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April 20, 2024 - Info Warrior - Jason Bermas
59:24
JFK CASE CLOSED?!? The Final Analysis
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Welcome to making sense of the man.
We've got a great show lined up for you today.
We're going to be spending an hour with author, journalist, analyst, Jerome Corsi.
We're going to be talking about the final analysis, the assassination of JFK. You're not going to want to miss it.
Buckle up, get ready to sense of the madness.
And we are back.
We are now joined by Jerome Corsi.
His new book is The Final Analysis.
Thank you so much for joining us.
You know, before we talk about the book, let's talk about the media landscape then and now.
You know, because obviously, you know, we talk about fake news so much and it's so apparent that we have Censorship via big tech, big media, big government in this country.
But the truth of the matter is, you know, there's been fake news for a very, very long time, and probably one of the most egregious examples of that would be the assassination of John F. Kennedy.
So what are your thoughts on that?
Because this isn't even your first book on this assassination.
When you look at that spectrum, and obviously the media sphere is much smaller, and word of mouth, you know, newspapers, a couple channels, that's how information travels.
So what is the dynamic?
What is the spectrum of controlling the narrative?
Well, that's an exceptionally good question.
First of all, the...
The media has a profound grip on the public because it's news.
We all need news.
Everybody, you know, this has gone back into ancient times.
Need news.
And so, therefore, whoever is the town crier or whoever is publishing a pamphlet or a newspaper is creating the narratives.
And in 1963, it was not as sophisticated today.
Today is much more sophisticated.
Today, the government has got complete control of the media.
They're buying, regulating the media.
They pay the media.
The CIA, which is the deep state, the heart of the deep state is the CIA. The dark, evil heart of it is the CIA. The CIA is happy to influence journalists.
They put out what talking points are.
They mold stories.
At the back of this book, the JFK book, I published a CIA memo from 1967, which is entitled Countering Critics of the...
A Warren Commission, and it points out that they're going to run psychological operations on any critic.
They're going to have techniques for countering any argument that comes out.
They're going to discredit it.
It's been going on for a long time.
Now, today, with the computerization, with algorithms, with the ability to computerize and search through messages, doesn't even require human beings to do it, picking out words, phrases, etc., The technology can censor an amazing amount of information that never is going to get out to the public.
You may think it's getting it out, but you'll be shadow banned.
Nobody will hear you but yourself.
And the technology today makes that possible.
Now, even in 1963, before the assassination, I had met Edward Bernays.
My father had hired him.
My father was a railroad union lobbyist.
He created the public relations department.
Edward Bernays was probably the father of public relations, and he Not probably.
Hold on. Mr. Corsi, I didn't know this story, but not probably.
This is the man that coined the term propaganda in his book, Propaganda, with an opener where he talks about the true power structure in this country, in the world, mostly being men of which you've never heard of and the levers of power moving through these techniques and tools.
Propaganda becomes public relations And, man, I forget that documentary series when he's an old man, The Century of Self.
The Century of Self.
He can't help himself but brag about some of the things he's done, including getting women to smoke cigarettes.
So, first of all, fascinating side topic.
Continue. I'm sorry to interrupt, but guys, he's not probably the first.
The father of public relations.
He coined it all, really.
Modern-day public relations PR propaganda is Edward Bernays.
I call things like safe and effective Bernaysian language.
I mean, it all derives from that guy.
I'm sorry, Mr. Corsi. Go ahead.
Well, you know, but I've not told...
I mean, I mention it occasionally, but in my 20s, I spent a lot of time with Edward Bernays.
Okay, and we'd have dinner at his house.
I mean, we'd talk for hours.
I mean, I spent a lot of time with him.
And I just immediately understood him.
And, you know, he did a variety of things, including he, in 1957, when the Banana Company in Guatemala, which I forget the name, I've written about it, my first Kennedy book, I'll pull it here in a second, They had a new leader coming in who was going to turn land from the Banana Company back to the people.
So Eisenhower decided they were going to overthrow this new populist leader who was going to hurt the Banana Company.
Alan Dolls had investment in the Banana Company when he was head of the CIA, so they brought in Bernays.
And this was one of the first operations where Howard Hunt They created a fake army that they said was going to be, you know, Guatemalan rebels.
They staged a fake revolution.
They deposed one leader.
They put another one in. They assassinated him.
They assassinated him with a guy who was killed immediately.
I mean, it's just a redo of the Kennedy assassination.
And Edward Bernays was the chief architect.
Edward Bernays flew in journalists to propagandize them so they would write about how good the Banana Company was.
I was knowing this in my 20s.
And then Jack Kennedy got assassinated.
And so when he got assassinated, actually it was earlier than that.
When Jack Kennedy was assassinated by 17, I saw the whole thing like a Jim Carrey Truman show.
I knew we were being run here, a lie that was being the created reality that Lee Harvey Oswald was the assassin.
And at 17 years old, I remember watching it and saying, someday I will write the book that will explain this.
Now, how I knew that at 17, I don't know.
But now, this is my second book on the JFK assassination, and we do explain that.
But I have extensive background with Edward Bernays.
And it's an amazing life.
I mean, God put me to the right people at the right time to explain things to me.
And, you know, not very many people got to spend time with Edward Bernays that I did.
Or as knowledgeable as I do.
I can't imagine. I mean, that's something kind of blowing my mind, Mr.
Corsi. I can't imagine what a dinner with Edward Bernays, especially in retrospect to the knowledge we have about him and his own writings, even at the time, especially, again, that century itself is a documentary I constantly go to to try to explain to people how narratives are woven.
