudimentary. | ||
| I wonder how his takedowns are. | ||
| They better be good. | ||
| Well, he's kind of like the Mackenzie Dern, right? | ||
| Of Bellator. | ||
| Well, he's obviously closing the distance, too, which is a problem because it's obvious you're coming in. | ||
| The guy could just wait on you. | ||
| His distance control is awful. | ||
| But several times he's been clipped by that left hand. | ||
| Oh, shit. | ||
| If this guy... | ||
| Can keep this fight standing. | ||
| Okay, yeah. | ||
| His kicks are stiff. | ||
| Yeah. | ||
| But his jiu-jitsu is the shit if he gets his fight to the ground. | ||
| He's kind of like an alley cat version of Conor. | ||
| Like super alley cat. | ||
| Real rough. | ||
| He pulls back with his chin straight up in the air, too. | ||
| He needs to get a clinch. | ||
| Yeah, for sure. | ||
| He needs to get the underhook. | ||
| For sure. | ||
| There you go. | ||
| I like it. | ||
| It doesn't happen enough, Eddie. | ||
| No, it doesn't happen enough. | ||
| If you can't take the guy down and you're dangerous off your back, pulling guard is great. | ||
| He's about to get him an arm bar right here. | ||
| This is good. | ||
| This guy's in trouble. | ||
| This guy knows the gig. | ||
| This guy's going to pull out of this shit. | ||
| He wants a leg lock. | ||
|
unidentified
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He's going to heel hook him. | |
| He's got him. | ||
| It's in deep. | ||
| It's over. | ||
| This guy's fucked. | ||
| There he goes. | ||
| And that's a wrap. | ||
| I think he's okay. | ||
| He pulled guard and got a heel hook. | ||
| Pretty sweet. | ||
| Beautiful. | ||
| Yeah. | ||
| Perfect opponent. | ||
| I don't have a problem giving him a warm-up fight like this. | ||
| First one, first MMA fight, your Bellator? | ||
| He's still down. | ||
| Could be worse. | ||
| Could be in Pico, your first fight. | ||
| You know what I'm saying? | ||
| Just those things, man, when I see a dude get his knee ripped apart like that, like, that dude's fucked. | ||
| Look at him. | ||
| He's in pain. | ||
| You could get your shoulder ripped apart in a Kimura the exact same way. | ||
| Oh, I know, but it's weird, right? | ||
| I mean, I'm not saying it makes sense. | ||
| You just got to know when to tap. | ||
| That's it. | ||
| I think the problem is guys aren't too familiar with what goes on with the leg locks, so by the time they're tapping, it's too late. | ||
| Yeah, but what I'm saying is, for whatever reason, for me, when I watch it, I cringe more with leg locks. | ||
| I agree. | ||
| Like, if I see a guy get his arm broken, it doesn't bother me. | ||
| Like, I see a guy get his knee ripped apart. | ||
| Is it because we're not used to seeing it? | ||
| I don't know, man. | ||
| Maybe it's because I know the tap. | ||
| Like, you only have so much time to tap. | ||
| Like, your shit's gonna explode. | ||
| Maybe it's just... | ||
| I don't know. | ||
| I don't know. | ||
| But when a guy's really good at it, you know, if you fuck up an ankle, he's out for a grip. | ||
| Yeah. | ||
| Yep, yep. | ||
| Oh, yeah, that's a nasty one. | ||
| Oh, yeah, a toehold. | ||
|
unidentified
|
Oh. | |
| Nasty toehold. | ||
| I had a bad angle. | ||
| It was a toehold. | ||
| That was a heel hook initially. | ||
| Yeah, I thought so too. | ||
| But they didn't really show it, though. | ||
| You couldn't see his back was due, right, Eddie? | ||
| Yeah. | ||
| Well, you know what, man? | ||
| I mean, I like the fact that he's in there, but man, I feel like just watching him move with his stand-up, I'd like to see him... | ||
| That's his first fight, brother. | ||
| I know, but I'd like to see him... | ||
| Get some more stand-up training. | ||
| Just, it seems like... | ||
| I mean, look, if he gets guys to the ground, they're in a world of shit. | ||
| But you can see from his stand-up, it's like rudimentary. | ||
| It's super amateur, but how is that any different than Michael Venom-Page? | ||
| You has zero jiu-jitsu, or so much as zero jiu-jitsu. | ||
| You know what I'm saying? | ||
| Because he starts on the feet, but for Dale and Danis, he's as straight-up black belt as they get when it comes to the ground. | ||
| It's true. | ||
| It doesn't matter. | ||
| You know Michael Venom-Page's tap people. | ||
| He's tapped people with networks and shit. | ||
| Yeah, I'm just saying. | ||
| I don't think his jiu-jitsu is as bad as you think. | ||
| Not Michael Van Page. | ||
| He's no Dylan Dennis. | ||
| No. | ||
| But Paul Daly. | ||
| Yeah, that's a good example. | ||
| Jiu-jitsu's awful. | ||
| Yeah, if you're high-level at one aspect, whether it's wrestling, jiu-jitsu, or striking, if you're super high-level, world-class, you can suck at the other two. | ||
| It doesn't matter. | ||
| I mean, look at Melvin Manhoof. | ||
| He's so dangerous on his feet, he doesn't really have any jiu-jitsu, but it's okay. | ||
| It's true. | ||
| People still want to see him fight. | ||
| Look at Damian Meyer, Jake Shields. | ||
| Exactly. | ||
| I see a guy like Dylan Dennis, who's so good on the ground, I really want him to achieve a certain level of striking proficiency. | ||
| Before he fights? | ||
| Before he fights, yeah. | ||
| Yeah, I just feel like a wrestler is going to put him in a world of shit. | ||
| The other thing, Joe, he's never been in that cage before. | ||
| So maybe in training, he's putting it all together. | ||
| You're ready to go. | ||
| He gets in there, he's like, damn. | ||
| Maybe his nerves, never felt those nerves inside the cage. | ||
| And he took those shots, too. | ||
| Took those shots on the chin well. | ||
| He got hit with a couple good clean left hands. | ||
| And he adjusted. | ||
| I'm sure, I'm about a million percent sure the plan wasn't to go out there and pull guard. | ||
| The fact that he realized, oh shit, this guy's tagging me, and he was kind of hesitant to get in tight to get a takedown, pulling guard showed that he can adapt. | ||
| I'm not mad at it at all. | ||
| Yeah, I'm sure that was probably in the plan, you know, plan B, plan C. But if he gets guys to the ground, they're in a world of shit. | ||
| Most fighters, they don't have it in their plan to pull guard. | ||
| Most don't. | ||
| Not the ones that I've talked to. | ||
| It's never part of the plan. | ||
| Like, if this doesn't work or that doesn't work, I'm going to pull guard. | ||
| It's either, I'm going to try to take him down until the bitter end. | ||
| Speaking of pulling guard, you know Kamaru Usman's fighting Damian Maia? | ||
| Yes, Damian Maia took on short notice. | ||
| How's that weight cut, son? | ||
| That's not good. | ||
| Was he supposed to be fighting Ponzinobio? | ||
| Yes. | ||
| And what happened? | ||
| He got hurt. | ||
| A knee injury, right? | ||
| Man. | ||
| That car has taken a hit because then our boy, No Time... | ||
| Isn't fighting Shogun. | ||
| So they have to move it because of his... | ||
| Since he lives in Germany... | ||
| Well, because of his things going on in Florida with the felony or whatever he's waiting on, he can't travel. | ||
| Oh, so he has to hide? | ||
| Yeah, so he can't travel to Chile, so they have to do it there. | ||
| Oh, he beat somebody out of Florida, right? | ||
| The fight's still on, but they have to take it off Chile. | ||
| Oh. | ||
| That guard's taking a hit. | ||
| Usman's a monster. | ||
| He's a monster. | ||
| But, you know, Damian Maia is a monster on the ground. | ||
| And Usman's, most of his game is the ground. | ||
| Yeah, it's ground and pound. | ||
| Yeah, most of his game. | ||
| It's going to be very interesting to see. | ||
| That thing is Big John McCarthy. | ||
| It sounds like a shitty fight, I gotta be honest. | ||
| Big John McCarthy's a big motherfucker to be interviewing people. | ||
| You know what I mean? | ||
| Like, I've seen him interview some flyweights. | ||
| Yeah, he's a big dude. | ||
| It's like, yikes. | ||
| Dylan Dan is about to drop some fire on this mic. | ||
| Because, you know, he takes after Connor a little too much. | ||
| He's about to drop some pure fire. | ||
| What is he saying? | ||
| We got some volume, Jamie? | ||
| It's not working? | ||
|
unidentified
|
You were not going to back down probably. | |
| Talk about that leg lock. | ||
| You got to be told how to set it up. | ||
| And at the end of the day, I'm a samurai. | ||
| I came here to die, so it killed me. | ||
| And the leg lock, that's just jiu-jitsu. | ||
| I give you guys a free samurai how to defeat MMA with jiu-jitsu. | ||
| Okay, back to the drawing board. | ||
| Free seminar. | ||
| He had that one prepared. | ||
| Remember the seminar one. | ||
| Don't forget the seminar one. | ||
| Also Samurai. | ||
| You're willing to die in there because we haven't heard that before. | ||
| Yeah, never heard that before. | ||
| Come find me, bro. | ||
| I'll give you some tips. | ||
| We need some work on that shit talking. | ||
| Connor's probably sent a text right now, bro. | ||
| Mate. | ||
| Tighten it up, mate. | ||
| Find a dolly in the back. | ||
| Yeah, well, you know, he's all fucking weirded out. | ||
| That may have been Connor's line. | ||
| Maybe he wrote it for him. | ||
| Could be. | ||
|
unidentified
|
Tell him you're willing to die. | |
| You're willing to die in there, mate. | ||
| You give him a free seminar? | ||
| Dylan Downs can be a beast to beat though. | ||
| Especially if Bellator gives him the right matchups. | ||
| Why wouldn't you though? | ||
| It's his first fight. | ||
| Definitely feed him. | ||
| And he's a wrestler too. | ||
| I think he wrestled four or five years growing up. | ||
| There's some good fights on this card. | ||
| Rafael Lovato versus Gerald Harris. | ||
| I like that fight. | ||
| That's an interesting fight, man. | ||
| Roy Nelson versus Mirko Krokop, they've been giving him the testing, son. | ||
| They've been giving him the testing, apparently. | ||
| Do you believe they're testing? | ||
| When I hear Bellator's testing, I always like, wink, wink. | ||
| That's like the Olympia. | ||
| We had tested, bro! | ||
| Oh, really? | ||
| What are you doing? | ||
|
unidentified
|
Come on. | |
| Do you give him, like, a written test? | ||
| Yeah, come on. | ||
| What did you take today? | ||
| Let's get real. | ||
| Nothing. | ||
| I didn't take nothing. | ||
|
unidentified
|
A written test. | |
| Just a written test. | ||
| Dudes are fucking eating hay and snorting around so much equipoise. | ||
| Dude, that's like Canelo. | ||
| He came back, he did that hair follicle sample. | ||
| But people are saying bullshit, though. | ||
| Why? | ||
| I guess the way it was done, like, how do we know it's his hair? | ||
| It's coming from his camp exclusively. | ||
| Oh, is it? | ||
| Yeah. | ||
| It's his trainer. | ||
| I was like, come on, man. | ||
| Yeah, it's his camp. | ||
| He tested positive for being a 55-year-old trainer. | ||
| LAUGHTER That's a bummer, man, that that fight is down because now he's fighting one of Edmund's boys. | ||
| He's fighting... | ||
| Triple G's fighting... | ||
| My poor soul took that fucking fight. | ||
| Some wild ass Armenian. | ||
| Ah, have fun with that. | ||
| He's got an Enian. | ||
| He's trained by Edmund? | ||
| He's got an Enian name. | ||
| One of them Armenian characters. | ||
| Enjoy that, brother. | ||
| Enjoy that, man. | ||
| Yeah, well, what are you gonna do? | ||
| Glendale in the house. | ||
| I enjoyed that. | ||
| Fucking Armenians love to fight, man. | ||
| Yeah, they're tough as they come. | ||
|
unidentified
|
Damn. | |
| Fedor, 36-5, Frank Mir, 18-11. | ||
| Wow. | ||
|
unidentified
|
Yeah, I mean, Fedor, he's looking thick, thick, thick. | |
| Yeah, he don't look good. | ||
| They need to let him fight in Japan again. | ||
| Get him on the right mixture. | ||
| Frank's looking good. | ||
| I just had Frank on my show. | ||
| I was like, dude, you are jacked right now. | ||
| I was talking about Fedor. | ||
| I said, I'd jump to half guard. | ||
| He's like, what would you do? | ||
| I was like, I wouldn't play that striking battle in the first round. | ||
| I'd jump to half guard if I had your half guard. | ||
| He's like, get that fucked up. | ||
| Fedor's really good on the ground. | ||
| He's good on top. | ||
| And his ground and pound is death. | ||
| I know. | ||
| I know, man. | ||
| Remember the way he did to Noguera? | ||
| Oh, for sure in the day. | ||
| Dude, some of the best. | ||
| However, a different game now. | ||
| Yeah, I'm super suspicious about all those old fights now, though. | ||
| You know, I'm super suspicious. | ||
| Preach, brother. | ||
| Super suspicious. | ||
| Because then he comes here and just gets fucking ran through. | ||
| Like a sorority girl. | ||
| Well, those Noguera fights. | ||
| Those weren't fake. | ||
| No, no, no. | ||
| That's not what I mean. | ||
| That's not what I mean. | ||
| I mean steroids. | ||
| Of course. | ||
| I mean performance-enhancing drugs. | ||
| Of course. | ||
| I mean, we're looking at a different human. | ||
| That's what I'm thinking. | ||
| But aren't you guys just saying Bellator don't really check? | ||
| We're joking around. | ||
| They do some check-in. | ||
| They do have state athletic commissions. | ||
| They do better than Russia. | ||
| We know that. | ||
| Well, then Japan. | ||
| Japan was encouraging. | ||
| 100%. | ||
| And who knows who was doing what and who wasn't doing what, but when you talk to the guys who were over there like Ensign Inouye, and they'll tell you they had it in capital letters in the contract, we will not test you for steroids. | ||
| And then you look at Vanderlei when he weighed 20, 218 when he fought Krokop. | ||
| He was heavier than Krokop when he fought Krokop. | ||
| I mean, that is just fucking bananas. | ||
| Yeah, but if you look at that, Joe, you can also say that about the UFC till USADA came in. | ||
| You definitely can. | ||
| You definitely can. | ||
| But you can up until the point... | ||
| I think it's a hair less. | ||
| But TRT days? | ||
| Pride encouraged it, though. | ||
| No, not TRT days. | ||
| You're right about TRT days. | ||
| Like TRTV tour, we always rant about that. | ||
| That was legal. | ||
| All those boys... | ||
| Yeah. | ||
| Well, the guys who were on TRT, including Frank. | ||
| Frank was on TRT for a while. | ||
| They were telling fighters to go up a weight class. | ||
| They're like, you know what? | ||
| You need to go up and gain some weight. | ||
| Well, they were also telling fighters that we'll let you win. | ||
| You know, we know guys... | ||
| That was K1. Same shit. | ||
| It's Japan. | ||
|
unidentified
|
You guys talking some dark web shit right now. | |
| QAnon shit. | ||
| How dare you ruin my childhood? | ||
| How dare you? | ||
| Probably died tonight. | ||
| Listen, there was just a lot of shenanigans going on back in the day, but a lot of it was also they were just trying to compete with the UFC and they were trying to do a big business. | ||
| And it was awesome. | ||
| It was awesome. | ||
| I mean... | ||
| They were superheroes. | ||
| I got one name for you. | ||
| Bob Sapp. | ||
| Oh, fuck. | ||
| Come on, son. | ||
| Bob Sapp when he was 375 pounds with abs. | ||
| I love that. | ||
| He was so jacked. | ||
| He was 370 with abs! | ||
| 370! | ||
| And, like, not bad cardio. | ||
| Wasn't bad. | ||
| Not bad. | ||
| Oh, he was on everything, though, bro. | ||
| Every drug they had. | ||
| Everything. | ||
| They made. | ||
| All the EPOs and the EPIs and the EPAs. | ||
| He was on the Environmental Protection Agency, the DEA, the FBI, the CIA. He was so big. | ||
| He stood out so big in Japan, he couldn't go anywhere. | ||
| Well, you remember when he was like a super-duper star over in Japan? | ||
| But then there was a situation with, I believe it was K-1. | ||
| They wanted him to sign a contract after he fought. | ||
| And he was like, I want the contract before I fucking fight, man. | ||
| Like, I gotta see the contract. | ||
| And they're like, you know, you fight and then contract. | ||
| He was like, fuck you. | ||
| This is crazy. | ||
| So he walked out of the fight. | ||
| And he was done after that. | ||
| He was the main event. | ||
| He's lucky he didn't get dealt with. | ||
| Yeah, he's lucky he didn't get Yakuza'd. | ||
| Yakuza style. | ||
| Yeah. | ||
| Look at this, 57%. | ||
| Chael thinks... | ||
| How about Chael has to fight the winner of this? | ||
| Yeah, that's crazy. | ||
| Dude, how good did Chael look against Rampage? | ||
| He looked fucking good. | ||
| His wrestling is always good. | ||
| He prepares. | ||
| He's smart. | ||
| I mean, say what you want about Chael Sonnen. | ||
| You know, that guy is always prepared. | ||
| Neiman Gracie. | ||
|
unidentified
|
Ooh. | |
| This is interesting. | ||
| I don't know anything about Javier Torres. | ||
| Do you know anything about Javier Torres? | ||
| Hopefully his jiu-jitsu is good. | ||
| Yeah. | ||
| Probably not as good as Neiman Gracie's. | ||
| Interesting. | ||
| I mean, no one could say anything. | ||
| Look, whatever everybody was on back then, Fedor was still beating everybody's ass. | ||
| So if they were all on the same shit, Fedor was still beating everybody's ass. | ||
| Yeah, but the caveat to that is when he came over to the U.S., he got dealt with with our guys. | ||
| Yes, pretty quickly. | ||
| He struggled with Brett Rogers, right? | ||
| Struggled a little bit with him. | ||
| Gets dealt with with Dan Henderson. | ||
| Henderson beat the fuck out of him. | ||
| He beat Orlovsky. | ||
| Bigfoot Silva fucked him up. | ||
| Yeah, he beat Orlovsky. | ||
| He beat Orlovsky in affliction. | ||
| There was no testing in affliction. | ||
| That affliction thing was the wild, wild west. | ||
| They were t-shirt guys throwing a huge event. | ||
| Wasn't Orlovsky in the air when he got hit? | ||
| He was winning the fight. | ||
| He was whooping his ass through a flying knee. | ||
| He was dealing with him in the stand-up, and then he did something real stupid, and he got clipped with a haymaker. | ||
| That was such a crazy knockout, too. | ||
| That was such a cool fight. | ||
| Because Arlovsky front-kicked him to the gut. | ||
| He was boxing him up. | ||
| He looked good. | ||
| Arlovsky looked good. | ||
| But he did something really nutty, and then all of a sudden, boom! | ||
| The bomb dropped. | ||
| So, Fedor, Tim Silva under Arlovsky. | ||
| Tim Sylvia fight was amazing. | ||
| Good fight. | ||
| That was amazing. | ||
| Great fight. | ||
| He looked like Fedor in that fight. | ||
| And then the Strikeforce. | ||
| Then you got Elite XC, right? | ||
| And you got Brett Rogers, Dan Henderson, Bigfoot Silva, Verdum. | ||
| Was it Elite XC? Was it Elite XC when he fought Bret Rogers? | ||
| I want to say it's Strikeforce. | ||
| I think it's Strikeforce. | ||
| I think Elite XC was just Kimbo. | ||
| I don't think... | ||
| Bret Rogers was Elite XC. Am I going crazy? | ||
| I think you're going crazy. | ||
| Because remember Strikeforce, Bret Rogers fought Overeem when Overeem was Overeem and Overeem fucked him up. | ||
| He hit him with a leg kick like 15, 20 seconds into the fight. | ||
| One of those thudding, Holland-style leg kicks. | ||
| And then you see Brett Rogers' face like, oh, shit. | ||
| That's not snowflake. | ||
| No, but Overeem hit him with some technique. | ||
| Yeah. | ||
| Hit him with that real technique. | ||
| That's why the argument for Stipe being the best heavyweight of all time is a legit argument, because he's fought clean, he's never been... | ||
| Well, he's defended the UFC title, which is the hardest title to defend in terms of historically. | ||
| No one's defended it more than him. | ||
| He defended it three times. | ||
| Nobody else beat two. | ||
| The only issue with that, if you want to argue against Deepin, I'm not. | ||
| I think he's the best of all time. | ||
| Him or Kane. | ||
| But if you want to argue that, you're going to say, well, the guys he's beat aren't in their prime. | ||
| That's a good point. | ||
| That's a good point. | ||
| I think that's true. | ||
| What? | ||
| There's a Scientology network. | ||
| What? | ||
| Curious? | ||
|
unidentified
|
Yeah, they just started it recently. | |
| Get the fuck out of here. | ||
| And they're advertising it on Paramount? | ||
| Holy shit. | ||
|
unidentified
|
Curious? | |
| Oh boy, Paramount. | ||
| Despa is Paramount. | ||
| Well, they might be paying. | ||
| That's Tom Cruise money, son. | ||
| You ever drive by Scientology building? | ||
| I drove by it last night. | ||
| I got the test once. | ||
| I want in in there. | ||
| I got the test. | ||
| I went to one of those things. | ||
| No, you didn't. | ||
| I held the cans. | ||
| Yeah. | ||
| I was filming a TV show for CBS, and we were outside in San Diego. | ||
| And while we had some downtime, they had this thing set up, like a stress test. | ||
| And you go and you hold onto these cans, and they ask you questions. | ||
| I want to say Brian did stand-up in there. | ||
| Someone asked me to go up there and do... | ||
| Either he did stand-up or like a TED Talk or some shit in a Scientology building. | ||
| Really? | ||
| Yeah, he did something weird in there. | ||
| Yeah, he did something weird. | ||
| Well, he was taking acting lessons with a guy who was a rabid Scientologist. | ||
| And then I went to see Brian's acting teacher sing songs from musicals. | ||
| Not even a musical, just the songs from the musical. | ||
| Sounds horrible. | ||
| Oh, it was amazing. | ||
| It was great. | ||
| Me and Brian were high as Jesus on the space shuttle. | ||
| I mean, we were gone. | ||
| We were hugging each other while it was going on. | ||
| We couldn't believe how ridiculous it was. | ||
|
unidentified
|
We're like, oh! | |
| He either did like a motivational talk or stand up there, though. | ||
| Well, he was, you know, there's a thing about acting classes. | ||
| A lot of, my ex-girlfriend, one of her acting classes when I first moved to LA and I started dating this chick was an actress. | ||
| Her acting class was a Scientology-based acting class. | ||
| And apparently it's really common. | ||
| There's a lot, or at least it was at the time. | ||
| Isn't the gig kind of up with everything coming out? | ||
| With that Leah Ramey or whatever her name is? | ||
| Leah Ramey. | ||
| Yeah, it should be. | ||
| Like, the gig's up. | ||
|
unidentified
|
It should be. | |
| Like, now there's the internet, there's podcasts around which full of shit it is. | ||
| Yo, some people are just dying to get took. | ||
| They're just dying. | ||
| I mean, someone's like, yo, Brenton, you can be the next fucking Expendable Seven. | ||
| You just gotta jump into the Scientology. | ||
| I'd probably check it out. | ||
| Well, it happens with girls. | ||
| With girls, apparently, they come to them and they'll arrange, like, boyfriend stuff. | ||
| Situations and wedding situations. | ||
| That's what happened with Tommy Cruz, right? | ||
| Allegedly. | ||
| Katie Holmes. | ||
| Allegedly. | ||
| She said, fuck that noise. | ||
| Now she's with Jamie Foxx. | ||
| What's up? | ||
|
unidentified
|
What? | |
| I work for E. What's up? | ||
| What's up? | ||
| Oh, shit. | ||
| Jamie Foxx laying it down. | ||
| Damn. | ||
| I know. | ||
| Shit. | ||
| Fuck you, talkers. | ||
| Shit. | ||
| Tom Cruise is laying low right now. | ||
| He apparently did some crazy ass stunt for Mission Impossible where they had to film it like a hundred times. | ||
| Did you see it? | ||
| No, I heard it. | ||
| Jamie hit it. | ||
| You didn't see it? | ||
| He jumped from building to building. | ||
| He does all his own stunts. | ||
| He is a badass. | ||
|
unidentified
|
He does? | |
| Yeah, he does all his own stunts. | ||
| Even when he's flying out of the helicopter, he doesn't let anyone else do it. | ||
| He's jumping from building to building, and he just barely misses it, and from another building going down, he lands foot first, like, into the building, and his fucking ankle goes, cut! | ||
| It's like Jackie Chan broke his shit, and he's like, cut! | ||
| He still, like, finishes the take, and he's like, mm-mm, mm-mm, and they have to stop filming. | ||
| Wow, I need to see this. | ||
| He's a bit of a badass. | ||
| And he's 53? | ||
| I don't know, man. | ||
| He's not young. | ||
| He's not young. | ||
| Kind of killing it, though. | ||
| Listen, that Scientology shit is real. | ||
| It's got him convinced. | ||
| It's real, son. | ||
| We need to see this. | ||
| That L. Hubbard shit. | ||
| It's got him convinced. | ||
| How do they have so much power in Hollywood? | ||
| How does that work? | ||
| Just Tom Cruise alone? | ||
| Him and John Travolta. | ||
| He's got this cord attached to him. | ||
| Look at this. | ||
| Boom! | ||
| Oh, shit! | ||
|
unidentified
|
Watch this angle. | |
| Boom! | ||
| Yo, that is crazy. | ||
| But you're Tom Cruise. | ||
| Look at this. | ||
| Oh, shit! | ||
| Snap this shit son Damn, you know, I'm gonna see mission impossible night. | ||
| You see his face is just cuz that Shit the finishes though like a baller That's top gun, son. | ||
| God damn. | ||
| Well, you say fucking animals. | ||
| That's a quite a jump - That's a quite a distance. | ||
| You know all the scenes in the helicopter and all that where he's hanging out? | ||
| Yeah, that's all him. | ||
| And he's white. | ||
| White. | ||
| See that jump? | ||
| White men can jump. | ||
| He can. | ||
| He had a rope. | ||
| He definitely had a rope. | ||
| That's true. | ||
| That is true. | ||
| But if that rope wasn't there, he would have lived. | ||
| Right? | ||
| He made it. | ||
| He actually made it. | ||
| I don't know. | ||
| The rope didn't help him. | ||
| You don't think they're kind of like... | ||
| No, no, no, no, no. | ||
| Watch it again. | ||
| Play it again. | ||
| I don't know if there's no rope if he makes that. | ||
| Does the rope kind of hold him back? | ||
| Yeah, yeah. | ||
|
unidentified
|
The rope's carrying him. | |
| The rope's carrying him? | ||
|
unidentified
|
Yeah. | |
| Oh, so the rope's assisting him? | ||
| Yeah, for sure. | ||
| All right, let me see. | ||
| Yeah, for sure. | ||
| It looked like the rope was behind him. | ||
| Yeah. | ||
| I thought the rope was just to catch him. | ||
| Cautionary? | ||
| Because the rope, like, that's a weird thing. | ||
| The rope is assisting him. | ||
| Like, man, how do you even plan that? | ||
| That's kind of cool. | ||
| The rope kind of catapults you. | ||
| Well, maybe assist him. | ||
| The rope is behind him. | ||
| No, the rope's behind him. | ||
| That rope is not helping. | ||
| Oh, and there's one above him, too. | ||
|
unidentified
|
Oh, there's one above him, too. | |
| There's two. | ||
| Yeah, yeah, you're right. | ||
| Yeah, yeah, yeah. | ||
| It's also to catch him so he doesn't fall all the way down and die. | ||
| Yeah, well, that's what it's for. | ||
| That's what my point was. | ||
| I still think he has hops. | ||
| I still think he has a little bit of athletic ability. | ||
| I bet it looked like his Achilles tendon tore off. | ||
| Yeah, that looks like the rope's carrying him. | ||
| I bet he has drugs that we don't even know about to fix that ankle. | ||
| Yeah, they get that from Mars. | ||
| They get that shit from... | ||
| They pull it out of the fake rocks that they pull out of Mars. | ||
| Here's another one. | ||
| Let me see the other one. | ||
|
unidentified
|
He hung on the side of the plane. | |
| Well, that's fun. | ||
| And is he attached with a rope, too? | ||
|
unidentified
|
Yeah, a little bit, but... | |
| Still, though. | ||
| What other A-lister does this shit? | ||
|
unidentified
|
He still really gets taken off. | |
| He's hanging there. | ||
| That's nuts. | ||
| That's fucking nuts. | ||
| That's bananas. | ||
|
unidentified
|
That man's crazy. | |
| He has a rope, though, right? | ||
| You know, you'd be surprised at how hard it is to hang for long periods of time. | ||
| You know, when I hurt my shoulder and I started hanging, you know, just holding onto a bar and hang, I was stunned at how little... | ||
| How weak you are? | ||
|
unidentified
|
How... | |
| I do a lot of chin-ups, but I can't hold on for more than two minutes. | ||
| It's something you have to condition, for sure. | ||
| You've got to really condition the shit out of yourself. | ||
| Do you think you're going to save your ass and hang on the side of a plane? | ||
| No, you're screwed. | ||
| No, you're dead. | ||
| You can't do it. | ||
| Oh, Dan, why'd you push the camera away like that? | ||
| He's like, get out of my face, bitch. | ||
| You've got that camera too close to me. | ||
| I'm about to choke someone out, son. | ||
| We had a Fear Factor episode once where people had to hang from, there was a bridge, and there was a bar on the bridge, and it was men and women, and you hung as long as you could hold it until you dropped into the water. | ||
| And the girls beat the guys. | ||
| How long were they holding? | ||
| Because they were lighter. | ||
| Do you remember that? | ||
| Not very long. | ||
| Not very long. | ||
| A few minutes? | ||
| No. | ||
|
unidentified
|
No. | |
| Oh, wow. | ||
| No, I don't think anybody beat, like, two minutes and 20 seconds or some shit. | ||
| Here we go. | ||
| Neiman Gracie, ready to choke a motherfucker. | ||
| That's how I saw him fight was on that Newark Mets Square Garden card. | ||
| I think it's Henzo's nephew. | ||
| Yeah. | ||
| He looks hyper-aggressive. | ||
| He looks like a Henzo nephew. | ||
| Big kid, man. | ||
| And so the other guy is Javier Torres? | ||
| Is that his name? | ||
| Does it say James? | ||
|
unidentified
|
Yeah. | |
| Did you see Roy McDonald asking Ben Askren to sign with Bellator? | ||
| Yeah. | ||
| And Ben Askren wants to do it, too. | ||
| Ben Askren still owes fights with 1FC, though. | ||
| So they would have to do some sort of a co-promotion. | ||
| He's under contract with them? | ||
| Yeah, he owes two fights. | ||
| He owes two fights with 1FC. Hey, 1FC, I know you're listening. | ||
| Do us all a solid. | ||
| Do all the hardcores a solid. | ||
| Let them out, man. | ||
| They're never going to let them out. | ||
| What they would do is they would co-promote. | ||
| And it's possible. | ||
| Not if he wants to fight in the UFC. It's possible. | ||
| Oh, hell. | ||
| The UFC co-promoting with 1FC? It would have to be favorable conditions with the UFC where they just make some sort of a deal. | ||
| 1FC can stream it or some shit? | ||
| Yeah, something. | ||
| It would have to be something, or they give them a piece of the revenue, but it would have to be a very small piece. | ||
| The odds are already against him to sign with the UFC, and then you go, alright, now you've got to make this deal with the 1FC, and Dana's going to kick rockets, man. | ||
| Well, what he should do is he should get out of that contract. | ||
| And just smoke two dudes real fast? | ||
| Yeah, just smash two dudes. | ||
| Just give me two cans. | ||
| He's the can crusher over there. | ||
| Rich Franklin's the guy who does the... | ||
| How dare you call him King Crusher? | ||
| Matt Hume is too. | ||
| Matt Hume's a part of 1FC as well. | ||
| Those fellas know what's up. | ||
| Let's get one of the greatest fights of all time rolling, my man. | ||
| Well, who would you have him fight? | ||
| Woodley? | ||
| His friends with Woodley. | ||
| They're training partners. | ||
| I'd have him fight GSP first, and then I'd have him fight Khabib. | ||
