Flagrant - Andrew Schulz & Akaash Singh - 50 Cent Bigger than Jay Z, Hip Hop Needs Beefs, & Eminem is White???
Aired: 2026-02-04
Duration: 02:28:25


=== Grateful for the Moment (01:42) ===

[00:00:00]  Let's start the show.
[00:00:00]  What's up, everybody?
[00:00:02]  Welcome to Flagrant.
[00:00:03]  And today, we will eventually be joined by two.
[00:00:06]  Yes.
[00:00:06]  But I just want to say that we were going to wait for Uncle Murder, but Yale specifically says start the pot early.
[00:00:11]  Fuck him.
[00:00:12]  That's what he's doing.
[00:00:13]  Uncle Murder.
[00:00:13]  I don't care about him.
[00:00:16]  Listen, when I was doing, listen, when I was doing Vlad and I started podcasting, everybody laughed at me.
[00:00:22]  50, Murder, everybody.
[00:00:24]  So my get back is my success now because I haven't dropped music in 20 years, but we're more viral.
[00:00:29]  Yeah, it's different times now.
[00:00:31]  Yeah.
[00:00:31]  So I wouldn't think fast forward years ago when I did Vlad that I would turn into a knee.
[00:00:36]  You don't know what the marketing is.
[00:00:38]  A meme.
[00:00:38]  A meme.
[00:00:39]  Whatever it was.
[00:00:40]  Right?
[00:00:44]  There's a new meme.
[00:00:45]  I'm going to give you a perfect example.
[00:00:47]  I'm a meme.
[00:00:48]  The banks versus fab thing.
[00:00:50]  I'm Team Lloyd Banks on that because I feel like Banks have bigger heads, toured more, and been more places.
[00:00:54]  And plus, we brung Fab on tour and Fab wanted to sign to the label.
[00:00:58]  Oh, at that point.
[00:00:59]  But you are just saying that because that's your man.
[00:01:01]  No, I'm saying it because the guy that they're saying is better than Banks wanted to sign to our label.
[00:01:06]  Right.
[00:01:06]  And we took him overseas.
[00:01:08]  He didn't take us overseas.
[00:01:10]  50 took him overseas.
[00:01:12]  Yeah.
[00:01:12]  So when you make a diss record about him, right?
[00:01:15]  Yeah.
[00:01:15]  The funny thing is, people never 50 does a lot for people, but then people always seem to turn on them.
[00:01:20]  Oh, really?
[00:01:21]  That's how I feel.
[00:01:22]  Oh, well, that's fucked up.
[00:01:23]  Yeah, you've been loyal from the jump.
[00:01:25]  Yeah.
[00:01:25]  You're a very grateful dude.
[00:01:27]  That's something that I think why I enjoy watching your stuff so much is because like sometimes people get money, they do these crazy experiences and they feel kind of like entitled to it.
[00:01:36]  You all you never seem like you're bragging when you talk about your life.
[00:01:39]  No, I appreciate because I appreciate I live in the moment and I appreciate everything.

=== Banks vs Fab Label War (08:27) ===

[00:01:42]  Last night we went to Miami.
[00:01:44]  We did three parties.
[00:01:44]  We did Club 11.
[00:01:46]  We went to a restaurant.
[00:01:47]  You know, it was a vibe.
[00:01:48]  Good music.
[00:01:49]  Beautiful women was there.
[00:01:50]  Like we living the best life that you could ever live.
[00:01:53]  We stayed in the Fountain Blue.
[00:01:55]  Yeah.
[00:01:56]  You know what I'm saying?
[00:01:56]  Shout out to Fountain Blue.
[00:01:58]  We stayed in the best hotels.
[00:01:59]  So there's never a moment in your life where you're just like, okay, this is how I live now.
[00:02:02]  And anything below this, I'm annoyed.
[00:02:04]  You're grateful.
[00:02:05]  I'm grateful no matter what.
[00:02:07]  You're a little bougie now, though.
[00:02:08]  You think so?
[00:02:09]  Hello.
[00:02:12]  But I still would go to the hood and get a beef patty and some jerk chickens.
[00:02:15]  I went to New York Friday the other day.
[00:02:17]  I was in Queens.
[00:02:18]  I'm still going to the hood.
[00:02:19]  Is there anything that you won't do anymore?
[00:02:21]  Is there anything now that you're living this life, you're like, ah, I just can't do that?
[00:02:25]  Single plot told me.
[00:02:26]  I'm just thinking, I think, was going out for no reason.
[00:02:28]  And I feel like in the beginning of my career, what I always learned from 50 is like, you show your friends, you show your future, right?
[00:02:34]  That's what they say, right?
[00:02:35]  So I rather hang with guys like you or you or you because I could learn something about this podcast thing that we're about to do.
[00:02:42]  Right.
[00:02:42]  So a lot of times you have friends around when you're younger in the beginning of your career as a rapper.
[00:02:46]  And what are they doing?
[00:02:47]  They want to fuck the chicks.
[00:02:49]  They want to drink all the liquor, fuck up the hotel, beat people up, cause you lawsuits.
[00:02:54]  Those are losses.
[00:02:55]  So in the beginning of my career, I could have learned from different shit if I would have hung around.
[00:03:00]  50-50 was so busy that we was kind of doing our own thing.
[00:03:04]  So yeah, what happened?
[00:03:05]  Like, you get locked up when they reach super, super stardom, right?
[00:03:10]  And then you still get paid when they went on tour.
[00:03:12]  Yeah.
[00:03:13]  Is that the 50 took care of me?
[00:03:14]  I told him I lived in Battery Park, you know, kids walking barefoot over there.
[00:03:20]  What's my girl name that was here?
[00:03:22]  She was like, yeah, that's like a different part of New York.
[00:03:25]  She was like, that's like a different part of New York.
[00:03:26]  I'm waking up.
[00:03:27]  I'm out of jail.
[00:03:28]  I'm seeing the Statue of Liberty.
[00:03:29]  I'm like, wow.
[00:03:31]  We really made it.
[00:03:32]  I can't believe it.
[00:03:33]  Yeah.
[00:03:33]  And then I remember being in shock because I was in the shock program.
[00:03:36]  Yeah.
[00:03:36]  What's shock?
[00:03:37]  Shock is like a boot camp.
[00:03:39]  Okay.
[00:03:39]  So like my gun charge was nonviolent.
[00:03:42]  So I could get shocked.
[00:03:42]  So I'm like, yo, I got to get out of jail as soon as possible because we blowing up.
[00:03:46]  You know what I'm saying?
[00:03:47]  I'm like, fuck, I'm missing everything.
[00:03:49]  Who's crying?
[00:03:49]  You be crying to yourself.
[00:03:51]  They call it the why me cell.
[00:03:53]  Every time you get locked up, that's why I don't call it.
[00:03:56]  Why me?
[00:03:57]  So I'm like, why me?
[00:03:58]  Why me?
[00:03:58]  I got to get out of here.
[00:03:59]  So I got accepted the shock.
[00:04:00]  Yeah.
[00:04:01]  50 had all kinds of lawyers for us.
[00:04:02]  So, you know, the lawyers was always there.
[00:04:04]  That's why I always shot him out.
[00:04:05]  The lawyer fees, he took care of them.
[00:04:07]  Oh, really?
[00:04:07]  Yeah.
[00:04:08]  So the lawyers, everything.
[00:04:09]  I got shocked.
[00:04:11]  Boom.
[00:04:12]  I'm in the back of the kitchen.
[00:04:13]  Somebody coming, like a magazine, a CEO.
[00:04:15]  Like, yo, this is you.
[00:04:16]  It's the Beg for Mercy album.
[00:04:17]  We outsold Jay-Z that year.
[00:04:19]  I'm like, oh, shit.
[00:04:20]  Wow.
[00:04:20]  She did like 3 million.
[00:04:22]  Oh, damn.
[00:04:22]  Because remember, I was in the studio with Dr. Dre and Eminem on a run.
[00:04:27]  Yeah.
[00:04:27]  Wow.
[00:04:28]  Yeah, yeah.
[00:04:28]  When you were on the run.
[00:04:29]  Yeah, when I was on the run, I was going.
[00:04:31]  I'm like, because it was like...
[00:04:32]  Why'd you decide to go on a run?
[00:04:34]  Because you got to think about this.
[00:04:35]  What are your options, right?
[00:04:36]  Go to jail and your group is blowing up, taking off.
[00:04:41]  Just you sitting there, you hearing 50 on the phone with Eminem.
[00:04:44]  They popping bottles.
[00:04:45]  They signed the deal.
[00:04:46]  I'm there for all that on the run.
[00:04:47]  So I'm like, why would I want to go to jail and miss all that?
[00:04:50]  But how did they not catch you if you're promoting the shows wherever you're going?
[00:04:53]  Because now I can move around.
[00:04:54]  Like I'm with 50 in Pennsylvania.
[00:04:56]  He lives after he got shot.
[00:04:57]  He had a spot in Pennsylvania.
[00:04:58]  So I'm back.
[00:04:59]  They couldn't see him because he went like 50.
[00:05:03]  Shout out, John.
[00:05:03]  Let him know.
[00:05:06]  They couldn't see me.
[00:05:07]  So if I go to the hood, I might be at 50's grandma house.
[00:05:10]  But if I don't go outside, I'm good.
[00:05:12]  Now, were you on the run in New York?
[00:05:14]  And that's why the other states weren't aware of it.
[00:05:16]  Nah, you could be on the run.
[00:05:17]  Once you get a warrant and then they fingerprint you, they could see that warrant anywhere.
[00:05:20]  Texas, Georgia, Philadelphia.
[00:05:21]  Then we're coming up to a show going, hey, he's there.
[00:05:23]  We know he's down.
[00:05:24]  He's on the billboard.
[00:05:25]  They didn't really know like that.
[00:05:27]  They didn't know my face like that.
[00:05:28]  They had my face.
[00:05:29]  They knew like bounty hunters and stuff would come to my mom's house and be in the neighborhood.
[00:05:33]  But I was, you know, I had a fake passport.
[00:05:36]  Remember, so now I'm in Barcelona with Eminem and Paul Rosenberg.
[00:05:38]  Shout to Shady Aftermath for 50.
[00:05:41]  I'm on a run.
[00:05:42]  They all no rapper has done what I went through and been through over there.
[00:05:46]  No rapper has done what I'm done.
[00:05:47]  I'm on a run with Eminem, 50, everybody, Paul Rosenberg.
[00:05:52]  Nobody knows.
[00:05:53]  I got my brother's name because me and my brother look alike.
[00:05:55]  Did they know?
[00:05:56]  Did 50 know?
[00:05:57]  Did M know?
[00:05:57]  Or did you just kind of know?
[00:05:58]  50 knew.
[00:05:59]  Okay.
[00:06:00]  I don't know if somebody got paid or anything when I went to the social security show.
[00:06:03]  I'm not going to say that.
[00:06:04]  But I don't know how I got away with it.
[00:06:06]  But I went to the social security building on the run with my brother's information.
[00:06:11]  Wow.
[00:06:12]  This is before 9-11.
[00:06:14]  Damn.
[00:06:15]  Right?
[00:06:16]  Went in that shit.
[00:06:17]  Got my brother's name on the passport.
[00:06:19]  Swear to God.
[00:06:19]  I don't know how we did it.
[00:06:21]  I don't know how it happened.
[00:06:23]  They was giving Lloyd Banks a harder time than me in there.
[00:06:27]  I had to take the risk.
[00:06:28]  I didn't want to go to jail.
[00:06:29]  I was like, yo, who wants to?
[00:06:30]  Yo, you don't want to go.
[00:06:31]  Nobody wants to go to jail.
[00:06:32]  But you knew you would eventually have to.
[00:06:34]  Yeah, but I was just enjoying the time.
[00:06:36]  Living the moment.
[00:06:37]  So whenever you got on flights, everything you would do.
[00:06:39]  I was good.
[00:06:40]  I was shooting.
[00:06:42]  It was my face with my brother's name.
[00:06:44]  And your brother couldn't travel at all.
[00:06:46]  Well, my brother, he was, you know, he wasn't traveling with me.
[00:06:49]  I was on the run.
[00:06:50]  It was just blowing up.
[00:06:52]  So it was just me, 50, and banks.
[00:06:53]  Did you tell your brother?
[00:06:55]  Did you tell him that you were going to be able to do that?
[00:06:56]  Everybody knew I was on.
[00:06:57]  Come on.
[00:06:58]  I had all his information, social security, everything.
[00:07:00]  That's fun.
[00:07:01]  Okay.
[00:07:03]  So now I got a gun charge and I'm flying to Barcelona.
[00:07:06]  I'm chilling with Eminem, Dr. Dre.
[00:07:08]  So I'm like, this is never going to, I never want this to end.
[00:07:10]  Yeah.
[00:07:10]  I'm going to ran forever.
[00:07:12]  So I think got you.
[00:07:13]  Oh, that's a long story.
[00:07:14]  We came back to New York.
[00:07:15]  Now shit is the mixtape shit is blowing up even more.
[00:07:18]  Yeah.
[00:07:18]  So we did the Coca-Cola Banda.
[00:07:20]  Remember that back in the day?
[00:07:20]  Yeah, yeah, yeah.
[00:07:21]  We did that club and it was this hip-hop post.
[00:07:23]  Because, you know, we was number one on hip-hop police list.
[00:07:25]  Like, they knew us.
[00:07:26]  Yeah.
[00:07:26]  By this time, they was like, yo, yeah, yo, come to New York.
[00:07:29]  He's a target.
[00:07:30]  We're getting him.
[00:07:30]  Yeah.
[00:07:31]  Because I ran so far.
[00:07:32]  I ran.
[00:07:32]  And before, remember, there's no Instagram or nothing.
[00:07:34]  So you're not posting.
[00:07:36]  You're not making your shit hot.
[00:07:38]  You know what I'm saying?
[00:07:39]  The phones ain't like that when they could track you.
[00:07:41]  It's a whole different shows.
[00:07:43]  The fans must know you're on the run.
[00:07:44]  So when they see you, is the reaction different?
[00:07:46]  Yeah, people loving me.
[00:07:48]  You know what I'm saying?
[00:07:50]  I still think they didn't know I was on the run.
[00:07:52]  Yeah, I don't think the public knew.
[00:07:53]  Nobody did.
[00:07:54]  I didn't know he was like, that story was after the fact.
[00:07:56]  Oh, wow.
[00:07:57]  Okay.
[00:07:58]  So then they snatch you up at Copa.
[00:08:00]  So, yeah, we go to the Copa, so we had these security guards.
[00:08:03]  They call we call them gun in the box because he always had his gun in the box.
[00:08:06]  Like, why do you have your gun in the box?
[00:08:08]  If somebody comes to shoot you, you gotta go and get shot the fuck up.
[00:08:13]  So, they used to call him gun in the box.
[00:08:15]  He was like, Why do we got these guys?
[00:08:22]  Gun in the box, right?
[00:08:23]  So, we started getting legal security and shit.
[00:08:25]  Yeah, so legal security.
[00:08:28]  So, look, so we could stay in, I guess, legal security, whatever.
[00:08:33]  Motherfuckers still had guns around, whatever.
[00:08:35]  Yeah, so they were probably also.
[00:08:37]  So, they blitzed the car once they blitzed the car.
[00:08:40]  50 was like, nah, you know, it's over for you.
[00:08:42]  And I was like, Yeah, because once they fingerprint me, it's going to take me.
[00:08:45]  It's going to pop up in the system.
[00:08:46]  So, did you have to do more time because you were on the run, or did you?
[00:08:49]  No, I just, it was, it was, it was bail jumping and my charge was ran consistent, yeah, but it was non-violent.
[00:08:56]  See, the thing about jail, if you got a non-violent charge, you got a better chance.
[00:08:59]  Once you got violence on your jacket, robbery, kidnapping, your shit is like your next charge might be 10 years.
[00:09:06]  You have no violence on your shit, it's kind of better for you.
[00:09:08]  How can you be non-violent with a gun?
[00:09:11]  Because I didn't use it, I just had it.
[00:09:12]  Yeah, like if you had it for protection, yeah.
[00:09:17]  Now, if I shot two people with that gun, that would be a violent charge.
[00:09:20]  Why'd you go with two?
[00:09:24]  One might be a misunderstanding.
[00:09:27]  Two is like, you a dangerous motherfucker.
[00:09:32]  One is an oopsie daisy, yeah.
[00:09:34]  But I hate going to, yo, listen, I hate going to jail.
[00:09:37]  That's what you said.
[00:09:38]  So, look, this is the only thing, though.
[00:09:40]  To any of you kids out there doing crime, because there's a lot of crime in New York City and all around the world, yeah, yo, listen, going to Rikers Island has to be it's like they call it torture island, the bridge of pain.
[00:09:54]  It's just the worst, that's probably the most thing I experienced psychologically as a man.
[00:10:01]  Like, that shit is just crazy, bro.
[00:10:03]  Like, as soon as you go in there, it's action.
[00:10:04]  Like, what do you mean?
[00:10:05]  Like, someone's pressing it.
[00:10:06]  Like, just for your first time, like, going to Rikers, like, say you just go to Rikers, right?

=== Rikers Island Torture (03:27) ===

[00:10:10]  Like, my man with the long hair, what's your name?
[00:10:11]  Mark.
[00:10:12]  Just imagine Mark going to Rikers.
[00:10:14]  What do you think would happen?
[00:10:14]  I could go to Rikers.
[00:10:15]  I got the long hair.
[00:10:22]  I think it's just an extortion, probably.
[00:10:23]  Like, yo, look like he got some money.
[00:10:26]  He got long hair.
[00:10:26]  Yo, send some money, you know, over here.
[00:10:28]  Yeah.
[00:10:28]  It's like everything is action as soon as you get there.
[00:10:31]  Even you, like, you must have known people in there.
[00:10:33]  No, I knew people in there, but it was because he was in the street a little bit.
[00:10:39]  He's not the first guy from South Jamaica.
[00:10:41]  You think he goes to jail?
[00:10:42]  Hey, guys.
[00:10:43]  There's got to be somebody.
[00:10:45]  He went to private school.
[00:10:46]  Yo, listen.
[00:10:47]  Did you?
[00:10:48]  Cranbruck?
[00:10:48]  I told him, no, St. Clair's, Rosedale.
[00:10:50]  Shout out to St. Clair's Queens.
[00:10:52]  He went to private school.
[00:10:56]  You're not checking him.
[00:10:57]  I know you're not checking him.
[00:10:58]  You went to private school, too.
[00:10:59]  I didn't know.
[00:11:01]  I told him I went to private school, right?
[00:11:02]  Yeah, yeah.
[00:11:03]  From first to eighth grade, I had Haitian parents.
[00:11:06]  They were Catholic.
[00:11:06]  They were heavy on the religion.
[00:11:08]  We grew up, you know, first to eighth grade.
[00:11:10]  I told him when I went from the yellow bus, because I wasn't living in the real world on the yellow bus to the city bus, eighth grade, I had to go to school.
[00:11:17]  Springfield High School, 231.
[00:11:19]  These schools back then was like, they're better now, but Springfield was crazy.
[00:11:24]  I went to Beach Channel.
[00:11:25]  Every time we played them in football, always a fight.
[00:11:28]  Springfield was crazy.
[00:11:29]  Like back in the days, a girl threw acid in the girl's face.
[00:11:31]  I was telling them, like, you were hearing about that on the news.
[00:11:34]  So I had to go on a bus route.
[00:11:36]  So I was telling them, like, I was a rookie.
[00:11:38]  I sat in the back of the bus.
[00:11:39]  You know, it was fucking fights.
[00:11:40]  Girl threw her books on my lap.
[00:11:42]  I'm like, what the fuck is this?
[00:11:43]  I got a uniform on with public school kids.
[00:11:45]  Nah.
[00:11:46]  One day I had my star.
[00:11:49]  You were in your public school uniform.
[00:11:52]  And a girl was bullying you?
[00:11:53]  No, she didn't bully me.
[00:11:55]  She just threw a books on my lap.
[00:11:56]  Like, fuck it.
[00:11:57]  I'm like, damn, this is the real world.
[00:11:59]  Because I wasn't living in the real world.
[00:12:02]  Public school was way wilder back then than Catholic school.
[00:12:05]  Catholic school was laid back.
[00:12:06]  There'd be a fight once and probably once in a year fighting off a priest.
[00:12:15]  But like, when I got to the city bus, you started seeing fights, people fighting for breakfast in the morning.
[00:12:20]  I wasn't used to that.
[00:12:21]  Fighting for breakfast?
[00:12:22]  No, just breakfast in the morning.
[00:12:23]  It's breakfast time.
[00:12:24]  Motherfuckers fighting on the bus.
[00:12:25]  Really?
[00:12:26]  How the fuck is my?
[00:12:27]  So you seventh, eighth grade going through that.
[00:12:29]  Like, damn, this shit is crazy.
[00:12:30]  Because you were sheltered in the Catholic school.
[00:12:32]  Now you're on the city bus and you're seeing the real world.
[00:12:34]  Okay, so when you get, when you go in for the first time, is it like a combo with 50 where like you talk to some people he might even know in there and there's people who could look out for you?
[00:12:42]  Or is it you really kind of 50 has so much beef, so it's pretty much you're on your own.
[00:12:47]  Oh shit.
[00:12:48]  Because now you went, because what is it you said is before you inherited.
[00:12:51]  The thing, the thing with me was what made it kind of easy for me is people didn't know what Yayo looked like.
[00:12:58]  So I'll be on the bus and they'd be like, yo, yo, yo, I swear to God to my father.
[00:13:01]  Yo, Ye-Yo just got cut up, right?
[00:13:04]  And I'd be right behind him like, yo, I just, they talking about me.
[00:13:07]  And I'm like, so they really didn't know us.
[00:13:12]  Like, it took them a while to acknowledge us because remember the first mixtapes, people knew the lyrics, but they didn't know really the names.
[00:13:18]  This is how to rob Lloyd Banks.
[00:13:20]  Is that the song?
[00:13:21]  No, How to Rob was when 50 was on.
[00:13:23]  That was early.
[00:13:24]  That was Columbia days with Tone and Pope.
[00:13:26]  Okay, because that was when I first heard this shit started to pop and percolate on the radio in New York.
[00:13:31]  But they went on a crazy mixtape run between How to Rob and before.
[00:13:35]  Okay, okay.
[00:13:35]  Yeah, because after 50 got shot, remember.
[00:13:37]  It is crazy.