And, you know, you look at even right now, when we talk about this quote-unquote Great Reset, It's really just a repackaged globalist New World Order agenda, but a great narrative, which they are projecting openly, and anything that goes against that narrative is now being censored on a mass level.
And, I mean, we're in, I would argue...
Global fifth generation warfare when you're beyond the nation state.
But even then, right?
Let's talk about that. Because 1963, we're kind of beyond the nation state as well.
Because you really do need global cooperation in an operation like this.
Not to raise eyebrows of other first world nations.
That you're assassinating leaders and essentially taking coups.
See, okay, so I've had a very unusual life, which I rarely talk a lot about.
When I was a kid...
I mean, I would say things to my father.
I was watching politics at four or five years old, you know, and remembering it, knowing what it was about.
I would say something growing up to my dad about politics, and the next thing I know, Jack Kennedy would say the same thing.
And my dad had that kind of ability in Washington, and he knew Bernays.
He hired Bernays.
And did a lot of work with Bernays.
Made a series of tapes with Bernays.
I'm not even sure I still have them anymore, but I'd like to see if I could find them.
At any rate, Bernays used to write to my dad about me.
And I knew from the time I was a kid that there was a deep state.
And that what was being controlled in terms of narratives were not necessarily what was really happening, but it was what you were told was being happening.
It was carefully constructed and architected.
Now, J.J. Kennedy was assassinated I was in high school, at St.
Ignatius High School in Cleveland, Ohio.
And I went down to the, I had the car that day, turned on the radio going home, and they were playing Jack Kennedy's first inaugural.
They had announced on the intercom that he'd been shot in Dallas.
So I didn't know he was in Dallas that day.
I had followed Kennedy pretty closely, didn't know he was in Dallas.
But as soon as I heard that, I knew he was dead because otherwise they wouldn't be playing the first inaugural in 1963.
That was two years earlier, already over.
So he's dead. And then I began to think about it and I said, okay, they killed him.
And I got to know the mob who was around Kennedy.
I've had a lot of personal experience with this that I rarely write about.
I do write about it more in the first book than in this book.
Now, the day Kennedy was shot, what my experience was, I got home and was watching it, and I'll tell you a couple things about it first, and then we'll get into the book.
But first, these are things I don't...
You've got this uniquely, because I don't usually talk about this.
So I got home and turned on the television, was watching it, then they arrive at Andrews Air Force with Air Force One and Jack Kennedy, and here come Bobby and Jackie, and they're on this lift thing, and they're trying to get the casket down into the Navy ambulance to drive it to Bethesda for the autopsy.
And I'm watching all this drama, I saw Bobby go into the airplane from the front, and the casket was in the back, and they off-lifted it.
And I'm wondering, okay, now what's really happening here?
Lyndon Johnson gets on, and he gives a speech.
He says very things.
He said, I'm asking for your help and God's.
And I said to myself, this guy doesn't know what he's doing.
He can't even phrase a good sentence.
I'm saying it's 17 years old.
She said, I'm asking for your help and the help of God.
Now that's grammatically, and that's in terms of phraseology.
I'm asking for your help and God's.
Say, this guy's a hayseed.
This guy's Texas.
Who is this joker? I didn't like Lyndon Johnson from the first time I saw him in Congress.
So that was my first reaction.
Then as the story goes on, and they suddenly find Oswald, they're parading Oswald around.
I'm saying to myself, this is too easy.
It's too slick. They've found this guy too fast.
And then Oswald is obviously objecting to it.
He's saying things like, I'm a patsy.
He's looking shocked when they say he assassinated the president.
I said, this guy didn't do anything.
This is the guy they picked for the fall guy.
I was thinking that in 19—and then when they shot—I was watching TV on Sunday when they're bringing Oswald down in the jail to take him out of the police department to the county jail, and he gets shot by Jack Ruby.
I said, they just silent—mob hit.
That's a mob hit. So I've never believed this story.
And partly it was Edward Bernays who, you know, his insights and the like made an impact on me to be able to, we had talked about these kinds of things.
Basically looking behind the curtain.
But you know what, there's one person.
Creating a reality. Yeah.
There's one person you didn't mention that's on that plane, and since we're talking about kind of creating reality, and that's Jack Valente.
A lot of people don't talk about Jack Valente, but this is a guy that ends up becoming the head of the Motion Picture Association of America.
So he's very Holly weirded out.
You talk about narratives, and then the control over those narratives via the rating system.
And there's all sorts of evidence that this guy, I mean, mafia or not, also working with the Central Intelligence Agency.
So, you know, before we go to break and then come back and start talking about...
We'll get into this book in detail, yeah.
Yeah, yeah. Let's talk just really quickly.
You mentioned the mafia. And, you know, obviously over time we've realized that certain aspects of the mafia have been assets or informants for some of these three-letter agencies, the FBI, the CIA in particular.
How do you think that weaves into the assassination?
Well, look, first of all, I got to know the mob.
Because the Elkins family out west, I spent a lot of time with J.B. Elkins, mostly with Ray Elkins.
J.B. Elkins was the first witness in the McClellan Committee hearings because he was the mobster who was most affected when the mob, we're talking about the Eastern mob, moved into the Teamsters through Jimmy Hoffa.
And the Elkins family were the kingpins of the western mob.
They had opened Vegas, and they had opened Reno.
And the eastern mob, and they taped all these mobsters moving into the Teamsters, and they gave that information to Bobby Kennedy.
J.B. Elkins was extremely funny.
