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Nov. 16, 2021 - Jim Fetzer
01:58:01
The Goldfish Report: JFK SPECIAL (15 November 2021).
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Time Text
Well, we're live today.
Good morning, everyone.
It's Monday morning.
It's November 15, 2021.
Welcome to the Goldfish Report.
I'm your host and researcher, Louisa.
Let's make sure I'm not muted.
Here we go.
This is Goldfish Report number 799.
Can you believe it?
And I'm returning this week with our friend, who we haven't seen in a while, We're doing special reports together.
This is a special political theater with... Let me just give him the introduction he deserves.
He's a McKnight University professor emeritus from Duluth University.
I hope I said that right.
He's a retired Marine Corps officer.
He's the author of over, what, 40 books now, Jim?
This is my friend whose words are sharper than any bullets that any It's good to see you, my friend.
and they are deadly.
I wanna welcome to do this very special report on what happened to JFK with my friend,
the most dangerous mind in America, the Feds.
Welcome back, Jim, good to see you.
Thank you, Louisa, and for those kind words, which were close enough for government purposes.
It's good to see you, my friend, it's been a while.
I'm delighted, especially on this occasion.
Exactly.
Every year, Jim and I do a special.
It's a compilation of his work and research and evidence collecting of what really happened to JFK.
And before we start Jim's presentation, I'm going to play Because it's going to put the whole thing into context.
You have to understand, you have to listen to JFK's own words, and I want to ask you all to listen to them as if he is saying them today, not 55 years ago.
So, take a listen to this.
This deadly challenge imposes upon our society two requirements of direct concern, both to
the press and to the president.
you Two requirements that may seem almost contradictory in tone, but which must be reconciled and fulfilled if we are to meet this national peril.
I refer first to the need for far greater public information, and second to the need for far greater official secrecy.
The very word secrecy is repugnant in a free and open society, and we are as a people, inherently and historically, opposed to secret societies, to secret oaths, and to secret proceedings.
We decided long ago that the dangers of excessive and unwarranted concealment of pertinent facts far outweighed the dangers which are cited to justify it.
Even today, There is little value in opposing the threat of a closed society by imitating its arbitrary restrictions.
Even today, there is little value in ensuring the survival of our nation if our traditions do not survive with it.
And there is very grave danger that an announced need for increased security will be seized upon by those anxious to expand its meaning To the very limits of official censorship and concealment.
That I do not intend to permit to the extent that it's in my control.
And no official of my administration, whether his rank is high or low,
civilian or military, should interpret my words here tonight
as an excuse to censor the news, to stifle dissent, to cover up our mistakes,
or to withhold from the press and the public the facts they deserve to know.
But I do ask...
But I do ask every publisher, every editor, and every newsman in the nation
to reexamine his own standards and to recognize the nature of our country's peril.
In.
In time of war, the government and the press have customarily joined in an effort, based largely on self-discipline, To prevent unauthorized disclosures to the enemy.
In times of clear and present danger, the courts have held that even the privileged rights of the First Amendment must yield to the public's need for national security.
Today, no war has been declared.
And however fierce the struggle may be, it may never be declared in the traditional fashion.
Our way of life is under attack.
Those who make themselves our enemy are advancing around the globe.
The survival of our friends is in danger.
And yet no war has been declared.
No borders have been crossed by marching troops.
No missiles have been fired.
If the press is awaiting a declaration of war before it imposes the self-discipline of combat conditions, Then I can only say that no war ever posed a greater threat to our security.
If you are awaiting a finding of clear and present danger, then I can only say that the danger has never been more clear, and its presence has never been more imminent.
It requires a change in outlook, a change in tactics, a change in missions, by the government, by the people, by every businessman or labor leader, and by every newspaper.
For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covet means for expanding its sphere of influence, on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day.
It is a system which has conscripted Vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific, and political operations.
Its preparations are concealed, not published.
Its mistakes are buried, not headlined.
Its dissenters are silenced, not praised.
No expenditure is questioned.
No rumor is printed.
I'm going to stop right there, Jim.
I mean, you lived through this, I have to admit.
Even though the assassination happened on my birthday, it wasn't the same year.
But you were there.
Where were you, Jim?
Do you remember where you were when this happened?
Oh, sure.
I was anchored out aboard the LPH Iwo Jima in Kaohsiung Harbor, Formosa, where I was the fire direction officer of a mortar battery, 1st Battalion, 12th Marines, 3rd Marine Division.
I was awakened at 3.30 in the morning by the officer of the deck, who was the executive officer of the mortar battery, to tell me JFK had been shot.
Then he came back an hour later, awakened me again to tell me they caught the guy who'd done it.
He was a communist.
Well, I thought at the time that was pretty fast work.
And today, of course, we know exactly why.
They knew who would be fingered for the event long before it occurred.
Exactly.
And his words, though, it's almost as if he could be speaking that they are as relevant today.
Would you agree, Jim, that they were 55 years ago?
I would.
And of course, the fact is that even now, nearly 60 years later, records about the assassination in the hands of the government are being withheld on grounds of national security.
Well, I would observe that if the official account were true, if a lone disgruntled former Marine had got off three lucky shots from the sixth floor of the Texas School Book Depository, scoring two hits with one miss but killing the president, then there is no national security aspect to the case.
So the fact that they're withholding this evidence on grounds of national security by its own self establishes that they have a great deal to hide.
This is part and parcel why the CIA attacks conspiracy theorists.
Because conspiracy theorists are investigating crimes that the government has not solved that lead back to the government.
I mean, think about it.
The CIA is conspiracy central.
The CIA conducts coups, assassinations, and other absurd events worldwide.
Chile, Iran, Cuba, Vietnam, Guatemala, So what they're doing is their best effort to suppress those who are actually investigating these crimes, better known, I think, as conspiracy researchers or conspiracy realists or conspiracy analysts.
So this, what I will present today, is part and parcel of my conspiracy research, all of which, by the way, is collaborative, where I bring together the best experts on different aspects of the case.
So that in many ways my greatest strength is I know what I do not know and bring together experts who know more than I in these various areas, including a world authority on the human brain who is also an expert on wound ballistics, a PhD in physics, also an MD board certified in radiation oncology, expert in the interpretation of x-rays, a physician who was in Trauma room number one, when JFK's moribund body was brought in and two days later was responsible for the care and treatment of his alleged assassin, Lee Oswald, a legendary photo and film analyst, another PhD in physics, this time with a specialization in electromagnetism, properties of light and images of moving objects, who did a brilliant
study of internal proof that the Zapruder film, which is about 98% flawless, was in fact manufactured redone based upon the original film footage.
Wow.
And, and, you know, it's interesting because that speech he gave portends exactly what we're dealing with today.
And aside from their own guilt in it, it's, it, I think one of the reasons, I mean, weigh in on this, Jim, one of the reasons why it's under classified, still declassified or unclassified, I'm sorry, still classified is because of who ordered it.
Well, of course.
I mean, I'm going to explain all that, but the best way to analyze the event is in terms of distinctions between the sponsors, the individuals and groups who wanted JFK out, in the most cases because of the policies of Lyndon Johnson, the mechanics, the shooters and their supervisors on the ground, and I'll go through this in considerable detail, and then the facilitators who made it all happen and covered it up.
Who will come as, you know, a revelation to some, but as further confirmation of many who, at the time of the event, believed this man was the brains, the mastermind behind the assassination of JFK.
They were right, as we have been able to confirm.
All right, Jim, I'm ready for your presentation.
And as you're pulling that up, could you please tell everybody about the book that you have that you wrote about this?
Well, I actually have four books on JFK, Louisa.
The first is Assassination Science in 1998, and Murder in Dealey Plaza, 2000, and The Great Zapruder Film Hoax, 2003.
And most recently, JFK Who, How, and Why, Solving the World's Greatest Murder Mystery from moonrockbooks.com.
So the theme today is what happened to JFK?
Did Oliver Stone get it right?
We know the official account.
I've already mentioned three shots fired from the sixth floor of the Book Depository.
Two hits, one miss.
Notice some of the key buildings in the background.
The County Record Building on Houston, the Dow Tax on the corner there, the Book Depository itself, and coming down Hill Street, notice the location of the triple underpass, the wooden fence, and the grassy knoll, all of which we'll figure in what I'm going to explain here.
Newsweek, interestingly, had a different scenario where the fatal shot to the head occurred further down Elm Street, raising questions about what does Newsweek know that the CIA and the FBI did not, and which is not being shared with the public.
Oliver Stone did a masterful film.
Here, according to this review, time has not been kind to his crackpot theory, but actually, if you compare the Warren account of a single gunman with three shots, Oliver got it far more nearly exactly right.
He posited three sets of gunmen, Who fired, you know, multiple shots to take out the president.
He was right, but underestimating their number.
Oliver was misled by his principal advisor in research, Robert Grodin, who has sought to cover up that the extant version of the film has been massively edited.
That more frames have been removed from the film than remain in the extant version, and that Lee Oswald was in fact in the doorway of the Book Depository at the time the motorcade passed by.
So I fault Robert Rodin for having misled Oliver Stone in serious ways.
I mean, notice here, This is Malcolm Caldiff, the acting press secretary, announced that the president had been shot a simple bullet right through the head pointing to his right temple, which was widely broadcast on radio and television that day.
For example, on the left, you see NBC live news coverage.
see it now, where Chet Putley on the left with David Brinkley became two of the most
famous and deservedly so news reporters of their day. Early on, they reported a small
clean puncture wound to the throat, which had been confirmed by Malcolm Perry, MD, the
physician who'd performed a simple tracheostomy incision through the wound during the Parkland
press conference, where three times he described it as having coming at JFK as a wound of entry.
And then later in the day, they reported the shot that entered the right temple, to which Malcolm Kilduff was alluding.
Confirming the source as being Admiral George Berkeley, JFK's personal physician.
And I believe that the reason there was profound skepticism in the American public when the Warren Commission report would be released a year or so later is that, having followed this on television that day, they knew there were two shots from the front.
So that anyone who wants to question the Warren Commission is on exemplary grounds, you can go back and check out, see it now on NBC News.
