Aug. 28, 2017 - The Joe Rogan Experience
02:53:49
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| Speaker | Time | Text |
|---|---|---|
|
unidentified
|
That's fresh. | |
| Yes! | ||
| We're live, ladies and gentlemen. | ||
| We're live, and we're here to talk about Brendan Schaub's shoes. | ||
|
unidentified
|
This is an intervention. | |
| Those fucking shoes that you wore to the Mayweather-McGregor fight. | ||
| What in the fuck? | ||
| You bought those? | ||
| Or someone gave them to you? | ||
| Is someone paying you to wear them? | ||
| Yeah. | ||
| Fill me out. | ||
| Gucci's paying me like Jared Leto, son. | ||
| When Brian sent you the video of them, I was like, oh, God, he's going to judge me so hard. | ||
| He's going to judge me so hard. | ||
| It's part of you, though. | ||
| I like it. | ||
| I love him, man. | ||
| Hey, man, I wear a fanny pack. | ||
| I gotta shut the fuck up no matter any time where there's any sort of fashion discussion. | ||
| I just gotta shut the fuck up. | ||
| Fanny packs make sense, though. | ||
| The only caveat... | ||
| Look at those shoes. | ||
| Look at those Gucci's. | ||
| Are you like a handmaid from Britain? | ||
|
unidentified
|
Yes. | |
| In the 1800s? | ||
| Those are delicious, sir. | ||
|
unidentified
|
What's the buckle? | |
| What the fuck is that buckle? | ||
| Some Game of Thrones shit. | ||
| Some Khaleesi buckle that I just can't get enough of. | ||
| What's the B in the back? | ||
| Is that a B? Yeah, that's a gold B, son. | ||
| That's gold? | ||
| Yeah. | ||
| Is this like one of that black or blue dress thing? | ||
| Where it just looks weird in the picture? | ||
| I get more compliments on these shoes than any shoe I've ever had. | ||
| And, hold on, Mr. Ryan. | ||
|
unidentified
|
They're lying to you. | |
| You're a 6'4 gorilla. | ||
| No. | ||
| They're scared of you. | ||
|
unidentified
|
No. | |
| J-Lo. | ||
| I saw J-Lo. | ||
| She loves your shoes. | ||
| She goes, I love your shoes. | ||
| Of course she does. | ||
| She's a chick. | ||
| They're chick shoes. | ||
| Validation. | ||
| You're wearing chick shoes. | ||
| Cosign. | ||
| Well, she was probably also trying to make A-Rod jealous, because they've probably been together long enough where she's starting to feel bored. | ||
| Yeah, A-Rod was just pretty basic. | ||
| She's trying to get the crackle going. | ||
| Jamie, does that look like gold to you, or am I going blind? | ||
| That's a gold beast. | ||
| Yeah, you can tell the gold. | ||
| Go back up to that. | ||
|
unidentified
|
Does Golden see the buckles like silver? | |
| Yeah, I guess so. | ||
| Go make it larger. | ||
| Close in on that. | ||
| Oh, is it? | ||
| I mean, I just don't get the hate on those boots. | ||
| I mean, they are gorgeous. | ||
| They're so gross, and then on top of them being gross, they have sneaker laces, which makes them even more stupid. | ||
|
unidentified
|
Yes! | |
| It's so stupid! | ||
| It's just not for you. | ||
| I guess it's like a light gold. | ||
| I'm thinking of like, you know, like... | ||
| They look gold on that one, on that TV. Oh. | ||
| Yeah, you're right. | ||
|
unidentified
|
Wow, wow. | |
| Those are gold. | ||
| Does that TV suck? | ||
| Is it a contrast to a new one? | ||
| Oh, no, that one looks different. | ||
| That one's better. | ||
| That looks totally white, Joe. | ||
| That's that TV. That totally looks good. | ||
| I had to walk the red carpet after Bruce Willis in those shoes, and some guy goes, killer boots, man, like off Dumb and Dumber. | ||
| I'm like, yeah, Bruce Willis, that old ass can't pull these off. | ||
| Everyone started laughing, but I think he heard it. | ||
| I was like, oh, Mr. Diehard, please don't judge me, but I will wheel kick you on these things. | ||
| Don't get it twisted. | ||
| This ain't the movie, son. | ||
| Yeah, there's something about like leaving that foot, that buckle mark on someone's forehead. | ||
| Embarrassing. | ||
| Just clang. | ||
| A guy in skinny jeans and those boots whoops your ass? | ||
| That's embarrassing. | ||
| Do you remember when Pete Williams head kicked Mark Coleman? | ||
| Oh my god. | ||
| Remember that? | ||
| Yes. | ||
| It was just like, wow. | ||
| What in the world? | ||
| Sounded like a bat. | ||
| It was also like one of those like, what the fuck? | ||
| Like, who saw that coming? | ||
| Like, we thought that Pete, who was a young guy, was dealing with Coleman, who was just all super gorilla. | ||
| Super gorilla. | ||
| And then, you know, Pete wore his ass out and landed that perfectly placed head kick. | ||
| If he had that buckle on... | ||
|
unidentified
|
Dead. | |
| You would see that mark forever. | ||
| That Gucci. | ||
| A Gucci. | ||
| Yeah. | ||
| I mean, Pete got him tired. | ||
| Pete Williams is a bad motherfucker back in the day, man. | ||
| Yeah, he is. | ||
|
unidentified
|
Here it is. | |
| Boom! | ||
| Got that ASIC label on his face, though. | ||
| Yeah. | ||
| Damn. | ||
| Enjoy them ASICs. | ||
| That was a big headchick win. | ||
| Damn, that dude is... | ||
| Steak and chicken. | ||
| Ain't passed the drug test. | ||
|
unidentified
|
Boom! | |
| See that? | ||
| If you had that mark, like your boots on... | ||
| Boom. | ||
| And just say Gucci. | ||
| It's all Gucci, baby. | ||
| Yeah, if you notice, Pete kicked him with shoes on. | ||
|
unidentified
|
Yeah, he did. | |
| That was like one of the last fights that you could kick people with shoes on. | ||
| So dangerous. | ||
| You think some more? | ||
| Like with the point? | ||
| Yeah, hell yeah. | ||
| The thing about doing a wheel kick, like a spinning heel kick in some boots. | ||
| Yeah, I guess. | ||
| I think with a heel kick though, quite honestly, I don't think it matters. | ||
| If it lands, it lands. | ||
| Well, there's so much power in that kick. | ||
| And if you land, you're landing with your heel. | ||
| And your heel can, it's not like a knuckle that breaks. | ||
| You never break your heel. | ||
| Never. | ||
| I did hit somebody once so hard that my foot was sore and I was limping for a couple days. | ||
| With a heel kick? | ||
| With a heel kick. | ||
| It was horrible. | ||
| Almost hit the hell out of him. | ||
| He went to sleep for a long time. | ||
| They took him to the hospital. | ||
| It was scary. | ||
| I was 19. That's bad. | ||
| I didn't tell you this story. | ||
| It was a fucked up story because it made me reconsider fighting. | ||
| Rodan killed and died. | ||
| This is a thing I said to my instructor because my instructor wasn't there. | ||
| He was in California. | ||
| I was in Boston at the time. | ||
| And he goes, I heard you had a really good knockout. | ||
| You know, in his accent. | ||
| And I go, yeah, it was scary. | ||
| I go, I caught him with a wheel kick and I go, and he just didn't get up. | ||
| And I thought he was dead. | ||
| He goes... | ||
|
unidentified
|
Sometimes they die. | |
| And he walks away. | ||
| Dead serious. | ||
| Dead serious. | ||
| Yeah, he was training troops in Vietnam. | ||
| Yeah, he doesn't care. | ||
| Old school. | ||
| Yeah, he didn't care at all. | ||
| And I was like, but wait a minute. | ||
| They died. | ||
| I'm them. | ||
| I'm they. | ||
| Hey, man. | ||
| I'm one of them. | ||
| They is me. | ||
| Disposable. | ||
| I wasn't the best. | ||
| For sure somebody could have fucked me up. | ||
| Hell yeah. | ||
| I never got head kicked, but I saw people that I was close to get head kicked in tournaments. | ||
| Did you ever get KO'd in tournaments? | ||
| Just TKO'd. | ||
|
unidentified
|
TKO'd. | |
| A boxing match. | ||
| A kickboxing match. | ||
| I got rocked. | ||
| You got rocked and they came in and stopped it? | ||
| Yeah, I got rocked with a left hook. | ||
| My legs just shut off. | ||
| Boing! | ||
| How weird is that? | ||
| It's the weirdest feeling of all time. | ||
| What people think is that it hurts. | ||
| No, a liver shot hurts. | ||
| If you get kicked to the liver or punched in the liver and your whole body And your legs just kind of give out. | ||
| That hurts. | ||
| But there's a weird thing about getting hit on the chin. | ||
| It's like everything just goes... | ||
| Yeah, it's almost like a surreal feeling. | ||
| It just stops working. | ||
| And my body would get hot. | ||
| And I'm just like... | ||
| Tense up. | ||
| It's a weird feeling, man. | ||
| The worst, man. | ||
| What is it like to get completely flat-lined? | ||
| It's nothing, because you don't feel anything, right? | ||
| So you don't feel anything, you don't... | ||
| When you come out of it, what's your most recent memory? | ||
| Not much. | ||
| Everything's a little fuzzy, and then someone tells you what happened, and then you remember certain parts of the fight, like, God, I remember doing that and that, and then what happened? | ||
| You know what I'm saying? | ||
| Like, you have to piece it, like, puzzle it together. | ||
| And then you get in the back, because there's two type of people that, when you get concussed or flatlined, in my experience, you react to it two ways. | ||
| One, you get really emotional, like, heartbroken, sad, like, super, super sad. | ||
| The other gets really, really upset. | ||
| Like mad, super mad. | ||
| And I've always seen those two opposites. | ||
| And you think, is this from concussed? | ||
| Or is this from the emotions of losing and realizing you lost after it's all over? | ||
| I think it's a combination of both. | ||
| You know what I'm saying? | ||
| One of the reasons why I want to bring this up is because everybody always wants to talk about the power of belief and how important the power of belief is. | ||
| And it's super important. | ||
| It's a big factor in Connor's success is this insane belief he has in himself. | ||
| But even with the power of belief at 10, you still have to deal with the limitations of the body, and you still have to deal with what is the reality of getting hit on the chin. | ||
| Correct. | ||
| But that self-belief that Conor has got him into the biggest fighting combat sports history. | ||
| 100%. | ||
| A little bit of doubt. | ||
| We're not here. | ||
| You're 100% right. | ||
| We're not here talking about them. | ||
| So it's a fine line to say, ah, self-belief only goes so far. | ||
| Man, even myself, my self-belief was so high. | ||
| Probably didn't match my skills, but I was so confident I could beat anyone in the world. | ||
| I beat a lot of guys I probably had no business beating or just getting through. | ||
| Dude, you beat Crow Cop. | ||
|
unidentified
|
Yeah. | |
| He's a legend. | ||
| Yeah. | ||
| You beat him by knockout. | ||
| Yeah, but like getting through Golden Gloves, man, I thought I was the next Mike Tyson. | ||
| Probably not, but I beat most of those guys just off sure will, but I believed in my heart of hearts I was going to be the best of all time. | ||
| Yeah, no, you were a competitor, and there's some people that have a hard time with the big moment. | ||
| Conor obviously shines in the big moment, but at the end of the day, even with that insane belief, you get to see his physical limitations. | ||
| But what you got to see, though, is... | ||
| Well, you've got to see a lot in that fight, but you don't know what's going to happen until they do it. | ||
| That's why it's a fight. | ||
| So he has this amazing belief in himself, and he had a really interesting style, man. | ||
| That whole thing where he was doing, like, putting his hands out there and pap-pap-papping them. | ||
| Yeah. | ||
| And then throwing off-speed punches and then dropping. | ||
| How about his angles were so good, so good, and so exaggerated and big, he would get Floyd's back, and Floyd was very smart. | ||
| He wouldn't turn into him to give him more of an angle. | ||
| He would just cover up because he knew the ref was going to stop it. | ||
| The real MVP of that fight, granted, you know, Conor and Floyd, that ref. | ||
| Oh yeah, he let him fight. | ||
| You the real MVP. Granted, he came, you know, his opening dialogue, what the hell was that? | ||
| He was just staring at McGregor like, now we don't want none of that gay wrestling and just like staring at him. | ||
| I don't think he said that. | ||
| No, I thought he was way over the top. | ||
| I wanted to fight to start, so I thought he was over the top because I wanted to fight. | ||
| Come on, let's go with this fucking National Anthem! | ||
| You do that in the locker room, though. | ||
| You do that in the locker room. | ||
| But I just thought it was off to the wrong foot. | ||
| But I think he... | ||
| Granted, I don't think Conor was going to win that fight as it went on. | ||
| However... | ||
| Conor did have an advantage if they went in tight. | ||
| He didn't even let it get there. | ||
| That grappling, underhooks, what? | ||
| And that was where Conor was going to get his rest. | ||
| He didn't have that opportunity. | ||
| As soon as they got there, that ref separated him. | ||
| He was going to let him fight. | ||
| He was the perfect rest. | ||
| However, I think Conor thought he'd be able to get his rest in those moments and just never was capable of doing it because the ref would separate him. | ||
| I think he got more tired than he ever thought he was going to. | ||
| I think also the efficiency of Floyd. | ||
| Here's what I did. | ||
| I watched it live from the third round on. | ||
| I got off stage in Washington, D.C. You didn't see the first two. | ||
| I ran up stage. | ||
| I did yesterday. | ||
| I watched it yesterday when I got home. | ||
| But I flew upstairs. | ||
| They had it on pay-per-view in the upstairs green room. | ||
| So we ran upstairs. | ||
| Tight move. | ||
| Yeah, but I caught it on the third round. | ||
| I'm yelling to Ian Edwards. | ||
| I'm like, how's it going? | ||
| He goes, the fight's great! | ||
| This is a great fight! | ||
| So I got in there, like, right in the... | ||
| I didn't want to give... | ||
| These people waited in line a long time. | ||
| The show started late. | ||
| People bought tickets months in advance. | ||
| And I'm like, I am not cutting my show short. | ||
| I'm going to do the full show, and then I'm going to thank everybody. | ||
| Good night, and then watch the fight. | ||
| You're a better person than ever, too. | ||
| I ran upstairs, and I got in the third round. | ||
| So I didn't see all the speech until I heard about it afterwards. | ||
| So then I tried to watch from the time they were both walking out. | ||
| But the National Anthem stopped! | ||
| Stop! | ||
| I love America! | ||
| I'm not mad at Demi Lovato. | ||
| She can sing whenever she wants. | ||
| Go to a concert. | ||
| Yeah, yeah, yeah. | ||
| That's an American flag. | ||
| It's on my fucking iPhone. | ||
|
unidentified
|
We got it! | |
| Okay, I love America. | ||
| Love it. | ||
| I'm a big proponent in the best aspects of America, but enough. | ||
| Too much. | ||
| See, I like the spectacle. | ||
| And the Rockets red glare, and the bombs bursting in air! | ||
| I couldn't get enough. | ||
| I was standing an ovation. | ||
| Bravo, girl! | ||
| She's a beautiful singer, no doubt about it. | ||
| She had to read from a teleprompter, though. | ||
| Well, it's probably a good move. | ||
| You don't want to fuck it up. | ||
| Like, who fucked it up? | ||
| Miley Cyrus? | ||
| Did she fuck it up? | ||
| There's been some people that fuck it up. | ||
| Somebody forgot the words. | ||
| Somebody fucked up the words recently. | ||
| Oh, Christina Aguilera. | ||
| That's who it was. | ||
| Was that her? | ||
| That was Christina when she was going through a tough time. | ||
| She got a little heavy back then. | ||
| Remember that? | ||
| Yeah, she got like unsexy thick. | ||
|
unidentified
|
She got a little over the line to like, what's going on? | |
| Too many super sizes. | ||
| It's not just that. | ||
| When someone gets that big that quick, you start thinking about depression. | ||
| That was Roseanne Barr. | ||
| Well, you know what she did, though? | ||
| That was back in the day when Roseanne was on top of the world. | ||
| She grabbed her pussy and spit. | ||
| Which is hilarious. | ||
| God, Roseanne did? | ||
| Yeah. | ||
| She's a savage. | ||
| She's a savage of savages. | ||
| And people got super mad at her. | ||
| And this was pre-social media. | ||
| But click on the YouTube link to that, find out what, or if it says there, when Roseanne did it. | ||
| What year was it? | ||
|
unidentified
|
1990 in San Diego. | |
| Yeah, see, totally before the internet. | ||
| She spits on the ground right before walking off the field. | ||
| She's an animal. | ||
| She's an animal. | ||
| I love her. | ||
| Great comic. | ||
| You know, Whitney is executive producing her new show. | ||
| That makes sense. | ||
| Totally makes sense. | ||
| Two brilliant minds. | ||
| Yeah. | ||
| And Whitney's a great joke writer, too. | ||
| Phenomenal writer. | ||
| And probably, I mean, I don't remember really talking to her too much about Roseanne. | ||
| Maybe we did. | ||
| Look at that. | ||
| She grabbed her pussy and spit on the ground. | ||
|
unidentified
|
Jesus Christ. | |
| She's the best! | ||
| I maintain she's one of the top most important comedians of all time. | ||
| I've said that to her when she was here. | ||
| I said, you changed the face of women's comedy. | ||
| She did. | ||
| She changed the face of women's comedy. | ||
| She got her start in Denver, son. | ||
| Yes, she did. | ||
| Comedy works. | ||
| Yep, comedy works. | ||
| She's a beast. | ||
| Yep, with kids. | ||
| Had all those kids grinding. | ||
| Kid and a dad. | ||
| Yeah, moving out here. | ||
| The whole deal. | ||
| Yeah, she's an animal. | ||
| She's a fucking animal. | ||
| I like her. | ||
| So they're doing a show together, but what I was going to say is I got to think that Whitney must think about it the same way most of the comics do. | ||
| She's super respected. | ||
| Roseanne, I mean... | ||
| Super respected? | ||
| That's a big job for Whitney. | ||
| Fuck yeah, it is. | ||
| Roseanne, that's huge. | ||
| Fuck yeah, it is. | ||
| That has the potential, especially right now. | ||
| Like, what the hell's on TV? I agree. | ||
| You know, you got Kevin James as a sitcom. | ||
| Name another sitcom. | ||
| Ready, go. | ||
| I got nothing. | ||
| I got nothing. | ||
| Goldbergs. | ||
| I'll tell you what I did start watching. | ||
| I started watching Ozark. | ||
|
unidentified
|
Yeah. | |
| Oh my god, it's good. | ||
| Ozark. | ||
| Ozark on Netflix. | ||
|
unidentified
|
You haven't started that yet? | |
| Who's in it? | ||
|
unidentified
|
Oh, you're good. | |
| Justin Bateman. | ||
| That's his name, right? | ||
| Oh, I like him. | ||
| Jason. | ||
| Jason Bateman. | ||
| He gets involved with the cartel. | ||
|
unidentified
|
Yep. | |
| I haven't seen it. | ||
| I just saw the... | ||
|
unidentified
|
Dude! | |
| Dude, hold up. | ||
| I'm on season four of Game of Thrones. | ||
| I am balls deep in it. | ||
| You don't know. | ||
| I'm thinking about getting a dragon tattoo. | ||
| I think you should stay offline. | ||
| People try to send me spoilers. | ||
| It ain't happening, son. | ||
| I don't even look at them. | ||
| Yeah, you gotta be a ninja. | ||
| I'm just the biggest Khaleesi fan. | ||
| I will... | ||
| Just wait. | ||
| Oh, I can't wait. | ||
| The Queen of Dragons, son. | ||
| Just wait. | ||
| Those dragons are in full bloom. | ||
| No nothing, Jon Snow. | ||
| I'm not going to say anything, but this season finale, just Jesus Christ. | ||
| And then I see people online, where the Game of Thrones lost its way. | ||
| I'm like, how about you fuck off? | ||
| How about you stop? | ||
| Oh, fucking haters. | ||
| Everyone's going to hate on anything, man. | ||
|
unidentified
|
You know why? | |
| I'll tell you what, the White Walkers, though. | ||
| I'm on season three. | ||
| Them graphics were tough on season three. | ||
| It looked like Atari out there. | ||
| These, like, white things. | ||
| But now, I saw one. | ||
| They looked like some super beasts. | ||
| Oh, yeah. | ||
| They've got that wired. | ||
| They know how to do it now. | ||
|
unidentified
|
I saw something about an ice wall in the game. | |
| Is that real? | ||
| There's like a... | ||
| Shut the fuck up! | ||
| But it's like the Flat Earth, right? | ||
|
unidentified
|
Are they the same thing? | |
| It's a wall. | ||
|
unidentified
|
Not the same thing. | |
| It's an ice wall. | ||
| It's not an ice wall. | ||
| It's a wall. | ||
| Yeah, it's a wall. | ||
|
unidentified
|
It's a wall. | |
| I mean, I think it's covered in ice. | ||
| Then there's the protectors of the wall. | ||
| They're in the north. | ||
| In the north, you've got to keep a wall. | ||
| How good is it? | ||
| Wind is coming. | ||
| It's fucking phenomenal. | ||
| I'm so happy. | ||
| I'm telling you, I could not sleep. | ||
| I was so happy that King Joffrey died. | ||
| That little bitch. | ||
| Spoiler alert. | ||
|
unidentified
|
Hey, bro. | |
| They're on season seven. | ||
| I'm season three. | ||
| People will get mad. | ||
| How dare you, Shob? | ||
| I'm on season one. | ||
| If it's more than three years old, I'm allowed to talk about it. | ||
| Yeah, for sure. | ||
| People get mad if you talk about something that happened ten years ago, though. | ||
| They get mad. | ||
| Like, if they haven't seen it, it's like you're not supposed to discuss things. | ||
| Hey, bro, I haven't fucking seen that yet! | ||
|
unidentified
|
Hey, bro, how dare you wear the plot of Terminator 2! | |
| Yeah. | ||
| Yeah, I love it, though. | ||
| I'm obsessed with Game of Thrones. | ||
| It's all I watch right now. | ||
| It's the best show of all time. | ||
| I think. | ||
| But I'll say that about other shows too. | ||
| Me too, I'll say that if I get excited. | ||
| Me too, I'll throw that out no matter what. | ||
| If I get enthusiastic, don't hold me. | ||
| I'm not some fucking ranking committee. | ||
| This isn't like... | ||
| This isn't the UFC rankings. | ||
| There's people talking. | ||
| You know what, we're like the UFC rankings. | ||
| We just throw up whatever we want. | ||
| I think Max Kellerman is walking around today. | ||
| How many people are fucking with him? | ||
| I saw him this morning. | ||
| Conor McGregor will not land a single punch. | ||
| Meanwhile, he landed more punches on Floyd Mayweather than any boxer ever. | ||
| Than Manny Pacquiao and Miguel Cotto. | ||
| Yeah. | ||
| And then people go, oh, this is freaking Max's debate. | ||
| Oh, well, that's because Floyd led him. | ||
| That was his style. | ||
| Hey, man, let's give Conor some credit. | ||
| Some credit. | ||
| His pace was so high. | ||
| I think Conor's pace was so high. | ||
| And he thought he was going to be landing more shots. | ||
| He just wore himself out. | ||
| There's a little bit of that. | ||
| I also think there's a little bit of an efficiency issue. | ||
| You know, John Donaher. | ||
| Go to John Donaher's Instagram page, please. | ||
| John Donaher, who's one of the best grappling coaches in the world. | ||
| Jiu-jitsu mastermind. | ||
| He's also a brilliant guy. | ||
| He's the Elon Musk of jiu-jitsu, basically. | ||
| Yeah, super smart, innovative guy. | ||
| But on top of that, he wrote an assessment of how he thinks the fight's going to play out. | ||
| And it was to a peak. | ||
| Spot on. | ||
| Absolutely. | ||
| About the cardio and everything. | ||
| Is that Donaher said that he was going to stop him sometime after the fifth round. | ||
| What does it say there? | ||
| Tonight is the biggest night. | ||
| Beep, beep, beep, beep, beep. | ||
| Oh, man, it's way too long, John. | ||
| Yeah. | ||
| I don't have time. | ||
| Well, he does that. | ||
| He's just too smart. | ||
| Oh, wow. | ||
| Hey, but create a blog, though, huh? | ||
| You know? | ||
| Yeah. | ||
| Yeah, I mean, basically he said, here, I would consider a fine victory for Mr. McGregor if he survived 12 rounds. | ||
| Yeah, so you scroll up a little bit and he'll explain how he said that it usually works. | ||
| Yeah, here it goes. | ||
| They are quite competitive for the first three to four rounds and do surprisingly well. | ||
| that around the fifth round the elite boxer begins to figure out the unorthodox or awkward movement and begins to employ ring craft tactics to tire the MMA athlete by making work harder than he is making him miss punches, etc. | ||
| Around the eighth round a very noticeable shift occurs where the elite boxer takes over. | ||
| I expect a similar pattern tonight They're probably taking less time given the incredible skill level of mr. Mayweather That's fair. | ||
| Mayweather was clearly taking over the ninth round Mayweather was getting was fucking Connor off was teeing off on Connor and I actually texted to my friend in between rounds I'm like he's done. | ||
| They're gonna stop it. | ||
| I got up in the last eighth round to go to the to the back to do something for Showtime I was like I looked at the eighth round was like oh it's over. | ||
| They wouldn't let you? | ||
| No they did. | ||
| You had to go back? | ||
| You missed some of it? | ||
| Well, I didn't want to see it. | ||
| Really? | ||
| I knew it was over. | ||
| Yeah, so then but then they put me cage side. | ||
| I was waiting. | ||
| You didn't want to see it. | ||
| Uh, not really. | ||
| I knew what was happening. | ||
| I just, I don't know. | ||
| How could you not want to see it? | ||
| Well, I knew what was gonna happen. | ||
| Don't you watch Rocky movies, bro? | ||
| Fuck, I wish, man. | ||
| But I'm glad they stopped it early. | ||
| I wasn't mad at the stoppage. | ||
| I wasn't either. | ||
| I wasn't mad for a number of reasons, but he has a lot more fight left in him. | ||
| We got it. | ||
| We got it. | ||
| Connor did well. | ||
| He won some rounds. | ||
| He was going to get fucked up in the next round. | ||
| If he made it, if he made it into the 11th, Floyd Mayweather was going to fuck him up. | ||
| Correct. | ||
| Like real bad. | ||
| He was gassed. | ||
| But you hear Conor and even Floyd afterwards, he goes, Floyd, they go, what was the most surprising thing about this fight? | ||
| And he goes, Conor's boxing skills. | ||
| Honestly, I thought I'd be able to take over early, but I wasn't able to because of his boxing skills. | ||
| He goes, I wasn't surprised by his power. | ||
| There wasn't much power there. | ||
| Which is, you know, whatever. | ||
| He ate that straight-up flush uppercut from Connor. | ||
| But Connor did not seem like he was putting a lot of power in his punches. | ||
| It looks like he was trying to be, like, real active. | ||
| Yeah, but then also he was, like, kind of winging them, too. | ||
| Well, he was hitting them with some weird stuff like this, and he even did a bunch of hammer fists and stuff. | ||
| Did you know, for every illegal shot that he, if he got DQ'd for, $10 million out of his purse. | ||
| 10 mil. | ||
| So when everyone's like, how do you know he's just not going to throw a knee or an elbow like a savage? | ||
| Like, well, there's 10 million reasons why. | ||
| Is that a male hairdresser? | ||
| Yes, that was the media I dealt with on media row. | ||
| How do you know he's just not going to throw a knee and flip out? | ||
| How do you know? | ||
| How do you know, Brendan? | ||
| How do you know he's not going to knee him right in the dick? | ||
| How do you know? | ||
| You don't even know. | ||
| Isn't it funny that there's a gay voice? | ||
| Like, if you do that voice, everyone knows it's a gay voice. | ||
| There's not a lesbian voice. | ||
| Well, there's really not, unless it's like a butch lesbian. | ||
|
unidentified
|
No! | |
| You could be a female truck driver that loves dick if she talks like that. | ||
| She smokes a pack of Marlboros every hour. | ||
| That's true. | ||
| That brass Leroy's. | ||
| That doesn't necessarily mean she's a lesbian. | ||
| Yeah. | ||
| Yeah, Large Marge. | ||
|
unidentified
|
Large Marge. | |
| Yes! | ||
| Great reference, Large Marge. | ||
|
unidentified
|
That's right. | |
| That bitch was scary. | ||
| Large Marge sent ya. | ||
| I saw it as a kid. | ||
| I was terrified of Large Marge. | ||
| You remember that big bitch? | ||
| I think her eyeballs poke out, right? | ||
|
unidentified
|
Yes! | |
| Dude, Pee Wee's Big Adventure, right? | ||
|
unidentified
|
Yeah, that was the first one. | |
| First one, yeah. | ||
| Goddamn, that was a good movie. | ||
| She was scary. | ||
| Great movie! | ||
| Yeah, man. | ||
| Oh, we can't hear it. | ||
| Look at Pee Wee's face. | ||
| Pee Wee's all freaked out. | ||
|
unidentified
|
And when they finally pulled the drivers Burning It looked like this You still Dude, I loved that movie. | |
| God, I'm so glad you got that reference. | ||
| Dude, Pee Wee's Big Adventure was one of my favorite movies when I was a kid. | ||
| I went with my high school girlfriend. | ||
| We went and we were fucking crying laughing. | ||
| I loved it. | ||
| We just couldn't believe how hard we were laughing. | ||
| It was so good, man. | ||
| It was so silly. | ||
| And then the next one after that was Pee Wee's Big Top. | ||