=== Early Mixtape Fame Struggles (07:15) ===

[00:13:38]  Like, you don't realize it without social media and not seeing somebody on MTV or BET, you really don't know what these guys look like.
[00:13:44]  Maybe you're seeing them in like the Source magazine or something like that, but you don't have an idea of what they look like.
[00:13:50]  Yeah.
[00:13:51]  And then they was printed out on these little grainy ass pictures and shit like that on mixtapes and stuff like that.
[00:13:56]  I didn't even know Eminem was white until TRL.
[00:13:59]  Come on.
[00:14:00]  No, I heard the song before on the renovation.
[00:14:03]  It sounded crazy.
[00:14:04]  Hi, my name is.
[00:14:05]  But I thought it was a black dude making fun of white guys.
[00:14:08]  Oh, shit.
[00:14:09]  And then I remember seeing with Jameel.
[00:14:10]  Jameel's not here, but like, I remember seeing for the first time with Jamil seeing the song.
[00:14:14]  I think it was TRL.
[00:14:15]  Yeah.
[00:14:16]  Yeah.
[00:14:16]  And being like, oh, shit.
[00:14:17]  I always blame my success to Eminem because he's actually like, I would say, in the top five, one of the biggest artists in the world, worldwide.
[00:14:24]  That's under five.
[00:14:26]  So it's like with him, like the free YAO shit.
[00:14:29]  Imagine being on Rikers Island.
[00:14:31]  What did that feel like?
[00:14:32]  Yo, it was fucking Eminem at the Grammys.
[00:14:34]  That's fine.
[00:14:34]  So yeah, paint this picture, right?
[00:14:36]  So you're locked up.
[00:14:38]  It's at the Grammys.
[00:14:39]  Yeah.
[00:14:40]  They went for what?
[00:14:41]  Or MWIMS for performed.
[00:14:43]  I forgot what I forgot what he went for, but he performed that time.
[00:14:46]  And then he's in a free YA-O shirt.
[00:14:48]  Free YA-O shirt.
[00:14:49]  That's what I'm saying.
[00:14:50]  As for him at 50, I'm always going to give them the props because it's like while I was in jail, they kept my name alive.
[00:14:55]  Beg for mercy.
[00:14:56]  50 had my name on the album cover.
[00:14:59]  And then Eminem wore the free Yale.
[00:15:01]  Did you go right there?
[00:15:02]  So what happened?
[00:15:02]  What happened in Rikers when, I mean, obviously guys are so.
[00:15:06]  So, you know, you know, Rikers is politics.
[00:15:08]  So they say there's three things you stay away from.
[00:15:10]  The phone, be careful with, the newspaper, and the TV.
[00:15:14]  So, you know, so like I had my slot on the phone.
[00:15:16]  I definitely got my phone time because, you know, I was cool with the guys.
[00:15:20]  You know what I'm saying?
[00:15:21]  Who are the guys?
[00:15:21]  Is that the COs or is that like the...
[00:15:23]  Nah, the guys are never the COs, man.
[00:15:26]  The guys are like, you know, the gang members.
[00:15:27]  God, I got it.
[00:15:28]  You know, or the muscle in there.
[00:15:30]  And how did you connect with them?
[00:15:32]  How did you learn?
[00:15:33]  You know, they knew they was kind of like, I wouldn't say they was fans.
[00:15:35]  I just was cool and realized the politics, like, don't come in there being too demanding.
[00:15:40]  Like, if you come in there, learn the politics.
[00:15:42]  Yeah.
[00:15:42]  Like my house, they didn't like sneak thieving.
[00:15:44]  So if you sneak thief, that was great for me.
[00:15:46]  Like to be in out.
[00:15:46]  They didn't care if you was black, white, Mexican.
[00:15:48]  Yo, somebody still, yo, somebody stole from my bucket.
[00:15:51]  Because it turned you.
[00:15:52]  You don't have to come into Island being a gangster.
[00:15:55]  It's going to turn you into whatever it is.
[00:15:57]  Like, if he's in there, he's going to be like, Yo, so what's the rules in here?
[00:16:01]  How does this work?
[00:16:01]  You got to figure that out fast.
[00:16:04]  So, you got these two guys that run the phone.
[00:16:07]  My man Barnes, which was P. Diddy's security guard, shout to him.
[00:16:10]  He got a book, Dropping Two, telling all P. Diddy shit and all kinds of shit.
[00:16:13]  He's a solid dude.
[00:16:14]  My man Barnes.
[00:16:15]  Because he missed that book like five years ago.
[00:16:17]  Executive produced by Fifth.
[00:16:19]  No, no, no.
[00:16:22]  So, my man Barnes, Barnes was a real big dude.
[00:16:24]  He came out, he was puffed out of security.
[00:16:26]  And my man Spanky, he was blood, but the good thing about him is he was Spanish too.
[00:16:31]  So he knew Spanish, but was blood.
[00:16:33]  You know how Bronx motherfuckers is.
[00:16:35]  Bronx got the illest type of motherfucking people.
[00:16:37]  You got motherfuckers black in Spanish.
[00:16:40]  So he knew Spanish.
[00:16:41]  So if the Spanish guys were scheming, he knew.
[00:16:44]  But he was blood too.
[00:16:46]  So it was crazy.
[00:16:47]  So they kind of ran the house.
[00:16:49]  And you and you connect with them early on.
[00:16:52]  You just connect with them early.
[00:16:54]  They, you know, they showed me love.
[00:16:55]  Did anybody press you?
[00:16:56]  Nah.
[00:16:57]  Not a single person when you came in.
[00:16:58]  Nah, nobody ever pressed me because nobody really knew who I was.
[00:17:01]  Even the police didn't know who I was.
[00:17:03]  How long were you there?
[00:17:04]  I did probably like probably seven, eight months, four or five months.
[00:17:08]  I'm not sure.
[00:17:08]  That whole time, nobody that half of the time, nobody put two and two.
[00:17:12]  Oh, wow.
[00:17:13]  I was locked up the same time Styles P was locked up.
[00:17:15]  Okay.
[00:17:16]  So I remember, and I'd be on the bus and nobody knew.
[00:17:18]  So when a free Yale and all that shit happened, that's when they wanted to come put me in protective custody.
[00:17:23]  Because you know, they never want to have an artist in the target.
[00:17:27]  Like Tori Lane, shout out to Tori Lane.
[00:17:29]  You know, pray to God he's good.
[00:17:30]  But you know, it gets real in jail because, like, you got to think an artist coming to jail, you number one target.
[00:17:36]  Yep.
[00:17:36]  And that's a crazy problem for them.
[00:17:38]  Everybody wants to get a name off you.
[00:17:40]  Did any was there?
[00:17:41]  Would there ever be anybody come in that was like him, like kind of cute?
[00:17:45]  What do you mean him?
[00:17:45]  No, come on.
[00:17:46]  I don't know, bro.
[00:17:47]  Come on.
[00:17:48]  Like you little cutie pie with long hair.
[00:17:50]  And then they just try to like immediately violate.
[00:17:52]  Well, I was in C.
[00:17:54]  I was in C73.
[00:17:56]  Yeah.
[00:17:56]  So upstairs, there was a house for like the gays.
[00:17:59]  For gays, no, for Stop Pony, I'm not sure.
[00:18:04]  He's not okay.
[00:18:08]  We can get married, boy.
[00:18:10]  I'm straight.
[00:18:11]  I'm a cat.
[00:18:12]  You tried all these.
[00:18:13]  You know, you know the kind of things in life.
[00:18:15]  I don't know nothing about that.
[00:18:17]  He's roast duck.
[00:18:21]  That's cabin on pancakes in the C73.
[00:18:24]  If he walks in C73, I think they might try to extort him because there's a lot of extortion.
[00:18:29]  Yeah, yeah, yeah.
[00:18:30]  The next thing you know, he might just turn blood or something.
[00:18:32]  Exactly.
[00:18:33]  Blood now.
[00:18:33]  Yeah.
[00:18:34]  I can see those.
[00:18:35]  I can see you turn blood.
[00:18:36]  Yeah.
[00:18:36]  I can see some blood.
[00:18:37]  He's some blood dripping out your asshole or something.
[00:18:43]  I would join a gang.
[00:18:44]  I would join a gang, bro.
[00:18:46]  A stray gang.
[00:18:48]  Now, when somebody does do that shit, it's absurd.
[00:18:50]  Well, Rikers is different than like prison prison, right?
[00:18:53]  Rikers jail.
[00:18:54]  They're not going to be there for long.
[00:18:55]  So it's more fights than it is.
[00:18:57]  You got guys there that stayed in for like four or five years.
[00:18:59]  Which is crazy because that's got to be.
[00:19:01]  But it's like, yo, you don't want to be there.
[00:19:03]  Yo, bro, you do not want to be there.
[00:19:05]  That to me, that was my worst experience in life.
[00:19:07]  Yeah.
[00:19:07]  I didn't go up top to the mountains.
[00:19:08]  I did shock, but being in that alone was enough mentally.
[00:19:11]  You know, you wake up, dude's getting cut for breakfast, or you wake up and you hear fighting.
[00:19:16]  Imagine you hear footsteps, like sleeping, and you hear footsteps.
[00:19:19]  What's going on?
[00:19:20]  You got alert for yo, they're fighting up there.
[00:19:22]  Alarms ringing.
[00:19:23]  Everything's going crazy.
[00:19:24]  Was there coming?
[00:19:25]  Was there anybody else?
[00:19:26]  You know what TSU was like?
[00:19:27]  The COs when they come with the turtles.
[00:19:30]  When the turtles come?
[00:19:31]  Oh, yeah.
[00:19:32]  Oh shit.
[00:19:32]  They just had all the shit.
[00:19:33]  Somebody got cut swap.
[00:19:35]  Almost like SWAT.
[00:19:36]  They strip you naked, your ass naked in front of everybody, put you on your knees.
[00:19:39]  Don't look at me.
[00:19:40]  They got the fucking shields.
[00:19:41]  They would do that to all you guys, strip you naked.
[00:19:43]  Yeah, all of us.
[00:19:43]  Somebody get cut.
[00:19:44]  Everybody.
[00:19:44]  Was everybody?
[00:19:45]  Was anybody measuring?
[00:19:46]  Was that crazy?
[00:19:48]  It's crazy.
[00:19:50]  He's not going to be able to do it.
[00:19:53]  I'm thinking about yo, why the fuck am I here, bro?
[00:19:57]  Somebody wants to smell another man's shit in the morning, bro.
[00:20:00]  And then the guy's girl, you break up with your girl.
[00:20:02]  He wants to stab you now.
[00:20:03]  What the fuck?
[00:20:04]  So they're just so emotionally wrecked that they're trying to take out their show and everybody.
[00:20:09]  All of our tour dates in less than 30 seconds.
[00:20:10]  Providence, Rhode Island, March 28th, Los Angeles with Jelly Roll, the Greek Theater, part of the Netflix Comedy Festival.
[00:20:17]  That's May 8th, August 8th, Halifax, Nova Scotia, Washington, D.C., in Charlotte, North Carolina.
[00:20:23]  The weekend of February 19th.
[00:20:24]  I can't wait to see you guys there.
[00:20:25]  Peace and love.
[00:20:26]  And lastly, if you're watching this tonight, a Wednesday Cancel Comedy, Alex's show is doing a show at Dumbo House in Brooklyn.
[00:20:32]  That's all of our dates in 30 seconds.
[00:20:33]  Let's get back to the show.
[00:20:34]  Rikers is just crazy, bro.
[00:20:35]  Did you have one night of sleep there where you're like, I got good eight hours?
[00:20:38]  That was fun.
[00:20:38]  I mean, you know, you know, it's crazy.
[00:20:40]  If you mind your business and know how to move, like, just don't gamble, because you know you gamble.
[00:20:44]  You're like, he like gambling.
[00:20:46]  A little bit.
[00:20:47]  They're kidnapping him.
[00:20:48]  No, you know, gambling decks.
[00:20:50]  You know how that shit go.
[00:20:51]  Arguing over TV, like the Eminem thing opted.