So that when you combine the two shots that the actual hits the government conceded had taken place, one to JFK's back, which turns out to have been fired from the top of the county records building, five and a half inches below the collar, just to the right of the spinal column, a shallow shot.
Only went in at about as far as a second knuckle on your little finger.
And then a shot to the back of the head in the vicinity of the external occipital protuberance.
That's that bump in the back of the head where you'd rest if you were lying in a bathtub, fired from the Dow Tech second floor, with the other two shots to the throat, fired from inside the triple underpass.
And then the shot that entered the right temple fired from the intersection of the picket fence and the triple underpass.
You get a pretty good idea that JFK was actually hit at least four times.
And the leading expert on the medical evidence, David W. Mantig, MD from Michigan, PhD physics, Wisconsin, board certified in radiation oncology, believes there may yet have been a third shot to the head near simultaneous with a shot that embered the right temple that would have entered the left.
We have massive evidence of 14, 15 invocations of the Secret Service setting him up.
Two agents who would have ridden on the back of the vehicle or run along beside were left behind at Love Hill at the direction of Emery Rogers, the agent in charge, who played a key role here in ensuring the president would be successfully assassinated.
The motorcycle escort was reduced to four, and the officers were instructed not to ride forward of the rear wheels, which one of them described as the damnedest formation he'd ever seen.
JFK's military aide, who normally sat between the driver and the agent in charge in the front.
Was moved to the last vehicle along with the president's personal physician, putting him in the least desirable position should the president need emergency medical attention.
Here you can see the crowd being allowed to spill out into the street.
In addition to the agent being left behind at Love Field, manhole covers were not welded shut, open windows were not covered.
See them there?
The crowd was allowed to spill into the street.
This is simply horrific.
Look how an assassin with a handgun in that bus could have effortlessly assassinated the president.
Look at the crowd spilling out into the street.
This reflects that the 110th Military Intelligence Unit, which was supposed to have been distributed through Dallas for crowd control, was ordered to stand down over the adamant opposition of its commanding officer.
Indeed, on the 18th, just a few days before, the motorcade route was changed from going straight up Main Street to get onto the Stemmons Freeway to head to the location where JFK would speak, to take an unusual turn from Main Street onto Houston, and then a 110-degree turn back onto Elm, violations of Secret Service protocol, Normally, a motorcade route once fixed is never changed, so the Secret Service can check every building, screen its occupants.
This brought the president into the kill zone in Dealey Plaza.
Most tellingly, the vehicles were in an improper sequence.
The presidential limousine was placed first.
More ranking dignitaries, such as the mayor and the vice president, should have receded him after all.
Once you see the Jack and Jackie, why would you stick around for Mayor Cabell or Vice President Johnson?
There'd be no point.
So you let the crowd build up by seeing the lower dignitaries first.
And as I mentioned, the President's personal physician would put him in the worst location should his patient require emergency medical treatment.
At Parkland Hospital, where the morbid present was taken, a Secret Service agent took a bucket and a sponge—you can see the bucket there—and began to clean up the blood and brains from the limousine.
I mean, after all, this is a destruction of evidence completely improper.
The Secret Service obviously knew better, but they were participants in this event and wanted to cover it up.
When onlookers noticed a through-and-through hole in the windshield, the vehicle was moved out of sight.
Here's a photograph of the interior of the presidential limousine, just to give you an impression of what it looked like.
Where, you know, the driver, William Greer, was accompanied by Roy Kellerman, the agent in cars in the passenger seat.
And then you had Nellie Connolly in one jump seat and John Connolly in the other, Jack and Jackie in the back.
Here we have the Bruderfilm.
It's 27 seconds long, 487 frames, just to give you an idea of what the government would like us to believe was an accurate account of the assassination.
Some, such as Josiah Thompson, Whom I once admired have even described it as the closest thing to absolute truth we have about the assassination.
Denying, still remaining in a state of denial that has been massively edited.
You'll notice they took out the turn from Houston on to Elm because a driver swung out too widely mistuck the frontage road in front of the book depository for Elm Street.
Had to pause and then get back in line.
I believe that was removed because it would have shaken the confidence of the American people and the Secret Service's ability to do its job properly.
So you see a big jump there.
And then you'll notice they took out, as I'm going to explain, The driver pulling the limousine to the left and to a halt to make sure JFK would be killed, which I now estimate was 400 more frames.
So if you have 100 turning from Houston on down, 400 more from the limo stop, which had to be removed because it was such a blatant indication of Secret Service complicity.
The original film would have had around 1,000 frames, whereas this version only has 487.
So here you see, watch, you're about to get the big jump, the limousine suddenly appearing, even though Zapruder testified he began filming when the limousine came into view on Houston.
You're going to see the shot, the head shot.
Actually, as I'm going to explain, that's a merge of two different shots.
Jackie climbs out on the back of the trunk after a big chunk of Jack's stolen brains.
I'll play it once more for those who may be less familiar with the film.
Right.
It just appears like you said.
The car.
Yeah.
Bingo.
It's not there.
Then all of a sudden it's there.
Right.
Stemmon's freeway sign turns out to have been replaced improperly when they edited the film, so we'll go through a lot.
Many changes were made to conceal important evidence about what had actually happened, so the claim that this is the closest thing to absolute truth is simply absurd and indefensible, and the man making that claim knows better.
Meanwhile, there was what Edgar Hoover claimed to be a trivial misprinting.
It turns out if you measure the limo speed in the film, and most of this is done by John Costella, who's done simply brilliant work, the limousine was traveling around 10 miles an hour, 8 miles an hour, when it's not supposed to go lower than 30 miles an hour.
The frames were actually printed in the wrong order, the Warren Commission supporting volumes, where David Lifton noticed that there was a reversal of frames 314 and 315, so that he had his girlfriend write to the director of the FBI, and to his surprise, Hoover wrote back and confirmed, yes, there had been a misprinting, Which was intended to mitigate the violent back-and-to-the-left motion that you see in the film, which virtually everyone who watches it for the first time finds convincing evidence that JFK was shot from the front.
That was not the outcome they desired, but under the time frame, the pressure, that was the best they could do.
Turns out if you go from frame 312, just before the shot where you see the apparent blowout 313, there's a forward movement of JMK's head.
This is a consequence of the shot to the back of the head.
When it superimposed, the president was forced left and backward under the impact of the fatal shot.
Notice here a graph.
Now this was, you see, up to 312, where the motion of the head is constant, and then this violent forward, and then back and to the left.
None of that actually happened in Dealey Plaza.
Jack was hit in the back of the head, he slumped forward, Jackie eased him back up, and then he was shot in the right temple.
He slumped to the left.
So the violent back and to the left was a consequence of the way in which they edited the film.
The first frame to which the public had access were published in Life Magazine, which I'm sorry to say was in collusion here in covering up the assassination and how it was done.
Most were unremarkable, but this one frame 313 posed special problems.
The plate was broken twice to revise Description 6, which appears to be unique in the history of publishing.
Now, every issue of the magazine would come off of the same set of plates.
The idea of breaking one of the plates once is extraordinary.
Breaking one of them twice is never before, haven't, or since.
There are many indications this and other films have been edited, including the all but motionless spectators, the driver's head turned twice as fast as humanly possible, and the blob and blood spray, which appear to have been painted in.
Blood and brains across the trunk and the driver's pulling to the left and bringing the vehicle to a halt had to be removed because it was such an obvious indication of Secret Service complicity in setting up JFK for the hit.
Now, it turns out every color picture can be broken down into red, green, and blue.
The total red, green, and blue light in each frame can be measured by a computer and put into a graph, as we see here.
The graphs show the spray disappears within three frames.
Now, the camera was allegedly working at 18.3 frames per second, hence one-sixth of a second.
This can't happen.
It's a physical impossibility.
Even if you dropped a lead weight from JFK's temple, it wouldn't drop into the car or hit the floor that fast.
The scientists were also able to show the spray could not have been moving so fast that it was out of view before frame 314, that it simply disappeared.
But even if the blood could have, where would it have ended up?
It would have gone all over the Conleys, the windows, the interior of the limousine.
But a frame published only weeks after the assassination in color showed no blood at all.
If this were not bad enough, when the U.S.
government report on the assassination, the Warren Report 1964, another frame, 323, was published by Life, which again showed no blood, just a huge bloodless wound in the president's head.
So, Here we have, they blacked out in the back of the head, where there was a fist-sized blowout.
Look how crude it is.
Jackie looking at Jack.
Internal inconsistencies, the head wound.
The head wound cannot be observed in early frames, but it occurred to me they spent so much attention on the early frames, 313 through 317, I reviewed later frames and the belief they might have overlooked and found it in frame 374.
Larry Rivera, a colleague of mine, has discovered it's outlined by Jackie's White Glove in a brilliant piece of research.
Here's 312, so this is before the hit.
Here's 313, which is a manufactured frame where they're seeking to merge the two shots.
Here you have 314 now.
There's already the blowout, but they're blacking it out.
315, 316, 317.
They have blacked it out.
But when I look later at 374 as Jackie is climbing out of the trunk, it occurred to me you can actually see it there.
Here's a close-up.
Remember how often brains are referred to as gray matter?
Well, bluish gray, it's like the shape of a cashew.
That pink extension is a skull flap that was blown open by the frangible or exploding bullet.
It's not part of the wound per se, not at the back of the head.
Here, look more closely.
It was my suspicion those who were involved in reconstructing the home movies might have overlooked frames past 313 to 316 and found this image in frame 374.
So here you can see before, Tob, after where it's been blacked out, but you can actually see the blowout in frame 374.
Now, David W. Mantic entered the National Archives already in late 1992, telling me before he entered that he believed he would discover both that there was evidence of a second shot to the head and that the autopsy x-rays had been altered.
Because of his background in radiation oncology, he believed the contrast here of the official autopsy x-rays from the right side of the cranium was too great a contrast.
It should be much more subtle.
And when you applied a technique known as optical densitometry, where you can measure the amount of light that passes through an x-ray and determine the relative density of the object whose exposure created it, He defined area P for patch as much too dense to be human bone.
In other words, unless the back of Jack's head was entirely solid bone, unless JFK was a bonehead, this was an artificial contrivance.