| Big Top Pee Wee. | ||
| And he had the big dance. | ||
| Hurry, Pee Wee, come! | ||
|
unidentified
|
Ahhhh! | |
| There's a little pig that was his best friend. | ||
| Feed him sandwiches and shit while he's trying to get with that girl. | ||
| That is a silly fucking movie. | ||
| If you've never seen that movie and you smoke weed, you are in luck. | ||
| Large Marge just makes a cameo, though. | ||
| She's not there for long. | ||
| It's long enough to be legendary. | ||
| We're still talking about it. | ||
|
unidentified
|
Great reference, Joe Logan! | |
| That movie came out in like 84, right? | ||
| 90s, right? | ||
|
unidentified
|
No, no, no. | |
| Like 88, 89 probably. | ||
| No, I was in high school. | ||
| That's when the show came out because I was born in 83. Pull it up. | ||
| Pull it up because I was in high school. | ||
| I say early 90s, man. | ||
| My mom had the VHS. That's all we'd watch. | ||
| I graduated high school in 85. And this is my high school girlfriend and I went to see it. | ||
| Maybe she was in high school. | ||
|
unidentified
|
Whoa. | |
| Oh, damn. | ||
| Joe Rogan. | ||
| 1985. See? | ||
| Told you. | ||
|
unidentified
|
July 26th. | |
| Son? | ||
| I 100% remember being in high school, and she was in high school. | ||
| We were both in school, and we went to see it. | ||
|
unidentified
|
Wow! | |
| Powerful, Joe Rogan. | ||
| His bike was sick. | ||
| Was this coming out before the TV show, or...? | ||
| I don't know, man. | ||
| I think the TV show was out before that. | ||
|
unidentified
|
Before the kids' show, I guess. | |
| I mean, there's that HBO special thing. | ||
| Oh, yeah, that was later. | ||
| That was later, I think. | ||
| He had that show on, like, straight-up ABC, though. | ||
| Remember? | ||
| I'd watch it in the mornings. | ||
| That's why I was saying, I thought it was after that. | ||
| Pee-wee's Playhouse. | ||
|
unidentified
|
Yeah. | |
| And then he got caught, like, jacking off in the theater, right? | ||
| That was actually after all that. | ||
| He got caught jacking off after he stopped doing the TV show. | ||
| Really? | ||
| I thought it was, like, in the middle of it. | ||
|
unidentified
|
That was in the 90s. | |
| That was, like, 90... | ||
| Bro, how's his career going to take a L just because he jacked off in a movie theater? | ||
| Yeah, that was back in the day where we already had VHS. Like, if you jacked off and it was in a movie theater and it was the only way to jack off, everybody's like, eh, we understand. | ||
| Yeah, that's what I'm saying. | ||
| Give the guy a break. | ||
| But if you jack off in a movie theater when we have VHS, well, you're a pervert. | ||
|
unidentified
|
Aw, damn. | |
| 91. Damn. | ||
| Arrested for masturbating in an adult theater in 91. That's so crazy. | ||
| What was the movie? | ||
| Sarasota, Florida is the problem. | ||
| They had a fucking thing in Sarasota. | ||
| And how do they know that he really did jack off? | ||
| He's probably really working. | ||
| Turned Up the Heat and Tiger Shark. | ||
| Nancy Nurse was another one that he went to see. | ||
| Oh, okay. | ||
| Well, that's why people are doing those things. | ||
| He was only 38 at the time. | ||
| 38? | ||
| He's the most shot-out 38-year-old I've ever seen. | ||
| Look at that picture up there. | ||
| Look at that picture. | ||
| Scroll up. | ||
| I like the set of hair on him too. | ||
|
unidentified
|
Looks like a blogger that jacks off at your movie theater. | |
| That's what he looks like. | ||
| A guy that's in a band. | ||
| He could totally be like a bass player. | ||
| Was he smart? | ||
| Is he just loaded or what? | ||
| Because he was a big deal when I was a kid. | ||
| They had merchandise and everything, man. | ||
| Well, he took a big hit from this. | ||
| I think if it happened today, it would be no big deal. | ||
| But also part of the problem was that he was like a childhood idol thing, because, you know, his show was a kid's show. | ||
| Even though it was kind of adult-themed in a lot of ways. | ||
| Really, the word of the day? | ||
| Yeah, see, the HBO cable television show popularized by Pee-wee in 1982. Look at that. | ||
| Yeah, he would look up girls' skirts with the aid of mirrors attached to his shoes. | ||
| Peewee's a creep. | ||
| The original character. | ||
| He's a creep. | ||
|
unidentified
|
Wow. | |
| We love Peewee. | ||
|
unidentified
|
We taught kids how to do that, basically. | |
| That's fucked up. | ||
| Well, everybody already knew. | ||
| Yeah, back then it was hilarious. | ||
| It's like teaching them how to start a fire with a match. | ||
| Yeah, it's all good, man. | ||
|
unidentified
|
I don't know. | |
| You don't think people can figure out how to put a fucking mirror on your shoe? | ||
| That was in old movies, man. | ||
| But then he just shot a show for Netflix. | ||
| Did he? | ||
| They made a movie about a year ago. | ||
| Like Peewee's Back, right? | ||
|
unidentified
|
Yep, yep. | |
| Wow, that's a long hiatus. | ||
| It took him that long to recover. | ||
| You know what? | ||
| That little too late to, you know, like way too late. | ||
| That's like Entourage came with that movie like 10 years after the finale. | ||
| Come on, man. | ||
| Why'd they do that? | ||
| Did it take a long time to make the movie? | ||
| I don't know. | ||
| Personality? | ||
| Didn't that movie do really well, though? | ||
| I don't think so. | ||
|
unidentified
|
Which one? | |
| Entourage movie? | ||
| Rotten Tomatoes gives it like a zero. | ||
| I think it did bad, but it didn't do as good as they needed it to. | ||
| It did not do well. | ||
| The critics destroyed that thing. | ||
| It was just too late, man. | ||
| You got Turtle, he's 50 on that bitch. | ||
| It's like sad. | ||
| Yeah, but Sex and the City can come back today and chicks would flock to it. | ||
| Weren't people pissed at a Sex and the City movie? | ||
| They might have been. | ||
| Well, you know what? | ||
| Because they can do it with them. | ||
| They go through like menopause and shit. | ||
| They're not like the young chicks anymore chasing dick. | ||
| Well, you know what was weird? | ||
| It was like that one character of, what's her name? | ||
| Samantha. | ||
| Yeah, the slutty character. | ||
| Straight up whore. | ||
| Yeah. | ||
| It gave like a lot of women, like they can go, yeah, she can do it and I love her. | ||
| Why can't I do it? | ||
| That's why everyone related to that show. | ||
| Like there's the smart one, there's one that's career driven, there was the whore. | ||
| And you had one of your friends was one of them, I feel like. | ||
| But they loved their horror friend. | ||
| Yes. | ||
| So it was like, it gave her... | ||
| It was the opposite of slut shaming. | ||
| I agree. | ||
| It's like, be yourself. | ||
| Let your freak flag fly. | ||
|
unidentified
|
Be like Samantha. | |
| Be like Samantha. | ||
| Everybody's not Samantha, but Samantha's not everybody. | ||
| Who the fuck you are? | ||
| Who are you? | ||
| If you're a super freak and you're around a bunch of squares, and you're just holding it back every day, I just want to go get some strange dick. | ||
| If you miss that chick, just wants to go, just drink a couple of cosmopolitans, throw some guy your fucking king, go, let's go. | ||
| Yeah, man, what's wrong with that? | ||
| What's wrong with being Samantha? | ||
| As long as it's not your daughter, your kid. | ||
| Or your wife. | ||
| Also, as long as you don't run into the wrong dude. | ||
| That would be the big fear, being a woman. | ||
| Run into some fucking scary guy, some murderer, rapist, some terrible person. | ||
| You're way more likely to run into that person as a woman. | ||
| Oh, predators, man. | ||
| Predators. | ||
| Bank on Samantha's. | ||
| Dropping shit in your drinks. | ||
| God, dropping shit in the drinks. | ||
| That's so rampant. | ||
| If I was a girl, I would be terrified of that. | ||
| I've met so many people that have told me stories about a guy drugging them or drugging one of their friends or drugging someone they know. | ||
| I thought it was like an old school thing, but still goes on. | ||
| I had a friend, she told me, yeah, she was out at the club, and she goes, and I woke up. | ||
| Luckily, nothing happened, but I woke up. | ||
| No memory of what happened before. | ||
| I'm like, what? | ||
| Yeah, man. | ||
| In LA. Like, that still happens? | ||
| She's like, yeah. | ||
| 100%. | ||
| Why the fuck would you take a drink from a dude, though? | ||
| Like, it should be, you know what I'm saying? | ||
| Well, it should be, like, friendly people. | ||
| Like, hey, would you like a beer? | ||
| Yeah, sure. | ||
|
unidentified
|
Yeah. | |
| Give you a beer. | ||
| That's how it should be. | ||
| I mean, in ideal circumstances, she should be able to. | ||
| But there's just too many creeps. | ||
| The world we live in. | ||
| Like, wouldn't you tell your daughters when they're old enough, like, hey, do not take a drink unless you're... | ||
| You know what I'm saying? | ||
| Of course. | ||
| Like, that's what the world we live in. | ||
| You can't just... | ||
| It's not worth the risk. | ||
| I mean, hopefully you're going to run into only nice people who give you a drink. | ||
| And they just want to have some drinks with friends and have some laughs. | ||
| Have you ever heard of girls roofing a dude? | ||
| Never. | ||
| But I'm sure it's happened. | ||
| I did hear. | ||
| You always heard that story about the fake urban myth about the Russian girl who gets you a drink and takes you back to your room. | ||
| Takes your kidney. | ||
| And then you wake up, yeah, on a bag of ice. | ||
| On a bag of ice. | ||
| You wake up with a bag of ice on your side and stitches. | ||
| Tells you to get to a hospital immediately. | ||
| You're like, what? | ||
| Is that an urban legend? | ||
| Could be. | ||
| Or it never happened. | ||
| That brings up Jamie's point earlier today before the podcast that we need a more reliable Snopes. | ||
| Not that Snopes isn't reliable, because apparently it's pretty reliable. | ||
| That's the answer. | ||
| That's the answer. | ||
| The problem is nobody wants to listen to Snopes anymore because it turned out that the dude who ran Snopes is a freak. | ||
| One of the chicks that is, like, his number one employee was a woman who was an escort until, like, 2015, and now she's married to him, and he's just a freak. | ||
| He's just partying all the time and having a good old time. | ||
| But why is that so bad? | ||
| Like, why does that affect... | ||
| And also, they have a left-wing bias that a lot of people... | ||
| A lot of people think they have a left-wing bias, at least. | ||
| You know, I guess. | ||
| Sort of. | ||
| Maybe. | ||
| But, I mean, if they're just relaying facts... | ||
| You can rely on them, I think, for the most part. | ||
| But that's not enough. | ||
| Who can you rely on? | ||
| Like, even on that New York Times you post on Instagram, do you see they changed their headline? | ||
| Yeah, they changed it. | ||
| They changed it. | ||
| Well, I went out of my way. | ||
| I was like, this is crazy. | ||
| I read the New York Times basically every day. | ||
| Me too. | ||
| It should be pretty reliable. | ||
| I have it on my app. | ||
| I have the app on my phone. | ||
| That's where I go in the morning. | ||
| Yeah, I get notifications from them. | ||
| Me too. | ||
| Anytime anything happens in the news. | ||
| So, I read tons of articles from the New York Times. | ||
| I looked up the guy who posted it. | ||
| I don't want to get personal. | ||
| No, I just wanted to see what was going on. | ||
| Just a giant fuck-up. | ||
| You can't do that. | ||
| He's also not a sports writer. | ||
| He writes more about race. | ||
| He's a young guy. | ||
| I doubt he even watched the fight. | ||
| Yeah, he goes, New York Times writer for race. | ||
| What? | ||
| Yeah. | ||
| That seems like it would be within your best interest to keep things fucked up. | ||
|
unidentified
|
You know, I'm not saying I'm not a conspiracy theorist. | |
| Well, maybe. | ||
| I mean, look, all you had to do was say what happened is that after, you know, just say Floyd Mayweather outclasses and stops Conor McGregor, stops an exhausted Conor McGregor in the 10th round. | ||
| That's what happened. | ||
| He was exhausted. | ||
| And he got tagged over and over again, and Floyd was teeing off on him. | ||
| I mean, it was a brilliant performance. | ||
| Does that really paint the fight, though? | ||
| I don't know if I put it that way. | ||
| For sure, use your words better. | ||
| In the headline. | ||
| You can't say, his face was completely bloodied and he almost went through the ropes. | ||
|
unidentified
|
No, he's way up. | |
| Both of those things are not true. | ||
| I don't think he actually watched it. | ||
| Reading that headline, he probably looked at the maybe photos or someone else's narrative of the fight. | ||
| Yeah, but if he looked at photos, even the photos. | ||
| There's no bloody. | ||
| No. | ||
| I guess a photo of Connor outside the ring? | ||
| Well, he's never outside the ring, for God's sakes. | ||
| Look, I saved the photo, man. | ||
| No, no one's face was bloody. | ||
| There was no bloody, period. | ||
| I mean, it just wasn't bloody. | ||
| Like, you could see his face. | ||
| I got a photo of the actual stoppage itself. | ||
| And at the moment the stoppage happened, he was... | ||
| I mean, he had like a little bit of a mouse under his left eye. | ||
| There it is right there. | ||
| Look. | ||
| No blood. | ||
| Yeah, he had a mouse from the right hands landing. | ||
| Yeah, no blood. | ||
| Neither guy was... | ||
| You don't even see the mouse there. | ||
| You see his right cheek. | ||
| It's under his left cheek. | ||
| It's just red. | ||
| His eyes were red. | ||
| Bo, did you hear 100 million illegal streaming downloads? | ||
| 100 million illegal streams. | ||
| Holy shit. | ||
| How much revenue did they lose? | ||
| How about this? | ||
| How crazy is this? | ||
| Floyd's warm up in the back. | ||
| Someone from his team goes, Yo, Floyd, the systems in California and Florida are down. | ||
| He goes, God damn, those are huge markets. | ||
| Here, I'm going to delay until they figure it out. | ||
| That's how conscious this motherfucker is before this huge fight. | ||
| That's good. | ||
| He goes, I'm going to wait. | ||
| I'm going to wait. | ||
| That's worth millions and millions of dollars. | ||
| That's what I'm saying. | ||
| How brilliant is he? | ||
| That was my takeaway with working with Showtime and getting so close to Floyd and doing all this stuff. | ||
| He's so goddamn brilliant, man. | ||
| I had preconceived notions like, he's a good boxer. | ||
| How good of a businessman? | ||
| How involved is he? | ||
| No, no, no. | ||
| He doesn't let anything go in touch without overseeing everything. | ||
| He's both. | ||
| Everything. | ||
|
unidentified
|
He's both. | |
| He's brilliant. | ||
| He's brilliant as a producer, or as a promoter, and he's brilliant as a fighter. | ||
| Brilliant. | ||
| Brilliant. | ||
| And they asked him about, so I was in the fighters' meetings, and they have all the Sears Showtime guys there, and we're mic'd up, and the All Access crew, and Floyd's crew. | ||
| And they go, hey, be careful, because last time we did this with Floyd, he didn't really know the guys, and he kicked them out in front of everyone. | ||
| It was super embarrassing, so I'm like, oh, that sucks. | ||
| So I'm in my suit sitting there, and everyone's so serious. | ||
| I'm like, this is so serious, so stuffy in here. | ||
| So the guy goes, Jim Gray. | ||
| Jim Gray goes, hey Floyd. | ||
| They're like writing their notes down. | ||
| I'm just sitting there like staring at him. | ||
| And they go, you know, you always walk out with like an entourage usually for your fights. | ||
| There's usually some big celebrity or something like that. | ||
| Who's it going to be this time? | ||
| And I know previously you had beef with Justin Bieber. | ||
| So I was like, well, better now than never. | ||
| I just went out of turn. | ||
| Not the Biebs! | ||
| Not the Biebs! | ||
| And did Floyd laugh? | ||
| Floyd, he's talking dead serious that Jim Gray has his glasses on. | ||
| He takes his glasses off and goes, Damn, dog! | ||
| I'm trying to be positive up in here. | ||
| We're trying to be positive. | ||
| And I go, I start laughing. | ||
| I go, I know! | ||
|
unidentified
|
All I'm saying is Beeb isn't walking out with you, man. | |
| What's wrong with that? | ||
| And he started laughing after that. | ||
| Everyone was literally like... | ||
| On pins and needles. | ||
| And I was like, come on, man! | ||
| So Biebs is all about church now, huh? | ||
| Is that the thing? | ||
| Like, he unfollowed Floyd and Floyd got mad at him? | ||
| Yeah, and that guy... | ||
| You can't unfollow your boy. | ||
| You can't unfollow your boy ever. | ||
| And that guy... | ||
| I will never unfollow you. | ||
| Ever, bro. | ||
| If we do, then there's some serious beef. | ||
| It's not happening. | ||
| Floyd Mayweather clapped back at Justin Bieber. | ||
|
unidentified
|
Yo, man! | |
| Trying to be positive! | ||
| He's just a pop star, Floyd says. | ||
| Well, it's got a point. | ||
| Just a pop star, who is probably the biggest pop star on the planet. | ||
| Biggest ever, yeah. | ||
| They said he canceled his tour, like he stopped his tour because of this Jesus thing. | ||
| That priest guy. | ||
| I know that guy, and I've been to Bible study with that guy. | ||
| I've been to dinner with that guy. | ||
|
unidentified
|
Really? | |
| He's an interesting dude. | ||
| If you're Ball's Demon Jesus, he's your guy. | ||
| Keep talking. | ||
| Tell me more. | ||
| I don't want no bad juju on me. | ||
| You don't want to be the golden snitch for pop stars? | ||
| I don't know what's going on there. | ||
| I don't know what's going on there. | ||
| But they were saying that Justin Bieber already made $93 million this year before he canceled the tour. | ||
| How fucking nuts is that? | ||
| That kid is balling so hard. | ||
| Even him? | ||
| And then I think he has something to do with Kyrie Irving too. | ||
| And Kyrie's like, yeah, I want out of Cleveland. | ||
| Like, this motherfucker has some power. | ||
| He's like, Jesus wants you to play for Boston, you know that, right? | ||
| So what is he doing to them, trying to get them to, well, look, maybe he's doing something, maybe I'm looking at it the wrong way, right? | ||
| So if he has a positive influence on him, maybe he's saying, listen, man, you're so involved in show business, you've got to think about living and life. | ||
| Not only that, here's the thing, man. | ||
| Once you make 93 million dollars, it's basically over. | ||
| Life changes. | ||
| But I'm saying it's over. | ||
| Just relax. | ||
| It's over. | ||
| True. | ||
| You put that fucking money in the bank, you don't have to work anymore. | ||
| Like Connor. | ||
| Yeah. | ||
| All the work you do from here on out is gravy. | ||
| This is what you do now. | ||
| You do what you want to do. | ||
| Do you want to go and do a bunch of concerts in front of all these people, or are you doing too much? | ||
| Because if you're working, like if you, if you had to go and do theaters, like now you've been doing a lot of stand-up. | ||
| If you had to do theaters Wednesday, Thursday, Friday, Saturday, every week, flying everywhere, you'd be so tired. | ||
| I'd be like Amanda Bynes. | ||
| You'd just see my hair's all fucked up. | ||
| I'd be going crazy. | ||
| I'd be like Cat Willings. | ||
| I engineered how I do like this Latin mindset. | ||
| This is the first tour that I ever named, the Strange Times Tour. | ||
| The first time I ever sold a bunch of tickets in advance like this. | ||
| Smart marketing. | ||
| But I engineered that when I'm doing these fly to two places, I'm off for a while. | ||
| That's because you have the power to do it, though. | ||
| You have to do it that way. | ||
| Bieber has the power too. | ||
| 100%. | ||
| He just canceled everything. | ||
| Kanye West did the same thing. | ||
| Well, Kanye West did after they checked him into the loony bin. | ||
| He was going crazy. | ||
| They said he would do that concert, come home, and he had all this work he had to do with Adidas and clothing, and they just said he was working nonstop. | ||
| And a small glimpse of show business and stand-up and all this stuff, I can see how being on a tour that long, you're going to go fucking batshit crazy. | ||
| I can see a little bit. | ||
| When I saw it, I went, oh, I bet, man. | ||
| That's crazy. | ||
| Well, you know what a big factor for me is? | ||
| A big factor for me is when I'm at home, I'm going to sleep for eight hours, and I have a schedule in terms of my runs, my lifts, whatever workout I'm doing, whatever kind of thing I'm doing. | ||
| I know where I can train. | ||
| I know the schools I can train at, I know the gyms I can train at, and I know what to do. | ||
| That keeps me sane. | ||
| Having those... | ||
| I can work out on the road and it's good. | ||
| It's definitely better than nothing. | ||
| But it's not the same of being able to have this normal... | ||
| It keeps my energy up and it keeps my anxiety down. | ||
| All those things get balanced out when I'm at my normal workout routine. | ||
| When I go on the road and I'm doing three days in a row... | ||
| It's hard because I don't want to work out too hard because I don't want to be tired for the two shows. | ||
| I've got two big-ass theater shows. | ||
| But I can't imagine those guys who do five nights. | ||
| So they're flying in. | ||
| So I did two shows this weekend. | ||
| So I flew in three days. | ||
| I took three flights. | ||
| You know, that's crazy. | ||
| Crazy. | ||
| But that's nothing compared to those guys that do it five days a week, six days a week. | ||
| Well, even still on private jets, it's still exhausting, man. | ||
|
unidentified
|
It's exhausting. | |
| It's still the same thing. | ||
| Same thing. | ||
| I mean, you don't have to... | ||
| It goes more on your schedule, I guess, if you're flying everywhere with a private jet, but it's still fucking exhausting. | ||
| It's still a beast, man. | ||
| Yeah. | ||
| So I get a little bit. | ||
| People are like, oh, you poor baby. | ||
| Oh, I know. | ||
|
unidentified
|
Poor baby. | |
| Oh, 93 million. | ||
| I'm like, they already have money, so it's not that. | ||
| That's the thing. | ||
| They're already set there. | ||
| It's already gravy. | ||
| But back to the Bieber-Floyd thing. | ||
| Thank you. | ||
| Again, I had preconceived notions of Floyd Mayweather before I met him, been around him. | ||
| So does this religious guy. | ||
| He thinks, oh, Floyd's just about hoes and cars and stuff like that. | ||
| That's all. | ||
| I guess, but there's more layers to that. | ||
| So for you to judge him based off social media and say, Bieber, quit following, quit hanging out with him because he's just about that. | ||
| No, you don't know shit. | ||
| You're judging that guy because he's not going to church every Sunday. | ||
| You know what I'm saying? | ||
| You're judging him based off Instagram, which isn't fair to do. | ||
| I think he's saying, I don't know what he's saying. | ||
| But I would imagine if someone tells you to stop following somebody, they're saying that person's a bad influence, right? | ||
| Which isn't fair to say, because Floyd doesn't drink, has crazy work ethic, oversees basically Showtime sports. | ||
| You know what I'm saying? | ||
| Like, he's healthy. | ||
| Yeah, but it's girls, bro. | ||
| Strip clubs. | ||
| You own the strip club, bro. | ||
| Some of the women he hangs out with, I ain't never seen anything like that. | ||
| That's what 15-0 gets you. | ||
| I mean, jaw-dropping shit. | ||
| Hundreds of millions of dollars. | ||
|
unidentified
|
Hundreds of millions of dollars. | |
| What are we doing here? | ||
| And they just look at me like a bag of shit in these Gucci shoes. | ||
| Those goofy shoes. | ||
| I get it. | ||
| Not 15-0, girl. | ||
| Hundreds of millions of dollars. | ||
| Did you see that all-access where they showed that fucking stupid watch they bought him? | ||
| That Hubolt gave him? | ||
| Dude, I met with the guy from Hubolt. | ||
| He'll tell me all about it. | ||
| Dude, that watch is so gross. | ||
| Nuts. | ||
| It's so stupid looking. | ||
| It's all crystal on the outside. | ||
| Was it $1.28 million? | ||
| No, it was $500,000, I think. | ||
| They made him another one for $1.2 million. | ||
| They made them three. | ||
| It's crazy. | ||
| The watch is all crystal. | ||
| The outside of it is all crystal. | ||
| That's nasty. | ||
| It's so stupid looking. | ||
| It looks like a cheap watch. | ||
| Yeah, I agree. | ||
| Not my style. | ||
| I do love Hublot, though. | ||
| Shout out to Hublot. | ||
| Yeah, they make great watches, but that thing, the LaFerrari, isn't that what it's called? | ||
| Yeah, there you go. | ||
| It looks gross. | ||
| Did you see the money belt? | ||
| Yes. | ||
| They handed me that thing. | ||
| This is real. | ||
| It's kind of small. | ||
| It smelled like they just... | ||
| Killed that alligator on the spot. | ||
| It smelled like hummus and alligator. | ||
| It smelled like shit. | ||
| But then there was just like gold all over it. | ||
| I was like, oh my god. | ||
| Diamonds and shit and rubies. | ||
| Do you know who made that? | ||
| Who? | ||
| Floyd Mayweather's team. | ||
| It's basically a gift to him because they thought for sure he was going to win. | ||
| They're like, yeah, here's this crazy money fight belt for $1.2 million we designed ourselves. | ||
| Here you go, Floyd. | ||
| Wow. | ||
| Tight move. | ||
| 1.2 million dollars for that ugly belt. | ||
| I was all up on that thing. | ||
| Well, tell me about this then. | ||
| Are those red? | ||
| Is the red all... | ||
| What are those? | ||
| Are those gems? | ||
| What is the red stuff? | ||
| Like in the flags all around the WBC? Nah, those are just like colors. | ||
| Those aren't real. | ||
| That's not real. | ||
| But the diamonds and all that and gold, all that's real. | ||
| Most swims of belt of all time. | ||
|
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|
Damn. | |
| That thing was sweet. | ||
| It's pretty dope looking. | ||
| Yeah, I was all up on it. | ||
| If you're into like... | ||
| 600 sapphires, 160 emeralds. | ||
| 3,000 diamonds, son. | ||
| 3,360 diamonds. | ||
| It weighs three pounds of 24 karat gold. | ||
| That thing was tiny, though. | ||
| Three pounds of gold! | ||
|
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|
That's so insane! | |
| Like, I was holding it. | ||
| It was like a little belt. | ||
| It wasn't like the big-ass belt. | ||
| It looks normal-sized. | ||
| Are they all like that? | ||
| Maybe I'm just fucking Shaquille O'Neal, but if you look at the picture with me, it looks small. | ||
| Look at those chicks when they're holding it up. | ||
|
unidentified
|
Click on that. | |
| Yeah, it doesn't look small. | ||
| How weird are the fucking ring card girls in boxing? | ||
| They stand around behind everything and smile. | ||
| They're like the girls from fucking The Stepford Wives. | ||
| Yeah. | ||
| For hours! | ||
| Dude, that's all they do is pose with that big smile. | ||
| It's so odd. | ||
| It's like they don't express any personality. | ||
| They don't do anything other than stand there and have that same smile. | ||
| We can't have fucking doing bits up there and shit. | ||
| What do you want them to do? | ||
| Yeah, but they're not like looking at each other and talking. | ||
| They have to stand there and smile. | ||
| They're like those English soldiers. | ||
| They do nothing. | ||
| And I'll tell you what, Corona does it right. | ||
| Like those English soldiers, that is what it's like. | ||
| That's what they're like. | ||
| Corona does it right. | ||
| I'm not mad at any of them. | ||
| There was no slump busters. | ||
| All of them were tens. | ||
| All of them were stone-cold tens. | ||
| Slump busters. | ||
| All of them were straight stone-cold tens, man. | ||
| Yeah, and smiling. | ||
| Yeah, and just not moving like robots. | ||
| Yeah, and one hand on the hip. | ||
| I feel like they hit them. | ||
| They smiled and hit them. | ||
| Those bitches were in line. | ||
| They just dropped that belt on their head. | ||
| Dude, how about... | ||
| Just like that alligator dick. | ||
| Whoops. | ||
| Clunk. | ||
| How about I'm doing, before the weigh-ins, I'm doing a pre-fight show, and Floyd Mayweather Sr. is standing to my right going... | ||
| You don't know shit. | ||
| You don't know what the hell you're talking about, Shobb. | ||
| You don't know shit. | ||
| And I'm like trying to get through it and not pay attention to him. | ||
| And that stops. | ||
| I go, bro, what are you doing? | ||
| Come on, man. | ||
| What are you doing? | ||
| I'm selling the fight. | ||
| I'm putting money in your son's pocket, man. | ||