Now, I'll just tell you one short story before the break and give you a question about how effective the mobs were.
We're sitting in this dinner in Elkin's home, and there's a whole bunch of the mobsters around.
They're talking about how the sheriffs are now all moving in from the federal government, and the West is not like it used to be, where the mob used to be the lawmen.
The bad guys were the lawmen, and they were the bad guys, and they would run these towns and make them work.
They had to fight the Indians, and they had to fight all these problems and get these people out here and make life.
It was a mobster. We're losing our frontier.
The feds are taking over.
Where are we going to go?
And the mobsters decided the only place left for us is outer space.
We're such badasses.
When we get to outer space, they'll send us out to deal with the aliens.
Jack Kennedy was sitting there, and he said, you don't mind if I borrow that?
That's where the new frontier came from.
Jack Kennedy ran the new frontier.
Came from the discussion about we're losing a frontier.
The frontier's gone. And the mobsters decided the only place for them as badasses was space.
And they were going there.
And obviously that's a little bit tongue-in-cheek.
We're going to take a break.
We're going to get into the book.
Already a fascinating first segment with Jerome Corsi.
You're not going to want to miss the rest.
back with more making sense of the madness after this.
Thanks for watching.
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And we are back. We are joined by Jerome Corsi.
All right, let's get into the final analysis.
So this book is much more of a forensic take on the assassination and is dealing with the photos and, again, eyewitness testimony of those that were there after Kennedy was shot, correct? Well, here's how you, knowing that it was watching a Jim Carrey Truman show, I said, you know, how do we deconstruct this?
I come across David Mantic.
David Mantic has been publishing for 30 years.
He is a PhD in physics and he has also an MD and he's a radiation oncologist.
He's practicing for 40 years.
In fact, today, David is doing radiation oncology in locum tenens, which he does, which is he fills in for other doctors.
He doesn't work full-time, but he continues to practice in his advanced age.
Now, David is brilliant. And what he had done is after the Oliver Stone movie, he said, well, as a radiation oncologist, I want to go see those x-rays.
And he brought in with him a densitometer, which is a little scientific instrument.
The densitometer looks like this.
That's a densitometer.
And so it's got a handle.
You put the x-ray in there, and a little bit of light comes up through that dot.
And then you pull the arm down, and it measures on a logarithmic scale how much light got through the x-ray.
Now, why is that important?
It's important because when you look at an x-ray, the black part, it's a negative.
That's where all the light's coming through, turned the silver nitrate in the film black.
And where the bone is, not much light got through, so the silver nitrate didn't turn black, it's white.
Now, it's easy to look at an x-ray because the black, there's nothing there.
The white, there's plenty there.
The bone, tissue.
Now, what Mantic did by these optical density measurements, which he took millimeter by millimeter, and sometimes a tenth of a millimeter by a tenth of a millimeter, is he knew what he was really looking at.
And what he determined was, of the three x-rays that are in the archives today of JFK's autopsy skull x-rays, all three are forged.
They're not the original.
Now, and we explain this in the book, and we give you in the appendices, the technical part of this book, the hard part of this book is in the appendices.
You don't have to read those if you don't want to, because the text reads simply.
I wrote this so anybody can read it, whether you know science or not.
So I explain it in common sense terms.
So, for instance, if you look at the x-ray you see in the cover, where that yellow arrow is, there's a white patch.
That's too white. That would be like building a 10 miles high.
You can't do it. It can't be that white.
An x-ray doesn't have that range into it naturally.
So somebody did something to mask a lot of light.
They made it exceptionally white.
If you go down by the red arrow, down at the bottom there, with that little hole in it, that's where the petrous bone is by the ear.
That's the densest bone in the body.
And the white patch is whiter than the petrous bone.
It's obviously falsified.
And there was also a 6.5mm little object put in the x-ray that was taken from the front to the back to make it look like that was a piece of the Mannlicher Carcano 6.5mm bullet from Oswald.
But they only put it in the front to back x-ray.
It's not in the side to side.
So it's fake because a real object would have dimensionality and would have been seen in the lateral x-rays as well as in the front-to-back x-rays.
So Dr. Mantic proved down 100%, slam dunk, these x-rays, all three are fake.
No question about it.
It's science. It's done.
Secondly, he analyzed where the shots came in.
Now, if you can make the book larger, I want to show you the arrows, the blue arrow.
I can enlarge that book a little bit so people can really see it.
The blue arrow was a shot right to the right forehead.
And it traced back across the upper quadrant of JFK's head.
Okay, and so we trace that bullet.
You can see the fragments of it.
You can actually see the fragments breaking up.
The bullet broke apart.
It was probably a mercury bullet because it didn't get removed in the pre-autopsy surgery to the head, which we'll talk about in a few minutes.
But at Bethesda, they altered the wounds before the autopsy started.
The doctors did. These, although, remained, that had to have been a mercury bullet, the biggest fragments in the back.
It didn't exit, so it is 100% slam dunk evidence that that was a frontal shot.
The red arrow hit in the temporal bone right by the ear, and it creates a keyhole fracture.
Because it's an oblique shot.
It's tangential.
It's entering the head here, and it's blowing out the back of the head.
It's kind of like hitting it at the side.
And that always creates a keyhole fracture.
The keyhole fracture is right there at the red arrow.
The black arrow, where you can see the black arrow, that was also blown away.
I'll get to that in a minute. But the shot entered here, and it blew away the back of the head, and the white patch is covering up the back of the head.