And when you put the two together, you can see how closely David's definition of area P corresponds to what we see in frame 374, mutually corroborating one another.
David at the time suffered from acute myopia, which helped him make the hundreds and hundreds of minute observations and measurements the situation required today.
Having had his vision improved by laser surgery, he would have had much more difficulty conducting that research.
Larry Rivera noticed that Jackie wearing white gloves actually provided a background against which you can see the enormity of the defect.
That glove is where JFK's head ought to have been.
So there's Jackie's right hand.
There's her left.
Notice he actually used a blender, a very sophisticated technique, to model the blowout.
It was massive, Louisa.
Here you see it once again.
So I'm very impressed by Larry.
Did you have a comment you wish to add?
Yeah, I wanted to ask you just from a ballistics perspective, whether you feel that that splash that you're referring to, you're saying you're feeling that is that there was Are you saying that they collected, which we know they did, they collected all of the film and all the cameras, and all the film and the photomats that were in the area, and I guess videos, home videos that were being collected, right?
So are you saying that they collected these and then they superimposed things, or they had their own lab superimpose on the Zapruder film?
Louisa, I'm going to account for how all this was done, okay?
The original was taken to a secret CIA lab adjacent to Kodak headquarters in Rochester, New York, where it was revised.
The original was taken to the National Photographic Interpretation Center on Saturday, where there was one film crew.
Then the replacement was brought in on Sunday to a second, a different crew working.
And, you know, it took massive research, including especially by Douglas Horn, who is a Senior Analyst for Military Records for the Assassination Records Review Board, to nail it all down in great detail, which I shall review.
Meanwhile, when they reconstructed the film, they put in the stem and freeway sign in the wrong place.
Comparison of photos and location and dimensions reveal it was replaced by misplaced images, demonstrating the sign was placed into the revised film without taking into consideration the optical distortion of the camera's lens.
So you notice here, these lines ought to all be more or less parallel.
But notice on the right, they're not.
They intersect.
Something is wrong.
Here you can see a superposition of the images where the sign ought to have been versus where it is in the film.
Here, take a look at this, and you'll see how much they got it wrong.
This is from John P. Costello's brilliant work.
And they seem to have been obligated to replace the freeway sign because it had a hole in the sign from a shot that the government didn't want to acknowledge had been fired, because it would have upset, you know, falsified the official three-shot scenario.
So this is one of the most straightforward proofs that the excellent version of the film has been massively edited, thanks to John P. Costello, PhD.
Then we have the all but motionless spectators.
Everywhere else on the motorcade, spectators were waving and cheering.
During this portion of motorcade, however, they were virtually motionless.
The explanation appears to be the foreground was taken when the pilot car passed, and using the sophisticated techniques of optical printing and special effects, they were able to combine a foreground taken earlier with a background that corresponded more closely to what had actually taken place.
But everywhere people are yelling, cheering, thrilled, happy.
Not here.
Notice this string of pedestrians, the spectators in the foreground.
They're not waving, cheering.
There is some motion, but the explanation appears to be it was taken when the pilot car passed.
They're not waving and cheering for Jack and Jackie because Jack and Jackie were not present.
When this segment was taken, when that foreground was taken.
Now just watch, you'll see, they're virtually motionless.
You just don't get the reaction you'd expect to get from the onlookers there in the foreground, okay?
which is another tell of course that the film has been massively edited.
Also their external inconsistencies.
For example, here's how far Jackie goes back in relation to Clint Hill.
They never actually have physical contact in the Zapruder.
Now, there are eight different films that show portions of the motorcade.
The two most important are the Zapruder, taken from the Grassy Nolan, the next.
Taken from the opposite side.
Here's the next film.
Notice Jackie and Clint Hill are actually in physical contact here in the next film.
So since these are showing what is supposed to be the same event at the same time, something is clearly wrong because they're inconsistent in what they show here.
Contrast the top from the Zapruder, where Clint never actually reaches Jackie.
At the time the shots were fired, did you look at the Book Depository building?
No.
Did you think at that time that the shots came from the Book Depository building?
No, I thought it came from a fence between the Book Depository and the railroad track.
Does anyone else who you know, who you've spoken with, also believe that the shots came from there?
Most everyone thought it came from the fence behind the boat depository.
Did you have occasion to speak with Forrest Sorrells, who was, of course, a friend of yours, and the Secret Service agent in charge of Dallas that day?
Yes, I did.
Did he tell you where he thought the shots came from?
He thought they were coming from the same place.
Which is?
Behind the fence.
So notice, this is Norval Nix, who took the Nix film, being interviewed by Mark Lane.
And here you see more of the footage.
We see so much of the Zapruder.
It's nice to get a chance to take a look at the next.
Absolutely.
Meanwhile, witness inconsistencies.
Louisa, you want to add?
No, I was just saying, absolutely.
And I wanted to ask you about the spray.
At that kind of distance, and I know we're going to analyze those things a little bit more, but is that what you would expect?
Or was that part of the, you know, what was superimposed on there?
No, as I already explained, the spray was painted in and disappears way too fast.
If you go back to where I was talking about the color analysis of the blood spray, it was a fabrication because they were merging the two different shots.
Okay, I wanted to- Back of the head, where Jack slumped forward.
Jackie eased him back up, was looking him right in the face, and he was hit by the bullet and entered the right temple, blew his brains out the back of the head, and then he slumped to the left.
They painted in the blood spray.
Here are witnesses to the head wound which came from Dealey Plaza at Parkland and at Bethesda.
Beverly Oliver was there actually filming toward the grassy knoll.
The FBI took her camera.
If footage would have shown exactly what was taking place on the grassy knoll.
Phil Willis and Marilyn, his wife, were on the grassy knoll.
Ed Hoffman was on the triple underpass.
Doctors McClellan, Peters, Salyer, Carrico Delaney, Crenshaw, Jones, and there's Aubrey Bell.
We're all at Parkland.
Notice they're all talking about a blowout at the back of the head.
This is what has been painted over in the Zapruder.
Darren Ward, justice of the peace.
Aubrey Wrike, the ambulance driver.
Frank O'Neill, an FBI agent present at the autopsy, Gerald Custer, Paul O'Connor, Freud, Reby, all of whom were medical techs at Bethesda, all reporting that blowout at the back of the head.
Here you have Warwick's, where a book was published entitled The Kennedy Detail, and where Clint Hill talked about his experience that day.
Even if Clint actually touched Jackie, the films don't show him pushing her into the street, which is what he's maintained for 47 years.
In his formal report of 30 November about the events of 22 November, he reports, as I lay over the top of the backseat, I noticed a portion of the president's head on the right rear side was missing and he was bleeding profusely.
Part of his brain was gone.
I saw part of his skull with hair on it.
Consistent with frame 374, but not frames 313 through 316.
Indeed, since this record was Warren Commission Exhibit CE-1024, at least some of the members and staff had to be aware of the observation of the first person to observe the head wound, apart from Jackie herself.
But even the Kennedy detail includes this sentence.
And slumped across a seat, Kennedy lay unmoving, a bloody, gaping, fist-sized hole clearly visible at the back of his head.
An observation of enormous significance in relation to the autopsy photographs and x-rays, as well as to the authenticity of the Zapruder film.
Here's a diagram authorized by Dr. Robert McClellan.
It was an awesome wound going out the back of his head.
Very serious.
Charles Crenshaw, when I put together, when I edited Assassination Science, drew diagrams for me.
I was very surprised he'd not been asked to draw diagrams before of the blowout from the back and from the side, which we've now seen illustrated by what Larry Rivera noticed with Jackie's white gloves, and by the McClellan diagram, and by my discovery of what we can see in frame 374.
Here we have Thomas Evan Robinson, the mortician who prepared the body for what was supposed to be an open casket state funeral.
He describes a large gaping hole in the back of the head, patched by stretching a piece of rubber over it.
He believes the skull was filled with plaster of Paris.
A smaller wound in the right temple.
This is that pink extension, crescent-shaped, flapped down three inches.
Approximately two small shrapnel wounds in the face packs with wax.
That turns out to be very striking, where David Mantic had a brilliant explanation for those tiny shrapnel wounds.
Wound in the back, five to six inches below the shoulder to the right of the backbone.
Adrenal glands and brain removed.
Other organs remain and put back.
Get this.
No swelling or discoloration to the face, meaning he died instantly.
In other words, JFK was dead in Dealey Plaza.
Now it's astonishing that the House Select Committee on Assassination re-investigated the case in 77-78, issuing its final report about JFK and MLK Martin Luther King, where the medical panel concluded the entry wound was actually four inches higher than that specified by the Bethesda pathologist.
It was depicted in diagrams, right, but not visible in photographs to the left.
I mean, this is just dumbfounding.
Jack had the whole back of his head missing, right?
He had a fist side blowout at the back of it, but they've reconstructed the skull.
This gives rise to the suspicion that the HSCA was redoing the investigation to do it better.
There was no actual wound at the top of the head.
So what we have is actually three different versions of the back of the head wound.
The one from Parkland, which appears to be authentic, at Bethesda, and this is mind-boggling.
Believe it or not, James Humes, the Navy commander in charge of the autopsy, took a cranial saw to the skull of JFK and enlarged the wound.
To make it look more like something that could have been caused by a shot from behind, if JFK were leaning well forward.
David Lifton was the first to expose this deception in Best Evidence, published in 1980.
Where he looked at the Bethesda autopsy report, which I included as an appendix in Assassination Science, is described with mathematical precision, the exact size.
So Lifton is not making this up.
He's giving us a diagram based on what we find described precisely in the Bethesda autopsy report.
He contacted a physician of his acquaintance and just described the wound as found in the Bethesda autopsy report.
And he asked, what did it sound as though it happened to the patient?
And he said that he was hit in the head with an axe.
This was a grotesque deception.
But then look at what the HSCA did.
They reconstituted the back of the head.
I mean, how incredible is that?
In my opinion, this is one of the single most telling comparisons as proof of the massive cover-up and the conspiracy to kill JFK because they were seeking to conceal that blowout at the back of the head.
And we have further confirmation.
We have physician after physician from Parkland talking about cerebellar tissue extruding from the wound as well as cerebral, where the cerebellum is a compact part of the brain right at the base.