| You need someone up here to talk about it. | ||
| What are you doing? | ||
| And he just goes, ah, you know what you're talking about. | ||
| Like, Jesus Christ, man. | ||
| Relax. | ||
| Yeah, he's a smooth talker, that senior. | ||
| Yeah, yeah. | ||
| Yeah, real smooth. | ||
| It's like... | ||
| Imagine if you're Floyd and you like literally see your future if you keep getting hit in the head, like right in front of you. | ||
| Yeah, heavy stuff. | ||
| But that's gotta be one of the reasons why he's so brilliant defensively. | ||
| Not just because he learned from his dad, he learned from Roger Mayweather and all the people in the gym that he trained with, but also he sees the effects of... | ||
| I'm sure, man. | ||
| Chronic punishment. | ||
| And his brother, or his uncle, rather, as well. | ||
| Yeah, both of them. | ||
| Roger Mayweather, he's not doing well either. | ||
| No, none of them are doing great, man. | ||
| None of them are doing great. | ||
| He's perfect, though. | ||
| 40 years old, speaks perfect. | ||
| Sharp knows everything about it. | ||
| Everything. | ||
| And they thought that Javante Davis, oh, you probably didn't see her doing the show. | ||
| I did see that afterwards. | ||
|
unidentified
|
Oh, you did see it? | |
| I saw it yesterday. | ||
| He's a kid who they thought was going to be the next pay-per-view king, and you can tell I asked Floyd, and he's just like, mmm, he's missing a few things. | ||
| He goes, because you just can't be 30-0 with 30 knockouts and expect to be a megastar. | ||
| You have to have everything. | ||
| He's like, so he has to work on so much more, I don't know. | ||
| He's 130 pounds. | ||
| It's tough. | ||
| Yeah, he missed weight, too. | ||
| He missed weight, but he took the fine short notice. | ||
| He missed weight, had a horrible fight. | ||
| How short notice? | ||
| I want to say he took it on two, because I think Sean Porter was supposed to fight, and then he backed out, so then they booked this dude. | ||
| He's fun to watch, though. | ||
| He has the most intense tattoo I've ever seen. | ||
| What is it? | ||
| It's on his forearm. | ||
| He's from like the straight hood of Baltimore. | ||
| And as he's talking, I look down to stare at people's tattoos. | ||
| And it was an apartment building, brick building on fire. | ||
| And in front of the apartment building is a mass burglar, black burglar, with like the old school robber mask on with a bag of money and a gun. | ||
|
unidentified
|
What? | |
| Yeah. | ||
| I was like, shout out to that terrible tattoo. | ||
| Jesus. | ||
| He had a bad fight, though. | ||
| That was kind of his platform to do something, but I don't see him being the next big thing. | ||
| You can tell Floyd, too, is like... | ||
| Before, he's like, this is the next up-and-coming guy. | ||
| He's the next Floyd Mayweather. | ||
| And now I'm like, he's the next Floyd Mayweather. | ||
| He's like, not really. | ||
| Let me tell. | ||
| He had a rough fight, too. | ||
| Yeah, it was a rough fight. | ||
| He clipped that dude behind the ear or behind the head. | ||
| But that's just like where punches land when people duck. | ||
| Yeah, sometimes shit happens. | ||
| Yeah, and you know, the guy was complaining about it. | ||
| He went down. | ||
| I'll tell you what was cool is after the fight, I'm in the back and I see Amir Khan, Terence Crawford, and Andre Berto. | ||
| And so I go to talk to them and they were all like super complimentary of Conor McGregor. | ||
| Like, dude, he can box, man. | ||
| I'm like, right? | ||
| Like, what do you think? | ||
| You're just going to go and look like an asshole like Bart Simpson and fly across like this? | ||
| Like, what do you expect to happen? | ||
| Like, we just didn't expect him to get any rounds. | ||
| We thought he was just going to be outclassed. | ||
| I'm like, nah, man. | ||
| He has a tremendous belief in himself. | ||
| And he had a weird style. | ||
| That strange style of off-speed punches, extending his arms fully and then pop them in there. | ||
| And in the back, even Pauly goes, I gotta be honest, I was kind of glad to see that because when I went against him, like the first four or five rounds, I couldn't land shit because that style, like it takes forever just to get used to it. | ||
| I didn't know what to do. | ||
| He's like, so I just thought maybe I was having an off day, but once I see that and I see Floyd do kind of the same thing, you know? | ||
| Granted, Floyd fought a different style, but I don't give a shit. | ||
| Yeah, that style's legit. | ||
| It's legit. | ||
| You know, I mean, that's just too big a leap. | ||
| That's all it is. | ||
| For Conor to go and his first professional fight, fight arguably the greatest fighter of all time. | ||
| It's like he's 100% in the mix now at 50 and 0. At 50-0, it's 100% in the mix that he's the greatest fighter of all time. | ||
| You think about it defensively, no one's even close. | ||
| No one's been hit as little as him. | ||
| And Conor hit him. | ||
| Yeah, and he's beat everybody. | ||
| And obviously he fought Conor a different way than he fought everybody else, that's a fact. | ||
| Conor hit him more than any fighter that ever fought. | ||
| Here's the other thing. | ||
| Here's kudos to Conor and Floyd, but especially Conor. | ||
| When's the last time you saw an exciting Floyd Mayweather fight? | ||
| True. | ||
| Conor went at him. | ||
| Yeah, that's when Conor asked the fight. | ||
| I turned him into a Mexican. | ||
| Oh, that's hilarious. | ||
| Did you see that? | ||
| Yeah. | ||
| You didn't hear that? | ||
| No. | ||
| I missed a lot of that. | ||
| Conor brought the fight out of him for the first time. | ||
| First time since I don't know who. | ||
| You know what I'm saying? | ||
| You can say, well, last finish was Victor Ortiz. | ||
| That was shit. | ||
| That was kind of a cheap shot. | ||
| He really didn't bring it to him, but Conor brought it out of him, man. | ||
| This was legit. | ||
| It was cool, man. | ||
| And when I watched it the second time, knowing the result, then you really appreciate what Floyd's doing. | ||
| Because although Conor did catch him, he definitely caught him with a hard uppercut in the first round. | ||
| Best shot, yeah. | ||
| That was interesting. | ||
| Because that was like, oh, shit. | ||
| You've got to realize, mind your P's and Q's, this guy's legit. | ||
| But Conor, even though he clipped him with that shot, never really hurt him except that one shot to the body. | ||
| Which I was surprised. | ||
| I've got to be honest, in my prediction, I thought Conor was going to do well like he did in the first rounds. | ||
| I called that. | ||
| I thought he was going to win four to five rounds. | ||
| And then I thought maybe that upper cup would wobble him, and that would be enough to win Conor kind of the spectacle. | ||
| Just, you know, Floyd's chin and, you know, just the boxing power's a little different, man. | ||
| It definitely is different, and I don't think Conor's loading up, either. | ||
| You know, I don't think Conor is really, like, digging in on these shots, because I think he was probably concerned about his endurance. | ||
| You gotta realize, also, this fight was relatively short notice. | ||
| So short notice that I had already booked the DC Improv in advance, and it was sold out by the time they announced the fight. | ||
| Correct. | ||
| So, or not the DC Improv, the Warner Theater in DC. So if you think about that, That's fucking months in advance. | ||
| Three months. | ||
| This fight was announced three months ago. | ||
| That's nothing. | ||
| That's nothing for this magnitude of a fight. | ||
| Most of the time, a fight like this is six, seven months out. | ||
| Easy. | ||
| Oh my god, easy. | ||
| Maybe more. | ||
| When did they announce Canelo Triple G? Been a long time. | ||
| It's been a while. | ||
| I think between the time they announced it and when the fight starts, I gotta feel like it's five months at least. | ||
| At least five months. | ||
| Which is normal. | ||
| I would assume... | ||
| But at least they also, boxing was smart because they set it up, right? | ||
| So they had Canelo Chavez Jr., that was a joke. | ||
| But that was literally just a setup to get him to Triple G, and they both knew it. | ||
| So you're looking at basically a year in the making. | ||
| And before that, what, two years in the making? | ||
| And here's more importantly, during that entire time, they're both boxing. | ||
| So Conor's not. | ||
| He's not really sure if he's going to actually have this boxing match with Floyd Mayweather, right? | ||
| So he knocks out Eddie Alvarez, and then somehow or another the rumblings get started. | ||
| But that's just not enough time. | ||
| A few months to prepare for Floyd. | ||
| I agree. | ||
| Especially in that arena, the best of all time in that different arena. | ||
| But Floyd goes, listen, I tried making this fight before this, and the UFC turned it down. | ||
| And he goes, alright, we'll see what happens. | ||
| And then he goes, and I came back and was like, yo, this is how much money we could make. | ||
| And he goes, and then they were like, alright, let's do it. | ||
| He goes, but I tried making this fight a while ago, but even before this. | ||
| Yeah, I remember the discussions. | ||
| But to be that close, like when they actually announced it. | ||
| Okay, this is actually happening. | ||
| Crazy. | ||
| It's crazy to have it so quickly. | ||
| Especially this magnitude of a fight. | ||
| Yeah, it's nuts. | ||
| So if something like that, if you gave Conor like six months... | ||
| Maybe he could get in better shape or he could survive. | ||
| He's never going to be against a guy like Mayweather who was so efficient and his movement is so crisp. | ||
| This is how I was describing it to a friend of mine. | ||
| Does your friend have a boxing or martial arts background in any facet? | ||
| He was trying to figure out why he would get so tired. | ||
| No. | ||
| Gotcha. | ||
| I go, okay, when you tie your shoe, you tie your shoe, you don't even think about it. | ||
| You just go, right? | ||
| But if you have to think about tying your shoes, it takes more energy. | ||
| And you have to think, and then you've got your tents. | ||
| I go, Floyd's just tying the shoes. | ||
| He's reacting. | ||
| Yeah, he's just so... | ||
| He's so good. | ||
| He's been doing it so long that he's just got it ingrained in his movements. | ||
| Conor has to think way more than Floyd does. | ||
| And Floyd is constantly pressuring him, so Conor's backing up all the time, which wears you out. | ||
| And also the volume of punches. | ||
| He's at a really high pace. | ||
| He thought he was going to be able to stop him maybe a little more, stop him from coming forward. | ||
| He wasn't prepared when Floyd put his head in his chest and did work. | ||
| The ref didn't allow him to get his rest in the clinch. | ||
| But listen, at the end of the day, I'm all about the glitch in the matrix, man. | ||
| I think Conor's a glitch. | ||
| It was so much fun that he even pulled this off. | ||
| It's awesome. | ||
| He didn't dishonor the sport. | ||
| I thought he did really well. | ||
| I told Conor, I said, I'm proud of you, man. | ||
| What he did? | ||
| Win or lose? | ||
|
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|
Meh. | |
| This is nuts. | ||
| His belief in himself is incredible, but even that is not enough if you fight a better boxer and your body gets tired. | ||
| So that's what we saw in that fight. | ||
| In the beginning of the fight, if he could have maintained, somehow or another, if he was in good enough shape, that he could maintain the pace that he had- The first three rounds. | ||
| The movement that he had in the first three rounds for the entire 12. Gotta fight. | ||
| It's a well, a way different fight. | ||
| Because he's dangerous, he's quick, he's moving away. | ||
| He has a huge endurance problem. | ||
| And this is like something that comes back to, for boxing, obviously. | ||
| You don't think he has an endurance problem in UFC as well? | ||
| He may. | ||
| Because if you look at his attributes, Joe. | ||
| He did, certainly in the Nate Diaz fight. | ||
| The only one that went five rounds. | ||
| The first fight. | ||
| Yeah. | ||
| But if you look at his attributes, I'd say endurance is, you know, and everyone knows I'm a kind of dick rider, but if you go on, you know, his strengths, I'd say it's at the bottom as far as his strengths. | ||
| I agree. | ||
| It's not bad where it's like, you know, it's not good. | ||
| It's not good. | ||
| Look, here's the best endurance in the sport. | ||
| Mighty Mouse. | ||
| For sure. | ||
| Well, he doesn't count. | ||
| He's out. | ||
| True. | ||
| You're 125 pounds. | ||
| You're out. | ||
| Cain Velasquez counts. | ||
| Cain Velasquez did count. | ||
| Cain Velasquez counts. | ||
| At the height of his career. | ||
| You know who else has phenomenal cardio? | ||
| Neil Magny. | ||
| Neil Magny's phenomenal. | ||
| Neil Magny the gazelle has some phenomenal cardio. | ||
| Phenomenal cardio. | ||
| Amazing pace. | ||
| So does, you look at guys, you know, Jon Jones has good cardio. | ||
| Very good cardio, yeah. | ||
| Might be EPO, we'll figure it out. | ||
| We need to talk about that. | ||
| Can't trust anything. | ||
| How disappointing was that? | ||
| How disappointing was that? | ||
| Broke my heart, Jon Jones. | ||
| Dude. | ||
| You broke my heart. | ||
| Dude, Jamie sent it to me. | ||
| I was at Universal with my wife and my kids. | ||
| I was texting with you, because what was I doing? | ||
| Oh, I was working for Showtime, and I had my phone, and then I look, and I have 70 missed texts and 23 missed calls. | ||
| I'm like, what the fuck happened? | ||
| I'm like, someone died. | ||
|
unidentified
|
Oh, no. | |
| Who died? | ||
| And I look, and it's like Jon Jones, like... | ||
| Someone might as well die. | ||
| Jamie sent it to me. | ||
| I thought it was a joke. | ||
| Me too. | ||
| I thought people were messing with me. | ||
| I looked at my phone. | ||
| I was like, this is no way. | ||
| And then you sent it to me. | ||
| You're the first one I texted. | ||
| I went, is this real? | ||
| You went, yes. | ||
| Broke my heart, Jon Snow. | ||
| Once you start talking back and forth with the Golden Snitch. | ||
| That Golden Snitch. | ||
| There's zero jokes there. | ||
| And listen, when the Golden Snitch comes out with something... | ||
| They've ran that pisser through a ton of tests. | ||
| It's not fake news. | ||
| It's not some flat earth shit. | ||
| Apparently, a court- I don't think I can say this. | ||
| Bring it, because I talked with an expert about this drug, and he fucking dropped some knowledge on me. | ||
| Okay, this is what I've heard. | ||
| This may or not be true. | ||
| The reason why I don't say this is because I'm not 100% aware. | ||
| Maybe we can find some information online available. | ||
| What I had heard is that this drug is not detectable in blood, that it's a drug that's detectable in urine. | ||
| And a new test, right? | ||
| Is it a new test? | ||
| From what I heard, too, is the USADA, they have a new test. | ||
| Obviously, they'll announce, hey, we're doing this now, everyone. | ||
| Welcome to the party. | ||
| And this drug was also, it's very common around power lifters. | ||
| Because you can use it in competition, and by the time you get tested after it, it has an hour's half-life. | ||
| So the shelf life is super short, but you take it and it makes you super aggro and strong. | ||
| And they go, it's so hard to obtain legally, most everyone gets a black market. | ||
| And when you get a black market, you don't know where it's coming from. | ||
| And a lot of time, and this happens with a lot of powerlifters and other athletes, when they test hot for this, it's because they got a bad batch or something else mixed into it. | ||
| This is coming from a super knowledgeable dude who knows about it. | ||
| Oh, it makes you aggro, huh? | ||
| Confident, aggressive. | ||
| Yeah, he's like, it makes you like, oh. | ||
| And he goes, and it lasts maybe an hour, maybe two hours max, and that's out of your system. | ||
|
unidentified
|
No. | |
| He goes, so that makes sense why someone would fail directly after, because it- No, no, no, no, no. | ||
| No, he failed after the weigh-in. | ||
| That's when he failed. | ||
| This is after the weigh-in. | ||
| I don't think so. | ||
|
unidentified
|
Yeah. | |
| Are you sure? | ||
| Yeah. | ||
| Yeah. | ||
| Well, either way. | ||
| Yeah. | ||
| Well, maybe it's like lingering. | ||
| Well, that's what he's saying. | ||
| He's getting better at these tests. | ||
| He's saying, but also I heard they're using a new test, too. | ||
| Maybe someone gave him a tainted sandwich. | ||
| Made some tainted dick pills. | ||
| Either way, he broke my heart. | ||
| I'm off the train. | ||
| I'm off the goddamn train. | ||
| And I'm sick of the, we have no idea what happened. | ||
| It was just dick pills. | ||
| I'm like, I'm out! | ||
| I'm out! | ||
| How dare you! | ||
| Well, is he offering up any possible scenario for what happened? | ||
| No, he tweeted out like, this is when I find out who my real friends are. | ||
| Hashtag blessed. | ||
|
unidentified
|
Oh, boy. | |
| Fuck that noise. | ||
| That sounds like you're feeling sorry for yourself. | ||
| Jesus ain't helping you out of this one. | ||
| So much to be grateful for. | ||
| Well, it's going to be the UFC money, but yeah. | ||
| That's different. | ||
| Yeah, he's got a nice family. | ||
| That's true. | ||
| Good friends, hopefully. | ||
| Whatever. | ||
| Who knows what the fuck is happening? | ||
| But here's the thing, man. | ||
| Where they smoke, there's fire, Joe. | ||
| They tested it multiple times, by the way. | ||
| In USADA, since the Golden Snitch has been around, he's a motherfucker. | ||
| I like the guy, but if you're a fighter, he's a motherfucker. | ||
| Well, hey, he's doing exactly what he's supposed to do. | ||
| Protect fighters from people doing steroids. | ||
| Ruined the sport, sir. | ||
| Ruined the sport. | ||
| You ruined baseball first. | ||
| Now you're here. | ||
| No, the fighters are ruining it because they know what the fucking parameters are now. | ||
| Ah, let's have some fun! | ||
| Ah, I agree. | ||
| I agree. | ||
| I don't look... | ||
| Look, here's the thing about this fight. | ||
| Do you think Dana's ever like, God! | ||
| What kind of testing was done for this Floyd Mayweather-Conor McGregor fight? | ||
| Are those new lights? | ||
| Yeah, bro. | ||
| I like what you're doing with the place, man. | ||
| You know what, man? | ||
| I like the curtains, right? | ||
| When I put the new studio, I'm going to do the curtains. | ||
| Yeah, you should, man. | ||
| Yeah, but Nowitzki is a guy that you don't want on your bad side. | ||
| Oh, no. | ||
| But do you ever think Dana's like, damn, bro, relax. | ||
|
unidentified
|
Relax. | |
| We hired you, but Jesus, crimity. | ||
| They knew what they were getting into, and you know what? | ||
| They just decided this is only one way to clean up the sport. | ||
| Bring in the guy who's the very best at catching people for doing drugs. | ||
| Bam, bring him in. | ||
| Bam, did they do it? | ||
| Here's the thing. | ||
| Jon Jones, since USADA's come in, he's failed three out of four tests. | ||
| The only one he didn't fail, he fought OSP. Coke is coke, brother. | ||
|
unidentified
|
Coke is coke, bro. | |
| Oh, so that's fine? | ||
| Bro, what's coke? | ||
| Do a few lines and just fucking... | ||
| Vanderlei Silva, Pride style, just... | ||
| How come you can drink a giant Monster Energy drink? | ||
| That's one of the sponsors. | ||
| Ah, because it's not Coke. | ||
| Ah, because it's a goddamn drink. | ||
| Have you ever done Coke? | ||
| No, I haven't. | ||
| Have you? | ||
| No. | ||
| No, it's one of the few... | ||
| I know. | ||
| I'm scared of it. | ||
| I don't like uppers. | ||
| Heroin, too, obviously. | ||
| But I didn't do heroin, but when I did get my knee operated on, they had me on a drip. | ||
| I guess it was morphine, and I get to hit the button every time you wanted, and I'm just, bam, I was firing it in there. | ||
| I celebrate that. | ||
| I guess they let you fire it in to a point where you can't die. | ||
| I can't imagine you'd be able to keep hitting that button and then die. | ||
| I wonder what the limit is. | ||
| I think it depends who you are, right? | ||
| Because you probably have a high pain tolerance with your background. | ||
| But also, I was bored. | ||
| So if I'm bored, you give me this button that I can press. | ||
| Let's get high for God's sake. | ||
| Let's keep pressing this motherfucker. | ||
| Watching some terrible local television show that I can't change the channel. | ||
| That's how you get addicted. | ||
| Oh, I'm sure. | ||
| That's how you get super addicted. | ||
| I'm sure. | ||
| Yeah, someone gave me a bunch of these gummies, these weed gummies, and I can't rest it, and I'm always thinking about something. | ||
| So I took the weed gummy and Mars Attack was on. | ||
| That shit was epic. | ||
| I've seen it so many times. | ||
| I feel like it's always on late at night for me. | ||
| It's like my go-to. | ||
| It's a great movie. | ||
| It is like a truly great movie. | ||
|
unidentified
|
Right? | |
| And it's so like silly. | ||
| It's so well done. | ||
| And the cast is just phenomenal. | ||
| They want to redo that, I feel like. | ||
| Didn't Jack Nicholson play two different people in that movie? | ||
| Yeah, he played like the high roller like Vegas guy. | ||
| And he played the president. | ||
|
unidentified
|
Yes! | |
| Jim Brown's in that movie. | ||
| That's right, Jim Brown's fucking everybody up. | ||
| He plays like a Sonny Wilson character. | ||
|
unidentified
|
Look at Jack Nicholson as the high roller. | |
| And then Martin Schwartz in it too. | ||
| Look at the fucking picture of the alien. | ||
| Jesus Christ, look how cool the alien looks. | ||
| They were awesome, man. | ||
| Look at his clothes. | ||
| That was when the alien was the girl. | ||
| Remember he thought he was going to get the pussy? | ||
|
unidentified
|
Oh, she was all hot. | |
| Yeah. | ||
| And that was Pierce Boston, wasn't it? | ||
| Pierce Bronson was in it? | ||
| Yes. | ||
| He was in it too. | ||
| Am I crazy? | ||
| There he is. | ||
| And then remember him and what's her name? | ||
| Sarah whatever from Sex and the City. | ||
| Remember her and him, their heads get switched onto dogs. | ||
| Oh, that's right! | ||
| That's right, they cut their heads off and put them on dogs. | ||
| What a fucking great movie. | ||
| Remember Jack Black? | ||
| He was in the military and he just runs at him and gets murked right away in front of the family on TV. He's all, fuck, and I'm going in. | ||
| Rush is in. | ||
| They were so fun. | ||
| See if you can pull up just a video. | ||
| We can see them moving around. | ||
| Dude, I feel, especially for 1996, this was some Avatar shit. | ||
| Oh my god. | ||
| It was legit. | ||
| Yeah, man, I did a movie, or what was it that I did? | ||
| I did something with one of the guys. | ||
| Was it Christina Applegate in that, too? | ||
| Oh, what's her name? | ||
| Who was that girl? | ||
| Christina Applegate's not in this. | ||
| No, that was the girl from The Big Lebowski, Tara Reid. | ||
|
unidentified
|
Really? | |
| Wasn't that her? | ||
|
unidentified
|
Right there. | |
| Isn't that her? | ||
|
unidentified
|
No. | |
| Who was that? | ||
| That was like the yoga bitch who was all into it. | ||
| Isn't that Tara Reid? | ||
|
unidentified
|
Yes. | |
| And remember, she releases the doves. | ||
| Oh, that's, what's her name? | ||
| Warren Beatty's wife. | ||
| Annette Bening. | ||
| That's who that is. | ||
| Here come the powerful Martians. | ||
| Fuck, that movie was good. | ||
| Dude, look at this. | ||
|
unidentified
|
Let's not be too rash. | |
| Powerful James Bond. | ||
|
unidentified
|
Hi there. | |
| Are you interested in the White House? | ||
| Hot alien broad. | ||
| Look at that. | ||
|
unidentified
|
Boom! | |
| Yeah, it's Annette Bening. | ||
| There's Jack Black! | ||
|
unidentified
|
His family sees him murked on TV. They get the TV! She cracks the shotgun! | |
| This could be a cultural misunderstanding. | ||
| But be prepared for a few changes to what we... | ||
| Oh, what a great pussy. | ||
|
unidentified
|
You're Tom Jones, right? | |
| It ain't unusual! | ||
| As we must learn... | ||
| We shot the fuckin' tubs! | ||
| Ha! | ||
| There's just that! | ||
|
unidentified
|
To a new Jew. | |
| Uh... | ||
| Nicholson. | ||
| Get along. | ||
| Get in close. | ||
| Kick the crap out of them. | ||
| What a lineup! | ||
|
unidentified
|
What, in your view, are some of the things that the Martians can teach us, Professor? | |
| Quite a lot about Mars, I expect Natalie. | ||
| I forgot about the giant robot. | ||
| Me too. | ||
| Remember that Grandma figures it out? | ||
| By music. | ||
| Kills him. | ||
| Oh, that's right. | ||
| Spoiler alert. | ||
| The crazy-ass Grandma. | ||
|
unidentified
|
Hey, we all make mistakes, Mr. President. | |
| I remember they swallowed a nuclear bomb, they tried to nuke them, and they put it in a balloon and inhaled it. | ||
|
unidentified
|
Ah, ah! | |
| What a great movie. | ||
| Tim Burton. | ||
| Shout out to Tim Burton. | ||
| Tim Burton's a bad motherfucker. | ||
| I didn't know that. | ||
| Hell yeah, he's bad. | ||
| He's made some awesome movies. | ||
| And they're always so weird, too. | ||
| It's like, what a crazy guy he must be. | ||
| He must be batshit crazy. | ||
| He did Pee-wee. | ||
| That's right. | ||
| He did Pee-wee Herman? | ||
| Which one did he do? | ||
| The first one? | ||
| Was he the greatest man of all time? | ||
| Wow. | ||
| He did Batman. | ||
| He did the early Batman too, right? | ||
| First of all, he sold Michael Keaton as Batman. | ||
| Yeah, that's right. | ||
| Is it about the Joker movie that they just announced? | ||
| No. | ||
| With Jared Leto? | ||
|
unidentified
|
He's not going to be in it. | |
| I think Martin Scorsese and Todd Phillips are making a Joker origin story. | ||
| Oh, that's my boy. | ||
| I thought Jared Leto, everybody loved him as the Joker. | ||
| He's not going to be in this episode. | ||
| No, but you're talking about two different ones. | ||
| So Jared Leto's doing a spinoff Joker 2, but this one my boy Todd Feldman put together with Todd Phillips and Martin Scorsese. | ||
| Scorsese. | ||
| Scorsese. | ||
| Jesus Christ, speech impediment. | ||
| Anyways, yeah. | ||
| The Joker origin story on deck. | ||
| Todd Phillips, Scott Silver, Martin Scorsese. | ||
| And it's dark. | ||
| It's like a dark Joker. | ||
| As a kid, he had a permanent smile and everyone made fun of him. | ||
| It's like on the streets of Brooklyn. | ||
| It's like super dark and real. | ||
| I can't wait. | ||
| Who's playing the Joker? | ||
|
unidentified
|
I don't think they announced yet. | |
| Well, I'm going to make the announcement here. | ||
| You're going to do it? | ||
| No, yeah, right? | ||
| I can't wait. | ||
| I love that stuff. | ||
| That's a tricky role, right? | ||
| Like, Heath Ledger did it. | ||
| Yeah, that's one of those roles where, like, Jack Nicholson did it. | ||
| Jared Leto killed it, too. | ||
| Yeah, that's what I heard. | ||
| They said on set he would, like, send the cast, like, weird shit in the mail. | ||
| He went full Joker. | ||
| Oh, boy. | ||
| Yeah, he'd send them, like, dead rats in the mail. | ||
| I might have to kick his ass. | ||
| Yeah, I'd be like, bro, come on. | ||
| No, I get the whole Joker thing. | ||
| Let's relax. | ||
| Send me that Gucci cape you're wearing, for God's sakes. | ||
| Not the goddamn snakes you keep sending. | ||
| He was in a movie that documents his issues with a record company that Jamie, you're always recommending. | ||
| What's that called again? | ||
| Jared Letters in it. | ||
| I remember what it's called the other day. | ||
|
unidentified
|
I'll look it up real quick. | |
| It's something about his band. | ||
| 30 Seconds from Mars. | ||
| Yeah, they had some deal. | ||
| Artifact. | ||
|
unidentified
|
It's called Artifact. | |
| Artifact. | ||
| That's the name of the documentary. | ||
| So he had some deal with a record company and couldn't get out of it. | ||
| And it was apparently... | ||
| They made a brutal documentary about it, and it won all these awards. | ||
| Is it on Netflix? | ||
| I gotta tell you, I gotta be honest with you. | ||
| When I see awards in between those leaves, when they write things in between those leaves, I ignore it, because it looks pretentious. | ||
| Oh, dude, it sells me every time! | ||
| It must be good. | ||
| Why do you have what you have to say framed in between fern leaves? | ||
| Is this ancient Rome? | ||
| What the fuck are you doing? | ||
|
unidentified
|
God, it works. | |
| Is this hieroglyphs? | ||
| It doesn't work at all with me. | ||
| Works with me. | ||