| Do you think GSP would take that fight? | ||
|
unidentified
|
Khabib. | |
| Khabib. | ||
| But nobody knows who Askren is outside of the hardcore fans. | ||
| He said he would. | ||
| Khabib said he would. | ||
| Khabib wants to go to 70, yeah. | ||
| Yeah. | ||
| Khabib wants to fight at 70. Oh, shit. | ||
| That is the fight I want to see. | ||
| Khabib would? | ||
| No, Askren. | ||
| Oh, me too. | ||
| Askren, Khabib is what I would want to see. | ||
| That's my number one fight. | ||
| Because good luck taking GSP down. | ||
| Just good luck. | ||
| And good luck standing with him, too. | ||
| You know, the stand-up, there's a big gap between... | ||
| Ben Askren's stand-up and GSP's stand-up. | ||
| There's a big gap between Ben Askren's grappling and GSP's grappling. | ||
| It's true. | ||
| It's an amazing fight. | ||
|
unidentified
|
What? | |
| There's a big gap between what? | ||
| Ben Askren's grappling and GSP's grappling. | ||
|
unidentified
|
Really? | |
| There's a big gap? | ||
| Yes. | ||
| There's a big gap. | ||
| Ben Askren's a legit Olympian. | ||
| Legit Olympian. | ||
| Wait, wait, GSP? Yeah. | ||
| GSP and Askren, big gap. | ||
| Yep. | ||
| If they wrestle, Askren rolls them up. | ||
| I don't know about that. | ||
| Okay. | ||
| Think how good Woodley is and ask Woodley. | ||
| The GSP has more takedowns in UFC history. | ||
| You're right, but he never fought a guy at the level of Askren when it comes to wrestling. | ||
| In my opinion. | ||
| He's a black belt in jiu-jitsu. | ||
| No, you're right. | ||
| If it gets to the ground. | ||
| The best guy he fought as far as wrestling credentials, probably Josh Koscheck. | ||
| My thought would be that GSP would never let the fight go to the ground. | ||
| Look at these leg locks. | ||
| Oh, he's doubled up, too. | ||
| Look at this. | ||
| That dude's in trouble. | ||
| That dude's in trouble. | ||
| It's crazy how leg locks are now making their way much more prominently in MMA now. | ||
| You've seen much more leg lock action. | ||
| Unless you're focused on it, I feel like, okay, you're fighting Dylan Danis. | ||
| Oh, you have six weeks to get ready for that? | ||
| You're not going to learn the leg lock game. | ||
| Is that fair, Eddie? | ||
| There's no way, right? | ||
| No. | ||
| If you're going against a high-level leg locker, it's going to take you four years to catch him. | ||
|
unidentified
|
Right? | |
| So these guys, they're so far behind, they're like, fuck Dylan Danis. | ||
| Let's work on leg locks. | ||
| It's too late. | ||
| Here it is, son. | ||
| He's doing the right thing. | ||
| Yeah. | ||
| But his both legs are tied up, man. | ||
| He's so stuck. | ||
| That's such a gross feeling. | ||
| You could do it in two years. | ||
| It doesn't have to be four years. | ||
| Average. | ||
| Two years if you're with a good coach. | ||
| If you're going to try to battle someone at like, you know, Henzo Gracie guy, leg lock level, it's going to take you at least two years to stalemate. | ||
| Yeah, that's the thing with MMA is generally in MMA leg locks were thought of as a technique you don't really ever need to even focus on because it just in MMA There were too many people have gotten knocked out going for leg locks So the general consensus is don't really worry about leg locks in MMA. They're too dangerous anyways, but You can get knocked out. | ||
| It is dangerous in MMA, but they still work. | ||
| You just gotta know which leg lock positions are the safest. | ||
| And, you know, if nothing else is working out, if you can't take the guy down, he's beating your ass, and it's the third round, you lost the first two rounds, it's the last round, you know, going for a heel hook, it might be a great idea. | ||
| And if you practice them, and if you're good at them, you have hope in that last round. | ||
| You know what I mean? | ||
| Don't necessarily go for leg locks right away because it is risky. | ||
| See if you can take him down first. | ||
| See if you can get on top and pass his guard. | ||
| See if you can get his back. | ||
| If you can't and it's too dangerous, then at some point your coaches and you got to decide, okay, it's time to go to plan B, plan C, and leg locks should always be the last resort. | ||
| Remember Marco Huas against Gary Goodridge? | ||
| Gary Goodridge was beating his ass the whole fight. | ||
| Last 45 seconds, Marco Huas pulls out a heel hook. | ||
| That's what we used to call them, remember? | ||
| Hail Mary Heel Hooks? | ||
| Hail Mary Heel Hooks. | ||
| That's what we used to call Heel Hooks. | ||
| Hail Mary Heel Hooks. | ||
| The last resort? | ||
| It was like one of those things. | ||
| I remember Paul Ahari was the one that really made it famous for a while, but then he was getting fucked up when he found Alan Belcher, who's a black belt, who was just like, I'm going to sit down on this and just punch you in the face. | ||
| Well, Belcher really prepared for that. | ||
| He's also a black belt. | ||
| When you get to the point with your leg locks where you can... | ||
| Well, you've been in the fire for a couple years, two, three, four years, and you're really good at leg locks and you're going against someone else at that same level. | ||
| Leg locks probably aren't going to be the deciding factor in that fight. | ||
| They're going to nullify. | ||
| And then, if you're going against a guy who's really good at defending and he has good wrestling and good punches, shit, you might want to stay away from leg locks. | ||
| It all depends. | ||
| It's the matchup. | ||
| Who did Belcher bring in for his leg lock training? | ||
| Because he brought in someone really good. | ||
| Davi Ramos. | ||
| That's right. | ||
| And Dean Lister. | ||
| Yeah, Dean Lister is the one I remember. | ||
| He brought him in and had, you know, he said it was just two months, one month, two months of every day, them attacking his legs, and that's all he needed. | ||
| You know, Paul Horace. | ||
| Davi Ramos is fighting 55 in the UFC, right? | ||
| Isn't he? | ||
| I believe he's fighting 55. I think so. | ||
| That's a bad motherfucker right there. | ||
| He's a bad motherfucker. | ||
| His jiu-jitsu is top of the food chain. | ||
| He won Abu Dhabi in 2015. He had a sick flying armbar in one of his matches. | ||
| The way Torres just fell down makes me think that his knee might be jacked. | ||
| His knee might be a little shaky. | ||
| He looked like wobbly the way he fell down. | ||
| That looked weird. | ||
| Bellator ratings have been rough, rough lately. | ||
| Have they been? | ||
| Rough, rough. | ||
| So hopefully this one's better. | ||
| It's good for MMA in general. | ||
| You know, when Bellator and UFC is doing good for MMA in general, it's good. | ||
| Well, for MMA in general, we need big cards. | ||
| I mean, it really needs to get more people watching. | ||
| And these are entertaining fights, and there's no reason why more people shouldn't be watching. | ||
| I think they got a real problem with their name. | ||
| I've said this forever. | ||
| The name is stupid. | ||
| But even UFC, which is a great name, their ratings suck too sometimes. | ||
| Sometimes. | ||
| I don't think the name matters. | ||
| I don't think it matters at all. | ||
| I don't think it matters with bands and music and movies. | ||
| It doesn't matter. | ||
| You like Hootie and the Blowfish? | ||
| You like that name? | ||
| Yeah, I do. | ||
| Yeah, where are they today? | ||
| Flogging Molly. | ||
| You like that? | ||
| I do. | ||
| It doesn't bother me. | ||
|
unidentified
|
You like that? | |
| It works. | ||
| You know what? | ||
| It doesn't matter if you like it because it works. | ||
| Smashing Pumpkins, if you weren't used to it, you would think if they never existed. | ||
| That's an awesome name. | ||
| That's a great name. | ||
| No, no. | ||
| Out of all of them. | ||
| Because you're used to it. | ||
| You don't realize it's because you're used to it. | ||
| Hootie and the Blowfish, I'm with you. | ||
| I wish you I'm flogging Molly. | ||
| Smashing Pumpkins, though. | ||
| Smashing Pumpkins is a great name. | ||
| Smashing Pumpkins is one of my favorite bands of all time. | ||
| I know they are. | ||
| But if they never existed, and I told you, my new band's called Smashing Pumpkins, you would say, dude, you gotta change your motherfucking name. | ||
| Oh, I would love it. | ||
| I would fucking love it. | ||
| You think you'd love it, because you're used to it. | ||
| You're used to it. | ||
| Billy Corgan's a cool motherfucker, man. | ||
| Let me tell you, I had him on the podcast. | ||
| Yeah, he was great on the podcast. | ||
| He's so normal. | ||
| Yeah, I love that guy. | ||
| They're at the forum. | ||
| We should go. | ||
| They're at the forum in October. | ||
| Let's do it. | ||
| Let's go. | ||
|
unidentified
|
Let's not get carried away. | |
| Let's do it. | ||
| Make it happen. | ||
| You know him. | ||
| Text him. | ||
| Can you text Billy Corgan? | ||
| Are you able to text him? | ||
| I have to email him. | ||
| Email his assistant. | ||
| Damn, you know, that's one podcast I wish I would have been here for. | ||
| God, that one and the Paul Stanley one? | ||
| Shit. | ||
| I wish I could have been here. | ||
| What was that? | ||
| Are you a Tool fan? | ||
| You ever meet Maynard? | ||
| Did I ever introduce you to Maynard? | ||
| I never met Maynard, no. | ||
| God, they would get along because he's a jiu-jitsu guy, too. | ||
| Maynard's a jiu-jitsu freak. | ||
| I know his friends very well. | ||
| I think he's got his brown belt. | ||
| I'm pretty sure he's got his brown belt right now. | ||
| Oh, I'm sure. | ||
| Yeah, he's a purple a long time ago. | ||
| But he comes in town for seminars. | ||
| He goes to Dynamics, like Henry Aikens' place. | ||
| Yeah. | ||
| He goes to seminars down there. | ||
| I know his friends very well. | ||
| I just don't know him. | ||
| He's a great guy. | ||
| Maynard is one of the smartest people I know, man. | ||
| Wicked smart. | ||
| Does he own a wrestling league? | ||
| Yeah. | ||
| No, no. | ||
| That's Billy Corgan. | ||
| Billy Corgan owns the NWA. Is that it? | ||
| He's balls deep into... | ||
| Yeah, he loves pro wrestling. | ||
| Or does he own TNT? One of those. | ||
| Oh, look at this. | ||
| Look at this. | ||
| That's it. | ||
| Arm triangle. | ||
| Game over. | ||
| That's it. | ||
| That's a wrap, son. | ||
| Tappity tap. | ||
| I'm telling you, we're getting all submissions tonight. | ||
| That's nice. | ||
| Well, Lovato and Gerald Harris is going to be a difficult one. | ||
| I bet you it's a mission. | ||
| I'm super excited. | ||
| They're very good. | ||
| I'm good. | ||
| Yeah, I'm good too. | ||
| I might be over good. | ||
| Over good. | ||
| Oh no. | ||
| Yeah, Billy Corbin, he was digging wrestling. | ||
| He just got into wrestling. | ||
| He loves pro wrestling. | ||
| Loves it. | ||
| He's a funny guy, man. | ||
| He's a really smart dude. | ||
| He's such a savage, man. | ||
| Such a monster. | ||
| Maynor's not into pro wrestling, but what Maynor is into, he owns a vineyard and a restaurant. | ||
| He's fucking crazy into wine, man. | ||
| He talked about wine for a solid hour on your podcast. | ||
| Dude, he's a wizard. | ||
| He's a wine wizard. | ||
| God damn it, bro. | ||
| Talk about whores on fucking tours. | ||
| Whores on tours. | ||
| I thought you were going to say the nice thing and say, yeah, it was interesting. | ||
| Not for me, brother. | ||
| He's a fascinating guy, but I'm all set on what? | ||
| He's got the clamp. | ||
| Oh, you're screwed, man. | ||
| Yeah, that's a tight one, baby. | ||
| You see how he manipulates those legs? | ||
| That guy's done that to a lot of fucking people. | ||
| At this point, he could have defended right here if he would have just brought his legs up and hooked his own left leg. | ||
| And turn away, yeah? | ||
| He could have just went like this. | ||
|
unidentified
|
Like this. | |
| And turn away, yeah. | ||
| Like this. | ||
| Now, when guys do that, though, you go to the impaler, right? | ||
| You have to go to the back. | ||
| Yeah, but you got to do that before. | ||
| But when a guy grabs his legs, do you still go to the impaler? | ||
|
unidentified
|
I've seen you. | |
| I've seen you separate guys legs. | ||
| I rarely do an arm triangle not mounted. | ||
| Rarely. | ||
| I stay in the mount. | ||
| Why do you stay in the mount and not go one side to side? | ||
| Because that one defense I was just telling you, hooking your own leg. | ||
| You can't do it from the mount. | ||
| That stops all arm triangles. | ||
| You're forced to go to another submission, which you're forced to take the back. | ||
| You kind of give up your back. | ||
| But the guy who is about to get tapped wins. | ||
| He gets another chance. | ||
| Guy's on your back, but that choke was in deep. | ||
| When you tap a guy from the mount or when you go to the arm triangle from the mount, what percentage of effectiveness do you think it is in comparison to going like a clock, like fully out? | ||
| There may be some added torque in the twist, but if you go butter mount, which is putting your butterflies on top and you extend, you don't need to get on the side. | ||
| So is it just a new movement you have to master? | ||
| Well, it all depends on your opponent. | ||
| If he knows this defense, someone puts you in an arm triangle like this is caught. | ||
| All I have to do is just bring this leg up, get inverted and go boom, and there's no way you're going to tap. | ||
| See, this is the thing. | ||
| I've seen you separate guys' legs when you were really into the impaler. | ||
| And I know I've done it to guys that aren't very good, but I've seen you when you were really into the impaler for a while. | ||
| No one did that, though. | ||
| The impaler being... | ||
| No one did the defense. | ||
| The defense is what I'm talking about. | ||
| Yeah, the defense are grabbing your leg. | ||
| Nobody did that? | ||
| Not back in the day. | ||
| Because everybody was laying down. | ||
| The way he did the arm triangle where he's laying in side control flat on his back. | ||
| It obviously works. | ||
| People are tapping. | ||
| It's easy to defend. | ||
| If the guy knew it. | ||
| If the guy sees it coming, as soon as this arm's in trouble, boom! | ||
| You're right here. | ||
| That's interesting. | ||
| Maybe I'm confusing you with somebody else. | ||
| Because I know during your... | ||
| There was a whole run when a lot of us were into the impaler. | ||
| And then you also started putting it down where you would put the shin to the hip and really stretch a guy out, too. | ||
| Jesus! | ||
| What do you do with Jesus? | ||
| Look at that cut. | ||
| Oh shit, whose cut is that? | ||
| Damn. | ||
|
unidentified
|
Cage Warriors earlier today. | |
| Oh my god, that's crazy. | ||
| That's an eyebrow. | ||
| That's a full eyebrow. | ||
| You can see his skull. | ||
| That's one of the biggest I've ever seen. | ||
| Jesus Christ. | ||
| Because I remember arguing with somebody about it when someone was saying that you can't separate a guy's hands like that. | ||
| I'm like, how long do you think you can hold your hands? | ||
| We need mats in here, dude. | ||
| No, we do. | ||
| You can put a mat right there. | ||
| But here's the thing. | ||
| I have new mats coming. | ||
| So we can do that. | ||
| Just right here. | ||
| All you need is cameras. | ||
| How do you demonstrate the defense? | ||
| You could dive right in the middle of a mat. | ||
| That'd be sick. | ||
| People don't know what we're talking about. | ||
| It's hard to understand if you don't know jiu-jitsu. | ||
| We're going to have that. | ||
| We're going to have that. | ||
| Because there's new mats coming in because the mats that I'm getting from Fuji, the grappling ones are too slippery. | ||
| They don't have any texture to them. | ||
| You should get Zebra. | ||
| I'm getting new Zebras, man. | ||
| I like Zebra. | ||
| Those are the best. | ||
| I like Zebra. | ||
| I have Zebra in my office. | ||
| Those are the best by far. | ||
| I'm getting all new Zebras. | ||
| But Fuji makes a real good one with a texture for striking. | ||
| So for kicking and stuff, I need some texture. | ||
| But on the ground, it's fine. | ||
| So I'm going to take the ones from the ground and just put them here. | ||
| Well, you need the texture for passing, too. | ||
| If you're getting all sweaty, you need the texture. | ||
| Because the mats I have now... | ||
| No texture. | ||
| Everybody complains that they... | ||
| They're too slippery. | ||
| They're made for wrestling. | ||
| Shoes. | ||
| And wrestlers have shoes. | ||
| So it's not an issue. | ||
| It's like a slip and slide. | ||
| But when you're going barefoot and doing jiu-jitsu, and it gets sweaty, after like three or four rounds, passing becomes impossible. | ||
| It's like passing on ice. | ||
| Is it hot in here? | ||
| I'm having a heart attack. | ||
| You guys are sweating, too. | ||
| You're having a heart attack. | ||
| We're good. | ||
| But if you feel the zebras, they're made for barefoot traction. | ||
| We got a thermostat in here. | ||
| That'd be fucking glorious. | ||
| Zebras are, yeah. | ||
| Zebras is what they put in my gym. | ||
| My gym at home. | ||
|
unidentified
|
Yeah. | |
| But these out here, the Fugees, the smooth ones, man. | ||
| It's not good for kicking. | ||
| When I'm kicking, I'm slipping around a lot. | ||
| It's dangerous. | ||
| Especially for spinning. | ||
| When I spin, I need traction. | ||
| I have to have something where I can push my foot off. | ||
| With round kicks, you can kind of get away with it because if your foot slips, your whole body is just kind of moving. | ||
| So what kind of mats you got coming in? | ||
| You already got it all hooked up? | ||
| Yeah, they're out there. | ||
| I'll show them to you. | ||
| Oh, okay. | ||
| The other Fugees. | ||
| They're Fugees, but they're tatami mats. | ||
| It's a pretty strong texture. | ||
| Why did you decide to go with those over Zebra? | ||
| Jimmy Pedro. | ||
| Oh, gotcha. | ||
| Jimmy Pedro went over to there and he did my first place. | ||
| You know, Olympic judo master. | ||
| He's a bad motherfucker. | ||
| He did my other place. | ||
| And so, you know, when he moved there, I just went with him there. | ||
| I like them. | ||
| I just don't think they're the right thing for what I do. | ||
| But the tatami ones with the heavy texture is perfect. | ||
| For kickboxing, especially if I'm really sweaty and I'm throwing spin kicks and shit like that, I am not in the mood to blow my knee out. | ||
| A lot of my students blame the mats when they have a bad day and I'm sitting there and they're having a bad day and they're like, these fucking mats! | ||
|
unidentified
|
Yeah! | |
| Fuck these mats! | ||
| What do you say? | ||
| They all get together in the corner and go, yeah, it's the mats, right? | ||
| Yeah! | ||
| When are we getting new mats, coach? | ||
| Wear shoes, bro. | ||
| Do you kinda guilty too? | ||
| Fucking mat, bro. | ||
| These fucking mats. | ||
| They make fun of the HQ mats. | ||
| That's funny. | ||
| They do. | ||
| They do. | ||
| But no more. | ||
| In two weeks I get new mats. | ||
| Remember when I just had pads put down with a cloth strep, a nylon top stretched across them, remember? | ||
| We got those dudes to do it. | ||
| Yeah, those are still done. | ||
| Yeah, those can get slippery. | ||
| Super slippery. | ||
| It was loose, too. | ||
| It's like the problem with that was it wasn't tight. | ||
| It's like, remember the old headquarters for Gracie Jiu-Jitsu in Torrance? | ||
|
unidentified
|
Yes. | |
| Remember they had that massive floor? | ||
| The giant, the green. | ||
| Yeah, and they had it all down. | ||
|
unidentified
|
It's like a tarp. | |
| They tighten up a tarp. | ||
| That's exactly what I had. | ||
| So it's never totally tight. | ||
| So slippery. | ||
| Never tight. | ||
| It's never really tight. | ||
| Dude, am I crazy to think Bader's the dark horse to win the heavyweight tournament? | ||
| Oh, he can win it. | ||
| Bader's still very, very good. | ||
| And not that King Mo's not. | ||
| King Mo can fucking punch. | ||
| And he, at one point in time at least, was a world-class wrestler. | ||
| King Mo was a beast of a wrestler. | ||
| Oh, he still is. | ||
|
unidentified
|
Phenomenal athlete. | |
| One of the best I've ever seen. | ||
| But he's had some injuries, man. | ||
| And he had really, really bad staff. | ||
| Yeah. | ||
| I think the staff got him at least twice. | ||
| I know he got it once, but I want to say he got it twice real bad. | ||
| He had a real bad staff. | ||
| Like, come on, man. | ||
| Bader's probably at the top of his game right now. | ||
| Yeah, Bader's in his prime. | ||
| When he beat Phil, I was like, holy shit, he beat Phil Davis. | ||
| And he took him down a bunch of times. | ||
| Like, look, he's at the top of his game. | ||
| He's at the top of his game. | ||
| You look at that heavyweight division, that tournament, Bader's my dark horse, man. | ||
| Bader is a legit world class fighter that is actually probably at his best right now. | ||
| I would say that Ryan Bader right now is in his prime. | ||
| Here's the thing though. | ||
| Even in his prime, he's not at the level of John. | ||
| And that was over in the UFC. Oh no. | ||
| But who is though? | ||
| Who is? | ||
| Well, maybe Gus Fenn? | ||
| John who? | ||
| I mean, DC is close. | ||
| You know, DC put up a good fight the first time, and the second time it was a good fight until John had kicked up. | ||
| Gus Fenn put up a better fight. | ||
| He did. | ||
| The speculation is that John barely trained for that fight. | ||
| John trained for two hours for that fight. | ||
| Literally, if at all. | ||
| That's how good he is. | ||
| Correct. | ||
| But when John fought Ryan, you were like, okay, this is a gap. | ||
| He cradled him like a baby, remember that? | ||
| There's a gap that you go, ooh, how are you going to cross that gap? | ||
| You know what I mean? | ||
| But even if you're DC, you've got to be thinking, and you know I love DC, even when DC has to be thinking, how can I cross that gap? | ||
| He's 40. He's going to be 40. It's true. | ||
| It's true. | ||
| Look, I can't disagree with you, but DC at least was competitive in that fight before he got head kicked. | ||
| It was a competitive fight. | ||
| He was putting a lot of pressure on John. | ||
| It was interesting. | ||
| It was interesting. | ||
| This is a good card right here. | ||
| But John set him up. | ||
| It is a good card. | ||
|
unidentified
|
Ooh. | |
| Paul Daly versus John Fitz. | ||
| Jesus Christ! | ||
| That's a good fight, man. | ||
| Holy shit. | ||
| Aaron Pico, do you see his last win? | ||
| Dude, that left hook to the chin. | ||
| It was like a shovel hook. | ||
| Dude, he's a little fucking... | ||
| He's a beast. | ||
|
unidentified
|
Savant! | |
| He's a beast. | ||
| He's so goddamn good. | ||
| I think losing that first fight is probably the best thing that could have ever happened to him. | ||
| He doesn't train with you guys, does he? | ||
| For that first fight he did. | ||
| He's a Tenth Planet guy, right? | ||
| Not anymore. | ||
| Oh, not anymore. | ||
| He was. | ||
| And then after he lost, I think... | ||
| They blamed it on that? | ||
| Dylan Dennis has a dope tattoo. | ||
| I don't know. | ||
| He just never came back. | ||
| Dylan Dennis' tattoo is fucking sweet. | ||
| Like, whoever did that, that's like a real artist. | ||
| They nailed that. | ||
| That dragon? | ||
| Yeah, it's really good, man. | ||
| It's like Aaron Della Vidova style. | ||
| Like, look how good that dragon is, man. | ||
| Like, what I'm talking about, too, is not just the image, but the way it's lined up. | ||
| The use of space. | ||
| When you see a real good tattoo artist, one of the things they do is they fill up the space the right way, the right amount of darkness, the right amount of lightness, the contrast. | ||
| But it fits the body, that part of the body. | ||
| It fits perfect. | ||
| Sometimes I wish I could go back, because now I feel like tattoo artists are so much better. | ||
| They're so good. | ||
| The styles are so much different. | ||
| Yeah. | ||
| I get, like, the Prius of tattoos instead of, you know, it's way better these days. | ||
| Well, you could laser that shit off, you know. | ||
| Ah, fuck, I don't know. | ||
| I'd go with none. | ||
| I'd go with none. | ||
| None? | ||
|
unidentified
|
None. | |
| Yeah, I love tattoos, man. | ||
| I do, too. | ||
| I do, too. | ||
| I feel like I have to cover them. | ||
|
unidentified
|
I believe you. | |
| I don't know why, but I do. | ||
| I love that Dylan Dennis style of tattoo, too. | ||
| That's a dope tattoo. | ||
| That's my favorite style, those big-ass modern Japanese-looking things. | ||
| I always cover mine, man. | ||
| I mean, not around you guys. | ||
| If I'm doing stand-up on TV, I always cover them. | ||
| I do for stand-up. | ||
| You're ashamed. | ||
| Probably the only time people see him when I'm not is on this podcast, honestly. | ||
| Well, no, even during my shows, I cover them. | ||
| Weigh-ins. | ||
| Weigh-ins, I'll wear a t-shirt. | ||
| That's one thing the UFC's been doing. | ||
| Making cool t-shirts for each. | ||
| Reebok can make a cool t-shirt for each place you go to. | ||
| Have you been wearing those? | ||
| Sometimes I'm wearing them. | ||
| I wore the Boston one. | ||
| Usually, but I wore the Boston one. | ||
| They made a dope one. | ||
| It was green with a bumblebee. | ||
| It looked like a bumblebee with gloves on. | ||
| At the UFC's, backstage, who is the head honcho walking around? | ||
| Is there someone above Dana that's walking around and hanging out backstage? | ||
| Or is Dana... | ||
| Well, Dana's always running the show. | ||
| For sure. | ||
| But is there like, oh shit, that's... | ||
| The golden snitch, right? | ||
| Nowitzki's the guy everyone's kind of like... | ||
| Well, no, no. | ||
| He means like running the show. | ||
| No, no, not running. | ||
| No, no, no. | ||
| Just walking around, hanging out. | ||
| No. | ||
| There's nobody above Dana walking around, hanging out? | ||
| No, Dana's the president, man. | ||
| And Ari is so busy. | ||
| Ari owns that bitch. | ||
| He owns that bitch. | ||
| Oh, no, no. | ||
| But when he comes there, it's very brief. | ||
| And he comes for the fights or he comes to the weigh-ins. | ||
| He goes, do you know how fucking busy that dude must be? | ||
| He's in and out. | ||
| The UFC says side check. | ||
| Yeah. | ||
| Not even. | ||
| He just checks in. | ||
| It's a big company. | ||
| It's a business they put together with a bunch of celebrities bought into it. | ||
| It's a real big deal. | ||
| What celebrities? | ||
| A lot of people bought into it. | ||
| I would have to look at a list. | ||
| Ben Affleck is part owner of the UFC. I don't ask questions, honestly. | ||
| I really don't. | ||
| I ask a lot of questions. | ||
| I work there. | ||
| I've been working there forever. | ||
| I ask almost no questions. | ||
| This is what I ask. | ||
| What are you going to do with this guy? | ||
| What are you going to do with that? | ||
| You want no matchups. | ||
| And you're like, you can't tell anybody this. | ||
| This is where we're working. | ||
| I'm like, oh shit! | ||
| Oh shit! | ||
| That's the questions I ask with Dana. | ||
| I never ask questions about business or who bought this or... | ||
| I don't have enough room in my brain to give a fuck about other people's business. | ||
| I have zero interest in other people's business. | ||
| I mean, literally zero. | ||
| Especially with the UFC, I don't give a fuck. | ||
| I just want to know who's fighting. | ||
| Who's fighting who? | ||
| What are you going to do? | ||
| I'm not like, how much is this guy going to make? | ||
| What percentage does he own? | ||
| What's he doing? | ||
| How's he going to make his money back? | ||
| What kind of financial return on his investment is he going to get? | ||
| I don't give a fuck about that. | ||
| See, but when they say those celebrities are owners, it's just like a business move. | ||
| They might not be into the UFC. It's just as far as money. | ||
| People are into getting famous people to invest in shit, too. | ||
| It's a fun thing. | ||
|
unidentified
|
LL Cool J? Is that LL Cool J? Jimmy Kimmel. | |
| I mean, it's just... | ||
| There you go. | ||
| There's Mike Beltran. | ||
| He owns it, too. | ||
| They don't have any say. | ||
| Mike Beltran got the best fucking mustache in the game. | ||
| Adam Levine owns a piece of the pie. | ||
| Dude, how about Nick Newell? | ||
| Is this for real? | ||
| Anthony Kiedis. | ||
| There we go. | ||
| Calvin Harris. | ||
|
unidentified
|
Adam Levine owns a piece of the UFC. Damn. | |
| Damn. | ||
| Damn. | ||
| So a lot of people bought into it. | ||
| Oh, Adam Levine. | ||
| I thought it was Avril Levine. | ||
| I'm like, what the fuck is she doing in the fight game? | ||
| So what they do is they, you know, they probably, everybody chips in a little bit. | ||
| Man, that's so stressful. | ||
| I think they just give them stock. | ||
| They just give them stock. | ||
| Is that what they do? | ||
| Michael Bay. | ||
|
unidentified
|
Are you sure? | |
| Pretty sure. | ||
| You sure they didn't chip in? | ||
| I don't think they chip in. | ||
| What would they give them stock for? | ||
| What would they give them stock for? | ||
| Because they own the business, right? | ||
| They're not getting cash from those guys, I don't think. | ||
| Why would they do that? | ||
| Why would they give them a piece of the business for no reason? | ||
| They'd have to give them money. | ||
| I don't know. | ||
| See, this is why I don't like doing this. | ||
| This is why I don't like doing this. | ||
| I don't understand. | ||
| But we're doing it. | ||
| We're doing it. | ||
| You don't like it. | ||
| No, but what I'm saying is I don't like wondering who's paying what or how they're doing it. | ||
| No, it's complicated. | ||
| I didn't want to hear about it. | ||
| No, we like it. | ||
| We like it. | ||
| You know what? | ||
| That's one of the things I've found, as I've gotten older especially, is to concentrate on less things. | ||
| God bless you. | ||
| Other things, just put them aside. | ||
| Put them aside. | ||
| Concentrate on less things. | ||
| You can get better at the things you really enjoy. | ||
| There's only so many things you can think of. | ||
| There's only so many things. | ||
| If you spend your time worrying about other people's nonsense, you're robbing yourself. | ||
| You think it's fun, but it's really a big fat distraction. | ||
| You know what it is? | ||
| It's not even your life, right? | ||
| So you're thinking about things that are going on in other people's lives, and you're doing it because you're not giving 100% to your life, and there's some stress involved in that. | ||
| And so to distract yourself from that stress, you concentrate on other people's lives. | ||
| It's a very common thing. | ||
| Do you ever have fake arguments in your head? | ||
| With myself? | ||
| Oh, I used to do that all the time. | ||
| I used to pretend someone would say this back to me. | ||
| I was like, fuck you. | ||
| I'm going to say this back to you. | ||
| And then sometimes it would be with a dude, and then I would run into him to talk to him, thinking we're going to have this big argument. | ||
|
unidentified