Now, the yellow arrow was a low shot and a low angle shot, and it hit the back of the head at the button, the knob in the back of your head, and it blew out a large part of the front of the head.
A large part of Kennedy's brain was missing when they saw it at Parkland.
It was just gone. His head was blown apart.
It was deeply fractured.
Brain was gone. But he was massively shot by three shots.
No, this is hard evidence because it's all optical density.
It's all analysis of the x-rays.
It can't be refuted.
It's there. And so there's at least three shooters.
Yes, go ahead. What I would ask is the first shot, at least according to the Zabruder film, seems to be going through the throat.
And none of these would account for that unless it was an exit wound from that back of the head down?
No, no. We discussed that.
We read a whole chapter. There was a shot that came through the windshield.
Okay. It was from the other side of Dealey Plaza, the south side, up by the railroad yard.
In fact, in the back of the book, there's even pictures that there was someone there when the shooting was going on who left when the shooting stopped.
So there was someone up there shooting.
Okay, now, but it comes through the windshield, and when a bullet comes through safety glass windshield, it makes a puncture mark, like a pencil mark, going in, and as it exits the safety glass, it bevels, and that glass spreads out as fractured glass.
So that's how you tell which direction a shot through a windshield came from, and it was clearly a frontal shot, and the angle pointed up to that railroad yard on the south side Of Dealey Plaza.
That hit Jack Kennedy in the throat.
Draw a line. You can see exactly from where the windshield...
And we have pictures of the bullet hole in the windshield.
We've got multiple ones of them because it can be seen in the Zapruder film.
A little speck of white where the bullet went through shows up on the windshield after it's hit.
It's refracting light.
Okay, so the first shot was coming from that and it hit the throat.
And by the way, Alchins, who was an AP photographer, was standing in front of the limousine on Elm Street, and he took a picture.
And the picture shows Jack Kennedy reaching up with his throat, hitting the throat, and behind Jack Kennedy is the Texas School Book Depository.
That's going to be important here in deconstructing this.
Now, the sequence of the shots, as best I can figure, where the first shot came from the shooter who was across the Up by the railroad yard to the other side, not the grass you know, but the other side.
The second shot came from the back.
And I know that because the bone that was blown out of the back of the head is called the Harper fragment.
And the Harper fragment has an entrance wound obvious on it with metal.
So that came in a low angle and it fractured and blew out a lot of the brain in a path up towards the front of the head.
And then that happened at frame 313 of the Zapruder film.
When you see Jack Kennedy, he moves forward and you can see the big spray coming out of his head flying forward.
Okay? And then by frame 388, which is only like two seconds later, Jack Kennedy, his head explodes and By the right temple.
You can actually see it exploding.
We've got the pictures in the book, and sometime we'll come back and share screens and show you all these pictures of this Bruder film.
We describe it in the book.
And he's blown, this just explodes the head, and he's thrown, that's when you get the back and to the left.
Watch the Oliver Stone film, it's back and to the left, back and to the left.
Well, that's because this shot hit him here, it blew out the back of his head, and it threw him violently back and against the, to the left of the car.
The blood and matter from Jack Kennedy's head went out on the trunk on the left side of the limousine.
Clint Hill, the Secret Service agent, was running up to get to the car.
And as he was reaching for the back handrail, he got splattered with Jack Kennedy's brain and guts and everything else.
And the motorcycle officer on the inboard left got splattered with Kennedy's blood and brain matter.
And that was all, that clearly indicates again the trajectory that had to be a grassy knoll shot.
Okay, and Jackie climbs out of the car and reaches for a piece of Kennedy's brain on the back left of the trunk So no more indication.
That was a frontal shot which threw all the brain matter and everything from Jack Kennedy out through the back, which is where it went.
The Harper fragment was found on the grass opposite the grassy knoll.
The grass you're seeing there in the picture to the left of the limousine.
That's on Elm Street.
Okay, now... So that's all, and so then the, one of the shots would hurt, probably had almost simultaneously the shot hitting here, the blue arrow, and depending on the angle of Kennedy's head, I still think that that shot came with a second shooter from the grassy knoll.
But David Manick and I and Doug Horn have all discussed this, and it could have been also the shooter who did the shot through the windshield.
We don't know for sure where that shot came from, although I'm leaning towards two shooters on the grassy knoll, one shooter at the railroad yard, and one shooter from the Daltex building behind Jack Kennedy.
Now, why this is so important is because we went to the forensic evidence.
We proved it with the optical density measurements, and Dr.
Chesser independently made optical density measurements and examined the skull, and he came to the exact same conclusions that Dr.
Mantic did. Now, Mantic has been publishing this for 30 years, but I guarantee if you read what Mantic publishes, it's hard because it's all physics and math.
Now, I met Mantic and interviewed him, and I saw that blue arrow.
I saw the bullets coming across the top of Jack Kennedy's head.
I knew we had evidence of a frontal shot that was indisputable.
So I finally decided to write a book with Mantic to try to make him—to get what he had to say.
I mean, I know this case inside and out.
I knew the Kennedy family.
I mean, it was kid— I observed the Kennedys in Washington.
I've seen all three of the—Jack, Bobby, and Teddy.
Teddy, by the way, did not like me at all.
Teddy was opposed to me politically.
By the time Teddy came around, the family—Jack was not a today liberal.
Jack would have today been considered a moderate conservative.
But Jack—I liked Jack.
I knew a lot of Jack's problems, but Jack matured in the job.
And he was becoming a different person.
Had he lived a little bit longer, he might have matured more.
But the point is, I knew the physical evidence of the x-rays cracked the case.