| It's like when I see a company that says, world's best coffee, I'm like, I gotta try it. | ||
| I'm that guy. | ||
| You should start framing all your posters that you send out for your gigs. | ||
| And leaves? | ||
| Quotes about you. | ||
| I'll make a quote. | ||
| You can put it inside leaves. | ||
| I'll say he's fucking hilarious. | ||
|
unidentified
|
Joe Rogan, then two leaves. | |
| One of my funniest friends between two palm leaves. | ||
| Joe says he's alright. | ||
| Get tickets here. | ||
| What the fuck is with the palm leaves, man? | ||
| It makes it more official. | ||
| It's stupid. | ||
| Pull that back up again. | ||
| That shit looks stupid. | ||
| God, I see that. | ||
| I'm like, this shit must be good. | ||
| That's why they do it, Joe. | ||
| First of all, why do they have five of them? | ||
| Get the fuck out of here. | ||
| That means you got ten palm leaves. | ||
| That movie's killing it. | ||
|
unidentified
|
Get out of here. | |
| That's why. | ||
| Because Jared Leto's involved. | ||
| That's why. | ||
| No, you get ten palm leaves. | ||
| You took up all that. | ||
| Make those quotes bigger so I can actually read them while I'm putting on my reading glasses. | ||
|
unidentified
|
Yeah, what's it say? | |
| Look how much smaller the quotes are than the fucking, the subtitle. | ||
| That's a bunch of independent awards, that's why. | ||
| Gotham Independent Film Awards, Audience Award winner, DOC New York City Festival, Official Selection. | ||
| Oh, it's all bullshit. | ||
|
unidentified
|
Yeah, that's right. | |
| Toronto International Film Festival, People's Choice Award. | ||
| South by Southwest, 24 beats per second, official selection. | ||
| Oh, you put that? | ||
| You put that inside of palm leaves, official selection? | ||
| That's some bullshit one. | ||
| You just want to have Melbourne, Melbourne International Film Festival, official selection. | ||
| You just want to have your shit in palm leaves. | ||
| See, that's exactly what I'm saying. | ||
| That's why they have the quote so small, they're fucking with you, Shob, and you're just eating it up! | ||
| I'm eating it up. | ||
| I'm gonna go home and watch it. | ||
| Don't let them get you with those goddamn leaf shubs! | ||
| They got me, brother. | ||
| Every time. | ||
| Every fucking time. | ||
| I'm not impressed by leaves. | ||
| No. | ||
| How about one good quote from somebody that I think I respect their opinion. | ||
| Like a legit actor. | ||
| Like, I enjoyed this movie. | ||
| Yes. | ||
| Martin Lawrence. | ||
| Yeah. | ||
|
unidentified
|
Huh. | |
| Interesting choice. | ||
|
unidentified
|
I wanted to say Marlon Wayans. | |
| I always thought the fucking record business was shady. | ||
| Kevin Hart. | ||
| Yeah, that'd be great. | ||
| That would be great. | ||
| Yeah. | ||
| Selection. | ||
| What does that mean? | ||
| You didn't even win. | ||
| Did you win or did you not win? | ||
| You won some cool awards, you know? | ||
| We didn't even win that award. | ||
| That's an official selection. | ||
| You get selected, bitch. | ||
| That doesn't mean shit. | ||
| Can't put that inside of palm leaves. | ||
| I got picked. | ||
| I went on a date with that girl. | ||
| Did you fuck her? | ||
| No. | ||
| She selected me. | ||
| Selected me? | ||
|
unidentified
|
There's something. | |
| It just got brought up because I just saw it. | ||
| There's something interesting about Jared Leto. | ||
| I don't see what you guys think about this. | ||
| He's got a pseudonym that he directs under. | ||
| Bartholomew Cubans? | ||
|
unidentified
|
Yeah, Cubans, I think. | |
| Okay. | ||
| Bartholomew Cubbins. | ||
|
unidentified
|
You see it pop up from time to time. | |
| Oh, he directed it. | ||
|
unidentified
|
It's his name. | |
| Oh. | ||
| That's smart because he doesn't want people to think about him. | ||
| He just wants them to think about the movie. | ||
| Yeah, but pick an easier name. | ||
| Can we just call you Bart on set? | ||
| Bart Cubbins? | ||
| Maybe he was on like fucking weird drugs. | ||
| Oh, I'm sure he was on some shit. | ||
| Dude, he did the MTV Awards last night before. | ||
| He's sponsored by Gucci, so he has way too much. | ||
| He has a Gucci scarf, cape, glasses, all this shit on. | ||
| Just because they sell it doesn't mean you have to wear it. | ||
| Anyways, so they're asking him about his appearance and his performance. | ||
| He's like, trust me, you've never seen anything like this. | ||
| I don't want to give it away. | ||
| And I'm a Jared Leto fan. | ||
| I was like, this is going to be some shit. | ||
| This motherfucker just did... | ||
| You mean the Predator? | ||
| He just did the night vision. | ||
| Predator thing. | ||
| Look at this. | ||
| Come on, bro. | ||
| What did he do? | ||
| He just did a Predator vision. | ||
| We did this in the 90s. | ||
| Look, that's it! | ||
| That's the whole video? | ||
| Yeah, he was like, it's like some avatar shit. | ||
| You've never seen this before. | ||
| See, because first of all, you're not really obsessed with this, like he's obsessed with himself. | ||
| So that's part of the problem. | ||
| And then second of all, you're probably not on the same drugs he's on. | ||
| But if you were, go full screen with that. | ||
| I don't feel like you're giving the full effect. | ||
| You're talking about the predator of eye vision, son? | ||
| No, it's a little bit more than that. | ||
| It's a little bit more than that. | ||
| It's kind of freaky. | ||
| I kind of like it. | ||
| He's got a hat on. | ||
| You can see it through the hat. | ||
| It's not that creative, though, I feel like. | ||
| Interesting that you say this. | ||
| And he's a creative dude. | ||
| Maybe it's good. | ||
| Maybe if you're high on ecstasy, this would be the best video ever. | ||
| Yeah, you might be right. | ||
|
unidentified
|
It's live. | |
| I don't know how much that has to play into it, too. | ||
| Are they a good band? | ||
| Yes. | ||
| He's phenomenal. | ||
| I've literally never heard their music. | ||
| Oh, you would know it. | ||
|
unidentified
|
They probably have, I bet. | |
| Really? | ||
| They've been around since... | ||
| That boy can act, too. | ||
| He's got a lot of kids behind him. | ||
| Who are all these people dancing? | ||
| That's his entourage, son. | ||
| Are they dancers? | ||
| Yeah. | ||
| Imagine if everywhere you went you had dancers. | ||
| Be kind of cool. | ||
| His beard isn't cool. | ||
| You don't think that looks good? | ||
| No. | ||
| The hairiest beard. | ||
| Dude, how about this, Joe? | ||
| MTV fucked up so bad, and I love MTV. How about they fucked up? | ||
| How about, because Jared Leto toured with Chester, the guy who committed suicide from Linkin Park, and with the guy from Soundgarden, who also committed suicide. | ||
| He's known two of his best friends. | ||
| So they have him do an open monologue for him, right? | ||
| Just tell them how great they were. | ||
| And he goes, alright, let's cut to the last time Chester performed on stage here. | ||
| And they're on top of Hollywood and he's singing. | ||
| And MTV cuts the feed into you. | ||
| MENTOS! Have you had your Memphis breath today? | ||
| And they just cut it off. | ||
|
unidentified
|
What? | |
| And they come back like, hey, it's Nicki Minaj's ass! | ||
| Yeah, they did this whole dedication to them. | ||
| And then halfway, not even halfway, 20 seconds of performance, cut it to commercial. | ||
| Huh. | ||
| It was rough. | ||
| Why would they do that? | ||
| I don't know. | ||
| Why wouldn't they play the full song? | ||
| I don't know. | ||
| People were so upset. | ||
| They thought it was so disrespectful. | ||
|
unidentified
|
Was it an accident? | |
| I don't know. | ||
| I don't think so. | ||
| I think they were just like, yeah, we gotta cut the break. | ||
| Hit that Mentos commercial. | ||
| Man, I, you know, look, I'm very biased about this because I don't interrupt podcasts with commercials. | ||
| But there's a big difference between like watching shit on Netflix and watching shit on regular TV or watching shit on HBO and watching shit on regular TV. I don't watch commercials. | ||
| You get brought out of the whole hypnotic effect of seeing a show. | ||
| It breaks your focus. | ||
| 100%. | ||
| If Game of Thrones is a commercial, there's sometimes in Game of Thrones I don't breathe. | ||
| Like when that Red Wedding, I was like... | ||
| Oh dude, just wait. | ||
| Just wait till some shit happens with certain said dragon. | ||
| I'm trying not to get so close to anyone because everyone dies. | ||
| Shut the fuck up. | ||
| You can't get close. | ||
| I got close. | ||
| You cannot get close. | ||
| If something happens with Khaleesi, man, I'm gonna bust. | ||
| Oh, shush, shush, shush, shush, shush. | ||
| We can't talk. | ||
| We can't talk. | ||
| We can't say anything. | ||
| A dragon slayer. | ||
|
unidentified
|
She's such a beast. | |
| She's the mother of all dragons. | ||
| I know. | ||
| She's not a slayer. | ||
| She would never slay the dragons. | ||
| That's true. | ||
| You know what I'm saying, though. | ||
| Yeah, dude. | ||
| Yeah, but there's like interruptions in the Game of Thrones. | ||
| Like, I'm in the zone, man. | ||
| I'm in the zone. | ||
| I tried watching Walking Dead once on regular TV in real time, and I was like, I can't even do this. | ||
| I just flip through all the channels. | ||
| As soon as commercials I flip through, I just record them so I can fast forward them. | ||
| I don't get how they make money off these ads anymore. | ||
| Well, that's my point, is that this is a very ineffective way. | ||
| To promote things, and I think it would probably be a more effective way, like, think of all the ads they have in a show, right? | ||
| They have all these shows. | ||
| Wouldn't it be, like, way more effective if they had one very good or two very good ads at the beginning of the show, and they say, like, Game of Thrones is brought to you by... | ||
|
unidentified
|
Boom! | |
| And they do it. | ||
| If you've got to do that... | ||
| I agree. | ||
| Have it in the beginning, and know that this show sponsored this entire episode, so that the episode doesn't have to have... | ||
| That's just so business greedy. | ||
| They do it, but yeah, they want to do those 30-second spots to get all that money for the network, right? | ||
| But the thing is, those breaks, they ruin the art, so they make the creation worse, so it makes it less valuable. | ||
| It makes it less valuable to sell ads on. | ||
| No one's watching them. | ||
| No. | ||
| You're going to get a fraction of the people watching them, and a lot of people are going to be upset by them. | ||
| I agree. | ||
| And they just don't work. | ||
| The advertisement agency, you know, they come around, obviously podcasting, because if someone's going to listen to your show for three hours a day, you know, it's just a different dynamic. | ||
| But you're also not up there reading, you know, whatever sponsor MeUndies. | ||
| You're not just reading in the middle. | ||
| Like, if you're like, hold on, Brent, let me do this real quick. | ||
| Well, a lot of people do do that. | ||
| I just don't think it's the right way to do it anymore. | ||
| I just think the only reason why we're doing it that way is because everybody always did it that way before. | ||
| That's how you saw it on television. | ||
| That's how you heard it on the radio. | ||
| They always interrupted for these ads. | ||
| I don't think that's the most effective way to do ads. | ||
| I just think that we got used to doing it that way. | ||
| I think it upsets people. | ||
| It definitely does. | ||
| I think it turns people off where they're like, fuck that product. | ||
| You know, people used to say, well, what if someone has to take a leak? | ||
| Well, you don't have to do that anymore. | ||
| You can pause things now. | ||
| You can watch HBO and pause it. | ||
| I mean, we have different control over media now. | ||
| And ultimately, we're going to get to a point where you can watch things, almost everything's going to be on demand, the way Netflix does it. | ||
| It's the future. | ||
| It's the future. | ||
| Imagine doing a Comedy Central special and there's commercials through your special. | ||
| That's what mine was. | ||
| That's insane. | ||
| My last Comedy Central special, I had to break it up and I edited it for commercials. | ||
| And I even recorded it for commercials. | ||
| I knew that it was going to be 44 minutes. | ||
| Damn. | ||
| I had to do it during this constraint and when we're going to drop things in. | ||
| So it had to make sense when you shut it off and then went to commercial. | ||
| It's very complicated to edit that way. | ||
| It's tough enough as it is. | ||
| Yeah, and it's not good to watch it that way. | ||
| It's just not. | ||
| I mean, it's better than not watching it at all. | ||
| But the best way to watch something is all the way through. | ||
| But here's the question is, say if you're a company, right? | ||
| Like, outside of podcasts, which are pretty easy, just do the ads in the beginning, how do you sell things now? | ||
| Like, say if you're... | ||
| Pick a product, if you're Mentos. | ||
| If you're Mentos? | ||
| I sponsor that show, and I pay enough where they don't need the other ad revenue, and I get the beginning and the end. | ||
| But is it worth it for them? | ||
| Because that's a tangible amount of money, right? | ||
| If you're going to have one sponsor for the entire show, think of how many sponsors that Video Music Awards must have. | ||
| A dozen. | ||
| How many do they have? | ||
| Dude, this performance is brought to you by Pepsi, and then they hit it, which is almost better than doing a full Pepsi commercial. | ||
| I guess. | ||
| I don't know. | ||
| You still don't want to hear it. | ||
| Like, how do you advertise something without interrupting something else? | ||
| There's got to be a way. | ||
| Because it seems so sneaky. | ||
| But they've always done it this way. | ||
| You're watching something. | ||
| You don't want to hear the ad. | ||
| You've got to sit through the ad. | ||
|
unidentified
|
Alright, alright, alright. | |
| Get back to what I like. | ||
| And then you get back to it. | ||
| But I wonder if they must be seeing a return, because otherwise they would stop, right? | ||
| Obviously, I bet it's down, but the advertising agency is so big, the industry is so big, because who really watches things live now besides sports? | ||
| Game of Thrones, I'm on season four, for God's sakes, came out years ago. | ||
| There's other shows, like my other shows, Hard Knocks, HBO, no commercials. | ||
| And if there's commercials, I literally just won't even see one. | ||
| Who's really sitting there when it's live? | ||
| I watch commercials on HBO for upcoming programs. | ||
| Those aren't really commercials. | ||
| They're not selling you a product. | ||
| They're showing you other cool shit they're developing. | ||
| It's like previews at the movies. | ||
| Yeah. | ||
| I dig that. | ||
| It's like, hey, here's some cool shit you might want to watch. | ||
| They're not selling you anything. | ||
| Exactly. | ||
| But even at AMC, when those delicious ice-cold sodas pop out, I'm like, you know what? | ||
| I might have to have one. | ||
| Yeah, but that's before the movie. | ||
| See, perfect example. | ||
| I expect that. | ||
| And they also have that after they showed you a bunch of really cool shit with the previews. | ||
| You've already got my approval. | ||
| We're already friends. | ||
| Or if you get there real, real early, it's a slideshow. | ||
| Oh, those are a bugger. | ||
| You're like a loser. | ||
| When are you going to start showing me some things that move? | ||
|
unidentified
|
Lights are on, bright white screen, and then it's just like ads. | |
| Yeah, that's right. | ||
| And it's like a local Italian restaurant. | ||
| Yeah, it's always some bullshit. | ||
| Always. | ||
| The best bread and the fucking things in between palm leaves. | ||
|
unidentified
|
I feel like a loser. | |
| Yeah. | ||
| Their awards are in between leaves. | ||
| Yeah, it's just you and your buddy. | ||
| Yeah, man. | ||
| You do feel like a loser. | ||
| Yeah, you feel like a loser. | ||
| Like, oh my god, we're idiots. | ||
| We got here so early. | ||
| You know, there's a lot of these movie theaters that are taken off that are in places where you get assigned seating and they sell booze and they bring real food. | ||
| That's what I do. | ||
| There's a lot of those now, man. | ||
| There's a ton of different ones. | ||
| It's great. | ||
| I pick. | ||
| You go there. | ||
| It's so nice, man. | ||
| Dude, there's so many of them now. | ||
| You don't have to like... | ||
| It's good food, too. | ||
|
unidentified
|
Yeah. | |
| Like, really good food. | ||
| Yeah. | ||
| Some dude was eating a steak next to me and shit. | ||
| There's that Cineopolis. | ||
| Here we go to that one. | ||
| No. | ||
| Arclight's good, too. | ||
| Arclight's good. | ||
| There's some really good ones. | ||
| Well, they figured it out, man. | ||
| It's like the same thing that airports have figured out. | ||
| Hey, we don't have to have only shitty food. | ||
| How about you have a nice little restaurant right here in the airport, and they started doing that with Wolfgang Puck's in LAX, and then it's accelerated. | ||
| They have lemonade now. | ||
| There's a lot of good stuff at the airport now. | ||
| Good coffee. | ||
| You can get real food at the airport now. | ||
| Dude, San Francisco has like straight up five course meals. | ||
| Like it's legit food. | ||
| DIA has a chop house, steak house. | ||
| Oh yeah. | ||
| Oh yeah. | ||
| New York has a... | ||
| JFK. JFK has some serious restaurants. | ||
| We ate some killer Italian food. | ||
| Really? | ||
|
unidentified
|
Killer. | |
| Like really good. | ||
| Some serious shit. | ||
| Yeah, everywhere has figured that now. | ||
| They're like, look, you've got people coming in and out. | ||
| A lot of these people are business people. | ||
| A lot of these people have money. | ||
| They want good meals. | ||
| Yeah, they don't want to just eat McDonald's. | ||
| Even the plain food's getting better, too. | ||
| Yeah. | ||
| Depending on where you're at. | ||
| They have an Osteria in LAX now. | ||
| I know. | ||
| Like a fancy schmancy little place with a tasting menu. | ||
| I love that shit. | ||
| I'm getting hungry. | ||
| Me too. | ||
|
unidentified
|
Damn. | |
| Are you still sticking to the keto diet? | ||
| I went pescatarian. | ||
| Oh, how dare you. | ||
| No, just to mix it up. | ||
| I did keto forever and I go back to it. | ||
| Pescatine. | ||
| Only fish or do you eat scallops and mussels too? | ||
| Scallop and mussels. | ||
| Lobster? | ||
| I'm not a huge lobster fan. | ||
| How dare you? | ||
| I made some lobster and then I grilled it up real proper like. | ||
| Grilled it up? | ||
| Why not just throw it in the dirt and let it get heated up by the sun? | ||
| Grilled lobster? | ||
| What do you like your lobster? | ||
| Boiled? | ||
| Boiled like a man. | ||
| No. | ||
| Yeah, throw it in by yourself. | ||
| That's JV. What? | ||
| I could grill that thing, man. | ||
| Did you kill it first? | ||
| I don't kill anything. | ||
| I just buy it from the store with the tails. | ||
|
unidentified
|
I'm not fucking lobster diving for God's sake. | |
| You're grilling lobster tails? | ||
| Jesus Christ. | ||
| What do you do? | ||
| What the hell are you? | ||
| You're out there fucking- You get them live. | ||
| Oh fuck. | ||
| You get them live from where? | ||
| It's 2017. What are you talking about? | ||
| Grocery stores have tanks. | ||
| You go to a grocery store and get live lobsters. | ||
| Jeremy, what's the last time you saw a goddamn lobster tank? | ||
| They do. | ||
|
unidentified
|
I don't know. | |
| You go to Rouse or some shit, maybe they have that inhumane tank. | ||
| They have it at a lot of places. | ||
| Where they're like crawling to get out. | ||
| Dude, they have it at a lot of places. | ||
|
unidentified
|
No! | |
| Yes! | ||
| Listen, I'm telling you. | ||
| I haven't seen that since I was a kid. | ||
| They have one at Gelson's. | ||
| Right up the street from here. | ||
| You go there. | ||
| There's a tank of water. | ||
| Scoop up a fucking lobster. | ||
| Give me that one right there. | ||
| It's about two pounds, sir. | ||
| Okay. | ||
| We'll take that one. | ||
| That's a good one. | ||
| Am I batshit crazy? | ||
| I haven't seen that in forever. | ||
| You only go to Whole Foods, that's why. | ||
| Yeah, I'm fancy. | ||
| You don't fuck around. | ||
| Amazon bought Whole Foods. | ||
| You hear about that, right? | ||
|
unidentified
|
I know. | |
| Changing the game. | ||
| Slashing prices. | ||
| And their stock, as soon as they bought it, went boom, boom, boom, boom. | ||
| They paid, whatever, 12 billion. | ||
| Their stock went up 22 billion. | ||
| You want to make some money? | ||
| Yeah, sure. | ||
| Get rid of those fucking people in the parking lot that harass you when you're walking out with a car. | ||
| You got ice cream. | ||
| It's 150 degrees outside. | ||
| And they're like, can I have two minutes for gay rights? | ||
|
unidentified
|
And they put their finger in front of your face like, hey! | |
| I vote, man. | ||
| I vote for gay rights. | ||
| You can't just get me. | ||
| You're ambushing me when I'm coming out with my fucking cold food. | ||
| This guy did that to me. | ||
| Stuck his finger in my face. | ||
| Is that at Gleason's again? | ||
| Gelson's. | ||
| Gelson's is a gym in New York. | ||
| That's right. | ||
| At Gelson's, they did that shit again? | ||
| Yeah. | ||
| Fuck that place. | ||
| That thing only happened to me once where the guy said, can I have two minutes for gay rights? | ||
| Or one minute for gay rights? | ||
| Whatever he said. | ||
| That only happened to me once. | ||
| But I've been stopped for a bunch of other things. | ||
| A bunch of other things. | ||
| Sometimes they have a whole fucking table set up. | ||
| Oh, yeah. | ||
| They have a table set up. | ||
| Third Street or Abbot Kinney, there's a table set up for Syrian children, blacks, Asians, white privilege. | ||
| Here's the problem with those things. | ||
| I don't have the time to research where this money's going. | ||
| I don't trust people. | ||
| Oh, for sure. | ||
| How do I even give the kid money? | ||
| For sure, there was some girl, real aggressive, way back in the day, it's like more than 10 years ago, at the airport, some black chick, with a bucket, an open bucket, and she had some binder with a bunch of photos in it and stuff, and she was saying, you know, we're collecting money for this. | ||
| That sounds legit, I'm giving her money. | ||
| And she goes, and she was like, real aggressive about it. | ||
| I go, yeah. | ||
| I go, you have a binder and you have a bucket that you want me to put money in. | ||
| And she was like, well, fuck you then. | ||
| And I was like, fuck me then. | ||
| Oh, okay. | ||
| I go, that makes a lot of sense. | ||
| You're super charitable. | ||
| That's what Yeah. | ||
| I go, you're stealing people's money with some stupid scam. | ||
| Like you have a bunch of photos of like downtrodden people that's in some sort of a binder that's buying plastic. | ||
| Poor effort. | ||
| And you can close this binder and you tuck it because you're going to get busted. | ||
|
unidentified
|
100%. | |
| And you get this weird bucket that's wide open. | ||
| You could scoop anything out of it. | ||
| And then I ask you about it. | ||
| You say, fuck you. | ||
| Was there any money in there? | ||
| Oh, yeah, there's like a couple bucks in there already. | ||
| You know, it was one of those weird things. | ||
| It's like, who's to stop you from taking that money? | ||
| I just don't trust that. | ||
| Like, I was off of the 90s the other day, and I came to stop, and I saw this huge banner that said, help us pay for our father's funeral. | ||
| It was like four black guys. | ||
| And I'm like, God. | ||
| I gave him a little 10 spot. | ||
| Not a 20. Let's not get crazy, but... | ||
| The problem is, you don't know. | ||
| That's the thing. | ||
|
unidentified
|
I don't know. | |
| I mean, if it really is, I mean, if this girl really was trying to raise money for a charitable cause that's really good... | ||
| She didn't represent it very well. | ||
|
unidentified
|
Good for her. | |
| She just seemed like a scammer. | ||
| Like, I got out, I was like, look at that binder. | ||
| It's just some pictures. | ||
| They're folded up in a binder in some printed piece of paper. | ||
|
unidentified
|
It's half-ass. | |
| There's just too much stuff going around. | ||
| Yeah, yeah. | ||
| You just see too much bad stuff. | ||
| It's also like, the bucket at an open top, like, you can just reach in that bucket. | ||
| You can drop things in the bucket. | ||
| Where's the accountability? | ||
| Show a little effort, girl. | ||
| But that's a good scam. | ||
| If you're a person that wants to scam people, that's a great scam. | ||
| It's a smart move, sure. | ||
| It's like some bullshit. | ||
| Oh, you're gonna make money, dude. | ||
| If you go to Vegas, or not Vegas, LAX, rather, and you're walking down that where people are arriving, first of all, they just want you to get the fuck away from them. | ||
| They'll throw $5 in there. | ||
| Maybe one out of ten. | ||
| Maybe one out of ten will give you money. | ||
| One out of ten gives you money. | ||
| You're seeing hundreds of people, and the people are gone. | ||
| It's not like you're doing this in a restaurant where they can see you do it to one person and the other people see you coming. | ||
| Yeah, everybody's constantly filtering out. | ||
| I don't think security's going to let you do that. | ||
| Well, I think that's why she had the binder. | ||
| And that's why, like, the whole bucket thing was very bizarre. | ||
| This was a while ago, I see. | ||
| Oh yeah, a long time ago. | ||
| Yeah, security might move along, lady. | ||
| Yeah, this was more than ten years ago. | ||
| But I'll never forget, like, how aggressive she got with me to, like, the point where my adrenaline fired up. | ||
| Where I was like, whoa, this girl might, like, swing at me. | ||
| That's always the worst. | ||
| Yeah, she was like... | ||
| When she said fuck you, she was like in my face. | ||
| Because you couldn't tell, like... | ||
| It was enough to know that she has definitely hit people before. | ||
| Yeah, she's not playing. | ||
| It was just a person that was a little too aggressive. | ||
| A little too aggressive. | ||
| So I'm like, whoa, am I going to get in a fight here? | ||
| You get to that feeling like, am I going to have to get in a fight with a chick at the airport? | ||
| Those nerves. | ||
| Dude, I... When I was in the back after the fight, right? | ||
| So again, I'm with... | ||
| I heard about this. | ||
| Yeah. | ||
| Tell me about this. | ||
| Can we just clear it up now? | ||
| So many people have been blowing me up. | ||
| So again, I'm with Terrence Crawford, American, Berto, and I'm in the back and they're saying how good Conor did. | ||
| I'm like, yeah, great. | ||
| I thought he was going to do even better. | ||
| I'm surprised he did well. | ||
| And Showtime won me go do this post-fight show thing. | ||
| So I'm going, and I see Nate Diaz, and he's by himself. | ||
| Like, no one's really by him. | ||
| He's by himself. | ||
| He's on his phone. | ||
| And I see him, and I think, oh, same fraternity. | ||
| UFC guys. | ||
| There's no UFC representatives there, really. | ||
| There's like, Dana, I didn't see him at the fight. | ||
| I just figured, hey, we're brothers in arms here. | ||
| Yeah, what's up, man? | ||
| But I was going towards him because he looked busy. | ||
| I was going towards him. | ||
| And whether he wanted my help or not, I figured I'd know a few things about marketing. | ||
| The next fight for him is Conor. | ||
| I'm assuming he's there to sell that fight. | ||
| That should be the next fight. | ||
| Conor vs Nate Diaz 3, the trilogy. | ||
| That's the fight. | ||
| So I was going to go to him because I saw some interviews where he was kind of hating on Conor. | ||
| And I would have spun it the other way. | ||
| He should have celebrated Conor and what he did winning rounds against the best of all time and saying, look, I beat him up worse than Floyd. | ||
| Now we're going to do this trilogy. | ||
| I'm going to end him faster than Floyd did. | ||
| Like, that should be the sell. | ||
| I was going to go talk to him about this. | ||
| So I see him out of the corner of my eye. | ||
| I'm like, oh, and they're like, come on, Brandon, we gotta go. | ||
| I'm like, let me just say what's up to this guy. | ||
| I'm like, yo, Nate, bro, how about that fight, man? | ||
| Your next biggest fight in UFC history, brother. | ||
| And he starts laughing. | ||
| He's like, oh, hell no. | ||
| How fucking stupid do you look now? | ||
| And I'm like, I'm like caught off guard. | ||
| I'm like, what? | ||
| He's like, how stupid do you look? | ||