There's no possible way that cerebellar tissue would be extruding from the wound if the only shots that JFK had incurred were those described by the government now, as it seeked to maintain the cover-up of the conspiracy, where disentangling the cover-up and its exposure makes it relatively easy to discern who was actually responsible.
Look, you got Dr. Jenkins, you had cerebellum protruding from the wound, Dr. Carrico, bleeding cerebral and cerebellar tissue, Malcolm Perry, visible brain tissue, cerebrum, cerebellum was observed, McClellan, cerebellar tissue blasted out, Baxter, A large quantity of the brain present on the Clark cerebral and cerebellar tissue, where Clint Clark's testimony is of a special standing because he was the head of neurology at Parkland.
Meanwhile, we have photographs that were supposed to be of JFK, but actually were of a body double.
Thanks to the brilliant research of Larry Rivero, which we're going to review, we now have additional proof the JFK autopsy photos, some of those that were released, are not of the body of JFK, and that Oswald was framed and the Warren Commission report was a sham.
We can now also prove the backyard photographs were fake by basing Lee Oswald's face on someone else's body as a claim and have identified the body double as Dallas Police Officer Roscoe White.
Now, these are Robert Grodin photographs.
They exist in color.
During a visit to an advanced high school class in Dubuque, Iowa, Rodan and I had lunch together, just the two of us, and he offered to let me use these autopsy photographs in my own research, to which I replied, but they're fake.
And he had nothing to say in response.
Here you can see a contrast between the body there on the left, the body double and JFK on the right, and the massive influx.
By the way, that little triangular thing about the vicinity of the temple is where the bullet actually appears to have entered.
Here you have then another parallel from the side, from the other side.
The profiles do not match.
And in fact, here we have a superposition where you can see that the body on the slab is not that of John Fitzgerald Kennedy, but rather of a body double.
This is fascinating stuff.
Once again, this is proof that the Grodin photographs of the autopsy are fake.
And you'll notice that aluminum stirrup there, it was not present in the Bethesda board.
But there was another facility on the campus there of the medical hospital where it could be found.
Meanwhile, what about the throat wound?
It passed through the windshield.
At Parkland, they moved the limo, as I already observed when witnesses observe it.
One police officer actually stuck a pencil through the hole.
At Bethesda, they enlarged the wound.
This is the throat wound.
Now on the right, there's Malcolm Perry, MD.
On the left, Kemp Clark, the head of neurosurgery.
Malcolm Perry explained it was a small, tiny puncture wound, as you see on the left, which Charles Crenshaw drew for me.
And then he'd perform a simple tracheostomy incision to the wound, which you can see on the right.
In other words, this was very small, modest.
But look what we have at Bethesda.
They increased the size of the wound.
Now, there's a fascinating story that's recounted in Assassination Science by Bob Livingston, M.D., a world authority on the human brain who is also an expert on wound ballistics, having supervised an emergency medical hospital for injured Okinawans and Japanese prisoners of war during the Battle of Okinawa.
He listened to the reports on radio of the small clean puncture wound and recognized it had to be a wound of entry, just as Malcolm Perry reported to the Parkland Press Conference, the transcript of which was never shared with the members of the Warren Commission.
To obfuscate.
And Baba called because he was the scientific director of the National Institutes of Health for Neurological Diseases and Blindness, whose offices are across the street from Bethesda Naval Hospital.
He called over to speak with a physician who was going to perform the autopsy, Commander Humes, and was put through.
He explained to Humes that he'd heard the reports about the small puncture wound, which obviously was a wound of entry, and said to Humes, And this is quite ironic in retrospect.
The neck must be dissected very carefully, because if there's evidence of shots from behind, then we know there had to be at least two shooters and therefore a conspiracy, at which point they were cut off.
He was shocked that the Secret Service would cut off a conversation between two physicians about the autopsy of the President of the United States.
Now, by the way, I would observe.
You see the eyes open here.
Charles Crenshaw explained to me he was the last physician to observe JFK's body as he was wrapped in sheets and put in this bronze ceremonial casket and that he had closed JFK's eyes.
This is further evidence that we're looking at a body double here and not at the actual body of John Fitzgerald Kennedy.
Later in the evening, Bob was surprised to get a phone call from Commander Humes, who asked him, what would the wound have looked like if it had been a wound of accent?
And Bob described what it would have looked like as a wound of accent.
Humes appears to have used what Bob Livingston told him to exaggerate the size of the wound to make it appear more like a wound of accent.
Just an additional footnote.
From the 1970s, Lifton argued the bright reddish-white wound that seemed to appear and snake up the side of the president's head, which he called the blob, completely disagreed with the description of the head wound given by the doctors and nurses at Parkland where the president was taken, and we know that to be the case.
Now, here's a version of the most famous photograph from the assassination, taken by a photographer James Ike Alchins, and you can see several of the motorcycle officers looking around.
We'll return to this photograph, but what's crucial is you can actually see the bullet hole in the windshield there.
Notice I've identified a small white spiral nebula with a dark hole in the center.
We have further proof of that through-and-through haul fired from in front into the vehicle.
Nevertheless, the Secret Service would produce a completely different windshield with some spider-like cracks, which you can see on the right.
Bob Livingston explained that, as a resident of Washington with lots of high-level connections, he even danced with Jackie Kennedy during one of the social events that they Through that the Secret Service obtained 20 copies of the windshield they claim for target practice, and I do believe they wanted to make sure the bullet could penetrate and hit JFK from the front, but also to provide a substitute to obfuscate the evidence.
Even in frame 225, you can see where the bullet passed through the windshield en route to its target.
And I just remind you about the, I mentioned the small shrapnel wounds in the face packed with wax.
When Thomas Evan Robinson began embalming the body, embalming fluid came out of these small wounds in the face.
David Mantek brilliantly inferred those were from tiny shards of glass when the bullet passed through the windshield that hit Jack in the face and created them.
Brilliant.
David also has demolished the alleged Magic Bullet Theory.
In order to account for all the wounds, when it turned out that one bullet had missed and injured a distant bystander by the name of James Tay, the Warren Commission had to scramble and change the location of that wound, which had been five and a half inches below the collar and just to the right of the spinal column, to his uppermost back.
And then Gerald Ford, Change it to the back of the neck to promote the idea that a single bullet had entered the back of the neck, passed through the neck without hitting any bony structures, exited the throat, so we thereby convert the throat wound from a wound of entry into a wound of exit, and then gone on into the back of John Connolly.
Now, some critics like Searle Wecht, who remarkably was a member of the medical panel for the HSCA, has lampooned the magic bullet theory as preposterous, just as Oliver Stone did, using, you know, During the trial, when Kevin Costner, playing Jim Garrison, talks about the preposterous physics of the magic bullet, but David has a simpler and more elegant proof.
It's not even anatomically possible for a bullet to pass through the alleged trajectory.
He found a patient with similar chest and neck dimensions to JFK and created a CAT scan, plotted the trajectory.
It's anatomically impossible because cervical vertebrae intervene.
And I'd observed in reconstructions by ABC and the Discover and other networks, they have a model standing in for JFK that lacks a backlog, which is ironic because JFK was taken out precisely because he had one.
Meanwhile, David said he thought he'd find evidence of a second shot to the head.
He did indeed.
The trail of metallic particles you see on the right, which was different than the shot to the back of the head.
So he accomplished And established that JFK at this point in time appeared to have been hit at least four times in the throat from in front, in the back from behind, and then twice in the head after the driver brought the limousine to a halt, in the back of the head from the Daltex and from the right temple, from the intersection of the fence and the triple underpass.
There are some 60 witnesses at the limo stop, by the way.
Some saw it slow dramatically, others saw it come to a complete stop.
The limo slowed dramatically as it came to a complete stop.
This was such an obvious indication of Secret Service complicity that it had to be removed.
John Costello has done a brilliant collaboration of eyewitness reports, which you can find on the website we co-edit, AssassinationResearch.com.
His collation includes dozens and dozens about the limo stop.
Some reported seeing it slow dramatically, others that it came to a complete stop, which makes sense since from different positions, different witnesses would have seen it slow dramatically as it came to a complete stop.
Among them is Tony Foster, who was interviewed by Deborah Conway in 2000.
As Daniel Gallup has observed, Foster seems to have no idea her recollections contradict the official report.
Tony told Deborah, for some reason the car stopped.
It did stop for seconds.
I don't even know why it stopped and all of a sudden it sped up and they went under the underpass.
I could never figure out why the car stopped.
The way she delivers these lines, Gallop observed, I doubt Tony had ever seen the excellent Z film
and had no idea her recollections contradicted that film.
He said he was reminded of David Lifton's early 1971 interviews with the Newman's
who also said the limousine had stopped.
They had no way of knowing at the time that the Z film showed no such stop.
All of this is to say the earliest recollections of individuals are likely to be the most significant,
especially if there is evidence of a lack of exposure to contrary viewpoints that might influence memory.
For a few more, Billy Lovelady was on the steps of the Book Depository, whom the government claimed to have been the man in the doorway.
He was standing there, but Lee was there as well, which is what they've tried to obfuscate.
I recall that following the shooting, I ran toward the spot where President Kennedy's car had stopped.
Roy Truly, who is Lee and Billy's supervisor in the Buck Depository, a man who, in my opinion, is of impeccable integrity.
The car!
I saw the President's car swerve to the left and stop somewhere down in this area.
Later, Mr. Belin, When you saw the president's car seem to stop, how long did it appear to stop, Mr. Truly?
It would be hard to say over a second or two, something like that.
I didn't see.
I just saw it stop.
I don't know.
I didn't see it start up.
Mrs. Zerl Kabel, the wife of the mayor, a formidable woman, four cars behind the presidential limousine.
I was aware that the motorcade stopped dead still.
There was no question about that.
Later, in efforts to, you know, weaken her testimony, as I told you, the motorcade was stopped, Mr. Hubert.
That was when your car, at least, had come to a standstill, Mrs. Campbell.
Every car in the motorcade had come to a standstill.
Later, we were dead still for a matter of some seconds.
Meanwhile, Gene Hill and Barry Borman.
They were on the grass opposite the grassy knoll.