|
And he's awesome. | |
| I'm sorry. | ||
| I fucked up. | ||
| I was drunk. | ||
| You had all this shit prepared. | ||
| And then I abandoned it immediately. | ||
| I think there's so much of how people interact with each other. | ||
| It could be just way different with just a little shift in how we talk to each other and how we think about each other. | ||
| I did that last night. | ||
| I was doing a set at the Laugh Factory and we were talking about off-air Santino and Theo Vaughn. | ||
| I was going, you know, in between them. | ||
| I had this whole dialogue in my head because they're like, oh, we're going to stay and watch yourself. | ||
| I'm like, that'll be cool. | ||
| And as soon as I got done, I was like, oh, I bet fucking Santino thought that sucked and this and this. | ||
| I'm like, literally, he comes to the back. | ||
| He's the nicest guy ever. | ||
| Santino's a very nice guy. | ||
| He's fucking funny, man. | ||
| He's a funny dude. | ||
| There's like young guys that are coming up that I go, oh, look at you! | ||
| Him and Theo, last night, back-to-back, I was like, you motherfuckers are monsters. | ||
| Have you seen his bit he does about The Rock? | ||
| You gotta ask him to do it. | ||
| Santino? | ||
| Yes. | ||
| Because he has so much material that he stopped doing it, I guess. | ||
| He'll do it, but if you bring it up, he'll do it. | ||
| I would love that. | ||
| I asked him to do it one night, and he did it for us in the OR. Dude. | ||
| I don't know who Santino is. | ||
| Oh, you gotta see him. | ||
| He's so good. | ||
| He does a lot of my shows. | ||
| Italian guy? | ||
| Redhead from Boston. | ||
| He's redhead. | ||
| Super redhead. | ||
| He's a fucking funny guy. | ||
| He's doing, I think he's on my show on the 24th. | ||
| He told me he's on your show in Chicago? | ||
| Yeah, he's doing that. | ||
| He's doing Chicago. | ||
| He's with me in Chicago. | ||
| Him and Tony. | ||
| It's a double header. | ||
| That's a ridiculous show. | ||
| Him and I walked from Laugh Factory to the comedy store last night, and he's a chatty Cathy. | ||
| He's a good talk. | ||
| Real good dude. | ||
| I love that guy. | ||
| I love Santino. | ||
| And Theo Vaughn. | ||
| I love him, too. | ||
| He's so original. | ||
| They're two killers, man. | ||
| So death when they go on stage. | ||
| I watched him last night. | ||
| Have you seen Theo? | ||
| I was supposed to do his podcast, but it just never... | ||
| I don't know what happened. | ||
| Oh, I connect you guys. | ||
| He wanted you on there. | ||
| We went back and forth. | ||
| I still want to do it, but it just didn't happen. | ||
| I'll get a hold of it. | ||
| The last few weeks have been fucking crazy. | ||
| With your knee operation and all that? | ||
|
unidentified
|
Yeah. | |
| They have each other's numbers. | ||
|
unidentified
|
Yeah. | |
| They're good. | ||
|
unidentified
|
Yeah. | |
| He's so funny, man. | ||
| His podcast's getting better, too. | ||
| How about his boy was with him last night? | ||
| I don't think he knows much about Theo's stand-up. | ||
| And Theo's just sucking every fucking breath out of that place. | ||
| Just destroying. | ||
| And he goes, man, he's good, huh? | ||
| I'm like, Theo? | ||
| He's like, yeah. | ||
| He's doing really good down there. | ||
| I'm like... | ||
| Yeah, man. | ||
| He's a fucking killer. | ||
| Well, you know, the thing is, Theo has really come into his own over the last two years. | ||
| And I met him right around the time it was really popping for him. | ||
| He was always really good. | ||
| Like, everybody thought he was always funny. | ||
| But he hit some new level. | ||
| I remember me and Adam, the booking agent at the comedy store. | ||
|
unidentified
|
Love Adam. | |
| Yeah, we were in the hallway, and Theo was murdering. | ||
| And he got off stage, and I went up to Adam, I go, dude, he's on another level. | ||
| He hit some new stride. | ||
| He goes, yeah, right? | ||
| We remember recognizing this moment where Theo was in some new space. | ||
| He was in some weird original space. | ||
| Everywhere I go, like I was just in Calgary, and they go, who else is good out there? | ||
| I went, do you have Theo Vaughn? | ||
| Do you have Theo Vaughn? | ||
| They're like, no. | ||
| I'm like, how do you guys not? | ||
| He should be destroying ticket sales. | ||
| I'm telling you, it's one of those things. | ||
| And Santino, too. | ||
| I'm like, God, how are you guys not just... | ||
| People are going to know. | ||
| Keep an eye on those two dudes are like the next Tom Segura. | ||
| Correct. | ||
| You guys know who Michael Che is? | ||
| Yeah. | ||
| Oh, yeah. | ||
| His Netflix special is fucking high level. | ||
| He's a monster. | ||
| Oh, it's called Michael Che Matters. | ||
| Dude, he's got this Jesus bit where he talks about, you know how Jesus is a carpenter? | ||
| I'm not going to ruin the bit, but he's saying he must have sucked. | ||
| Because if he would have been good, there would have been pieces of furniture. | ||
| Yeah, we shouldn't do his bit. | ||
| He's really good. | ||
| He's really good. | ||
| He's high level. | ||
| Your boy just released a special on Netflix. | ||
| I didn't know he was still doing stand-up. | ||
| James. | ||
| Your boy. | ||
| Kevin James. | ||
| Kevin James. | ||
| Yeah, yeah, he just did. | ||
| Yeah. | ||
| Yeah, he's been doing stand-up. | ||
| He does a lot of theaters. | ||
| I know he used to be a killer. | ||
| I didn't know that. | ||
| Kevin and I, we basically were amateurs together. | ||
| We're basically just starting to get paid. | ||
| And I signed with my manager, and I got my manager to sign with Kevin. | ||
| I'm in a small management company, and he has a few clients that have been with him for more than 20 years. | ||
| And two of them are me and Kevin. | ||
| Is this you and Kevin? | ||
| Is this starting in Boston or LA? It was in New York. | ||
| I moved from Boston to New York because of my manager, and then I hooked my manager up with Kevin. | ||
| And then, you know, Kevin and I are pretty close. | ||
| Yeah, I know that. | ||
| I watched his special because I think Brian told me, he's like, dude, he was a killer. | ||
| He was a killer in the day. | ||
| I think you told me that, too. | ||
| So I've never seen his stamp. | ||
| I've watched it on, like, YouTube, but then his special, it's good. | ||
| Well, you know what it is, man? | ||
| It's like, at this point, he's just so busy. | ||
| You know, he's got his TV show, and he's always doing... | ||
| Before Kevin Can Wait, he was always doing his other TV show that went on forever. | ||
| You know, that's... | ||
| And he was, like, a main guy on that show. | ||
| Hell yeah, he's the main guy. | ||
| I mean, as an actor. | ||
| I mean, as a writer. | ||
| Oh, that's a nightmare. | ||
| Oh, dude, he wrote everything with those guys. | ||
| Dang, he's super talented. | ||
| He wrote a lot. | ||
| He rewrote a lot. | ||
| He went over all the scripts. | ||
| The reason why the show was so good is because it was a talented staff of writers, talented actress. | ||
| Leah Remini was very funny. | ||
| There was a lot of funny people on the show. | ||
| Patton Oswalt was really good on the show. | ||
| He's great. | ||
| But more than anything, Kevin is a driven dude. | ||
| He gets super obsessed about doing the run. | ||
| He would go over lines. | ||
| He's a craftsman. | ||
| He's trying to break it down. | ||
| He's trying to figure it out. | ||
| But he just doesn't do the amount of stand-up now that he used to when he was starting out. | ||
| How could you, though? | ||
| There's no way you could. | ||
| But that's why you didn't think that he was doing it anymore. | ||
| Because there's no way he could do the kind of stand-up where you'd be everywhere all the time. | ||
| He just doesn't have that time. | ||
| When you're doing a sitcom, it's your sitcom. | ||
| Especially for your writing? | ||
| Fuck, dude, that's so much work. | ||
| Gary Shandlin talked about that, too, because he would write everything, overlook every episode, and then you can't do both. | ||
| Think about some of the shit that we've done, like that cartoon about you getting kidnapped by the Mexicans and they fill you up with drugs and turn you into a sex slave. | ||
| My dick's popping up. | ||
| We didn't write a goddamn thing. | ||
|
unidentified
|
No. | |
| We were just two friends riffing, giggling, being ridiculous, and it turns into a cartoon, and it's fucking hilarious. | ||
| If you watch that cartoon, it's hilarious. | ||
| We have it so much easier. | ||
| If we were doing a sitcom, we would have meetings. | ||
| We would have to do a run-through for the network. | ||
| The network would give us stupid notes. | ||
| We did do that. | ||
| I know. | ||
| And it was a nightmare. | ||
| It was a nightmare. | ||
| Fucking nightmare from day one. | ||
| It's not a nightmare. | ||
| I have to do a little bit now because of my Showtime show. | ||
| I'm below the belt. | ||
| But your show's at least not scripted. | ||
| No. | ||
| See, that's the thing. | ||
| Different animal. | ||
| When things are scripted, shit gets weird. | ||
| See, because what they're doing with you is very talent dependent. | ||
| They're dependent upon your personality. | ||
|
unidentified
|
Yes. | |
| That's what people want to see. | ||
| The more they let you go, the better the show's going to be. | ||
| They realize that, and you see it in the show now, right? | ||
|
unidentified
|
Yeah. | |
| But if you're on a show where they're creating the dialogue, everybody's got to say. | ||
| There's a narrative. | ||
| Everybody's got their own little fucking opinion about how this should go, and that should go, and you don't want to hear their shit, and they think you suck, and everybody's going back and forth, and then the network comes in, and they all want to get their greasy paws on it. | ||
| Everybody wants to get their fucking jizz in the soup. | ||
| They all want to get their flavor. | ||
|
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|
Jizz in the soup? | |
| A little flavor. | ||
| Who's eating that soup? | ||
| Everybody literally wants to add their DNA to the script. | ||
| I've seen people try to change things just to justify their job. | ||
| They have to have an opinion. | ||
| Everybody has to have an opinion. | ||
| Like, I just think she's not dressed hot enough. | ||
| They have these conversations. | ||
| We need a black guy. | ||
| We need a black guy. | ||
| And you're like, what? | ||
| And then you're listening to some executive that doesn't know shit about writing. | ||
| They're not writers. | ||
| They just decide they want to have some sort of say. | ||
| And they think they know the business because they've been working as an executive fucking up shows for about five, six years. | ||
| So they got experience fucking up shows. | ||
| So they think they can fuck up your show and fix it. | ||
| It'd be a nightmare to do all that and do stand-up. | ||
| We need a gay neighbor. | ||
| We have to have a gay neighbor. | ||
| Gotta get a gay neighbor. | ||
|
unidentified
|
We need a silly, big, silly, bold... | |
| Well, now it's... | ||
| We need transgender. | ||
| We need transgender. | ||
| Have you heard of transracial? | ||
| Oh, dude! | ||
| Thank God you guys remind me of this. | ||
| There's a new... | ||
| Fuck yes! | ||
|
unidentified
|
Yes! | |
| There's a new documentary on Netflix about that lady who was white and thinks she's black. | ||
| Rachel Dozer, yes. | ||
| And it is epic. | ||
| What's it called? | ||
| I've heard it's epic. | ||
| What's it called? | ||
| I forget, but you watch it. | ||
| Oh, that poor lady. | ||
| No, you feel bad for it. | ||
| The Rachel Dozer, yeah. | ||
| The Rachel Dozer, right? | ||
| What's it called? | ||
|
unidentified
|
The Rachel Divide. | |
| The Rachel Divide. | ||
| Dolezal is her name. | ||
| Dozel. | ||
| Dolezal. | ||
| No, different name now. | ||
| She changed her name to like some super... | ||
| Does she still want to be black? | ||
| Super African sounding name. | ||
|
unidentified
|
She didn't go back? | |
| No spoiler alerts. | ||
| I mean, you can look this shit up. | ||
| Yeah. | ||
| But they basically like... | ||
| She goes on... | ||
| She writes a book. | ||
| She sells 500 of them. | ||
| It goes terrible. | ||
| She's trying to make money because the black community doesn't accept her. | ||
| The white community doesn't accept her. | ||
| So she writes this book. | ||
| And then at the end, you see her taking her braids out. | ||
| I'm like, oh damn, she's going back to white. | ||
| But she doubles down Wakanda style. | ||
| Comes out with like an afro. | ||
| Changes her name like fucking Noda. | ||
| There she is. | ||
| Look at her there. | ||
| The Rachel Divide. | ||
| What is her new name? | ||
| It's something crazy. | ||
| It's super African. | ||
| Yeah, like from the motherland. | ||
| Yes. | ||
| Gerald Harris was always super jacked. | ||
| He looks good. | ||
| It looks like he's a good shape. | ||
|
unidentified
|
Oh, shit. | |
| This is going to be a great fight, man. | ||
| Jesus Christ. | ||
| Gerald Harris and Rafael Levy. | ||
| Oh, there it is. | ||
| Nikichi Ameri Diallo. | ||
| Oh, that's a good name. | ||
| That's super normal. | ||
| That's super normal. | ||
| That makes sense for a white girl. | ||
| Do you know Gerald Harris does stand-up? | ||
| Apparently he's really funny. | ||
| Oh yeah? | ||
| Yeah. | ||
| I saw like a very short clip of him when he was first starting out. | ||
| Oh yeah? | ||
| Yeah, he's a funny guy. | ||
| Damn, that could be like an MMA comedy tour. | ||
| You, Gerald Harris. | ||
| Joe Rogan? | ||
| Who else is doing it? | ||
| Adam Hunter? | ||
| Adam Hunter? | ||
| Did he fight MMA? No. | ||
| He's a straight comedian. | ||
| He's a really good wrestler. | ||
| But he's still in the MMA community. | ||
| Yeah, he's in the community. | ||
| His show is fucking good, man. | ||
| And he's a hilarious comic. | ||
| He's a really good joke writer. | ||
| Like a one-liner type dude. | ||
| Very good at that. | ||
| He's a good dude, too. | ||
| So that would be him. | ||
| And he wrestled. | ||
| I think he coaches wrestling, too. | ||
| Doesn't he do some shit with Einstein? | ||
| Einstein? | ||
| They used to do a podcast together, and then they don't work out, and then Renato started doing it with them. | ||
| Renato. | ||
| Caused the trouble. | ||
| Always caused the trouble. | ||
| I've never met him. | ||
| Never met Renato. | ||
| Never. | ||
| He would love him. | ||
| Never. | ||
| I'm sure. | ||
| I never ran into him. | ||
| He brings you up, though. | ||
| He calls you Brendan Schwab. | ||
| That makes sense. | ||
| The big back. | ||
| I've never met him. | ||
| One of the funniest guys to ever live. | ||
| He's a funny fucking dude. | ||
| He's so funny. | ||
| Have you seen the Hanata Laranja show where he does the sketches? | ||
| You've seen Robert De Niro? | ||
| He does the heat sketch. | ||
| He's got the Rocky III sketch. | ||
| He's got an Incredible Hulk sketch. | ||
| The Snatch ones off the charts. | ||
| Dude, he's brilliant. | ||
| It's the Snatch one. | ||
| Have you ever seen the take on Snatch? | ||
| He writes all of that shit. | ||
| Michael Bisping and him in a fucking parody of Snatch. | ||
| Can you find that? | ||
| Find that. | ||
| It's so good. | ||
| It is hilarious. | ||
| He has his own channel. | ||
| He had his own show. | ||
| It's a talk show where he's brought it. | ||
| He's at Henner Gracie, Frank Shamrock. | ||
|
unidentified
|
Frank Shamrock. | |
| He's the host, but it's like a podcast, but it's a show, and he crushes his guests. | ||
| The premise of the show is he's better than the guests, and he's going to crush you, and he smashes you. | ||
| He had Frank Shamrock on, and I asked him, I go, did you bring up his snaggle tooth? | ||
| He brought it up for 30 minutes. | ||
|
unidentified
|
laughter laughter I love Frank Shamrock. | |
| But he fixed it, though. | ||
| He's got braces. | ||
| I got braces. | ||
| My teeth look like llama teeth. | ||
| Frank's braces are off. | ||
| Frank's braces are off. | ||
| Yeah, my teeth were just as bad as Frank, so I had to get braces as an old man, too. | ||
| Did you do Invisalign or did you do metals? | ||
| I did Invisalign. | ||
| Brian's doing Invisalign. | ||
| They're not getting better. | ||
| Brian's had Invisalign for like four months now. | ||
| Check this out. | ||
| He took him out. | ||
| His teeth are fucked up still. | ||
| Snatchy. | ||
| Tell him to let it go. | ||
| Here it is. | ||
| Snatchy. | ||
| Can we play this on the podcast? | ||
| Yeah. | ||
| And that's, uh, who's the other guy? | ||
| Kip Cole, right? | ||
| No, Kip, uh, he's a grappler. | ||
| Dale. | ||
| Kip Dale, yeah. | ||
| This is great. | ||
| Michael Bisping's good, too. | ||
|
unidentified
|
Michael Bisping's good, too. | |
| Shits himself when you put him in a ring, poke him with a stick, and watch his bollocks grow. | ||
| Feel like a dogfight, Turkish. | ||
|
unidentified
|
We've lost Vinnie Magalash. | |
| Shh. | ||
|
unidentified
|
You're going to have to repeat that. | |
| He's great. | ||
|
unidentified
|
We've lost Vinnie Magalash. | |
| Well, where the fuck did you lose him to? | ||
| It ain't as if he's a fucking pair of car keys. | ||
|
unidentified
|
Hey, this fight's going on. | |
| We'll come back to this. | ||
| He's a great actor! | ||
| That's a long sketch. | ||
| We'll come back to it. | ||
| Let's watch this fight. | ||
| Oh my god, it's 40 minutes long. | ||
| The show is 40 minutes. | ||
| Lovato and Gerald Harris here. | ||
| This shit's going down. | ||
| This is an interesting fight to me. | ||
| Lovato is one of the best jujitsu guys right now in MMA. White boy out of Oklahoma. | ||
| And he can fuck dudes up standing. | ||
| And speaks Portuguese, right? | ||
| Oh, crazy flying knee. | ||
| Do you go to the ground with him? | ||
| Not a good idea. | ||
| Let's see what happens here. | ||
| He might get tied it up. | ||
| I thought Gerald retired. | ||
| He did for a bit. | ||
| But he's back. | ||
|
unidentified
|
Did he get cut from the UFC? And then signed with Bellator? | |
| I do not remember. | ||
| Lovato's got a really good guard, too. | ||
| So he's in danger right now. | ||
| Yeah, I mean, he's got his legs closed up here. | ||
| I don't know why Gerald's playing this game. | ||
| This is not a wise maneuver. | ||
| It's probably going to end right here. | ||
| Yeah, you don't realize sometimes... | ||
| Well, you know what? | ||
| His left elbow's out. | ||
| He's good. | ||
| He's safe right here. | ||
| His legs are tight around the back, though. | ||
| This is a triangle, son. | ||
| Man, if he puts in that... | ||
| If he triangles his legs, even with both arms... | ||
| Oh, there it is. | ||
| It's over. | ||
| It's done. | ||
| Oh, he's done. | ||
| It's done. | ||
| He's done. | ||
| Tapped. | ||
| Yep. | ||
| What the fuck was Gerald thinking? | ||
| That's what I'm saying. | ||
| But they don't know. | ||
| They don't know. | ||
| You don't know that you're... | ||
| This guy's level of jiu-jitsu. | ||
| They have an idea. | ||
| They think they can survive. | ||
| You can't. | ||
| He has knockouts, too, though. | ||
| He does. | ||
| His last fight. | ||
| He said he was upset. | ||
| He's kind of bummed out that he didn't get to choke him. | ||
| But he can show that he can do that, too. | ||
| But the level on the ground is so high. | ||
| When's the last time you saw this many high-level jiu-jitsu guys just submit? | ||
|
unidentified
|
Right? | |
| First round. | ||
| Boom, boom, boom, boom, boom. | ||
| Crazy. | ||
| Good on Bellator. | ||
| Now Frank just capped the night off. | ||
| Jumped a half guard, bro, like a third joke. | ||
| Imagine if he snaps Fedor's arm, too. | ||
| Shit. | ||
| Think about that shit. | ||
| The legend of Frank. | ||
| Tim Sylvia, Noguera. | ||
| What if he breaks Fedor's arm? | ||
| And we go, get the fuck out of here. | ||
| He has arguably one of the best guards in the history of the heavyweight division. | ||
| Check this out. | ||
| Not guards, right? | ||
| Yeah. | ||
|
unidentified
|
Frank? | |
| Yeah, Frank's got a wicked guard. | ||
| It is. | ||
| It is better. | ||
| But Frank's got a wicked fucking guard, man. | ||
| Look at that beautiful swim move. | ||
| Bam. | ||
| Look at his legs. | ||
| Look at how he wraps it up, too. | ||
| God damn, that's tight. | ||
| That was fucking filthy. | ||
| Beautiful. | ||
| Do you like that? | ||
| Look at the swim right here. | ||
| Boom. | ||
| Yeah, that's perfect. | ||
| Right there. | ||
| Bam. | ||
| Perfect. | ||
| Do you like this way? | ||
| I get arm bars like that all the time. | ||
| That's off an arm crush. | ||
| That's how your legs will be off of failed arm crush to the arm bar. | ||
| It's perfect. | ||
| Do you prefer it like that, or do you prefer the legs parallel? | ||
| No, no. | ||
| That's when the legs aren't perfect, meaning the ankles are crossed over the far elbow or shoulder, that's perfect. | ||
| But sometimes you just can't have it perfect. | ||
| If Gerald Harris would have had a good corkscrew, a good hitchhiker, he could have got out. | ||
| But you've got to have that in the chamber ready to go. | ||
| And you've got to rep it a couple thousand times. | ||
| That's a very technical move. | ||
| Remember when Carl Parisian fought Matt Serra? | ||
| Remember that? | ||
| And Carl Parisian, one of them almost had an arm bar. | ||
| Carl almost had Matt an arm bar. | ||
| And then Matt hit a perfect corkscrew, a hitchhiker, out of it. | ||
| So if you have those in the chamber ready to go, the legs need to be perfect. | ||
| Yeah. | ||
| That's what I was thinking. | ||
| The left shoulder had more mobility than it would if you had that leg over, but it was so tight. | ||
| Yeah. | ||
| But it's interesting how some guys, like, they get a certain way of doing it like that, and then they choose that over the other way. | ||
| They'll just decide. | ||
| No, no, he didn't. | ||
| No, not there yet. | ||
| Yeah, right there, there was no way. | ||
| If he would have tried to get it perfect first, he would have lost it. | ||
| But you know how some guys do that, though? | ||
| Some guys will choose, like, a specific way to lock up an arm bar or an arm triangle. | ||
| And it might not even be, like, the most effective, but they do it that way so much, they get it locked. | ||
| Yeah, there's so many variations that you can hit that arm bar. | ||
| You could hit it belly down, on your side, on your back. | ||
| Ideally, if you're controlling the action, you're going to get that arm bar and you're going to be on your back and he's going to be on his back in spiderweb. | ||
| If you're controlling everything but shit, if the guy's a beast and starts moving, you've got to move with him and you've got to make sure that you have the skills to get that arm bar in any of the positions in the scramble. | ||
| Do you remember when people were almost always doing the rear naked choke with the palm on the back of the head? | ||
| It was almost always. | ||
| Instead of hiding it, you're saying? | ||
| Instead of doing the karate chop way. | ||
| It was always palm to the back of the head, and then it switched, and everybody was like, oh, yeah, that's way better if you can get it in. | ||
| Well, when you have the gloves in, sometimes it's hard to get the gloves in. | ||
| Fedor Amelianenko, tracked down by FBI agents at Bellator 198. What? | ||
|
unidentified
|
They've been in and out of this hotel room for the last few days, apparently, too. | |
| What? | ||
| Because the former owner of Bellator was Michael Cohen. | ||
| What? | ||
|
unidentified
|
And there might be something up. | |
| Russian collusion. | ||
| What? | ||
|
unidentified
|
What? | |
| They could find pictures of him and Trump. | ||
| Is this real, Jamie? | ||
| Holy shit. | ||
|
unidentified
|
This is reported from here. | |
| I mean, I'm not digging into it. | ||
| That's so crazy. | ||
|
unidentified
|
A few other places had it, too. | |
| What if Trump and Fedor are colluding? | ||
| That's crazy. | ||
| Or Fedor and Putin. | ||
| Oh, they're boys. | ||
| We were saying before about Invisalign. | ||
| Invisalign does work. | ||
| It's not working on Brian. | ||
| No, he probably takes him out. | ||
| You've got to keep him in. | ||
| And once you take him out for life, you've got to sleep with the retainer in. | ||
| Oh, that's not for Brian. | ||
| Yeah, people get lazy. | ||
| I get lazy. | ||
| So you're supposed to do it every night. | ||
| If you go three or four nights without using a retainer, your teeth go back to the way they used to be. | ||
|
unidentified
|
Oh, dude, that's bullshit. | |
| Just go with the metal for like three months and lock it. | ||
| It's still the same thing. | ||
| Even when you're done with the metal ones, you still need to wear a retainer. | ||
| Oh, really? | ||
| Your teeth will go back. | ||
| It's like muscle memory. | ||
| Your teeth will go back easily. | ||
| So you've got to keep wearing a retainer. | ||
| Would you guys judge me if I got veneers? | ||
| My teeth were really fucked up. | ||
| I had some shitty-ass teeth. | ||
| Would you care, Joe? | ||
| No! | ||
| Why? | ||
| Do you really want to get them? | ||
| I don't know. | ||
| My bottom ones are like a fucking city skyline, man. | ||
| I know a girl got them, and she was saying, she's an actress, and she was saying it was really freaky when they were sawing her teeth down. | ||
| Like, she got to look at them before they put the caps on. | ||
| It was like, yikes. | ||
| Nightmare. | ||
| What have you done to my teeth? | ||
| There's no going back now. | ||
| You gotta put those caps on. | ||
| They saw your fucking teeth down to nubs. | ||
| I'm trying to step my game up, man. | ||
| You look great. | ||
| No, you don't need them. | ||
| There's so much coffee, my teeth look like corn nuts. | ||
| Just whiten them. | ||
| Just whiten your teeth. | ||
| There is a problem in trying too hard. | ||
| There's a problem with veneers. | ||
| Like, how much are you trying? | ||
| You think you're trying too hard. | ||
| That's not good. | ||
| That's true. | ||
| That's not good. | ||
| Let's watch that Snatchy. | ||
|
unidentified
|
That's true. | |
| Yeah. | ||
| Let's watch that. | ||
| Lovato, son. | ||
| So far, jiu-jitsu kicking ass in Bellator. | ||
| That's what it was designed for tonight, man. | ||
| His jiu-jitsu is just crushing. | ||
| You know, his strain partner is Justin Redd. | ||
|
unidentified
|
Yeah. | |
| Yeah, they're boys. | ||
| They're close. | ||
| Yeah, Justin went down there to tighten up his game, and he hit some submissions now. | ||
| He hit an arm triangle in one of his fights. | ||
|
unidentified
|
Yeah. | |
| That's always been his thing. | ||
| Arm training has always been Justin's thing. | ||
| He's in Africa right now. | ||
| He's climbing the tallest mountain. | ||
|
unidentified
|
Look at this. | |
| Look at the swim. | ||
| Saving kids water. | ||
| From here, going belly down. | ||
| Gets that arm. | ||
| Gets that wrist. | ||
| Locks that leg over. | ||
| Boom. | ||
| Super nasty. | ||
| The hips. | ||
|
unidentified
|
Man, if we had Matt here, we could have went over that course. | |
| Woulda, shoulda, coulda. | ||
| But we have room. | ||
| There's plenty of room. | ||
|
unidentified
|
Hell yeah. | |
| It's perfect. | ||
| We could have set up another camera right away, right? | ||
| So many activities. | ||
|
unidentified
|
Oh, you know what? | |
| I think maybe the best thing would be probably because it's jiu-jitsu and you need to get good angles. | ||
| Two guys do the techniques and the third guy coaches it up. | ||
|
unidentified
|
Oh, okay. | |
| Or not coaches it up, but follows with a remote camera. | ||
| You know if Calvin's here, we're not getting any of that done. | ||
| He's just going to be fucking messing around. | ||
| What if I do this? | ||
| He got a blue belt, right? | ||
| What if I do this? | ||
| Calum has a blue belt and he wrestled in high school, right? | ||
| Does he have a blue belt? | ||
| I think so. | ||
| He got his blue belt from Henzo. | ||
| That's what he says. | ||
| You wouldn't lie about a blue belt. | ||
| We'd have to ask Henzo. | ||
| I remember a long time ago he told me that. | ||
| Yeah. | ||
| I believe he's a blue belt. | ||
| Yeah. | ||
| I've seen him roll. | ||
| We used to do Carlson Gracie's together. | ||
| I've seen him roll. | ||
| When I first met him. | ||
| No, he's definitely a blue belt. | ||
| I've seen him roll. | ||
| Those little sketches he does on Instagram with... | ||
| The two phones? | ||
| Like an iPad beside his head? | ||
| No, and that other comedian, D'Elia. | ||
| Oh, yeah, yeah. | ||
| Dude, those guys are fucking hilarious, man. | ||
| Where D'Elia, that's his name, right? | ||
| Yeah, Chris D'Elia. | ||
| That guy's basically acting like Brian Callen. | ||
| And Brian, you know, he's like super confident. | ||
| Like they did that one bit... | ||
| I think this... | ||
| Yeah, I've seen this one. | ||
| This is a good one. | ||
| Yeah, they're both in Denver right now. | ||
|
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|
Bri, baby, my main man. | |
| Bri, baby, my main man. | ||
| I got a question for you. | ||
|
unidentified
|
I know you're in Denver. | |
| Well, the outskirts of Denver. | ||
| No, I'm in Denver. | ||
| I'm in downtown. | ||
|
unidentified
|
I don't know how much city folk would like your comedy, although maybe they do. | |
| I'm sold out. | ||
|
unidentified
|
You're doing a show. | |
| He knows that. | ||
| He knows that. | ||
|
unidentified
|
I'm doing a show. | |
| I'm wondering if there's anything I can do to help you out to sell some tickets. | ||
| Because I'm doing a show. | ||
| I'm doing two shows. | ||
| Okay, congrats. | ||
| My venue is... | ||
| Look at his neck. | ||
| 1,500 cents. | ||
| So that's roughly 4,000 cents. | ||
| What are you, a cobra? | ||
| Look, he's a cobra. | ||
| I'll punch your cobra face. | ||
| I'll flatten your nose and I'm gonna do that. | ||
| I'm gonna turn you into a cobra. | ||
| You'll have a face as flat as a cobra. | ||
|
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|
That's what's gonna happen. | |
| I'll flatten his cobra face. | ||
| Callan has a hilarious Instagram. | ||
| Yo, Callan's show got picked up. | ||
| Yeah, that's awesome. | ||
| Wasn't he already on a show? | ||
| He is. | ||
| He's the coach on Goldberg. | ||
| But he's got his own show now. | ||
| He has his own spin-off. | ||
| He's the star. | ||
| He's still the coach? | ||
| Yeah, same character. | ||
| So now the premise is in the 90s. | ||
| He's like Better Call Saul, huh? | ||
| Yeah. | ||
| That's awesome, man. | ||
| Big time. | ||
| Super happy for him. | ||
| What's happening here? | ||
| What fight is next? | ||
| Main event? | ||
| Oh, is it? | ||
| Yeah, that's the main event. | ||
| Is this it right now? | ||
| Should be. | ||
| Oh, shit. | ||
| That was quick! | ||
| Yeah. | ||
| Well, it's been all first-round submissions. | ||
| It's an hour and a half. | ||
| There's still one more. | ||
| There's Emmanuel Sanchez versus Sam Sicily. | ||
| Oh, that's right. | ||
| That was the catch. | ||
| Just in case. | ||
| Hey, man. | ||
| This is a good card. | ||
| This is a good card. | ||
| Like, we're entertained. | ||
| It's a bunch of mismatches, for sure. | ||