| Talking all this shit. | ||
| I'm like, whoa, whoa, what are you doing right now? | ||
| What the hell are you doing right now? | ||
| And he keeps talking. | ||
| I go, Nate, he doesn't look that stupid. | ||
| He won rounds against the best box of all time. | ||
| And then Nate's like, he didn't win rounds. | ||
| He gave him one round. | ||
| I'm like, alright man, either way. | ||
| So he won rounds though. | ||
| What are you doing? | ||
| And he just keeps talking shit. | ||
| And then he starts talking about my career. | ||
| And I'm like, what is going on right now? | ||
| I go, Nate. | ||
| Who's mad at you? | ||
| I went, Nate, I have no issues with you. | ||
| You're pointing your gun at the wrong guy. | ||
| What are you doing right now? | ||
| You should be selling this fight against Conor, not me. | ||
| I'm not the guy. | ||
| I said, I'm in skinny jeans and Gucci boots, for God's sake. | ||
| What are you doing right now? | ||
| You know what I'm saying? | ||
| And then Showtime was like, come on, let's go, boys. | ||
| I'm like, Jesus Christ, man. | ||
| I keep going. | ||
| I was just embarrassed by the situation. | ||
| Because he kept doing this. | ||
| This is the part I left out. | ||
| This is what triggered him. | ||
| He was talking. | ||
| I literally couldn't hear him, because people were like, Shob, let's go, because they didn't want a fight. | ||
| So I'm like, Shob, let's go. | ||
| And he keeps talking, and I'm like, Nate, use your words. | ||
| I can't understand a word you're saying. | ||
| Use your words. | ||
| And he probably has that lisp or whatever that probably set him off. | ||
| But I have no issues with Nate. | ||
|
unidentified
|
There's nothing there. | |
| So that's when it got ugly? | ||
| Yeah, then he kept talking shit and I was like, what are you gonna do? | ||
| What are we doing here? | ||
| And he kept doing this. | ||
| I'm like, what the fuck is happening? | ||
| I was so embarrassed because the Showtime guy's like, oh my god, who is that guy? | ||
| I'm like, that's the guy who's supposed to fight Conor next. | ||
| They fought before. | ||
| What's wrong with him? | ||
| What's wrong with him? | ||
| I'm like, it's just... | ||
| I was so embarrassed, man. | ||
| I'm like, oh god. | ||
| I have no issues with him. | ||
| Do you think that Conor wants that fight? | ||
| I do. | ||
| You think that's a good money fight? | ||
| I think it's their only fight. | ||
| I think it's the true winner, because those fights at 70 are toss-up. | ||
| One and one is whatever. | ||
| Neither one should be fighting at 70. At 55, a trilogy fight makes sense for the belt. | ||
| It'd be the biggest pay-per-view of all time. | ||
| I think it's the only fight that makes sense. | ||
| You can't do Khabib. | ||
| Tony and Kevin Lee, there's just not big enough stars to get Conor to come out. | ||
| You can't do Khabib because Khabib hasn't made the weight. | ||
| True, and he's not ready to fight. | ||
| I don't understand that. | ||
| So how can you sell Khabib right now? | ||
| So let's say, just in a perfect world, you want to do Khabib vs. | ||
| Conor, and you go on this world tour trying to build Khabib up. | ||
| You go to Russia, you go all over. | ||
| Conor wants to fight him in Russia. | ||
| Crazy. | ||
| How do we know he's going to make weight and doesn't pull out? | ||
| So he's out of the equation right now. | ||
| He needs to come back, fight someone else. | ||
| He needs to get his body sorted out. | ||
| He needs to figure some shit out. | ||
| Luke Rockhold was saying that his liver shut down. | ||
| I read it in an interview. | ||
| I apologize. | ||
| I didn't hear him say it. | ||
| I read it in an interview. | ||
| He said that his liver shut down when he was cutting weight for the Michael Johnson fight. | ||
| And then the next fight after that, he didn't make weight. | ||
| His body shut down for the Ferguson fight, and they canceled the fight. | ||
| I'll tell you what, though. | ||
| Khabib's not even in the conversation for me anymore. | ||
| Until he gets his shit together, I'm not even entertaining the idea of him fighting. | ||
| He looks thick, too, when you look at him. | ||
|
unidentified
|
I like Kevin Lee. | |
| I like Kevin Lee. | ||
| He's a bad motherfucker. | ||
| He's a bad dude. | ||
| But the thing is, he speaks well. | ||
| He looks the part. | ||
| Talks a lot of shit. | ||
| He's great. | ||
| He dresses well. | ||
| He has all the makings of your next superstar. | ||
| Yeah, and he realizes now, especially in the Conor McGregor era, you gotta talk a lot of shit. | ||
| Yeah, even Floyd's at a best. | ||
| Like, you just can't win fights. | ||
| You gotta sell yourself. | ||
| Listen, Kevin Lee is only, I think, 25? | ||
| He's young. | ||
| 25 or 24? | ||
| Yeah. | ||
| Find out. | ||
| He's 24 or 25. Super young, right? | ||
| Now, remember how brash Conor was when he first got to the UFC? Very similar. | ||
| He's like 26, I believe. | ||
| Okay, so he's 24. September 4th, he's almost 25. He'll be 25 in a couple of days. | ||
| He's super talented, looks better every time you see him. | ||
| So he's essentially like somewhere around Conor's age, when Conor, he's like a year younger than Conor, when Conor first burst on the scene. | ||
| And Conor was nobody back then. | ||
| Nobody knew who he was. | ||
| I'd seen him on the internet and from fights in England, and I knew he was really talented. | ||
| I actually went back and forth with him with some tweets before he got to the UFC. So there's a few people who knew about him, but it was nothing like what you see now. | ||
| Nothing, right? | ||
| Kevin Lee down the road is a 155 pounder who talks a lot of shit. | ||
| He's a bad motherfucker. | ||
| Looks great. | ||
| He looks great. | ||
| Speaks well. | ||
| Built like a brick shithouse. | ||
| Speaks well. | ||
| Speaks well. | ||
| African American. | ||
| Dresses well. | ||
| Check, check, check, check, all the boxes. | ||
| And he can fucking fight. | ||
| That's the biggest thing. | ||
| That fight with Conor McGregor down the road, ooh. | ||
| You need more time by here. | ||
| Right. | ||
| Down the road. | ||
| This is my thing for Conor. | ||
| But he could do it. | ||
| 100%. | ||
| To me, Kevin Lee's your next big thing. | ||
| However, Kevin Lee versus Tony Ferguson's a ton. | ||
| Oh, fight. | ||
| Tony's so goddamn good. | ||
| It's a great fight. | ||
| And here's another one. | ||
| Tony Ferguson down the road. | ||
| Tony Ferguson can talk some shit, too. | ||
| Tony Ferguson is very smooth. | ||
| Tony Ferguson is very confident. | ||
| And he's also a weirdo. | ||
| He's weird. | ||
| He has that weird vibe. | ||
| You get that weird vibe. | ||
| Phenomenal fighter. | ||
|
unidentified
|
He's so intense. | |
| He's so intense, but he does a lot of wing chong and shit, and he does all these weird moves where he's flowing on the ground and rolling around. | ||
| He does a lot of weird shit, but his endurance is off the charts. | ||
| He cuts a shitload of weight and does it like a professional. | ||
| Mexican descent. | ||
| You can capitalize on that. | ||
| And he wins by knockout, and he also wins by submission. | ||
|
unidentified
|
He's exciting as shit. | |
| Very exciting. | ||
| Look at the guys he's beat, too. | ||
|
unidentified
|
Very exciting. | |
| It's a tough test for Kevin. | ||
| It's a very tough test. | ||
| It's a very good fight. | ||
| To me, as far as like... | ||
| Potential like superstardom. | ||
| Those are the guys. | ||
| Kevin Lee is the that's the guy right now I think. | ||
| Yeah, maybe but if Tony Ferguson becomes the interim champion and starts talking all kinds of crazy shit his star will rise man. | ||
| Don't get me wrong. | ||
| There's a difference between rising and then becoming like a straight-up superstar like a transcendent like Conor McGregor, Ronda Rousey like there's a certain there's a certain thing. | ||
| So what makes Canelo? | ||
| Because he's not really charismatic and he only speaks Spanish. | ||
| So with the Mexicans, it collects. | ||
| Just Mexicans he collects. | ||
| And also, Mexico has sort of a built-in boxing base. | ||
| If you're the king of boxing and you're Mexican, you already have... | ||
| Giant base. | ||
| I'm actually, here you go. | ||
| You don't even have to talk. | ||
| No, you're good. | ||
| He barely talks. | ||
| He's not entertaining at all. | ||
| He's an entertaining fighter. | ||
| Maybe for Mexicans. | ||
| He's all right. | ||
| We don't know what the fuck he's saying. | ||
| No, he's from the same hometown as my girl. | ||
| She's like, no, he's not. | ||
| To interview him, it's whatever. | ||
| But Gennady Golovkin, who's equally impressive, if not more impressive than Canelo, he's undefeated. | ||
| He mercs everybody. | ||
| Everybody. | ||
| He's a goddamn murderous body puncher. | ||
| And, you know, he can sell like 150 pay-per-views. | ||
| 150, 200 max? | ||
| That's crazy. | ||
| He doesn't have the star quality. | ||
| 150,000 pay-per-views for one of the very best boxers on the planet Earth. | ||
| If not the best. | ||
| Undefeated. | ||
| How about $175,000 for Andre Ward? | ||
| Crazy. | ||
| Well, $125,000 for the rematch. | ||
| Crazy, man. | ||
| That's even crazier. | ||
| It's nuts. | ||
| I don't even think it was $170,000. | ||
| I think we looked at it. | ||
| I think we found out it was like $167,000. | ||
| It's a real bummer. | ||
| $167,000 and like $125,000 or something like that. | ||
| But again, to become like a straight-up household superstar, it takes more than just being this badass fighter. | ||
| And Andre Ward. | ||
| You have to have everything. | ||
| Andre Ward is like, he's articulate. | ||
| He's admirable. | ||
| He seems like he's got a great control of his ego. | ||
| He's smart. | ||
| He learns better. | ||
| He comes from a rough background. | ||
| He's a great story. | ||
| He's been with the same trainer since he was 12. Yeah. | ||
| He's never lost. | ||
| Olympic gold medalist. | ||
| Yeah. | ||
| He lost. | ||
| There's something about him. | ||
| He lost that Kovalev fight. | ||
| Yeah, right? | ||
| He lost that Kovalev fight. | ||
| I don't know what is. | ||
| I thought he lost the Kovalev fight, but I thought it was close. | ||
| But the second fight, he fucked Kovalev up. | ||
| That's what's important. | ||
| That's what's important because that was a big turnaround. | ||
| How about Deontay Wilder? | ||
| Yeah. | ||
| He's our American-born heavyweight champion. | ||
| He could come in right now with two pizzas and we'd be like, what's up, bro? | ||
| No one would stop him outside. | ||
| No one knows who he is. | ||
|
unidentified
|
It's crazy. | |
| It is crazy. | ||
| And he's supposed to fight Ortiz, I think. | ||
| That's a dangerous fight. | ||
| I don't like that fight for him. | ||
| Ortiz is a bad motherfucker. | ||
| And then Anthony Joshua is supposed to fight that Russian fella. | ||
| And then I think the winner of those two fight... | ||
| I forget his name. | ||
| It's a tough fight for Joshua. | ||
| We should win it. | ||
| But frickin' Wilder has a tough fight on his hands. | ||
| Yeah. | ||
| Super tough fight. | ||
| That Ortiz is... | ||
| He's very good. | ||
| He's a southpaw, too. | ||
| Southpaw. | ||
| Yeah. | ||
| They call him King Kong. | ||
| Yeah. | ||
| He's a beast. | ||
| I know. | ||
| I don't like that fight for him. | ||
| But neither one of those... | ||
| Joshua's a big star. | ||
| Looks the part. | ||
| Speaks well. | ||
| Knockout artist. | ||
| Had that great fight with Klitschko. | ||
| So he kind of has that, but those other guys, there's just nothing in motion. | ||
| Joshua will be that way. | ||
| He'll be giant for the UK, especially if he defends the title a few times. | ||
| He's huge. | ||
| Giant, giant. | ||
| Huge, huge. | ||
| Bigger and bigger with every fight. | ||
| He's got superstar status possibilities. | ||
|
unidentified
|
Agreed. | |
| Super articulate, very reserved and intelligent. | ||
| In the UFC, though. | ||
| With Jon Jones out, he's really your only next superstar, and he's a notch down from Conor. | ||
| Like, there's Conor, Brock Lesnar, Ronda, they're here. | ||
| Conor's even above them. | ||
| And then there's your second tier superstar, and then you got Jon Jones. | ||
| But Jon Jones, with this, becomes the number one fuck-up of all time, for sure. | ||
| Hands down. | ||
| If he wasn't already, this is the biggest one ever. | ||
| No, he's consistent at beating the shit out of people in the octagon. | ||
| Very consistent. | ||
| Inconsistent at fucking up. | ||
| Now, we can only hope and pray that somehow or another there's some mistake. | ||
| How many times are we going to go over this? | ||
| Yeah, you're right. | ||
| You know what I'm saying? | ||
| Like, dude, you're breaking our heart, man. | ||
| He's so goddamn good. | ||
| You watch that fight with Daniel Cormier and you're like, Jesus Christ, he's so good. | ||
| He's so good. | ||
| But do we take the PDs into account now? | ||
| Like, how do we know what real Jon Jono are we getting? | ||
| Because the one we saw was the OSP one and it looked like shit. | ||
| And then is DC the best of all time now? | ||
| Because he's beat everybody, including heavyweights, but he lost to Jon Jones. | ||
| But wait, Jon Jones was taking PEDs. | ||
| It's just a hot mess. | ||
| It is a hot mess, man. | ||
| Meanwhile, Ozdemir's like, fucking bring it, bro. | ||
| Ozdemir's murking people. | ||
| Ozdemir's like, fucking bring it, bro. | ||
| Boy, that guy's got bricks for hands, too. | ||
| Let me tell you something, man. | ||
| When I shook his hand after the fight, I was like, oh, okay. | ||
| You know how some dudes, you just shake their hand, you're like, oh, I get it. | ||
| He's got giant hands, dude. | ||
| Bricks. | ||
| They feel like bricks. | ||
| I think you do. | ||
| That dude puts hands on people. | ||
| He fucks people up. | ||
| See, I think you do. | ||
| Let's say John's out, right? | ||
| Long story. | ||
| Four years. | ||
| Suspension. | ||
|
unidentified
|
Out. | |
| All right. | ||
| Broke my heart. | ||
| See ya. | ||
| Go to Japan. | ||
| Juice to the gills and fuck all the whores you want. | ||
| Do whatever you want. | ||
|
unidentified
|
Whoa! | |
| Right? | ||
| I'm out. | ||
| I'm over it. | ||
| I'm mad at him. | ||
| So then you have Ozdemir versus Gustin to fight DC. 100%. | ||
| It's a great fight. | ||
| Right? | ||
| It's a fun fight. | ||
| Very interesting fight. | ||
| Gustafson is so veteran. | ||
| He's so good. | ||
| It's Gustafson's time. | ||
| Gustafson coming off of that Glover fight. | ||
| I almost want to see Ozdemir fight more people. | ||
| Because the Jimmy Manilow fight was crazy. | ||
| He just grabbed ahold of Jimmy Manilow, clipped him with that left hook inside the clinch. | ||
| But that's all there is, though, Joe. | ||
| Like, hey, bring up 205. Like, you look at it, you're like, oh my god. | ||
| There's no one left. | ||
| It's dinosaurs. | ||
| Especially now that Rumble's out. | ||
| And Rumble was his stablemate, anyway. | ||
| The word was that he was the guy that was sparring with Rumble all the time. | ||
| Oh, really? | ||
| Yeah. | ||
| Yeah. | ||
| That he was one of the few guys that was willing to spar with Rumble. | ||
| He's a monster. | ||
| He's a bad motherfucker. | ||
| No time. | ||
| He's got the worst nickname of all time. | ||
| No time. | ||
| Ozdemir. | ||
| What's the best nickname of all time? | ||
| The best? | ||
|
unidentified
|
Yeah. | |
| El Cucuy's pretty goddamn good. | ||
| That's pretty badass. | ||
| That's pretty good. | ||
| What's Kevin Lee? | ||
| Is it a Detroit superstar? | ||
| Yeah. | ||
| That's fucking sick. | ||
| And you're from Detroit? | ||
| That's a good name. | ||
| Pretty sick. | ||
| Oh, what was Crunkshall? | ||
| Crunkshank? | ||
| He's a porno star too, isn't he? | ||
| Wasn't he Detroit Superstar? | ||
| It's Kevin Lee's. | ||
| Do they share the same nickname? | ||
| Because I can't have that. | ||
| That's rude. | ||
| That's fucking rude. | ||
| Motown Phenom, Kevin Lee. | ||
| Motown. | ||
| Motown Phenom. | ||
| That's fucking... | ||
| Oh, the axe murder's not bad. | ||
| That's the best. | ||
| Hard to mark it, though. | ||
| Yeah, Darren Crookshank is Detroit 2 star. | ||
| See, that's my favorite. | ||
| And Kevin Lee is Motown Phenom. | ||
| Oh, Motown Phenom's brilliant, too. | ||
| Axe Murder, this day and age, hard to market. | ||
| Axe Murder's the best. | ||
| The Natural? | ||
| That's pretty good, but the testing back then was not enough to substantiate these claims. | ||
| I agree. | ||
| I agree. | ||
| The Ex-Murder's just tough to sell to companies these days. | ||
| The Prodigy's pretty goddamn good. | ||
|
unidentified
|
When BJ was at his best, pretty goddamn good. | |
| Yeah. | ||
| The Phenom when Vitor was merking people. | ||
| Who's the best right now, though? | ||
| El Kikui, you think? | ||
| El Kikui. | ||
| Yeah, I think so. | ||
| It's a goddamn supernatural boogeyman. | ||
| God, no heavyweights really have nicknames. | ||
| I was trying to think of the heavyweights. | ||
| Not really. | ||
| Just Cain Velasquez. | ||
| Steep, eh? | ||
| But El Kikui... | ||
| Didn't he call himself... | ||
| What's that Russian name? | ||
| Sexyama. | ||
| Sexyama. | ||
| That was ridiculous. | ||
| But that nickname, people... | ||
| Like, he didn't use it. | ||
| Other people did. | ||
| Uncle Creepy. | ||
| The Mexicution is pretty goddamn good. | ||
| These are old. | ||
| Yeah. | ||
| Axmer number five? | ||
| How dare you? | ||
| Kimbo Slice, get the fuck out of here. | ||
| That's his nickname. | ||
| It's not like his, the natural. | ||
| What's number one? | ||
|
unidentified
|
That was the Sexy Mama was number one. | |
| Sexy Yama? | ||
| Sexy Mama, he says. | ||
|
unidentified
|
Sexy Mama. | |
| Yeah, if a girl fights with that. | ||
| Sexy mama. | ||
| The karate hottie's not a bad. | ||
| That's not a bad date, man. | ||
| There's nothing great sticking out there. | ||
| And Cyborg's not bad, but her husband's name is Cyborg, too. | ||
| I feel like there's a lot of Cyborgs out there. | ||
| You can't double Cyborg. | ||
| Well, the Cyborg Grappler, the guy that you went with, Yeah, there's a cyborg and silvas. | ||
| Ricardo Abreu. | ||
| In Brazil, cyborgs and silvas are like Joes and Bills here. | ||
| You know what I'm saying? | ||
| Yeah, there's a bunch of cyborgs, right? | ||
| There's other cyborgs. | ||
| I'm trying to think of other ones. | ||
| There's one other guy that I know that called himself Cyborg. | ||
| It was a jiu-jitsu guy, I think. | ||
| Does anyone ever call you Joey? | ||
| Never. | ||
| No, not really, no. | ||
| But also, I'm friends with Diaz, and everybody calls him Joey. | ||
| It's always been Joey. | ||
| That's a good point. | ||
| But his name is Jose. | ||
| Really? | ||
| Yeah. | ||
| Joey Diaz, his name is Jose Diaz. | ||
| Oh, well, alright. | ||
| But we've always called him Joey. | ||
| Yeah, that makes sense. | ||
| You wouldn't call, well, Jose Joe. | ||
| You could. | ||
| Yeah, you can, for sure. | ||
| But I think growing up, everybody called him Joey. | ||
| Did you have a nickname as a kid? | ||
| No. | ||
| No nickname? | ||
| No. | ||
| Just straight up Joe? | ||
| Yeah, I never really had a nickname. | ||
| Nothing! | ||
| Dude, when I used to play pool, pool halls are the place where everybody gets a nickname. | ||
| There's so many crazy nicknames, people. | ||
| A lot of times the nickname was like where you come from, like White Plains Charlie or Mount Vernon Tommy. | ||
| There was a lot of that. | ||
| My nickname was Joe the Comedian. | ||
| So lame. | ||
| Real creative, guys. | ||
| It was so lame. | ||
| I was Joe the Comedian. | ||
| But you're the funny guy in the pool hall. | ||
| Well, they knew I was a professional comedian. | ||
| They would come and play pool. | ||
| So it was like Ray the Fireman. | ||
| No, no, no. | ||
| I was like 20... | ||
| When I first started playing pool, it was right after I tore my ACL. So I think I was 23. So like, hey, it's Bob the UPS driver. | ||
| Yes. | ||
| Real original, fellas. | ||
| Ray the Fireman. | ||
| God damn it, guys. | ||
| White Plains Charlie was a big one. | ||
| This is, like, crazy little semi-homeless guy used to come and play pool all the time. | ||
| He was an addicted gambler. | ||
|
unidentified
|
Addicted. | |
| So many guys. | ||
| I realized about gambling addicts when I played pool. | ||
| I just did not know how many of them there were because I'd never been around them. | ||
| I'd never been... | ||
| See, like, until I started playing pool, I didn't... | ||
| Go places like a nightclub type environment or like a place where a bunch of seedy people would hang out. | ||
| Pool halls are seedy. | ||
| Like a lot of gambling and shit talking and people betting on things. | ||
| I didn't grow up around that. | ||
| My high school years was all taekwondo. | ||
| And then after that it was all martial arts competition and then all of a sudden I'm around these complete degenerates. | ||
| Like I've never been around them and I'm 23. Which is a good life lesson though. | ||
| It was interesting. | ||
| There was a lot of people that are addicted to drugs. | ||
| There was a lot of methadone people that would come during the day, and they would just be like half out of it, and they would play pool, and they were terrible. | ||
| Just hustling for their money? | ||
| No, they weren't hustling. | ||
| They would just play pool with each other. | ||
| They would call them the methadoneans, and they would come in and play pool, and they would just bang balls around. | ||
| They couldn't concentrate. | ||
| Just bang balls around. | ||
| For real, they could not concentrate. | ||
| No shit. | ||
| But it's funny because, like, what it was like was there were, like, a bunch of people that were under a spell. | ||
| They would come in, they'd be just like... | ||
| And they would play pool, but they were dull. | ||
| They were, like, gray people. | ||
| They were just passing time. | ||
| There was no vibrant color. | ||
| They were gray. | ||
| Yeah, they were zombies. | ||
| But the crazy thing is, though, there was a guy who was the best player I ever saw, or one of the best players I ever saw, and he was a heroin addict. | ||
| And he would do heroin, and he would go into the bathroom, he would shoot up, and he would come out, and he would sit down on one of those bar stools, one of those pool stools, you know, kind of elevated with a thing for your drink. | ||
| He would sit there on this, like this, for a fucking half an hour, and everybody knew what was going on. | ||
| He had to do this. | ||
| He'd just sit there like this. | ||
| Just high as shit. | ||
| Just so fucked up. | ||
| And I'd never been around anybody who was on heroin either. | ||
| I've only seen it on the intervention. | ||
| They had to explain it to me. | ||
| My friend Johnny, who did a bunch of drugs, would explain to me. | ||
| He's like, he's going back there to do his shit. | ||
| I go, what shit does he do? | ||
| He's going to fucking shoot up. | ||
| He's going to go shoot up. | ||
| And he's going to come out. | ||
| And then he's going to sit down for a while. | ||
| And then after he sits down for a while, he's going to play. | ||
| And then he busts that ass when he plays. | ||
| Dude, he would get up and he had no feet. | ||
| He'd be like... | ||
| And the guy he was playing, this guy George the Greek... | ||
| George the Greek. | ||
| Yeah, George the Greek was one of the local big-time guys, and he was a wealthy guy. | ||
| He was always gambling. | ||
| He'd gamble high. | ||
| You know, he would say, like, crazy shit, like, you got the heart of a mustard seed, you cocksucker. | ||
| And a raspy guy, always smoking cigarettes. | ||
| You could smoke cigarettes indoor back then. | ||
| Everybody smoked. | ||
| The entire place filled with smoke. | ||
| And he was gambling against this guy. | ||
| And he had like some crazy spot because this guy was like literally a world-class pool player. | ||
| And this fucking guy didn't miss a ball. | ||
| And he's like, he shoots the fucking nerves off. | ||
| He goes into that bathroom and he shoots that shit. | ||
| And he shoots his fucking nerves off. | ||
| He comes out of here, he can't miss a ball. | ||
| The real Iceman. | ||
| He was so dead behind the eyes. | ||
| You'd look at his eyes and they were black like a gerbil's. | ||
| Like a shark? | ||
| Yeah, like a shark eyes. | ||
| He was just gone. | ||
| Gerbil's eyes are black as fuck. | ||
| Black as fuck. | ||
| Dude, that's what he was like. | ||
| I'm telling you. | ||
| It was the weirdest thing around him. | ||
| He would look right through you. | ||
| He didn't see you. | ||
| He was just blitzkrieged on heroin. | ||
| It's not living. | ||
| He couldn't miss. | ||
| Couldn't miss. | ||
| Made me want to do heroin. | ||
| He's probably dead now, though, huh? | ||
| Oh, he's dead. | ||
| I know he's dead. | ||
|
unidentified
|
Okay. | |
| 100%. | ||
| I ran into him at a pool tournament when I first moved to LA in 1994, and this guy tried to get me to drive him to Compton so he could cop. | ||
| Jesus Christ. | ||
| He asked me to put him in the pool tournament. | ||
| There's a pool tournament at Oh, goddammit. | ||
|
unidentified
|
What's it called? | |
| Hard Times. | ||
| Hard Times Billiards in Bellflower. | ||
| It's one of the biggest pool halls in the world. | ||
| Hard Times is like a world-famous pool hall, and it's in Bellflower, California. | ||
| And a lot of big-time gamblers and top-level players used to play there all the time and even came out of there, like Keith McCready. | ||
| It was like the guy from The Color of Money. | ||
| He was the nemesis of Tom Cruise. | ||
| Legitimately one of the best pool players in the world at the time. | ||
| He came out of there. | ||
| So this is a huge pool hall, like one of the biggest pro-level pool halls in the world. | ||
| And I get there, and I see this guy. | ||
| They call him Buffalo Bill or Water Dog. | ||
| Those are his two nicknames. | ||
| I like Water Dog. | ||
| Depending upon which part of the country and what time of the year. | ||
| Water Dog's cool. | ||
| So I ran into him, and I'm like, are you playing? | ||
| What are you doing out here? | ||
| And he was like, yeah, I just need to get someone to put me in the tournament. | ||
| I'll say, I'll put you in the tournament. | ||
| Like, it was like, I don't know, 20 bucks or something like that. | ||
| He didn't even have 20 bucks. | ||
| He just needed you to front him $20. | ||
| Just to get him in the tournament. | ||
| Whatever. | ||
| I don't remember how much it cost. | ||
| Might have been 50 bucks. | ||
| Whatever it was. | ||
| I was like, I'll put you in. | ||
| He had a legit chance to win. | ||
| Like, he was a world-class player. | ||
|
unidentified
|
He's like, okay, but I gotta go to Compton so I can comp. | |
| And I was like, what? | ||
| And he's like, you gotta drive me to Compton. | ||
| I'm like, I'm not driving you to Compton so you can buy heroin. | ||
| Hell no. | ||
| Because if they arrest you, they take your car. | ||
| Like, if I was with him... | ||
| You're part of the transaction, right? | ||
| Oh, yeah, they confiscate your car. | ||
| I was like, I had a 1994 Toyota Supra, bitch. | ||
| Oh, bitch, you crazy. | ||
| Supra Turbo, the car with a big, crazy, stupid wing in the back. | ||
| Oh, what color? | ||
| Is it the purple? | ||
|
unidentified
|
Silver? | |
| Silver. | ||
| I love the purple one. | ||
| I always wanted a spaceship, bro. | ||
| My cars were almost all silver. | ||
| I hear you. | ||
| Damn, that's sick. | ||
| Drive that thing to Compton? | ||
| You know what the homies would do to that thing? | ||
| The first nice car I ever had, ever. | ||
| You know, I was like, at the time, probably 27, ballin' for the first time in my life. | ||
| Hell yeah. | ||
| I'm like, what? | ||
| Should've Postmates that shit if it's today. | ||
|
unidentified
|
I was like, what? | |
| I have a condo. | ||
| I rent a condo right now, motherfucker. | ||
| I'm not giving all this up. | ||
| I was like so excited. | ||
| Was he all sad? | ||
| Oh yeah, super sad. | ||
| Super sad face. | ||
| Super sad. | ||
| And he went out there and he lost two matches in a row, like barely paid attention. | ||
| I put him in the tournament anyway. | ||
| He asked me to put him in anyway. | ||
| Now he needs his drugs, man. | ||
| Without heroin, he could not play. | ||
| But he was so itchy, I think. | ||
| I think those guys that get off of that stuff, cold turkey, like if you're jonesing for it. | ||
| Bro, you put him in a tournament with withdrawals? | ||
| It's fucked up. | ||
| I don't know if it was even withdrawals. | ||
| He probably got high earlier that day. | ||
| He was just jonesing. | ||
| I don't think he was full of withdrawing. | ||
| Cause he seemed pretty, you know, I think when they get withdrawing, is that a word? | ||