They saw it come to a complete stop.
They were in the street at the time, but they're shown in the Zapruder film as being still on the grass.
Here you have Barry and Gene.
Noel Twyman, who published a brilliant book in 1997 entitled Bloody Treason, dealt with the overview of the assassination, which he got exactly right, but also with the Zapruder film.
And he asked Roderick Ryan, who would receive an Academy Award for his contributions to cinematography in 2000, why the background was blurred in frame 302 on the left, but not in frame 303.
And Ryan explained the camera was panning the limo in 302, but not in 303, where it was stationary.
On page 159, he added he'd shown it to his son, who's also in the film industry.
He agreed it was moving in 302, but standing still in 303.
Of course, according to the government, the limousine was never stationary or standing still.
Here you see Gene and Mary.
Mary in the black jean and the red dress.
Mary was using a Polaroid camera to take photographs.
She'd hand them to Mary, who would put preservative on them and put them in her pocket.
Mary stepped off the curb before Gene did.
This is Jack White's brilliant work, where he's a legendary photo and film analyst.
Bear in mind, Mary's about 5'2", Gene's about 5'7".
So here we have the top of Gene's head and the top of Mary's head.
They both insisted they stepped into the street to call out to JFK.
Hey, Mr. President, look over here.
We want to take your photograph.
But the Warren Commission wanted to put him back on the grass, and of course they did in the revised version of the Zapruder.
David Mandik and I actually went down to Neely Plaza, based upon a lead jacket given us, and confirmed that, based upon features internal to Mary Mormon's photograph, that indeed she had been in the street when she took her famous photograph.
You can see here in the top left.
It's really quite remarkable.
You can see a chunk of Jack's hair on his right shoulder there.
This is a truly fascinating phenomenon.
There was a lineup.
If you look up at the pedestal there, where Abraham Zapruder and his secretary Seitzman were standing, it turns out that there's a feature shown just below that has to be in the line of sight of the camera.
So David and I went down there with surveying tools, and we confirmed that Jack was exactly right, that he established that Mary had been in the street when she took her famous photograph.
Then we have witnesses to the other film, that would be The Zapruder, before it was edited.
These include Erwin Schwartz, who was a friend of Zapruder, William Raymond, Rich De La Rosa, and Gregory Burnham.
I know I've had personal contact with the latter three, though not with Schwartz.
Here we had Schwartz, an associate at his Zapruder, who billed the film, which appears to have been its original state at Eastman Kodak, where it was developed in Dallas.
Nearly 60 witnesses have reported the limousine slowed dramatically or came to a complete halt, as Vincent Palomar explains in the chapter of murder in Dealey Plaza 2000.
When Noel asked Schwartz about the limo stop, he was vague and couldn't recall, but when Noel asked him about the effects of the fatal headshot, he was quite specific and very graphic.
He said he'd seen Kennedy's head suddenly whip around to the left, that he'd seen an explosion of blood and brains from the head, and it had blown out to the left and rear.
This is viewing the limousine from behind.
Blown out to the left and rear.
Twyman pressed him on this crucial point, but Swartz was emphatic.
Meanwhile, they make four important observations, those who have seen the other film.
It includes a turn from Houston onto Elm.
It shows Greer bringing the limousine to an abrupt halt.
So abrupt that it threw the passengers forward.
During the limo stop, JFK is hit twice in the head.
Once from behind, and he slumps forward.
Once from in front, and he slumps to the side.
Greer watches the whole time, and then, and only then, hits the accelerator.
Further confirmation of the blowout to the left here comes from Secret Service agents such as Sam Kinney and Vincent Gullo, Jr.
Vince Palomaro, the leading assassination expert on the Secret Service, wrote to Gullo to explain Kinney had told him of his discovery of a piece of the right rear of the President's skull in the limo during the flight back to Washington, D.C., and that another member of the detail had become nauseated from observing the blood and gore on the limousine trunk.
Gulu confirmed Kinney's statements to Palmyra, saying he was totally familiar with the facts, as Palmyra had outlined them.
Motorcycle escort officers have proven to be a bonanza about the limo stop.
As we know now, during the limo stop, he was hit at least twice in the head.
Officer Baker, riding to the left rear, dismounted his bike and ran between the cars to the grassy knoll.
Officer Jackson, on the right, actually rode his motorcycle up onto the grassy knoll, and then when it fell over, pursued on foot, because they both believed shots had been fired from behind the big advance.
Five Secret Service agents dismounted from the Queen Mary, as they refer to the Secret Service Cadillac, and surrounded the presidential limousine.
So here you see in the closest motorcycle is Officer Baker.
By the way, when JFK was shot, he was impacted with debris with such force that he initially believed he himself had been shot.
Here's Larry's reconstruction.
What he discovered was that Fred Newcomb had interviewed all four of the motorcycle officers in 1971.
Information that had basically been lost to history.
He did a painstaking transcription of what they had to report, as well as their supervisor Stavis Ellis.
And it turns out that Hargis, during the halt, parked his bike and ran between the limos to the grassy knoll.
Notice that would have been impossible had the vehicles been in motion.
Jackson motors his bike up the grassy knoll until it falls over and then pursues on foot.
Five of the agents dismount from the Cadillac and surround the JFK limousine.
One of them takes a chunk of skull from a little boy and throws it in the back seat.
Here's a frame for the Bell film showing what appear to be tire marks running up the embankment.
You can see them fairly clearly.
I mean, after all, where in the world did those come from?
Here's Bobby Hargis returning to his bike after now the motorcade is already headed away.
You see Beverly Oliver standing there.
You see Gene and Mary on the ground.
Even the Oklahoma City Times published about Officer Jackson.
Three shots.
It was horrible.
The first tip-off of tragedy was when several spectators jumped over a stone wall and started running toward what apparently was a scene of the shooting.
A motorcycle patrolman rode pell-mell up a railroad embankment, apparently in pursuit of the assassin.
Fascinating.
Absolutely fascinating.
This is the kind of report that the CIA and the government has sought to obfuscate.
And here's another of Abraham Zapruder with his secretary, Marilyn Seitzman, on top of this low-calling aid.
Where, by the way, we believe that was inside the pergola there, that a camera mounted on a tripod took a lot of the footage.
Notice how the limousine disappears toward the bottom.
Well, if there were a person there, they would keep the limousine in focus in the center of the screen, but it disappears, consistent with that portion of the footage having been taken from a pergola.
In fact, Jack White is skeptical because it appears to him that Zeissman actually interfered with Zapruder taking parts of the motorcade.
He could not have shot the film through Marilyn Zeissman, so that in the great Zapruder film hoax, Deceit and Deception and the Death of JFK, I put one of Jack's frames right at the very top on the cover.
Meanwhile, if you want to look at Larry's work, he's done this brilliant work.
The JFK Horseman available on YouTube, though, you know, they're taking stuff down all the time.
JFK Horseman Part 2, best version, slightly tweaked.
But Larry also has a book now with moonrockbooks.com.
How the switch was done.
The 8mm all-ray split film developed in Dallas was taken to the National Photographic Interpretation Center on Saturday, 23 November 1963, where they had to have a shop owner open his store to buy an 8mm projector so they could look at it.
The 16mm unsplit film developed in Rochester at Hawkeye Works, David Lifton having been the first to sort this out, Brought their version to the NPIC on Sunday, the 24th, to replace the original.
Now let me just say a few words about the NPIC, but notice the gross physical differences.
These cannot possibly have been the same film, because one was an 8mm already split film, the other was a 16mm unsplit film.
The 8mm had been developed in Dallas, the 16mm in Rochester.
You don't develop a film twice.
And once a film is split, you don't reconstitute it to create an unsplit film.
The National Photographic Interpretation Center was to study satellite photographs that were the size of micro dots to expand them in order to study their content.
If you wanted to alter the Zapruder film, it could also have been done at a facility like the NPIC, where they could have expanded the film, made alteration like painting over the blowout to the back of the head, shrinking them back down, you know, re-photographing them, and then shrinking them back down to constitute the new film, which appears to be exactly what was done not at the NPIC, but at Hawkeye Works.
So, Douglas Horn has done this absolutely sensational work.
He has a five-volume set inside the Assassination Records Review Board, Volume 4, exposing in detail exactly how all of this was done.
Now, notice the photograph there.
This is actually pretty fascinating all by itself.
This was a tension focused on unloading the bronze ceremonial casket to load it into a gray Navy ambulance, where Jackie climbed into the ambulance to accompany the transport of her husband's body to Bethesda Naval Hospital, where they were followed by an enormous entourage.
Unknown, however, at the time, JFK's body actually had been taken out of the bronze ceremonial casket when Lyndon Johnson was sworn in and put into a special compartment in the plane so that while they were offloading the bronze ceremonial casket, The actual body in a body bag was offloaded on the opposite side of the aircraft into a helicopter transported to Walter Reed, where the best forensic medical experts in the military were located to remove slugs of different caliber, which would not have done
You know, would have exposed the whole charade had they been discovered.
And then the body was brought in a black hearse to the back of Bethesda Naval Hospital, where the naval technicians unloaded it from the black hearse, and where JFK was already on the slab undergoing autopsy, when the Gray Navy ambulance with Jackie Kennedy pulled up to the front of Bethesda with a massive entourage.
Gerald Custer, with whom I had extensive correspondence, Who actually took the x-rays of JFK's body, was headed upstairs in the company of two Secret Service to have x-rays that have been exposed but not yet developed, when he looked out the window and saw the gray ambulance and Jackie heading up toward the Naval Hospital entryway and wondered what in the world was going on, because the president was already undergoing autopsy in the morgue.
Here you see the technical device for optical praying and special effects.
They consist of a camera and a projector.
It photographs separately filmed elements and combines them into a single scene or continuous footage.
So as I suggested, at Hawkeye work, they blew up the frames, they made the editing they wanted to make, they re-photographed them, and then shrunk them down and created a new version of the Zapruder film.
Here's the actual camera.
Now it actually films on a double 8 or 16mm down one side, called the A-side.
And then you have to take it out, flip it back, and do a filming of the B-side.