=== Tour Dates and Comedy Shows (15:48) ===

[00:20:53]  I went to people, yo.
[00:20:54]  Listen, I want to watch Eminem Grammys.
[00:20:57]  Because you know, back then, the Spanish dudes had Caliente.
[00:20:59]  Remember Caliente?
[00:21:00]  Or some of the hot chicks?
[00:21:02]  Or everybody in jail used to love that show.
[00:21:03]  Blacks, black dudes didn't mind watching Caliente.
[00:21:07]  Put it on, put it on.
[00:21:09]  Caliente.
[00:21:13]  So that's that's how it was.
[00:21:14]  The um, the uh black dude spent, yeah.
[00:21:17]  Look, man, watch this Caliente.
[00:21:18]  Watch.
[00:21:19]  I imagine you could get this channel in jail.
[00:21:22]  Wow.
[00:21:23]  Okay.
[00:21:23]  And then they will always have the hop news and weather views.
[00:21:26]  Yeah, so we used to watch it.
[00:21:27]  So dudes used to watch Kaliente.
[00:21:29]  So it's just a it's it's just a hundred dudes all sitting together watching comedy.
[00:21:32]  Yeah, you got the hot chicks.
[00:21:34]  You ain't seeing no women.
[00:21:35]  You ain't smelling women in years.
[00:21:36]  I don't want to see this dude, but you're just a girl.
[00:21:41]  That's crazy.
[00:21:42]  Yeah.
[00:21:42]  So we didn't mind watching Kaliente because you were seeing the women on there.
[00:21:45]  You know what I'm saying?
[00:21:46]  Bikinis and all that.
[00:21:47]  Okay.
[00:21:48]  But then you try to put on Eminem.
[00:21:50]  So then you say, guys, can I watch the Grammys?
[00:21:53]  Yeah.
[00:21:53]  So then they go, All right, look, we're going to watch the Grammys.
[00:21:56]  Everybody's cool with that.
[00:21:57]  Spanish dudes are cool with it.
[00:21:58]  Yeah, everybody's cool.
[00:21:59]  Happens.
[00:22:00]  At this point, they know you're Yayo or nah.
[00:22:03]  Yeah, they know I'm Yayo.
[00:22:04]  Okay, so then when they see the shirt, is there like a cool kind of recognition that's happening?
[00:22:07]  Is everybody excited for you?
[00:22:09]  Like, oh shit, yo, that's good shit.
[00:22:11]  That's crazy, Eminem.
[00:22:13]  That's crazy.
[00:22:13]  Because you got to remember, a lot of dudes in the hood will be like, yo, we don't listen to Eminem in the car, right?
[00:22:18]  Yeah, we don't listen to Eminem.
[00:22:19]  We're going to put Jay-Z or somebody else over him, right?
[00:22:22]  But for me, when I heard Renegade, oh, yeah, that was crazy.
[00:22:25]  To me, that's like Eminem's classic verse.
[00:22:28]  To me, that's what gave him the hood to me before I knew him.
[00:22:32]  So that gave you the hood recognition.
[00:22:34]  Because to me, him and M, who you think won that battle on there?
[00:22:38]  No question.
[00:22:39]  No comments.
[00:22:41]  Nah, no, Jay-Z.
[00:22:44]  So just say Jay-Z won.
[00:22:46]  He won nothing.
[00:22:47]  I disagree.
[00:22:49]  So does he.
[00:22:52]  I got to disagree with you.
[00:22:55]  Ow.
[00:22:55]  I don't care.
[00:22:56]  It's just one verse.
[00:22:58]  It's one verse.
[00:22:59]  When he starts being honest about Banks versus Fab, then what's not to be honest on that?
[00:23:05]  I'm just saying, Fab is better than Banks.
[00:23:07]  Yo, you know what Banks would say?
[00:23:08]  You got your nails painted.
[00:23:09]  You can't give an opera.
[00:23:12]  His nails is a pain in giving opinions on hip-hop.
[00:23:15]  That is crazy.
[00:23:16]  That's what people are going to say.
[00:23:18]  There's art.
[00:23:19]  Nah, brother.
[00:23:19]  You can't give it.
[00:23:20]  Nobody's going to book.
[00:23:21]  Nobody's going to take that vote.
[00:23:22]  If he showed up in prison with the Pokemon on his nails, oh, nah, he knows what's how it is.
[00:23:28]  He's supposed to be from Far Rock.
[00:23:29]  He's not even supposed to have that on.
[00:23:31]  Yeah, yeah.
[00:23:32]  But what would happen?
[00:23:33]  What would happen?
[00:23:34]  Oh, yeah, he's fooled.
[00:23:34]  They're going to rob him.
[00:23:36]  He's Caliente.
[00:23:39]  That's what Banks would say to him.
[00:23:40]  Like, yo, how can a person, not to diss you, I don't care.
[00:23:43]  It's your style, but how can a person with their nails painted judge hip-hop?
[00:23:47]  Yeah.
[00:23:48]  Hip-hop is an aggressive sport.
[00:23:50]  We talk about KRS1 and MC Shannon.
[00:23:52]  We're talking about Cool G rapping, Eric B and Big Daddy Kane.
[00:23:57]  It had its good side, like when we had self-destruction and stuff like that with Miss Melody and Stop the Violence, which rappers would never do now ever because they would never do that.
[00:24:06]  We are the world record.
[00:24:07]  That was like the We Are the Royal record of rap.
[00:24:09]  It came in aggressive.
[00:24:10]  It came in battle.
[00:24:12]  So when you see, like, I'm going to tell you a story.
[00:24:17]  I'm going to tell y'all a crazy story.
[00:24:19]  Look, look, no, but listen.
[00:24:21]  It's the nails.
[00:24:22]  I'll tell y'all with the nails, bro.
[00:24:26]  I got it.
[00:24:27]  I got it.
[00:24:29]  If we seen a business meeting, 50 is going to be like, what's going on with this guy?
[00:24:33]  He was giving me the energy.
[00:24:35]  Listen, I'm going to tell you the truth.
[00:24:37]  Look, so look.
[00:24:38]  And this is why shout out to you said Rocky.
[00:24:39]  He got the like number one album on Billboard.
[00:24:42]  Hip-hop New York, we needed that because nobody was really on Billboard.
[00:24:45]  That's true.
[00:24:45]  Right?
[00:24:45]  So I'm going to give you the perfect example.
[00:24:47]  One day it's years, years ago.
[00:24:49]  This is like probably 10 years ago.
[00:24:52]  This is like a premiere to the movie.
[00:24:53]  It's Snoop, 50, me, and ASAP pulls up, right?
[00:25:00]  And ASAP could vouch the story.
[00:25:03]  He, the first dude I seen with the man purse ever.
[00:25:06]  This is like 10 years ago.
[00:25:08]  He had it around a strap because he was familiar going to Europe and has an overseas kind of brand.
[00:25:12]  Shout out to ASAP.
[00:25:12]  You know, ASAP mob, but they big.
[00:25:15]  You know, they're one of the biggest in the Harlem, of course.
[00:25:17]  So he had the bag.
[00:25:19]  So everybody's looking like, what the fuck is that?
[00:25:21]  Like, 50's looking like, boy, put the money in there.
[00:25:23]  Everybody's looking like, what the fuck is that?
[00:25:25]  He pulled me to the side and said, yo, yo, I don't, I know you don't know what the fuck this is right now, but watch and see what this is.
[00:25:32]  And now everybody has the man purse.
[00:25:35]  Me, would I do it?
[00:25:36]  Like buy a Berkham?
[00:25:37]  Hell no.
[00:25:37]  That's more like a girl bag to me.
[00:25:39]  I wouldn't buy a Berkham for like 15, but it's the style for certain dudes.
[00:25:44]  But it's not my style.
[00:25:45]  You feel what I'm saying?
[00:25:46]  I think it's, you know, I see a lot of dudes with the Berkhams and shit's expensive.
[00:25:50]  I understand if you collect them, all that.
[00:25:52]  But hip-hop is hip-hop.
[00:25:55]  Hip-hop was a big change, Rockim, Big Daddy King.
[00:25:57]  Not painted nails, brother.
[00:25:59]  Exactly.
[00:26:00]  ASAP Rocky got painted.
[00:26:01]  I never seen it.
[00:26:02]  I know what you mean.
[00:26:03]  And if he's doing that, he's getting paid from Gucci or somebody.
[00:26:06]  You like my paid.
[00:26:07]  I got a reference.
[00:26:08]  He could do that.
[00:26:09]  Yo, why are you doing this for the love of the game?
[00:26:11]  You don't know I got a Sephora deal or some shit like that.
[00:26:14]  So your bank's fab thing is not valid.
[00:26:17]  Once you take those off, baby.
[00:26:19]  But on Renegade, I felt like for Eminem to be a new rapper and Jay was established, it was debatable.
[00:26:28]  Nah, I can't say it's not debatable.
[00:26:30]  Oh, it's absolutely debatable.
[00:26:31]  He got the hood.
[00:26:32]  Because I know when I was in the car, still selling drugs and moving around, and I heard that, and I didn't know who Eminem or Net Jay or nobody in the rap game.
[00:26:41]  I was in the car and I was like, damn, who the fuck is that?
[00:26:44]  I got a lion in my pocket.
[00:26:46]  I'm lying.
[00:26:46]  I got the iron in my pocket.
[00:26:48]  Come on, bro.
[00:26:49]  He just don't want to give it up.
[00:26:51]  Because I don't want to give it to the white boy.
[00:26:52]  Exactly.
[00:26:53]  It's like a black hockey player.
[00:26:56]  It's the same thing.
[00:26:57]  Mosino hated us.
[00:26:59]  Everybody hated us when we signed with M, but M did the most for us.
[00:27:02]  So people would be like, yo, Eminem is this.
[00:27:03]  He's racist.
[00:27:04]  He's that.
[00:27:04]  He's fucked up.
[00:27:05]  He's this kind of person.
[00:27:06]  But he put us on.
[00:27:07]  Like, I was like, damn, this shit is like we got on repeatedly.
[00:27:10]  That's why G Unit is still an overseas brand.
[00:27:13]  We could still go overseas.
[00:27:15]  Like, I went on my own tour, Swiss Alps, Germany, Luxembourg, myself because of Eminem.
[00:27:20]  Wow.
[00:27:21]  50 still touring 103 dates.
[00:27:23]  They got to book him two times because he's selling out the arena passing capacity.
[00:27:27]  It's 20 years later.
[00:27:28]  Yeah, that's it.
[00:27:29]  So come on, Alice.
[00:27:30]  Just 20 years later.
[00:27:32]  Nobody wants to give you props.
[00:27:34]  Why top five?
[00:27:34]  Because Eminem, because a white boy put us on and everybody's scared to say it.
[00:27:39]  It's like a black hockey player.
[00:27:41]  Any hockey speaker.
[00:27:44]  Imagine you had a black hockey.
[00:27:46]  No, he played high school.
[00:28:00]  They did have one.
[00:28:01]  They had a few, actually.
[00:28:03]  This guy played for the Montreal Canadiens.
[00:28:05]  Yeah, PK Sue man.
[00:28:07]  And there was another guy who played for the Calgary Flames that was nice.
[00:28:10]  Oh, see, I didn't know that.
[00:28:11]  See?
[00:28:11]  So there's been a few.
[00:28:12]  There's been a few.
[00:28:14]  But yes, it's rare.
[00:28:15]  But Eminem, a lot of people was like, oh, yo, but when everybody hated on us, we had to go to go to Detroit and the West Coast.
[00:28:21]  I think you got a lot of that.
[00:28:23]  You heard what Herb said.
[00:28:24]  No, but I think you got a lot of that.
[00:28:26]  He said, I was trying to get everybody to block 50.
[00:28:30]  Oh, all them were trying to blow it.
[00:28:31]  Yeah, they said it was.
[00:28:32]  I wish you would have signed a universal because they would have blocked.
[00:28:34]  We had to go to Eminem.
[00:28:35]  So when Eminem had balls, he had most bulls and more rappers.
[00:28:38]  He stood up to Suge Night.
[00:28:40]  Yeah, that's crazy.
[00:28:40]  Can you tell that story?
[00:28:41]  They just mad.
[00:28:43]  Y'all just, the whole thing is the industry, not saying you're mad, but the critics, they got to understand we were the most hated.
[00:28:50]  So it's hard to really get traction.
[00:28:52]  Like, for instance, when DJ Khaled is hot, what do motherfuckers do?
[00:28:56]  Stand next to the fire.
[00:28:57]  I'm going to get a calorie.
[00:28:58]  That's every industry.
[00:28:59]  We didn't have the same advantages because of the hate.
[00:29:03]  So let me give you the perfect example.
[00:29:05]  A lot of Fab's biggest records are with features.
[00:29:08]  Other people wrote the record and he's featured on there.
[00:29:12]  Did he do a good job on it?
[00:29:14]  Yes.
[00:29:14]  When you go to Karma and all the records that Banks has, he wrote the hook that Avant made.
[00:29:19]  Joe, he wrote the hook.
[00:29:20]  He wrote the record.
[00:29:22]  Fab's biggest records are features, brother.
[00:29:26]  And then you want to talk about Jay and M?
[00:29:27]  But Fab sold 16 million.
[00:29:29]  Yes.
[00:29:29]  What are we judging artists on?
[00:29:31]  Are you going?
[00:29:32]  You want your artists to be in clubs like me?
[00:29:34]  Because it's cool.
[00:29:35]  I could do.
[00:29:35]  Or do you want them to be in arenas?
[00:29:37]  Yeah, arenas.
[00:29:38]  You want him with the nail painted?
[00:29:39]  Or do you want him to survive the Rikers two, three, four?
[00:29:42]  But objectively, Fab is nice.
[00:29:44]  Come on.
[00:29:44]  Objectively.
[00:29:45]  I'm not saying he's not nice.
[00:29:47]  That's what I'm saying.
[00:29:47]  He's definitely nice, but I feel Banks is better.
[00:29:50]  A lot of his biggest records are features.
[00:29:51]  A lot of Banks' big records, he wrote by himself.
[00:29:54]  Right.
[00:29:54]  Banks mixtape title log.
[00:29:56]  We was the hottest in the streets.
[00:29:58]  And the reason why I give you these examples is because Fab was on our tour, buddy.
[00:30:04]  And Fab wanted to sign with us, buddy.
[00:30:06]  So who's better?
[00:30:07]  This hurts being from Far Rock.
[00:30:09]  I love both of them.
[00:30:10]  They always try to take away from 50.
[00:30:12]  Kid Richard died trying.
[00:30:13]  It's like 25 years later.
[00:30:15]  He does more shows than anybody.
[00:30:16]  No, you can't.
[00:30:17]  Your favorite rapper can't get a Live Nation contract.
[00:30:20]  Come on, y'all.
[00:30:21]  Your favorite rapper.
[00:30:22]  Come on, y'all.
[00:30:23]  Your favorite rapper.
[00:30:24]  Shane Kennedy with Beyonce.
[00:30:25]  And everybody knows.
[00:30:27]  No, no, no.
[00:30:28]  You know what I'm saying?
[00:30:31]  Is that your girl short?
[00:30:35]  Your favorite rapper can't turn down $8 million.
[00:30:37]  59 Namstead files.
[00:30:39]  Yeah, 80.
[00:30:42]  Eminem, Eminem.
[00:30:43]  Eminem could turn down 8 million, bro.
[00:30:45]  Yes.
[00:30:46]  You done seen that.
[00:30:46]  Eminem turned down tours, bro.
[00:30:48]  Don't be like, yo, we give you 300 million, 400 million.
[00:30:51]  I don't want to go.
[00:30:53]  Way back.
[00:30:54]  M's in my tour.
[00:30:55]  When Haley was little, no, I don't want to do that.
[00:30:57]  I don't want to do that to him.
[00:30:58]  Damn, Eminem don't want to tour.
[00:31:00]  He's turning out 8 mil.
[00:31:02]  When you see him go with them with the sorty dude, you know, the sorty dude that's buying everything.
[00:31:06]  Yeah.
[00:31:06]  Fucking.
[00:31:07]  Yeah.
[00:31:07]  Turkey.
[00:31:08]  What's his name?
[00:31:09]  Turkey or MBS?
[00:31:11]  The guy that does all the Jake Paul fights and all the new guy.
[00:31:13]  Turkey.
[00:31:14]  Turkey out there.
[00:31:14]  Yeah, he's buying all the shit.
[00:31:15]  He's buying, like, shout to him.
[00:31:16]  Give me a job or something, bro.
[00:31:20]  Coaster's buying everything.
[00:31:21]  He's buying fucking boxing and everything.
[00:31:23]  Yeah.
[00:31:24]  Come on, bro.
[00:31:25]  If he have Eminem, yo, give Eminem 8 million, 10 million.
[00:31:29]  That's the kind of money you're talking about.
[00:31:31]  Yo, that was a fire break.
[00:31:34]  What do you judge your artists off of?
[00:31:36]  Let me know.
[00:31:36]  I didn't say it.
[00:31:38]  Because there's only a selective rappers that get Live Nation tours.
[00:31:41]  We're not disagreeing, though.
[00:31:42]  50.
[00:31:42]  No, you're disagreeing.
[00:31:43]  We're not disagreeing.
[00:31:44]  Young boy is going on his first one.
[00:31:46]  Nikki.
[00:31:47]  She just did hers.
[00:31:48]  Now that you're saying this, fuck you, yo.
[00:31:49]  Fuck you.
[00:31:51]  Fuck yeah, you're stupid, you're a little sexy ass.
[00:31:53]  Eminem look, Jay got 10, 10 platinum albums, 11 platinum albums.
[00:32:03]  Jay's incredible yes, he's incredible, but Eminem sold 16 million records.
[00:32:07]  Okay, this is 11 million.
[00:32:09]  So this is this is with 50.
[00:32:11]  It's like 50, what it's how?
[00:32:14]  Oh, he's see what he said.
[00:32:15]  It's a little difference.
[00:32:16]  He's white.
[00:32:16]  Yeah, there goes the hate racism, that's not so.
[00:32:19]  What about?
[00:32:19]  Fifth sold 11 million, but that's what i'm saying.
[00:32:21]  Fifth is right up there with Jay, but no, here's.
[00:32:24]  Jay never sold 11 million, bro.
[00:32:26]  What are you talking about?
[00:32:27]  He has 10 albums.
[00:32:29]  This guy doesn't know his hip hop bro, he has a million, a million, a million, a million copies, million copies.
[00:32:38]  He's a genius.
[00:32:39]  We're talking about on three times platinum, you're pretty sure, 10 times three.
[00:32:44]  That's not, that's not.
[00:32:45]  But we're talking about dynamic million records, caviar in Paris.
[00:32:49]  We're talking about, and look it up, look it up, because the black album probably did a million, bro.
[00:32:52]  No, i'm telling you, and Jay is a genius, but no Jay, you got to understand the business.
[00:32:57]  Jay is a genius, but numbers are numbers.
[00:32:59]  Look, numbers are numbers.
[00:33:00]  But Jay is a genius.
[00:33:01]  Just like one of his albums, 50 sold over 30 million albums worldwide.
[00:33:05]  Here we go.
[00:33:05]  Okay, now go to Jay's black album and see what it's sold.
[00:33:08]  And I hating on Jay-z.
[00:33:09]  He's a genius, he's a genius.
[00:33:10]  But you got to understand the facts.
[00:33:12]  But the type of career I would want Jay's career over 50.
[00:33:16]  You're on drugs.
[00:33:18]  Don't ever listen to.
[00:33:19]  I'm just out of a lot of number one.
[00:33:26]  He's just a Jay-z, i'm not gonna number one.
[00:33:29]  I'm not gonna say you're a Jay-z-glazer, i'm not gonna say you're a Jay-z Glazer, they're gonna gotta glaze.
[00:33:36]  You a Jay-zerf.
[00:33:38]  But listen okay okay, i'm just saying the difference, the reason why I think I think you sound crazy and you just a 50.
[00:33:46]  You might just be a 50 hater and it's no love 50 now look.
[00:33:50]  So look, he said he'd rather have Jay career over 50.
[00:33:54]  Right yeah, that me personally no.
[00:33:56]  But yeah listen, Jay's presentation is good.
[00:34:00]  I think 50 always has the best presentation in hip-hop and what i'm saying is Jay will do a deal and we can look it up.
[00:34:06]  Remember when he had the album with Samsung and he and they bought a million copies before he even dropped that's a fire.
[00:34:12]  He always found a way.
[00:34:15]  He always found a way to win when, when he had his percentage in the BALL Clays, he used that he had a good presentation, but when 50 Cent dropped, it felt like Tupac came back from the dead.
[00:34:26]  Yes, but no listen no no no no disrespect no no, no.
[00:34:32]  And look this nigga, because let's keep it real.
[00:34:35]  Jay is smart enough.
[00:34:36]  You gotta let me finish, all right.
[00:34:37]  Jay is smart enough to stand to what stand next to the fire.
[00:34:41]  Yes, that's what the Kanye Album R, Kelly album r.
[00:34:44]  Kelly album who was on Jay-Z look when did 50 tour with Jay-Z look it up I was in jail because he was standing next to the fire that's smart Jay omitted it that's smart 50 had the most hate didn't need to stand next to the fire to heat up that's all do and it's 20 years later and we're Still doing 103 shows.
[00:35:04]  Yes.
[00:35:05]  But when I say 103 shows, still doing, got 40 films coming out.
[00:35:10]  Jay never had the hat.
[00:35:13]  Because look, listen, the three big dogs out of New York, you never can take Pete Diddy, Jay-Z, 50 Cent.
[00:35:21]  50 Cent is way younger than niggas, right?
[00:35:24]  These niggas are much older.
[00:35:25]  They came in the game way before us.
[00:35:29]  That's what you're not thinking about.
[00:35:31]  Jay was successful already.
[00:35:32]  Nas, everybody was successful.
[00:35:34]  We came in the 2000s later on down the line.
[00:35:37]  And 50 has more success than a lot of motherfuckers, bro.
[00:35:41]  I don't think what I, I guess what I would say is, like, I don't know if Jay crossed over and had cultural impacts the way that 50 did.
[00:35:50]  And I think Jay definitely did a lot of things to do that.
[00:35:53]  He did the crossover thing with what's the rock group?
[00:35:55]  Lincoln Park.
[00:35:56]  Lincoln Park.
[00:35:57]  Like he made these efforts to cross over and he's ubiquitous.
[00:35:59]  Everybody knows who Jay-Z is.
[00:36:00]  He's a massive success, brilliant guy, et cetera.
[00:36:02]  But in terms of like, there's a moment in history where everybody in the world knows this person, knows the music, knows the songs.
[00:36:09]  Stop the world.
[00:36:10]  There's only a few artists, rock, rap, country, RB that have done that.
[00:36:16]  Because Jay don't have a dude.
[00:36:18]  This is going to sound like a dude.
[00:36:20]  Dude, dude.
[00:36:21]  Oh, stop.
[00:36:21]  If you put...
[00:36:22]  Joe Hobra was rocking to that.
[00:36:24]  Dude, dude, everybody, the whole world.
[00:36:27]  You have to come on the road.
[00:36:28]  Can I get a drink right now?
[00:36:34]  He don't understand.
[00:36:35]  He don't understand.
[00:36:37]  When that drops, two, two, our biggest enemies, John Rude, even said it.