| Withdrawing? | ||
| Withdrawals. | ||
| They start sweating and shit and they shake. | ||
| Get clammy. | ||
| It's like they have the fever. | ||
| Like they have the flu. | ||
| I tried going off coffee for a day and I got withdrawals. | ||
| I got headaches. | ||
| I was like sweating, clammy skin, shaking on the ground. | ||
| I'm 100% addicted to caffeine. | ||
| Me too. | ||
| 100%. | ||
| I'm not mad at it though. | ||
| I love caffeine. | ||
| I like life with caffeine. | ||
| I like coffee. | ||
| I like the ritual. | ||
| I get up in the morning. | ||
| I drink some coffee. | ||
| I'll do a little reading. | ||
| I do a little writing sometimes. | ||
| I take a giant shit. | ||
| Then I work out. | ||
|
unidentified
|
Standard. | |
| Yeah, me too. | ||
| Standard routine. | ||
| I used to work out right away, but I found out that it's better if I let my brain warm up a little bit. | ||
| Just get tuned in. | ||
| Yeah, I'm a little foggy. | ||
| When I wake up, I'm a little foggy. | ||
| I have my coffee, take my kid for a walk, and then I hit the gym. | ||
| Sometimes I like to look at the news, too, just to make sure the world's not fucking falling apart before I start my day. | ||
| Yeah, I just like to be in the know, you know? | ||
| Yeah, I go to Google. | ||
| I have this, like, Google News thing set up on my phone, so I'll hit that without looking at social media, so I don't get looking at my own stuff. | ||
| I just go and read stuff about, like, what's happening in the world. | ||
| Everything okay? | ||
| We're going to war with Korea. | ||
| We're good. | ||
| Like to check off. | ||
| Some weird shit happening? | ||
| Some fire I need to know about? | ||
| Dude, I... Fire season right now, buddy. | ||
| Phew. | ||
| Dude, it's rare. | ||
| 180 degrees outside right now. | ||
| It is fucking toast. | ||
| I'm sweating in here. | ||
|
unidentified
|
It's insane. | |
| I feel bad for my car. | ||
| Dude, it's insane. | ||
| I feel bad for my car. | ||
| It's so hot outside. | ||
| This is how hot it is outside. | ||
| When I came to the door to unlock to get in, the air conditioning from our studio was blowing out. | ||
| I could feel it on my hand. | ||
| Why the fuck is it so hot? | ||
| It's crazy. | ||
| It's ridiculous. | ||
| The world's ending, bro. | ||
| The world is ending. | ||
| Satan's coming. | ||
| Houston is in central. | ||
| We're living in Arizona now. | ||
| It's so fucking hot. | ||
| Is it going to keep getting worse? | ||
| At what point does it become uninhabitable? | ||
| Yesterday my girl's dad was at the house and he just goes, Brendan, it's only going to get worse. | ||
| The heat? | ||
| Just the world. | ||
| Everything. | ||
| Is that true? | ||
| I disagree. | ||
| It's better than ever. | ||
| I disagree. | ||
| I'm like, I know things look rough right now, but if you look for bad things, you're going to find bad things. | ||
| Here's what odd things can be. | ||
| What were you going to say, Jamie? | ||
| Whenever you see a high temperature like today, and we don't beat the record high, whatever that was, I always think about what the fuck was going on in 1927 when it was 170 and no one had air conditioning or anything. | ||
| And girls had bushes, like fucking trees. | ||
| Swamp pussy. | ||
| And dudes just look like shit and more. | ||
| You have to wear three-piece suits and hats like an asshole. | ||
| Imagine what boxes smell like. | ||
| Remember George Washington days? | ||
| They had those fucking wigs. | ||
| Oh, yeah. | ||
| Those powdered wigs. | ||
| Yes. | ||
| That would go into the courtroom with a powdered wig on with no air conditioning. | ||
| No AC. That stupid wig. | ||
| The full get-up. | ||
| What is a powdered wig? | ||
| Like, what does that mean? | ||
| Do they put powder on the wig? | ||
| What is a powdered wig? | ||
|
unidentified
|
They're all white? | |
| I think so. | ||
| I think probably, yeah. | ||
| Why'd they wear that shit? | ||
| They powder them white? | ||
| Yeah, why do they have powdered wigs? | ||
| Like, Google that. | ||
| That's a crazy, like, crazy tradition. | ||
| Yeah, who was like, yeah, that looks tight, bro. | ||
| Well, they still wear them, bro, in England. | ||
|
unidentified
|
No. | |
| Not only do they wear them, they wear them super obvious, where, like, you can see their hair underneath. | ||
| Hey, put a little effort into it, bud. | ||
| The powder made them white. | ||
| Oh. | ||
| Okay. | ||
| In the 18th century, men's wigs were powdered to give them their distinctive white or off-white color. | ||
| Women in the 18th century did not wear wigs, but wore... | ||
| How do you say that word? | ||
| Coffure? | ||
| Coffure? | ||
| Supplemented by artificial hair or hair from... | ||
| Oh, they had a weave. | ||
| After 1790, English women seldom powdered their hair. | ||
| Why do people wear powdered wigs? | ||
| Click on that, mental floss. | ||
| Yeah, why the fuck would they do it? | ||
| Why did they? | ||
| What is that? | ||
| Perukes. | ||
| Powdered wigs called perukes were all the rage. | ||
| Look at that fucking wig! | ||
| They would wear the goofiest wigs. | ||
| They were like 1970s rockers. | ||
| How weird. | ||
| Sentries, powdered wigs called perukes were all the rage. | ||
| The chic... | ||
| How do you say that? | ||
| Chick. | ||
| It's chic, right? | ||
| Hairpiece, because I always hear chic. | ||
| I don't really read it that often. | ||
| Chic hairpiece would never become popular, however, if it hadn't been for a venereal disease... | ||
| A pair of self-conscious kings and poor hair hygiene. | ||
| Well, the Peruk story begins, like many others, with syphilis. | ||
| Standard. | ||
| 1580, the STD had become the worst epidemic to strike Europe since the Black Death. | ||
| Oh my God. | ||
| These people were all fucking each other to death. | ||
| Yeah. | ||
| According to William... | ||
| How do you say that name? | ||
| Klaus? | ||
| an infinite multitude of syphilis patients clogged London's hospitals and more filtered in each day. | ||
| Without antibiotics, victims faced the full brunt of the disease. | ||
| Open sores, nasty rashes, blindness, dementia, and patchy hair loss. | ||
| Baldness swept the land. | ||
| Whoa. | ||
| So they started rocking these things. | ||
| At the time, hair loss was a one-way ticket to public embarrassment. | ||
| Long hair was a trendy status symbol and a bald dome could stain any reputation because they knew you had syphilis. | ||
| Oh my god. | ||
| When Samuel Pepe's brother acquired syphilis, the diarist, what is that word? | ||
| Diarist? | ||
| He writes diaries for a living? | ||
| Is that what he does? | ||
| Or is he in the dairy business? | ||
|
unidentified
|
I got the first one. | |
| Well, we'll Google it after we read this. | ||
|
unidentified
|
Okay. | |
| The diarist wrote, If my brother lives, he will not be able to show his head, which will be a very great shame to me. | ||
| Wow. | ||
| Hair was that big of a deal. | ||
| What did they do back then? | ||
| Well, yeah, that's true. | ||
| In the Bible, you know, God sent some bears to kill some kids because they made fun of this dude for being bald. | ||
| That was part of the Bible. | ||
| Some dark shit. | ||
| So, Louis XIV hired 48 wig makers to save his image. | ||
| Five years later, Louis XIV was only 17 when his mops started thinning. | ||
| God, terrible genetics. | ||
| Yeah, not good. | ||
| Louis's cousin, Charles II, did the same thing when his hair started going to gray. | ||
| Both men likely had syphilis. | ||
| Genetics. | ||
| Courtiers? | ||
| I don't know what that word is. | ||
| And other aristocrats immediately copied the two kings. | ||
| Ah, interesting. | ||
| They sported wigs and the style trickled down to the upper middle class. | ||
| Europe's newest fad was born. | ||
| The cost of wigs increased and perukes became a scheme for flaunting wealth. | ||
| An everyday wig cost about 25 shillings a week pay. | ||
| Wow. | ||
| For a common Londoner. | ||
| So a couple grand for this fucking wig. | ||
| The bill for large, elaborate perooks ballooned to as high as 800 shillings. | ||
| Whoa! | ||
| The word bigwig was coined to describe snobs who could afford big, puffy perooks. | ||
| Still use that word. | ||
| Wow! | ||
|
unidentified
|
Poofy. | |
| He's a big wig. | ||
| That's crazy. | ||
| That was from the 1700s. | ||
| When Lewis and Charles died, wigs stayed around. | ||
| It's like some story time with Rogan. | ||
| This is crazy. | ||
| Perukes remained popular because they were so practical. | ||
| They were so practical. | ||
| That's what I say about wigs. | ||
| They're so practical. | ||
| It just makes sense. | ||
| It's just a thing to do. | ||
| At the time, head lice. | ||
| Oh, wow. | ||
| Head lice were everywhere. | ||
| And nitpicking was painful and time-consuming. | ||
| Wigs, however, curbed the problem. | ||
| Lice stopped infesting people's hair, which had to be shaved for the peruke to fit. | ||
| So everybody shaved their head and wore a wig. | ||
| Lice had no home. | ||
| They camped out on the wigs instead. | ||
| Delousing a wig was much easier than delousing a head of hair. | ||
| You send the dirty hair piece to a wig maker who would boil the wig and remove the nits. | ||
| That's where nitpicking came from. | ||
| The term nitpicking came from picking lice out of wigs. | ||
| You were dropping some knowledge. | ||
| Damn! | ||
| This is just like when Callum does that segment on your show. | ||
| Dropping knowledge. | ||
| First of all, you've got to rename that. | ||
| But you didn't make it up. | ||
|
unidentified
|
Immediately. | |
| You've got to rename that immediately. | ||
| You cannot say dropping knowledge. | ||
| You just can't. | ||
| You need to call him up. | ||
| We should call him up right now. | ||
| Hey, Brian. | ||
| Hey, Brian. | ||
| We've been talking. | ||
| There's no more dropping knowledge. | ||
| It's wonderful that you're sharing these little tidbits of information, but to announce that they're going to be there in a segment and say, we're going to drop knowledge now, and then Hunter Matz pops up out of the ground like a fucking jack-in-the-box. | ||
| Or he just regurgitates what Hunter said. | ||
| He's like, what's up? | ||
| No, I have to do it. | ||
| You can't drop knowledge. | ||
| Dude, I have to do it so listeners, if they don't like that, to fast forward. | ||
| Otherwise, they'll just spring it on you. | ||
| So it's kind of like, you know, it's almost like an ad read. | ||
| So if you dig it, cool, here it comes. | ||
| Is this his idea or yours? | ||
| It's mine, because I was getting sick of getting dropped knowledge on. | ||
| It was mine. | ||
|
unidentified
|
Interesting. | |
| So you told him to start it off as a segment? | ||
| No, no, no. | ||
| Some of them are really funny, right? | ||
| Some are fun, yeah. | ||
| Sometimes. | ||
| Is it a problem that you used to do it in every episode? | ||
|
unidentified
|
Is that what it is? | |
| Yeah, so we'd be in the middle of talking about wigs and be like, you know, in France in 1940. And then we'd go off on this thing and kind of derail the show. | ||
| Sometimes that's interesting, though. | ||
| If he told you that, he'd be like, what? | ||
| That'd be great, but he sprinkles in some stuff where people are like, that's not true, man. | ||
| Oh, it's not true stuff? | ||
| Yeah. | ||
| What's the not true stuff? | ||
| You know, it just depends on the episode. | ||
| Interesting. | ||
| Yeah, it just depends. | ||
| So I figured I might as well just label it so fans know what's happening right now. | ||
| I'm not a fan of segments in anything. | ||
| When everybody goes, okay, now we're going to go to the let's pretend you're a Mexican game. | ||
|
unidentified
|
I'm not... | |
| I'm not a fan. | ||
| I'm not a fan of a thing that people do in the middle of a show. | ||
| Well, I mean, for ours, we'll have our banter back and forth like we have. | ||
| Not for three hours, because we don't do it every day, but we'll do it... | ||
| You know, if you had the same person every single day, it's tough to come up with three hours of material. | ||
| Dude, you and I could do a podcast every day for three hours. | ||
| Different animal, Joe. | ||
| You and I We're some professional podcasters here We're good at talking shit That's what we do What are you saying? | ||
| Cal is not? | ||
| How dare you? | ||
| No, I'm not saying that. | ||
| That's what he's saying. | ||
| No, I'm not saying that. | ||
| You know what he's saying? | ||
| I'm not saying that. | ||
| We're into the same things. | ||
| You and I are into the same things. | ||
| Cal's into, you know... | ||
| But I'm in a lot of the same things that Callen's into, too. | ||
| Yeah, I'm going down a weird road. | ||
| You know what? | ||
| Listen. | ||
| Listen, bro. | ||
| Listen. | ||
| Callen's a fascinating man. | ||
| He is. | ||
| But with the current events, it gives us... | ||
| You know why I started current events? | ||
| What? | ||
| Callen doesn't keep up with current events. | ||
| He wouldn't know whatever today's current event was. | ||
| Something happened with pop culture. | ||
| He has no idea what's going on in the world, because he's so into history. | ||
| That's where Jamie comes in. | ||
| Exactly. | ||
| Especially if it's black Twitter. | ||
| Yes. | ||
| He is just on the ball. | ||
| So I'm kind of like, yeah, so exactly. | ||
| So the idea is like, Jamie introduced you to certain stuff. | ||
| Like with sports, like Cal doesn't see on stuff, you know, whatever the fuck he does. | ||
| So I'm like, man, you didn't know, you know, Bieber flashed his dick? | ||
| He's like, I have no idea. | ||
| Well, he's into books and stuff, which is admirable. | ||
| But that's why the show works, is he's into his thing, I'm into my thing, and then we cross-pollinate. | ||
| Right. | ||
| Cross-pollinate. | ||
| Cross-pollinate. | ||
| But is he, how much is Brian into like MMA these days? | ||
| I don't know. | ||
| And that's one of the reasons why I started my own show, because I'd be like, hey, did you watch that fight? | ||
| We'd cover it. | ||
| And he'd be like, no, I didn't see it. | ||
| Or he'd just see the highlights. | ||
| And I'm like, dude, I'm getting balls deep into this. | ||
| Well, you kind of have to if you're the fighter and the kid, and you grow this giant MMA population of listeners. | ||
| Yeah, but for whatever reason, maybe he's busy or something, he doesn't see the fights. | ||
| It's tough when... | ||
| And that's how my show started. | ||
| I'd be breaking down a fight, getting pretty intricate into it, and he'd go, so... | ||
| Beginner's question where I couldn't really get into it. | ||
| You know what I'm saying? | ||
| Oh, we gotta let these motherfuckers know this Saturday is January 2nd. | ||
| September 2nd. | ||
|
unidentified
|
January. | |
| Did I say January? | ||
| Yeah, you did. | ||
| Because I'm thinking of whose fight. | ||
| I'm sorry. | ||
| I'm triple tasking. | ||
| Podcasting, thinking, and going through my phone. | ||
| And taxing. | ||
| No. | ||
| This Saturday, the second is UFC Fight Night. | ||
| It's Stefan Struve versus, who is it? | ||
| Pull it up. | ||
| We're going to have a motherfucking fight companion. | ||
| That's the point, ladies and gentlemen. | ||
| We're doing the companion? | ||
| But we are not going to do a companion for Edmonton. | ||
| Because I, that's, why do they still have Jermaine Durand and me on there? | ||
| She's fighting. | ||
| She pulled out of the fight. | ||
| Did she? | ||
| She got injured. | ||
| She got injured again? | ||
| Yes. | ||
| She pulled out. | ||
| Unspecified reasons. | ||
| But it's speculated it's an injury. | ||
| Speculate. | ||
| Hashtag still scared. | ||
| Hashtag maybe. | ||
| Hashtag cyborgs gonna be attending. | ||
| Yeah. | ||
| Okay. | ||
| Gets replacement. | ||
| Late replacement for injured Jermaine Durandamy. | ||
| Talita de Oliveira has apparently agreed to step in on short notice. | ||
| Who is she? | ||
| Have you seen her fight before? | ||
|
unidentified
|
No. | |
| Let me see the rest of the card, Jamie. | ||
| Yeah, let's go back to the card. | ||
| Alright, here we go. | ||
| What's the full card here? | ||
| Volkov. | ||
| Yeah. | ||
| Volkov was the Bellator champ. | ||
| Yeah. | ||
| He was very good, too, man. | ||
| And his last fight, he beat Roy Nelson. | ||
| It's kind of a light card. | ||
|
unidentified
|
Yeah. | |
| I'm just being honest. | ||
| Yeah, light would be an understatement. | ||
| Yeah, I agree. | ||
| Light, light. | ||
| Ooh, but wait a minute. | ||
| Maribov Tysimov is fighting. | ||
| And then you also got Kalibov. | ||
| Yeah. | ||
| Click on that Tysimov fight. | ||
| He's been out of the UFC for a while. | ||
| He's in the UFC Fight Pass prelims. | ||
| There you go right there. | ||
| Bam. | ||
| Yeah. | ||
| Felipe Silva. | ||
| Marebek Tysimov is a very good fighter. | ||
| He's very good. | ||
| That's gonna be an interesting fight. | ||
| I don't know too much about Felipe Silva. | ||
| But this is Rotterdam, right? | ||
| That's where this is taking place. | ||
| That main event would be fun. | ||
| Is Calentown? | ||
| I think so. | ||
| We gotta get Eddie Bravo drunk and bring up conspiracies. | ||
| Yes! | ||
|
unidentified
|
Yes! | |
| That never happens. | ||
| Oh, Barbarina is fighting. | ||
| That's... | ||
| Who's he fighting? | ||
| Right next to that one. | ||
| That's Barbarina. | ||
| Brian Barbarina, Leon Edwards. | ||
| Jamaica. | ||
| Bam Bam. | ||
| Yeah, you know, it's a light card, but I will watch it. | ||
| Barbarina's a tough motherfucker. | ||
| I like watching him fight. | ||
| Yeah. | ||
| That should be interesting. | ||
| Yeah, it'll be fun. | ||
| Speaking of Fight Pass, did you see your boy Snoop Dogg talking shit to Conor McGregor? | ||
| No. | ||
| So embarrassing. | ||
| What did he do? | ||
| Oh my god. | ||
| Can you bring that up, Jamie? | ||
| To his face? | ||
| How the UFC doesn't go, get the fuck up. | ||
|
unidentified
|
To his face? | |
| No, he put blasts out on the Instagram. | ||
| Fuck you, Conor. | ||
| That's what happens, you little bitch. | ||
| Oh, no. | ||
| Snoop Dogg trashes Conor McGregor in profane tirade. | ||
| Really? | ||
| Okay, let's hear this. | ||
| One million views, by the way. | ||
| Powerful Snoop Dogg. | ||
|
unidentified
|
15-0, nigga! | |
| The motherfucking champ, nigga! | ||
| 15-0! | ||
| Fuck that motherfucking punk-ass McGregor, you bitch! | ||
| Fuck him! | ||
| Motherfucking champ, nigga! | ||
| Yeah, nigga! | ||
| That's what you get for coming to a motherfucking gang fight with a butter knife, you bitch-ass motherfucker! | ||
| Fuck you, nigga! | ||
| Money team! | ||
| Champ, nigga! | ||
| Where the party at, Floyd? | ||
| He's creative. | ||
|
unidentified
|
Yeah! | |
| Hi, honey! | ||
| Hey! | ||
| I got one more rib for you! | ||
|
unidentified
|
Oh no, fuck you! | |
| Well, okay, what happened there? | ||
| Did he get schizophrenic? | ||
| Is he bipolar? | ||
| He's a bad motherfucker. | ||
|
unidentified
|
I think he got happy when they said they had one more rib left. | |
| Come on, man. | ||
| I just don't get when people celebrate the demise. | ||
| It's not even the demise. | ||
| The risk he took. | ||
| It was a fun fight. | ||
| It was a fun fight. | ||
| That was a fun fight. | ||
| Conor brought the fight to Floyd and it made it a fight. | ||
| It was the biggest fight of all time. | ||
| Well, Floyd brought the fight to Conor. | ||
| I mean, Floyd stepped forward with his hands up and moved towards him and constantly created pressure. | ||
| Conor also came forward, too, man. | ||
| They both brought it. | ||
| It was a very good fight. | ||
| It was very entertaining. | ||
| Very entertaining. | ||
| He hit Floyd more than any fighter hit him. | ||
| And I think the right result took place. | ||
| A specialist, the greatest specialist of all time, beat a guy who is just not at his league when it comes to that specialty. | ||
| You know, I mean, I think that's what we should have seen. | ||
| And I think it was good for everybody. | ||
| I think it was great for Floyd because it was the most entertaining Floyd fight ever. | ||
| I agree. | ||
| It was a great... | ||
| Opportunity for him to showcase his ability and to show everybody what he can do. | ||
| And get the 50th win. | ||
| Get the 50th win. | ||
| And for Conor, he got to show people that he can hang, until he gets tired, he can hang pretty well with the best fighter of all time. | ||
| This is what else I think is cool, is Conor's going to take those boxing skills and now bring it to the UFC. And he's been on... | ||
| There's no fight the UFC can throw to him that's going to be bigger. | ||
| There's just nothing. | ||
| You're not going to rattle him. | ||
| The moment can't get big enough for him. | ||
| So now, unless they give him John Jones, Brock Lesnar, like a tag team, some weird random shit, which would be awesome. | ||
| However, there's nothing they can do. | ||
| So now he learns from this, and he's a guy who learns from his losses, and brings that to the UFC. I think he maybe has one, maybe two left, but still. | ||
| You think so? | ||
| Yeah. | ||
| I don't see him doing it. | ||
| I mean, when you have $100 million in the bank, he even said, he goes, unless I fuck things up, I should be set for life and my kids and their kids should be set for life. | ||
| And he's very self-conscious of the repercussions of sticking around too long. | ||
| He had a buddy. | ||
| He was a tenant fight. | ||
| A guy died. | ||
| So, you know, I don't see him. | ||
| This is the other thing. | ||
| With John being out... | ||
| Now all the chips are in Connor's corner. | ||
| He's the only superstar, legit superstar in town. | ||
| He's like, listen, you want me to fight again? | ||
| I know that's the old contract. | ||
| That's what I'm worth. | ||
| What do you guys want to do? | ||
| It's the only way it's going to happen. | ||
| Damn. | ||
| There is no second. | ||
| Who else is number two? | ||
| Name a number two, Joe. | ||
| Honestly, it might be Stipe. | ||
| And that's not even... | ||
| I mean, he's the heavyweight champ. | ||
| I mean, at least there's something to it. | ||
| And it's not even close. | ||
| They're not even the same realm. | ||
| They're not even the same side of the planet. | ||
| I'm talking as far as the draw. | ||
| Yeah, who else is there? | ||
| Who? | ||
| Bisping? | ||
| Who? | ||
| George St. Pierre, once he fights Bisping? | ||
| If George wins? | ||
| I think people are going to be a little disappointed with the George numbers. | ||
| I don't think he's going to be as strong as you think. | ||
| I think the people that were George St. Pierre fans, that's a long time ago. | ||
| Over four years ago. | ||
| And the sport is a different sport now. | ||
| You're talking about a lot of younger people now that are just getting into it. | ||
| Like, this old guy's fighting? | ||
| Cool, and he's fighting Bisping? | ||
| Doesn't really make sense. | ||
| What happened to the other guys? | ||
| I read this... | ||
| Douchey preview of the fight. | ||
| It was so douchey. | ||
| See, the thing about the UFC getting bigger, it's these fucking sports guys who write these really creatively negative articles. | ||
| And it was about the Bisping and George C. Pierre fight. | ||
| Oh, I thought you were saying you had to read a promo for the fight. | ||
| No, no, no. | ||
| I read it online. | ||
| Oh, gotcha, gotcha, gotcha. | ||
| No, no, no. | ||
| Not me. | ||
| I don't read promos. | ||
| When you see those promos, there's nothing red. | ||
| That's always from the top of the joint. | ||
| 100%. | ||
| I don't have a plan. | ||
| I just say exactly what I think about the fights. | ||
| So when I do those... | ||
| That's the best way to do it. | ||
| And I remember you telling me that. | ||
| So when Showtime wanted me to cut a promo right before the fight, I was like, let me just sit down and do it, man. | ||
| Just don't tell me what to do. | ||
| Let me just go. | ||
| Let me think about what is at stake. | ||
| What this fight really means. | ||
| What's it mean to me? | ||
| How do I feel about it? | ||
| Let me just go, man. | ||
| And that'll shine through. | ||
| You know, like when you talk about certain moments that you've seen out of a fighter that shows how special they really are. | ||
| And gets me excited. | ||
| Yeah, like when you talk about Anderson when he front-kicked Vitor Belfort in the face. | ||
| It was an electric moment, you know, that he's capable of doing these movements that just look so much faster and so much more accurate than you expected. | ||
| You know, Anderson in his prime, some of his performances, man, were just so stunning. | ||
| Now, when I'm talking about that guy, like, I don't need a script. | ||
| Tell me what? | ||
| I know more than you guys do. | ||
| Who wrote this? | ||
| No, no, I'll tell you what I feel about it. | ||
| Nobody ever wrote anything for me. | ||
| No, yeah. | ||
| I've been doing it that way from the beginning. | ||
| That's why it comes off so good. | ||
| Yeah, when you hear a guy like reading off a teleprompter in the beginning of a fight, like in the promo of the fight, like when they're talking about what's happening, what's at stake, it just doesn't feel right. | ||
| Even if it's like kind of crazy talk like Teddy Atlas. | ||
| Like when Teddy Atlas... | ||
| You see, it's real though. | ||
| It's real. | ||
| It's real. | ||
| You gotta have real. | ||
| It's some crazy shit, but it's real. | ||
| Reading off teleprompters is just brutal. | ||
| What was the thing you read though with Bisping and Gisby? | ||
| Just breaking down the fight? | ||
| It was just some douchey sports guy article about it, and I was like, ah, saying that George St. Pierre was getting off his rocking chair to come out. | ||
| And Brown kicks some nobody in the head. | ||
| I'm like, no, no. | ||
| He's coming out to fight George St. Pierre, who is... | ||
| That card is stacked. | ||
| George St. Pierre, rather, is coming out of retirement to fight Michael Bisping, who is the UFC middleweight fucking champion of the world. | ||
| Legit middleweight. | ||
| He took it from Luke Rockhold. | ||
| You can say what you want, but he still took the belt. | ||
| You go out, but he only defended against Dan Henderson. | ||
|
unidentified
|
So what? | |
| Who cares? | ||
| He did. | ||
| He beat him. | ||
| He did. | ||
| Yeah, he's a legit, straight lineage, 185 pound champ of the world, you know? | ||
| When I see that fight, I just... | ||
| Again, going on my tours and seeing the actual reaction face-to-face with fans when I talk about it, it's very lukewarm. | ||
| What do you guys think? | ||
| We've got to wait for Robert Whittaker to heal up. | ||
| He's the interim champ. | ||
| And that's going to be a while. | ||
| His knee's pretty fucked, apparently. | ||
| So he's got to heal up his knee. | ||
| And once that's done, then you get to see what happens after Bisping fights GSP. Here's the thing, though. | ||
| And I love Bisping. | ||
| I wish he was a bigger draw, but Bisping vs. | ||
| Yoel, not huge ratings. | ||
| Bisping vs. | ||
| Robert Whittaker, not huge ratings. | ||
| There's nothing he can really do there. | ||
| Who's Luke Rockhold fighting again? | ||
| He's fighting David Branch. | ||
| That's right. | ||
| That's an interesting fight. | ||
| That's September, what, the 16th or something like that? | ||
| Yeah. | ||
| Yeah. | ||
| David Brandt from World Series, his first fight in the UFC was terrible, but it's also his first in a long time. | ||
| He was the World Series champion at light heavyweight and middleweight. | ||
| Yeah. | ||
| So, you know. | ||
| Gerald Harris knocked him out with a slam in his first UFC fight way back in the day. | ||
| He had a rough UFC career. | ||
| Yeah. | ||
| And then left, you know, did work in World Series. | ||
| You know, for Luke Rockwell, I think it's more of him just getting back into things. | ||
| Right. | ||
| Yeah. | ||
| But he can't take this kid light. | ||
| No. | ||
| No, Luke's so talented, man. | ||
| Yeah, he is so talented. | ||
| Luke's fucking silly talented. | ||
| Yeah, David Branch has won a lot of fights in a row. | ||
| Lost to Anthony Johnson by decision. | ||
| That's pretty crazy. | ||
| Lost to... | ||
| Lost as a light heavyweight to Anthony Johnson. | ||
| Go up to... | ||
| Paul Harris ripped his leg off. | ||
| Did he? | ||
| Yeah. | ||
| He caught him? | ||
| Oh, yeah. | ||
| In World Series of Fighting? | ||
| Yeah, there you go. | ||
| No, UFC. Oh, that's right. | ||
| He got a heel hook quick. | ||
| Bad. | ||
| Yeah. | ||
| And he's a black belt on the ground, too. | ||
| Second round, huh? | ||
| 144. Hmm. | ||
| I felt like I was the first round. | ||
| UFC 116. Did he fight Paul Harris more than once? | ||
| No. | ||
| Just one time. | ||
| Yeah. | ||
| Okay. | ||
| Gerald Harris. | ||
| That's what it is. | ||