So if you want to watch the film about the A and the B side, you have to develop them and then cut them apart, split them, and then, you know, put them together, splice them together to create a continuous And that's a Bell and Howell camera that Zapruder actually used, which incidentally does not have an 18.3 frame per second setting.
It can do a single frame one at a time, or a 24 frame per second, or a 48 frame per second for slow motion.
My belief is, in the editing process, they removed so many frames that went down from 24 to 18.3.
So even that is an indication of skullduggery.
Meanwhile, framing the Patsy, Lee Harvey Oswald.
Lee was in the doorway when the JFK motorcade passed by.
They made him remove his overshirt before doing mug shots because otherwise the similarity to the man in the doorway would have been overwhelmingly obvious.
He told Fritz his face had been pasted on someone else's body when shown one of the backyard photographs.
Indeed, everything Oswald told Fritz has turned out to be true.
So here you see that spectacular photograph taken by James Ike Alchons.
And you'll notice in the background there, look at the doorway area where some of the agents are already Appearing, you know, very odd.
They'd be looking there because no shots were fired from the doorway.
So here you have four key elements.
Number one, where you can see the bullet hole that passed through the windshield.
Number two, where you can see the man in the doorway.
Widely believed to have been Lee Oswald.
Number three, the opening in the broom closet for a uranium mining company that turned out to be a CIA asset, from which three shots appear to have been fired.
The only shots that were fired with an unsilenced weapon, which was itself a Mannlicher Carcano, which would be alleged to be the weapon Lee Oswald had used.
And then you'll see LBJ Security is already responding, even though JFK is at a loss as to what's going on.
Now, here's a specific area of great interest in the doorway area.
You'll notice we have the man who looks very much like Lee Oswald.
More about that.
Notice there's a man beside him with his hands up whose face has been blacked out and whose shirt has been obfuscated.
It's been whited out.
Notice, too, the man behind him.
Lee Oswald, rather the man in the doorway, appears to be both in front of him and behind him at the same time, which is an optical impossibility.
Notice, Lee Oswald is missing his left shoulder.
Fairly stunning stop.
Here you can see more close-up on the left.
This is an optical impossibility.
It's decisive proof that the photograph has been altered, and yet figures like Josiah Thompson and Robert Grodin, who many continue to believe are leaders of the JFK truth community, deny that the photograph has been altered in spite of obvious proof.
When Lee was arrested, notice a striking resemblance in terms of the height, the weight, the build, the shirt, the T-shirt between Lee Oswald under arrest and the man in the doorway.
So they made Lee take off his outer shirt, which was slightly tattered and torn.
And by the way, look at the lower left there on the far most left.
You have the figure of a black man there.
That, we believe, and Larry did brilliant work on this, was to conceal the fact that the shirt was tattered and torn, as we see in Lee's arrest photograph.
So they had him photographed only in his t-shirt.
Meanwhile, what Larry did was to take photographs of Lee Oswald and Billy Bob Lady and superimpose them upon the man in the doorway, It turns out if you set the distance between the pupils the same distance, then you can perform this feat of comparison.
And if it's the same person, then the features will fall into place.
If it's not the same person, they won't.
So here you see superimposed Lee Oswald, who fits exactly the man in the doorway.
On the right, you see superimposed Billy Lovelady, whose features do not correspond.
The jaw is wrong, the nose is wrong, the ears are wrong.
Billy himself said he thought it was odd that they'd be confused, because he was 2-3 inches shorter and 15-20 pounds heavier than Lee Oswald.
And of course, no reasonable person would have confused him, but the government was desperate to conceal or obfuscate the fact that Lee Oswald was in the doorway when the JFK motorcade passed by.
Since that obviously destroys their entire scenario, if he was in the doorway, as in fact turns out to have been the case, when the motorcade passed by, then he not only cannot have been the lone demented gunman, Who purportedly fired three lucky shots from the sixth floor window.
He cannot have even been one of the multiple shooters.
Meanwhile, here you see another indication of Lee as a man in the doorway.
That's exactly.
I cannot begin to express how impressed I am with Larry Rivera's mastery of these principles of photogrammetry, which is a study of photographs using mathematics.
Here's another now, the man with his hands up over his head to cover his eyes.
That was indeed Billy Lovelady.
So Billy Lovelady was in the doorway, but he wasn't the man in the doorway who was actually Lee Oswald.
FBI agents actually invited Billy in on the 29th of February to wear wearing the shirt he'd worn at the time, which was a red and white vertically striped short sleeve shirt bearing no resemblance whatsoever to the long sleeve, richly textured shirt on the other man in the doorway.
They knew better.
But they wrote back to J. Edgar that they'd identified the man in the doorway and hoped that he wouldn't notice what they had done.
Deception, because they didn't want to wind up signed to Alaska.
Here you see when Larry did a reconstruction of what the photograph ought to have looked like had it been in color.
You got Lee Oswald on the left, but Billy Lovelady in his vertically striped red and white short-sleeved shirt holding his hands up.
There's much more about this.
Just to show you how figures like Groton and Thompson have insisted there wasn't time to alter the film, The CIA actually found some obscure newspapers like the News Palladium and created a phony edition of the paper.
So here you had the original extra, which does not have the photograph, but they created the fake on the right.
Ralph Sinque, who is the founder of the Oswald Innocence campaign, Which is predicated on the realization that Lee was in the doorway and therefore cannot possibly have been the assassin of Lee Oswald, of JFK, in an effort to exonerate him and establish his innocence.
Hence, the Oswald Innocence Campaign discovered this photograph Showing the extent to which the agency would go.
They did with several obscure newspapers, they created a fake edition to create a substantiation for their claim that the photograph had appeared too early to have been subjected to alteration.
Similarly, Life Magazine would publish one of the backyard photographs on its cover, which appeared at a single instance to combine motive and means.
You have Lee holding a Mandlicker Carcano in his left hand.
He's got a pistol belt with a revolver, with which he's alleged to have shot Officer J.D.
Tippett on his hip.
He's holding two communist newspapers, The Militant and The Worker, in his hand.
Now, it turns out that those newspapers have known dimensions, and Jack White established that either they put the photographs' papers too large, or they chose a man who was too short to be Lew Oswald, because while Lee was 5'10", the photographs make him out to be, if you use the newspaper as a measure, only 5'6".
Well, Larry, again, did brilliant work.
He found a photograph of a Dallas police officer with ties to the CIA by the name of Roscoe White, who was the body double for Lee Oswald in the backyard photographs.
In fact, it's striking.
Roscoe has a much more robust physique, and you see him there in the backyard photographs.
When shown one of these, by the way, Lee Oswald explained to Will Fretz, a homicide detective who was investigating the case, that that was his face pasted on someone else's body, that he knew something about photography and with time he'd be able to prove it.
Well, Lee didn't live long enough, but Larry Rivera completed the task on his behalf.
So here you see Lee versus, you know, the backyard photograph.
Notice Lee's build is too slight.
He cannot be the man in the photograph.
It was indeed Roscoe White.
Does he get some sense of the extent to which they will go to frame an innocent man?
Jim Mars and I co-authored an article about the man in the backyard photographs, and we both agreed already then, this is long before Larry's conclusive proof, that it had been Roscoe White, in part because of this odd bump where a bone had not properly healed on his wrist, where you can see the bone in the The bump from the bone in the backyard photograph on the right, and a bump from the bone in another photograph of Roscoe White, I believe near Lake Pontchartrain, where the CIA was running a base to promote gun running into Cuba, Anticastro.
To understand the big picture, you have to distinguish between the sponsors who wanted JFK out of office principally because they preferred the policies of Lyndon Johnson, the mechanics, the shooters, and their supervisors and coordinators who ...included George Herbert Walker Bush and Edward Lansdale, Air Force General responsible for assassinations around the world, especially Project Phoenix in Vietnam, and the facilitators Lyndon Johnson of the assassination and J. Edgar Hoover of the cover-up.
Remember, Lyndon designated the FBI as a sole investigative authority.
The CIA threw in because Jack was threatening to shatter it into a thousand pieces after discovering he'd been misled about the prospects of an invasion of Cuba, which turned out to be the Bay of Pigs fiasco, where George Herbert Walker Bush, by the way, appears to have been in charge.
Where two of the ships were rechristened Houston and Barbara shortly before the invasion, which was codenamed Operation Zapata, which was the name of the Bush family oil drilling company.
Had it been successful, I believe the Bush company would have had a concession to drill all over the Caribbean basin.
The Joint Chiefs threw in because he had refused to invade Cuba, contrary to their unanimous recommendation.
He'd signed an above-ground test ban treaty with the Soviet Union, contrary to the unanimous opposition.
Now he was pulling all of our troops out of Vietnam after his re-election in 1964.
The anti-Castro Cubans wrongly believed Jack had betrayed them at the Bay of Pigs.
The CIA had been responsible for misleading them about the extent of American support, but it was convenient for them to leave the false impression in the minds of the anti-Castro Cubans, who therefore sought revenge.
The Mafia, of course, was coming under extraordinary investigation by Bobby Kennedy as Attorney General.
They believed they'd had an agreement with Joe Kennedy that if they assisted Jack being elected, that they'd lay off of the mob.
It wasn't happening.
Joe might have made such an agreement, but Bobby and Jack would never have done that.
When you had the eastern establishment surrounding the Fed, Jack had already instructed the Department of Treasury to publish hundreds of millions of United States notes on the ground that having them printed by a consortium of private banks at interest was absurd, since the Treasury could publish the notes and not have to pay interest.
The Texas oilmen were upset because Jack was threatening to cut their massive oil depletion allowance, which had been justified on the ground that oil was a limited resource and therefore pumping oil out of the ground was putting themselves out of business.
We know much better today that oil is produced by the earth and is virtually unlimited, but that was the stance At the time, Israel was furious with Jack, who was at loggerheads with David Ben-Gurion, who wanted Israel to develop nuclear weapons, but to which Jack was opposed.
It appears that Ben-Gurion's last act, before resigning in frustration, was to delegate the Mossad to participate in the assassination of JFK.
Among the shooters, then, we have Harry Weatherford, who appears to have fired the shot from the top of the county records building.
Crack shot.
A researcher went and asked if he'd shot JFK, and he replied, you little son of a bit.
I shoot lots of people.