=== Jay-Z Global Icon Status (15:07) ===

[00:36:42]  Yo, when that dropped, we knew it was a problem.
[00:36:43]  You hear that everywhere.
[00:36:44]  I understand, but you see this right here?
[00:36:46]  You see the dream team, Dr. Dre and him?
[00:36:47]  Trust me, that was the biggest information.
[00:36:50]  Crazy songs.
[00:36:50]  Like 99 proud.
[00:36:51]  But you know, when this dropped in, dude, it was an old.
[00:36:55]  When Jay-Z, we had video games, serials.
[00:36:57]  But like you said, like you said.
[00:36:58]  We had pajamas.
[00:36:59]  We had sneakers.
[00:37:01]  The sneakers.
[00:37:02]  We sold video games.
[00:37:05]  Number one album.
[00:37:06]  That means that's what I'm saying.
[00:37:07]  Because Eminem because he was white.
[00:37:09]  No, no, no, no.
[00:37:10]  I say race.
[00:37:12]  He's the white.
[00:37:13]  He's sold.
[00:37:16]  Black people could be racist too.
[00:37:19]  That's crazy.
[00:37:22]  Thank you.
[00:37:26]  He's here.
[00:37:28]  Come on.
[00:37:29]  No, no, I'm going to keep it real.
[00:37:30]  Let's keep it real.
[00:37:31]  You know what I'm saying?
[00:37:32]  Everybody stereotypes.
[00:37:34]  They just don't want to keep it real.
[00:37:35]  Yes.
[00:37:36]  I'm going to give you a story.
[00:37:37]  This whole show is like a real story.
[00:37:38]  I'm doing this story.
[00:37:40]  I'm in my bitly.
[00:37:41]  I'm arguing with a calf dropper.
[00:37:43]  He cuts me off.
[00:37:44]  Come on.
[00:37:45]  I call him a terrorist.
[00:37:48]  And look, I was ruled for that.
[00:37:50]  I never, you know what I'm saying?
[00:37:51]  Fucking terrorists.
[00:37:52]  This years ago.
[00:37:54]  When shit was happening, right?
[00:37:56]  You know what he said?
[00:37:57]  Where's your father?
[00:38:01]  So everybody's there.
[00:38:02]  For the black man, yo, when you go in the store, you're going to steal or whatever.
[00:38:05]  Just because I live in the burbs, you think I don't go through shit when I'm in my supermarket and people's looking like, what is this nigga doing here?
[00:38:11]  Right.
[00:38:11]  You think I don't go through shit sometimes?
[00:38:13]  Yeah, I know.
[00:38:13]  You get stereotyped in the burbs.
[00:38:15]  Look, you get, look, you get, you get criticized in the burbs or the street, but everybody stereotypes.
[00:38:21]  You might see an Asian person where you think, oh, this guy can't drive.
[00:38:24]  You see, you see, now you see, because of the racist shit with ice, you see, my ice.
[00:38:30]  Now niggas say, Ice, man, I'll call ice on you.
[00:38:32]  I'm not that type of person.
[00:38:34]  I don't get into politics and religion much.
[00:38:36]  That's not my thing.
[00:38:36]  Learned that immediate training.
[00:38:38]  But sometimes niggas say.
[00:38:41]  But motherfucker, you just said Eminem just sold because he was white.
[00:38:45]  It was good.
[00:38:45]  Motherfucker.
[00:38:46]  He was good.
[00:38:47]  That's who sounded a little racist.
[00:38:49]  Eminem's in my top five.
[00:38:50]  But you know, it did help him to be a general sense.
[00:38:55]  Dr. Dre was his producer.
[00:38:57]  I know too.
[00:38:58]  That helps.
[00:38:59]  That helps too.
[00:39:00]  Got the best producer in the world producing the shit.
[00:39:03]  Yes.
[00:39:03]  Hey, that helps too, but I'm just saying, in a stereotype.
[00:39:06]  So we ain't gonna say race.
[00:39:07]  How about this?
[00:39:08]  How about this show?
[00:39:09]  How about this?
[00:39:09]  I think what he's trying to say is: remember when Jeremy Lynn was balling for the next remember the Asian guy, Jeremy?
[00:39:15]  Yeah, he was a sensation guy.
[00:39:16]  He was a sensation.
[00:39:17]  Exactly.
[00:39:17]  So I think what happened, I think what happened is that a lot of Asians saw their first NBA baller who was out there hitting game winning shots.
[00:39:24]  He's tearing up the garden.
[00:39:25]  I remember going to those games.
[00:39:26]  It was like 50% Asian.
[00:39:27]  I never seen so many Asians in the garden.
[00:39:29]  So I think what happened is white people who loved rap finally saw somebody who was really good and looked like him, but he thought he was black.
[00:39:36]  Wait for it.
[00:39:37]  Wait for it.
[00:39:38]  He thought everybody was black until he heard him.
[00:39:40]  Wait for it.
[00:39:40]  Wait for any stuff.
[00:39:41]  He also happened to be nice.
[00:39:43]  Nice.
[00:39:44]  That's what I'm saying.
[00:39:44]  Because there have been white rappers before that that didn't reach that level.
[00:39:47]  Yes.
[00:39:47]  So it's a combination.
[00:39:48]  He had bars.
[00:39:49]  You was thinking, look, this is how he's thinking.
[00:39:51]  He's the nicest at rapping at the time.
[00:39:53]  He got the best producer.
[00:39:55]  And he's doing something that nobody else is really doing, like that kind of internal angst we weren't seeing in hip-hop at all.
[00:40:00]  But you're stereotyping.
[00:40:02]  And I'm going to tell you why.
[00:40:03]  I'm not going to say racist because you'd be always people take it sensitive.
[00:40:06]  Yeah, how can a black person be racist?
[00:40:08]  We stereotype too.
[00:40:09]  Yeah, you know that.
[00:40:10]  Everybody does.
[00:40:10]  Like I just told you.
[00:40:11]  You probably do.
[00:40:12]  What's your favorite stereotype?
[00:40:20]  They always think a black person is going to steal when you come into this.
[00:40:23]  This is what I'm saying.
[00:40:23]  In the suburbs, you're acting like I'm not dealing with nothing.
[00:40:25]  Did you ever steal?
[00:40:26]  You live in the suburbs now.
[00:40:27]  Hate when people say that.
[00:40:29]  And I had to adjust.
[00:40:30]  And you know how white people jokes are.
[00:40:31]  Y'all jokes are different, man.
[00:40:32]  Yeah, what are our jokes?
[00:40:33]  Y'all just kidding, little dick jokes.
[00:40:36]  Like I was showing my guy, um, some guys some shit.
[00:40:39]  Me traveling, and the guy from Breakfast goes, Yo, yo, yo, you showing your dick pics again?
[00:40:44]  Like, it's just a white people jokes.
[00:40:49]  This is the gay fun.
[00:40:50]  We play with gay a lot.
[00:40:51]  Listen, I'd like to be a boy with gay.
[00:40:53]  You said that shit over here.
[00:40:54]  Listen, bro, I got my nails picked.
[00:40:56]  I experienced it because I was on Kill Tony.
[00:40:59]  Yeah, yeah, yeah.
[00:41:00]  I didn't care about that shit.
[00:41:03]  I've been asking him for the address for three days.
[00:41:06]  And this motherfucker didn't get it to me.
[00:41:10]  You ain't even played for a day.
[00:41:12]  I'm mic'd up.
[00:41:14]  I'm mic'd up.
[00:41:15]  I've been asking for a moment.
[00:41:16]  He's been changing us for three days and he said it to me three days.
[00:41:19]  I don't see I want to be on the show by myself.
[00:41:20]  Exactly.
[00:41:21]  You got to watch motherfuckers like him.
[00:41:23]  You got to watch his mother.
[00:41:24]  I didn't want any more.
[00:41:25]  Uncle Murphy's in the building.
[00:41:32]  So we was just talking about for my boy Pim.
[00:41:34]  And I was here earlier.
[00:41:36]  He was just saying that he thinks that Eminem is overrated.
[00:41:40]  Yo, now let me ask you.
[00:41:41]  Who said that?
[00:41:41]  Yo, look.
[00:41:42]  Now, let me tell you.
[00:41:42]  Yeah, yo, say he didn't know.
[00:41:44]  He's so racist.
[00:41:45]  Are you going to flip it?
[00:41:47]  Yo, look, that's talking crazy.
[00:41:49]  Look, he was talking crazy.
[00:41:50]  Wow.
[00:41:51]  He was talking crazy short.
[00:41:52]  Look at showing the nails.
[00:41:57]  Those nails is a pause.
[00:42:00]  It's not.
[00:42:00]  No, you taking his opinion.
[00:42:05]  Those nails is a pause and a no-generation.
[00:42:09]  Old head niggas, man.
[00:42:11]  Always old-headed.
[00:42:12]  You know, if any party niggas gonna be dancing about taking on the nails for tonight, no, I didn't, but I wish I had told him.
[00:42:19]  Yeah, fuck on Uncle Murder.
[00:42:23]  You know where he's from?
[00:42:24]  Farm Rockowitz.
[00:42:25]  Oh, my God.
[00:42:27]  This gangster's out there.
[00:42:29]  I don't even know how you get away with them nails.
[00:42:32]  It's gangsta.
[00:42:32]  Danger for the ball.
[00:42:33]  Rocket with murder.
[00:42:34]  This is Alex, and this is Mark.
[00:42:36]  Yes.
[00:42:36]  Nice to meet y'all, man.
[00:42:37]  Nice to meet y'all, man.
[00:42:38]  Nice to meet you.
[00:42:39]  Nice to meet y'all, man.
[00:42:40]  I met this guy before, so me and Andrew, all right.
[00:42:43]  We good.
[00:42:45]  You met Mark and Alex, I think, in MSG.
[00:42:47]  Yes.
[00:42:48]  Oh, you know what?
[00:42:49]  Copy.
[00:42:49]  Copy.
[00:42:50]  That's right.
[00:42:51]  Thank you guys very much for doing that, bro.
[00:42:52]  Oh, no.
[00:42:53]  Come on, bro.
[00:42:53]  You with me for that.
[00:42:54]  We were shit.
[00:42:55]  It was an honor to do that shit.
[00:42:56]  That shit was dope as you.
[00:42:57]  You funny as shit, man.
[00:42:58]  That's a murder.
[00:42:59]  He's disrespectful.
[00:43:01]  Diddy, you are better disrespectful.
[00:43:04]  The hell is that jam?
[00:43:06]  Sometimes you gotta stand for everything to feel like.
[00:43:11]  No Diddy or steroids.
[00:43:15]  That's not Diddy on Shit.
[00:43:19]  This is hard, bro.
[00:43:20]  What's my man's name right here?
[00:43:22]  You're not, if he comes in the business, meet you, you're gonna take him serious with those?
[00:43:25]  No, are y'all both giving ASAP Rocky shit because his nails are big?
[00:43:30]  I never seen him do it.
[00:43:31]  Are you giving you a thug shit because his nails are painted?
[00:43:34]  Young Thug wanted dress.
[00:43:36]  Some people still get shot, though.
[00:43:38]  So it's all good.
[00:43:39]  People still get shot.
[00:43:39]  You wear a dress.
[00:43:41]  You see me when he ain't shit.
[00:43:43]  So you're saying there's an amount of violence that could be associated with you where you could get away with some softer shit.
[00:43:49]  There's no getting away with painting your nails, man.
[00:43:52]  That's some fruitcake shit.
[00:43:55]  Ain't no ain't no getting away with it.
[00:43:56]  What about who it is?
[00:43:59]  They got to figure it out.
[00:44:00]  Stop painting your nails, my niggas.
[00:44:02]  What about Claire?
[00:44:03]  Keep it against Charlie Cliff.
[00:44:04]  Claire's different.
[00:44:05]  Why is Claire different?
[00:44:05]  Because paint is pink.
[00:44:07]  Claire is when you just look.
[00:44:09]  You look fresh and clean when you get a claw.
[00:44:10]  Yo, paint is paint.
[00:44:12]  Nah, nah.
[00:44:13]  You got a glitter.
[00:44:14]  You got a stun.
[00:44:15]  Come on.
[00:44:15]  You from far rock away.
[00:44:17]  You making Queens look bad here.
[00:44:20]  We all grow.
[00:44:20]  We all grow.
[00:44:21]  Brooklyn, you know how we move in, Brooklyn.
[00:44:25]  I never let a Brooklyn do you think exactly.
[00:44:27]  Never.
[00:44:27]  Brooklyn, we got this one.
[00:44:29]  You ever let a Brooklyn do paint his nails?
[00:44:31]  No, we ain't gonna put it.
[00:44:32]  But no Queen's rapper ever paint their nails either.
[00:44:35]  Let me think about it.
[00:44:36]  Hold on, hold on.
[00:44:37]  Let's think.
[00:44:37]  Brooklyn, 50 Lee.
[00:44:38]  50.
[00:44:40]  Oh, yeah, oh, yeah, yeah.
[00:44:41]  50.
[00:44:42]  Oh, yeah, forgot.
[00:44:43]  Wait, why?
[00:44:44]  I still like LO music.
[00:44:45]  Yeah, I know, but I'm just saying.
[00:44:47]  So that's how you separate the art from the artist.
[00:44:50]  No, I still like his music.
[00:44:52]  I like Wu-Tang.
[00:44:53]  Some of them don't like me, but I love their music.
[00:44:55]  Why don't they like you?
[00:44:55]  Because you got to understand.
[00:44:57]  When we came in the game, see, he wasn't here.
[00:45:01]  When we came in the game and 50 had the raw, we knew we were the most hate.
[00:45:04]  See how he's hating?
[00:45:05]  I'm a Jay-Z.
[00:45:05]  Fine.
[00:45:06]  Jay-Z.
[00:45:07]  I don't want my career to be Jay-Z.
[00:45:10]  He wants to buy Basquiats and all the other shit.
[00:45:12]  Yeah, yeah.
[00:45:14]  Got 40 TV shows.
[00:45:15]  It's 20 years later.
[00:45:16]  We're one of the biggest brands.
[00:45:17]  Like I said, Jay, no disrespect to him, but he was smart.
[00:45:20]  You stand next to the fire.
[00:45:21]  That's what you do.
[00:45:22]  We're here with you.
[00:45:22]  We're standing next to the fire.
[00:45:26]  You think y'all beat him for him, bro?
[00:45:28]  I'm standing next to the fire.
[00:45:31]  When I start getting deals and shit, I'm smart enough to know when I get a deal.
[00:45:35]  Oh, shit.
[00:45:35]  Yo, 50-50.
[00:45:36]  They know 50.
[00:45:37]  I'm getting a deal.
[00:45:38]  Because I stand next to the fire.
[00:45:40]  I'm quite when you stand next to 50, you're standing next to the fire.
[00:45:42]  It's 20 years later.
[00:45:44]  Jay, right now, last thing I seen was him riding a bike in the Hamptons and buying the, what's the guy?
[00:45:50]  Tato Ado.
[00:45:51]  Look up the guy that built his house.
[00:45:52]  I'll say his name on wrong.
[00:45:53]  And getting his house built by the Asian guy.
[00:45:56]  What's wrong with that?
[00:45:57]  Nah, it's cool.
[00:45:58]  It's artistic shit.
[00:46:01]  You went to Rock Nation.
[00:46:02]  They had a lot of artistic shit in there.
[00:46:04]  Yeah, but he got a lot of shit.
[00:46:05]  He got Rock Nation sports.
[00:46:07]  I take it, y'all.
[00:46:08]  Motherfuckers been arguing a little bit in here.
[00:46:09]  So like y'all got some type of like.
[00:46:11]  Yeah, because he started saying white because Eminem sold because he was white.
[00:46:13]  So I said that was racist.
[00:46:14]  Yeah, it's racist.
[00:46:16]  Did you think it helps that Eminem was white?
[00:46:19]  Of course, but you can't knock a motherfucker up for having to come up with the shit.
[00:46:21]  I wasn't for the connection.
[00:46:24]  That's how he was a long time.
[00:46:26]  You can't make it.
[00:46:27]  Thank you, bro.
[00:46:29]  You can't take it back.
[00:46:30]  You can't bring that up.
[00:46:31]  You can't bring that up when they got bars.
[00:46:34]  Exactly.
[00:46:34]  He can run.
[00:46:37]  I put him in my top five.
[00:46:38]  Em's in my top five.
[00:46:39]  You see, so now this is what we know.
[00:46:41]  You buying paint ins and building $200 million weird cribs and all that.
[00:46:45]  You that type of nigga.
[00:46:46]  You want Eminem's to be black?
[00:46:47]  You still gonna be chopped cheese.
[00:46:49]  I didn't want him to do that.
[00:46:50]  I still go to the hood.
[00:46:50]  It's all good.
[00:46:51]  You gotta do both.
[00:46:52]  I don't go to far rock away with that.
[00:46:55]  Might wear gloves when I go.
[00:46:57]  Wear gloves.
[00:46:59]  Everything else is fair.
[00:47:00]  But we ain't going to accept no opinion from you.
[00:47:03]  Like I said.
[00:47:03]  Oh, shit.
[00:47:04]  God damn.
[00:47:06]  God damn.
[00:47:07]  Damn.
[00:47:08]  That's flagrant.
[00:47:09]  I mean, we were on the flagship.
[00:47:13]  Where you from again?
[00:47:15]  Queens, and he came up on some like Brooklyn shit.
[00:47:18]  Are there no nails painted?
[00:47:20]  Like I said, Fabio.
[00:47:21]  Fat in East New York.
[00:47:22]  You can't do that in East New Year.
[00:47:23]  Look up all Fab's feature records.
[00:47:26]  Look up all Fab's feature records.
[00:47:27]  His biggest.
[00:47:29]  Let me talk.
[00:47:29]  His biggest records are his feature records.
[00:47:32]  Banks records, Avant, Joe, whoever he wrote the book.
[00:47:35]  All right, guys, we got to take a break for a second.
[00:47:37]  Yes.
[00:47:37]  From this incredibly calm, cool, and collected conversation with no strong opinions whatsoever.
[00:47:43]  You're going to give Al a break.
[00:47:44]  Yeah, Al, he just need to chill for one second.
[00:47:45]  Poor Al, dude.
[00:47:46]  Okay?
[00:47:47]  You're going through it.
[00:47:48]  And you haven't even gotten to the end of the episode.
[00:47:50]  I don't even know how much more he goes through it.
[00:47:52]  It gets worse, guys.
[00:47:55]  Or better.
[00:47:55]  Way better for me.
[00:47:57]  For Mark and I, we are enjoying ourselves.
[00:47:59]  I don't even understand all the politics.
[00:48:01]  I don't really know most of the names, but man, that was awesome.
[00:48:04]  I agree with Yeo 100%.
[00:48:06]  Okay.
[00:48:06]  I would say 70% of the episode, Yeo's hand is in Alex's face as he's trying to talk.
[00:48:11]  He's just Heismaning you half the episode.
[00:48:15]  What are the odds Al takes off his nail pause before next pod?
[00:48:17]  What are the Calci odds on that?
[00:48:19]  Ooh, we have a number.
[00:48:21]  I'm a stubborn nigga.
[00:48:22]  I'm a dumb number.
[00:48:23]  Now you already have.
[00:48:24]  Now there's nothing you can do about it.
[00:48:26]  He's in forever.
[00:48:27]  Yeah.
[00:48:28]  Okay, but let's talk a little bit about this little Super Bowl that we got going on.
[00:48:32]  We got Seattle and New England.
[00:48:34]  Yep.
[00:48:35]  Could not care about either team.
[00:48:36]  Come on.
[00:48:37]  No, you're really good.
[00:48:38]  You're a Patriots fan, dude.
[00:48:39]  Bro, I don't think I can name three Seattle Seahawks.
[00:48:43]  I can't name one.
[00:48:44]  Nah, come on.
[00:48:46]  Richard Sherman.
[00:48:47]  Richard Sherman.
[00:48:48]  He was one.
[00:48:49]  He was.
[00:48:49]  He was one.
[00:48:50]  I was talking about Kern.
[00:48:51]  Nah, if you were, you are forever, bro.
[00:48:53]  That's true.
[00:48:53]  I'm a Seahawks fan.
[00:48:56]  Sierra's husband.
[00:48:56]  Sierra.
[00:48:57]  Sierra's husband.
[00:48:58]  Sierra's husband.
[00:49:00]  That's good.
[00:49:01]  Marshawn Lynch.
[00:49:02]  Let's go.
[00:49:04]  Tom Nice.
[00:49:05]  Can you name two New England Patriots?
[00:49:07]  Julian Edelman, Tom Brady.
[00:49:10]  Man, you guys are nice.
[00:49:11]  I'm nice, bro.
[00:49:12]  I know football.
[00:49:13]  Gay Spanish dude that kills people.
[00:49:14]  Yes, Aaron Hernandez, allegedly.
[00:49:17]  Aaron Hernandez.
[00:49:21]  Isn't his name Alex?
[00:49:22]  No.
[00:49:26]  Oh, it was Aaron.
[00:49:29]  Also, you too.
[00:49:31]  Yeah.
[00:49:31]  Give me that.
[00:49:32]  Give me that name.
[00:49:32]  Getting Gils back.
[00:49:33]  Yo, Gills.
[00:49:34]  Give me that Gills back.
[00:49:36]  Give me that next.
[00:49:38]  Yo, this Super Bowl.
[00:49:39]  Fast forward.
[00:49:40]  Listen, nobody's watching this shit.
[00:49:44]  Nobody's watching.
[00:49:45]  But if you are going to watch it, the Calci odds are 68%.
[00:49:48]  It's got Seattle, 33% New England.
[00:49:52]  Do we have a bad bunny market?
[00:49:54]  Yeah, we got to watch that bad bunny halftime show.
[00:49:57]  Yes, bro.
[00:49:57]  The biggest artist in the world.
[00:49:58]  That's what we're coming to see.
[00:49:59]  Yes.
[00:50:00]  I keep telling y'all.
[00:50:01]  He's the next Michael Jordan.
[00:50:02]  Oh, who's his opener going to be?
[00:50:03]  I like this.
[00:50:04]  Titi Mi Progunto.
[00:50:06]  I'm going with him, bro.
[00:50:07]  That sounded fucking racial.
[00:50:09]  Yo, he nailed it, but that sounded crazy.
[00:50:13]  These are the opening song.
[00:50:14]  Is that what they're saying?
[00:50:15]  What's going to be the opening song?
[00:50:16]  I think it's going to be Titimi Progunto.
[00:50:19]  Why is that funny, you bigots?
[00:50:21]  Now I'm speaking Espanol.
[00:50:22]  Now you fucked it up.
[00:50:23]  No.
[00:50:24]  Miles, give me a promo code for these kind people.
[00:50:26]  Right now, if you trade $10, Calci is going to give you $10 free when you use the promo code Flagrant.
[00:50:30]  So go to download Calci.
[00:50:32]  Get in on the Super Bowl.
[00:50:33]  Trade the game.
[00:50:35]  Trade the halftime show.
[00:50:36]  Trade the whole damn experience.
[00:50:39]  I wish we could trade out these two teams no one gives a fuck about and watch a Super Bowl that we're excited for.
[00:50:45]  Okay?
[00:50:45]  Now let's get back to the show immediately.
[00:50:47]  You from Brooklyn?
[00:50:48]  Niggas are just smart.
[00:50:50]  Who has a better career, Fab or Banks?
[00:50:52]  I don't really want to get into that.
[00:50:53]  You see?
[00:50:54]  You see, you know why I say that, though?
[00:50:57]  You know, I say that because I don't want to be up here talking about them niggas.
[00:50:59]  Like, they both did their thing.
[00:51:01]  It's cool.
[00:51:01]  I'm cool with them.
[00:51:02]  I don't want to be talking about them niggas.
[00:51:03]  They both had celebrate both.
[00:51:07]  I don't want to be up here and keep going back and keeping that shit going.
[00:51:10]  You know what it is?
[00:51:10]  For me, we talked about JM.
[00:51:12]  We wasn't just talking about that.
[00:51:13]  We're talking about mad stuff.
[00:51:14]  That wasn't like the subject.
[00:51:15]  So you could have given me.
[00:51:16]  You had me late.
[00:51:18]  I came in here and lose late.
[00:51:19]  But if you don't want to give us a bit of a bad thing, I think they're the same dude.
[00:51:21]  Look.
[00:51:22]  A little bit.
[00:51:23]  You know what I'm saying?
[00:51:24]  But did that, I think Fab had a little longer run than Ben.
[00:51:27]  Listen, listen, let me explain something.
[00:51:28]  You know what I mean?
[00:51:28]  I'm going to keep it real.
[00:51:30]  Let me explain to you.
[00:51:32]  G-Unit was the most hated rap group in rap history till this day.
[00:51:40]  We turned hot nine into shot nine.
[00:51:43]  That's true.
[00:51:44]  They hated us.
[00:51:45]  Radio hated us.
[00:51:45]  E-Bro said we ruined.
[00:51:47]  No disrespect to E-Bro.