| Gerald Harris knocked him out in UFC 116. Lesnar versus Carwin. | ||
| Wow. | ||
| That's a while ago. | ||
| Fuck yeah, it was. | ||
| That's right. | ||
| KO slam. | ||
| Yeah, I remember that. | ||
| Because I think that got knocked out of the night because I thought I was going to get it. | ||
| Because that was... | ||
| Really? | ||
| That got knocked out of the night? | ||
| A slam? | ||
| I'm pretty sure that KO slam, he got an award for that. | ||
| Interesting. | ||
| So go up? | ||
| Go up? | ||
| All the way to the top? | ||
| He has his hands full with Luke Ross. | ||
| Yes, he does. | ||
| So he beat Vinny Magalese, who's a phenomenal submission artist. | ||
| Who else did he beat? | ||
| Christoph Jokto, who's a decent fighter. | ||
| Jokto was ranked 9 at the time or 10 at the time, but that just shows you where the middleweight division is. | ||
| Split decision, though. | ||
| He beat Okami. | ||
| Yeah, but Yushin Okami has never been the same. | ||
| He beat Jesse Taylor, who's the champ. | ||
| But Yushin Okami, after he got stopped by... | ||
| Tim Boach. | ||
| Tim Boach, and then he got stopped by Jacare. | ||
| He got brutally stopped. | ||
| Then he left. | ||
| Yeah, he just wasn't the same. | ||
| And all of that is after Anderson. | ||
| Correct. | ||
| But, I mean, you look at David Branch compared to Luke Rockhold's lineup, it's insane. | ||
| Luke Rockhold's, I mean, big difference. | ||
| No, this is a terrible matchup for David Branch. | ||
| Unless he can rise to the occasion. | ||
| It's a big if. | ||
| They've been talking a lot of shit to each other, too. | ||
| Have they? | ||
| Yeah. | ||
| Talking a lot of shit. | ||
| I mean, look at Rockhold, Weidman, Machida, Bisping, Boach, Philippou. | ||
| He hasn't fought since December of 2000, oh, January of 2016. June, sorry. | ||
| It's been a while, man. | ||
| And then before that, he's on the McGregor card when he fought Weidman, McGregor, Aldo. | ||
| That was the best performance of his career. | ||
| Beat the shit out of him. | ||
| It was a close fight, though, before that. | ||
| I thought Leo Machido, he looked his best. | ||
| Yeah. | ||
| He also fucked Bisping up. | ||
| Remember he choked him out with one arm? | ||
| Yeah. | ||
| He head kicked him and choked him out with one arm? | ||
| He caught him with that question mark kick. | ||
| Yeah. | ||
| And then Tim Bosch, he fucked him up with an inverted triangle Kimura. | ||
| Yeah. | ||
| That Costa-Filippu fight? | ||
| Yeah, they got to talk Costa into walking out to take that fight. | ||
| Really? | ||
| Yeah. | ||
|
unidentified
|
Why not? | |
| He was over it. | ||
| He didn't want to fight anymore. | ||
| And my manager was like, dude, if you don't walk out there, this will taint your career for the rest of your life. | ||
|
unidentified
|
Wow. | |
| And he was literally not going to fight. | ||
| He was like, I'm not going there. | ||
| Calling his name. | ||
| He's like, I'm not going. | ||
|
unidentified
|
Wow. | |
| And Lex McMahon was like, you better get your ass out there. | ||
| I'm telling you, you're going to regret this for the rest of your life if you don't go out there. | ||
| Why did he not want to go out there? | ||
| I think he was just over it. | ||
| The nerves, everything. | ||
| He was like, I don't want to do this anymore. | ||
| And Luke Rockhold was like, here, let me help you. | ||
| Gish, lever kick. | ||
| Get out of here. | ||
| That's the business we're in. | ||
| Oh shit, you don't want to go out there. | ||
| Well, there's a decision that people make when they've taken too much punishment and then they just can't get excited about performing anymore. | ||
| They can't get excited about competing anymore. | ||
| There's a decision that people make where once they make that decision, you gotta just get out because you will never be the guy that you were when you didn't give a fuck and you were hungry and young and you're gonna run into that guy. | ||
| You're gonna run into that guy, that guy that was you. | ||
| You're gonna run into him. | ||
| He's there. | ||
|
unidentified
|
Yeah. | |
| You couldn't even tell. | ||
| Costa Philippou looked normal in that fight. | ||
| It looks like he was trying to win. | ||
| I think once you get in there, it's kind of fight or flight, you know? | ||
| Yeah, I mean, it goes back to his instinct. | ||
| Oh, boy. | ||
| Luke Rockhold, that's a very good left kick to the body, man. | ||
| He's great. | ||
| Oh, that's a legal kick. | ||
| It's legal. | ||
| Kick to the body when you're on the ground is legal. | ||
| Ah, man, that kind of hit his head, but yeah. | ||
| Did it? | ||
| Yeah. | ||
| Go back to the game. | ||
| Grazed up. | ||
| At the very end of it? | ||
| Powerful, Vimeo. | ||
| Not that it mattered. | ||
| How's this legally online? | ||
| Oh, how dare you. | ||
| See? | ||
| Oh, yeah, you're right. | ||
| Right behind the shoulder blade. | ||
| That's legal. | ||
| Yeah. | ||
| It's kind of weird that you could do that. | ||
| Can you stomp the body when it goes down? | ||
| No. | ||
| Not really, right? | ||
| No. | ||
| You can axe kick, though. | ||
| Oh, that's right. | ||
| But can you, like, push stomp kick? | ||
| That's such bullshit, isn't it? | ||
| Can you, like, you can't go down stomp, but can you stomp forward? | ||
| You can do it on your feet. | ||
| Yeah, because it's kind of like a front kick. | ||
| Yeah, it's weird. | ||
| It's kind of dumb, right? | ||
| It's weird. | ||
| Anyways, I think, I like David Bransford. | ||
| I think Luke Merkson. | ||
| Interesting. | ||
| But again, Luke's not a huge pay-per-view draw. | ||
| Like, if you're the UFC and John being out, you're like, yeah, Luke has every reason he should be. | ||
| I don't get it. | ||
| But with John being out, just go through the champs. | ||
| They got Mighty Mouse. | ||
| Ain't happening. | ||
| No time, baby. | ||
| No time. | ||
| They're banking on no time. | ||
| No time's coming up. | ||
| So we had two fights. | ||
| He's had four, right? | ||
| In the UFC? Yeah, he's had four. | ||
| I think he's had... | ||
| He fought Misha. | ||
| No. | ||
| Sir Kunov. | ||
|
unidentified
|
He had fights before. | |
| Stopped him. | ||
| He stopped... | ||
| How many fights does he have in the UFC? He's not pulling up? | ||
| It doesn't say? | ||
| Wikipedia, son. | ||
| How does it not say? | ||
| Yeah, just go to his Wikipedia, I guess. | ||
| I feel like he's had two fights in the UFC. Really? | ||
| I feel like he's had three. | ||
| He might have had three. | ||
| I'm going to say three. | ||
| You might be right. | ||
| It's not a lot, though. | ||
| I agree. | ||
| It's not a lot. | ||
| What does it say there? | ||
| He's had three. | ||
| Okay, OSP. Damn, split decision, OSP. That's right. | ||
| That's right. | ||
| That's right. | ||
| That was a fight he took on short notice. | ||
| I remember that. | ||
| That was in Houston. | ||
| That's right. | ||
| But then he's just been Merk and Gus. | ||
| God, he's just... | ||
| But you look at his division, there's just nothing for him. | ||
| So he has to fight Gus Finner DC. Well, Merk and Misha is not as impressive, although Misha's a very good striker and a very good submission artist. | ||
| He's really good at submissions. | ||
| That was like, okay, he caught that dude coming in, clipped him with one punch, knocked him out. | ||
| That's impressive. | ||
| But doing it to Jimmy Maniwa, you gotta go, oh, okay. | ||
| This guy's fucking for real. | ||
| Like, if he could do that to Maniwa, he could do that to a lot of people. | ||
| You think? | ||
| Yeah. | ||
| I want to see him do it to someone else, too, obviously. | ||
| You want to see him fight. | ||
| Next level stuff. | ||
| You know what I think is going to happen? | ||
| And I do like him. | ||
| Shit, I hope he becomes champ. | ||
| Be hilarious for many reasons. | ||
| But I think his technique of rushing in like that, you get to a certain level where guys like DC and Gustin go, you want to do what? | ||
| And then you get fucked up. | ||
| And he's going to have to adapt to it. | ||
| But here's the thing about that level. | ||
| There's levels to this game. | ||
| Light heavyweight goes... | ||
| John Jones, Gusvin, DC, and then... | ||
| Right. | ||
| And then second level, and then after that, it's a fucking free-for-all. | ||
| Yeah, like, what does DC do now? | ||
| Like, if they give him back the title again... | ||
| But this is the thing, in the public's... | ||
| Eyes. | ||
| It's such a tough sell. | ||
| Like, here's the best light heavyweight in the world. | ||
| Everyone's like, nope, we've seen him lose twice now. | ||
| We've seen him get put to sleep by John in the second fight. | ||
| You want worst case scenario for DC? I think DC's the greatest light heavyweight of all time when you take out John. | ||
| You want to talk about worst case scenario? | ||
| They go, tainted supplement, dick peels again. | ||
| Six months of suspension. | ||
| We're going to strip the belt from you. | ||
| DC, here's the belt. | ||
| You've got to fight John again in six months. | ||
| Go get you some. | ||
|
unidentified
|
Oh my God. | |
| Give me that goddamn belt back. | ||
| Give me my fucking belt back. | ||
| Okay, but here's the thing. | ||
| We don't know what was really going on now, right? | ||
| We don't know. | ||
| With John? | ||
| Yeah. | ||
| Now, I think we are allowed to have complete open speculation with zero concern for being respectful. | ||
| Yes. | ||
| I think after the dick pull thing, I go, look, man, they did his party and he was taking some dick pills. | ||
| Let's let it go. | ||
| Coke? | ||
| I don't give a fuck about Coke. | ||
| That's not helping you. | ||
| Then you hear about this, you go, wait a minute. | ||
| Something's going on. | ||
| Okay. | ||
| What is this? | ||
| Yeah. | ||
| I want to know what this is. | ||
| Because, like, JDS got flagged, right? | ||
| And they pulled him off Francis Gano. | ||
| I don't get JDS to go, come on, alright, that's steroids for sure. | ||
| Because he's had a clean history. | ||
| Right. | ||
| With John, it's one thing after another. | ||
| Well, JDS also got flagged for a diuretic. | ||
| Yeah, I'm just saying, let's say they didn't say what... | ||
| And it was trace amounts. | ||
| Yeah. | ||
| Trace amounts. | ||
| But with JDS, I give them benefit of the doubt. | ||
| Alright, it happened once, whatever. | ||
| But John, it's like, come on, bro. | ||
| And then with the dick pills, a lot of people are like, that's kind of covering up recovery therapy for when you're on testosterone and stuff like that. | ||
| That's a little shady. | ||
| Whatever, we'll put that to the side. | ||
| Now it's like, come on, man. | ||
| Well, this is a weird one, because this one is if he was taking what you describe... | ||
| As some short-acting, quick-leaving-your-system steroid. | ||
| Some drug that makes you aggressive. | ||
| You gotta go, okay. | ||
| How long was he doing this for? | ||
| Like, was he doing this during training? | ||
| Like, did this amp him up? | ||
| Did this help his work rate? | ||
| Did this make him more aggressive and more confident in training? | ||
| Did it add to his confidence when he was fighting? | ||
| Like, what is this? | ||
| We don't know. | ||
| We know that story that Shale Sutton told. | ||
| You know that story that Shale Sutton told on my podcast about John being under the entire, like, under the octagon? | ||
| When the USADA came and pissed under the octagon, right? | ||
| This is what they wanted to do. | ||
| This was before you had to expose your whereabouts. | ||
| You didn't have to disclose your whereabouts back then. | ||
| So when they showed up at the gym, John apparently saw them pull up and went underneath the octagon. | ||
| He thought they would leave. | ||
| They didn't leave. | ||
| They stayed the entire time. | ||
| And they waited for the gym to close. | ||
| The gym closed, they shut the lights out, and then John came out of the octagon. | ||
| Jesus Christ. | ||
| This is what Chael Sonnen says. | ||
| Chael's really not a liar either, besides if he's telling he's not taking steroids when he's fighting. | ||
| Yeah, I don't know if he got it from... | ||
| I don't know what source Chael's using. | ||
| He's pretty reliable. | ||
| Right. | ||
| He's definitely in the know, right? | ||
| I agree. | ||
| I don't know if it's true or not, but it makes you think, like, okay, well, what is that for? | ||
| Is that for pot? | ||
| You know? | ||
| He likes to party. | ||
| Was he worried about coke? | ||
| I know, but when there's this much smoke, I'm going to go, what's going on here, man? | ||
| Right. | ||
| What is going on? | ||
| How about Chael Sonnen? | ||
| We're at the press conference. | ||
| This is four days before the fight. | ||
| He's working for, I think, ESPN for the Mayweather stuff. | ||
| I'm working for Showtime. | ||
| He comes by and he goes, Yo! | ||
| Max Cameron didn't take you on that $100,000 bet. | ||
| He'll win a round or more, right? | ||
| I went, No. | ||
| He goes, I'll take it. | ||
| I went, Chael, you take this bet, you're going to fucking pay me. | ||
| He goes, I swear to God I will pay you. | ||
| Shakes my hand and goes, If McGregor wins one round or more, you give me $100,000? | ||
| He goes, Yeah, he's not going to touch him. | ||
| He's not going to win a round. | ||
| Cool, man. | ||
| Shake his hand. | ||
| Then after the fight, he just texted me yesterday morning. | ||
| He goes, hey bro, I'll be in LA, I'll drop the cash off. | ||
| I'm like, you don't have to pay me, man. | ||
| It's not that serious. | ||
|
unidentified
|
What? | |
| He was dead serious. | ||
| I'll drop the cash off, you said no to $100,000? | ||
| You think he would have said no to you? | ||
| I do. | ||
| He would have made you pay. | ||
| I do. | ||
| You're out of your fucking mind. | ||
| Nope. | ||
| I'm telling you, this type of dude Chael is. | ||
| Remember when Chael and Nate fought? | ||
| Yeah. | ||
| Nate fell on hard times. | ||
| Chael sent without... | ||
| Nate Marquardt, by the way. | ||
| Nate Marquardt, yeah. | ||
| Nate fought Nate Diaz? | ||
| Yeah, sent him a check in the mail. | ||
| Was like, okay, I know you're going through hard times. | ||
| Here's some money. | ||
| So when he helped my friend, he's always had a free pass with me. | ||
| Always. | ||
| Wow, that's very nice of you. | ||
| Yeah. | ||
| Very nice of you. | ||
| Muscle Rich. | ||
| Whoa! | ||
| Just kidding. | ||
| Not Rogan Rich. | ||
|
unidentified
|
Whoa! | |
| Not Scroogey. | ||
| Not Scroogey here. | ||
| Not Conor McGregor, Rich. | ||
| Who is these days? | ||
| How about Conor? | ||
| One fight richer than you, son. | ||
| How about Floyd? | ||
| Oh, he's a billionaire. | ||
| Yeah, Floyd is probably worth like $500 million now or something. | ||
| But they said he owed money to the IRS. I talked to him about that. | ||
| He was literally like, dude, my taxes, it's the same equivalent if they flagged us. | ||
| He's like, you pay like, whatever, $5,000? | ||
| I make so much money, I owe $5 million. | ||
| I can pay it whenever. | ||
| It just got blown up in the news. | ||
| He's like, no one's broke here, for God's sakes. | ||
| Legit point, sir. | ||
| Good point. | ||
| Go ahead and sell one of those watches. | ||
| I wonder how long he can keep up that lifestyle, though, with that kind of spending. | ||
| Like, his spending's insane. | ||
| It's not Johnny Depp insane. | ||
| Like, there's Johnny Depp. | ||
| Remember, we've been over that. | ||
| That's some shit. | ||
|
unidentified
|
Paul! | |
| He has, like, 14 houses! | ||
| There's Johnny Depp insane, and then there's Floyd. | ||
| Johnny, how about two? | ||
| How about two houses? | ||
| Floyd may want to become boxing's first billion-dollar fighter. | ||
| Can you name the other billion athletes? | ||
| Tiger Woods. | ||
| Michael Jordan. | ||
| Jack Nicholson. | ||
| Jack Nicholson. | ||
| Yeah. | ||
| Which was surprising me. | ||
| She got 500 million. | ||
| Come on. | ||
| At least. | ||
| What about taxes? | ||
| Nah, she's savage. | ||
| But taxes. | ||
| You don't really have a billion when you have a billion. | ||
| That's true. | ||
| You have a shitload of money, though. | ||
| You have a shitload of money. | ||
| I wish that was a problem. | ||
| She got a hundred. | ||
|
unidentified
|
I bet she got two hundo. | |
| That bitch crazy, too, in his car with clubs and shit. | ||
| Yeah, well. | ||
| Well, he kind of deserved it, maybe. | ||
| She gets a little upset. | ||
| So you got Arnold Palmer, Jack Nicholson, Tiger Woods, Michael Jordan. | ||
| Arnold Palmer made a billion? | ||
| Yeah. | ||
| Knocking a little ball off that delicious drink. | ||
| Oh, that's right. | ||
| No, I'm just kidding. | ||
| Tiger Woods, she got estimated at 100 million. | ||
| Chomp, chomp, chomp. | ||
| It's a lot. | ||
| It's a lot of cash. | ||
| Baby, baby. | ||
| Set. | ||
| That's a lot of cash. | ||
| Baby, baby. | ||
| Set. | ||
| Did you see that video when Tiger got arrested for drunk driving? | ||
| Yeah, it was hilarious. | ||
| He is just fucked up on pills. | ||
| He was on... | ||
| Did you see? | ||
| I think they found six things in his system. | ||
| Why did he think that he could drive on pain pills? | ||
| Because Tiger Woods. | ||
| Who told him? | ||
| Tiger Woods. | ||
| But doesn't he know? | ||
| Like, bro, you just got back surgery, and you're taking, like, heavy-duty opiates or whatever the fuck they're giving you? | ||
| No, he's taking, uh... | ||
| What was he taking? | ||
| He was taking a bunch of shit. | ||
| Look at that face! | ||
| That fool's eyes are so fucked. | ||
| Dude, time to shave your head. | ||
| Take it from another bald guy. | ||
| Let it go. | ||
| It's like that song from the movie Frozen. | ||
| Let it go. | ||
| Let it go. | ||
| Can't hold me back anymore. | ||
| You just gotta ditch that shit. | ||
| Yeah. | ||
| I mean, he's not a good-looking guy anyway. | ||
| He's terrible-looking. | ||
| Shake your head, bro. | ||
| You don't want to worry about that nonsense you got going on right there. | ||
| I would just go ahead and wear glasses if I had those two cock-eyes, too, man. | ||
| You have a billion dollars, bro. | ||
| Minus a hundred million, but... | ||
| Clear glasses that Connor was wearing. | ||
| Yeah, get some of those. | ||
| Like, Dave Chappelle was wearing some that I definitely want to get. | ||
| It was like a brown frame, and they weren't so dark where they're sunglasses. | ||
| They were, like, tinted where it looked cool. | ||
| Like, get those if you have a cock-eye. | ||
| You know what the move is? | ||
| He goes with like yellow aviators, Hunter S. Thompson style. | ||
| Yes. | ||
| And just starts dressing like Johnny Depp and just starts flaunting the fact that he's a freak. | ||
| I agree. | ||
|
unidentified
|
Let your freak flag fly. | |
| What the inner freaking freak go? | ||
| He's tied to the system with all that endorsement money. | ||
|
unidentified
|
Not anymore. | |
| Oh, that's true. | ||
| Nike still fucks with them, right? | ||
| A lot of people do. | ||
| No, really? | ||
| A lot of companies do. | ||
| Even after this? | ||
| Yeah. | ||
| Dude, remember how big he was? | ||
| He's not even doing well. | ||
| Remember how big Tiger Woods was? | ||
| Gigantai. | ||
| Yeah, Gigantai. | ||
| Made golf like cool. | ||
| Yeah. | ||
| He was the guy. | ||
| I saw him. | ||
| I was out in that bitch swinging away. | ||
|
unidentified
|
Look at this. | |
| Oh my God. | ||
| So he had Vicodin. | ||
| Yeah. | ||
| And Dilaudid. | ||
| Jesus Christ. | ||
| He was taking some shit they gave people that were dying of like bullet wounds in the Old West days. | ||
| Bro, Vicodin, Dilaudid, and Xanax. | ||
| Jesus Christ. | ||
| You know what? | ||
|
unidentified
|
He's on Xanax. | |
| Why is he on Ambien? | ||
| Why does it say a sleep drug Xanax? | ||
| Xanax is not a sleep drug. | ||
| It's a relaxer, right? | ||
| The anti-insomnia drug Ambien. | ||
| Why do they say sleep drug Xanax? | ||
| No, sleep drug is Ambien, you dummies. | ||
| You fucking idiots. | ||
| This is fake news. | ||
| Xanax is an anti-anxiety drug. | ||
| Either way, it's proof. | ||
| He likes to party. | ||
| Yeah, man. | ||
| That's a lot of shit. | ||
| Go back to that, please. | ||
| But he doesn't really play golf anymore. | ||
| He does, but he's not doing good. | ||
| He was found unconscious in his Mercedes Benz, which was parked awkwardly on the side of the road and had damaged the driver's side. | ||
| Bro, what are you doing? | ||
| He hit a bunch of shit. | ||
| Did you hear how he fucked up his back and knee? | ||
| Have you heard this story? | ||
| No. | ||
| He was upset because his father was in the military. | ||
| He was obsessed with military. | ||
| He actually trained with Navy SEALs. | ||
| Like, put on the full thing, went through this Navy SEAL training, like, obviously not real shit, but doing all the marches and shit and fucked his stuff up. | ||
| That's how he fucked himself up? | ||
| No. | ||
| It's one of the ways he fucked his knee and back up. | ||
| Whoa. | ||
| He was on this, like, intense, like, Navy SEAL training, like, shooting with him and stuff. | ||
| That's so stupid. | ||
| The Secret History of Tiger Woods, is that what's in there? | ||
| Wow. | ||
| The death of his father said a battle raging inside the world's greatest golfer, how he waged that war through an obsession with the Navy SEALs. | ||
| It's a tale of how Tiger lost his way. | ||
| I haven't read this either. | ||
| Wow. | ||
| Yeah, man, there's a thing. | ||
| I agree that you have to have mental toughness to work out hard and to get through brutal workouts. | ||
| You have to. | ||
|
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|
You have to. | |
| Don't got to go Navy SEAL on a bitch, though. | ||
| That's what I'm saying. | ||
| I'm saying, you gotta build your body up to that, and you are a different person. | ||
| You're a fucking professional athlete. | ||
| You're not a warrior going overseas to take bullets, fight for your life, and kill bad guys. | ||
| What you're doing is a very specialized thing that is worth a fucking billion dollars! | ||
| And you're also hitting that little tiny ball on this calm, quiet golf course. | ||
| I don't need you to be in the waves trying to learn how not to drown and fight sharks. | ||
| It's like taking a dude who bought a brand new Ferrari and taking him on one of those crazy dirt courses that they have those off-road Porsches drive on. | ||
| Oh my God. | ||
| You know those, you ever seen those things? | ||
|
unidentified
|
Yeah. | |
| Those guys are like, they have one guy next to them. | ||
| I never, I need to ask someone what the fuck they're doing. | ||
|
unidentified
|
The other guy? | |
| Next time I have like Chris Harris on, I'll ask him. | ||
| There's another guy with a notepad. | ||
| The rally cars. | ||
| Yeah, it's the maps. | ||
| And he's going, two clicks left, one turned right. | ||
| Yeah, he tells them where to go. | ||
| He's his navigator. | ||
| Yeah. | ||
|
unidentified
|
Like, exactly. | |
| He knows the whole course, like, dead on. | ||
| He's reading it off a book. | ||
| Yeah, or just use MapQuest that says... | ||
| Those guys are maniacs. | ||
| Pull up some video of rally drivers. | ||
| Or get rid of the fucking dead weight telling you the directions. | ||
| Use MapQuest with a voice. | ||
|
unidentified
|
You can't. | |
| You can't. | ||
| I bet they could step up their app game and do something. | ||
|
unidentified
|
No, no, no. | |
| You have to have that guy. | ||
| He needs a job. | ||
| He needs a job. | ||
| He studies the course. | ||
| Taking care of the guy with the fucking notepad. | ||
| And he knows how long it takes for you to get there, too. | ||
| Because if you're driving at your fastest, even if you're off for five or six seconds, you're in the neighborhood. | ||
| He knows what's up. | ||
| Those cars are wild, man. | ||
| It's such a different style of driving because the dirt makes the tires break loose constantly. | ||
| Have you ever considered going the Porsche track here where we can take all the cars out? | ||
| Yeah, let's do it. | ||
| I know. | ||
| Don't they have a new one near LAX? They have a new one not far from here, but the guy was telling me they have great restaurants. | ||
| He's like, just book it, we'll take care of you. | ||
| Let's do it, Brendan Chubb! | ||
| They pick out the car, they take care of the tire. | ||
| No, not our cars. | ||
| Flat out Scrooge McDuck. | ||
|
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|
That's what I'm saying. | |
| Pop a couple of edibles. | ||
| Give me that GT3 RS. Let me get wild on that thing. | ||
| That's right. | ||
| Let's go. | ||
| I don't need some co-pilot. | ||
| Just let me do my thing. | ||
| Yeah, come on. | ||
| Go full season on this. | ||
| Yeah, look at this guy. | ||
|
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|
61 left, 100. 61 left, 100. Holy shit, they must be best friends. | |
| Jesus, they're flying. | ||
| They're best friends. | ||
| You'd have to be best friends. | ||
| Hey, bro. | ||
| Wow, one left. | ||
|
unidentified
|
One left. | |
| This is nuts, man. | ||
| You see that red light? | ||
| That's the shifter, yeah? | ||
| That is a sequential manual. | ||
| It's a manual, but you just push up to go up and down to go down. | ||
| You don't have to find the gear. | ||
| Yeah. | ||
| For speed, right? | ||
| For quickness. | ||
| Yeah. | ||
| Yeah, you don't have to find the perfect gear. | ||
| You know, like if you're using that H pattern, you're going up and then you're going down and then you go up to the right. | ||
| Yeah, so it's down three, down two, up one. | ||
| You know, the way you're doing it is, it's very different. | ||
| Although my new Porsche PDK will shit on this. | ||
| Yeah. | ||
| Yeah, it'll shit on it. | ||
| But this is probably more fun. | ||
| For this, not sitting in traffic. | ||
| Yeah. | ||
| Like when I jump on that road and I get to send that dead heat traffic. | ||
| I go down that Topanga Canyon, I just open that bitch up. | ||
| I take some risks too. | ||
| Yeah, but it's not as fun as driving a manual to me. | ||
| If I was driving in traffic all the time, there's not a chance in the world I would want a manual. | ||
| You don't drive your GT3 in the 405. Sometimes. | ||
| Not five in the afternoon. | ||
| Sure, I do. | ||
| Really? | ||
| Yeah. | ||
| Even like... | ||
| Yep. | ||
| Oh, wow. | ||
| Yeah. | ||
| Sometimes I just like driving that thing. | ||
| I just want to drive. | ||
| Me too. | ||
| Like sometimes I take the long way home or at night I just jump on the Pacific Coast Highway. | ||
| 2018 BMW M5 pack 600 horsepower and MX drive all-wheel drive system. | ||
| Zero to 60 and 3.2. | ||
| That's a big car too. | ||
| You gotta pay for the extra. | ||
| That doesn't top out at like $140. | ||
| It only tops out at $111 unless you pay for the package. | ||
| BMW needs to step their game up though. | ||
| I feel like they're losing the battle with everyone else right now. | ||
| Mercedes is just... | ||
| It's ahead of them. | ||
| It's definitely ahead of them. | ||
| You know what BMW has coming out, though? | ||
| An 8 Series. | ||
| The 8 Series sedan. | ||
| What? | ||
| They're bringing it back? | ||
| It looks like a spaceship. | ||
| Do you remember the 850? | ||
| Yes. | ||
| The front end? | ||
| They were V12s. | ||
|
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|
Did he? | |
| God bless them. | ||
| I fucking love those. | ||
| Those things are a nightmare now. | ||
|
unidentified
|
Dude. | |
| Yeah. | ||
| Look at this new one, though. | ||
|
unidentified
|
Oh, shit, son! | |
| Wait to go full screen, son. | ||
| Look at this. | ||
| You're only seeing the front of it. | ||
| Wait till they go on the side. | ||
| Look what this thing looks like. | ||
| It's wicked, man. | ||
|
unidentified
|
Damn! | |
| So it's like an i8, but not the electric version or something. | ||
| No, no, no. | ||
| It doesn't look that spaceship-y. | ||
| No, no, no. | ||
| You know what it's like? | ||
| It's like the Mercedes S-Class Coupe. | ||
| Yeah, those are sick. | ||
| That's what it's like. | ||
| And it's the big body, I'm assuming twin turbo. | ||
| I don't know what the fuck that's got under the hood. | ||
| I think all their cars are turbo now. | ||
| If it's anything like the 850 back in the day, look at the back end, though. | ||
| Damn, that thing is bad. | ||
| Yeah. | ||
| Good for them. | ||
| Here they'll spin around. | ||
| Look at that. | ||
| I don't like that I8. That's a door open. | ||
| That I8 pisses me off. | ||
| Nah, that's a Tron car. | ||
| I test drove that thing. | ||
| I'm like, get the fuck out of my face, man. | ||
|
unidentified
|
What is this? | |
| It's got too many different colors, too. | ||
| And you know what? | ||
| It's got skinny tires. | ||
| Yeah. | ||
| Yes! | ||
| Can't. | ||
|
unidentified
|
Fuck. | |
| I need fat tires. | ||
|
unidentified