A custom-made silencer for a rifle had been delivered to Weatherford a few weeks before the assassination.
Now, this is interesting because he appears to have used a plastic collar called a sabot to fire a Mamluk or Carcano bullet using a .30-06 rifle.
Which may account for why it was shallow in its penetration, although Jack was wearing his back brace.
He had suffered injury with PT-109, saving a fellow sailor, and it even passed through the back of the seat, as Roy Schaefer pointed out to me.
Jim Mars and I agree about Roy Weatherford.
Jack Lawrence actually was an expert in the Air Force.
He was using a rifle that appears to have been an experimental.
Only a few individuals had possession of the rifle.
It folded down.
It would be easy to conceal.
And one of those weapons was given to General Curtis LeMay, the chairman of the, you know, the head of the Air Force at the time.
I believe that LeMay gave this to Jack Lawrence, who was firing from inside of the Triple Underpass, the bullet that passed through the windshield and hit Jack in the throat.
He went to work at the downtown Lincoln Mercury car dealership that provided the vehicles for the motorcade, which were all different makes and colors, unlike any other motorcade.
Which will be consisting of all similar black Cadillac limousines.
They have different makes and colors, so they knew exactly who everyone was, where they were in the motorcade.
After the assassination, he came back to the motorcade all muddy, pale, sweating, and vomiting.
He appears to have made his exit through a sewer system beneath Dealey Plaza.
Here you have that opening in the window in the broom closet of the Uranium Mining Company, from which three shots were fired, the only unsilenced shots, with a Mannlicher Garcano.
That appeared to have been fired by Nestor Tony Escadro, an anti-Castro Cuban, for whom there's a monument in Little Havana.
Now, the only other monument there is Jose Marte, who freed Cuba from Spanish domination.
And he asked someone, why is there a monument to Tony Escudera?
They'll tell you it's because he took care of business.
Meanwhile, Roscoe White was a Dallas police officer.
He was on the grassy knoll.
He had what may well have been the easiest shot, but it would have hit Jackie.
So he pulled his shot.
The bullet wound up in the grass.
It was picked up by a Dallas police lieutenant and never seen again.
Roscoe White appears to have been a very nasty piece of work.
We believe he's responsible for murdering at least 50 witnesses from Dealey Plaza.
Roscoe White.
And of course, as you now know, he was the body double for the Backyard Photographs.
His son, Ricky, discovered a diary he had, which he shared with the FBI.
Now, what most don't know, CIA agents are required to maintain a diary of where they were on different dates and times.
So if they have to cover up, they know how to put him in a different location than where he actually was.
But of course, once in the hands of the FBI, it simply disappeared.
Meanwhile, Frank Sturgis appears to have fired the shot from the intersection of the triple underpass and the grassy knoll.
The shot that entered the right temple and blew Jack's brains out the back of his head.
We have lots of evidence for this.
Sturgis was a soldier of fortune.
I would suggest he was the CIA shooter.
So you notice we got a Dallas deputy sheriff, we got an Air Force representative, we have Sturgis CIA We have anti-Castro.
I mean, each of these different groups seem to have put up their own individual shooter, so they were all tied together in a brotto.
Now, Jim Rothstein, who is a Gold Shield New York City detective, arrested Sturgis when he was coming to New York to kill Marita Lorenz, who'd even been a mistress of Fidel Castro and who wanted to testify before the House Select Committee on Assassination.
He was sent to make sure it didn't happen, but they knew he was coming.
When Sturgis broke into apartment, Jim stuck a gun in his mouth and his partner put a gun up to his chest.
During the conversation they had, Rothstein gave him the throwaway line, good shooting, alluding to Dallas.
And Sturgis acknowledged that he'd shot JFK because he'd betrayed the Bay of Pigs and because he'd had affairs with various women, including a spy for East Germany, which, of course, it was true about the dalliance with a spy, but it was untrue that he had betrayed the brigade at the Bay of Pigs.
Sturgis may have been the best shot in the world at the time.
Malcolm McWallace was Lyndon Johnson's personal hitman.
He killed at least a dozen people for Lyndon Johnson.
I had over a hundred conversations with Lyndon Johnson's mistress, Madeleine Duncan Brown, who bore him a son in 1970.
And Madeline told me that she herself was a member of Skeeton Gun Club and that the two weeks before the assassination, Mack Wallace was out there with her.
Not that they were together, but he was also at the club at the same time and he never missed.
He was simply excellent.
Mac Wallace appears to have been in the book depository, the opposite side, firing at John Connally in the mistaken belief that it was Ralph Yarborough, the liberal Democratic senator.
Linden had a huge fight with JFK that morning, wanting to get Connolly, who was his close friend and ally, out of the limousine and Yarborough Inn.
But Jack overrode him on the ground that the Chief Executive of the state should ride with the Chief Executive of the United States.
So what we have here is a closer approximation of what actually happened.
The green line, a shot from the top of the county records building hit Jack in the back.
Later, a second shot was fired that hit a sewer, concrete on a sewer opening, but completely missed.
Then we had the shot from inside the triple underpass.
That would actually be the orange line, which needs to be moved upward here to make it more accurate.
That pass through the windshield hit Jack in the throat.
You see two shots, the shot fired by Roscoe White.
That's the red line that actually missed and wound up in the grass.
You had the three shots being fired from the Daltex.
Oh, one of which missed and injured the distant bystander James Tagg down in the lower left, the second of which hit him in the back of the head and he slumped forward, or the second of which actually missed and hit a chrome strip over the windshield, but the third of which, after the limousine was brought to a halt, hit him in the back of the head and he slumped forward.
Then you have these multiple shots being fired from the Daltex by Malcolm Malcolm Wallace that actually hit John Connolly perhaps as many as three times because you had one went in his back and broke a rib, came out, hit his right wrist, wound up in his left eye.
Those could have actually been caused by as many as three shots.
And then you see from the intersection of the picket fence and the triple underpass, a shot fired by Frank Sturgis.
So there were 10 or 12 shots minimally.
And you see where Oliver Stone was mistaken in thinking there were only three hit teams.
There actually appear to have been eight shooters, where we've identified seven.
The eighth was actually in the grassy south knoll, the grassier opposite, where there's a single tree.
You wouldn't believe that anyone could have fired from that location, but I've seen two different photographs of the man standing holding his weapon.
He may have represented the Fed, because we seem to have representatives of all the other groups, even including Israel.
Putting the pieces together, George H.W.
Bush and Edward Lansdale were on the ground.
Exposing the cover-up narrows the range of possible suspects.
Noel Twyman was the first to lay out the full dimensions of the plot.
It was hatched in Los Angeles in 1960 at the DNC convention.
Let me elaborate about that.
Lyndon Johnson was running against JFK for the Democratic nomination for president.
JFK defeated him.
Jack offered Stuart Symington of Missouri to be his running mate, but gave him overnight to think about it.
Meanwhile, Bobby went past the Johnson Suite to make a pro forma offer to Lyndon Johnson to be his running mate.
No one imagined he would ever have the least interest, since it's been described, the vice presidency has been described, To put it accurately, as worth a pitcher of warm piss.
It's translated today in more polite language, a pitcher of warm spit, but that doesn't quite capture the dimension.
When Lyndon jumps on it, Bobby was shocked.
He threatened to expose that JFK had had that dalliance with a spy from East Germany, that he'd also suffered from Addison disease and wasn't expected to live a long, healthy life.
And he also threatened that if he were not on the ticket, that any legislative proposals from the White House would be dead on arrival because he bottled him up in his position as a powerful Senate majority leader.
Bobby and Jack were boxed in.
They couldn't figure out a way around and had to accede to Lyndon's demands.
The only time JFK had to rescind a political decision.
When a rich, when a rich supporter of Lyndon Johnson learned about this, he burst into the Johnson suite cursing and swearing because now Lyndon would help Jack become president of the United States.
Bobby Baker took him into a bedroom and explained what they had in mind.
He came out all smiles.
Saying he thought that was an excellent plan.
Bobby would later declare publicly that JFK would not live out his first term, and that he would die a violent death.
Lyndon Johnson would subsequently send his chief administrative assistant, Cliff Carter, to Dallas to make sure all the arrangements were in place for the assassination.
Here you have a photograph where I may have been the first to identify George Herbert Walker Bush standing in front of the Texas School Book Depository.
I found a photograph in the Jesse Curry's FBI file where Jesse was a chief of police at Dallas at the time, went to work for 7-Eleven stores as their head of security, published a paperback only available at 7-Eleven stores.
You can see why I believe.
He's got the height, the weight, the build, the gait, the stance.
Characteristic hands in his pockets.
I have no doubt whatsoever.
Even have a photograph in the upper right of G. H. W. B. on one of his Zapata oil platforms.
So here you see, actually, this turns out to be Lansdale, Edward Lansdale, waiting to speak in the foreground on the right, waiting to speak to George Herbert Walker Bush, no doubt, to review the bidding.
So here we have several of the photographs.
A brilliant work on this by a fellow named Hook places George Herbert Walker Bush in the Daltex supervising Nestor Tony Escadro and firing those three shots with a Mannlicher Carcano.
It turns out, ironically, that Bush was actually arrested coming out of the Daltex, identified himself as an independent Houston oil man, which was his cover.
One of the deputy sheriffs there noticed the report about it, but it was never actually formalized.
He knew the arrest had taken place.
We even have photographs, oddly enough, of W there looking a bit lost.
They've tried to change his nose, but there's no doubt about it.
So George Herbert Walker Bush actually brought his son W to the assassination.
Here's what Richard Hook, who's done such brilliant work on this issue, a height, weight, build, nose, ear, age, jaw, walk, Walking toward the building his dad got arrested at minutes before.
The preppy loafers with white socks.
What are the odds this could all be?
Pretty large, I would say.
W at the scene.
Meanwhile, a number of CIA agents were at the corner of Maine and Houston to pay their last respects.
They include Grayson Lynch, Eddie Baio, one who looks like David Morales, who was deeply involved here, was not actually David Morales, but a fellow named Push Penny, who bore a certain resemblance, Ted Shackley, Rip Robertson, Tracy Barnes, all paying their last respects at Houston and Elm.