It's CSI. And today people watch CSI. They know this is CSI cracks cases.
Because the physical evidence is...
And so the limousine, by the way, then gets to Parkland Hospital.
The Secret Service knows CSI. They take buckets of water and they're mopping away all the brain matter and everything in the backseat of the limousine.
They're destroying a crime scene.
And people at Parkland, you know, milling around, see the bullet hole.
They know that's a frontal shot.
Secret Service cordons off the car.
They don't let anybody take any pictures of it to stop them.
And so they get the car out of there so that they can get that windshield replaced, which they do within a couple of days, flying the limousine to Dearborn, Michigan.
And we've got a whole chapter showing how they do this.
So they're altering physical evidence.
They're the criminals. They're hiding the crime.
Secret Service is in on the deal.
It's the only way to explain that.
We've got to take a break.
When we come back, I want to talk about...
Doctoring the evidence.
I want to talk about the x-rays and kind of beyond.
Get your take on it.
It's Making Sense of the Madness.
book is the final analysis the assassination of JFK more after this
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We're at war. And we are back with Dr.
Jerome Corsi. So let's talk about doctoring evidence because obviously your position is that when you look at the forensic evidence Of these x-rays, they can't be the originals.
They had been tampered with in some manner.
We also have the death photographs of John F. Kennedy that have been in the public arena for decades.
People have called that into question.
I'd love to get your take on whether or not those are legitimate.
And then there's the Zabruder film itself.
You know, there's plenty of people out there that have talked about whether the Zabruder film has been sped up, slowed down, whether or not frames have been taken out, whether or not they've been doctored.
And then, of course, there's talk of a second video of the assassination that doesn't show as much.
What are your thoughts on all those topics?
All of that stuff has kind of been put out there as evidence towards this assassination.
Well, see, first of all, the disinformation campaign that the CIA has run intends to put out false trails to go down.
And so, therefore, I stuck into very, very hard evidence, what we could prove hard.
First of all, we do show you how x-rays can be altered.
We go all through in the appendices.
The photography, all the nature of what x-rays are.
We show you how they're altered.
We show you photographs that were altered even in the 1800s.
Okay? All the photographs, there's only one There's a photograph in the entire collection that was not altered.
We discussed that. It's called F8. We write extensively about that, and I don't know how that slipped out, but occasionally in the released JFK evidence, there's evidence that comes out that is very revealing and should not have been released If you were just trying to maintain the cover-up.
It looks almost like somebody was slipping in occasionally a piece of evidence to tell you the truth.
There's also autopsy photographs of JFK's head when he's in the autopsy in a neck brace, head brace, which was not in the autopsy room with the gallery.
And when we get to that point, that's what I'm going to concentrate on most right now.
And that is that...
Okay, so the airplane takes off from Love Field.
Johnson's sworn in, and they get in the air.
And about an hour into the air, they announced that they found Lee Harvey Oswald, and he did the shooting from the Texas School Book Depository, sixth floor window.
Now, the government's got a problem, because they knew Alchins took the picture.
That picture was also out in the public within about an hour.
And it was clear that the Texas School Book Depository was behind Jack Kennedy when the shooting happened.
So all the shots had to come from behind if Lee Harvey Oswald was the shooter.
There couldn't be any frontal shots.
Now the problem was that at Parkland Hospital, when they brought Kennedy in, All the doctors said he's been hit from the front.
The throat wound was clearly an entrance wound.
It was a puncture wound, like a pencil, like the wound through the shot through the windshield, just like a little round pencil mark that would pierce through.
Okay, entrance wound.
Then they see Jack Kennedy.
The back of his head is blown away.
Now, the doctors describe this.
They say they look down in there.
A third of the entire brain is gone.
And you can look down into his head through this gaping hole.
There's nothing there.
The bone's gone, the tissue's gone, the brain's gone.
It's all blown out. And they look at this, even the cerebellum, which is this organ on the very back of the body, of the brain, in a different color, is hanging out of the skull by like a thread.
The doctors take one look at this.
Now, okay, so the emergency room doctors, and there's a whole group of them that pile into the emergency room, which is not a very big room.
And they start doing a tracheotomy.
Dr. Malcolm Perry starts doing a tracheotomy.
They've got to do everything they can to save Kennedy's life.
He's the president of the United States.
They're going to do everything they can to resuscitate this guy.
So they try a tracheotomy and then that's not working so they begin heart massaging him to get his heart to beating again.
And finally, one of the doctors says, stop it.
He said, this is pointless.
He said, his brain is on the floor.
His blood's on the floor. He's got a hole in his head.
You're not getting this guy to come back.
Stop it. So they only worked on him for about 20 minutes.
And then they declared him dead.
Now, the doctors, later that afternoon, two of them, Malcolm Perry, who did the tracheotomy, and Kemp Clark, gave a press conference.
And they said eight or nine times Jack Kennedy was shot from the front.
He was shot from the front.
Now, they didn't know whether the shot that went in the throat blew out the head.
Of course, they couldn't figure out how that could have happened because it had to come from below Jack Kennedy.
But they knew this was an entrance room.
They knew this was an exit room.
And that's all they knew. They didn't examine the body.
Because it was a Dallas murder.
The body was going to be...
The autopsy was going to be done in Dallas.
And it was not their job.
Their job was to try to save the guy's life.
The guy's dead. Then the coroner takes over.
The coroner was there.
And he and the Justice of Peace said, we're doing the autopsy.
Well, the Secret Service had called...