| A little bit. | ||
| It's good entertaining matchmaking. | ||
| Jiu-jitsu. | ||
| This is a seminar for a jiu-jitsu class. | ||
| Like Dylan Dennis said, this is a seminar. | ||
| I saw a terrible video of this jiu-jitsu guy trying to take down this guy with a gun, and the guy shot him, and then got off him and shot him twice in the head at close range. | ||
| I was like, Why were you watching that, Joe? | ||
| Exactly. | ||
| Why was I watching that? | ||
| Dude, have you seen that crazy video? | ||
| The crazy, crazy one? | ||
| Which one? | ||
| Oh, the crazy, crazy one. | ||
| If it's crazy to Eddie, I'm fucking... | ||
| Crazy, crazy? | ||
| Crazy, crazy, crazy or crazy, crazy? | ||
| The cartel killing of a cop. | ||
| Oh, I can't watch those. | ||
| Did you watch that? | ||
| No, I can't watch those. | ||
| Dude, on video. | ||
| I mean, they record it on their phone. | ||
| They basically slice the skin off on a dead person. | ||
| There's already a dead person there. | ||
|
unidentified
|
Okay. | |
| A cop. | ||
| And they slice his skin all the way. | ||
| They skin him alive, pull out his heart, cut his heart out, show it to him, show it to the camera, and warn anybody, it's fucking dumb. | ||
| It's the darkest thing I've ever seen. | ||
| I can't watch that shit. | ||
| The only thing worse would be watching that happen to a baby or something. | ||
| I can't watch that stuff. | ||
| It's floating around. | ||
| It's crazy to know that that's happening somewhere in the world. | ||
| It's right two hours away. | ||
| It's right there on the border of California. | ||
| It's happening because of organized crime. | ||
| And that organized crime is, they're surviving and thriving because drugs are illegal. | ||
| And they got everyone paid off. | ||
| Have you seen that documentary Cartel Land? | ||
| Yes. | ||
| Jesus Christ. | ||
| You know the best part of that? | ||
| That one guy who's like kind of, he's going against the cartel and he gets his dick sucked by his mistress and he goes, bueno, bueno. | ||
| You know what I'm talking about? | ||
|
unidentified
|
Yeah. | |
| That's the best part, bro. | ||
| You know what's funny is halfway through that documentary, it looks like everyone being armed is the solution. | ||
| So halfway through the documentary, I'm already texting people going, shit, you gotta watch this. | ||
| Look what happens when everyone has machine guns. | ||
| But then it slowly goes south. | ||
| Have you seen it, Joe? | ||
| No. | ||
| Like the main star. | ||
| You haven't seen it? | ||
| Cartel Land? | ||
| No. | ||
| The main star of it. | ||
| He's like fighting back against the cartel. | ||
| He's married. | ||
| He forgets he's mic'd up. | ||
| Sees his mistress. | ||
| And there's subtext. | ||
| He's getting his dick sucked. | ||
| And you see the subtext. | ||
| Bueno, bueno. | ||
| Then he comes out. | ||
| He's like, everyone good? | ||
| Let's do it. | ||
| Ah, bueno. | ||
| That's hilarious. | ||
| He was a hero. | ||
| And he had a lot of groupies. | ||
| And he forgot they were filming everything. | ||
| And he was mic'd. | ||
| And he had a lot of groupies. | ||
|
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|
And he would jump on them. | |
| That's hilarious. | ||
| I need to see that. | ||
| I was telling you about American Made. | ||
| The Barry Seals movie with Tom Cruise. | ||
| Another badass Tom Cruise movie. | ||
| I haven't seen that. | ||
| He's on the airplanes. | ||
| He's jumping around. | ||
| Dude, it's good, man. | ||
| It's a really good movie. | ||
| It's a good movie. | ||
| Look, I know a lot of the Barry Seals story, and they covered a lot of it. | ||
| You can only cover so much of it in a 90-minute movie, but... | ||
| Look, I mean, they did not pull any punches. | ||
| They made it look like Bill Clinton got him off. | ||
| Bill Clinton called the prosecutor. | ||
| They caught him with millions of dollars in cocaine and money. | ||
| Did they say why? | ||
| Bill Clinton? | ||
| Nope. | ||
| They have her on the phone with Bill Clinton. | ||
| Bill Clinton, like, he's telling her, I'm going to walk. | ||
| Whether or not he said that, I don't know, because he's dead. | ||
| No one knows, right? | ||
| And he's telling her, trust me, I'm going to walk right out of here. | ||
| And they're all laughing at him. | ||
| And she's like, you're not going to walk anyway. | ||
| And they're like, Mrs. Prosecutor, Bill Clinton's on the phone. | ||
| And it's Governor Clinton, yes. | ||
| And you see her just get pissed off. | ||
| Next thing you know, they're uncuffing him, and he's leaving. | ||
| So they're letting you know that Bill Clinton... | ||
| The only way you could put that in a movie is there has to be some truth to him. | ||
| There's got to be some sort of a documented record of him making that call. | ||
| He made that call. | ||
| He had to have made that call. | ||
| Otherwise defamation of character, right? | ||
| Of course. | ||
| It's Bill Clinton. | ||
| And he is the governor. | ||
| So there's probably a record of him saying, let that guy go. | ||
| And so the reason they think is because in the film, this is what they're saying, is that he was tied in with the CIA. And somehow or another, through the CIA using him for reconnaissance photos and stuff like that, and he eventually got hooked up with these drug dealers and started selling drugs, the CIA was in on it. | ||
| And they were allowing him to do it. | ||
| And he was getting them photographs, And intel from all these different drug places. | ||
| And in return, they were letting him do whatever he did and taking a piece of it, probably. | ||
| Did they mention Mena, Arkansas? | ||
| Yeah. | ||
| Yeah, they mentioned all the... | ||
| I mean, that's where Bill Clinton was the governor of. | ||
| They only found out about all this stuff because two kids were killed. | ||
| They were murdered. | ||
| And they told the parents that the kids had gotten high and fell asleep on the train tracks. | ||
| But the parents did an independent autopsy and found stab wounds in the kids. | ||
|
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|
Jesus. | |
| So they're like, oh Jesus, what the fuck happened here? | ||
| And then slowly but surely the whole thing unravels. | ||
| They witnessed a drug drop. | ||
| Yeah. | ||
| And they couldn't have any witnesses. | ||
| Dude, they made Mina look like it was lit. | ||
| It's a big case. | ||
| You can go to YouTube and just punch in CIA, Mina, Arkansas, cocaine. | ||
| Boom. | ||
| And you get the whole... | ||
| It's a serious... | ||
| So who killed those two kids? | ||
| We don't know. | ||
| We don't know. | ||
| Somebody was in on it. | ||
| They assume the CIA? The kids must have seen the drugs be dropped, and whoever was selling the drugs, moving the drugs, they just decided to kill these kids. | ||
| Because they couldn't take a chance, the kids keeping their mouths shut. | ||
| So they killed them. | ||
| And apparently that was just one thing, though. | ||
| In the movie, the way they have it made up is that that was just one thing, this sort of straw that broke the camel's back. | ||
| They don't even have that. | ||
| I don't even remember if they had that in the movie. | ||
| The kids? | ||
| Did they have that in the movie, the murder? | ||
| They didn't have the murder of the kids. | ||
| No, they didn't. | ||
| But what they did have is these people were, I mean, everybody was rich. | ||
| They were all coming in and buying things, and everyone was like, where the fuck is all this money coming from? | ||
| Who was rich? | ||
| The people that were working with Barry Seals. | ||
| Okay. | ||
| Like his brother-in-law, like his wife's brother. | ||
| Apparently, I don't know if that was a real person, but in the movie, he's balling out of control, and he's got some fucking ridiculous souped-up car, and he's got money coming out of his pockets, and he's stuffing his pockets, and he gets caught by a cop. | ||
| You know, and I don't know if that happened in real life, but in the movie, they made it seem like everybody was just, there was so much money flowing around, it didn't make any sense. | ||
| They were burying it in his backyard. | ||
| When they busted him, it was like, in the movie, now, again, I don't know if this was real. | ||
| Because, you know what fucked me up, man? | ||
| That Mark Schultz movie. | ||
| The Mark Schultz movie? | ||
|
unidentified
|
Yes. | |
| Because I know Mark Schultz fought one time in the UFC because I watched it. | ||
| He fought Big Daddy Goodrich. | ||
| He took Big Daddy Goodrich down and beat the shit out of him. | ||
| And they didn't use Big Daddy. | ||
| No, not only did they use Big Daddy in the movie, he's fighting some Russian dude. | ||
| Some random dude. | ||
| Some white guy. | ||
| He's fighting a white guy. | ||
| It's not a historical movie. | ||
| Also, Schultz had, there's no gay relationship there. | ||
| That's the other thing. | ||
| He's like, what the fuck was that about, man? | ||
| They bleached his hair and made him look like he was hanging out with the fox catcher. | ||
| And like him and the coach were like into each other? | ||
| That was weird, man. | ||
| Yeah, it was fucking weird, man. | ||
| That's that Hollywood shit, though. | ||
| Yeah, Mark Schultz told me that that movie's full of shit. | ||
| Well, it's 100% full of shit. | ||
| He's super upset about it, too. | ||
| Because he doesn't fight Gary Goodrich at the end. | ||
| Why would you change history? | ||
| Like, this is what we're talking about before, about people jizzing the soup? | ||
| No fucking way! | ||
| No fucking way! | ||
| How easy is it to check? | ||
| Because I can't trust anything. | ||
| I can't trust anything in a movie. | ||
| Hollywood doesn't know fighting, though. | ||
| The movie was great. | ||
| Steve Carell is fucking amazing. | ||
| He has a nose on him. | ||
| He's amazing. | ||
| But I know what really happened. | ||
| I know that he fought Big Daddy Goodrich. | ||
| Why isn't he fighting Big Daddy Goodrich in your fucking movie? | ||
| You don't think they overlooked it? | ||
| You can't overlook that. | ||
| They don't know shit. | ||
| He only fought once. | ||
| It's a part of the movie. | ||
| I hear you, man. | ||
| It's a very important part of his life. | ||
| It's really easy. | ||
| Just get a black guy. | ||
| So what do they do? | ||
| Maybe Gary did sign off on his likeness or name? | ||
| He doesn't have to. | ||
| He doesn't have to. | ||
| It's history. | ||
| There's a reality to it. | ||
| You don't have to have him say his name. | ||
| You show Big Daddy Goodrich across from him. | ||
| You show him. | ||
| You have Mark Schultz. | ||
| You just cut into it right when they're introducing him. | ||
| And then have the guy and, you know, have him wear the gi, just like Big Daddy Goodrich had a gi on. | ||
| This guy didn't have a gi on. | ||
| This is stupid. | ||
| You can't change history. | ||
| This is a real historical moment. | ||
| It was a moment when one of the best wrestlers on the fucking planet Earth, a legit, super high-level Olympian, fought in the UFC. And he only fought once. | ||
| And you got to see how easy he took an elite MMA fighter down and just dominated him. | ||
| That was an important historical moment in MMA. It's a strange thing. | ||
| They missed it. | ||
| Changing who breaks Jackie Robinson's record or Babe Ruth's record or Mickey Mantle. | ||
| For sure. | ||
| You're changing history. | ||
| You could never do that with baseball. | ||
| Nobody would let you... | ||
| But you don't think because those are major sports and a lot of people would know that with MMA, they're just like, ah, whatever, man. | ||
| They might have done that, but that makes me not trust everything else in the movie. | ||
| Because if you did that with a very important point... | ||
| That's a very important point, because Big Daddy Goodrich is a legend. | ||
| The Paul Herrera knockout, when Paul Herrera had him at fireman's carry, and he hit him with all those elbows. | ||
| That's probably the most brutal KO in MMA history. | ||
| It's one of them. | ||
| It's certainly, certainly one of them. | ||
| I mean, that was a terrifying, terrifying KO. How easy is that for them to fix, too, if you just put some sort of reference to Gary Goodrich? | ||
| Dude, Big Daddy Goodrich, he head-kicked Don Frye. | ||
| Remember that? | ||
| He's a monster, man. | ||
| He neck-kicked him and KO'd him? | ||
| You know, Big Daddy Goodrich is an important historical figure in MMA. You can't just change the name of the guy Mark Schultz fights. | ||
| Good movie, though. | ||
| I lost faith in Based on a True Story movies when The Dragon came out, the Bruce Lee movie by Jason Scott. | ||
| He played Bruce Lee. | ||
| And there was so much bullshit in there. | ||
| Oh, my God. | ||
| It was filled with bullshit. | ||
| In the movie, he had a real fight at the Long Beach Arena. | ||
| In reality, he was just doing demonstrations, but in the movie, they had him. | ||
| He didn't have a real fight there? | ||
| He didn't have a real fight there. | ||
| And in the movie, during the fight, his opponent broke his back with a sidekick. | ||
| Yeah, I remember that. | ||
| And in the movie, he was in the hospital. | ||
| That was heartbreaking. | ||
| In reality, he fucked his back up lifting weights. | ||
| He was lifting weights. | ||
| He never broke his back in that fight? | ||
| No. | ||
| He never had a fight. | ||
| I love Bruce Lee to death, but he never had a professional fight. | ||
| Ever. | ||
| Ever, right? | ||
| Ever. | ||
| Not one fight. | ||
| Never. | ||
| No, I don't think he ever competed. | ||
| I don't think he had an amateur fight either. | ||
| Yeah, I mean, he fought. | ||
| On the streets. | ||
| Yeah, on the streets. | ||
| And he fought in the YMCA for the right to teach non-Asians Kung Fu in San Francisco. | ||
| Well, that'd be a fight, though, right? | ||
| Yeah, he had real fights. | ||
| He was a real fighter, but he didn't have a real professional fight. | ||
| Yeah. | ||
| He didn't have anything like that. | ||
| He broke his back lifting weights, not in a professional fight. | ||
| Damn, how many weights was he lifting? | ||
| When I saw that, I thought, okay, I can't trust any Hollywood movies now. | ||
| Based on a true story, it's a little bit true. | ||
| They've got to paint a narrative a little bit. | ||
| No. | ||
| No. | ||
| Well, no, you can't change. | ||
|
unidentified
|
It's not a documentary. | |
| No, no, no, no, no. | ||
| Now it's inspired by true events. | ||
|
unidentified
|
Inspired. | |
| See, I dig that shit. | ||
| You can't add stuff. | ||
| You can't add stuff. | ||
| You can't add a gay relationship. | ||
| You can't add a karate kick to the back that fucks you up and puts you in the hospital. | ||
| You can't add that. | ||
| Oh, and in reality, he had to fight. | ||
| If he beat this guy at a YMCA... He had the right to teach non-Asians, because that was an issue back then. | ||
| It was in the 60s. | ||
| Yeah, they were like, why are you teaching Americans or shit? | ||
| And he was like, I'll teach anybody the fuck I want. | ||
| So he had a fight at a YMCA. In the movie, in the movie, it was in an underground cavern with elders in these little spots. | ||
| Yeah, and he scratched his chest. | ||
| Did he scratch his chest, though? | ||
| And then the guy fucked his back up again. | ||
| Yes, he kicks him. | ||
| Yes, but it was in a weird Illuminati cave. | ||
| I love that part, though. | ||
| I hate when they do that. | ||
| Yeah, it was all bullshit. | ||
| It was a great movie, though. | ||
|
unidentified
|
It was a great movie. | |
| You can't do that about a real person. | ||
| Watch a documentary, you fucks. | ||
| That's like when Abraham Lincoln fought the vampires, it was obvious it wasn't real. | ||
| That's a good-ass movie. | ||
|
unidentified
|
That... | |
| That's a good movie though, man. | ||
| That was a crazy ass movie. | ||
| What if that was real? | ||
| What if it was real? | ||
| Hey, we don't know. | ||
| Maybe he killed them all and that's why we could sleep good at night. | ||
| That movie's so underrated. | ||
| We do know a lot of people out there are drinking baby blood. | ||
| Maybe after a while you turn into like a vampire kind of person. | ||
| Can you imagine if vampires were something you really had to worry about? | ||
| Oh my god. | ||
| They might be out there. | ||
| They might be out there. | ||
| We're so Imagine if there was dudes out there sucking people's blood and a bunch of people found with their jugular veins tapped into by those two prongs. | ||
| Isn't it weird that it's kind of romantic? | ||
| Chicks think that's romantic. | ||
| You bite a girl's neck. | ||
| True blood. | ||
| But you know why? | ||
| Because the guy loves you so much. | ||
| You love him so much, you're willing to be the undead. | ||
| And live for eternity. | ||
| Go for eternity. | ||
| The best one ever by fucking Twilight. | ||
| Gary Oldman and Winona Ryder. | ||
| Bram Stoker's Dracula. | ||
|
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|
It is fucking fantastic. | |
| I made a music video out of that one. | ||
| Interview with the Vampire is fucking good, too. | ||
| That's very good, but it's a different vampire. | ||
| Brad Pitt, Tom Cruise. | ||
| Yeah. | ||
| Dude, Tom Cruise killed it in that, too. | ||
| Killed in that too. | ||
| He was really good in that with that little girl. | ||
| That little girl was a beast. | ||
| That was fucked up. | ||
| That little girl's... | ||
| Kristen Dunst. | ||
| Yes, she was in Spider-Man. | ||
| Amazing. | ||
| She's amazing. | ||
| In that movie, she's fucking fantastic. | ||
| She's like 10 and she's killing it as a little vampire. | ||
| That's terrifying too because you believe it. | ||
| I know. | ||
| And she would dress those people up after they were dead and people were like, what the fuck? | ||
| You killed them? | ||
| And even Top Cruise was like, you gotta chill out. | ||
| She was killing it. | ||
| Couldn't help it. | ||
| She'd kill everybody. | ||
| I want to see that now. | ||
| Fuck yeah, I want to see that. | ||
| I want to order a large pizza and watch that. | ||
| She might have been the scariest vampire ever. | ||
| That little girl. | ||
| She's up there. | ||
| She's up there, right? | ||
| Because she's so fucking cute and so vicious because she was like 300 years old, but she was 10. You know who's not a bad vampire is Colin Farrell in Night of the Living Dead. | ||
| Not bad at all. | ||
| Not bad. | ||
| Not bad. | ||
| It's not Night of the Living Dead. | ||
| I know what you're talking about. | ||
| It's the newest one. | ||
| Yeah. | ||
| The kid who died. | ||
| What is it called? | ||
| The fuck is it called? | ||
| It's not Night of the Living Dead. | ||
|
unidentified
|
Is that Night of the Living Dead? | |
| I don't think so. | ||
| No. | ||
| From Dust Till Dawn? | ||
| No, that was good, too. | ||
|
unidentified
|
Fright Night? | |
| Fright Night! | ||
| That's it. | ||
| That's it. | ||
| Fright Night. | ||
| Dust Till Dawn's good. | ||
| Dude, how many vampire movies have there been? | ||
| I watch them all. | ||
|
unidentified
|
Holy shit. | |
| I watch them all. | ||
| They really want to push those things. | ||
| I love them. | ||
| Jesus Christ. | ||
| The Twilight one's the most ridiculous. | ||
|
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|
What's up with vampires? | |
| They could live in the Seattle area because it never was sunny. | ||
| That's some bullshit. | ||
| They have the makeup on. | ||
| They don't burn when the sun hits them. | ||
| Blade? | ||
| That was a vampire movie, right? | ||
| Blade's a fucking good one. | ||
| That's a good one. | ||
| No, Colin Farrell was a beast in that. | ||
| That's a good movie. | ||
| There's probably more vampire movies than space movies. | ||
| No. | ||
| No? | ||
| No, I think there are. | ||
| No, no, no. | ||
| I think it's just this year alone. | ||
| Star Wars, Aliens, Star Trek. | ||
| You can just keep going on. | ||
| Event Horizon. | ||
| Gravity. | ||
| You can keep going on and on and on. | ||
| All the aliens. | ||
| I disagree, homeboy. | ||
| You're on for this. | ||
| Disagree. | ||
| Hey, have you guys seen Lost in Space on Netflix? | ||
| Have you heard anything about it? | ||
| No, any good. | ||
| Do you hear anything about that, Jamie? | ||
| Lost in Space? | ||
| Supposed to be any good? | ||
|
unidentified
|
The trailer looked good. | |
| I didn't hear good reviews, though. | ||
|
unidentified
|
Oh. | |
| I know they got a new show they're doing with that chick from Battlestar Galactica. | ||
| Katie, how do you say her name, Sackhoff? | ||
| She's badass. | ||
| Did you ever see Battlestar Galactica, the sci-fi version? | ||
| No, wasn't Battlestar Galactica with John Travolta the worst movie of all time? | ||
| No, no, no, Battlefield Earth. | ||
| There you go. | ||
| Yeah, you're fucking up today with the names. | ||
| I'm fucking up. | ||
| Trump gave NASA a whole shitload of money, like $19 billion, and said, okay, here's the money, but we're going to the fucking moon. | ||
| Let's go to the moon. | ||
| So they started a campaign to go to the moon, and they just canceled the mission. | ||
|
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Why? | |
| No, no, no, no. | ||
| They didn't cancel the mission. | ||
| They canceled the moon rover. | ||
| Yes, that's what I'm talking about. | ||
| They canceled the construction of the moon rover, and everybody's confused. | ||
| They don't know how they did that, because this is like the last moon rover that they had. | ||
| Unless they have some new top-secret moon rover that they don't want to let anybody know about. | ||
| Maybe they found some new cool shit. | ||
| Maybe. | ||
| Probably. | ||
| Yeah. | ||
| Maybe they can't go. | ||
| Imagine if we really did. | ||
| Trump said, let's go. | ||
| And they're like, okay, give us the money. | ||
| Let's figure it out. | ||
| Okay, we'll figure it out. | ||
| We got 19 billion. | ||
| Imagine if we really did find out. | ||
| Nobody else is working on it, putting a rover on the moon. | ||
| And NASA wasn't either until Trump said, here's the money, let's go to the fucking moon, and then we're going to Mars. | ||
| Can you imagine if Trump goes on TV and says, there's a lot of things to talk about? | ||
| One of them is, it's a terrible tragedy. | ||
| We've never been in the moon, ladies and gentlemen. | ||
| I feel like that's some shit he would do. | ||
| If he found out, he doesn't know. | ||
| He doesn't know. | ||
| How do you know he doesn't let him know? | ||
| He's too busy with... | ||
| He's friends with Alex Jones. | ||
| They don't really talk that much. | ||
| Because they can't. | ||
| They can't. | ||
| Everywhere they go, they're wearing wires. | ||
| Everyone's wearing a wire. | ||
| Their phones are being tapped. | ||
| You know who QAnon is? | ||
| QAnon? | ||
| I've heard about that. | ||
| It's crazy shit, dude. | ||
| What is it? | ||
| QAnon is someone in the Trump administration, people think it's someone in intelligence, in the military, who's dropping all these clues on 4chan and 8chan. | ||
| So the whole thing is, is it real? | ||
| Is it disinformation? | ||
| Is someone playing a trick? | ||
| But he legally can't say what's going on behind the scenes. | ||
| Another leg lock. | ||
| Look at this. | ||
| He legally can't say. | ||
| Because it's against the law. | ||
| So he's dropping all these clues. | ||
| And it's someone named Q Anon. | ||
| And it's been going on for about three months. | ||
| And there's all these people in the underground. | ||
| Basically, he's saying, trust the president. | ||
| It's going to take a while to take down all these corrupt people. | ||
| People at the top of the FBI and the Department of Justice and all this shit. | ||
| We're gonna take him down one by one. | ||
| So he's been dropping all these clues on how they're gonna do it. | ||
| It's pretty interesting. | ||
| You listen to it every day, his drops every day, and it's like it gets addicting. | ||
| But you don't know if it's real or not. | ||
| Is it disinformation? | ||
| It's called QAnon. | ||
| And he makes drops every day and leaves all these clues of what's going on behind the scenes. | ||
| But no one can trace back to find out who he is or anything like that? | ||
| I think on 4chan or 8chan, hackers know how to drop information without being tracked, right? | ||
| Oh, for sure. | ||
| Right? | ||
| That's what's going on. | ||
| Have you heard of QAnon? | ||
| I know you have, right? | ||
| Yeah, there's a bunch of posts about it, but again, who knows if it's real or not? | ||
| Yeah, but the people that... | ||
| I mean, there's a guy named Jerome Corsi who works for Alex Jones. | ||
| That's his job, is to analyze all these clues of what's going on, what Trump is doing behind the scenes, because he's got the media... | ||
| The entire media, Hollywood, FBI, and what they're finding out is they're finding text messages and emails going back and forth between key people running the government, colluding to destroy Trump. | ||
| That's what's going on. | ||
| Well, for sure, they don't want him around. | ||
| None of those people that have been in politics, established politics forever... | ||
| They didn't think he was going to win, so they did all this shit thinking Hillary was going to win, but now that he won, they're going back and looking at all the text messages from all these super powerful people. | ||
| People are resigning. | ||
| It's crazy shit going on, and most people don't know. | ||
| It's like Game of Thrones for real. | ||
| You know how Game of Thrones has like 50 characters, and it would take you about a month to catch up on what's going on. | ||
| There's just so much going on. | ||
| That's what's going on. | ||
| There's Game of Thrones going on right now, but the media is only going to tell you their side, and then QAnon is dropping the behind-the-scenes clues. | ||
| It's pretty fascinating. | ||
| There's a scanning arm triangle here. | ||
| Another submission. | ||
| This is interesting. | ||
| This is over. | ||
| 100% it's over. | ||
| 100% it's over. | ||
|
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100%. | |
| Is he talking to the camera? | ||
| Oh, go back to the camera. | ||
| He's talking to it. | ||
| He should jump to full guard. | ||
| He should jump to full guard. | ||
| Why do you think this is definitely done? | ||
| It's so deep and the guy's not doing anything with his left hand. | ||
| Well, he wasn't. | ||
| If he just jumps full guard, it's over. | ||
|
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Oh, he's in trouble. | |
| He goes down. | ||
| There you go. | ||
| Okay, it's over now. | ||
| No way he's going to survive. | ||
| No way. | ||
| Damn, any problem will call that shit. | ||
| Four submissions. | ||
| Arm triangle and full guard is death. | ||
| And how about the arm triangle from standing position drags him to the ground and punishes it. | ||
| That was sick. | ||
| That happens every now and then. | ||
| You see it every now and then. | ||
| It's rare you see it. | ||
| But you got to... | ||
| You gotta be tapping people so much with your arm triangle, you have so much faith in it, and it's gotta be your go-to to take a chance like that. | ||
| If it's not your go-to, that's why you don't really see it, because there's not that many fighters overall in MMA that are known for amazing arm triangles. | ||
| It's kind of popular. | ||
| It is probably, you know, I would say 25% of MMA fighters have high-level arm triangles. | ||
| I would say maybe that's a little high, but, you know, about 20-25%. | ||
| Well, what he did there that was like special was get sideways. | ||
| He was doing like a rear naked choke from the side. | ||
| Is that a Brazilian? | ||
| Or a Mexican? | ||
| What is his name, Jamie? | ||
| They fought Sam Cecilia? | ||
| He pointed to the Brazil flag on shorts. | ||
| This is dope. | ||
| Look at how he clamps his shit down. | ||
| Very interesting. | ||
| Very interesting. | ||
| Because look how tight he gets it, man. | ||
| He gets it super tight. | ||
|
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|
Emmanuel Sanchez. | |
| Emmanuel Sanchez. | ||
| That's Mexican. | ||
| Hell yeah! | ||
| Hey, Mexicans, they got heart. | ||
| Dude, this is phenomenal. | ||
| You know who needs to make a comeback? | ||
| Phenomenal. | ||
| Once he goes to full guard, look at this. | ||
| See what he's doing with his left hand? | ||
| He's not really protecting anything, so that shows me that he kind of doesn't know how to get out of it. | ||
|
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|
Wow. | |
| Super snuggie. | ||
| That's amazing. | ||
| The Mexican that we need to come back is Yair Rodriguez. | ||
| Well, they offered Yair Rodriguez a beat. | ||
| Correct. | ||
| Magomed Sharapov. | ||
| Yair actually came into my gym last week, a couple days. | ||
| Yair did? | ||
| Yep. | ||
| He came in with Kelvin. | ||
| They've been hanging out. | ||
| He's phenomenal, man. | ||
| Phenomenal. | ||
| You don't want to see him versus Zabit? | ||
| No. | ||
| Why not? | ||
| That would be amazing. | ||
|
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Are you crazy? | |
| Hold, hold. | ||
| You don't want someone to lose. | ||
|
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|
No, hold on. | |
| Amazing fight. | ||
| Yair just fought Frankie Edgar. | ||
| Well, his last fight was Frankie. | ||
| It lost, right? | ||
| Got dismantled. | ||
| Right. | ||
| So you're going to toss him fucking Zabit, who could probably beat the top five right now? | ||
| Why not? | ||
| Why not? | ||
| Who wouldn't want to see that? | ||
| We do, but if you care about Yair, the hardcore knows Zabit, but he's not a huge name. | ||
| So for Yair, it's a huge risk. | ||
| So you think Zabit beats Yair? | ||
| You think he beats him? | ||
| It's a tough fucking fight for him, man. | ||
| After Frankie Edgar? | ||
| Right. | ||
| True. | ||
| Do you want to build a star or not? | ||
| Different fight. | ||
| Tough fight. | ||
| I'd like to see it because Yair, in my opinion, has the most dynamic stand-up in all of MMA. Because he throws so much crazy shit. | ||
| He's throwing the wild shit. | ||
| I love that shit. | ||
| So does Zabit. | ||
| That's why I want to see it. | ||
| I want to see it look like a Jackie Chan fight. | ||
| Zabit, he's got a bunch of really solid fundamental movements. | ||
| When he lands, he'll throw something, and even if he's off, he'll shuffle and adjust and always be in perfect position. | ||
| He's really good at throwing kicks and throwing punches or elbows or knees, anything he does. | ||
| He hits you, and then boom, he's in perfect position. | ||
| He doesn't have any holes. | ||
| Yeah, you've never seen him stumble or look weird. | ||
| He's never off balance. | ||
| He's on the same team as Khabib? | ||
| No. | ||
| No, he's a Mark Henry guy. | ||
| He's a Mark Henry guy in New Jersey. | ||
| Mark Henry told me about him. | ||
|
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So they're not friends? | |
| They're kind of friends. | ||
| They're friends. | ||
| They're all from Dagestan. | ||
| Okay. | ||
| From the same place. | ||
| Maybe they came up together in the same club, right? | ||