These are the three tramps who were arrested in a boxcar.
The first is Charles Rogers, also known as Frenchy, about whom a book was written, The Man on the Grassy Knoll.
The second, Charles Harrelson, the father of the actor Woody, who was serving a life term to the assassination of a federal judge using a high-power rifle.
The third, Chauncey Holt, whom I got to know personally.
The third of the tramps carrying a bag with a custom-made pistol and some communication equipment.
These were fake police officers who were escorting them.
Here we see a remarkable photograph where Edward Lansdale is walking past them.
His identity has been confirmed by General Victor Krulak and by L. Fletcher Prouty, both of whom knew him personally.
So here you have, again, Lansdale waiting to see Bush to report on their success.
Many have claimed that if there'd been a conspiracy, people would have talked and nobody talked.
But as Noel Twyman explained on one page of his book, Plenty of people talk.
Carlos Marcella, for example, bragged that Kennedy be killed.
Santo Tropicante bragged he would be killed.
Joseph Miltiero, right-wing, not from Miami, bragged that he'd been killed by rifle from a building.
Johnny Rosselli told Jack Adkinson later that Ruby was their man in order to silence Oswald.
David Atlee Phillips in charge of Western Hemisphere Suspected of being the mysterious Maurice Bishop, said that fringe elements of US intel may have been involved, but he was one of the key players, and he was not fringe.
Lyndon Johnson's mistress said Lyndon implied before he was killed it was gonna happen and confirmed it afterwards.
Maritha Lawrence stated in depositions Sturgis told her a group of Anicastro Cubans were involved, Sam Giancana's brother Chuck.
Said Sam had confessed to the entire crime where there's been a major effort to blame it on the mob to shift attention away from the CIA.
Chauncey Holt, Charles Harrelson, Jim Hitz, Jack Ruby, even Billy Solis have all talked about Lyndon's involvement in the assassination.
So if you look at the evidence and how it was altered, how the x-rays were altered, even another brain substituted for the brain at JFK, the Zapruder film, massively edited.
That could not have been done by the KGB, for example, which could not have extended its reach into Bethesda Naval Hospital to alter x-rays under control of medical officers of the U.S.
Navy and the Secret Service.
Anti-Castro Cubans couldn't have substituted another brain for the brain of JFK.
And the mob could not have got its hands on the Zapruderfilm.
So you take out those players and you're left with the ultimate A black op orchestrated by the CIA or a coup d'etat involving Lyndon Johnson, the Joint Chiefs, the intelligence community, and the military, which is what in fact actually occurred.
In his brilliant book, Bloody Treason, and I encourage anyone who has the opportunity, you want to pick this up, 1997, Noel Twyman outlined the most perfect combination with the greatest probability of success was to combine the CIA military with the Secret Service, the Mafia, LBJ and Hoover.
All LBJ had to do was recruit the CIA who would use the Mafia as needed.
They were two sides of the same coin.
where the CIA would perform assassinations internationally in the mafia inside the U.S.
and the Secret Service, and he had a perfect conspiracy.
This is how it was done. Remember, Lyndon would be the most valuable member of the group
because he'd become president, have immediate authority over the entire executive branch,
including the Secret Service, the military, the CIA, and the FBI, which represent the
entire investigative and prosecuting capability of the United States government. So that all the other
investigations by Congress and in Texas that actually were rapidly exposing what happened were squashed
by Lyndon, who designated the FBI as the sole investigative authority.
So here you have a photograph that represents the power behind the throne, the mastermind of the JFK assassination, Lyndon Baines Johnson.
And I highly recommend a brilliant book by Phil Nelson entitled LBJ, Mastermind of the JFK Assassination.
Wonderful work.
Meanwhile, the fourth and final of my book, Solving the World's Greatest Mystery, JFK, Who, How, and Why, remains available at Moonrock Books and even at Amazon.com.
Surprisingly, this is one of my books.
Amazon has not banned.
So Louisa, I can't.
Thank you enough for this opportunity, and remember, this is a distillation of 30 years of collaborative research.
We're the best experts to ever study the case.
This is profound, Jim.
This puts all the pieces together.
This answers so many of the unanswered questions of the mystery, and you've done an amazing job with all your collaborators.
Thank you so much for this amazing presentation, Jim.
It's my great pleasure, and as I say, those who want to follow up, Larry Rivera has a wonderful book called The JFK Horseman, also available at Moonrock Books.
Larry is doing the cutting-edge research today.
Donald Trump, who came into office with the intent to release all the remaining JFK files, was thwarted in that effort, but a lot of records did come out.
They were not indexed or in digital form, so you had to go through them painstakingly hand-by-hand.
Because Larry Rivera was born in Puerto Rico and speaks Spanish, it gave him an advantage in sorting out the documents.
Which showed how they created the fraudulent account of Lee Oswald visiting Mexico City to try to get a visa to go to Cuba to make his escape to Russia, none of which occurred.
And would you believe in what Larry has unpacked?
Three of the CIA assets in that whole enterprise were presidents of Mexico.
Yeah.
OK, so I've got a couple of comments.
First, I wanted to let everyone know that these documents that Jim's referring to Are being indexed right now I'm going to screen share the website.
It's called Project Apario and this website is indexing through tags all of those JFK files that have been released.
You can come here and take a look at What the most common and popular searches have been, but he's gone through.
I've just interviewed him again.
Andre the creator of this website and all of these declassified information documents through the vault.
A lot of the FBI files are on this website and they are being indexed.
So you might want to go there too and try to find certain keywords that you can pull up and do your researching.
Hasn't been available before, but for people who are out there researching, and for anyone else who is interested in researching, you can find those.
That is a website that I found is very, very helpful to do research with.
It's interesting, though, how you point to the CIA, Jim.
You point to how many different players were involved, all the different people who had motivations to want to stop JFK.
In the beginning of this report today, we played that speech.
That warned everyone of what this conspiracy was and he was in the way.
He wanted to change this as you pointed out so clearly in this report that JFK wanted better for the country.
He wanted better for the people.
Also, in these documents, we might find out a lot more about this process of the control of the narrative that you talked about, that you reported, how they created these fake news stories.
Is this really where Mockingbird Media was born?
Was this the event to kick off the absolute brainwashing of the public through their techniques that you thoroughly pointed out and illustrated, Jim?
No, Muckingberg began in the 1950s, Louise.
It was an attempt to infiltrate the American media to take control of the narratives that would be allowed, and today we see it in full fruition, where now it's the... I have a panel of 100 executives from CNN, every one of whom is a dual U.S.-Israeli citizen.
Another panel of 100 executives from NBC, every one of whom is a dual U.S.-Israeli citizen.
A third panel of 100 executives from the New York Times, every one of whom is a dual U.S.-Israeli citizen, so that Israel has a major domination, not only of our Congress, where they have the pledge, where AIPAC, the American-Israeli, they call it public affairs, it's a political action committee, holds sway over Congress, is by far the most powerful lobby, and where Cynthia McKinney revealed every new member of Congress is asked to sign a pledge.
To put the interests of Israel ahead of that of even the United States.
And where a dear friend of mine, collaborator Gary King, years ago was asking me, did I know how many members of the current Congress had refused to sign the pledge?
And when I acknowledged I did not, he held up one finger to one hand.
There was only one member of Congress.
So Israel is running the shop now.
I'm convinced, by the way, they were out to get Trump out and Biden hairs in because Trump would not support attacking Iran.
He did many things to benefit Israel, moving the embassy to Jerusalem, declaring the Golan Heights to be a part of Israel when it's Israeli-occupied Syrian territory, even unfunding the Palestinian organization that supports the Palestinian refugees and rewriting, revising by
executive order anti-Semitism to include, and this is completely absurd, criticism of the policies
and actions of the government of Israel, which has nothing to do with ethnicity or religion, for
which I fault him massively.
He also, of course, participated in the assassination of General Soleimani, who is a great
warrior and brilliant political military figure who was instrumental in organizing
forces to defeat Israel in its war with Hezbollah.
So the Israelis wanted revenge, and Trump regrettably participated in that.
It was a black mark against him.
He still did a great deal of good for America, and compared to the president administration, which is out to destroy the nation wholesale, there's simply no comparison.
Right.
Well, this isn't a report on Soleimani, for sure, because, you know, our opinions differ a bit on that.
But I completely agree with you.
And what's very disturbing is how, you know, why then director CIA Alan Dulles and his CIA operative George Bush took orders from Israel.
And from who else, we don't know fully, but maybe when these records are declassified I mean Jim here you have it what would they, as you said in the beginning, if it didn't implicate them, why wouldn't they release it.
So that's clearly what what we have to get our minds around.
And you know Jim it's so important to get To do this kind of analysis and report for the people because now it's not difficult to understand the time that we're living in right now has used these methods of mass media manipulation, have used these methods of hiding their crimes under classified, you know,
classification, right? Keep it from the public's eye.
Because what is, you're absolutely right, what's happening right now is the destruction of the United
States. And, you know, here you had President Kennedy trying to do good and trying to save us
and they had to take him out. But his words are as absolutely relevant today as they were almost
60 years ago. Would you agree, Jim?
Oh, I couldn't agree more, Louisa, and I can't thank you enough for this opportunity.
Yeah, this has been an amazing, amazing time.
So we're going to upload these.
I want to thank Ascension Radio for broadcasting this.
And I want to also thank all the viewers who have been watching.
We've been live streaming on Facebook and we've also been broadcasting on Ascension Radio.
So thank you to everyone who's been listening and who's been watching.
This will be uploaded to our channels and to Jim's BitChute and to the Goldfish Report.
So if you miss some of it, don't worry.
You can go back and it'll be uploaded today and you can catch the report and get all this Packed full of incredible information that you should review, and definitely get Jim's books.
Go to moonrockbooks.com and buy his books on this, because it's history, folks.
So, Jim, good to see you, my friend.
I hope to see you again soon.
We'll be doing another report together soon, I hope.
You got it, Louisa.
Thank you.
Okay, and good to see you, and this concludes this edition of the Goldfish Report.
Thanks for viewing.
No problem.
We got everybody kicked out.
It's stopped.
Oh, are you still recording?
I'm trying to quit recording.
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