=== Fab Longevity Over Ben (14:52) ===

[00:51:49]  He said we ruined hip-hop radio 50 cents.
[00:51:52]  We didn't, our doors was closed to a lot of motherfuckers.
[00:51:55]  So when motherfuckers like Fab or your favorite rapper, Jay, Khaled is hot.
[00:52:00]  Yeah, let's sign Khaled over here.
[00:52:01]  Get his punk ass over there.
[00:52:03]  No disrespect to him, but that's how Jay.
[00:52:06]  That's how Jay's probably.
[00:52:08]  You got Brooklyn niggas in his punk ass over there.
[00:52:11]  You think Jay's a nice guy.
[00:52:12]  I don't know how to say it.
[00:52:13]  From Marcy.
[00:52:14]  Motherfucker London.
[00:52:15]  From Marcy.
[00:52:16]  Yo, get that nigga over there.
[00:52:17]  Tell that nigga come work for me.
[00:52:18]  That's how Jay is.
[00:52:20]  Even when, what's the streaming service?
[00:52:22]  Title, right?
[00:52:23]  Title, yeah.
[00:52:23]  He did title.
[00:52:24]  He had Nikki.
[00:52:25]  He had Caledon, all these people, right?
[00:52:27]  What he look up and see what Jay-Z sold title for, and nobody got no money.
[00:52:32]  Look up that.
[00:52:33]  Oh, wow.
[00:52:34]  Did somebody get any money off of that?
[00:52:36]  Nikki was hot as fish grease.
[00:52:38]  The hate on Nikki.
[00:52:39]  She was hot as fish grease when title dropped.
[00:52:41]  How much?
[00:52:42]  302 million.
[00:52:44]  That's a good deal.
[00:52:45]  He's got money from there, though.
[00:52:46]  You can't artists got money.
[00:52:48]  He sold majority steak and music service, title, Jack Dorsey Square, what?
[00:52:54]  2021.
[00:52:55]  You got to make some correctly.
[00:52:58]  We can read good.
[00:53:00]  I don't give a fuck.
[00:53:01]  We heard him, nigga.
[00:53:02]  We off to go.
[00:53:02]  You heard you, nigga.
[00:53:04]  We was drinking.
[00:53:05]  Shut up, man.
[00:53:05]  I ain't never say that.
[00:53:06]  Don't try to hear me.
[00:53:07]  Jay-Z sold majority steak and music service service title to Jack Dorsey Swamp.
[00:53:12]  In 2001, reported 302 with initial reports suggesting $350 million.
[00:53:17]  Jay-Z Residential.
[00:53:18]  Now you make it.
[00:53:23]  I'm just saying that.
[00:53:24]  I'm going to say something.
[00:53:26]  I don't even know who he said.
[00:53:29]  I'm careful.
[00:53:31]  Try to drop with me, nigga.
[00:53:33]  You just said residual.
[00:53:34]  I don't see that word.
[00:53:35]  We can't raise you.
[00:53:37]  I was just listening.
[00:53:39]  We don't want to do a reading for you.
[00:53:40]  I was listening.
[00:53:41]  We needed to.
[00:53:48]  I'm just fucking with you.
[00:53:52]  He raised babies.
[00:53:54]  I can't read.
[00:53:56]  He raised babies.
[00:53:57]  Sorry, Flora.
[00:53:58]  I didn't know what that nigga is doing.
[00:54:03]  Yo, this guy does the rap up.
[00:54:05]  This is the real one.
[00:54:09]  Nah, I think the apod should just be Yatu.
[00:54:12]  You don't need to.
[00:54:12]  Nah, we're about to guess.
[00:54:13]  I want guests.
[00:54:14]  I want guests.
[00:54:15]  We won't guess.
[00:54:15]  We can't have guests because he does the rap up.
[00:54:17]  He thinks he don't disrespect people in these interviews.
[00:54:19]  Who do I disrespect?
[00:54:21]  Jay-Z.
[00:54:21]  Jay-Z.
[00:54:24]  Thank you.
[00:54:24]  Because he don't say he's disrespecting him.
[00:54:26]  Thank you.
[00:54:26]  Hold on.
[00:54:31]  Let him know.
[00:54:33]  Let him know.
[00:54:34]  How am I this and Jay-Z?
[00:54:37]  I just said Jay-Z, Diddy, and 50 is like the top niggas in New York.
[00:54:40]  I always give Jay-Z his pops.
[00:54:43]  I just said he does business different than other niggas.
[00:54:46]  You just said that he closed this deal and nobody got paid off.
[00:54:50]  Who got paid?
[00:54:51]  Yo, Joey, look up who got paid.
[00:54:53]  Oh, Joey, we breaking it down over here.
[00:54:59]  Also, he covered his mouth when he said it, bro.
[00:55:01]  Come on, man.
[00:55:02]  That's different.
[00:55:03]  You know, Jay-Z from Brooklyn.
[00:55:04]  I like superb.
[00:55:05]  Like, how we get to look up shit on the style.
[00:55:08]  He's always a little a little bit.
[00:55:11]  Who made money?
[00:55:12]  Who made money?
[00:55:12]  Oh, this is interesting right now.
[00:55:14]  We don't see nobody inquiring.
[00:55:15]  Starting some shit.
[00:55:16]  Who required off the title, sale?
[00:55:18]  Hey, think it's become because of me, we ain't gonna get no guess.
[00:55:21]  Exactly.
[00:55:22]  Jay-Z's not fucking with you.
[00:55:24]  He thinks it's because of me.
[00:55:25]  We ain't getting no guess.
[00:55:27]  This guy.
[00:55:27]  Yo, this nigga just started going overseas with me.
[00:55:30]  Who got paid, though?
[00:55:31]  Jay-Z, Rough Riders, nobody helped him like that.
[00:55:33]  Oh, really?
[00:55:34]  Shout out to Rough Riders.
[00:55:35]  I got a bag of guns from Rough Riders niggas.
[00:55:36]  I had so much drama at that time.
[00:55:38]  That hell.
[00:55:39]  That helped.
[00:55:39]  I'm talking about a bag of guns.
[00:55:41]  Hell, man.
[00:55:41]  Shout out to my nigga.
[00:55:45]  Statue of limitations on.
[00:55:47]  I shot people a long time ago.
[00:55:48]  Statue of Limitations, boy.
[00:55:50]  It's over.
[00:55:51]  It's only seven years after that.
[00:55:53]  That's the murder.
[00:55:55]  He was late.
[00:55:56]  That's what I like.
[00:55:56]  This is the murder.
[00:55:57]  The bill statue of limitations are.
[00:55:59]  Hold on.
[00:55:59]  Back to the murder.
[00:56:00]  We're going to talk about it.
[00:56:02]  We're going to talk about those.
[00:56:03]  Hold on.
[00:56:04]  Who got paid?
[00:56:05]  Beyonce?
[00:56:06]  Who got paid?
[00:56:07]  Rihanna, Kanye, Alicia.
[00:56:08]  They say we can get paid.
[00:56:09]  She might have done Nikki.
[00:56:11]  What was his name?
[00:56:13]  They had a much smaller steak because he made this shit.
[00:56:16]  Of course.
[00:56:18]  Shut the fuck up.
[00:56:18]  They did.
[00:56:21]  You think he's doing tricks on it?
[00:56:22]  You think he's a busy brazier, bro?
[00:56:27]  He's doing tricks, bro.
[00:56:28]  Rock Nation don't care.
[00:56:29]  Nobody care about Uzi and a couple of people over there.
[00:56:32]  Hold up.
[00:56:32]  They say they got 8.9 million apiece or they got that 9 million.
[00:56:36]  3%.
[00:56:36]  Where did it say 3% at?
[00:56:38]  Did they get that to split?
[00:56:40]  3%?
[00:56:41]  That 9 million?
[00:56:41]  Nah, each had 3%.
[00:56:43]  Shut the fuck up.
[00:56:45]  3% ain't no money.
[00:56:46]  So was that a piece?
[00:56:47]  Or was that...
[00:56:49]  It looks like a combined payout.
[00:56:50]  So they probably each got like a mill?
[00:56:52]  So you go.
[00:56:54]  He got 300 and 2.
[00:56:55]  See, Jay is a genius.
[00:56:56]  He knows how to do that.
[00:57:00]  When that nigga from Philly wrote, give me that funk that sweet.
[00:57:02]  He ain't get no publishing off that property.
[00:57:04]  Jay is a genius.
[00:57:05]  You don't know what that is.
[00:57:06]  Who is that?
[00:57:06]  Who are those guys?
[00:57:07]  My man from Philly.
[00:57:07]  Look at him up.
[00:57:08]  That wrote the hook.
[00:57:09]  Give me that funk that sweet.
[00:57:10]  That good stuff.
[00:57:11]  That's good stuff.
[00:57:12]  Really?
[00:57:12]  Oh, I don't know.
[00:57:13]  Come on, bro.
[00:57:13]  Weren't they two dudes?
[00:57:15]  But we got to find out who got that 9 million apiece.
[00:57:19]  They had to smoke Chris Neef that.
[00:57:21]  Yeah, Chris and Neef.
[00:57:22]  Yeah, yeah.
[00:57:23]  Okay, all right.
[00:57:24]  There's more.
[00:57:24]  There's numerous shit we can look up.
[00:57:26]  Like, you can look up when Jay-Z said, sometimes the rap game reminds me of the crab game, and that was his demo.
[00:57:32]  And Irv Gotti and niggas was listening to it.
[00:57:34]  And look up 50.
[00:57:35]  50, that's kind of inspiring.
[00:57:37]  It's the same kind of record.
[00:57:39]  Shit, you gotta, you don't know your hip-hop.
[00:57:41]  See, you don't know nothing.
[00:57:42]  You got glittery now.
[00:57:43]  Wait, wait, wait.
[00:57:45]  Damn.
[00:57:45]  Wait, you say, you say Jay-Z bit.
[00:57:49]  That's just, look up, look up 50 Cent with Bump Pimp C and Bump B. Look up what year that was done.
[00:57:56]  A Pimp in a Pip with No Hoes.
[00:57:58]  And then look up Jay-Z a couple of years later with who did the same two artists with the same record content.
[00:58:03]  Pimp and what was it?
[00:58:08]  Look it up.
[00:58:09]  You don't know your hip-hop, brothers.
[00:58:10]  I'm just saying.
[00:58:12]  I don't even know who you're rapping.
[00:58:16]  I don't know.
[00:58:20]  Now you're just saying shit.
[00:58:21]  Stop it.
[00:58:21]  I don't know nobody.
[00:58:23]  So look, he's the type of nigga.
[00:58:24]  You gonna hate on the Beastie Boys, too?
[00:58:26]  Oh, I wasn't fucking with them.
[00:58:31]  Dude, white boy rappers.
[00:58:38]  Hold on, hold on.
[00:58:40]  Let's name my list of dope white boy rappers.
[00:58:43]  Third base.
[00:58:44]  Go to third base.
[00:58:45]  Them niggas, let's not act like they wasn't nice.
[00:58:48]  I was a fan of them.
[00:58:49]  Beastie boys.
[00:58:50]  Thank you.
[00:58:50]  A fan of them and Paul Wall.
[00:58:53]  Yes, Paul Wall.
[00:58:54]  He counted them sparks.
[00:58:56]  Now, listen, I should love.
[00:58:58]  Now, this is what I want to say.
[00:59:02]  Are you a racist nigga?
[00:59:03]  That's what he's trying to do.
[00:59:17]  Come on.
[00:59:22]  I can't fuck with that.
[00:59:24]  I can't fuck with this.
[00:59:26]  Jack Miller.
[00:59:28]  Now, let's keep it real.
[00:59:29]  Vanilla Ice with Diamonds.
[00:59:31]  Yes.
[00:59:32]  Thank you.
[00:59:33]  Just not act like you wasn't rocking the ice ice baby.
[00:59:36]  It should have that nigga hanging over the door.
[00:59:41]  How many movies was Vanilla Ice song in Ice Ice Baby?
[00:59:44]  He's still getting checks, my nigga.
[00:59:46]  So you think the wrong way.
[00:59:47]  You like, yo, this nigga's nice.
[00:59:48]  You want the nigga in the basement.
[00:59:49]  We want the basement.
[00:59:50]  And I ain't gonna fuck Jack Harlow be rapping his ass off too, Paul.
[00:59:53]  Jack Harlow can rap like a motherfucker, man.
[00:59:55]  Vanilla Ice sold 11 million.
[00:59:57]  Let's see how many records are left for vanilla ice on over 7 million copies in the U.S. 25 million globally.
[01:00:04]  Wow.
[01:00:05]  Damn, Al.
[01:00:07]  Now, what artist, you want the bum, you want the people, I'm black.
[01:00:09]  You want that artist.
[01:00:10]  I want that artist right there to make money.
[01:00:13]  Because that's what it's like.
[01:00:14]  So you want Vanilla Ice's career.
[01:00:16]  I like vanilla ice.
[01:00:17]  I'm not saying like all one song.
[01:00:19]  That song sold more than this whole alcohol.
[01:00:22]  You don't want 11 number one albums off of a whole convo.
[01:00:26]  Is it vanilla ice or Jay-Z?
[01:00:28]  Definitely.
[01:00:29]  That's not the convo.
[01:00:30]  That's not the convo.
[01:00:30]  The convo is a bad thing.
[01:00:32]  He's saying, look, because we're saying, and he said, I hate on Jay.
[01:00:34]  I said Jay has 11 to 12 platinum albums, which is success.
[01:00:38]  I said he's the, I never hate on him.
[01:00:40]  I just say he do business differently.
[01:00:41]  We might not get a Jay-Z interview, but what you said.
[01:00:44]  So look, he ain't getting either.
[01:00:49]  He gets visual shit.
[01:00:51]  50 would have seen with the nails.
[01:00:52]  Like, yo, what the fuck this thing is about?
[01:00:55]  Fuck out of here.
[01:00:58]  But what was the beef?
[01:00:59]  So the beef is, I said, 50 sold 11 million records on one album.
[01:01:04]  That's like only like certain artists like DMX, Nelly.
[01:01:08]  Like, niggas will say, oh, Vanilla Ice, it's only like a certain number of people that sell those kind of records, bro.
[01:01:15]  That's what's the girl's name?
[01:01:17]  And I don't care if it's vanilla ice.
[01:01:19]  He sold back in the days.
[01:01:21]  Whoever was on tour was happy as hell.
[01:01:23]  That's Taylor Swift.
[01:01:26]  Taylor Swift.
[01:01:27]  Who's different than Travis Kelsey's girl?
[01:01:29]  I can't remember Travis Kelsey's girl.
[01:01:33]  Travis Kelsey's.
[01:01:34]  I couldn't remember.
[01:01:36]  That's crazy.
[01:01:36]  How did you remember Travis Kelsey, bro?
[01:01:39]  Dude, that's Travis Kelsey, man.
[01:01:41]  But come on, you don't know.
[01:01:42]  I'm tired of like people who are.
[01:01:43]  No, so you got mad because I said I would prefer Jay-Z's career over 50s.
[01:01:46]  No, I'm not mad at you.
[01:01:47]  That's your opinion.
[01:01:48]  I just said I would prefer 50s career over Jay-Z's.
[01:01:51]  It's cool.
[01:01:52]  Yeah.
[01:01:53]  But what about they both great?
[01:01:55]  What about Travis?
[01:01:56]  Two Scott's career over Jay-Z's career.
[01:01:58]  Travis Scott is another one, too.
[01:02:00]  He sells out shows.
[01:02:01]  He's big worldwide.
[01:02:02]  He's big.
[01:02:02]  So you just see you.
[01:02:04]  Jay, I'm not saying Jay is not big, but did 50, Travis, there's other dudes that are bigger overseas.
[01:02:11]  I don't know if Jay could sell the tickets with that.
[01:02:14]  Yeah, but people put Jay in that GOAT conversation.
[01:02:16]  Nobody even, even though Travis sells more, nobody puts him in like the lyricist GOAT best.
[01:02:22]  It doesn't matter.
[01:02:23]  He sold a lot of niggas.
[01:02:24]  I don't think people look at Travis like a real rapper rapper, though.
[01:02:26]  I think that was the entertainment.
[01:02:27]  Yeah, so that's what I'm saying.
[01:02:28]  If you ask me, people don't look at Travis Scott like I'm looking for bars from Travis Scott.
[01:02:35]  I would want Jay-Z's career because I want to be honored for, hey, I'm the nicest guy.
[01:02:40]  I would want 50's career because he just did 103 shows 20 years later for Live Nation.
[01:02:46]  And you know, niggas be talking like two, 300 M's conversations just like Jay.
[01:02:51]  You gotta remember, Jay came out before collecting checks.
[01:02:54]  So is 50.
[01:02:55]  What do you think?
[01:02:56]  Yeah, 50 is doing the same thing.
[01:02:57]  That's no, I know they both doing that, but I'm just saying.
[01:02:59]  You just don't like 50 like Jay-Z, and it's cool.
[01:03:01]  Okay, you're just a Jay-Z.
[01:03:03]  You're from Queens, but you're reverse.
[01:03:05]  You like Jay-Z and Paz.
[01:03:06]  I got Green Nettles.
[01:03:12]  We have a problem.
[01:03:13]  Y'all say who said we got a problem?
[01:03:15]  We got a problem.
[01:03:16]  I'm Queens all day.
[01:03:17]  That's it, man.
[01:03:20]  You haven't mentioned Nas.
[01:03:21]  We got from Queensland.
[01:03:23]  Yo, listen.
[01:03:24]  Nash.
[01:03:24]  I remind him of Big Louis.
[01:03:25]  Look, okay.
[01:03:27]  That's my guy.
[01:03:28]  He wrote that shit on Twitter.
[01:03:29]  That's my guy right there.
[01:03:31]  Did Nas say Queens niggas always run you niggas?
[01:03:34]  Ask Russell Simmons.
[01:03:36]  There you go.
[01:03:37]  What are you talking about, man?
[01:03:38]  That's from Mother, right?
[01:03:39]  Why are we asking?
[01:03:41]  Are we really asking Russell Simmons?
[01:03:45]  Are we from the Nash?
[01:03:46]  All the niggas work for Queens or Queens Chase.
[01:03:49]  LL, Run DMC.
[01:03:51]  Yo, why are you starting the game?
[01:03:53]  Al, why don't you rap Queens?
[01:03:54]  Listen, man.
[01:03:55]  Why don't you run Queen?
[01:03:56]  Queens, aren't you rapping?
[01:03:58]  We don't know hip-hop.
[01:03:59]  I've rapped.
[01:03:59]  I rap New York all day.
[01:04:01]  Oh, my God.
[01:04:02]  You got to understand.
[01:04:02]  The biggest rap group in the world, I'm always going to say is Run DMC.
[01:04:07]  Yeah, Queens.
[01:04:08]  Shout out to my guy, Rap Ryan.
[01:04:09]  Now, what's the song that they had with the rock group back in the days?
[01:04:11]  Bring that back.
[01:04:12]  Arrow Smith.
[01:04:13]  Can you pull that up so we can do our hip-hop knowledge?
[01:04:16]  And it starts from Queens.
[01:04:17]  Yeah, teachers.
[01:04:18]  I'm going to teach you because you don't know nothing.
[01:04:20]  You got Blibery Nails.
[01:04:21]  Yeah, yeah, yeah.
[01:04:23]  Right?
[01:04:23]  Aerosmith.
[01:04:24]  What was the name of the song again?
[01:04:25]  Walk this way.
[01:04:26]  Walk this way.
[01:04:27]  Wasn't this the first song on MTV from Black, a Black Group, hip-hop group?
[01:04:32]  Oh, really?
[01:04:33]  Yes, look up Joey.
[01:04:34]  That's what Joey's there for.
[01:04:37]  Was it?
[01:04:37]  Wasn't that first rap to commercialize?
[01:04:41]  Hip-hop came from Queens.
[01:04:43]  Shout out to Run DMC.
[01:04:44]  Rest in peace, Jam Master J. Motherfuckers don't know their hip-hop.
[01:04:48]  So we, you know, we can say Bronx started it, but who commercialized it was Queens.
[01:04:54]  Russell commercialized it for sure.
[01:04:55]  You know what I'm saying?
[01:04:56]  Now, do you find anything, Joey, about MTV or something like that?
[01:04:59]  Yeah, first feature on MTV was run DMC for Rockbox.
[01:05:03]  But it was Run DMC.
[01:05:05]  Why can't we celebrate everybody?
[01:05:07]  Remember that Christmas album?
[01:05:08]  You see the why we can't celebrate what?
[01:05:09]  Everybody.
[01:05:11]  This is why GU just has so much problems.
[01:05:14]  Yo, listen to the Jews.
[01:05:17]  No, he told me that 57 started a lot of shit.
[01:05:20]  He said, Last year.
[01:05:21]  He started a lot of shit.
[01:05:22]  He said a lot of shit is because of this nigga right here.
[01:05:24]  See, this is why hip-hop is fucked up.
[01:05:26]  His name is Uncle Murder.
[01:05:28]  He's talking about starting this.
[01:05:31]  You can't even have a business meeting.
[01:05:32]  We got a chance to Lenny Grant.
[01:05:35]  Listening to him.
[01:05:37]  Listen to me.
[01:05:38]  Hip-hop has always been what?
[01:05:40]  Competition.
[01:05:41]  Yes.
[01:05:42]  Right?
[01:05:42]  We might say, oh, y'all.
[01:05:44]  You can't even have a business.
[01:05:49]  Listen.
[01:05:50]  Listen.
[01:05:51]  Every rap battle in the world, we ate up.
[01:05:55]  Don't keep it real.
[01:05:56]  Hip-hop wasn't boring to Kendrick and Drake.
[01:05:58]  You loved it.
[01:05:59]  You're a hip-hop guy, right?
[01:06:00]  You got your glasses.
[01:06:00]  No.
[01:06:02]  Look, yeah.
[01:06:08]  Flame it on the green shop.
[01:06:09]  Yo, look.
[01:06:10]  So look.
[01:06:10]  Flame it on the brain.
[01:06:12]  Shout out to the branches.
[01:06:17]  When KRS won, right?
[01:06:18]  Yeah.
[01:06:18]  And that's one of me and 50's favorite rappers, KLS Roberts.
[01:06:22]  Go top five from back in the days.
[01:06:23]  I'm gonna put Big Daddy Kane, Eric B and Rocky.
[01:06:27]  But he was signed to a Queen.
[01:06:28]  I asked you a fucking question.
[01:06:30]  Where did McDaddy came from?
[01:06:31]  He was signed to a Queen.
[01:06:31]  I want you to ask you a question.
[01:06:32]  Where's McDaddy came from?
[01:06:33]  He was signed to a Queens, nigga.
[01:06:34]  Where did McDaddy came from?
[01:06:35]  He was signed to a Queensland.
[01:06:36]  This nigga don't want to answer the fucking thing.
[01:06:37]  He was signed to a Queensland.
[01:06:38]  Queens that you can't touch me.
[01:06:39]  Where you signed up?
[01:06:39]  He signed to a Queens, nigga.