| Dagestan's pretty big. | ||
| Because I see that Khabib is always retweeting. | ||
| Retweeting. | ||
| Retweeting. | ||
| Well, they're from the motherland. | ||
| But Zabid is a very different game. | ||
| I mean, he's not a wrestler per se. | ||
| He's got really good jiu-jitsu. | ||
| He's got very good everything. | ||
| He's got all games. | ||
| He's good at everything. | ||
| So if you're Yair and you're a young kid, you just got your ass whipped by Frankie. | ||
| Obviously taking a year off. | ||
| He's trying to figure things out. | ||
| And you're going to fight Zabit, who I think could hang with the top five right now. | ||
| You want to fight him right now when he's ranked, what, maybe 14th, 13th? | ||
| If you're going to fight him, let him fight when he's like 5, 3, 2, or when he's the champ. | ||
| Not now. | ||
| I know Zabit's people wanted that fight. | ||
| I don't know if they made that fight, though. | ||
| They didn't, because I know Yair's agent. | ||
| Congrats on a great win, Zebi. | ||
| It'll be an honor to fight you one day. | ||
| We'll have to meet each other in the top ten, which I know you'll make quickly in my next fight coming up, so stay tuned. | ||
| I know Yair's agent really well. | ||
| There's no way they'd take that fight. | ||
| So you think that's what it is? | ||
| You think they made a conscious decision? | ||
| Now's not the right time to fight him. | ||
| Wait till he's top 10. He should be top 10 already, right? | ||
|
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He should be. | |
| In my opinion. | ||
| Yeah. | ||
| In my opinion, yeah. | ||
| I watched him against Bokniak. | ||
| And again, you know, Bokniak's super tough guy. | ||
| Say his last name. | ||
| Kyle Bokniak. | ||
| No, no. | ||
| Zabip's last name. | ||
| Magomed Sharapov. | ||
| Fuck! | ||
| It's not even happening for me. | ||
| Damn. | ||
| Damn. | ||
| It took me three years to get Nurmagomedov. | ||
| I stumbled through it a couple of times. | ||
| At the weigh-ins, I stumbled through it, too. | ||
| Did you have to practice? | ||
| Will you read it? | ||
| Like, if I read it, like, I watched him fight, but when I watched him fight, it says Zabit, whatever the fuck his last name is. | ||
| But it wasn't until I have to call it that I gotta remember. | ||
| I have to hear it. | ||
| Like, if I hear you say it, like, multiple times, then I can pick it up. | ||
| But just to read it, I'm screwed. | ||
| Megamed Sharapov. | ||
| Magomed Sharapov. | ||
| That's not that hard. | ||
| They want you to just call him Zabit. | ||
| Because for American fans, that's a hard sell. | ||
| Nurmagomedov is hard, but everybody calls him Khabib for the most part. | ||
| Zabit is super high level, man. | ||
| I was so impressed with his striking. | ||
| And he had a broken fist. | ||
| Entered the fight. | ||
| He broke his hand hitting the pads. | ||
| He fucked up his knuckle. | ||
| Mark Henry told me he's the most talented guy he's ever seen come through his gym. | ||
| Eddie Alvarez, Barboza, Frankie Edgar. | ||
| Says Zabit, by far the most talented guy. | ||
| Hey, how about that Kevin Lee fight with Barboza? | ||
|
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Woo! | |
| Damn! | ||
| Kevin Lee's a beast. | ||
| How great did Kevin Lee look? | ||
| Dude. | ||
| See, I think Kevin Khabib is a great fight. | ||
| It's a great fight. | ||
| Who takes who down? | ||
| See, I think Kevin Lee does some things better than Khabib does. | ||
| And Khabib does some things better than Kevin. | ||
| But I think Kevin's better at the more important things. | ||
| It's hard to tell who does what better. | ||
| It really is because they're both so good at everything. | ||
| And they got good striking. | ||
| They both got good striking. | ||
| Who's better at striking? | ||
| Kevin. | ||
| Kevin Lee by a long shot. | ||
| But Khabib's good too. | ||
| He's good. | ||
| Yeah, Khabib's good. | ||
| But Kevin Lee's better. | ||
| That's a stretch. | ||
| He's better standing up. | ||
| The real question is going to be in the wrestling. | ||
| Because Khabib's... | ||
| His number one goal is not to stand up and have a kickboxing match with you. | ||
| His number one goal is to maul you. | ||
| And whoever gets the takedown, it all comes down to how good the guy on the bottom is off his cap. | ||
| Kevin's a better grappler. | ||
| Kevin's a better grappler. | ||
| He's better at finishing from the back. | ||
| Correct. | ||
| And look at his mount. | ||
| And his pass and his finishing. | ||
| His passing in that fight, the passing in the first round. | ||
| First of all, he took Barboza down quicker than Khabib did. | ||
| Khabib struggled. | ||
| Barboza shook him off a couple of times. | ||
| No. | ||
| But Khabib breaks everybody. | ||
| Everybody that grapples with him. | ||
| You find out. | ||
| You know, Kevin has a higher takedown success. | ||
| Right, but Khabib, even against guys that are really good like Dos Anjos, he mauls those motherfuckers. | ||
| He mauls people. | ||
| No, it's a great fight, man. | ||
| It's a great fight. | ||
| It seems like Khabib is the kind of guy, he's new. | ||
| He's 25 years old? | ||
| He's only 25. Yeah. | ||
| He's smart as fuck, too, man. | ||
| Kevin Lee is smart as fuck, man. | ||
| Kevin Lee, Khabib, to me, is the most interesting fight. | ||
| Don't forget about Tony. | ||
| Don't forget about Trey. | ||
|
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|
But he's out for a little bit. | |
| Tony Khabib, I'd love to see that, but I'd love to see Tony Nate Diaz. | ||
| But however, with Tony being hurt, so I don't put him in the discussion right now. | ||
| Kevin Lee, Khabib's the fight from there. | ||
| That surgery, that stitches, the size of the fucking wound on him, I've never seen anything like that in my life. | ||
| It was like a motorcycle accident. | ||
| His whole LCL came off. | ||
| That poor dude. | ||
| I've never seen anybody with a more horrific surgical wound on their knee. | ||
| That's heartbreaking, man. | ||
| That's like some 1980s shit, like when they used to have to open you up in a suitcase and check around and replace shit. | ||
| He's not a guy I'm worried about. | ||
| You know, some guys when they get injured, I'm like, oh, fuck. | ||
| I'm not worried about Tony for some reason. | ||
| Look at that, though, dude. | ||
| Do you know how big that is? | ||
| That's a giant-ass wound. | ||
| That looks like a 12-inch wound. | ||
| They had to reattach the whole thing. | ||
| That's a rare knee operation right there. | ||
| The fact that that happened while he was just walking and tripped is so fucking crazy that a guy with his kind of balance He must have been exhausted. | ||
| That's the only thing that makes sense. | ||
| He must have been just run ragged doing all these interviews and then like peaking during training. | ||
|
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|
Just a freak. | |
| Just a freak accident. | ||
| Well, yeah, I'm just making things up. | ||
| I don't know what the fuck happened. | ||
| Fuck, but it's such a bummer. | ||
| Oh, we should talk about this. | ||
|
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He's already training. | |
| I've talked about this before. | ||
| We should talk about it again. | ||
| He was not wearing sunglasses. | ||
| That was something. | ||
| He misspoke. | ||
| He said he was wearing prescription sunglasses to Ariel Helwani. | ||
| Is that what he said? | ||
| Yeah. | ||
| It was a mistake. | ||
| So everybody's repeating this, including me and Dana and all these other people. | ||
| We thought he was wearing sunglasses inside like he does when he does those stare downs. | ||
| It's not what was going on. | ||
| Even if he was, I don't think so. | ||
| He was wearing regular glasses. | ||
| He was wearing regular glasses. | ||
| They weren't sunglasses. | ||
| It had nothing to do with it. | ||
| He just tripped. | ||
| I don't care what sunglasses. | ||
| But people were mocking him. | ||
|
unidentified
|
Oh, really? | |
| That sucks. | ||
| Especially when the guy is at the door of the most important fight of his career. | ||
| Tony would have fought anyways. | ||
|
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|
I know. | |
| He was going to fight anyways. | ||
|
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|
He was crazy. | |
| In a good way. | ||
| He didn't care. | ||
| You guys remember Pride when Sakuraba would literally wrap his legs up like a mummy? | ||
| That's what Tony was going to do. | ||
| The doctors wouldn't let him. | ||
| So he went to two different doctors. | ||
| But Khabib's not fighting for a while because of Ramadan, right? | ||
| I don't know. | ||
| He can't fight until the end of the year. | ||
| When is Ramadan? | ||
| He's out for a few months because of his religion. | ||
| Yeah. | ||
| So then you do what? | ||
| Eddie Alvarez? | ||
| You know who fought through Ramadan? | ||
| Went through his training camp through Ramadan is Bilal Muhammad. | ||
| He figured out a way to do it. | ||
| And the way to do it is to not train until nighttime. | ||
| Make sure he eats first and then trains at nighttime. | ||
| But he did it. | ||
| He fought well. | ||
| No, he did it. | ||
| He did and he fought well. | ||
| He just adjusted his training camp. | ||
|
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|
Who did he fight? | |
| I forget. | ||
| I don't remember who he fought. | ||
|
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|
You know what I'm saying? | |
| We'd have to watch it. | ||
| At a championship level, I would hold off too if I'm Khabib. | ||
| Right. | ||
| I see what you're saying. | ||
| I see what you're saying. | ||
| But you can do it. | ||
| But I remember he fought a good guy. | ||
| I don't remember who it was. | ||
| I remember watching it. | ||
| It was interesting. | ||
| Yeah, he figured out his schedule where he could pull it off. | ||
| Yeah. | ||
| It can't be the best way to go about it. | ||
| Not the best way to go. | ||
| He's a badass, though. | ||
| You wouldn't do it if it wasn't for your religion. | ||
| There's no way you would do it. | ||
| Just for performance, there's no way you would do it. | ||
| But you could do it. | ||
| It could be done. | ||
| Because you just gotta wait till dark, right? | ||
| If I'm Khabib, though, I just... | ||
| Yeah, that's not that hard. | ||
| It's not that hard. | ||
| It's not ideal, though. | ||
| Yeah, it's not ideal. | ||
| Well, it's fasting. | ||
| It is ideal, apparently. | ||
| These days, it's the best thing you can do. | ||
| No, but it's not the way... | ||
| First of all, if you're going to do it, you wouldn't do it like that. | ||
| You wouldn't do it during the day. | ||
| You wouldn't do it like that, and you would do it where you stop eating at like 5 in the afternoon, and then you would go all through the night if you want to have like a long... | ||
| Some people argue that's not good. | ||
| Who argues that's not good? | ||
| Well, just from our human genetics, that you're going to be hungry at night, right? | ||
| So you don't get as good of sleep. | ||
| Yeah, but it depends on what kind of foods you're eating. | ||
| That's a big part of what it is. | ||
| If you're eating a lot of refined carbohydrates, you're going to get really hungry at night, for sure. | ||
| And you're going to want to eat again. | ||
| But if you're on more of a fat-based diet, you could pull that off for sure. | ||
| 100%. | ||
| I did it nonstop. | ||
| Yeah, you could pull it off for sure. | ||
| The real question is, is that the best thing to do for physical performance? | ||
| And it's most likely not. | ||
| I would say no. | ||
| Yeah, I don't think so. | ||
| We had Zach Bitter in here the other day. | ||
| Ready for this record? | ||
| This motherfucker ran 100 miles in 11 hours and 40 minutes. | ||
| He was averaging a 7-minute mile. | ||
| Holy shit. | ||
| For almost 12 hours. | ||
| How big is he? | ||
| He weighs four pounds. | ||
| Yeah. | ||
| He weighs a buck forty. | ||
| Yeah. | ||
| But he's a very thin guy. | ||
| Still though, that's cool. | ||
| He's on a fat-based diet. | ||
| He's on a keto diet, essentially. | ||
| But when he goes to race, he takes a lot of carbohydrates. | ||
| Is he Nigerian? | ||
| Sugars and everything. | ||
| No, white guy. | ||
|
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|
Kenyan? | |
| Super smart. | ||
| Thanks, Kevin. | ||
| Super smart white dude. | ||
| Really nice guy. | ||
| But imagine that shit. | ||
| Happens. | ||
| Do you know how strong your fucking mind has to be? | ||
| How strong your mind has to be to run 11 hours and 40 minutes? | ||
| Is that a world record? | ||
| Yep. | ||
| Is it a world record? | ||
| U.S. record? | ||
| U.S. American record. | ||
| Who holds the record? | ||
| Kenyans? | ||
| Probably. | ||
| Or Mexicans. | ||
| Seven minutes? | ||
| Mexicans can run marathons. | ||
| We don't play football or basketball, but shit. | ||
| We could run for a long-ass time in the mountains of Mexico City. | ||
|
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|
Yeah, man. | |
| Well, that's part of that book, Born to Run. | ||
| The Chilapas Mountains. | ||
| Yeah, those guys who ran like basically barefoot. | ||
| Yeah. | ||
| There's some boys in New Mexico, too. | ||
| They're like the number one cross-country team. | ||
| All the Mexicans there. | ||
| Hell yeah. | ||
| Mexicans are known for cardio. | ||
| They destroy all the white kids. | ||
| Mexicans are really known for cardio. | ||
| It's very interesting. | ||
| Heart. | ||
| Heart and cardio. | ||
|
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|
Look at the boxers, look at the MMA fighters. | |
| MMA fighters, boxers, yep, known for cardio. | ||
| How about Julio Cesar Chavez? | ||
| That motherfucker just was overwhelming. | ||
| He never stopped coming at you. | ||
| He was so beautiful when he was in his prime. | ||
| When he would throw combinations, like to the body, to the head, uppercut, step to the side, right hand, left hook, right hand, to the body, he was just non-stop. | ||
| His volume was so impressive, and his placement, just fucking amazing. | ||
| Hey, what's going on here? | ||
| The fights went so fast, they're just tossing his fights. | ||
| Oh, Fedor's not ready. | ||
| The record is held by a 25-year-old Russian. | ||
| What? | ||
| Powerful EPO. Yeah. | ||
| 1128. I can't trust anything they do right now. | ||
| After Icarus, man? | ||
| Yeah. | ||
| After Icarus, you're like, wait, what? | ||
| I hit Russian, I assume. | ||
| You can't trust them? | ||
| I mean, aren't all countries doing the same shit? | ||
| For sure. | ||
| For sure. | ||
| 100%. | ||
| 100%. | ||
| They just got busted. | ||
| Once you watch Icarus, they're like, oh, man. | ||
| I saw it. | ||
| Well, even when Zach was talking to me about the testing, when Zach was talking to me about testing for these things, he was kind of letting on that one of the things that's different is the culture of the guys that run 100 miles. | ||
| Like, it's not in the culture. | ||
| Whereas, like, in the cycling culture, it's a big part of the culture. | ||
| Like, everybody does it. | ||
| But that ultramarathon world is a brain world. | ||
| That's a world of, like, how much can you take? | ||
| Like, you can physically do it. | ||
| They're not doing anything crazy physically like Usain Bolt. | ||
| Yeah. | ||
| Or someone who can just... | ||
| They're not gifted genetically. | ||
| Right. | ||
| But they're brains. | ||
| They're all small though, right? | ||
| I would love to do that. | ||
| Yep. | ||
|
unidentified
|
Another sub. | |
| Another fucking sub! | ||
| God damn. | ||
| Beautiful art bar. | ||
| It's a seminar of jiu-jitsu. | ||
|
unidentified
|
Damn. | |
| It's a jiu-jitsu seminar. | ||
| Dylan's right. | ||
| High level jiu-jitsu tonight so far. | ||
| Very nice. | ||
| He has hairline's out too. | ||
| What were we just saying? | ||
| Oh, I was saying those guys are small, though. | ||
| Genetically, they're not like freaks. | ||
| I wish I could do it, but I'm just too goddamn big. | ||
| It's a shame. | ||
| Well, you'd have to lose weight, for sure. | ||
| You'd have to dry yourself out. | ||
| It's too hard. | ||
| I love it that much. | ||
| Even when Cam, when he does the big ones, like when he did the Moab 240, he got down to 160, 165 I think. | ||
| Damn, he's a big dude. | ||
| He usually weighs about 185. He might have got to 160. He might have actually got right below 160. But he's so hardcore, you know how he did it? | ||
| He just worked out, burned 4,000 calories, ate 3,000. | ||
| I wish they would show that again, but the way he set that arm bar up, remember the teepee where you're crossing your ankles and you extend your legs instead of leg curl them? | ||
| Well, he extended them and put everything in a right angle and then he hit the arm bar in there. | ||
| Dude, he has a sick ass tattoo too. | ||
| That's some Game of Thrones shit. | ||
| Do you know what I've been watching? | ||
| Vikings. | ||
| I can't get into Vikings. | ||
| Dude, it's a good goddamn show. | ||
| You gotta get four episodes in. | ||
| Did you watch Westworld? | ||
| No, I haven't watched it. | ||
| I heard Westworld gets too complicated now. | ||
| I was lost. | ||
| That's what I heard. | ||
| I saw first episode. | ||
| I'm like, shit. | ||
|
unidentified
|
What's going on? | |
| Did you guys refresh any of the old ones before you started the new one? | ||
| Because it's been a while. | ||
| The preview is like three minutes long. | ||
| They kind of give you a good background of it. | ||
| I never got into... | ||
| The opening is all the robots? | ||
| Don't tell me anything. | ||
|
unidentified
|
Okay. | |
| Don't tell me. | ||
| How dare you? | ||
| You'll find out right away. | ||
| I'm just waiting for Game of Thrones. | ||
| Spoiler alert. | ||
| Were you confused? | ||
| Don't get confusing. | ||
|
unidentified
|
The first season was very confusing also. | |
| It took a while to figure out. | ||
| They're saying now what season are they in now? | ||
| Three? | ||
|
unidentified
|
Second. | |
| Second, they're saying it's so confusing, they're losing subscribers, like ratings are just fucking... | ||
| But how do they know? | ||
| It's one episode. | ||
| Yeah, it's just one episode. | ||
| I just read that, bro. | ||
| It's the same thing with... | ||
| You know what? | ||
| I think people just write shit like that just to be assholes. | ||
| I think today, yeah, I think there's... | ||
| Or maybe the writer's confused, so like everyone's confused. | ||
| You talked about it. | ||
| See how you talked about it? | ||
| Correct. | ||
| Not validated. | ||
| You talked about it because it's a thing that you want to hear and go, oh man, look what's going on over there. | ||
|
unidentified
|
No, I don't care. | |
| It's too complicated. | ||
| I like Wes. | ||
| Oh, I heard they're losing subscribers. | ||
| Maybe. | ||
| Why are you doing a hater? | ||
| So that's like, if you're going to sell magazines or an article and you want to appeal to that mindset that we were just talking about earlier, that's what you would write. | ||
| You're right. | ||
| But I'm saying, that last thing I read was that on Westworld. | ||
| I don't watch Westworld. | ||
| People dig it. | ||
| You never watched it? | ||
| No. | ||
| You've got to start from scratch. | ||
| I'm telling you, it's a good show. | ||
| I know. | ||
| People love it, man. | ||
| You can't do it? | ||
| I don't know. | ||
| You seem like you're never going to do it. | ||
| I'm talking to you right now. | ||
| You're like, yeah, yeah, yeah. | ||
| I was the same way with Game of Thrones, but then you guys talked me into it. | ||
| That's my favorite show of all time. | ||
|
unidentified
|
There you go. | |
| I'm telling you, dude. | ||
| Same thing. | ||
| Get season one of Vikings. | ||
| These dudes fuck people up. | ||
| It's fun. | ||
| It's on History Channel. | ||
| And it's good acting, too, man. | ||
| What's the premise? | ||
| It's basically a historical reenactment of the Viking days. | ||
| Based on a true story? | ||
| Yeah, Ragnar Lothbrok, who was a real Viking apparently. | ||
|
unidentified
|
Oh, real shit. | |
| If you think all that's real, he had to be surprised. | ||
| Listen to me, man. | ||
| They wrote down every word they said all throughout the day his whole life. | ||
| So they got it. | ||
| So it's there. | ||
| So he buys it. | ||
| He fucking buys it. | ||
| Who the fuck are you going to even get that can read Viking? | ||
| You know, who knows what the guy said and did. | ||
| But it's a really well-made show. | ||
| The acting is fucking amazing. | ||
| What season are they on? | ||
| I think they have five seasons. | ||
| What are they trying to do? | ||
| They're just trying to go from town to town? | ||
| Dude, I don't want to fuck it up, but it's based on real sieges that they did when they attacked Paris. | ||
| There's no spoilers. | ||
| It's history. | ||
| They attacked England. | ||
| They attacked Wessex. | ||
| They killed a fuckload of people. | ||
| They showed up on boats and just jumped out with axes and just started fucking up villages. | ||
| It's based on that. | ||
| Some barbaric shit. | ||
| But it's really well done, man. | ||
| I was skeptical. | ||
| I never heard anything about it. | ||
| And someone was saying, you've got to watch Vikings. | ||
| Netflix or Hulu? | ||
| No, I got it on Apple. | ||
| It's probably on Netflix. | ||
| I don't know. | ||
| It's a History Channel show. | ||
| It was a History Channel show. | ||
| I just subscribed to it on iTunes. | ||
| I got that Apple, what is it, iHome, what is that shit called? | ||
| Apple TV. Yeah. | ||
| I heard Frontier's good, too. | ||
| It's about the fur trading business. | ||
|
unidentified
|
Oh, yeah? | |
| With your boy... | ||
| Jason Momoa? | ||
| Yeah. | ||
| Heard it's really good, too. | ||
|
unidentified
|
Hmm. | |
| Interesting. | ||
| I don't watch any of them. | ||
| Vikings, though. | ||
| I'm hooked. | ||
| I'm hooked. | ||
| I just finished season three. | ||
| Damn, you're into it. | ||
| It's fucking good, man. | ||
| It's a good show. | ||
| It's one of those underrated shows that you're like, how do I not know about this one? | ||
| I've heard about them, just not Vikings or, like, whatever. | ||
| I love that shit. | ||
| Yeah, you do like that shit. | ||
| I love that shit. | ||
| I watch Teen Mom, guys. | ||
| Did you guys watch Wild Wild Country? | ||
| That's good. | ||
| No, I'm scared. | ||
| I'm scared to watch that. | ||
| Wild Wild Country. | ||
| It's a docu-series. | ||
| It's on that guy, the sex cult guy, right? | ||
| Yeah, it's more of like an Indian dude. | ||
| His name is, he has like three different names, but his religion was half Buddhist, half capitalist. | ||
| I'm in. | ||
| I'm in. | ||
|
unidentified
|
So you could be spiritual and live in luxury too. | |
| Yes. | ||
| Yeah, he could do both. | ||
| I'm in. | ||
| He says, I believe in luxury. | ||
| I believe we all should live in luxury. | ||
| But if you can't live in luxury, I'm going to live in luxury myself. | ||
| Is he a bad guy? | ||
| That guy right there. | ||
| Oh, yeah. | ||
| He's super pimped out. | ||
| He dyed his beard, mint green? | ||
| So what happens is they get kicked out of India, so he has all these rich followers, and they built a city in Oregon. | ||
| Holy shit. | ||
| In the middle of nowhere, they built this gigantic city in Oregon in the 80s, and all these people from all over the world ended up moving there, and the surrounding towns, just like old white people, they go to war. | ||
| And that's what the documentary's about. | ||
| It's pretty awesome. | ||
| It's awesome. | ||
| Was he having sex with everyone or what, man? | ||
| It isn't about that. | ||
| I'm not really into it. | ||
| It's not about that. | ||
| It's about him starting a new city with tens of thousands of people in the middle of Oregon. | ||
| And they got all these old white people out there going, what the fuck is going on? | ||
| So it wasn't about a sex cult? | ||
| They believed in free sex and all that stuff. | ||
| Of course. | ||
| But it wasn't. | ||
| Who doesn't? | ||
| They're not focusing on that. | ||
| It's more about... | ||
| They had the finances to literally build a high-level city in the middle of nowhere. | ||
| And when did this all go down? | ||
| In the 80s. | ||
| Okay, I'm gonna watch it. | ||
| I'm gonna watch it. | ||
| I can't watch it this weekend. | ||
| It's really good. | ||
| It's really good, man. | ||
| You won't regret that one. | ||
|
unidentified
|
Okay. | |
| Beautiful. | ||
| The cult leaders are always charismatic and they're always trying to fuck everyone. | ||
| Why else would you start a cult? | ||
| Why else? | ||
| What, you just want everybody to listen to you? | ||
| No. | ||
| I believe in love and screw. | ||
| And then you want their pussy. | ||
| Correct. | ||
| Come on. | ||
| Every time. | ||
| Cult of personality. | ||
| And the type of person that would want to have all those people. | ||
| Ladies and gentlemen, we're going to move to Oregon. | ||
| We found a spot. | ||
| Yes, exactly. | ||
| That's exactly what it was. | ||
| A bunch of white people from all over the world, but they were rich. | ||
| I know someone whose family was involved in that. | ||
| Oh, yeah? | ||
| Yeah. | ||
| Do they say good things about it? | ||
|
unidentified
|
No. | |
| It's interesting to see how it all comes crashing down, though. | ||
| That's the interesting part. | ||
| It's like, how does it come crashing down? | ||
| Because it doesn't exist. | ||
| I don't know what's going on with it. | ||
| This is a friend of mine's ex-girlfriend from like 20 plus years ago. | ||
| She grew up in that. | ||
| In that one in Oregon? | ||
| I think it's that one. | ||
| I'm pretty sure it's that one. | ||
| I'd have to ask him. | ||
| I don't know how I'd bring that up. | ||
| Really? | ||
| You can't just text him? | ||
| Yeah, I can. | ||
| Hey, bro, watching this doc. | ||
| Wasn't your old girlfriend in this? | ||
|
unidentified
|
Yeah. | |
| Yeah. | ||
| Imagine that man. | ||
| Imagine like you being in one of them cults and like being like 10 years old and like looking around going, um, what is going on? | ||
| Why does the Maharaja keep fucking my mom? | ||
| Like what's happening here? | ||
| You're not gonna grow up normal. | ||
| Yeah, you'd be pretty damaged. | ||
| Mom, what are you doing? | ||
| Well, the sacred one brings to me blessings. | ||
| Dude, he had all these Rolls Royces in the middle of Eastern Oregon. | ||
| He would just... | ||
| What? | ||
| He had multiple, like endless Rolls Royces. | ||
| Ball one. | ||
| I believe in luxury. | ||
| And then the line is, if I can't manage to make everybody live in luxury, at least I can manage to live in luxury myself. | ||
| Just full of shit. | ||
| Didn't... | ||
| Didn't fucking R. Kelly get in trouble recently? | ||
| They think he's running a cult? | ||
| Yeah, kind of. | ||
| He has these sex slaves, so he has one house. | ||
| Kind of. | ||
| Well, no, what he does is he has one house where he stays. | ||
| Then he has a next door about the house. | ||
| He has a bunch of flock of bitches in there. | ||
| And so the parents of those kids are like, he's holding them hostage. | ||
| They're sex slaves. | ||
| He's taking away their confidence when really he's just, you know, pimping. | ||
| Yeah, he's pimping, pimping, pimping. | ||
| R. Kelly. | ||
| Part of his inner circle resign amid sex pet allegations. | ||
| Is this today? | ||
| I haven't heard about the pets. | ||
|
unidentified
|
This is last week. | |
| This is what we were telling you about. | ||
| Two hope high-profile women have resigned their roles after new revelations emerged in a BBC Three documentary. | ||
| Oh, that's what we're talking about. | ||
| How about that girl from Smallville? | ||
| Did you hear about that? | ||
| What the fuck is going on there? | ||
| What in the fuck? | ||
| Like, she's trying to recruit actresses to be in the sex cult. | ||
| When did she do all this? | ||
| When did she do all this? | ||
| Is this from the past? | ||
| I don't know. | ||
| Yeah, I think it was from the past a little bit. | ||
| But also, did she go to prison for that? | ||
| Yeah, she was trying to get Emma Watson to join or something like that. | ||
| I don't know. | ||
| This is just stuff that's coming on the mainstream media. | ||
| Maybe it's all bullshit. | ||
| I don't know. | ||
| Well, she's going to prison, though, yeah. | ||
| Why would she do that? | ||
| They would have... | ||
| They would have parties, this thing that she was involved in, at Richard Branson's Island. | ||
| Look at this. | ||
| It says she's accused of being a leader and a prime recruiter for a sorority-esque group of young women who were manipulated into serving as slaves for male masters. | ||
| She's facing 15 years to life imprisonment on the charges of sex trafficking, conspiracy, and conspiracy to commit forced labor. | ||
| Okay, now let me ask you this. | ||
| If you run into a bunch of girls, okay, say you're this girl, and your thing is like being in a cult with one master who gets to fuck all these women, who's to say that you shouldn't be into that if you're her, right? | ||
| I know. | ||
| And now who's to say if she goes and talks to a bunch of other girls and talks them into having sex with this guy? | ||
| Why is that bad? | ||
| That's what I'm saying. | ||
| I mean, it's not what you want your daughter to do. | ||
| It's not what you want your sister to do. | ||
| But we all know people that like getting tied up. | ||
| 100%. | ||
| We know people that like smacking each other and hitting each other and shit. | ||
| And like being sex slaves. | ||
| And like being, well, not really maybe slaves, but whatever. | ||
| People like kinky shit. | ||
| Let's just say that, right? | ||
| They like kinky shit. | ||
| Why is it that we can decide that that's too kinky? | ||
| Well, because is she bringing those girls there and then they're keeping them... | ||
| Right, that's the question. | ||
| If that's the case, of course. | ||
| It says forced labor up there, right? | ||
| If you scroll back up. | ||
| Right, but if you turn someone into your slave and you said, slave, you're going to clean my kitchen. | ||
| And they're like, yes, master. | ||
| And it's like part of some weird kinky shit you do. | ||
| And then after they clean your kitchen, then you mouthfuck them. | ||
| Yeah. | ||
| Like, if you just decide, like, you have some weird things, but people are weird like that, right? | ||
|
unidentified
|
I know! | |
| And some people like it. | ||
| Some people like weird shit. | ||
| And then there's some people that get talked into joining a cult, and they get talked into these horrible situations. | ||
| They actually do become sex slaves. | ||
| So how do you know which is which? | ||
| How do you know, like, which is a consenting of age adult who really loves being a part of some super kinky shit? | ||
| I know. | ||
| Versus someone who's coerced into joining a sex cult and who is held against their will. | ||
| There's a line there, right? | ||
| They seem kind of similar from the outside, but there is a line. | ||
| I don't know what the fuck happened in this situation. | ||
| I literally don't know anything other than the fact that she got arrested. | ||