A local mortuary, they got a ceremonial casket, and they put Jack Kennedy, the nurses wrapped Jack Kennedy's up in sheets, and his head up in sheets.
They put his body in a ceremonial casket, and the Secret Service pulled their guns.
They pulled, they put Dr.
Earl Rose to the wall, and the Justice of the Peace to the wall.
They put guns in their face, and they said, we're taking the body.
We don't care about Texas law.
This guy was killed as President of the United States.
We're taking the body.
So they had to keep control of the body.
And the problem was now, from the beginning, they realized, I'm sure the Secret Service realized, that Kennedy was shot from the front.
I mean, Clint Hill was splattered with his blood from behind.
He was behind Kennedy.
He knew that shot came from the grassy knoll.
Now they got a problem because the guy they're pinning it on, Lee Harvey Oswald, couldn't have magically just jumped in front of the limousine and shot a couple shots and then jumped back up to the sixth floor window.
So when the airplane is coming back even before it leaves Love Field, the Secret Service takes Jack Kennedy's body out of the ceremonial casket and they stow him in one of the underbelly storage compartments of Air Force One.
When they land at Andrews Air Force Base, there's all kinds of communications back and forth with the airplane, much of which has been lost.
But they decided they weren't going to go to Walter Reed.
These doctors at Walter Reed were Army surgeons.
They'd seen gunshot wounds.
The Navy is not as good as the Army in gunshot wounds because most people who die in the Navy, unless they're SEALs or something of that nature, are going down in ships or airplanes.
They're not in gunfights.
But Jackie Kennedy said, he's Navy, he's going to Bethesda.
And so therefore, when the airplane lands, they download, it's a big scene, there's lights on, nationally televised, This is about 6.20 in the night, November 22, 1963.
I'm watching it on television.
Bobby Kennedy gets on the airplane from the front.
They download the casket from the back.
They load it into a Navy hearse, and they take off to Bethesda Navy Hospital in the hearse, supposedly with the body.
Oh, they've got the hearse. There's no body in that hearse.
Jack Kennedy's body is in the compartment, the storage compartment.
When Lyndon Johnson says his few words, and I thought it was time to, you know, I knew he was trying to, a little rehearsed thing he was going to say about how we're all suffering as a country and he's asking for God's help.
I couldn't wait until that joker got off stage.
And then when they turned out the lights, The helicopter was waiting there.
They were originally going to transport the body to Walter Reed, and Jackie was going to go with the body to Walter Reed.
Jackie said no. They had a Navy hearse that they found at Andrews Air Force Base that they pulled up and got that ambulance to go to Bethesda with Bobby, Jackie, and the ceremonial casket.
They fly Jack Kennedy's body to the morgue at Bethesda Navy Hospital.
They put it in a black hearse.
They bring it over to the loading dock, the back of the Bethesda Navy dock, and they bring it into the morgue.
Jack Kennedy comes into the morgue in a steel shipping casket.
And they open the casket and he's in a body bag.
Body is naked, except for a towel around his head.
That's not how Jack Kennedy's body left Parkland.
It arrived at 6.30 p.m.
November 22, 1963, an hour and a half before the official autopsy.
And what they prepare to do, there's corpsmen there, and it's recorded, they give testimony.
Doug Horn of the Assassinations Records Review Board spent years examining all this, produced five volumes on Inside the ARRB with the medical evidence.
Doctors Hume and Boswell, the two Navy pathologists who are going to conduct the autopsy, do pre-autopsy surgery of Jack Kennedy's skull, To alter the evidence.
They take this wound at the front and they do surgery to mask it.
They do everything they can to alter the wounds.
They saw off the parietal bone from the top of Jack Kennedy's head, which was loose but intact.
They go in and they do a mess of pulling out the metal.
This is what Jack Kennedy's body...
This is the picture of how his head looked.
At that morgue. This is where they got the steel brace under him.
The head is a complete mess.
And I gotta ask, do you think that that photograph is the legitimate photograph, an unaltered photograph?
Yeah, that's an unaltered photograph.
There's a whole series of them.
That's what Jack Kennedy's head looked like after the doctors got used to...
Finished messing up with it.
That's what it looked like. It was a mess.
So you think that post the doctors kind of doing this Frankenstein surgery in order to go with the narrative that they're eventually going to put out.
I want to talk about that in a moment.
We got to take another break.
We're going to come back with Jerome Corsi.
The book is the final analysis back after this with more making sense of the madness
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We are back with Dr. Jara.
Jerome Corsi. And Dr.
Corsi, you were just showing us some of the photographs that you feel are legitimate and untouched, but after they have actually messed with Kennedy surgically to have their narrative become more plausible.
I want to get your take on that.
Several times you've mentioned the Secret Service, from the idea that they pulled guns on the original doctors that saw Kennedy's body and then took that body, to the idea they also covered up evidence within the limousine itself.
When you look at this event, number one, just before the assassination, we have video of a Secret Service officer being called off the back of that vehicle just before Kennedy is shot.
And then before the broadcast, we're kind of talking behind the scenes, we posited the fact that nobody else was killed in that limousine despite the fact you had Connelly and his wife, you obviously had Jackie, and you had two Secret Service members in that.
Now, Connelly gets hit, but nobody else...
Is fatally wounded.
The likelihood of that from a lone assassin with that multitude of bullets is also extremely unlikely, is it not?
And doesn't that suggest some kind of prior knowledge or collusion with the Secret Service itself?
Well, there's all kinds of evidence of Secret Service involvement.
FBI was involved.
I mean, this is a government operation.
