| Time | Text |
|---|---|
|
Archetypal Zambian Rock Band
00:02:23
|
|
| get some places I meet some girls I gotta say it Hi baby Hi baby Hi baby I hate it. | |
| I don't think that takes any explaining. | |
| It is clearly your archetypal run-of-the-mill 70s Zambian rock band, right? | |
| I mean, come on. | |
| We're all familiar with Zambian funk rock. | |
| Who isn't? | |
| I am. | |
| Donald Duff. | |
| Sylvia, what's your favorite Zambian rock band from the 70s? | |
| I like rock and rock. | |
| Oh, you got to talk into the mic there. | |
| Got the mic? | |
| Have you got a microphone? | |
| You got tostitos out the west. | |
| I like the Beatles. | |
| Yeah, they weren't Zambian, were they? | |
| I thought they're from Liverpool. | |
| They were from Liverpool. | |
| Maddie O'Dell, favorite Zambian family rock band. | |
| I must say, I don't know any. | |
| You pretend to be a music expert. | |
| Main Navy. | |
| Main Navy. | |
| As soon as it's time to really put the pedal to the metal. | |
| Fell flat. | |
| To pull the rubber on the road. | |
| No idea. | |
| No idea. | |
| I don't even know where the fuck Zambia is. | |
| What is Zambia? | |
| I have no idea. | |
| I'm always amazed when anyone, anything in Africa works. | |
| Like, I guess this is racist, but when there's a building in Kenya, like a skyscraper, I'm like, who the fuck? | |
| How the, who did that? | |
| Who made that for you? | |
| I went out with Jomo Kenyetta's son. | |
| Who's Jomo Kenyetta? | |
| Oh, my God. | |
| From the Mau Mau uprising. | |
| Oh, we're getting into like all those late 60s, early 70s revolutionaries like AIM and the Black Panthers and everything, right? | |
| No, he was nothing like the Black Panthers. | |
|
20 Years Together
00:02:20
|
|
| He was against the British. | |
| He became president. | |
| Sorry, Mau Mau uprising. | |
| We're talking about Africa now. | |
| That is Africa. | |
| Can you wake up and smell the cocaine, Gavin? | |
| What's that strange sound we have clipping away? | |
| I'm coming out of the speaker. | |
| I don't know why I'm coming out. | |
| Okay. | |
| We didn't do much preparing, I guess, before we started the show. | |
| We have Tim Dickman, as usual, and his partner, Neil. | |
| Now, I know you homophobes jump to homosexuality when we say partner. | |
| It's also a police term. | |
| You guys were together as friends for, what, 20 years? | |
| 20 years. | |
| 20 plus, yeah. | |
| 20 plus years, yes. | |
| So there's only one mic for the three of them? | |
| No, I'm fixing that right now. | |
| Tim has a little doohickey? | |
| Yeah, I got a little doohico. | |
| You guys ever shoot anyone? | |
| No. | |
| Were you ever shot at? | |
| No. | |
| So state troopers, pretty easy job, isn't it? | |
| It's just drunks and speeders. | |
| Well, you know, a lot of the situations you get in are, you know, how you present yourself. | |
| You may deflect some things, you may de-escalate some things right away that, you know, you never know what could have happened. | |
| You know, we got plenty of guns off the street, plenty of bad guys. | |
| Do you think Derek Chauvin could have de-escalated that situation better? | |
| Yeah. | |
| I think the confrontation between him and George Floyd was pretty routine up until the point. | |
| He looked up and people were videotaping him while he was kneeling on his back and he was overdosing from fentanyl. | |
| He could have de-escalated it by just pretending to care that he didn't overdose and got him out of it. | |
| It shows me that police work is contingent on who's filming and how the media will run with it. | |
| Exactly. | |
| So what should be his punishment? | |
| You're the judge. | |
| Mark Chauvin's punishment. | |
| Departmental. | |
| You know, maybe suspended for a couple days. | |
| I mean, people die. | |
| Wow. | |
| People die in police custody all the time. | |
| That's my point. | |
| I think George Floyd was going to die that day, whether he was kneeling on his back or not. | |