| I know what happens. | ||
| So she would get these girls, and then they would get them naked, and she would take pictures and hold it as a ransom or blackmail if they didn't fuck the leader. | ||
| Oh. | ||
| That got dark. | ||
| Just hit me and I remember that. | ||
| That's why she's fucked up. | ||
| Okay, that ain't good. | ||
| No. | ||
| But it would be interesting. | ||
| We're talking about that other guy with all the money in Oregon. | ||
| Like, if someone did that today, like some R. Kelly type guy. | ||
| I'm not saying R. Kelly's a good guy. | ||
| I'm not saying what he's doing is legal. | ||
| But what I am saying is, it is possible. | ||
| I don't think this is the case in this situation. | ||
| But just as a... | ||
| What if? | ||
| It is possible that you get together with a bunch of people who are really into that slave dominatrix type deal. | ||
| Some people are really into being dominatrixes, some people are really into being submissive, and they get together. | ||
| As long as it's men and women, we don't have a problem with it, right? | ||
|
unidentified
|
Yeah. | |
| As long as it's some guy who's like a CEO that hires some mistress to kick him in the balls. | ||
| Stomp on his balls. | ||
| Stomp on him. | ||
| It happens every day. | ||
| We're totally cool with that. | ||
| How do people survive that? | ||
| That's a good question. | ||
| They just dig the pain. | ||
| Some people like getting kicked in the balls and kneed in the balls. | ||
| I don't know. | ||
| Repeatedly and as hard as you can. | ||
| I know. | ||
| They used to come into the strip club that I used to work at and girls used to get paid to kneed in the lap dance booth. | ||
| They would just kneed the shit out of their balls. | ||
| Why do you like that? | ||
| I don't get it. | ||
| Maybe that pain that feels like death to most people, it feels different to other people. | ||
| That's like a rush. | ||
| Can you imagine if that, when you get hit in the balls, you know that intense pain? | ||
| It's like a unique pain. | ||
| It's not like getting punched in the stomach. | ||
| Yeah, it's a unique pain, but there might be people that take that unique pain and turn it into just this high. | ||
| Yeah, you're right. | ||
| It'd be real psycho. | ||
| There's people that are into it. | ||
| You could watch that shit on YouTube. | ||
| Frank had a good point when he came to Fedor, talking about his losses when he comes to the States. | ||
| He's saying how he never trains in a cage. | ||
| It's true. | ||
| Was the cage a factor in any of his losses? | ||
| Yes. | ||
| Two of them. | ||
| Really? | ||
| Two of them. | ||
| How? | ||
| What happened? | ||
| The fight with Henderson. | ||
| He couldn't get out of the way. | ||
| He couldn't move. | ||
| The Henderson fight, he couldn't get out of the way, and the Verdum fight. | ||
| Maybe. | ||
| The Henderson fight, he had him side control. | ||
| The ring is a more fluid thing. | ||
| That's right. | ||
| The Henderson fight, he had him inside control and Henderson popped out of it. | ||
| And underhooked him, popped out with the underhook. | ||
| He wasn't careful with the underhook. | ||
| He had him side control. | ||
| If you don't have that underhook and the guy on the bottom shoots the underhook, you can get the dogfight from side control. | ||
| You don't even need quarter guard or half guard. | ||
| But if I'm Fedor, that's like a tennis player only playing on grass when he's going to play on clay. | ||
| What the fuck are you doing? | ||
| It's 2018. Can you not find a goddamn cage in Russia? | ||
| Well, there was times where he didn't want to fight anymore. | ||
| So the question is, is he fighting now because of money? | ||
| Is he fighting now because he doesn't know what else to do? | ||
| Or is he fighting now because he's got a reignited feeling about competition and he likes it again? | ||
| Dude, go work security for Putin. | ||
| Get paid, bro. | ||
| They're boys. | ||
|
unidentified
|
No shit. | |
| That's a good... | ||
| That's a good call. | ||
| That's a good call. | ||
| He's your right-hand man? | ||
| Yeah. | ||
| He's gonna fuck with Fedor and Russia. | ||
| I mean, that would be... | ||
| I mean, he's gotta be a hero in Russia. | ||
| Oh, dude. | ||
| Did you think we were going to war with Russia? | ||
|
unidentified
|
No. | |
| With those Syria strikes? | ||
| No. | ||
| You never thought so? | ||
| Not even for a second? | ||
| No, I didn't think we were going to war with Russia. | ||
| Everybody thought. | ||
| Everybody thought that. | ||
| I'm scared any time bombs drop, though. | ||
| Anytime bombs drop, you're opening up the possibility of bombs dropping back. | ||
| This is like, you know, I mean, even if what happened, what the people on the other side that you're dropping the bombs on deserve it, it's still like, holy shit, we're in a fight. | ||
| You know? | ||
| Anytime that happens, if you're not legitimately concerned that horrible things come out of it, but the idea of us going to war with Russia, I'm like, probably not. | ||
| Fuck, man. | ||
| It was crazy. | ||
| I was in New York for that. | ||
| I thought, holy shit. | ||
| I don't know what is going on when it comes to foreign policy. | ||
| I would be a joke if I pretended, which I have many times in my life. | ||
| You don't know. | ||
| I mean, who the fuck knows what's happening with Russia or with China? | ||
| I've been talking about this Huawei thing. | ||
| Huawei is a big-time cell phone or electronics company in Japan, or in China, rather. | ||
| Okay. | ||
| And the State Department has recently recommended you don't buy Huawei products, and that they might be bad actors and spying on the people that own their phones. | ||
| So they canceled a deal with Huawei to be in AT&T and Verizon and all these other cell phone providers here in the United States, and they literally issued a warning. | ||
| I was like, I've never heard of that before. | ||
| And then there was something about some sort of hacking that they think they did. | ||
| They're going to take them to court and prosecute them for something they did with Iran. | ||
| This is another thing about it. | ||
| But then I've heard people online say that they're suspicious that what this is is trying to squash China from entering into the electronics market. | ||
| It's like the top three people in cell phones are Apple, Samsung, and Huawei is number three worldwide. | ||
| It's a threat. | ||
| To stop Huawei in America would be like an economic thing because they're worried about China increasing the amount of money they have. | ||
| Who can you believe? | ||
| I don't know. | ||
| But you know, if you're interested in following QAnon, a lot of people analyze his drops, but there's a YouTube channel called Just Informed. | ||
| Just Informed something. | ||
| Just Informed, but he breaks it down every day. | ||
| He talks about all that stuff. | ||
| It's all interesting because you've got to know that if a company is that big, and here's the thing, the super dorks, like Jamie and I have been going back and forth about this, because the super dorks online, I say that with all due respect, the dudes who really understand cell phones, they're calling bullshit. | ||
| Because if they were spying on you, these guys who develop apps and who understand phones, these super hacker type dudes... | ||
| They'd be able to find the code. | ||
| 100%. | ||
| They'd be like, this shit's spying on you. | ||
| It's listening to you. | ||
| Here's the code. | ||
| This is what it's doing. | ||
| Microphone set to one, set it to zero. | ||
| I've heard as good as the Russian hackers are wherever in the world, the best are in America. | ||
| Whatever they can do, we can find. | ||
| Best everything. | ||
| That's what they say. | ||
| Right, son? | ||
| No matter what the fuck it is. | ||
|
unidentified
|
America. | |
| We're best at sucking dick. | ||
|
unidentified
|
America. | |
| Dropping bombs. | ||
| America. | ||
| Eating steak. | ||
| America. | ||
| Drinking beer. | ||
| America. | ||
| Frank Mir. | ||
| Let's get it going on, Frank Mir! | ||
| USA! USA! USA! Just Informed Talk is the YouTube channel that breaks down QAnon if you're interested. | ||
| It's really good. | ||
| It's very interesting. | ||
| Any predictions for this fight? | ||
| That's a good question. | ||
| Man, I think they're both at very similar places in their career, which is one of the reasons why this fight is interesting. | ||
| Frank's been out for a hot minute. | ||
| Sometimes when you get in there and you've had long layoffs, you say, fuck, and throw caution to the wind, so this could be super quick. | ||
| Why did Frank get released from the UFC? What happened? | ||
| Do we know? | ||
| Didn't he do something... | ||
| Did he test positive? | ||
| He test positive his last one. | ||
| How long ago was that? | ||
| That was a while ago. | ||
| Remember he got fired for... | ||
| He got... | ||
| As a commentator. | ||
| Yeah, as a commentator. | ||
| He wanted to kill Brock Lesnar. | ||
| Yes. | ||
| Literally kill him. | ||
| Yes. | ||
| Fair enough. | ||
| He was a really good commentator. | ||
| Great commentator. | ||
| He was really good. | ||
| He's commenting now for ACB. What's ACB? Like that Russian league. | ||
| Oh, okay. | ||
| Yeah, he's the head commentator of ACB. Oh, interesting. | ||
| Interesting. | ||
| But remember Frank's last fight, he got knocked out by Mark Hunt, and then they let him go. | ||
| Remember when he knocked out Todd Duffy, though? | ||
| Woo! | ||
| That was crazy. | ||
| Great fight. | ||
| Frank Mir still showed in that fight against a dangerous guy like Duffy. | ||
| Frank's falling in love with boxing, man. | ||
| I hate hearing that. | ||
| Well, I mean, he's a smart dude. | ||
| You've got to think his jiu-jitsu is still on point. | ||
| He's so smart. | ||
| Yeah, he's very smart. | ||
| Very well read. | ||
| Him and Josh Barnett, I think, are the two smartest heavyweights that I've ever met. | ||
| That's a good call. | ||
| Josh Barnett's very smart. | ||
| Very cerebral. | ||
| That was a good fight. | ||
| Yep. | ||
| Josh Barnett and Mir? | ||
| I remember Josh Burnett had him against the fence. | ||
| He had great head position and forearm position. | ||
| Josh whooped his ass. | ||
| Yeah, that's right. | ||
| It's a great fight for Josh Burnett. | ||
| No, that's what I'm saying. | ||
| Just a great fight overall. | ||
| It was a five-rounder, wasn't it? | ||
| I believe it was five rounds. | ||
| No, I think it ended pretty quick. | ||
| Josh whooped his ass. | ||
| Oh, no, no, no. | ||
| I'm thinking of another fight. | ||
| Josh beat his ass. | ||
| Josh beat his ass and knocked him out with a knee, right? | ||
| Yeah, Josh fucked him up. | ||
| He fucked him up. | ||
| I'm thinking of another fight where Josh went five hard rounds. | ||
| Was it Against D.C. with a broken hand? | ||
| No, no, no. | ||
| He beat somebody in a very impressive fight. | ||
| Oh, it was Roy. | ||
| It was Big Country. | ||
| Oh, yeah, he took him down. | ||
| Yes, yes. | ||
| He kept taking him down. | ||
| Yeah, that was it. | ||
| That was a long fight. | ||
| He beat the shit out of Roy. | ||
| He beat the shit out of Roy, and it was a long fight, right? | ||
| Wasn't it like a five-rounder? | ||
|
unidentified
|
Yeah, it was. | |
| I don't know if it was five rounds. | ||
| It was three rounds of an ass-whooping, though. | ||
| See if you find that, Jamie. | ||
| Barnab is a monster. | ||
| He's a bad motherfucker. | ||
| He's a bad motherfucker. | ||
| But him and Frank are the most cerebral, I think, to ever fight. | ||
| That's why Travis Brown's elbows are so fucking impressive, that he put him out. | ||
| He put Josh out. | ||
| That's weird when Josh rushed him, because he saw Gonzaga get stopped like that, and he did the same thing. | ||
| I think he got clipped with a punch before he rushed him. | ||
| Oh, and then he went down. | ||
| I think, if I remember correctly, I don't remember correctly, but I remember those fucking elbows. | ||
| To this day, we call that position the Travis Brown. | ||
| Yeah. | ||
| Is he done? | ||
|
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|
Josh and who? | |
| Sorry. | ||
| I don't know. | ||
| Josh Barnett and Roy Nelson. | ||
| Yeah, it was a five-round fight. | ||
| Yeah, a five-round. | ||
| Title fight? | ||
| No. | ||
| I'm sorry, not title fight. | ||
| Main event. | ||
|
unidentified
|
Yeah, yeah, yeah. | |
| Jesus Christ. | ||
| Yeah, it was a main event. | ||
| Yeah, that's right. | ||
| It was overseas. | ||
| Yeah, it was a beating, man. | ||
| It was a beating. | ||
| I was super impressed with his cardio. | ||
| And he would pass Roy's guard. | ||
| Dude, Frank does not look fat. | ||
| Frank's jacked, man. | ||
| I saw a photo. | ||
| It must have been from in the past where he was heavy. | ||
| Maybe while they were setting this fight up. | ||
| Because looking at him now, he looks very fit. | ||
| He looks great. | ||
| He looks very fit. | ||
| He was in the studio with me. | ||
| I told him, I said, man, you look shredded. | ||
| He's like, I'm ready to go. | ||
| Wow. | ||
| I'm impressed. | ||
| He does look very fit. | ||
| He looks great. | ||
| So he must have been heavy when he started camp? | ||
| Super heavy. | ||
| Yeah, he was really heavy. | ||
| He didn't fight for a little bit, so he's been commentating, flying to Russia and shit. | ||
| Very interesting here. | ||
| Here we go. | ||
| This is only three rounds. | ||
| They don't do five-round main events. | ||
|
unidentified
|
Nope. | |
| Only title fights. | ||
| Here we go. | ||
| What do you think about that? | ||
| I kind of agree with that. | ||
| Yeah, I'm not mad at it. | ||
| I like five rounds. | ||
| Three rounds, it goes too quick. | ||
| I like five rounds for the smaller weight classes. | ||
| It's a good point. | ||
| My thing would be, man, the five-round fights are beatings, man. | ||
| I mean, you really... | ||
| Oh, it's over. | ||
| Oh, Frank Neer clipped him quick. | ||
| It's over. | ||
| Oh, Fano was in trouble. | ||
| Oh, he's surviving now. | ||
| Wow. | ||
| Oh, shit! | ||
| Oh, he clipped Frank! | ||
| He didn't have the underhook right there. | ||
| Again, that's why Frank stood up. | ||
| They're just throwing. | ||
| Nice knees to the body. | ||
| They're just throwing. | ||
| Oh! | ||
| Holy shit! | ||
| Oh, wow, this is going to be a quick one. | ||
| I thought it was going to be a decision. | ||
| It's like Hagler Hearns. | ||
| This is phenomenal. | ||
| If someone finishes it. | ||
| Oh! | ||
| Oh, shit! | ||
| Oh, shit! | ||
| Oh, he clipped him! | ||
| It's over. | ||
| That's it! | ||
|
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|
Oh! | |
| What a war! | ||
| Damn! | ||
|
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|
Woo! | |
| Holy shit. | ||
|
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|
Wow! | |
| Hey, you ready for this? | ||
| Fedor Chael Sonnen's next. | ||
| Oh my god. | ||
| Let that sink in. | ||
| Oh my god. | ||
| Oh my god. | ||
| Yeah, that's been crazy. | ||
| That's actually fun. | ||
| That's fucking good. | ||
| When is that gonna happen? | ||
| Wow, Frank Mears. | ||
| You know, and he almost had him. | ||
| He almost had him. | ||
| Frank almost had him. | ||
| What a great throw. | ||
| That is a great, beautiful throw. | ||
| Great fucking hip toss, huh? | ||
| That was beautiful. | ||
| That bought him some time. | ||
| Dude. | ||
| Fedor Chael Sonnen. | ||
|
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|
Wow. | |
| When was the last time Fedor won? | ||
| Mel Donato, but he really lost in Russia. | ||
| He really lost. | ||
| Yeah. | ||
| He got hurt in that fight. | ||
| Yeah, that was a crazy fight. | ||
| I forgot about that fight. | ||
| I agree he lost that fight. | ||
| He won it, but he lost it. | ||
| That was in Russia, right? | ||
| Yes. | ||
| Let's take that one out of the equation. | ||
| Ishii? | ||
| Damn, that's right. | ||
| Satoshi Ishii was his last fight, his retirement fight, in his last run, and then he decided to come back after that. | ||
| Here it is. | ||
| Look at this. | ||
| Boy, he's all wild and loose, huh? | ||
| Boom! | ||
| Wait, the left. | ||
| Both hands down. | ||
| Damn. | ||
| This must be... | ||
| Oh, right there. | ||
| The left hand, right on the chin. | ||
| Oh, boom. | ||
| Boom. | ||
|
unidentified
|
He's out. | |
| He's a crazy hard shot. | ||
| Just swinging. | ||
| They're swinging wild, man. | ||
| They're just going. | ||
| Oh, shit. | ||
| I feel like he caught him earlier than that, too. | ||
| Just that was the big one. | ||
| The one that really hurt him. | ||
| Perfect stoppage. | ||
| Goddamn. | ||
| There it is. | ||
|
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|
Boom. | |
| It was the left. | ||
| Perfect left hand. | ||
| That was nice. | ||
| It's crazy. | ||
| This is Fedor's first win in Take Out the Maldonado fight. | ||
|
unidentified
|
Jesus Christ. | |
| How many years then? | ||
| How many years? | ||
| It's been a rough go for my man. | ||
| When was Ishii? | ||
| He beat Singh Jadip. | ||
| Oh, that's right. | ||
| That bullshit fight. | ||
| My brain goes, no. | ||
| That was when? | ||
| 15? | ||
| New Year's Eve 2015. He also beat Pedro Hizzo on January 21st, 2012. That was after the Ishii fight. | ||
| 2012, really. | ||
| Oh, yeah. | ||
| The Pedro Hizzo fight was a crazy knockout, man. | ||
| That must have been in Europe somewhere, right? | ||
| He threw a leg kick and then faked a leg kick and landed a punch. | ||
| Fedor started out against, I mean, a guy... | ||
| Think about who's got better leg kicks than Pedro Hizzo. | ||
| Yep, M1. It was a Russian fight. | ||
| It was a ruthless knockout, man. | ||
| See if you can find out. | ||
| He's won one, two, three. | ||
| Jamie, pull up Pedro Hizzo versus Fedor. | ||
| Do you notice anything on Fedor's record there? | ||
| So he went on that five-fight winning streak. | ||
| None of it's in the States. | ||
| Before that, three losses in the States. | ||
| Comes back to the States, loses. | ||
| Is this his first win in the States? | ||
| Yeah. | ||
| Maybe Brett Rogers was his first? | ||
| Look at this. | ||
|
unidentified
|
Boom. | |
| Boom. | ||
| He threw a leg kick, and before that... | ||
| Was this the whole fight or just a highlight? | ||
| I think it edited it real quick. | ||
| They edited it? | ||
|
unidentified
|
Yeah, the video. | |
| See, it jumps from 4.30 to... | ||
| Jesus, he's still explosive. | ||
| He hit him with a leg kick first, and then he faked the leg kick and came in with that punch. | ||
| He came in with that right hand and then left hook behind it. | ||
| Jesus Christ. | ||
| He's still explosive, man. | ||
| Oh, yeah, man. | ||
| Tonight he was explosive. | ||
| Look, he's still fucking Fedor. | ||
| He's still Fedor. | ||
| He's a legend. | ||
| For sure. | ||
| But you tap him in the jaw, and he'll go down like a regular guy. | ||
| He is a regular guy in that regard now. | ||
| All the fights that he's had, all the wars, the fact that he's in his late 30s, right? | ||
| 41. He's 41? | ||
| I'll tell you a fight I'd love to see that's never happening, so it's stupid for me to say it. | ||
| Francis Ngann and Fedor. | ||
| Oh my god, why would you want to see that? | ||
| Because they both just slang them thangs. | ||
| How do you think that fight would go? | ||
| I think Francis knocks his head into Russia. | ||
| Yeah. | ||
| Or Brock Lesnar Fedor. | ||
| That's a better fight. | ||
| That's a better fight. | ||
| If I had a Willy Wonka golden ticket, I gave it to you. | ||
| And I gave it to you. | ||
| I would say Brock Lesnar versus who? | ||
| Who? | ||
| Francis Singano. | ||
|
unidentified
|
And the posters, just old school pride. | |
| It'd be so sick. | ||
| I like that. | ||
| I like that a lot. | ||
| Because think about it, Brock can win if he lands a takedown, but good luck not getting clipped coming in. | ||
| Such a dynamic fight. | ||
| It's nice seeing Fedor win, man, I gotta say. | ||
| I mean, I love Frank Mir. | ||
| I'm a Frank Mir fan. | ||
| And somebody had a win. | ||
| Dude, Chael Fedor! | ||
| I like it. | ||
| I like that a lot. | ||
| Is that the biggest fight in Bellator history? | ||
| It's a very good fight, man. | ||
| It's a very good fight. | ||
| And Chael's gonna talk some mad shit. | ||
| Fedor doesn't sell fights anymore. | ||
| He's just off his name. | ||
| That's what Frank was saying. | ||
| He goes, dude, the mediator, I have to do everything. | ||
| Fedor refuses to do interviews now. | ||
| He doesn't even do interviews. | ||
| Yeah. | ||
| Well, I get it. | ||
| He doesn't speak English. | ||
| They all ask him some questions. | ||
| Yeah, figure it out, motherfucker. | ||
| But the new fans are like, who? | ||
|
unidentified
|
Who? | |
| Well, they know him now. | ||
| See, I think even amongst the new fans, this is like, I mean, he's essentially like a Reggie Jackson type character. | ||
| If you know baseball, you know who Reggie Jackson is. | ||
| Even if you don't know a lot about him, you know who Reggie Jackson is. | ||
| But if you're new to the sport, you're like, this guy's the best of all time seeing this stuff. | ||
| But they don't realize his pride days. | ||
| Well, you've got to go back and watch the first Noguera fight. | ||
| Or the Crow Cop fight. | ||
| Or, you know, even the Fujita fight when he got clipped. | ||
| The Kevin Randall one's a great one. | ||
| Suplex, and then just a few moments later catches his arm. | ||
| Nasty. | ||
| Yeah, man. | ||
| Very, very, very interesting. | ||
| She's been translating for Fedor for 20 years. | ||
| Forever. | ||
| He just flies her in. | ||
| Yeah. | ||
| Maybe that's his girl. | ||
| She goes out back. | ||
| She puts a Make America Great Again hat on. | ||
| They catch her in Fedor's locker room afterwards. | ||
| She's wearing the MAGA hat. | ||
| If I was a manager, I would make everybody in the camp wear it just for the press. | ||
| Me too. | ||
| I'd be like, put it on, man. | ||
| He's the President of the United States. | ||
| What's the fucking problem? | ||
| We're wearing his hat. | ||
|
unidentified
|
He's hilarious. | |
| What about Kanye? | ||
| He's crazy. | ||
| Kanye wearing it. | ||
| But I mean, come on, man. | ||
| How good would that be if all of Fedor's camp, including Fedor, had those red MAGA hats on? | ||
| Yeah. | ||
| That shit would be hilarious. | ||
| It would go viral so bad. | ||
| If they were trolling. | ||
| It'd be great. | ||
| Tell you what, man, your boy Mitrione, I mean, that's a giant win for him. | ||
| That was a giant win when he KO'd Fedor. | ||
| Well, now Matt fights the winner of Bader, King Mo. | ||
| That's a tough fight. | ||
| Tough fight. | ||
| It's a tough fight. | ||
| Super tough fight for Matt. | ||
| Matt, you know, if he's got an issue at all, it's not in his footwork or his knockout power, his movement, it's if the fight goes to the ground. | ||
| Well, he's wrestling. | ||
|
unidentified
|
Here we go. | |
| I want to hear what Chael has to say. | ||
| Crank this shit up, Jamie. | ||
| This can be great. | ||
| Look at it. | ||
|
unidentified
|
I hate more than being right here in Chicago, is being in this ring with you, and I assure you the next time you'll be in the ring, it will not be for long. | |
| His trash talking is so old school. | ||
| Yeah, it's very pro-wrestly. | ||
| It's just not very good. | ||
| How do you not throw the Russian thing in his face? | ||
| Damn, Chilson is pretty fucking big. | ||
| Yeah, Fedor's a small dude. | ||
| As far as the heavyweight goes. | ||
| Yeah, very interesting. | ||
| God, I thought... | ||
| You know what? | ||
| I expect more, Chell. | ||
| I thought he'd be like, the one thing I hate more than being in this cage with you, it's a Russian in this cage. | ||
| America! | ||
| They toss it on to Trump. | ||
| U.S.A. Yes! | ||
| He pulls out a Mega America Great Again hat. | ||
| When is a fighter going to come out with a... | ||
| I mean, has there ever been a time where you get more shit for liking the president? | ||
| Never. | ||
| Never. | ||
| Not even close. | ||
| Not even close. | ||
| I mean, at the very least, even if you didn't want him to win, now that he's the president, would you not want him to succeed? | ||
| If he succeeds, it means we succeed. | ||
| You want everything to be a catastrophic failure because your guy didn't win? | ||
| Or do you want him to get better at the job and be really good at what he does and be the best president that he can be and pull a bunch of shit off? | ||
| Look what he did with North Korea. | ||
| What's up with that? | ||
| Maybe he did. | ||
| I mean, maybe he was a part of it. | ||
| With both North Korea and South Korea giving Donald Trump all the credit. | ||
| That's amazing. | ||
| That's true. | ||
| That's amazing. | ||
| They said it on CNN even. | ||
| That alone shows you that his unorthodox style, that you might be terrible if you're married to him, or terrible if you're doing business with him, or terrible if you're his lawyer, or terrible, whatever. | ||
| But that unorthodox style might have value to it, but no one wants that value because they don't want him to win. | ||
|
unidentified
|
I know. | |
| It's a fucking... | ||
| It's a weird time. | ||
| It's strange. | ||
| It's almost like you're rooting against America because you feel so strongly about the president. | ||
| To your point, would you rather have him out or you want the economy better? | ||
| What the fuck are you doing? | ||
| Here's the other thing. | ||
| You want Mike Pence to be president? | ||
| Are you sure? | ||
| You don't know what you're saying. | ||
| That is not a smart choice. | ||
| That's not what you voted for. | ||
| It's not what you want. | ||
| What you should want... | ||
| Even if you don't like Donald Trump, what you should want is that he does a great fucking job. | ||
| He turns the economy around. | ||
| He goes after child pedophiles. | ||
| He goes after, like, whatever. | ||
| Whatever. | ||
| Fill in the blanks. | ||
| Whatever thing you would like him to do. | ||
| Even if he talks crazy shit about... | ||
| And he gets on Fox and Friends and says a bunch of nutty shit... | ||
| Wouldn't you still want that guy to do the best job running the country? | ||
| This is where things get weird because I think most people say no. | ||
| I think if they say yes, they're lying. | ||
| They want him to fail. | ||
| They want him to be the worst ever. | ||
|
unidentified
|
Get impeached. | |
| That's what they want. | ||
| That's what they want. | ||
| That's a flaw. | ||
| That's a crazy way of thinking. | ||
| It's not the way to look at it. | ||
| Look, I didn't vote for Donald Trump, but I want him to do great. | ||
| Because he's the fucking president. | ||
| Like, either someone else comes along that's better, and wins, and takes over, or why would I want everything to go bad? | ||
| Even if I didn't vote for him. | ||
| That's so retarded. | ||
| Everybody, if you had a doctor, this is a good example. | ||
| Maybe it sucks. | ||
| But if you had a doctor, and the doctor was a dickhead, the doctor's fucking annoying, but he had to fix your knee. | ||
| But you know he's the best at fixing knees. | ||
| You're like, this guy's a dickhead, I hope he fucks my knee up. | ||
| That's how retarded people are. | ||
| You would never say that. | ||
| It's only hurting you. | ||
| He's the only guy who can do this operation. | ||
| Brandon, you gotta listen to me. | ||
| I know the guy's an asshole. | ||
| Let him operate on your knee. | ||
| He's gonna do a great job. | ||
| He's gonna talk shit. | ||
| He's gonna try to fuck your mom. | ||
|
unidentified
|
But he's gonna do a great job fixing your knee. | |
| There's a video. | ||
|
unidentified
|
I mean... | |
| Get it done. | ||
| People that hate Trump accuse him of being racist. | ||
| And there's a video of Ice Cube, 50 Cent, Shaquille O'Neal, like five or six celebrities, and now Kanye West, that don't think he's racist. | ||
| They go, Donald Trump is badass. | ||
| He tells it like it is. | ||
| The question is, when he talked about Mexicans on the campaign trail, was he playing to people that are white supremacists? | ||
| Does he understand that he has a base in those people? | ||
| And does he defend that base? | ||
| That was about Charlottesville, too. | ||
| Correct. | ||
| Because he was saying that on both sides, there's problems on both sides. | ||
| Both made mistakes. | ||
| The protesters and the KKK. Sometimes, and he was right, there was problems on both sides, but they were there because of a white supremacy rally, and the most important point is that that alone is a ridiculous way to think, and that as Americans, we can't tolerate someone who only likes people that come from the same part of the world as them, or people that only have the same color skin as them, or the white race, or the pure race, because that's stupid. | ||
| It doesn't even fit up with what we know about IQ standards. | ||
| If we really wanted the master race, we would be all trying to be Asian. | ||
| Correct. | ||
| Okay? | ||
| Because they dominate in IQ to the point where they're suing Harvard right now. | ||
| There's an Asian-American group that's suing Harvard because the standards for Asians to enter Harvard are more stringent than even white people. | ||
| They're harder because they're better because they get in more because their brains work better than yours. | ||
| Jesus Christ. | ||
| But see, this is not a popular narrative. | ||
| People don't talk about this. | ||
| But no one's saying that. | ||
| So if you're out there saying that the white race is superior, you're not even paying attention to the facts. | ||
| Does Trump say that? | ||
| No, definitely not. | ||
| White supremacists do. | ||
| For sure not, but the white supremacists do. | ||
| And they want to keep a clean state. | ||
| The general population thinks that Trump thinks like that, too. | ||
| That's not true. | ||
| There's no evidence of that. | ||
| But there is evidence that he understands that he has a base, and that his base is white people. | ||
| There's a big part of it is white people that are fed up about political correctness, white people that are fed up about being said they're racist just because they're white, or black people that want to hand out. | ||
| There's a lot of racists that have welfare problems, people that are on welfare, they're taking our money, they're taking our jobs. | ||
| There's a lot of that going on, and he knows that there's a percentage of those people that I'm sure support him. | ||
| So you gotta be real careful. | ||
| And they're saying he plays to that side. | ||
| Yeah. | ||
| But no one's saying there's any evidence that he's like that. | ||
| But he did say racist shit about Mexicans. | ||
| Right? | ||
| When he was talking about how they rape and murder. | ||
| Someone's doing the raping. | ||
|
unidentified
|
Someone's doing the murdering. | |
| The crime. | ||
| Well, the crime is out of control. | ||
| But he's not being honest about that, okay? | ||
| So that's obvious that he's trying to win, right? | ||
| Because if he's being honest about that, what he would say is the reason why there's so much crime is because drugs are illegal. | ||
| If we made drugs legal, we could sell these drugs to these people in America that would be run by businesses instead of being run by the mob. | ||