=== Gang Connections in Hip-Hop (13:49) ===

[01:06:41]  From Brooklyn.
[01:06:41]  Thank you.
[01:06:42]  And who is he signed to?
[01:06:45]  Finish that top five.
[01:06:46]  So, look, my top five.
[01:06:47]  Big Daddy Kane.
[01:06:55]  Eric B. Rock Him.
[01:06:57]  Big E, obviously.
[01:06:58]  No, no, I'm talking about for weeks.
[01:06:59]  See, we talk about Big Eye.
[01:07:01]  See, when we start hip-hop, we got to start from the 80s to the 90s.
[01:07:04]  Got it, got it.
[01:07:04]  Got it, got it.
[01:07:05]  So we got to go.
[01:07:06]  We got to go to Big Daddy Kane.
[01:07:07]  Rock him.
[01:07:08]  Rock him.
[01:07:09]  We got to put KRS one in there.
[01:07:11]  Coogey Rap.
[01:07:12]  Let's go, Queens.
[01:07:13]  I will put Cooji Rap.
[01:07:14]  What about EPMD?
[01:07:15]  I think I will put, but that's a group.
[01:07:16]  We can go to groups.
[01:07:17]  EPMD was top 10.
[01:07:19]  I'm going to keep it real.
[01:07:19]  I know Fifth got a little beef of them, but I'm going to put LL has to be like before Cooji Rap.
[01:07:24]  That's this nigga, man.
[01:07:25]  Nah, you got to think.
[01:07:26]  LL had no LL was a superstar.
[01:07:28]  Of course, nah, nah, of course.
[01:07:30]  I was on one of the LL albums.
[01:07:31]  It was all good.
[01:07:32]  I was on one of the LL albums.
[01:07:33]  You got to put LL there.
[01:07:36]  And then top five, I got to put Slick Rick over Coogee Rap.
[01:07:40]  Sorry.
[01:07:40]  I love Coochie Woods.
[01:07:41]  He's in my top time.
[01:07:43]  I got to put Slick on Live.
[01:07:44]  He made me want to write stories in my rap.
[01:07:46]  That's why I always say top 10 because I would go Dougie Fresh, Coogee Rap.
[01:07:50]  You know what I mean?
[01:07:51]  I never looked at Dougie Fresh as a rapper.
[01:07:52]  He was the more the bugging, but he still more.
[01:07:55]  He had his.
[01:07:56]  I never looked at him like the rapper.
[01:07:58]  No, of course.
[01:07:58]  But I said he was like more of an entertainer.
[01:08:00]  You know, a rapper like that.
[01:08:01]  Nah, he was how I looked at it.
[01:08:02]  He was lit back then.
[01:08:03]  Of course, he was that dude.
[01:08:04]  He was damned like a puff fat.
[01:08:07]  Because I said, because we said, what we said, Big Daddy Kane, Rock Him.
[01:08:10]  Who else?
[01:08:11]  Slick Rick.
[01:08:12]  Cool G rap.
[01:08:13]  I would have to put to put L L right there.
[01:08:15]  NL.
[01:08:15]  Look on there.
[01:08:16]  I go LL, Slick Rick 5.
[01:08:18]  All right, what about our generation?
[01:08:19]  The people that we started watching growing up.
[01:08:22]  So we're talking about 90s to 50.
[01:08:25]  You're talking about the Biggies, then the Jay-Z.
[01:08:28]  Shit like that, yeah.
[01:08:29]  Nas DMS.
[01:08:30]  The peak of New York Hippie.
[01:08:31]  DM Max, Mob Deep, and shit like that.
[01:08:34]  Oh, man.
[01:08:35]  Definitely, of course.
[01:08:35]  Bruh.
[01:08:36]  They was coming.
[01:08:37]  But Jay, you got to put Jay.
[01:08:39]  You got to put Jay there.
[01:08:40]  You got to put Biggie.
[01:08:41]  You got to put.
[01:08:42]  And that's another thing.
[01:08:43]  What should be different if Biggie was alive?
[01:08:47]  Exactly.
[01:08:50]  Of course.
[01:08:52]  Because Biggie, Taylor, was like, he was just the epitome of a rapper.
[01:08:56]  Because he was fat.
[01:08:58]  And like, he'll say, I'm a fat black nigga with the.
[01:09:01]  Ugly as ever, but however, but I stay Gucci down to the side.
[01:09:04]  This was fly.
[01:09:05]  So like the first fat dude we've really seen get fly would say it's probably the fat boys wasn't fly.
[01:09:10]  They was cool.
[01:09:11]  You got to get that to heavy D though.
[01:09:12]  Heavy D. Heavy D was the first fly.
[01:09:14]  Yeah, I knew Heavy D that.
[01:09:15]  Heavy D was like the first fat fly nigga.
[01:09:18]  Yeah.
[01:09:19]  The fat boys, you know, yeah, they were the fat boys.
[01:09:23]  They was just the most commercialized.
[01:09:25]  When you were coming up and you were like in the streets, were you also going, I'm going to be a rapper one day?
[01:09:31]  Like, was that aspirational or did those things just kind of come?
[01:09:34]  I'm from Queens, so the music was always aspirational.
[01:09:37]  They had like the backyard parties.
[01:09:39]  Like, I met my man Bobby, he was across the street.
[01:09:41]  So remember when the boombox came out?
[01:09:43]  Yeah.
[01:09:43]  Like, my parents, they didn't get us no batteries.
[01:09:45]  We couldn't walk around.
[01:09:46]  We had to plug our shit up.
[01:09:47]  And I remember me and my brother listening to Run DMC, and we had to double take shit, but we had to plug it up on the porch.
[01:09:52]  My man had the batteries.
[01:09:53]  Then he had to equalize this.
[01:09:54]  It was way better.
[01:09:56]  That's what it was, like playing tapes.
[01:09:58]  Like, I remember when the run DMC tape came, play your tape to the tape pop.
[01:10:02]  You know, it was like crazy.
[01:10:03]  Boomboxes back in the days, Dookie Link Treens.
[01:10:06]  So it really came from us watching the drug dealers.
[01:10:09]  And back then, the drug dealers kind of made the style and the fashion for the rappers.
[01:10:13]  You know what I'm saying?
[01:10:14]  So the rappers were emulating the drug dealers.
[01:10:16]  Some of the rappers were drug dealers.
[01:10:18]  Definitely.
[01:10:18]  They kind of make it out.
[01:10:19]  You got to think with Jam Master Jay when he started the Adidas with no laces.
[01:10:22]  That came from jail.
[01:10:23]  Right.
[01:10:24]  When you go to put the ladies, so that's when back in the days when they was wearing Adidas, they was wearing Adidas with no laces.
[01:10:30]  That was a jail thing.
[01:10:31]  You know what I'm saying?
[01:10:32]  You got to think, Adidas, that shit blew up.
[01:10:35]  Hip-hop brings a lot of fashion to the forefront.
[01:10:38]  And now we finally getting our just dude when you see an ASAP Rocky doing Gucci ass.
[01:10:41]  Yeah.
[01:10:42]  Or seeing Pharrell shout to Pharrell doing Louie.
[01:10:45]  Seeing what Varel was doing, God bless.
[01:10:47]  Because look at Dapper Dan back in the days when he was making the dope jackets for Alpo and everybody that people are kind of emulating now.
[01:10:54]  So it's like hip-hop.
[01:10:55]  We didn't know about Cool G's too.
[01:10:57]  But like in your head, when you're in the streets, still, are you still in the streets while you're rapping a bit?
[01:11:02]  Like when you connect with Fifth initially, are you guys connecting on street shift first or were you doing your own street shit?
[01:11:08]  And then the connection was wild because like we was rapping.
[01:11:13]  And we was, so you guys knew each other from music first?
[01:11:15]  No, I knew 50 from being on a block.
[01:11:17]  From a neighborhood.
[01:11:18]  Yeah, from being in the neighborhood, just being rapping was just like more of a hobby.
[01:11:21]  So like our favorite DJs, like we used to, the first people to vote from our neighborhood was Lost Boys, rest in peace, feature time.
[01:11:27]  We from 134 and God bro.
[01:11:29]  They just put a mural over.
[01:11:30]  That was the first feature I ever did, Mr. Cheeks.
[01:11:32]  $7 million.
[01:11:33]  Wow, that's fine.
[01:11:34]  Wow.
[01:11:34]  That's crazy, though, bro.
[01:11:35]  That was my first feature I ever paid.
[01:11:36]  I got a lot of stories, too.
[01:11:40]  If you let me talk my motherfucking money, I'm sorry, man.
[01:11:48]  So in the hood, back in the days, we had DJs like Grandmaster Vic.
[01:11:51]  That's when my man Roughhands, he was a DJ, rest in peace.
[01:11:54]  So he was a DJ.
[01:11:55]  So we used to go to Jamaica Avenue.
[01:11:57]  That's the good days.
[01:11:58]  No computer.
[01:11:59]  Party gets shot up.
[01:12:00]  All the parties get shot up.
[01:12:01]  You got to take eight.
[01:12:01]  The good days, right?
[01:12:02]  Parties get shot up.
[01:12:05]  Little house party.
[01:12:06]  Get shot out.
[01:12:08]  That was the expectation.
[01:12:09]  That was the expectation.
[01:12:11]  So imagine, you know, imagine you need a DJ, right?
[01:12:15]  Look, imagine you being a DJ, holding the world party.
[01:12:17]  You know, in the hood, that's what we grew up on.
[01:12:19]  You and Queen, shit gets shot up.
[01:12:21]  No computer.
[01:12:22]  We got to take eight crates now.
[01:12:23]  Carrying them out to the car.
[01:12:25]  My man, you know, if the shit gets shot up, he got to get his crates no matter what.
[01:12:28]  That's the experience we had growing up in hip-hop.
[01:12:31]  So my man Basement, you know, we all sold drugs.
[01:12:34]  When it gets hot, we go to his crib.
[01:12:35]  We always fucking in mischief.
[01:12:37]  But we was good drug dealers.
[01:12:38]  We don't help ladies across the street and shit like that.
[01:12:42]  You know what I mean?
[01:12:44]  Help the community.
[01:12:45]  Giving people credit.
[01:12:46]  You know what I'm saying?
[01:12:47]  That's right.
[01:12:48]  You only got $8.50.
[01:12:55]  You know what I'm saying?
[01:12:55]  A Christmas deal.
[01:12:57]  That's why my man got his blessing.
[01:13:00]  I was a nice guy.
[01:13:01]  Help old ladies across the street.
[01:13:02]  You know what I'm saying?
[01:13:03]  So we go to my man's crib and he had the equipment.
[01:13:05]  We go down there.
[01:13:06]  50 would be rapping.
[01:13:07]  Motherfuckers be rapping.
[01:13:08]  But Freaky Ty and Lost Boys blew up.
[01:13:11]  So, you know, everybody from our hood.
[01:13:13]  Oh, oh, oh, oh.
[01:13:15]  Everywhere we go.
[01:13:16]  We was still selling drugs.
[01:13:20]  Shout out to Jay Ball.
[01:13:20]  That's his brother.
[01:13:21]  Shout out to J-Ball.
[01:13:22]  Rest in peace time.
[01:13:23]  I mean, his son rapped now, little Ty.
[01:13:25]  So everybody was not over their dance.
[01:13:28]  Freaky Ty, everybody was fanned out, but we were still like drug dealers.
[01:13:33]  So we was looking at it like, oh, shit, they taking off and shit.
[01:13:36]  So Fifth, you know, he was, he was like, drug dealer 16, 17.
[01:13:40]  Fifth was like 16, had binges.
[01:13:42]  Yeah.
[01:13:42]  So he was the man in the hood.
[01:13:44]  It wasn't like he's a clown.
[01:13:45]  Niggas knew him.
[01:13:46]  He was 16 with a band, 17.
[01:13:48]  Yeah.
[01:13:48]  You know what I'm saying?
[01:13:49]  Coming through.
[01:13:50]  So he's looking, I'm selling my drugs.
[01:13:51]  Fuck everybody.
[01:13:52]  So he'll come through on his bully shit because 50 was always a troublemaker on the block.
[01:13:56]  Niggas be like, yo, hey, what's this nigga coming over?
[01:13:58]  Here he go start.
[01:13:59]  Like 50 said, I'm crazy, but he's crazy.
[01:14:01]  Yeah.
[01:14:02]  But he was a marketing genius.
[01:14:04]  I'll give you an example.
[01:14:05]  Back in the days, we had 31 bunnies, right?
[01:14:08]  What's that?
[01:14:08]  It's the size of a capsule, right?
[01:14:11]  So 50.
[01:14:12]  Capsules that you put the crack in for the people that don't understand.
[01:14:14]  That's why I'm thinking about it.
[01:14:15]  Look, 50's gonna be mad or so you'll argue in on a jet later.
[01:14:19]  It really matters to me.
[01:14:22]  But this is why I say he was always a marketing genius.
[01:14:24]  I don't know what Jay-Z did.
[01:14:26]  I disrespect.
[01:14:27]  But 50 was a marketing genius.
[01:14:29]  So what he did, we had 31 bunnies about this size, horse.
[01:14:32]  You know what I'm saying?
[01:14:33]  And then what he did was just pause everything.
[01:14:42]  Excited, I got excited.
[01:14:44]  So, what 50 did was he called up his Brooklyn guy because you know, we always hire Brooklyn.
[01:14:48]  Shut the fuck up.
[01:14:49]  When these guys had the money, we hired a Brooklyn guys.
[01:14:52]  No, no, hiring no Brooklyn guys.
[01:14:54]  Rusty guns.
[01:14:54]  Brooklyn niggas know the sun.
[01:14:56]  No, you know, you know what I'm saying?
[01:14:59]  Brooklyn niggas to put the rusty guns and stuff.
[01:15:01]  So they got the rusty guns, they're crazy.
[01:15:02]  These guys, you know, his Brooklyn guys' temperament, you know what I mean?
[01:15:05]  Was a little more wild.
[01:15:07]  We on go time.
[01:15:08]  Queens is like a Harlem.
[01:15:09]  Like, Queens and Harlem are similar.
[01:15:10]  I always tell you.
[01:15:11]  Be like a Brooklyn nigga.
[01:15:12]  Look, like, listen.
[01:15:13]  But look, this is what you got to understand.
[01:15:15]  Queens and Harlem is the same.
[01:15:17]  Get money, get fresh.
[01:15:19]  The Bronx in Brooklyn to me was always shooting you up.
[01:15:22]  Well, this nigga.
[01:15:22]  Oh, Bronx niggas in the Brooklyn niggas in the building.
[01:15:25]  Where?
[01:15:26]  Niggas are looking like where?
[01:15:27]  Oh, always the detail.
[01:15:30]  Mess up the parties.
[01:15:33]  That's how it was back in the days.
[01:15:34]  That's what I'm trying to tell him.
[01:15:36]  So, you know, 50 had his Brooklyn niggas, and they was real.
[01:15:38]  You know why?
[01:15:39]  Because Queens niggas was bougie.
[01:15:40]  They would get on the train, hold 50 down.
[01:15:42]  They would come.
[01:15:43]  We'd be on tour.
[01:15:44]  Niggas all chilling in one room because they from the projects.
[01:15:47]  So they shit was like they all being one room.
[01:15:50]  You know what I'm saying?
[01:15:50]  They was called 551 back then.
[01:15:52]  His man job passed away.
[01:15:54]  So I went on tour with them and it was a camaraderie.
[01:15:56]  But when they argue, yo, I crippled somebody.
[01:15:58]  I shot him in the back.
[01:15:59]  The arguments was crazy.
[01:16:02]  We like arguing about who caught the most, who did the most shootings and shit like that.
[01:16:06]  Who shot the most people?
[01:16:08]  They had a shootout at the end of the tour and they were friends.
[01:16:10]  That's how Brooklyn niggas not like that, bro.
[01:16:15]  No, Brooklyn brothers had shootouts, man.
[01:16:17]  She's crazy.
[01:16:20]  Hold on.
[01:16:22]  There were friends that shot at each other.
[01:16:25]  After we came from Torre, was on tour.
[01:16:26]  This is how to rob.
[01:16:27]  Okay.
[01:16:27]  Came off Torrey was from Brooklyn.
[01:16:28]  So you had now Brooklyn niggas.
[01:16:30]  They get on the train.
[01:16:31]  You know what I mean?
[01:16:31]  These are the guys who got kicked out of the studio, Beyonce.
[01:16:33]  We was working with Beyonce early.
[01:16:35]  Remember that shit?
[01:16:40]  Right?
[01:16:40]  We had worked with Destiny Child too, bro.
[01:16:43]  I think before Jay-Z.
[01:16:44]  Yes.
[01:16:45]  I got a feature.
[01:16:49]  We was in the studio with her early.
[01:16:51]  We was in the studio.
[01:16:51]  He got kicked out.
[01:16:52]  So these guys, they didn't care.
[01:16:53]  They bring their rusty guns.
[01:16:54]  She was crazy.
[01:16:55]  Rusty 38s, 357, scars on their face.
[01:16:58]  One dude named his face.
[01:16:59]  Looked like Frankenstein had a scar on his face.
[01:17:02]  Guys wake up for breakfast with guns.
[01:17:03]  Like, these guys are crazy.
[01:17:05]  So we went on tour with them, but how to raw.
[01:17:08]  This is before 50 had shot.
[01:17:10]  We had records with Beyonce.
[01:17:11]  You know, I've been around since then.
[01:17:12]  That power down.
[01:17:14]  Always been something aggressive.
[01:17:15]  Yeah.
[01:17:16]  When you look at the history of hip-hop, see, he doesn't know because, you know, come on.
[01:17:19]  The glitter nails will never rock.
[01:17:21]  I'm like, no, glitter me now.
[01:17:23]  No, but I'm saying back in the days were like fucking patient jack and scooter and tutten them.
[01:17:29]  Like that would never rock around.
[01:17:31]  No, the guys that you were seeing.
[01:17:33]  So you're saying at the end of the tour, the guy, the Brooklyn dude.
[01:17:35]  Oh, yeah.
[01:17:36]  They had a shootout.
[01:17:37]  They shot.
[01:17:37]  One guy spent too much money on hoes or whatever.
[01:17:40]  You know, Miami, they was selling that shit or whatever.
[01:17:42]  He went to Miami.
[01:17:43]  He was the only nigga getting pussy.
[01:17:44]  I was like, how you getting pussy, man?
[01:17:45]  And he was like, he's buying that.
[01:17:47]  He spent all the bread.
[01:17:49]  This is back in the day.
[01:17:50]  He spent all the breads, man.
[01:17:51]  Shot him up.
[01:17:52]  Wow.
[01:17:53]  And did he live?
[01:17:54]  Yeah, he just got shot the fuck up.
[01:17:55]  Came from Limpin.
[01:17:56]  Yo, son shot me.
[01:17:57]  Told 50.
[01:17:57]  It's just crazy.
[01:17:58]  And then they squashed it afterwards?
[01:18:01]  Nah.
[01:18:02]  Oh, they didn't squash that one.
[01:18:03]  Nah, it wasn't squashed.
[01:18:04]  One nigga just shot the fuck up.
[01:18:06]  The other nigga shot the shit out of him.
[01:18:11]  Fuck you mean they squashed it.
[01:18:14]  It's real that happens, right, Mark?
[01:18:16]  It's not what Brooklyn niggas.
[01:18:18]  But it happens sometimes.
[01:18:20]  You got to understand the norm for people, like how you wake up in the morning and he brushes his hair.
[01:18:27]  Everybody doesn't live that life.
[01:18:28]  It's a real world out there.
[01:18:30]  What people's going through and the shit.
[01:18:32]  You go to Bronx, Harlem, some of these places, the kids really don't want to be there.
[01:18:36]  They're just forced to be there.
[01:18:37]  And they're vacuum circumstances because what?
[01:18:39]  Because you just live in that neighborhood.
[01:18:41]  So you that gang now.
[01:18:43]  Because New York has a lot of gangs.
[01:18:45]  Yeah.
[01:18:45]  And they don't play.
[01:18:46]  Yeah.
[01:18:47]  Yeah.
[01:18:47]  And LA has a lot of gangs.
[01:18:49]  But the gang culture feels different here than in LA.
[01:18:52]  Nah, it's crazier.
[01:18:53]  Not in terms of one is worse than the other, but the organization over there feels a little different.
[01:18:58]  Like, I don't see the same like a color warfare here that it is.
[01:19:01]  It's less organized here, I would say.
[01:19:03]  No, I wouldn't say that.
[01:19:05]  Well, how I would say people.
[01:19:07]  Back in the day.
[01:19:08]  No, I'm just saying.
[01:19:09]  I would say people look at gangs different from New York because when you look at the cannabis game, which we open in the dispensary soon, you know what I'm saying, the unit.
[01:19:18]  But when you look at the gang, the gang game, it's grandfather then.
[01:19:22]  So gang started in LA.
[01:19:24]  So they're going to always get that respect.
[01:19:25]  Chicago too.
[01:19:26]  Chicago.
[01:19:26]  And Chicago, too.
[01:19:27]  But you know, L.A. gets that respect because they started it.
[01:19:31]  But as for gang structure in New York, there's thousands of gangs.
[01:19:34]  Yeah, yeah.
[01:19:35]  But that's the thing.
[01:19:35]  It's like they have two big gangs and then they have subsects of those two big in LA.
[01:19:40]  L.A.
[01:19:41]  Oh, no, there's plenty of them.
[01:19:42]  You got Mexican gangs.
[01:19:44]  Right, right.
[01:19:44]  But I'm not out here.
[01:19:45]  You got Asian gangs out there.
[01:19:47]  It was like everybody's hood.
[01:19:48]  You just have a click and then you got blood.
[01:19:51]  You got GD, you got Folk.
[01:19:53]  There's so many gangs out there.
[01:19:55]  There's a million.
[01:19:55]  You got fucking Dominican Power.
[01:19:57]  You got Ontario.
[01:19:59]  There's so many.
[01:20:00]  Was there a concern when you guys were traveling in the early days?
[01:20:03]  Like before you blow up, you're huge.
[01:20:06]  The early days of traveling, you're going to these other markets.
[01:20:08]  Was there a concern?
[01:20:10]  There wasn't a concern because, like I said, I'm not a glazer.
[01:20:12]  50 was a genius because what he said was we're never going to choose a side.
[01:20:15]  We're never going to turn blood and never going to turn Crip.
[01:20:18]  People wanted me to turn blood when I was on the island, but I was like, fuck it.
[01:20:21]  I'm going to listen to what Fifth said.
[01:20:22]  Never choose a side.
[01:20:23]  So if we do, what's up, Blood?
[01:20:25]  What up, Cut?
[01:20:26]  Which is one of the biggest.
[01:20:27]  Oh, wow.
[01:20:27]  Oh, you're shouting them all out.
[01:20:28]  Yeah, what's one of the biggest records in the world?