|
Me too. | |
| I don't even like the tires on the Corvette. | ||
| How about that? | ||
| I need some fat ass tires. | ||
| I like it. | ||
| Even though, well, the drop-in diamond. | ||
| Shut your hole. | ||
| I like the way it looks. | ||
| Me too. | ||
| I like fat asses and fat tires. | ||
|
unidentified
|
Fix it! | |
| And take old bitties. | ||
| Fix it! | ||
| Damn, that thing is dope. | ||
| It's pretty sick. | ||
| You used to have the M6, right? | ||
| You had the M6. That thing was fine. | ||
| That thing was a monster. | ||
| Heavy. | ||
| Yeah. | ||
| Straight up V10. But it's smooth down the highway, right? | ||
| Yeah. | ||
| Nothing's funner than the car I have now. | ||
| That Porsche GTS is... | ||
| You know, they say that's the best of the Porsches. | ||
| There was an article that I just read in one of the car magazines. | ||
| For sure sent me that. | ||
| That said, yeah, see if you can find... | ||
| So I can brag to my friends. | ||
| Go to Porsche GTS is the best Porsche. | ||
| It's like a very recent article that I actually read this morning on Google. | ||
| Tight move. | ||
| Yeah, they were saying that it's the best version of it. | ||
| You know, you got your GT3, which is like super hardcore. | ||
| I test drove that. | ||
| Remember I called you. | ||
| I was test driving the GT3, and I'm like, Joe, you love this thing? | ||
| You said, unless you got another vehicle, man, for you driving every day is a bad idea. | ||
| It'll get loud and it scrapes on everything. | ||
| Well, the GTS is low, too. | ||
| I scraped the front and felt like crying. | ||
| It's another inch or so. | ||
| But the GT3 has a button that raises, yeah? | ||
| Yes, front end. | ||
| The GTS doesn't. | ||
| Well, it's not the GT3. It does because you buy it that way. | ||
| It's an option. | ||
| That option wasn't there. | ||
| But TechArt... | ||
| It makes an aftermarket one, so you can get that, get it installed, and it'll raise it up. | ||
| I know a bunch of Porsche dealerships that do it. | ||
| Yeah, mine is aftermarket. | ||
| Can they do it on my GT3 or my GTS? Yes, my GT3 has it aftermarket. | ||
| Oh, no. | ||
| Just saved the day. | ||
| Yeah. | ||
| I have to park on the street because my driveway's like this. | ||
| Yeah, I had to take one of my other buttons from something else and have it dedicated to that GT3 button. | ||
| As a matter of fact, I think they took it from a blank and they installed the button in it. | ||
| Yeah, I have a blank where you can put it. | ||
| I have all the options. | ||
| Mine is right on my rearview mirror, rather. | ||
| When I go near something, I'll hit that button. | ||
| Was the best car on Earth? | ||
| What did you say it was? | ||
| Porsche GTS. 2018 Porsche GTS is the best 911, they were saying. | ||
| They were just going over like it's like hardcore but not too ridiculous like a GT3 RS and that it's pretty slick. | ||
| Did you see that one guy? | ||
| He spent a shitload of money to take... | ||
| The Porsche, the brand new GT3 RS is only PDK. They don't make it in a manual. | ||
| So this guy spent a shitload of money to have a six-speed from a Porsche 911 R installed in a GT3 RS. That must cost so much. | ||
| He must be Scrooge. | ||
| Yeah, he's Scrooge of Portia. | ||
| Well, if you even have one of those things. | ||
| Is this it? | ||
| Pull up the top of the article. | ||
| What does it say? | ||
|
unidentified
|
I think. | |
| Quick take. | ||
| Not the fastest 911, but possibly the best. | ||
| When is it from? | ||
| August? | ||
| Yeah. | ||
| The thing's fast as fuck, though. | ||
| That's it. | ||
| Yeah. | ||
| Well, it's not the fastest, though. | ||
| The 911 Turbo. | ||
| The Turbo stuff. | ||
| That thing's a goddamn space machine. | ||
| Like, Ben's time. | ||
| Have you test drove one yet? | ||
| 2007. Or, uh, 2000, um, not 7, uh, 2009 or 10 I drove one. | ||
| The new ones, like I test drove that, the GT3, and that. | ||
| I was just in love with my car. | ||
| They're so fast. | ||
| They're stupid fast. | ||
| And they're four-wheel drive. | ||
|
unidentified
|
Yes. | |
| But the new ones even fast, way faster than that one. | ||
| The one that I drove. | ||
| They're insanely fast. | ||
| They're insane. | ||
| The GT3, it's just, I felt like, it was like, I like the feel, but yeah. | ||
| So hardcore. | ||
| You would love the turbo. | ||
| If you got one of those new turbos, you'd be like... | ||
| What in the fuck? | ||
| I test drove that in the GTS. I went to the GTS. Why'd you go with that? | ||
| Because my car, it's like that lava orange. | ||
| It has the duck wing on it. | ||
| It's just like a vintage Porsche to me. | ||
| I saw on the show and right away, I'm like, that's it. | ||
| I'll look at these other ones. | ||
| No, I'm like, that's it. | ||
| I test drove the G3, everything. | ||
| I just, I don't know. | ||
| The duck wing. | ||
| The duck wing got me. | ||
| Duck wing's dope. | ||
| Because when I was a kid, I always saw a poster for a Porsche and it had the old school, it was green, and I'm forgetting it had a duck wing on it. | ||
| I'm like, that has a duck wing. | ||
| Yeah, that's like 1973 RS. Yeah, it's so cool, man. | ||
| You know those cars, those 1973 RS's are worth over a million dollars now. | ||
| So sick. | ||
| Like, what? | ||
| If you bought it back in the day, it was like 20 grand. | ||
| Now it's worth a million dollars. | ||
| Aren't you doing something with a Porsche? | ||
| Old school Porsche? | ||
| Not that old school. | ||
| It's a 1988 something. | ||
| 86 or something. | ||
| Sharkworks just turned that thing into band or what? | ||
| It's an RS America. | ||
| A 964. It's like one of the last the air-cooled cars. | ||
| The last the air-cooled was the 993, which is like a little bigger. | ||
| This is a 964. The air-cooled. | ||
| Everyone's obsessed with the air-cooled. | ||
| It's a different sound. | ||
| Yeah, it's just a different animal. | ||
| You can get them pretty cheap, too. | ||
| It's a different kind of car. | ||
| And if you go earlier than that, you get them even cheaper. | ||
| You can get them pretty cheap for the 1980s cars. | ||
| I think that one I found, it was a 78 Carrera 911, but it had some reconstructive stuff to it. | ||
| It looked fun. | ||
| It's a bad investment. | ||
| Oh, I saw that car. | ||
| You sent me a picture of it. | ||
| I want that. | ||
| Yeah. | ||
| Those are ass crazy, man. | ||
| Those things... | ||
| They're dangerous. | ||
| Do you know about how to drive those? | ||
| Like, when you're taking turns, you have to keep your foot on the gas. | ||
| I know. | ||
| There's no... | ||
| If you let off the gas, they have throttle oversteer. | ||
| Like, what is it called? | ||
| Throttle, let off, oversteer or something like that? | ||
| Yeah, they have no power steering. | ||
| I'm trying to go out like James Dean. | ||
| That's exactly what I'm trying to do. | ||
| It was silver, too? | ||
| Well, they're really light. | ||
| Yeah, I know. | ||
| They look fun. | ||
| They feel different. | ||
| Like, my friend Alex from SharkWorks has a 964, and it feels different because they're so small. | ||
| It's like you're more connected to what you're doing. | ||
| It's really light and really small. | ||
| Which is cool. | ||
| Yeah. | ||
| Especially this day, like, going down to Pena King. | ||
| I'm not using an everyday car. | ||
| I just think it'd be fun. | ||
| Yeah. | ||
| I'm waiting for that, and I want a new Bronco as a daily driver. | ||
| The new, new Bronco? | ||
| The new, new one. | ||
| You seen that thing? | ||
| I want that in white. | ||
| What's up? | ||
| I'm going to call it the Juice. | ||
| And I live over by there. | ||
| What's up? | ||
| Who is going to buy the Juice's car? | ||
| They're going to put that up for sale, but an auction company just passed on it. | ||
| Isn't it going for $350,000? | ||
| The actual, like, rides 350. Why? | ||
| I know this, I have no idea. | ||
| You'd have to be a ghoul. | ||
| You'd have to be a real asshole. | ||
| Can you imagine if I drove up? | ||
| What is it? | ||
| Dude, this is the car! | ||
| This is the OJ car! | ||
| You're an asshole. | ||
| We can't be friends anymore. | ||
| Yeah. | ||
| OJ Simpson's white Bronco escape car. | ||
| Wow! | ||
| Goes on sale for $700,000 as a former agent decides it's time to cash in. | ||
| Decides it's time to cash in. | ||
| Right when OJ's getting out of jail, OJ's gonna kidnap this dude and go back to jail. | ||
| Yeah. | ||
| Because if this guy sells his Bronco for 700 grand... | ||
| That's his fucking whip, man. | ||
| He's gonna stab you. | ||
| It looks like he's in pretty good shape. | ||
| I like the wheels. | ||
|
unidentified
|
Right? | |
| Right? | ||
| Should we get it as like a company car or some shit? | ||
| $700,000. | ||
| That is the car. | ||
|
unidentified
|
That's insane. | |
| What year was it? | ||
| It's a 93, right? | ||
|
unidentified
|
No. | |
| It can't be new. | ||
| It wasn't new at the time, I don't think. | ||
| 1994, police chase. | ||
| What year is the car? | ||
| I feel like the car is 93. Does it say? | ||
| I want to say it was an 89 Bronco. | ||
|
unidentified
|
Does that sound right? | |
| Yeah, it sounds right to me. | ||
| No, it's a 90s Bronco. | ||
| My pops had an 80s Bronco. | ||
| They're smaller. | ||
|
unidentified
|
It doesn't say. | |
| Huh. | ||
| My dad had an Eddie Bauer. | ||
| 92? | ||
| That's 92. I'm telling you. | ||
| My pops had an Eddie Bauer Bronco. | ||
| And the thing was tiny. | ||
| I remember the Eddie Bauer one. | ||
| Yeah. | ||
| I was like, this is weird. | ||
| What are you, fly fishing in this thing? | ||
| Yeah, why is this Eddie Bauer? | ||
| But I remember it had this cool trim on it. | ||
| My dad would say Eddie Bauer. | ||
| Like, it was a big deal. | ||
| Goddamn! | ||
| It's up for sale on Pawn Stars? | ||
| It's gonna be on Pawn Stars? | ||
| I've already seen it. | ||
| The Pawn Star guy turned it down. | ||
| He did? | ||
| Yeah. | ||
| He didn't want it? | ||
| He couldn't move. | ||
| He said, I don't want that bad juju on my blood. | ||
| Well, there was blood in that car, man. | ||
| OJ's blood. | ||
| Was it OJ's? | ||
| Yeah, that's what they found him. | ||
| Yeah, he cut his own hand with a knife. | ||
| So sketchy. | ||
|
unidentified
|
Allegedly. | |
| So sketchy. | ||
| Did you see him get released when they gave him parole? | ||
| Did you watch that? | ||
| Yeah, he was crunk. | ||
| And the judge who did it was a huge football fan. | ||
| Did you know that? | ||
| What does it say? | ||
| It's an amazing shape. | ||
| I drove it around. | ||
| I found it a little odd. | ||
| But it runs great. | ||
| You found it a little odd. | ||
| Did it smell like murder? | ||
|
unidentified
|
Did it smell like dead bitches? | |
| God, bro. | ||
| I watched it live. | ||
| I was in Italy. | ||
| I wasn't gonna miss it. | ||
| I was like, I need to see this. | ||
| OJ getting out? | ||
|
unidentified
|
Yeah. | |
| Would you have him on the podcast? | ||
| I joked around about it. | ||
| I put it on the podcast. | ||
| I put it on Twitter. | ||
| Should I have him on the podcast or nah? | ||
| Or nah. | ||
| And Moshe Kasher was the first one to respond. | ||
| What'd she say? | ||
| Moshe, the comic. | ||
| Yeah. | ||
| It's a he. | ||
| Oh, my bad. | ||
| Natasha's the wife. | ||
| That's right. | ||
| Yeah, yeah, yeah. | ||
| Natasha, Moshe, that's tough. | ||
| Yeah, I getcha. | ||
| Yeah, yeah. | ||
| I think he was like, oh, good lord. | ||
| Something along those lines. | ||
| Like, what the fuck are you doing? | ||
| I feel like it'd be so interesting. | ||
| Don't get me wrong. | ||
| Complete murder. | ||
| But I feel like it'd be so interesting if you went down that route. | ||
| Like, what have you been up to? | ||
| Football days. | ||
| How the fuck did we get here? | ||
| Don't say this. | ||
| Give it away. | ||
| How do I do it? | ||
| You warm them up. | ||
| You warm them up. | ||
| Hey, tell us how great you were at football. | ||
| And is that what you do? | ||
| Oh, yeah. | ||
| Maybe you can get them on the fire with a kid. | ||
| I don't know if that's platform for him. | ||
| Listen, Callan would be the perfect guest to talk to him. | ||
| Callan would definitely not interrupt him and start talking about stories that he played football. | ||
| Or tell him about the tie. | ||
| That would be perfect. | ||
| Actually, Callan and him together would be really interesting. | ||
| I would like to actually see that. | ||
| Callan make him feel good to compliment him, you know? | ||
| Callan could be the perfect one and I get in. | ||
|
unidentified
|
So tell him. | |
| Don't say what you would do. | ||
| You never know, man. | ||
| He might go on a podcast marketing thing. | ||
| He might write a book, bro. | ||
| He's definitely writing a book. | ||
| Is it poor taste if I drive around Brentwood in a brand new white Yeah. | ||
| No, really? | ||
| For Halloween, for sure. | ||
| And paint my face black? | ||
| Yeah, if you have like a bloody knife. | ||
| If I go blackface and buy a bloody knife, attach a seatbelt, clanging around on the ground as you're driving by. | ||
| And my girl wears a blonde wig in the back? | ||
| That's poor taste. | ||
| See, I'm not going that far. | ||
| I just want a dope-ass brand new Ford Bronco in white. | ||
| The new ones are pretty sick looking. | ||
| Yeah. | ||
| I hope they do a good job with it. | ||
| Have you seen them? | ||
| I've seen some, what do they call those things? | ||
| Prototypes? | ||
| Prototypes? | ||
| Me too, that's all I've seen. | ||
| What do they call them? | ||
| They don't call it a prototype. | ||
|
unidentified
|
What's that word they use? | |
| Don't they call it tester? | ||
| What is the word they use? | ||
| Concept vehicle. | ||
| Concept vehicle. | ||
| But they look like the Raptor. | ||
| Well, that's a smart move. | ||
| The Raptor's pretty dope. | ||
| So sick. | ||
| Look at it. | ||
| Ooh, slick. | ||
| See, imagine me, that white. | ||
| Ooh, I do like that. | ||
| Right? | ||
| Ooh, they're doing a four-door? | ||
|
unidentified
|
Yes. | |
| Computer rendering, though. | ||
| Oh, okay. | ||
|
unidentified
|
It's not real. | |
| It's supposed to come out in 2018, though. | ||
| Early 2018. See that Cadillac right there? | ||
| That's a goddamn badass car, too. | ||
| America's making some kick-ass cars now. | ||
| See that Cadillac right there? | ||
| Yeah, that thing's sick. | ||
| That is a fucking... | ||
|
unidentified
|
Beast! | |
| You know what, though? | ||
| They're cool until you go from a Porsche or a Bentley and jump in a Cadillac, you go, all right, kind of basic. | ||
|
unidentified
|
Yeah. | |
| The interiors are basic. | ||
| You're spoiled. | ||
|
unidentified
|
Spoiled. | |
| I know. | ||
| The Germans. | ||
| Spoiled little baby. | ||
| I know. | ||
| They got you. | ||
| They got me. | ||
| It's true, right? | ||
| There's no American equivalent to, like, a Mercedes S-Class. | ||
| They just don't quite get there. | ||
| We just, we're not there. | ||
| It's not weird. | ||
| Like, why don't they get there? | ||
| Like, why doesn't someone just dig in and go, let's just throw our fucking dick into this hat? | ||
| Let's just get our dicks into the dirt here. | ||
| Yeah, just build some beast of a fucking car. | ||
| Like, what's the best American car? | ||
| Lincoln? | ||
| Like, you get a Lincoln... | ||
| No, because no one cares. | ||
| No one cares. | ||
| They're just for the older crowd, aren't they? | ||
| Yeah, you show up at a Lincoln Navigator. | ||
| Oh, fuck you. | ||
| Get out of here. | ||
| What are you from, 94? | ||
| It's not a bad car. | ||
| The new ones are actually pretty nice. | ||
| I know, they're actually nice. | ||
| But the point is, it's not a Mercedes. | ||
| It's just not. | ||
| What American car can you pull up and shit on people? | ||
|
unidentified
|
Nothing. | |
| Where it's comfy? | ||
| Nothing. | ||
| Eldorado. | ||
| Now that they don't have a Viper, you can't even pull up in a sports car. | ||
| No, the demon. | ||
| I typed an American muscle car in it. | ||
| Oh, but it's a muscle car. | ||
| A luxury car they still kick ass. | ||
| I'm talking luxury car. | ||
| Well, they have the market cornered when it comes to muscle cars. | ||
| When it comes to a stupid car with a giant engine that makes a ton of noise. | ||
| Oh, we're killing it. | ||
| And it uses a manual transmission. | ||
| America. | ||
|
unidentified
|
America. | |
| All day. | ||
| They still make the Corvette Z06 in a fucking manual. | ||
| It's one of the few cars. | ||
| The Germans are the only ones in the Porsche. | ||
| Porsche's the only ones that have had the balls to bring a manual back after they took it away. | ||
| Ferrari still hasn't figured it out yet. | ||
| They refuse to. | ||
| Well, because douchebags who buy Ferraris are all just trying to floss. | ||
| Most of them don't even know how to drive one. | ||
| Yeah, it's not real. | ||
| It's not a track car. | ||
| Dude, have you seen that Porsche Turbo you can buy? | ||
| It's like the Platinum Edition. | ||
| The wheels are made out of carbon fiber. | ||
| It's gold. | ||
| It's like a dark, not a Scrooge McDuck gold coin, but it's like a gold color. | ||
| Bring that shit up, Jamie. | ||
| It's this special Porsche Turbo Platinum Edition. | ||
| Platinum Edition Turbo, but it's in gold. | ||
| And then it has black rims that are carbon fiber. | ||
| Why is it Platinum Edition, but it's in gold? | ||
| Shouldn't it be in Platinum? | ||
| Yeah, it should be Platinum. | ||
| I don't know. | ||
| I think it's Platinum Edition. | ||
| Remember when Justin Bieber had that chrome Fisker? | ||
| Dude, I'm a Fisker fan. | ||
| I saw one the other day, I thought... | ||
| It's a dope ride. | ||
| It's dope. | ||
| Look, and they catch on fire. | ||
| There it is! | ||
| My bad. | ||
| Exclusive series. | ||
| Look at that thing. | ||
| Joe, buy this. | ||
| God. | ||
| Buy this. | ||
| That's your next ride. | ||
| Look at that thing. | ||
| They're tough to get, too. | ||
| Are they? | ||
| Yeah. | ||
| Well, I don't want it. | ||
|
unidentified
|
Well... | |
| Because those tough-to-get ones, they're like $50,000 over sticker. | ||
| No, we'll figure it out. | ||
| Fuck off. | ||
| No, we'll figure it out. | ||
| I'm not driving a gold car, bro. | ||
| Bro, that's not gold. | ||
| What color is it, then? | ||
| The Platinum Edition. | ||
| You were right. | ||
| The Platinum Edition, but it adds another $66,000 onto your tag. | ||
| Exclusive series is fast, luxurious, and delightfully gold. | ||
| Beautiful special edition will be limited to 500 units worldwide. | ||
| Hey, guess what? | ||
| When you make something cool, make a bunch of them, you assholes. | ||
| People are going to buy them. | ||
| Make an exclusive. | ||
|
unidentified
|
If everyone can have it, I don't want it. | |
| Look at that fucking thing. | ||
|
unidentified
|
It's nasty. | |
| Look at that zero to 60 time, 2.8 seconds. | ||
| That seems excessive. | ||
| How's it going to get shorter than that? | ||
| You're not even three seconds, you're going 60 miles an hour. | ||
| Because with those new rims that are all carbon fiber. | ||
| They are dope! | ||
| How sick is that? | ||
| Those rims are dope. | ||
| I was skeptical at first. | ||
| Those rims are killer. | ||
| I like the black stripes too. | ||
| Yeah, it's a nice car. | ||
| But you know what? | ||
| A lot of people don't like the way 911 turbos look. | ||
| They can't be my friend. | ||
| When you get into that... | ||
| You cannot be my friend. | ||
| Look at that fucking car, bro. | ||
| It's badass. | ||
| Look at the stripes on the seats. | ||
| Ooh, that's sick. | ||
| Wait, it comes with that luggage too, Jamie? | ||
|
unidentified
|
Oh, man. | |
| Bro, I would flaunt that everywhere. | ||
| And a watch. | ||
| But it's like, how much does it cost? | ||
| $66,000 over? | ||
| No, no, no, no. | ||
| Suggested, coupe, and then... | ||
| $257,000. | ||
| But no, it's more than that, right? | ||
| The five-piece... | ||
| Ah, it doesn't come with the five-piece luggage. | ||
| It's another six grand. | ||
| Oh, you gotta buy that, bitch. | ||
| $6,324 for the luggage, sir. | ||
| Worth every penny. | ||
| How much you get for the watch? | ||
|
unidentified
|
Doesn't say. | |
| How dope is that thing, though? | ||
| It's nice. | ||
| I prefer silver. | ||
| Especially that thing. | ||
| That is a spaceship. | ||
| I mean you're flexing on people if you pull up in a gold Porsche. | ||
| 100%. | ||
| With matching luggage and a watch. | ||
| But a dual pull up in a red Ferrari and double flex you. | ||
| Not in that thing. | ||
| I feel like I've seen Ferraris. | ||
| Yeah. | ||
| I was in Italy, and a guy had a Ferrari in Italy. | ||
| I'm like, this motherfucker has a Ferrari in Italy. | ||
| He wins. | ||
| That's pretty classy. | ||
| It was red, right in front of this beautiful hotel on the Amalfi Coast. | ||
| I'm like, that guy's ballin'. | ||
|
unidentified
|
Ballin'. | |
| And he probably had something. | ||
| Look at that. | ||
| Jamie Foxx. | ||
| Goddamn Jamie Foxx. | ||
| Jamie Foxx has a shiny gold Bugatti. | ||
| He wins. | ||
| And a gold Rolex. | ||
| His wheels are fucking gold. | ||
| He wins. | ||
| Jamie Foxx wins. | ||
| Yeah. | ||
| Go back to the... | ||
| What is the new Ferrari? | ||
| What is it? | ||
| The fuck is it called? | ||
| You know what? | ||
| I'm not a Lamborghini guy. | ||
| I like Ferrari. | ||
| See, for me it goes Porsche, Ferrari, and I'm not a Lamborghini guy. | ||
| Yeah, Lamborghini gets a little sketchy, but I gotta say the Huracan... | ||
| They yell a little. | ||
|
unidentified
|
Yeah, they yell a little. | |
| It's just like, I'm a giant tool, check me out. | ||
| Yeah, it's like if you buy a Ferrari, that's a 488 special edition sun lighter with larger appetite for apexes. | ||
| That's like the race version, but that's a shitty picture. | ||
| Go to a video of Ferrari 488. Like, that is a beautiful car, man. | ||
| That's exactly what the guy had in Italy. | ||
| That is a beautiful car. | ||
| That thing's ridiculous. | ||
| But, I'll tell you what, what looks better than that? | ||
| The new Ford GT. That thing's sick. | ||
| That looks better than that. | ||
| That might be the American Ferrari. | ||
| Oh, it's based off the Ferrari. | ||
|
unidentified
|
Yeah. | |
| They copied the Ferrari. | ||
| Look at that thing. | ||
| Go full screen, Jamie. | ||
| I'll take the Ferrari over that Ford. | ||
| Look at the hips on that bitch. | ||
| That thing is... | ||
|
unidentified
|
Ooh! | |
| Jamie, do you get this stuff? | ||
| Does this do anything for you? | ||
|
unidentified
|
Nah. | |
| You're boring. | ||
| How dare you? | ||
|
unidentified
|
Shut your mouth. | |
| You're not a fan, Jamie? | ||
| You pause too hard. | ||
| I don't like these velvet ropes around this stupid thing. | ||
|
unidentified
|
Me neither. | |
| Let me fucking get my paws wet. | ||
| Is this a club with a bottle service, or is this a goddamn car? | ||
| Because I don't see any fucking drinks around here. | ||
| Yeah, where's the car? | ||
| Let me get my hands on it. | ||
| That thing's filthy. | ||
| It's a beast. | ||
| You know what they are? | ||
| Here's the thing. | ||
| They're goddamn gorgeous. | ||
| They sound incredible. | ||
| I agree. | ||
| But they're going to probably break. | ||
| Yeah, you're going to have some problems with them. | ||
| With a Porsche, you never have problems, really. | ||
| Yeah, it's like the difference between a girl who does CrossFit, and she's got thick ass and big legs, and her shoulders are a little stacked, and she looks great in a dress, versus a girl who's like a model who's going to turn an ankle if she goes to the beach. | ||
| I thought you were going a different route with that. | ||
| I thought you were going to say the CrossFit girl is going to eventually break down because CrossFit's some dangerous shit. | ||
| No, the CrossFit girl is the Viper. | ||
| That's the Viper ACR. Bury that fucking shitty Ferrari. | ||
| You get that new Viper? | ||
| That thing breaks racecourses everywhere. | ||
| That thing's gnarly. | ||
| It's burying that Ferrari. | ||
| Fuck you! | ||
| America! | ||
| As it drives by, it sticks his finger out the window and a Kid Rock song plays. | ||
| I mean, that is not even close. | ||
| It's gonna kill the Ferrari. | ||
| But the Ferrari's like sexier looking. | ||
|
unidentified
|
Yeah. | |
| Like it's got perfect features. | ||
| Yes. | ||
| It's got amazing lips. | ||
| But when shit goes wrong, it goes wrong. | ||
| And when it gets down to fucking, you're gonna want that CrossFit girl. | ||
| Yeah, you are. | ||
| You're gonna want that girl who can push her way through a spin class. | ||
| As the mental toughness just keep on, keep on. | ||
| Do a 90 minute cross or yoga class. | ||
| Yeah, you don't want a girl who's got like perfect genes, but she's lazy. | ||
| No, hell no! | ||
| And she just takes Adderall for a few days before her big shoots and doesn't eat. | ||
| Look at that thing. | ||
| That's a Ford GT. That's a gross color though. | ||
| I saw one in a sick blue color. | ||
| It looked amazing. | ||
| That's like a Ford Taurus color. | ||
| Fuck you. | ||
| Look at the body on that thing though. | ||
| I'm out. | ||
| I'm out. | ||
| Yeah, find a better color, Jamie. | ||
| Fuck off with this color. | ||
| Those headlights aren't doing anything for me, either. | ||
| We gotta see it at a better angle. | ||
| Give me the blue and white, for God's sake. | ||
| It's America, for fuck's sake. | ||
| Jesus. | ||
| Goddammit. | ||
| Well, I'm not a fan of red with white. | ||
| Red with white stripes? | ||
| I don't think it's good. | ||
| I like red with black stripes. | ||
| Me too. | ||
| That looks badass. | ||
| I like blue with white. | ||
| Ooh, that's right. | ||
| I like what you think. | ||
| That's America. | ||
| I like what you think, America. | ||
|
unidentified
|
America. | |
| Ooh, what you got here for us, Jamie? | ||
| Oh, look at this! | ||
|
unidentified
|
Ooh! | |
| Duh! | ||
| Oh, you nailed it, Jamie. | ||
| Black with red stripes? | ||
| That might be... | ||
| Look at that! | ||
|
unidentified
|
Damn, son! | |
| Jesus Christ! | ||
| Look where the exhaust pipes come out of the back like that. | ||
|
unidentified
|
That... | |
| That might be the best-looking car. | ||
| Fuck, I gotta agree. | ||
| That thing is sick! | ||
| That might be the best-looking car ever. | ||
| Those giant Brembo brakes in the front? | ||
| Okay, listen, Ford. | ||
| Give me one of these, you fucks! | ||
| Give me a manual! | ||
| They're not making it. | ||
| They're hard to get, right? | ||
| Double clutch, too. | ||
| Yeah, but it's also a double clutch. | ||
| Come on, Ford. | ||
| You know Jay Leno's probably got six of them that fuck. | ||
| Yeah, there's like 50 of them. | ||
| Jay Leno takes 10. Jay Seinfeld takes 20 of them. | ||
| And we're all fucked. | ||
| LeBron James has got one. | ||
| Yeah, LeBron James might want to jump in one. | ||
| For every house. | ||
| And then Kevin Hart jumps in, though. | ||
| Yeah, Kevin Hart's got one made out of gold. | ||
|
unidentified
|
Damn, that thing is sick. | |
| Look at that thing, though. | ||
| Holy shit. | ||
| That's the perfect color, Jamie. | ||
| You nailed it. | ||
| Yeah, you've hit it right on the head, John. | ||
| Black with red stripes. | ||
| I never knew black with red stripes looked so badass. | ||
| And with the lights in the back. | ||
| That's amazing looking. | ||
| It sounds so good. | ||
| There's a lot of people right now mad at us. | ||
| Yeah, they piss. | ||
| Yeah, they're talking cars again, bro. | ||
| Hey, we gave you three hours of dicks and what else are we talking about? | ||
| Nate Diaz drama. | ||
| Nate Diaz. | ||
| The Conor McGregor fight. | ||
| How about we went over Mars attacks in depth? | ||
| Oh, that's right. | ||
| Don't get mad at us because we like cars. | ||
| We talk about the shit we like about. | ||
| I really enjoy automotive engineering. | ||
|
unidentified
|
Ugh. | |
| We could bring this home. | ||
| Let's bring this bitch home. | ||
| This weekend, folks, Fight Companion returns. | ||
| Saturday night, Stefan Skysstraper-Skroove versus Alexander Volkov, right? | ||
| That's his name? | ||
| That's right. | ||
| And I'm in Cobb's Comedy Club September 14th. | ||
| And then I'm in Long Beach Laugh Factory, Long Beach September 22nd. | ||
| tfatk.com for tickets. | ||
| And we're at the Comedy Store tomorrow night. | ||
| That's right. | ||
| I'm with you and Kalia. | ||
| Oh, Jesus! | ||
| What a lineup! | ||
| It's probably sold out. | ||
| And Sam Tripoli. | ||
| Sam Tripoli's show. | ||
| That's right! | ||
| It might be sold out already. | ||
| But if it's not, go online. | ||
| It's on the Comedy Store's website. | ||
| It's on my Instagram. | ||
| It's on my Instagram. | ||
| Alright. | ||
| Love you guys. | ||
|
unidentified
|
Bye. |
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