| The demand is undeniable. | ||
| It's undeniable there's a demand for cocaine, heroin, but there's also a demand for alcohol. | ||
| There's also a demand for plenty of things that are bad for you in America. | ||
| ZR1s. | ||
| You go buy a 770 horsepower Corvette Z01 that goes 0-60 in 2.9 seconds and just drink all the fucking Red Bulls you want and get on the highway and stomp the gas and you're in a spaceship. | ||
| That's crazy too. | ||
| That's all crazy. | ||
| So is doing heroin. | ||
| You probably might die more driving a ZR1 like an asshole than you would be doing coke. | ||
| But you're also going to kill more people in that ZR1. You might. | ||
| Look, there's a lot of ways people could fuck up their life and other lives around them that are absolutely legal. | ||
| We just make this decision that once something is illegal, like drugs, and I don't think you should do coke, I don't think you should do heroin, but I don't think you should do it, though. | ||
| I don't think you should fucking drink till you're dead either. | ||
| And people are doing that every day. | ||
| We're hypocrites in that regard. | ||
| And this idea that the only reason why these people are over there raping and murdering is because they're Mexican. | ||
| That's what's racist. | ||
|
unidentified
|
He said that? | |
| Did he say that? | ||
| That's what they're saying. | ||
| It's over in Mexico. | ||
| Someone over there is doing it. | ||
| But why are they doing it? | ||
| I'll tell you why and you know why. | ||
| They're doing it because drugs are illegal. | ||
| That's how the cartel makes their money. | ||
| But what do you think about the wall? | ||
| What do you think about building a wall? | ||
| It's crazy. | ||
| You shouldn't build a wall? | ||
| You shouldn't have secure borders? | ||
| What we should do is help Mexico. | ||
| We should figure out some way, and one of the best ways to help them would be make drugs legal. | ||
| That would be one of the best ways to help them. | ||
| Stop the cartel. | ||
| Another one would recognize that Mexico is just like, how is Mexico, in terms of the amount of distance, how are they, as close as they are to us, not us, but New York is us? | ||
| You could get to Mexico in two hours, dude. | ||
| You could drive to Mexico from LA in two hours. | ||
| But that's not a country. | ||
| That ain't even us. | ||
| But we decide that Maine is us. | ||
| That shit is way the fuck over there. | ||
| These people are attached to us. | ||
| They're right there. | ||
| They're connected. | ||
| You could walk there. | ||
|
unidentified
|
It's not outrageous to walk to Mexico. | |
| They're right there. | ||
| They're people. | ||
|
unidentified
|
So what are we supposed to do? | |
| They're people. | ||
| Nations are ridiculous. | ||
| Nations are ridiculous. | ||
| Making a one-world government? | ||
| No, not even a government, man. | ||
| We should have rules that we all agree on. | ||
| Our problems are when teams go against other teams. | ||
| But if we're all on the same team, then we compete against each other economically the way we do in cities. | ||
| That's why we don't have wars in cities. | ||
| We don't have city wars, right? | ||
| The reason why we have wars with other countries is because we think of each other as being on another team. | ||
| There's crime in cities, but there's crime in countries. | ||
| What we really need is to abandon this idea that we're all in these fucking tribes. | ||
| And I'm not saying I support one side or the other, but when Trump was saying that, isn't a lot of the violence is from the Mexican cartels and stuff in America? | ||
| Some of it, yeah. | ||
| A lot of it. | ||
| Salvadorians, right? | ||
| No, it's 100% real. | ||
| But it's propped up by drugs. | ||
| And until you address the root of what gives them money and causes the violence, we're just talking nonsense. | ||
| So the primitive way to approach it is to say, this team is going to go against that team, so we're going to put up a wall to keep that team from coming over here. | ||
| That's not going to help. | ||
| If you want to look at the entire future of people, the entire future, it's eventually going to come to a point where there's going to be an easy way... | ||
| You know, they have these Pixel, on the Google Pixel phone, they have these earbuds that allow you to translate someone's language in real time. | ||
| So if you were talking to me in Spanish, I could hear it through these earbuds for the Google Pixel phone, the Pixel 2, and it would translate. | ||
| So I could go to Mexico, I could talk to some cat who knows Spanish, he and I could talk, and I could understand what he's saying. | ||
| It's going to come a point in time where that is way simpler and way easier. | ||
| We're all the same language. | ||
| It's going to be all the same language. | ||
| And then it's like, why is there a war with Mexico and not a war with North Dakota? | ||
| Why am I not on the same team as someone in fucking Tijuana, which is right there? | ||
| Why am I not just like those people? | ||
| Why are we on different teams? | ||
| Says who? | ||
| Says why? | ||
| What benefit is that? | ||
| This is some old school shit that we only needed because we didn't know what the fuck people were doing because it was like Vikings. | ||
| They would show up in boats and start raping and murdering. | ||
| Territory. | ||
| But they're not... | ||
| Doing that to the people that are in their village, right? | ||
| They're not doing that to each other. | ||
| Well, they do it because they think people are the other. | ||
| So this idea of the other and the idea of the tribe, it's an outdated idea. | ||
| It's an outdated idea that maybe it's time's not done now, but it's time is done in a hundred years or a thousand years. | ||
| The future is people just people. | ||
| It's not Germans versus the French versus the Russians versus the Italians. | ||
| That shit is retro. | ||
| It's stupid. | ||
| It's just like... | ||
| It's just like tribes of fucking ancient hominids just sneaking in when they didn't even speak languages and clubbing each other and raping each other and doing all the shit that people have done forever. | ||
| Plus, California, Arizona, and Texas. | ||
| We're Mexico. | ||
| How about California's trying to separate into three spots? | ||
| I know. | ||
| Is that real? | ||
|
unidentified
|
Yes. | |
| It's going to be on the ballot. | ||
| It's going to be on the ballot in what, 2020? | ||
| Is that what it is? | ||
| Maybe. | ||
| If it wins, what happens? | ||
| There's gonna be a South, North, Central, South. | ||
|
unidentified
|
Really? | |
| There's gonna be LA, there's gonna be one, there's gonna be like California, and then there's gonna be like Southern California, like San Diego way, up to like, you know, like Bakersfield or some shit. | ||
| It makes sense though. | ||
| If you're gonna go off the old game plan, the old map, it makes sense. | ||
| You know why it makes sense? | ||
| This is why it makes sense. | ||
| If you drive from LA to San Francisco, you drive through Kentucky. | ||
| I don't know how it happens. | ||
| But you drive by. | ||
| God is great signs and don't have abortions. | ||
| Here's a doctor. | ||
| Jesus loves you. | ||
| It's farmland. | ||
| It's not what you think it is. | ||
| And there's nothing wrong with Kentucky. | ||
| I'm talking about it's rural. | ||
| It's rural. | ||
| It's beautiful. | ||
|
unidentified
|
Yeah, yeah. | |
| But it's rural. | ||
| It's farmland. | ||
| There's a big part of California that's farms. | ||
| Yeah, but isn't it the South is the one struggling and the North is killing it, right? | ||
| No, no, no, no. | ||
| It's political, man. | ||
| It's all political. | ||
|
unidentified
|
Right. | |
| But it's not that anybody's killing it. | ||
| It's that they don't feel represented. | ||
| See, there's more people in San Francisco and in Los Angeles by far than the rest of the state. | ||
| But the state is huge. | ||
| Everybody thinks that San Francisco is Northern California. | ||
| The fuck it is. | ||
| There's hours of driving until you hit Oregon. | ||
| Way more Northern. | ||
| How many hours does it take to drive from San Francisco to Oregon? | ||
| Four. | ||
| Is it four? | ||
| I think so. | ||
| I'll say three. | ||
| Somewhere, I'll say a little bit more. | ||
| I'm going to say four and a half. | ||
| I'm going to say four and a half hours. | ||
| What does it say, Jamie? | ||
| I'm saying four. | ||
| Sticking to four. | ||
| You might be right. | ||
| I'm just guessing. | ||
| I like three. | ||
| It's a grip of space. | ||
|
unidentified
|
Five. | |
| Five hours. | ||
| See? | ||
| There's a lot of fucking space up there. | ||
| And those people are all rural. | ||
| It's like, that's where the green emerald triangle is and Humboldt and they're growing all the fucking weed. | ||
| It's beautiful up there. | ||
| It's beautiful up there. | ||
| It's like a rainforest. | ||
| I could live up there. | ||
| Dude, I've been to many, many parts of Northern California. | ||
| It doesn't even remotely resemble Southern California. | ||
| No, hell no. | ||
| So these people, they don't feel represented. | ||
| LA's all goofy. | ||
| They feel like this is just some liberal, delusional hotbed. | ||
| And they also don't like a lot of the laws. | ||
| The laws in regards to wildlife management. | ||
| Or the taxes. | ||
| If you live in Sacramento, why are you paying the same tax as someone that lives in Malibu? | ||
| Yes. | ||
| The taxes are off the charts here. | ||
| They were saying that 500,000 people this year are going to move out of California and New York because of taxes. | ||
| Just because of taxes. | ||
| If you live in Oxnard, should we be paying the same tax as on a beachfront property in Alabama? | ||
| No fucking way. | ||
| How fucked up is that? | ||
| No fucking way. | ||
| Makes no sense. | ||
| But you aren't. | ||
| You're paying more if you live in Malibu. | ||
| Because you're paying more, you make more money. | ||
| So your higher percentage of your property, you know, your property's worth more. | ||
| Yeah, but still, you're still paying a high fucking rate if you're in Oxnard to live in California. | ||
| The rate's ridiculous. | ||
| It's crazy. | ||
| Well, you know, also it's ridiculous when you realize you don't have to pay that rate if you go other places. | ||
| Like, I know guys who've moved. | ||
| What's the best date? | ||
| Florida is pretty good. | ||
| Florida is good if you have a business. | ||
| I know guys that have businesses that move to Florida because if they sell their business, they don't want to pay 13% to the government in California. | ||
| And they can't take your home if anything happens there. | ||
| There's a lot of places where you don't pay state tax. | ||
| Washington, you don't pay state tax. | ||
| Nevada, you don't pay state tax. | ||
| I think what I'm reading right now says this is not just a plan to split the state. | ||
| It's to split away from the United States to make it its own independent country. | ||
| So much for that plan. | ||
| Some wacky dude. | ||
|
unidentified
|
I've got a Rolls Royce and I love pussy. | |
| Yeah, it doesn't make sense. | ||
| I like the luxury. | ||
| That's definitely not the luxury I can have. | ||
| I believe in luxury. | ||
| That's not happening. | ||
| Yeah, that's not happening. | ||
| So that's out the window. | ||
| Florida Tech's the big one where the business people or people that want to save their money go. | ||
| But look, the United States is fascinating in a way that you could find out where the laws are best for you and you go, look, we're just going to fucking take a chance and move to Montana. | ||
| You know, you live in Montana, you're living in a place with like 3 million people instead of 30 million people. | ||
| You live in a place where you're like butted up against the fucking Yellowstone Park and looking at mountains and shit and wolves at night. | ||
| Is it true that you could take the world's population and fit them all in Texas and all in their own house? | ||
|
unidentified
|
Yes. | |
| Is that true? | ||
| That's really true? | ||
| Yes, true. | ||
| How crazy is that? | ||
| Texas is gigantic. | ||
| Well, but we're talking about all of China and all of Africa in Texas with everyone else? | ||
| There's something about- Isn't that insane? | ||
| There's something about Texas where- Is that true? | ||
| Yeah. | ||
| That's true, right? | ||
| The amount of European countries you fit in Texas. | ||
| It's kind of crazy. | ||
| It said the whole world can fit in Texas with their own house. | ||
| Everybody with their own house. | ||
| That seems unbelievable. | ||
| Eight billion. | ||
| Yeah, eight billion people. | ||
| You can put eight billion people in Texas in their own house. | ||
| Eight billion houses in Texas? | ||
| Well, you know, Texas is a different state, man. | ||
| It's not like any other state. | ||
| Apparently, Alaska, too. | ||
| You could do the same thing in Alaska. | ||
| I mean, if everyone lived in a 10x10 room, yeah. | ||
| Well, Alaska is the biggest, and Texas is the second biggest, right? | ||
| Isn't it? | ||
| Yeah, so doesn't it seem, if that's the case... | ||
| Then overpopulation is a myth. | ||
| It's gotta be. | ||
| No, it's not a myth. | ||
| Because it's about the resources and space. | ||
| You could jam everybody in Texas, but it would be like Mad Max. | ||
| It would be fucking terrible. | ||
| Still, that's Texas. | ||
| And the rest of the world is empty? | ||
| And the rest of the world is empty? | ||
| You'd have to grow food in the rest of the world. | ||
| And people would be sucking it out in truckloads every second. | ||
| We'd be eating each other. | ||
| We'd be on top of each other. | ||
| I don't know. | ||
| No, overpopulation is not a myth, Eddie. | ||
| Overpopulation is real. | ||
| If we could put everybody in Texas, it's a myth. | ||
| That's the way I look at it. | ||
| No, no, no. | ||
| Here's the thing. | ||
| First of all, it's not sustainable. | ||
| This is the problem with overpopulation. | ||
| Right now, we're okay. | ||
| If we just kept this number, the human race could survive. | ||
| The real problem is we're not keeping this number, son. | ||
| No. | ||
| This number is going to grow. | ||
| This number was 2 billion, whatever the fuck it was, in 1950, and it's 7 billion now. | ||
| When did we figure it out? | ||
| People are having less kids, though, now. | ||
| I have so many friends in the 40s that have no kids. | ||
| It's not like it was in the 50s. | ||
| Not in China. | ||
| First world countries. | ||
| That's one of the things about the rest of the world. | ||
| They're outbreeding us. | ||
| Radically. | ||
| Not in Japan. | ||
| There's been studies done. | ||
| Every time I'm on a plane, I see emptiness in barren wasteland everywhere I go. | ||
| I don't see overpopulation. | ||
| I see emptiness everywhere I go. | ||
| God, Eddie has a point here. | ||
| Everywhere. | ||
| Where are the people at? | ||
| No, that's true. | ||
| When you fly over the country. | ||
| But there's places where you can't grow shit, Eddie. | ||
| You're flying over Nevada and you're looking down. | ||
| You can grow shit anywhere. | ||
| You can grow shit anywhere. | ||
| What they did with Vegas is they tricked everybody into thinking you could live in Nevada. | ||
| Fuck that. | ||
| They made Henderson. | ||
| They made Vegas. | ||
| They basically built these places in a place they shouldn't have built places. | ||
| They had a crazy rule. | ||
| They could do whatever the fuck they want there. | ||
| The mafia. | ||
| What's weird about Nevada is Nevada has two weird things. | ||
| One, nuclear testing. | ||
| They did a Fuckload of nuclear testing. | ||
| You see the fucking, there's a map, or a video rather, that shows you the map of the earth and it shows you all the nuclear bombs they set off in Nevada. | ||
| And you're just like, Macaulay Culkin from Home Alone by the end of the video, like, what? | ||
| Do you remember those old nuclear test videos where they show like a building and then like this hurricane of nuclear energy going through it? | ||
| Everybody remembers those, right? | ||
| How did they film that? | ||
| They set cameras up. | ||
| How did the cameras not? | ||
| What kind of cameras are those? | ||
| Listen, they're very far away when all the shit is going down. | ||
| And the scariest thing is not those buildings blowing apart. | ||
|
unidentified
|
They look like models. | |
| They do because they got hit so hard. | ||
| The scariest thing is the ones when you see the bombs in the distance, miles away, and these guys jump up. | ||
| The shit goes over their head. | ||
| They're in these ditches. | ||
| And they jump up and run towards it. | ||
| Because they didn't know shit about radiation back then. | ||
|
unidentified
|
Jesus Christ. | |
| So they had these soldiers practice. | ||
| The idea was that you would drop the nuclear bomb on people and then they would run towards the bomb because the people would be so fucked up and disoriented that you just take over the city. | ||
| Jesus Christ. | ||
| But meanwhile, these people are running right into radiation. | ||
| Growing like three eyeballs. | ||
| How come people in Vegas aren't born with three heads? | ||
| It's not Vegas. | ||
| Some are. | ||
| But still, it's close enough. | ||
| Nevada's big. | ||
| Nevada's big. | ||
| Yeah, but those nuclear touch sites are not that far from Vegas where they're blowing up these nuclear bombs all the time. | ||
| People in Vegas should be growing fucking three dicks for the next thousand years. | ||
| Well, you know, there's a story about John Wayne. | ||
| That John Wayne was filming a movie. | ||
| We're going to need you on this one, Jamie. | ||
| That John Wayne was filming a movie in like the 1950s. | ||
| Whatever the fuck it was, he was doing those westerns. | ||
| And that during that time, they were in an area where they were doing tests, nuclear tests, and everybody on that movie set got cancer. | ||
| Everybody. | ||
| Say that again? | ||
| What does it say there? | ||
| The movie So Toxic It Killed John Wayne, The Tragedy of the Conqueror. | ||
| Yeah. | ||
| That was about... | ||
| Wasn't it about Genghis Khan? | ||
| How do they know that movie killed them? | ||
| I mean, how would they know? | ||
| People were getting cancer all the time. | ||
| No, but I think a bunch of people got cancer. | ||
| People were getting cancer from the polio vaccine. | ||
| But like all of them got it. | ||
| Did you know that? | ||
| Like a million people? | ||
| From the vaccine? | ||
| From the polio vaccine. | ||
| What does it say, Jamie? | ||
| I'll find them more. | ||
| I don't even know if this is a true story. | ||
|
unidentified
|
Oh, you know that. | |
| You know that. | ||
| You've heard that. | ||
| Yes. | ||
| I don't know if this is a true story. | ||
| I need to get verification. | ||
| I feel like Eddie's dropping some knowledge tonight. | ||
| I'm not dropping no knowledge. | ||
| I'm keeping it fun today. | ||
| I know, but it's a good point. | ||
| There's a lot of land when you're flying. | ||
| I fly non-stop. | ||
| I think the same thing. | ||
| Overpopulation. | ||
| Pollution. | ||
| The thing is, you'd have to turn all that shit into farmland to feed all those people. | ||
|
unidentified
|
Easily. | |
| That's easy. | ||
| I don't know about that. | ||
| I don't know. | ||
| Just dirt. | ||
| Yeah. | ||
| It's just dirt. | ||
| There's definitely room. | ||
| The question is for how long and how many people can you feed off that dirt? | ||
| Like, if you're in Nevada, how many farms are in Nevada? | ||
| What does it say? | ||
| Scroll up. | ||
| Conquer filmed on a nuclear test site. | ||
| Good move. | ||
| Yeah. | ||
| Howard Hughes, the director, and Bill Powell knew of the dangers and had Assurances from the Atomic Energy Commission that it was safe, but apparently, even John Wayne supposedly brought a Geiger's. | ||
|
unidentified
|
I don't know. | |
| This might have been too long ago to get accurate information. | ||
| John Wayne played Genghis Khan. | ||
| Yellow face. | ||
| It's terrible. | ||
| Super racist. | ||
| It's so terrible. | ||
|
unidentified
|
You watch it and he's like, I'm Genghis Khan. | |
| I'm getting his gun. | ||
| Get my horse over here and I'm about to take over the Chinese! | ||
| Dude, I hate old movies, man. | ||
| I can't watch any of them. | ||
|
unidentified
|
I don't watch any fucking old movies. | |
| Let's do a fight companion for John Wayne's Genghis Khan. | ||
| Some people are into it. | ||
| When people say Gone in the Wind's the best move of all time, fuck! | ||
| What did you say, Jamie? | ||
|
unidentified
|
Hold on. | |
| Hold on. | ||
| What does it say, Jamie? | ||
| A lot of people got cancer on the set. | ||
| Wow. | ||
| How many people? | ||
| 90 of the 220-person crew did. | ||
| 46 of those people died. | ||
| Some of the main actors apparently all died of cancer within 25 years of the movie coming out. | ||
| You might be able to say that about any movie. | ||
|
unidentified
|
No, no, no. | |
| I mean, so many people die of cancer. | ||
| No, no, no. | ||
| Isn't cancer the number one killer? | ||
| Yeah, but cardiovascular disease. | ||
| But cancer's up there. | ||
| That's a high rate, though. | ||
| That's a high rate, dude. | ||
| That's not like, go back to Jurassic Park, everyone's still alive. | ||
| That movie's long, you know. | ||
| You would think there would be a lot of people, like now, even today. | ||
| These nuclear bombs were going off in the 50s. | ||
| I don't understand how you, a guy who's always a conspiracy guy, doesn't recognize this conspiracy. | ||
| That these dummies didn't understand what the fuck they were doing with nuclear bombs. | ||
| That's not a conspiracy, though. | ||
| It is a conspiracy. | ||
| What website is that? | ||
| It's on YouTube, so it can't be real. | ||
| HowStuffWorks.com What was that? | ||
| HowStuffWorks.com That's legit. | ||
| That's mainstream right there. | ||
| HowStuffWorks.com That's as mainstream as you can get. | ||
| What does that mean? | ||
| You know what's mainstream? | ||
| The JRE. This is mainstream as fuck. | ||
| Hell yeah. | ||
| This is mainstream as fuck. | ||
| So what does that mean? | ||
| 5,000 downloads a day. | ||
| No, I'm kidding. | ||
| What does this mean? | ||
| Like, what does mainstream mean? | ||
| It doesn't mean it's not real. | ||
|
unidentified
|
I don't know. | |
| Just because how stuff works is an independent website. | ||
| No, what I'm saying is, you said it was a conspiracy theory, and I'm like, it wouldn't be if it was on that. | ||
| That's not what I said. | ||
| The conspiracy to keep this quiet, the fact that the government's nuclear tests most likely killed John Wayne and a shitload of actors from fucking cancer in the desert. | ||
| They were dropping bombs not knowing what the fuck they were doing. | ||
| And there's plenty of evidence that they didn't know what the fuck they were doing. | ||
| If you watch the videos of old nuclear test site with soldiers running towards the blast, have you seen those? | ||
| Yeah, I've seen those. | ||
| They're fucking insane. | ||
| It looks like... | ||
| I don't know. | ||
| All that old footage looks like... | ||
| It doesn't look authentic. | ||
| It looks like they faked all that shit. | ||
| But I don't know. | ||
| I'm a retard. | ||
| Do you think nuclear bombs are fake? | ||
| Is that what you're saying to me? | ||
| You know, there's a conspiracy theory that nuclear bombs actually don't exist, that they never actually figured it out, but they realized that the threat of nuclear bombs is good enough. | ||
| But Eddie, you can see the bombs. | ||
| The atom bombs? | ||
| But how do you know by seeing them that they're real? | ||
| Did you ever see the one where they dropped the bomb in the ocean and they didn't know how much of a blast it would create? | ||
| But what I'm saying is how do you know it wasn't just a regular powerful bomb? | ||
| Like, how do you know? | ||
| How do you know by watching a bomb go off? | ||
| But how do you know it's nuclear? | ||
| Pull up the nuclear test. | ||
| I don't know what a nuclear bomb looks like when it blows up. | ||
| I don't know. | ||
| Compared to a regular... | ||
| I don't know. | ||
| How would you know the difference? | ||
| Eddie, listen to him. | ||
|
unidentified
|
Eddie, listen to him. | |
| We have things that can test nuclear radiation. | ||
| But I'm saying, how can you tell? | ||
| Because you can do tests. | ||
| I don't know. | ||
| You can do tests with those instruments. | ||
| But I've never done those tests with you. | ||
| But you can. | ||
| I don't know. | ||
| Can you? | ||
|
unidentified
|
I don't know. | |
| You can, though. | ||
|
unidentified
|
You're not willing to. | |
| This is not something that you're studied in. | ||
| I'm saying I don't know. | ||
| I know, but I'm just saying I don't know. | ||
| I'm telling you you can. | ||
| How can people look at a bomb? | ||
| You're saying someone else figured it out. | ||
| How can you look at a bomb? | ||
| I think you're thinking about shit the wrong way. | ||
| I really do. | ||
| No, I'm just saying if there was videos of 20 bombs going off, would you be able to pick out the nuclear bombs? | ||
| Eddie, they make these giant mushroom clouds. | ||
| They're very unusual. | ||
| It's not like a regular bomb. | ||
| I'm not saying... | ||
| Pull that video up of the bomb in the ocean. | ||
| How can anybody tell, like a regular person, how could you tell? | ||
| Before you ask that question, I think you should probably talk to a nuclear physicist. | ||
| I'm just asking questions. | ||
| I don't know. | ||
| But to question it like it's not real is ridiculous. | ||
| They killed how many fucking people in Nagasaki and Hiroshima? | ||
| How do you know what kind of bomb that was? | ||
| Watch this. | ||
| Watch this bomb. | ||
| Look at this. | ||
| How do you know what kind of bomb that is? | ||
| That is the craziest amount of power you could ever imagine. | ||
| I could never imagine something that can blow the ocean a mile into the sky. | ||
| And that's just one video of it. | ||
| There's another one of those videos where they do it from a distance. | ||
| Look at the water, where it's falling from. | ||
| I get that. | ||
| See if you can find one. | ||
| Do you understand? | ||
| It could be a nuclear bomb. | ||
| All I'm saying is how can you know for sure? | ||
| Look at that. | ||
| How many whales died in this? | ||
| Oh, everything died. | ||
| Everyone. | ||
| All the fish. | ||
| They made some tuna salad out of that motherfucker. | ||
| All the fish are fucked. | ||
| Look at the water come down. | ||
| How crazy that is. | ||
| That boat's fucked, though, huh? | ||
| Look at that. | ||
| Look at that. | ||
| Yeah, I don't know what kind of bomb that is. | ||
| I don't know. | ||
| Look at that. | ||
| That's a big explosion. | ||
| That's high, that's big, but I don't know what conventional bombs. | ||
| What difference does it make? | ||
| Because Eddie's saying the reason why they threaten nuclear bombs is to keep everyone kind of chill, but we might not have the... | ||
| They've got the power to do that, dude. | ||
| That would wipe out a fucking city. | ||
| But maybe you could do that with just regular conventional bombs. | ||
| Maybe that's like 10. What I'm saying is I don't know. | ||
|
unidentified
|
Right. | |
| Well, you should find out. | ||
| I don't know. | ||
| This is a nuclear bomb. | ||
| I mean, the scientists all agree there's no conspiracy. | ||
| The conspiracy is amongst idiots. | ||
| These people that are talking about it online, they literally have no idea what they're talking about. | ||
| And they're spreading this nonsense. | ||
|
unidentified
|
That's what I'm saying. | |
| I don't know. | ||
| I understand you don't know. | ||
| But don't even bother questioning it. | ||
| It's a waste of time. | ||
| You're going down a rabbit hole for no reason. | ||
| You're wasting all this time. | ||
| How do you know? | ||
| I don't need to know. | ||
| What do you care about me wasting my time? | ||
| Waste my time on whatever. | ||
| Why are you so concerned? | ||
| Why are you so concerned about me wasting my time? | ||
| Because you waste our time, too. | ||
|
unidentified
|
Why? | |
| It's an interesting conversation. | ||
| We start talking about whether or not nuclear bombs are real. | ||
| We don't have to talk about this. | ||
| We don't have to talk about this. | ||
|
unidentified
|
Why don't you want to find the answer to it? | |
| Why don't you just want to question it? | ||
| You could look up the answer. | ||
| You could go study it. | ||
|
unidentified
|
You could look up. | |
| Yeah, you could look up anything. | ||
|
unidentified
|
It's not going to look up. | |
| If you literally want to know the answer to this particular question... | ||
| You could look it up. | ||
|
unidentified
|
No, no, no. | |
| You could go to college. | ||
| You could get a professor. | ||
| You could find any number of people that have the answers. | ||
|
unidentified
|
Could show you how to study them. | |
| Could prove the test to you. | ||
|
unidentified
|
Could lay it out. | |
| Could give you all these instructions so you could go do it on your own without anybody else. | ||
| I don't care about it that much. | ||
|
unidentified
|
Then why, again, on Joe's point, why bring it to us in question? | |
| I just don't trust anything I can't verify for myself. | ||
| You don't have to get mad because of that. | ||
| Why are you mad because of that? | ||
| You're getting mad right now. | ||
| Because I don't trust shit from the government. | ||
| You're getting angry at me? | ||
|
unidentified
|
You can verify this. | |
| You just said you can't, but you can. | ||
|
unidentified
|
That's the issue on some of these things with science. | |
| Have you verified it? | ||
|
unidentified
|
Yes, they are verified. | |
| How did you verify it? | ||
| I went to fucking physics class at college. | ||
| I got an A. Okay. | ||
| So that proves nuclear bombs? | ||
| No. | ||
| I didn't make it to that class. | ||
| I quit college. | ||
|
unidentified
|
I didn't keep going down the nuclear class. | |
| That's farther in than physics 111 and 112 at Ohio State. | ||
| They don't give it to the freshmen. | ||
| It's high level. | ||
|
unidentified
|
That's it. | |
| I mean, if you want the answers, you can go get them. | ||
| It's not just question the world. | ||
| This is why it's frustrating, because you don't want the answers. | ||
| You just want to question everything that the, in air quotes, government says. | ||
| Who cares? | ||
|
unidentified
|
We do. | |
| Why are you so angry over that? | ||
| I'm not. | ||
| It's frustrating. | ||
|
unidentified
|
Why? | |
| Because the world being flat, because nuclear bombs being fake, because dinosaurs not being real. | ||
| What's the big deal? | ||
| They're a giant waste of time. | ||
|
unidentified
|
For who? | |
| For us. | ||
| Let's talk about something else. | ||
| Okay, but you like talking about those things. | ||
| Hey, I didn't bring up nuclear bombs. | ||
| You guys did. | ||
| I didn't bring it up. | ||
| But you really argued it for a while. | ||