=== Traveling Through Asian Gangs (02:33) ===

[01:20:30]  This guy.
[01:20:33]  See what I'm saying?
[01:20:34]  You think about that.
[01:20:36]  No, no, you do, but you love Jay Moore and it's cool.
[01:20:42]  I love a world where someone loves Jay Mars.
[01:20:46]  That's like, so now when we go into LA, the Bloods love us and the Crips love us because we not just like Fifty said on his mixtapes, because our mixtapes was killing niggas' albums back in the days, but it was.
[01:20:57]  Shout out to Banks.
[01:20:58]  I was.
[01:20:58]  Shout out to Banks.
[01:20:59]  He's on tour now, fabulous podcast.
[01:21:01]  But we'll get back to that.
[01:21:02]  Damn, nigga, you podcast.
[01:21:04]  So what?
[01:21:05]  I was down for this shit.
[01:21:09]  I'm going to get you, motherfucker.
[01:21:10]  You have been podcasting.
[01:21:12]  I take over shit when I go places.
[01:21:14]  So there was Kill Tony.
[01:21:16]  I'm the Legend of Shanks, too.
[01:21:17]  Legend of the Shanks.
[01:21:18]  Shout out Lee.
[01:21:19]  Shout out on the podcast.
[01:21:21]  Yo, so look.
[01:21:22]  No, he don't know.
[01:21:23]  Kill Tony's another level.
[01:21:24]  Oh, it's huge.
[01:21:25]  I like that you're going on both platforms.
[01:21:27]  I'm going to white boys.
[01:21:28]  It's Indian world with you and Charlemagne for the biggest.
[01:21:30]  Yo, you're with us.
[01:21:31]  All right, guys.
[01:21:31]  Let's take a break for a second.
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=== Luxury Lifestyle Abroad (09:32) ===

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[01:24:13]  You know what's crazy?
[01:24:14]  The rich guys never wear no jewelry.
[01:24:16]  I told him, we was at a dinner one time and we're with Tillman, the guy owned the bottom of the room.
[01:24:23]  Just looking regular.
[01:24:23]  He took me Thanks Henry and there wasn't a big DJ.
[01:24:27]  It was the DJ that came there.
[01:24:29]  Oh my God.
[01:24:29]  Pause.
[01:24:30]  DJ came through there and he had the littlest chain and murder had.
[01:24:33]  I said, murder, don't wear no jewelry too.
[01:24:34]  Yeah, but guess what, though?
[01:24:35]  The DJ.
[01:24:37]  A big fan of this safe right here.
[01:24:38]  He's like, yo, wow.
[01:24:40]  He was like, wow, do it open?
[01:24:41]  I said, yes.
[01:24:42]  You got a gun inside.
[01:24:44]  I think it was DJ Rumper.
[01:24:46]  I'm saying, you understand?
[01:24:48]  Come on, man.
[01:24:48]  This is a bag right now.
[01:24:50]  When you're getting that money, you can do this.
[01:24:51]  Yo, look, look.
[01:24:52]  Listen, DJ Rumper.
[01:24:54]  So I'm looking around the old.
[01:24:56]  I think it was DJ Rumper.
[01:24:58]  It might have been DJ Rumper.
[01:24:59]  Now, he has the littlest chain in the world, though.
[01:25:01]  Like, he has a little chain.
[01:25:02]  This guy gets a million a show.
[01:25:03]  Tillman owned 900 restaurants.
[01:25:05]  I'm surprised.
[01:25:06]  50s.
[01:25:06]  This is the kind of meetings 50 has to.
[01:25:08]  Like, niggas would.
[01:25:09]  Jay, Jerry, Jerry.
[01:25:10]  Nigga, 50s would tell me, man.
[01:25:12]  Scott owns Astro.
[01:25:13]  There's a hilarious comedian named Damian Lemon who once said something to me.
[01:25:16]  He goes, he goes, sometimes dudes will go broke trying to impress broke dudes.
[01:25:22]  And that could be the jewelry thing.
[01:25:24]  Like spending all this money on jewelry to impress people who are impressed by jewelry.
[01:25:28]  But Tillman don't care about jewelry.
[01:25:29]  So he owns a fucking basketball basketball.
[01:25:32]  800 restaurants.
[01:25:33]  So I started looking at the billionaires and I'm like, yo, let me see what kind of watch you got on Apple Watch.
[01:25:37]  I'm like, see, see, Murder?
[01:25:39]  I told you to wear them chains.
[01:25:40]  You look stupid, man.
[01:25:42]  He told me to look stupid.
[01:25:43]  This is us.
[01:25:44]  This is our culture.
[01:25:46]  This is what we do.
[01:25:46]  This is our culture.
[01:25:49]  You had a big passport chain on.
[01:25:51]  I had some little shit on there.
[01:25:53]  I suppose you had some little shit on that.
[01:25:54]  And I had that.
[01:25:55]  No, no, no.
[01:25:57]  I had that big shit on there.
[01:25:59]  I came out that motherfucking big billion, nigga.
[01:26:01]  I knew it was going to be.
[01:26:02]  It was like that day.
[01:26:03]  Don't knock me because I wanted to be like, there you go.
[01:26:06]  Yeah, he wasn't like that that day.
[01:26:07]  So he wasn't telling me to be quiet.
[01:26:09]  No, you left this shit at home.
[01:26:10]  I got mine.
[01:26:11]  That's around the rappers, though.
[01:26:13]  50 at his shit on top.
[01:26:14]  That's the rapper section shit on.
[01:26:15]  50 had his big shit on, too.
[01:26:17]  Did he pause?
[01:26:18]  Yes, he did.
[01:26:18]  You was the only nigga that didn't have it.
[01:26:21]  He was the only nigga that was inside.
[01:26:25]  Definitely ain't shaking your hands.
[01:26:28]  Come on.
[01:26:31]  I'm going to shoot hands with Leonardo Caprio.
[01:26:34]  I'd rather have 500 motherfuckers.
[01:26:37]  I'm drinking Leonardo's.
[01:26:42]  Leonardo.
[01:26:45]  Come on.
[01:26:45]  You're doing a guard.
[01:26:46]  Leonardo.
[01:26:47]  Yo.
[01:26:48]  Shout out, Leonardo.
[01:26:50]  Leono.
[01:26:52]  Shout out to you, man.
[01:26:53]  Love you.
[01:26:55]  Man, it's early in the day.
[01:26:56]  Dude got us drinking real early, boy.
[01:26:58]  God damn.
[01:26:59]  It is.
[01:26:59]  And you know what time it is in Barcelona?
[01:27:01]  What time?
[01:27:02]  It's late in Barcelona.
[01:27:03]  Yeah, overseas time.
[01:27:05]  Overseas.
[01:27:05]  We used to.
[01:27:06]  Which a lot of other rappers don't do.
[01:27:10]  Banks is overseas.
[01:27:11]  Right now, shout out to Banks.
[01:27:12]  He's in Bulgaria.
[01:27:13]  You got like 20 days.
[01:27:15]  Hold on.
[01:27:15]  Now that you guys are traveling around the world.
[01:27:17]  Just out of curiosity.
[01:27:19]  Because you guys are traveling around the world.
[01:27:20]  You're international.
[01:27:21]  I'm the first rapper in the Swiss Alps too to do a show with you.
[01:27:24]  I believe that.
[01:27:24]  Oh.
[01:27:25]  Remember that.
[01:27:25]  And I'm just, yeah, yo, I just work for 50.
[01:27:27]  Respect.
[01:27:28]  I smile.
[01:27:29]  But you were the first in there.
[01:27:30]  Shout out to my guy.
[01:27:31]  Shout out to my guy.
[01:27:32]  Shout out to you.
[01:27:33]  Now, obviously, you're just aware of so much more culture, so many more experiences.
[01:27:36]  Of course, because of the two of you, who would you say is the more culturally refined now?
[01:27:41]  Because you're international.
[01:27:43]  He knows that's me.
[01:27:44]  He knows.
[01:27:45]  He knows I do that.
[01:27:46]  He knows that's me.
[01:27:47]  God damn.
[01:27:48]  I told him about a salad fork in class and shit like that.
[01:27:53]  Like, he's the nigga that we go in the restaurant.
[01:27:55]  I'm trying to tell you.
[01:27:58]  Let me stop shouting Lil's.
[01:27:59]  Let him talk.
[01:28:01]  He's talking about an hour and a half, I bet.
[01:28:03]  Let me tell you about it.
[01:28:06]  And the rest of the stuff.
[01:28:09]  Yo, calm down.
[01:28:09]  You smell like weed and you're saying nothing.
[01:28:11]  Let me tell you something about this.
[01:28:12]  He talk all this food shit, right?
[01:28:14]  He's a fast food guy overseas.
[01:28:16]  You get me?
[01:28:16]  No.
[01:28:17]  I'm the guy that likes five-star.
[01:28:18]  I'm the guy that's kind of a little bit more.
[01:28:21]  All this guy be looking for is McDonald's spots, Burger King.
[01:28:24]  Like that.
[01:28:25]  I'm a steakhouse guy.
[01:28:27]  He's Burger King.
[01:28:28]  Overseas.
[01:28:30]  Come on.
[01:28:30]  He's not.
[01:28:32]  He's a fast foot.
[01:28:34]  The steakhouse.
[01:28:35]  I need a steakhouse.
[01:28:36]  McDonald's.
[01:28:37]  This is the fast foot.
[01:28:39]  You know, Lil Duval.
[01:28:40]  Fast food guy.
[01:28:40]  You guys know Lil Duval.
[01:28:41]  Yeah.
[01:28:42]  Legend, obviously.
[01:28:42]  He's a shelter L Duval.
[01:28:43]  So we were hosting the MTV 2 movie award, some music.
[01:28:48]  I forget what it was out in Germany one time, right?
[01:28:50]  And he goes, no, Duval travels around the world.
[01:28:52]  Do you prefer him with his shoes on?
[01:28:53]  Because I know he'd be barefoot.
[01:28:54]  No, he loves.
[01:28:55]  He loves some sandals.
[01:28:56]  He loves some sandals.
[01:28:58]  He was his own dude.
[01:29:00]  But when he's abroad, he eats fast food.
[01:29:03]  He goes, he goes, I don't trust none of this shit.
[01:29:05]  And I'm like, dude, we're in Germany.
[01:29:06]  Let's have some fucking schnitzel or something.
[01:29:08]  Let's have some German food.
[01:29:09]  He goes, no, I'm going to McDonald's and that's when I'm eating, right?
[01:29:11]  Yep.
[01:29:14]  Every one of us got sick in Germany except for one person.
[01:29:19]  Lil Duval.
[01:29:20]  But can I break it down to you?
[01:29:22]  Listen, I eat caviar pancakes and smoked duck, but you got to understand.
[01:29:26]  Look, you got to understand.
[01:29:28]  Look, when you get KFC overseas, that shit is not artificial.
[01:29:32]  Because let's tell the truth.
[01:29:33]  No, I'm not going to be able to do it.
[01:29:34]  Let me talk to you.
[01:29:35]  Let me talk to you.
[01:29:37]  Let me talk.
[01:29:38]  I didn't say let me talk.
[01:29:39]  Let me talk.
[01:29:40]  Let me talk.
[01:29:41]  I just said, that's all you have to say, nigga.
[01:29:44]  I'm out of here, nigga.
[01:29:45]  Nigga, now let me keep going.
[01:29:48]  Now, look, nigga haven't bought me a steak yet.
[01:29:50]  I got my podcast.
[01:29:52]  I didn't get a steak yet.
[01:29:53]  Wow.
[01:29:54]  So listen, number one, overseas, there's no food coloring, right?
[01:29:59]  So anything you get, there's no food coloring.
[01:30:01]  So they don't have no frosted flakes, fruit loops.
[01:30:04]  You got to go to an exotic, exotic store to buy that.
[01:30:06]  They don't have that.
[01:30:07]  For real, they don't have it.
[01:30:08]  They don't have none of the candy with all the exotic shit.
[01:30:14]  Black market.
[01:30:15]  So now look.
[01:30:17]  When you go to Subway, they have the Diet Mayo.
[01:30:21]  They have the Mayo Diet Mayo only.
[01:30:24]  When you go to KFC, it's natural chicken.
[01:30:27]  It ain't no artificial shit.
[01:30:29]  It's real chicken.
[01:30:30]  I was in Barcelona.
[01:30:30]  When you go to McDonald's, the McRoyal.
[01:30:33]  The McRoyal officials, McRoyal, all that shit.
[01:30:36]  That shit here is fresh shit.
[01:30:38]  It's not like it's artificial.
[01:30:39]  That's true.
[01:30:40]  It's a big difference when I eat fast food over there.
[01:30:44]  You're also saying your culture is fine.
[01:30:45]  You're saying you were teaching him about the salad fork.
[01:30:48]  Yeah, because he doesn't.
[01:30:48]  They did put me on fire.
[01:30:50]  I didn't know how to use color until the Titanic.
[01:30:52]  Look, I'm like telling Murder, see, this fork is for the salad fork.
[01:30:56]  Because Murder's the type of nigga we be in the Monty Hotel.
[01:30:58]  My nigga, yo, oh, my nigga.
[01:31:01]  I hate when people do that around white folks.
[01:31:03]  Like, it's crazy.
[01:31:07]  No, but I'm just proud of you.
[01:31:09]  You know what I'm saying?
[01:31:10]  Like, if I'm in a restaurant with you, you don't look like the type of nigga that's going to be saying, my nigga, too much.
[01:31:14]  Like, hit me into the private window.
[01:31:21]  He'd be like, I see him called Morgan.
[01:31:22]  Next time you go to a restaurant, sit them niggas in the back.
[01:31:26]  Exactly.
[01:31:26]  Yo, she's nervous.
[01:31:28]  I feel that.
[01:31:28]  We in a moment hotel.
[01:31:29]  My nigga, my nigga, my nigga.
[01:31:30]  Bad enough.
[01:31:31]  You smell like an ounce above.
[01:31:34]  My nigga, my nigga.
[01:31:35]  My nigga.
[01:31:36]  My nigga.
[01:31:36]  Yo, my nigga.
[01:31:37]  Yo, chill, my nigga.
[01:31:38]  Yo, just chill, nigga.
[01:31:40]  White people looking at shit.
[01:31:41]  They nervous as hell.
[01:31:43]  We the only black people in the hotel.
[01:31:45]  My nigga, my nigga.
[01:31:46]  And this nigga right here smoke in front of the White House.
[01:31:48]  He don't care.
[01:31:50]  My nigga, my nigga.
[01:31:52]  We be having bats who white people are going to get on the elevator with us over here.
[01:31:56]  What do you mean?
[01:31:56]  What time is this little white kid in the elevator?
[01:32:00]  He went in the elevator with us.
[01:32:02]  And Sister was like, no.
[01:32:06]  He was like, Nothing was like, sis, what in there?
[01:32:09]  She got in the elevator because she didn't see college.
[01:32:11]  She didn't see free.
[01:32:13]  She's like, no.
[01:32:15]  I wouldn't get in the elevator with us even.
[01:32:18]  I'm not going to lie.
[01:32:19]  I wouldn't have gotten with us niggas.
[01:32:21]  I wasn't even mad.
[01:32:23]  All they know is 50.
[01:32:24]  They don't know us.
[01:32:26]  They don't know us.
[01:32:28]  You said I'm not black no more.
[01:32:29]  That was OJ.
[01:32:29]  I'm just saying, all they know is 50 out there.
[01:32:32]  They just smell 50.
[01:32:33]  You were 50, everything.
[01:32:34]  No, you good.
[01:32:35]  They don't care.
[01:32:35]  You can smoke in the elevator.