You know, the...
Curtis LeMay hated Jack Kennedy, wouldn't go to war in the...
Cuban Missile Crisis. He had signed an order that we were pulling out of Vietnam.
There were going to be billions of dollars made.
Curtis LeMay smoked cigars.
He shows up at the autopsy.
The generals are giving directions of what the doctors can and cannot do.
Okay, so the Secret Service, the military, the CIA, Department of Justice, the FBI, they're all, at some levels, involved in the cover-up, which starts immediately.
And by the way, the book has about a thousand footnotes in it, and everything is footnoted with...
Government documents, affidavits.
We did extensive work with the Assassinations Records Review Board and with Doug Horn to make sure we got all the testimony.
So everything I'm saying today is fully documented in the public record.
And none of this is speculation.
I wouldn't let anything in the book...
I tried to prevent nothing that was speculation.
Everything in the book is ironclad and is documented.
Now, the problem that the government had...
The setup was only three bullets.
They left three shells in the sniper's nest in the Sixth Floor Texas School Book Depository.
And the first rifle found was a Mauser.
It was even a Stamp Mauser.
That's a good weapon. It was a good World War II German weapon.
And Walter Cronkite said the weapon was a Mauser.
Well, suddenly it changed. Walter Cronkite is saying, no, it's a Mandlaker Carcano, which is what they found on the sixth floor, they said.
And again, it had a faulty scope.
It was a rifle that really never shot well, even in World War II when it was new.
But they had that tied to Oswald through a mail-order purchase.
Okay, so there was a lot about Oswald.
Oswald was working with the CIA. Now, that we don't cover extensively in this book.
I think that's the remaining evidence to be released, that Oswald is CIA. And he is CIA, I assure you, but we did not cover that in this book.
He's also working with the FBI. Oswald was on some kind of a mission.
He's now picked to be the fall guy, and he's beginning to realize it.
He's saying, I'm a patsy. Wait a minute.
I'm waiting for somebody to come forward.
He said all kinds of things that indicated he was set up, and he was beginning to realize it.
Well, Dr.
Corsi, one of the things that they've tried to say...
Go ahead, go ahead. But they've tried to say with his narrative of Oswald, he's some dumb, you know, military guy, the head of Peter Kennedy.
He's far from it. He's a very articulate, well-spoken, multilingual, well-traveled guy.
And when you talk about that Central Intelligence Agency connection, you know, I often posit whether or not he was trained by the Office of Naval Intelligence, another network you don't really...
I don't want to lose this time.
Let's stick to what's in the book, because all that's speculation.
We don't have that evidence yet.
We're going to be able to prove that pretty soon.
We get the remainder of documents.
Let's stick to what we can prove.
So, the doctors of Bethesda alter the body.
Now, how do we know that for sure?
Okay, well, the autopsy starts at 8 o'clock, and there's three casket entries.
I mean, this casket is like a shell game.
And finally, they get the body back into this carimonial casket, and the honor guard carries the casket into the autopsy, and the gallery is there at 8 o'clock.
The pre-autopsy surgery begins at 6.30.
We've got the pictures.
We've got the testimony of the damage done to the head.
The head looks nothing like it did in Parkland.
Okay, so in the autopsy, when they take Jack Kennedy out of this ceremonial casket, they put him on the autopsy table, everybody's gasping.
There's two Secret Service agents there, Siebert and O'Neill.
They write in their 302 report, which is an after-action report, they say there was pre-autopsy surgery to the head.
The FBI documented that.
Okay, now, that had to have been said by Humes, who was starting the autopsy, because the gallery had to be aghast at how much Jack Kennedy said it was a mess.
I mean, this head looked, anybody who knew anything about gunshot wounds or heads said, these are not gunshot wounds.
Somebody messed with this head.
I'm sure Humes said it was pre-autopsy surgery of the head to try to explain it.
He just gave away the whole deal.
Now the doctors at the autopsy are faced with a lot of problems.
Because first of all, the shots had to all come from the back.
Secondly, there was a witness, James Tagg, who was standing on the other side of the grassy knoll, across by the south side.
He parked his truck.
He got out. He was standing there.
So he was right at the road at the underpass on the other side from the grassy knoll.
He got hit in the cheek with a bullet that missed.
And he went public with it.
So now you've got two shots that had to have hit Kennedy in the back, the neck, and the head, and hit Connolly.
And the government's got to explain all this damage by two shots.
Okay, now, the government's scrambling.
The doctors are scrambling. The doctors of Bethesda spend all night talking to the doctors of Parkland.
They say, you guys have got to change your story.
You didn't examine Jack Kennedy.
You didn't know he had a back wound.
The doctors, you know, Malcolm Perry says from Parkland over the telephone, I didn't have to do that.
The autopsy was going to be done here.
It was their job to do that.
And so Dr. Humes, Navy doctor, instructed what to say, says, well, how do you know that that shot didn't come from his back through his throat?
Since you don't know that, you went out and publicly said he was shot from the front, and we're going to take your medical license away, because if you don't change your story and admit you could be wrong, you're never going to practice medicine again.
And neither will any of the other doctors just stick to that story.
That's how it started. Okay, Dr.
Malcolm Perry was in his 30s.
He had children. He was just starting his practice.
He buckled under the pressure.
And he said, look, what I told them when they wanted me to do a plea deal on the Mueller issue, that's another whole story, said, you can put me in prison the rest of my life.
I am not going to lie a plea deal to something I didn't do to stay out of prison.
So just get the cell ready, put me in solitary confinement, I'll die in prison.