| I'm just bringing up questions and you're getting angry. | ||
| I'm not angry, Eddie. | ||
| Okay, good. | ||
| Do you hear me being angry right now? | ||
| You guys sounded angry. | ||
| You said you were frustrated. | ||
| What's frustrating? | ||
| Frustration usually is in there with anger. | ||
| I'm just saying, the one fun point Eddie was making is like, man, I don't know nuclear science or anything like that, so how do we know those atom bombs are real compared to a regular bomb? | ||
| It was a fun conversation. | ||
| That's it. | ||
| Just to mix up your fucking calves. | ||
| Jamie. | ||
| Game 7 tomorrow morning. | ||
| Turn in. | ||
| Game 7. Big game. | ||
| LeBron's screwed. | ||
|
unidentified
|
You can look into a lot of this stuff and you can't find the answers. | |
| That's my only point. | ||
| And when you're talking over me, that's where the frustration comes from. | ||
| That's it. | ||
| You're angry. | ||
|
unidentified
|
I'm not angry. | |
| Don't get angry at me wasting my time. | ||
| Eddie, stop telling people to not get angry. | ||
| You're using that as a defensive tactic. | ||
| Because he's making a good point. | ||
| Because I'm not the one... | ||
| He keeps saying people are angry. | ||
| Okay. | ||
| You say it's frustrating. | ||
| We could say that you're angry because you don't believe in the government. | ||
| You're angry. | ||
| I don't trust the government. | ||
| You could say that. | ||
| We could say, why are you angry? | ||
| I do say that. | ||
| No, we could say that to you. | ||
| We could say, why are you angry? | ||
| That doesn't get anybody anywhere. | ||
| We're just talking about the reality of these facts. | ||
| You guys can believe whatever you want. | ||
|
unidentified
|
Alright, I will. | |
| Okay. | ||
| I believe everything I've been taught and learned... | ||
| Go right ahead. | ||
| I'm not angry at you. | ||
| That doesn't frustrate me. | ||
| I don't care what you think. | ||
| But am I wrong then? | ||
| No. | ||
| You could believe whatever you want. | ||
| But why would you continue to question it? | ||
| Hey, Brendan, that's a nice shirt. | ||
| What is that? | ||
| A lot of floral is in right now. | ||
| Is that flowers? | ||
| Floral is in right now. | ||
| That's like abstract. | ||
| If you go to Hawaii, make sure you wear a nice Hawaiian print. | ||
| It's in right now, Joe. | ||
| I know you're not big in this style. | ||
| Should you wear a Hawaiian shirt, like with the buttons? | ||
| Yes. | ||
| Because that's the only time you should wear those. | ||
| They're in right now. | ||
| They're in right now. | ||
| I used to wear those on stage like an asshole. | ||
| Did you really? | ||
| I thought they were cute. | ||
| They're back now, so he'd be good. | ||
| Oh, they're back. | ||
| You know what's in. | ||
| Do you have any idea at all what's fashionable? | ||
| Not at all. | ||
| No idea. | ||
| I have no idea. | ||
| I'm wearing the same jeans from 10 years ago. | ||
| I like fashion. | ||
| But why are you into fashion? | ||
| I don't know. | ||
| Since I was a kid, I was super into fashion. | ||
| I just love fashion. | ||
| I couldn't tell you why. | ||
| I collect shoes, I like the trendy whatever's going on. | ||
| But you're one of the Rare straight guys. | ||
| It's really weird. | ||
| I know you'd think I'd suck a ton of dick. | ||
| That'd be a conspiracy theory. | ||
| You really do enjoy it. | ||
| Love it. | ||
| Like, you like funky shoes. | ||
| Yeah, I think I got a job on E. They're like, you're not gay? | ||
| I'm like, no, I'm just super into fashion. | ||
| Well, girls like dudes that are into fashion, generally. | ||
| Yeah, but he genuinely likes it. | ||
| Oh, yeah, I love it. | ||
| You like looking good. | ||
| I read about it, GQ magazine, all that stuff. | ||
| Oh, shit, okay. | ||
|
unidentified
|
It's very strange. | |
| Nothing wrong with that. | ||
| When you were shooting your special in Boston, I erased the text because I was going to be like, dude, what are you going to wear? | ||
| And I was like, I'm not going to send that to him. | ||
| That's funny. | ||
| That goes through my head, man. | ||
| I've outfits picked out weeks before. | ||
| Like, I have a show in Minnesota. | ||
| Wait a minute, you have outfits picked out weeks before? | ||
| I have shows in Minnesota, I have my outfits already picked out. | ||
| Damn. | ||
| Yeah, I dress terrible, always. | ||
| No, it's your style, it's not terrible. | ||
| You don't dress like an asshole. | ||
| You make an effort. | ||
| Thank you very much. | ||
| I wear shirts that are too big for me. | ||
| They don't fit me right? | ||
| I just wear Tung Planet shirts. | ||
|
unidentified
|
That's a good move. | |
| Jiu-jitsu shirts. | ||
| That's a good move. | ||
| They're good shirts. | ||
| They're free! | ||
| What do you do when your style dies off? | ||
| Do you get rid of the clothes? | ||
| Evolve. | ||
| You give it to Salvation Army? | ||
| Yeah, I get rid of it. | ||
| I give it to Salvation Army. | ||
| Yeah, I knew it. | ||
| So you're not even stockpiling the old shit. | ||
| You don't want to be caught dead with the old clothes in your house. | ||
| Hell no. | ||
| Hell no. | ||
| How many pairs of shoes and sneakers do you keep at any time? | ||
| Probably have around 150 right now. | ||
| Get the fuck out of here! | ||
| What? | ||
| Young Jamie can relate to that. | ||
| 150 shoes? | ||
| Yeah. | ||
| That is so crazy. | ||
| And then now you know what's happening is I post on my Instagram story like kicks of the day or you know studio kicks and now companies are sending me shoes. | ||
| So I post on there. | ||
| It's a vicious cycle. | ||
| This Ninja Warrior shit is ridiculous. | ||
| This Ninja Warrior shit is going on in between Scientology commercials. | ||
|
unidentified
|
I was hoping you guys were going to look up earlier Felice Herring ran. | |
| Oh how'd she do? | ||
| She didn't do very good. | ||
| It's tough. | ||
| Unless it's your thing, it's fucking tough, man. | ||
| Dude, you know what I've been digging? | ||
| I'm sure it's not very... | ||
| You guys aren't going to dig it. | ||
| Your wife will. | ||
| It's that Peloton bike. | ||
| You like that? | ||
| I burn a shitload of cow. | ||
| I can do a 45-minute class. | ||
| I only fuck with Robin NYC. She's a little beast on there. | ||
| I refuse to use anyone else. | ||
| Dude, people love those things. | ||
| It's fun, man. | ||
| They love them. | ||
| I still box and shit. | ||
| Quit looking at me like that, Eddie. | ||
| But I jump on a bike, man. | ||
| Nothing wrong with that. | ||
| Yeah. | ||
| I like being outside, man. | ||
| I like running hills so much. | ||
| My cardio, I try to do all outside. | ||
| I have that rowing machine thing and the air bike. | ||
| My problem is if I have to be on set at 7, that means I leave the house at 5.45, so I'll get up at 4.30 and knock that out. | ||
| So just in my house and then go. | ||
| Jesus Christ. | ||
| How often do you do fighter and the kid? | ||
| Twice a week. | ||
| And then big brown breakdown? | ||
| Below the belt podcast Monday mornings, then shoot below the belt. | ||
| It's not the big brown breakdown anymore. | ||
| It's below the belt, son. | ||
| Why'd you change it? | ||
| The government came to him. | ||
| They forced his hand. | ||
| They forced him. | ||
| I just made it all in sync with the show on Showtime. | ||
| First of all, using Big Brown is now cultural appropriation. | ||
| Correct. | ||
| You can't use it anymore. | ||
| I know they called you Big Brown, but you can't use it anymore. | ||
| No. | ||
| Because you're not brown enough. | ||
| Not brown enough anymore. | ||
| You should get a DNA test. | ||
| You get some 23andMe and find out you got something in you. | ||
| Did you really get in trouble for using Big Brown Breakdown? | ||
| No. | ||
| You just didn't like it no more? | ||
| No, I liked it, but I got my show on Showtime, Below the Belt. | ||
| Oh, so you killed that. | ||
| I didn't kill it. | ||
| It's the exact same show. | ||
| I just wanted all the same brand. | ||
| What if you had like 18% Moroccan? | ||
| What's the brand? | ||
| Below the Belt. | ||
| So everything's Below the Belt? | ||
| Below the Belt with Brendan Shabian. | ||
| Okay. | ||
|
unidentified
|
Come on, man. | |
| TV show podcast. | ||
| What if you found out you were like 18% Moroccan? | ||
| You ever do one of those 23 and Me's? | ||
| No. | ||
| You got some stuff in you. | ||
| I'd love to do that. | ||
| I'd love to find out if I was like 5% black or something. | ||
| Maybe. | ||
| That girl, that girl, Woe Vicky. | ||
| You ever heard of Woe Vicky? | ||
| No. | ||
| The young girl? | ||
| There's this epidemic of these young rappers, these young white rappers that are... | ||
| Completely insane. | ||
| This girl will make you want to pull your hair out. | ||
| Her name is Woe Vicky. | ||
| She's just throwing money around. | ||
| She's a little white. | ||
| She's like 15 years old, right? | ||
| Or something like that. | ||
| And she talks like the... | ||
| She's claiming she's part black. | ||
| Lil Tay or Woe Vicky? | ||
| Lil Vicky. | ||
| Woe Vicky, right? | ||
| Lil Tay also. | ||
| Oh, Lil Tay's worse. | ||
| She's like 10 years old. | ||
| She's the Asian one, right? | ||
| She's like, yo, bitch. | ||
| But you watch this and you're like, oh shit, we're screwed down the road. | ||
| Scary. | ||
| And they're huge. | ||
| They're huge. | ||
| And then Tekashi 6ix9ine. | ||
| You guys hear Tekashi 6ix9ine? | ||
|
unidentified
|
We talked about him. | |
| Oh my god. | ||
| They make more money off YouTube than you guys do. | ||
| So we're screwed in terms of the future of the human race? | ||
|
unidentified
|
Correct. | |
| Because they're looking up to these kids that have millions and millions of followers. | ||
| All they do is bring out stacks of hundreds, get on Instagram live, and just start throwing down the money. | ||
| She bought a helicopter. | ||
| Little Tay. | ||
|
unidentified
|
Let's try to find a good one here. | |
| Whoa. | ||
| Here's their fight, actually. | ||
| She had a fight with somebody? | ||
|
unidentified
|
Yeah. | |
| The Cash Me Outside girl? | ||
|
unidentified
|
Cash Me Outside. | |
| They all ran into each other at the Glendale. | ||
| Let me see this. | ||
| Oh, shit. | ||
| Oh shit! | ||
| See the floral print though? | ||
|
unidentified
|
Put your bag down. | |
| Damn, that's Woe Vicky right there. | ||
| Do something. | ||
| You ain't gonna do that. | ||
|
unidentified
|
No, no, no. | |
| Don't touch on me 'cause I'm in the middle. | ||
| She's 14. | ||
| That's little 10. | ||
| She's 9. One's 14 and one's 9. | ||
| Yeah, the floral print hoodie is 14. | ||
|
unidentified
|
I'm right here. | |
| Look at how many views this has, Joe. | ||
| She's trying to hit a nine-year-old. | ||
|
unidentified
|
They have bodyguards too, which is the funny part. | |
| Oh, so this is not really a fight. | ||
|
unidentified
|
Are you lying? | |
| Oh, they get into a fight. | ||
| No, they get into a fight, yes. | ||
| They physically fight. | ||
| Right here? | ||
|
unidentified
|
Yeah, it's on... | |
| I don't know where the second part is. | ||
| Don't tease me, bro. | ||
| She just tries to reach over. | ||
| It's nothing major. | ||
| You gotta show the white girl, though. | ||
| I don't want to see little girls fight like that. | ||
| Whoa, Vicky, just talking shit, throwing cash. | ||
|
unidentified
|
What? | |
| Put your racks on this car and I'm only nine years old. | ||
| I got the keys to this car. | ||
| What? | ||
| Yeah. | ||
|
unidentified
|
See this? | |
| These are butterfly wings. | ||
| Y'all haven't seen this car in your lives. | ||
| I've been driving this around the Beverly Hills area and I'm only nine years old. | ||
| I ain't got no license, but I ain't ever gonna get no license. | ||
| Okay. | ||
| That's what they do. | ||
| Stop. | ||
| How crazy is that? | ||
| They're huge. | ||
| They're rich for this. | ||
| Five million followers. | ||
| Who's behind that? | ||
| The parents? | ||
| I don't know what's going on. | ||
| Who's holding the camera? | ||
| I don't know what's going on. | ||
| It's scary. | ||
| You gotta go to the white girl who thinks she's black. | ||
| Won't Vicky? | ||
| Didn't that seem super prepared? | ||
|
unidentified
|
Yeah, won't Vicky. | |
| Didn't that seem like super rehearsed? | ||
| I don't get it, man. | ||
| I don't know what's going on. | ||
| It's hilarious though. | ||
| This is Woe Vicky. | ||
| Was she the other one? | ||
| The tall one that was in the background? | ||
| Yeah, the tall one. | ||
| She's the worst one. | ||
| You just had her. | ||
| She's the worst one. | ||
| That wasn't her actual page. | ||
| No? | ||
| Yeah, Woe Vicky talks so much. | ||
| And she claims she's part black. | ||
| That's her right there. | ||
| Oh, I saw that, girl. | ||
| Look at this. | ||
| Listen to her. | ||
|
unidentified
|
They keep commenting about me in a bad baby situation. | |
| Y'all need to know what really happened. | ||
| That bitch is scary. | ||
| That bitch snuck me from behind while I was on the ground trying to grab my purse. | ||
| Let me tell y'all something. | ||
| This bitch waited till I was 18 to really fight me. | ||
| Like, bitch, we had beef for a whole year. | ||
| I just turned 18. Okay, I can't do this. | ||
| This will fuck your life, bro. | ||
| She's huge. | ||
| I don't feel good right now. | ||
| She bought a helicopter, Mr. Moon. | ||
| She bought a fucking helicopter. | ||
| No, seriously. | ||
| Seriously. | ||
| Oh my god. | ||
| Whoa, Vicky. | ||
| Damn, kids are fucked, huh? | ||
| Kids are fucked. | ||
| The future's fucked. | ||
| Dude. | ||
| And then that Takashi69 guy, he looks Mexican to me, but I think he's claiming he's black, right? | ||
| No. | ||
| He says the N-word all the time. | ||
| All the time. | ||
| And it's okay. | ||
| No one's kicking his ass. | ||
| It's totally okay. | ||
| He's Puerto Rican, though. | ||
| They can do that up there in the Bronx. | ||
| He looks like a regular Mexican guy from East L.A. Mexicans can't say that, but Puerto Ricans can. | ||
| How weird is that? | ||
| Have you seen him? | ||
| That is weird. | ||
| Have you seen him before he went on gangsters? | ||
| He has songs in the choruses where he's using that. | ||
| It's part of the music. | ||
| Yeah. | ||
| He says it so much. | ||
| But you can do that if you're Puerto Rican. | ||
| Damn. | ||
| Yeah. | ||
| That's crazy. | ||
| They got in through a grain law. | ||
|
unidentified
|
Somehow. | |
| And he's had six number one hits in a row. | ||
| He's killing it. | ||
| He has rainbow hair. | ||
| Yeah. | ||
| He's got a rainbow grill. | ||
| He's got a rainbow grill now. | ||
| That's new, right? | ||
| He has a tattoo of 69 on his face. | ||
| And also that monster from Saw, that fucking guy. | ||
| He has 69 tattoos on his body 69 times. | ||
| There it is, look at that. | ||
| Jamie forced me into watching him. | ||
| He has 69 tattoos 69 times on his body. | ||
| Is that the one? | ||
| You're the one who told me that, I think. | ||
| Let me see his face with the new grill, because the new grill is off the charts. | ||
| He looks like a dude from East L.A. And meanwhile, we're talking about him, so he wins. | ||
| Yeah, he does. | ||
| I follow him, dude, in every post. | ||
| I watch every post. | ||
|
unidentified
|
What? | |
| He's in trouble for what? | ||
| For pedophile, a 13-year-old. | ||
| Come on. | ||
| Yeah, he's catching a case. | ||
| How old is he? | ||
| That's what my friends say, catching a case. | ||
| Catching a case? | ||
| You're, like, down with the street. | ||
| Look, he's got a spiderweb tattoo on his face with that saw guy. | ||
| What's that saw guy's name? | ||
| Pinwheel or something like that? | ||
| Pinhead? | ||
| Some scary shit, though. | ||
| Did anyone see the new saw with just that guy? | ||
| Jigsaw? | ||
| No. | ||
|
unidentified
|
Jigsaw. | |
| Jigsaw. | ||
| Look, he's got 69 on his belly. | ||
| That looks like marker. | ||
| He just lost his $5 million headphone deal because of what happened at the Broner fight. | ||
| What happened? | ||
| He was in a beef with Adrian Broner. | ||
| Who's that? | ||
|
unidentified
|
The guy, a boxer. | |
| He had a $300,000 bet. | ||
| And I guess somebody in his crew, there was a beef with another rapper and a gun went off in the backstage. | ||
|
unidentified
|
So he lost his headphone deal. | |
| Goddammit. | ||
| And how many million dollars was his headphone deal? | ||
|
unidentified
|
Five million dollars. | |
| For a headphone deal. | ||
| All he does is get on Instagram and just throw money. | ||
| I saw. | ||
| It's crazy. | ||
| Jamie makes me watch. | ||
| And he makes hits, though. | ||
| That's where he's getting his fame from. | ||
| Six number one songs in a row. | ||
| It's a crazy world we live in. | ||
| It's fucking nuts. | ||
| It's a crazy world. | ||
| Yeah, go to that middle one with his grill. | ||
| Look at that. | ||
| Click on it. | ||
| Is that a video? | ||
| Listen to him. | ||
|
unidentified
|
Listen to him. | |
| Before I get to that, I want to show off these. | ||
| How can you chew with them? | ||
|
unidentified
|
Made by Jimmy Boy, you know what I'm saying? | |
| He flexed up on that one. | ||
| But I want to make a public service announcement. | ||
| For these past couple days, I've seen, like, there's a couple females that are trying to expose me or some shit. | ||
| Like, there's a lot of you. | ||
| Like, I can't even name certain. | ||
| There's a lot of you. | ||
| Yo, have a little bit more respect for yourselves. | ||
| And I say that in a way because y'all need to get past that it was just like a one-day thing. | ||
| You know what I'm saying? | ||
| Can you imagine if your daughter brought that home? | ||
| Where'd you find that? | ||
| Go to Home Depot. | ||
| Is this music good? | ||
| I've listened to clips of like 10-second clips. | ||
| I'm old enough now where I don't know. | ||
| It's not for me. | ||
| People are loving it. | ||
| They're eating it up. | ||
| He's huge. | ||
|
unidentified
|
The music business is a whole new era. | |
| You'd have to call the doctor. | ||
| You'd have to get a psychiatrist. | ||
| Is this a song? | ||
| No, no, no. | ||
| It's here. | ||
| It's here. | ||
| Just 10 seconds. | ||
| We can't play it. | ||
| It'll get us taken off of YouTube. | ||
| I can't afford that anymore. | ||
| It might be great, you never know. | ||
| Here's my question. | ||
| If this is ridiculous, right, what is the next thing after this shit? | ||
| Look at this motherfucker. | ||
| Damn, this guy is ninja-ing the shit out of this stuff. | ||
| I got pissed hard at him. | ||
| Go ahead, go ahead, piss. | ||
| We're still going for a while? | ||
| Yeah, we'll keep going. | ||
| Look at this motherfucker on Ninja Warrior, man. | ||
| I'm super impressed with the way this dude is traversing this. | ||
| I think there are people that call cultural appropriation on this Takeshi Sex9 guy. | ||
| Oh, really? | ||
| Of course he did. | ||
| People call everything on everybody. | ||
|
unidentified
|
Because he's making... | |
| I don't know who's behind him either. | ||
| Like the managers are behind him and there's a couple other guys that are making a shitload of money like him. | ||
| Is it a producer project? | ||
| Is it planned? | ||
| Did they pluck this guy and go, okay, this is perfect for our... | ||
| He'd have to really get a guy that's willing to tattoo his face. | ||
| You know what I mean? | ||
| That's some fucking... | ||
|
unidentified
|
I don't think that's that crazy right now. | |
| So many people have tattooed faces. | ||
| That's some serious commitment. | ||
| Tattooing your mug. | ||
| Millions of dollars. | ||
| Yeah, but I mean, it might not work. | ||
| You're stuck with 69 on your face like an asshole. | ||
| I think they probably might wait until they get that first big check. | ||
| Maybe. | ||
| Did he wait? | ||
|
unidentified
|
I don't know about him particularly. | |
| There's a controversy between is he a blood or is he a crip? | ||
| And he's claiming he's both. | ||
| He goes, I'm friends with both of them. | ||
| Something like that. | ||
| But he wears an awful lot of red, so people think that he's a blood crip. | ||
| What a weird, weird word. | ||
| Cut that shit off. | ||
| Shut it off. | ||
| Stop. | ||
| We can't do this anymore, Jamie. | ||
| He makes me watch this guy all the time. | ||
| Jamie's got his thumb on the pulse of the straights. | ||
| He tells me when shit's popping off. | ||
| I follow him on Instagram. | ||
| I find him fascinating. | ||
| Well, there's a lot of fascinating people today, man. | ||
| Jamie also shows me these girls with giant butts. | ||
| Fake butts? | ||
| No, real ones. | ||
| Real ones. | ||
| Real giant squat asses. | ||
| How do you know they're real, bro? | ||
| You can tell they're not because of the diaper butt. | ||
| Diaper butt is a real thing. | ||
| That looks real. | ||
| That's real as fuck, dude. | ||
| Jesus Christ. | ||
| That makes me uncomfortable. | ||
| It's hot in here. | ||
| You know what's here? | ||
| Here's a fascinating thing. | ||
| The ass was not a big deal for a long time. | ||
| For a long time. | ||
| You go back to, like, Linda Carter in Wonder Woman, you never saw her ass. | ||
| Ever. | ||
| The ass was not a thing, man. | ||
| The ass with Farrah Fawcett, you never saw Farrah Fawcett's ass. | ||
|
unidentified
|
Right? | |
| But now, if a girl's gonna be a hot chick, she's gotta have a banging ass. | ||
| If a girl's, like, in a movie as a hot chick, there's gonna be a point in the movie where you see her in a pair of tight jeans, you go, whoa. | ||
| Right? | ||
| Yeah. | ||
|
unidentified
|
Did Mix-a-Lot set that... | |
| Like when he did Big Butts? | ||
| I think he probably blew up Big Butts. | ||
| Everyone's like, alright. | ||
| He blew it up. | ||
| He blew it up. | ||
| It was definitely a moment. | ||
| But always in the Mexican community and the black community, we were always into Big Butts. | ||
| We didn't need society to tell us that. | ||
| We didn't know what the hell it was. | ||
| We were just like... | ||
| But if scientists came from the future and they're studying the size of asses, They'd be like, well, this is a noticeable jump in women's asses at a certain point in time in the 20th century. | ||
| Like, what is that? | ||
| I saw this documentary once called The History of Sex. | ||
| It was on the Science Channel or something. | ||
| It was a five-part documentary. | ||
| And they were getting into why we like certain things from the opposite sex. | ||
| And the butt, apparently, the reason... | ||
| Well, obviously, like tits. | ||
| We like tits if they're big. | ||
| We like them because we know they're going to be able to feed the baby. | ||
| So we get a little endorphin rush. | ||
| Big because a woman can have birth, give birth easier, so you're attracted to that symmetry. | ||
| According to this documentary, the fat in the butt, during the third trimester of pregnancy, that's when the brain develops. | ||
| And the brain is developed from... | ||
| Fat from the ass, according to this documentary. | ||
| So I guess we're looking at big round asses for smarter babies. | ||
| Evolutionary. | ||
| That's what that documentary said. | ||
| I don't, you know, who knows? | ||
| Well, they definitely know the shape of a woman that's attractive to us is because that's the most fertile women. | ||
| The women that's going to be most likely to hold a baby to term and raise the child. | ||
|
unidentified
|
Yeah. | |
| And that's why all those qualities that you like, a lot of men are really attracted to nurturing women. | ||
| You're really attracted to a woman who wants a cookie dinner, a woman who wants to give you a massage. | ||
| To a lot of guys, that's a big deal. | ||
| Because that's like a nurturing type woman that would be not just that way to you, but that way to your children, too. | ||
| We're talking about why, scientifically, are men into big ass shapes. | ||
| We're also talking about how back in the day asses weren't a big deal with Farrah Fawcett. | ||
| You never saw Farrah Fawcett's ass. | ||
| Wonder Woman. | ||
| Marilyn Monroe. | ||
| No. | ||
| Marilyn Monroe was curvy. | ||
| Yeah, but she wasn't sticking her ass out. | ||
| You're right. | ||
| She was curvy though. | ||
| You know where it might have happened? | ||
| J-Lo? | ||
| Remember Vita Guerra? | ||
| Yeah. | ||
| J-Lo was before that. | ||
| That was a girl who was famous, but she was famous just for her ass. | ||
| That's true. | ||
| Just for her ass with no internet. | ||
| No internet, dude. | ||
| Magazines. | ||
| Everybody knew who she was. | ||
| Dude, Vito Guerrero was the all-time ass queen. | ||
| Yo, this was pre-internet, right? | ||
| Pre-social media. | ||
| Look at that butt. | ||
| The best butt ass ever. | ||
| Get the fuck out of Dodge with that ass. | ||
| And that was earned. | ||
| It was DNA and earned. | ||
| He's Cuban or something. | ||
| Yeah, that's exactly what she was. | ||
| I know a guy who dated her and he was not into her. | ||
|
unidentified
|
Why? | |
| He just... | ||
| Likes dudes? | ||
| I don't know, but he says there was nothing to talk about with her. | ||
| Hey man, sometimes that happens. | ||
| I'm not trying to talk with her. | ||
| Sometimes you just want to have a conversation, bro, and snuggle. | ||
| She's a singer, too. | ||
| Hey dude, sometimes you just want to talk about books. | ||
| She put out an album! | ||
| You know, sometimes with a gal, you give her a book and you say, hey... | ||
| Before we do anything physical, you read this, and I want to read it, and then let's talk. | ||
| Let's talk, yeah! | ||
| Let's talk about the book. | ||
| Dude, that was a great fucking reference, Joe. | ||
| I forgot about Vida Gria. | ||
| She was my favorite. | ||
| I had a poster in my college dorm room of her. | ||
| What's impressive is her ass superseded the internet. | ||
| It, like, bypassed it. | ||
| Are you sure it was before the internet? | ||
| I think it was. | ||
|
unidentified
|
Wasn't it right at the internet? | |
| The internet was there, but it wasn't why she got famous. | ||
| She got famous from magazines, bro. | ||
| She was in Lowrider? | ||
| She was on top of that Lowrider with that ass out? | ||
| For sure, she had a push from the internet. | ||
| There was dudes passing her picture around and shit. | ||
| She would have been way bigger if she was current now. | ||
| Yeah, what I should say is, well, there's a lot of girls like her now. | ||
| She'd get lost in the shuffle. | ||
| What I'm saying is, like, then, she was one of the few girls that people would pass her photos around pre-social media. | ||
| Correct. | ||
| So it wasn't like... | ||
| It was like this girl on an Instagram page, and she had 10 million followers because of her ass. | ||
| It was like, guys like you would go, dude, look at this. | ||
| And you would send it to me, and I'd go, Jesus! | ||
| I hung a poster up in my dorm room. | ||
| And people emailed each other. | ||
| The FHM Maxim Lowrider? | ||
|
unidentified
|
Doesn't say. | |
| Doesn't say in the bottom of the mark code? | ||
| 2005. She's probably done 500 magazines. | ||
| 2005. This is pre-social media. | ||
| Was she dating Nicholas Shea or some shit? | ||
| MySpace time. | ||
| MySpace time, but that wasn't the same as like Twitter, Facebook. | ||
| I bet she had a tremendous MySpace, right? | ||
| Oh, probably. | ||
| She probably crushed it. | ||
| Do you think she had Tom right in the upper left-hand corner? | ||
| What? | ||
| Tom. | ||
| Tom was always your friend. | ||
| Remember Tom was always your friend? | ||
| You just forced to be your friend. | ||
| It's fucked up, Tom. | ||
| You always had him in your fucking top eight, or whatever it was. | ||
|
unidentified
|
That might have been her MySpace. | |
| Yeah. | ||
| Is she still relevant on Instagram now? | ||
| Is she all old and weathered? | ||
| Or is she like... | ||
| What's homegirl's name? | ||
| Who's the dying piece? | ||
| Who's on Modern Family? | ||
| 600,000. | ||
| Oh, she's still killing it. | ||
| She still looks good. | ||
| Congratulations. | ||
| I'm not mad at her at all. | ||
| Hey, let's see if you find an actual... | ||
| There it is. | ||
| Still strong. | ||
| Still doing it, girl. | ||
| Strong. | ||
| Strong game. | ||
| She's got like horses. | ||
| God! | ||
| Jesus! | ||
| That's some DNA. That's from the motherland. | ||
| I don't know where the motherland is, but wherever it is, that's from the root. | ||
| Wherever she's from, it's the motherland. | ||
| She tapped into that shit like maple syrup. | ||
| God doggy. | ||
| Didn't she date someone really famous? | ||
| I hope so. | ||
| I hope you can come on the show and tell us about everything. | ||
| Congratulations. | ||
| What are we doing? | ||
| She's still doing it. | ||
| Let's end this with her. | ||
| I'm getting hot. | ||
| You were saying it was hot earlier, right? | ||
| There's a lot of dudes up in here. | ||
| I'm feeling all weird, fellas. | ||
| It's funky. | ||
| It's only dudes. | ||
| So we got through this. | ||
| She's going to have a million followers after this podcast uploads. | ||
| People know who she is. | ||
| This is our first fight companion other than kickboxing outside the UFC. That's right, man. | ||
| It's good. | ||
| It's been fun. | ||
| Hey, sorry about the nuclear war. | ||
| Sorry about the nuclear war. | ||
| I thought you made some good... | ||
| They're real. | ||
| Those bombs are real. | ||
| You just got into the points you're making, man. | ||
| I get it. | ||
| You just get a little caught up in conspiracies and sometimes it's just... | ||
| I get it. | ||
| I think dinosaurs are real, bro. | ||
| Okay. | ||
| That's all I'm saying. | ||
|
unidentified
|
I dig it. | |
| My son thinks so. | ||
| I'm in Minnesota this weekend. | ||
| Friday, Saturday, Minnesota. | ||
| Oh, shit. | ||
| Where are you? | ||
| House of Comedy, Mall of America. | ||
| Beautiful. | ||
| And I'm in West Nyack the following weekend. | ||
| You know, that's trivia. | ||
| That's where Ari Shafir got arrested, or was almost getting arrested for dropping off edibles. | ||
| Isn't that where it was? | ||
| Wasn't it? | ||
|
unidentified
|
Yeah. | |
| Minnesota, West Nyack. | ||
| T5K.com. | ||
| Me and Sam Tripoli, tinfoil hat comedy in San Francisco at Cobbs. | ||
| Oh, shit. | ||
| Oh, shit. | ||
| Friday, June 1st, and then at the Punchline in Sacramento, Saturday, June 2nd. | ||
| Get your tickets at LiveNation.com. | ||
|
unidentified
|
Thank you. | |
| Dude, you've been with me at that place a dozen fucking times. | ||
| Yeah, that's a big room. | ||
| That's a great room. | ||
| Cobbs? | ||
| Cobbs in San Francisco. | ||
| What's my favorite? | ||
| Beautiful. | ||
| I love Cobbs. | ||
| And the next show at the Comedy Store, I don't know if it's sold out, we're doing those Joe Rogan and Friends shows. | ||
| The next one is the 24th, I think. | ||
| May 24th. | ||
| I don't know where my phone is. | ||
| May 24th. | ||
| JoeRogan.com. | ||
| Young Jamie, get one of them powerful t-shirts. | ||
|
unidentified
|
There's only a few left. | |
| There's only a few left, you fucks. | ||
| Young Jamie has powerful hoodies and all kinds of shit. | ||
| YoungJamie.com. | ||
| Bye! | ||
|
unidentified
|
See ya! |
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