I'm not going to lie before God.
Malcolm Perry didn't do that.
Now the doctors write four versions of the autopsy and they come up with this single bullet theory that the one bullet hit Kennedy in the back and it came up through his neck.
They couldn't find any bullets that transited Kennedy's body.
They couldn't find the bullet that went in his throat.
Dr. Mantic believes it was a shred of the glass from the frontal shot through the windshield, that there was no bullet there.
And they've altered these wounds so massively That they were able to write an autopsy and say Jack Kennedy was hit once in the back of his head and did all this damage.
And the bullet that hit him in the back came through the throat.
Then it went through Connelly's side, broke some ribs, hit his right arm, broke the radial bone in his right arm, landed in his left knee.
Well, and it was pristine.
That's nonsense. Christine and magical!
It is literally the magic bullet that you're discussing.
We gotta take one last break.
The book is the final analysis.
Go get it. I mean, we spent almost an hour with Dr.
Corsi, riveting stuff.
The book is even more detailed.
final segment after this.
And the speed. Is there any regrets that you have in life?
I should sit here and say, yeah, I got a lot of regrets.
But when I look back on my life, and I understand the lives that were lost, I mean, I'm sitting here with them.
And I can tell my story.
Former National Security Advisor, Lieutenant General Michael Flynn, pleaded guilty today for lying to the FBI. He was one of the most respected generals in the military.
He was, by definition, the most dangerous possible person for Donald Trump to hire.
In a brilliant military career, serving 33 years old, is he being so abusive?
Mike Flynn will prove and face life in person.
And we are back, final segment with Dr. Jerome.
Jerome Corsi. We're talking the final analysis, the assassination of JFK. We've got a little less than five minutes left in the broadcast.
What would you like to leave the audience with?
I mean, you've said so much about this and obviously this book is really about the physical evidence, the forensic evidence that is irrefutable.
Along with some of the backstory of the cover-up.
Like you said, you've written other books on this subject as well.
So what haven't you gotten across that people really need to know to pick this book up?
Okay, now going back to Edward Bernays and going back to Constructed Realities.
How you create a narrative.
The whole crime of killing Jack Kennedy, which was a coup d'etat, was a mess.
Because he had to be shot three times and the shots were from the front.
The doctors at Parkland knew it and they told the world.
That wasn't supposed to happen.
Okay? Now they got in the public record he was shot from the front.
Then Lee Harvey Oswald's picked up.
It's the Texas School Book Depository.
Alchins has taken his picture.
Texas School Book Depository is clearly behind Jack Kennedy when he's being shot with the first shot to his throat.
Now they got another problem.
All the shots had to have come from behind.
Then Jim Tate gets nicked.
So now they've only got two shells.
They've got to explain all this. Two shots.
The body's flying back.
As they're loading Kennedy onto the plane, they say, you better get that body out of that casket because we've got a problem here.
We've got to make frontal shots into back shots.
We've got to change this narrative.
Otherwise, the world's going to know Lee Harvey Oswald didn't do it.
So they arrange to get Kennedy's body secretly brought into the morgue in a shipping casket, All the Navy Corpsmen see this.
That's another problem. The Navy Corpsmen record it.
They know it's happened.
They know that there's surgery being done.
The FBI records when the body gets in here.
Surgery was done. If the narrative was going to hold together, they had to make the physical evidence fit the narrative.
Which meant they had to alter Jack Kennedy's body and they had to bully the doctors in Parkland to change their testimony and they had to come up with this cockamamie idea, this magic single bullet, which doesn't work.
And John Connolly says, I was hit by a separate shot.
John Connolly knows guns.
He knew he was hit by a second shot.
They disregard his testimony.
They constitute the Warren Commission.
They put Alan Doss on the Warren Commission, and they begin the CIA's writing a memo, which is in the back of the book, saying, anybody who disagrees with the Warren Commission, we are going to destroy with the psychological operation.
Now, they've got their lying narrative in place, and the press is told, here's your story, and it's fed to them by the CIA. All the material that Lee Harvey Oswald has prepared, it's fed to the press systematically, it's fed to the American people, and before the night is over on November 22nd, the Dallas police come out and say, with a microphone in front of the chief of police, are you sure you've got the killer?
Oh, yes, we know that this is the man who killed Jack Kennedy.
We can prove it in a trial.
This case is closed.
Okay, so the Americans go to sleep saying, well, at least they found the guy who shot him.
It's a narrative, and the press goes along with it.
So we've been told a lie, and the reality is this was a coup d'etat.
This was a planned operation.
This is 1-100, 2-100, 3-100, shoot.
1-100, 2-100, 3-100, shoot.
Everybody shoots at the same time.
Three guns, five guns, ten guns, sound like one.
Because it's all happening at the same time in timed shooting.
This is a controlled event.
And it's rehearsed and planned and scripted and prepared in advance by the government and sold to the American people.
It's a lying narrative.
Why does a building come down to 9-11 that wasn't hit by an airplane?
Why does the building look like a controlled demolition, when naturally it should just fall in on itself but not completely collapse?
Why were there weapons of mass destruction that we were told about in Iraq that we had to go find to get Saddam Hussein?
Dr. Corsi, we have run out of time.
I hope people get the book, The Final Analysis.
You're talking a little 9-11. Go check out my films on 9-11 for free.
Loose Change, Final Cut, and Fabled Enemies if you want to learn about Building 7 and beyond.
Folks, to me, it's not about left or right.
It is always about right and wrong.
I absolutely love you guys.
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