=== Business vs Family Dynamics (09:20) ===

[01:32:37]  Is there ever a time?
[01:32:38]  Is there any time where you're traveling and there was just a custom or something that you just did not understand?
[01:32:43]  You were like, what?
[01:32:44]  Like, you ever go to a sauna and like everybody's naked?
[01:32:47]  Or like, was there ever the cultural exchange where you're like, what the fuck is this about?
[01:32:51]  Nah, never.
[01:32:52]  Never really.
[01:32:53]  I already heard something about a Turkish bath and an old man washing you, but I ain't with that.
[01:32:59]  So did he take it?
[01:33:00]  Like a Turkish bath?
[01:33:01]  I ain't with that.
[01:33:03]  They hit you with like the branches.
[01:33:04]  Yeah, I'm not with all that.
[01:33:05]  Oh, man.
[01:33:06]  But that's the best thing is traveling.
[01:33:07]  I've been everywhere with Barada.
[01:33:09]  I love traveling.
[01:33:09]  Been the Canary Islands, Black Sand.
[01:33:12]  See, Jay-Z don't do shit like that.
[01:33:15]  I'm just saying, this artist never did that.
[01:33:16]  He never, this guy was down with Jay-Z.
[01:33:18]  Nothing.
[01:33:19]  Do you want people from Rock Nation on the Carter?
[01:33:22]  You're not going to get nobody.
[01:33:22]  Rock Nation ain't fucking with me, man.
[01:33:25]  Just like how you don't fuck with me.
[01:33:27]  I fuck with you.
[01:33:28]  You think I'm not going to be able to do that?
[01:33:28]  You don't fuck with Lloyd Banks.
[01:33:29]  You don't fuck with 50.
[01:33:30]  How do you fuck with me?
[01:33:32]  Damn.
[01:33:32]  I fuck with 50.
[01:33:34]  We had 50 on the pot.
[01:33:35]  That was my favorite.
[01:33:36]  I'd rather have Jay-Z career than 50.
[01:33:38]  Yeah, come on, man.
[01:33:39]  Nah, that's crazy.
[01:33:43]  I'd rather I think that's what I'm saying.
[01:33:44]  Listen, they're going to call him Andrew.
[01:33:47]  Right.
[01:33:48]  This nigga going to be fired in two weeks.
[01:33:51]  But you got to realize.
[01:33:54]  It's connected.
[01:34:01]  That's true.
[01:34:01]  I love Lloyd Banks.
[01:34:09]  You heard my name right there.
[01:34:10]  He said, I love Lloyd Banks.
[01:34:12]  Can I tell you why?
[01:34:13]  He wrote his own verses.
[01:34:14]  All his verses are.
[01:34:15]  Yeah, and the culture hooks.
[01:34:17]  Like I said, fab is features.
[01:34:18]  Respect is fab.
[01:34:19]  The fab is nice, though.
[01:34:20]  Fab is nice.
[01:34:21]  Now that I think about it, but you ain't 50 is the greatest all time.
[01:34:27]  Yeah, 50 is the greatest all time.
[01:34:29]  He's the greatest.
[01:34:30]  That's another thing.
[01:34:32]  Hip-hop is, you see, you look at us as the bad guys, right?
[01:34:35]  Hip-hop has always been what you just brought up.
[01:34:37]  Bank's tour dates up there.
[01:34:38]  Look, my guy, my boy, this book, Fabio.
[01:34:41]  He's international.
[01:34:42]  Yeah, he's ain't brand.
[01:34:43]  There we go.
[01:34:43]  Give me, remember back in the days, give me mine.
[01:34:46]  Yeah, they gave him a girl.
[01:34:47]  Oh, we're gonna bring that back.
[01:34:50]  He's on tour now.
[01:34:53]  That's the point.
[01:34:54]  See, my whole thing is, people look at all.
[01:34:55]  Yo, he got lyrics, lyrics.
[01:34:56]  You gotta be the best rhymer in your basement.
[01:34:58]  But if you're worldwide, like Eminem and sells 16 million, I'm looking up to you.
[01:35:02]  And I'm not even on that level.
[01:35:04]  I'm not, I'm doing clubs.
[01:35:05]  These guys are doing arenas.
[01:35:07]  Can we talk about acting though?
[01:35:08]  Because I think you guys are doing a little acting.
[01:35:10]  Yeah, give me that.
[01:35:10]  What do you mean?
[01:35:11]  Yo, what the hell?
[01:35:12]  That's a good day.
[01:35:13]  If you say some dumb shit, give him a deal.
[01:35:24]  Are there aspirations for acting gigs?
[01:35:26]  Oh, definitely.
[01:35:27]  I got some acting shit I did, but I don't want to talk about it early.
[01:35:30]  Oh, like it's not out yet, but you know, not out, but it's big.
[01:35:33]  And are you nice at acting?
[01:35:34]  Yeah, I'm one of the best.
[01:35:35]  How do you not know that?
[01:35:37]  He's trash.
[01:35:39]  He's trash.
[01:35:40]  He got some work to do.
[01:35:41]  He trashed.
[01:35:42]  He trashed.
[01:35:44]  I want to know Bank Talon.
[01:35:45]  I was in the movie with Bruce Willis.
[01:35:48]  Bruce Willis.
[01:35:49]  My name was on Netflix.
[01:35:50]  Okay.
[01:35:51]  We was number three on Netflix and we was in the movie theater for sure.
[01:35:54]  This motherfucker did a movie that was on Twitter and YouTube.
[01:35:57]  I did SWAT too.
[01:35:58]  I did SWAT too.
[01:35:59]  I was on Tuby.
[01:36:01]  I saw TV.
[01:36:02]  I did Swat Two.
[01:36:03]  SWAT 2.
[01:36:04]  Have you ever seen SWAT 2?
[01:36:05]  No, I don't know if I saw SWAT.
[01:36:07]  No, SWAT was good.
[01:36:08]  The first one with LL and them.
[01:36:10]  That was good.
[01:36:10]  I think I remember that.
[01:36:12]  We did it with oh, I shouldn't say Benny Bull.
[01:36:14]  Fitz is not friends with Benny Bull.
[01:36:15]  Do not say that.
[01:36:16]  Yes.
[01:36:16]  He ain't gonna say Benny Bull.
[01:36:20]  Why does 50 got so many?
[01:36:22]  Listen, this is what you, you know, I like this footer for the peace guy right here.
[01:36:26]  Yeah, yeah.
[01:36:28]  I'm black.
[01:36:30]  I'm gonna tell you, give me that.
[01:36:34]  Let me explain something to you.
[01:36:35]  There's something in this business called fuck business, right?
[01:36:39]  So you see how the big boss man is giving you a platform, right?
[01:36:43]  Right?
[01:36:43]  We're all in this together.
[01:36:44]  We're all being team, bro.
[01:36:45]  But he's still a boss.
[01:36:46]  They're not coming to just see you.
[01:36:47]  They're coming to see you.
[01:36:50]  So this is what you got to understand.
[01:36:53]  And the arena's packing is 30,000.
[01:36:55]  I'm like, wow, this shit is crazy.
[01:36:58]  But they're not MCIs.
[01:37:00]  Yeah.
[01:37:01]  They had to see 50.
[01:37:03]  So he's putting me on the stage and I'm getting paid.
[01:37:06]  Right?
[01:37:06]  He did that with all his artists.
[01:37:08]  I don't hate Jay-Z.
[01:37:09]  There's no Jay-Z hate.
[01:37:10]  But what I'm saying is, I seen 50 when Bucked up the money.
[01:37:13]  Fifth helped him with the taxes.
[01:37:15]  So you got to understand when you're a black man and you're getting a half a million dollars and you're buying weed and you're fucking bitches.
[01:37:21]  So 50 is going to the government.
[01:37:22]  But you're not thinking that until months later.
[01:37:25]  Months later, when that money listen, let me talk.
[01:37:27]  I mean, Jay did that too.
[01:37:28]  Listen, with who?
[01:37:29]  Uzi and them?
[01:37:29]  He wasn't doing it with bleak and them.
[01:37:30]  Let's go back.
[01:37:31]  Kanye.
[01:37:32]  Come on.
[01:37:32]  Kanye.
[01:37:33]  Shut the fuck up.
[01:37:34]  When he was broke.
[01:37:34]  Listen, let me talk.
[01:37:35]  We don't know if he's a good one.
[01:37:36]  He's a hobby.
[01:37:37]  Okay, but little Wayne wasn't in the shit.
[01:37:40]  Now, let me explain.
[01:37:41]  50 was more a family than business.
[01:37:45]  Jay seemed like I love Jay.
[01:37:47]  That's a fact.
[01:37:47]  Jay just feels like he was more business at that point than family.
[01:37:51]  Got it.
[01:37:51]  So Buck will go on tour.
[01:37:53]  No disrespect to Buck.
[01:37:54]  He'll make a half a million dollars.
[01:37:56]  He's buying three or four cars on the way on the tour.
[01:37:59]  He's buying red monkey jeans.
[01:38:00]  That's when jeans was.
[01:38:01]  You know, at that time, they was 500 a thousand.
[01:38:03]  Now niggas is paying 10,000.
[01:38:05]  We're going to get to that later.
[01:38:06]  Because you're like, why 50?
[01:38:07]  Why 50?
[01:38:07]  So I'm going to get to that.
[01:38:09]  So when he fucks up that money, because you know you have a grace period when he's going to be a little bit more than that.
[01:38:12]  What the fuck I did, man.
[01:38:13]  I know.
[01:38:15]  Got my man Jake and Molly.
[01:38:17]  He's like, why 50 guys?
[01:38:20]  Everybody buying.
[01:38:25]  So by the time the tour is done, if your friends don't arrive for you, like, hey, yo, they're not you.
[01:38:29]  No, I'm just because you're a boss, so I'm going to speak the facts.
[01:38:33]  Listen, right?
[01:38:34]  You always respect the boss on award.
[01:38:36]  Know who the commander is.
[01:38:37]  That's what it tells you.
[01:38:38]  That's one of the rules.
[01:38:38]  Respect discipline.
[01:38:39]  Know your commander.
[01:38:40]  Motherfuckers need to read books.
[01:38:42]  Now, look, check it.
[01:38:45]  Y'all need to read books.
[01:38:50]  He said, fuck out of here.
[01:39:02]  That's why he tried to not give me the advice to have me here.
[01:39:09]  Yo, listen.
[01:39:10]  So, what I'm saying is, look, so bank, so Buck will get off the road.
[01:39:13]  He done made $80,000 show money, the, you know, the money, the other money, yeah, at the party.
[01:39:19]  I'm gonna say about that.
[01:39:20]  Sure, sure.
[01:39:21]  He's busting that.
[01:39:21]  That's bust down.
[01:39:22]  You got weed, you got bitches.
[01:39:24]  Take the credit card.
[01:39:25]  I was seeing all that shit.
[01:39:26]  Take the credit card.
[01:39:27]  You got groupie hoes, baby mothers all over the place.
[01:39:30]  Yep.
[01:39:31]  At 500, by the time you get home, you done spent like 200, buck 50.
[01:39:35]  Then you come home, then you spurging more.
[01:39:38]  And now when you're down to 250 and you got to pay 250, you don't even realize that's not even yours no more.
[01:39:43]  Who you think is the cleanup man?
[01:39:45]  50.
[01:39:46]  When niggas catch them gun cases, Yale, parole, parole lawyer, or um state lawyer, fed lawyer.
[01:39:52]  Who you think is paying all the lawyer fees?
[01:39:54]  50.
[01:39:55]  When niggas get stabbed at the Vibe Awards, Buck is scared.
[01:39:58]  Oh, shit.
[01:39:59]  That took him out cinnamon to Pelican Bay.
[01:40:02]  Who you think pay the lawyer fees?
[01:40:03]  Shout out to Scott Lehman.
[01:40:05]  Yeah.
[01:40:05]  You know what I mean?
[01:40:06]  50.
[01:40:07]  Okay.
[01:40:07]  Scott Lehman turned a gun charging.
[01:40:08]  Let's keep him 50.
[01:40:09]  Now let's keep going.
[01:40:12]  Now let's keep going.
[01:40:14]  Young Buck helped him with his taxes.
[01:40:15]  Banks, he didn't really help.
[01:40:17]  Banks did his own thing, but he put him on a platform to have records and put money because people just think there's money behind the record.
[01:40:24]  Who you think pays the money?
[01:40:25]  There's money.
[01:40:26]  Every record.
[01:40:26]  You got to put money to promote a project.
[01:40:29]  Yeah.
[01:40:29]  He put on Mob Deep, MOP.
[01:40:32]  You know what I'm saying?
[01:40:33]  Prodigy, he had houses back in the days, but when Prodigy came to my house, it was like, whoa, he went and bought a new house.
[01:40:39]  Who you think helped him?
[01:40:40]  Rest in peace, Prodigy.
[01:40:41]  He paid 50 back, gave him, oh, yeah, man.
[01:40:44]  Because 50 is one of them niggas.
[01:40:45]  Yo, yeah, you fucked up.
[01:40:46]  Yeah, if I spent a little more taxes, then I had blew like, I mean, I gotta pay these people 250.
[01:40:52]  Yeah, he'll get it.
[01:40:52]  Just get back to me when you get it.
[01:40:54]  No problem.
[01:40:55]  We go to Little Meach.
[01:40:57]  They was hanging with Rick Ross and everything.
[01:40:59]  It's no disrespect.
[01:41:00]  I remember when he was rapping, had braids in Detroit, and nobody cared.
[01:41:03]  Fifth put him on.
[01:41:04]  He making millions.
[01:41:05]  He's with ATL.
[01:41:06]  He's with Gunner.
[01:41:07]  He's with Thugger.
[01:41:08]  Niggas getting drunk.
[01:41:09]  Niggas partying.
[01:41:10]  Chrome hard jeans.
[01:41:11]  $10,000 jeans.
[01:41:12]  You would never buy those.
[01:41:13]  You would never buy $10,000 jeans.
[01:41:15]  And you're super rich.
[01:41:16]  You and Charlemagne are super rich.
[01:41:17]  Charlemagne is super rich.
[01:41:18]  No, you're rich, too.
[01:41:19]  He's super rich.
[01:41:22]  Don't even put me in that category.
[01:41:23]  Don't even put me in that Charlemagne category, man.
[01:41:26]  So, 50 always instilled in us, like, yo, you don't need to buy certain shit.
[01:41:30]  Buy the house first.
[01:41:31]  You know what I'm saying?
[01:41:32]  So I seen him help Uncle Murder.
[01:41:34]  No disrespect.
[01:41:35]  Uncle Murder's overseas.
[01:41:37]  He knows.
[01:41:37]  Yo, he, I'm not saying, oh, it's because murder put murder.
[01:41:40]  I'm not trying to throw it out there like, yep, murder to get his first house.
[01:41:43]  But he's the type, yo, you got a house yet?
[01:41:45]  He made me even think about that.
[01:41:47]  Because I wasn't even thinking about this.
[01:41:49]  He made me think about that.
[01:41:50]  Like before he signed you by a car, he's going to tell you, yo, like, yo, yo, bro, get that house first.
[01:41:56]  You know what I'm saying?

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[01:45:26]  How the fuck did he learn all this?

=== Blue Chew Sponsorship Break (09:16) ===

[01:45:28]  Because he was 12 coming outside when niggas was coming outside the average 15, 16 to hustle.
[01:45:34]  Yeah, he was young hustling with these guys, but like he had to get that knowledge from somebody who was aware of these things.
[01:45:39]  Oh, geez, the block.
[01:45:40]  The blocks are all about.
[01:45:41]  So you're saying there were dudes on the block that had like high-level economic.
[01:45:45]  I think every hustler, successful hustler had some kind of, look when you look at El Chapo.
[01:45:50]  Right.
[01:45:50]  So you reach a certain level of the game and then you really know shit.
[01:45:54]  Yeah, you just learn.
[01:45:55]  It's all marketing.
[01:45:57]  Right, That makes sense.
[01:45:59]  Just like when we came home and he was like, we had the Jacob watching.
[01:46:02]  He was like, yo, you know somebody killed you for that.
[01:46:03]  Yeah.
[01:46:03]  So why are you walking around with that?
[01:46:05]  Because you're talking about niggas that went through the realest shit and beef with the realest niggas.
[01:46:09]  So this is an interesting thing.
[01:46:10]  It's like, if the loyalty is going to be extended.
[01:46:13]  You guys can smoke up here too, right?
[01:46:14]  Yeah, you guys can smoke if you want to.
[01:46:15]  Shut the fuck off.
[01:46:16]  I'm going to show you that.
[01:46:19]  I mean, my mom, though, what the fuck?
[01:46:21]  Yo, yo, light up.
[01:46:22]  What the bro, though.
[01:46:24]  Oh, man.
[01:46:24]  God, light up.
[01:46:43]  I get the frustration, right?
[01:46:45]  If you extend loyalty in one way and then you don't feel it come back at all, that's a huge violation.
[01:46:51]  Definitely.
[01:46:51]  Oh, yes.
[01:46:52]  Right?
[01:46:52]  Like, if you know that you're going to take care of somebody when they fuck up their bag, you know, you're going to take care of somebody if they get locked up.
[01:46:57]  You know, you're going to take care of somebody if they're going through whatever situation.
[01:47:00]  And then this is what you're saying.
[01:47:00]  And when they show you that they're not loyal to you, because there's no loyalty in the business.
[01:47:07]  But you're loyal.
[01:47:08]  Yeah, because, but I'm one of a kind.
[01:47:10]  There's no loyalty in the business.
[01:47:11]  I'm loyal to the guy that turned the lights on and who I came in.
[01:47:14]  Can I tell you something, man?
[01:47:16]  I don't know.
[01:47:18]  I feel like that's not just rap.
[01:47:20]  I feel like that's my business sometimes.
[01:47:22]  I feel like it's a lot of shit.
[01:47:23]  It's like being in a gang.
[01:47:24]  It's like, it's the same thing.
[01:47:26]  For me, if I was a gang member, if I was Mac Buller, Jet, Crip, whatever, I would never change that gang.
[01:47:32]  Like, I would never say, nah, I'm driving.
[01:47:33]  I'm riding out with this.
[01:47:34]  With that set.
[01:47:35]  To the wheels for law.
[01:47:36]  To me, it's common sense.
[01:47:37]  A lot of people have it.
[01:47:38]  It's just, it's not displayed in our business because our business is, we, you know, I think sometimes people are so hungry for success, right?
[01:47:44]  Like you were saying, like, they'll sit next to the flame, right?
[01:47:46]  They're sitting next to the fire because there's heat there.
[01:47:48]  And the second they look like they're like it's cooled off, they could jump.
[01:47:51]  But it's like, I don't know.
[01:47:53]  I don't, maybe it's different.
[01:47:55]  Maybe it's a New York thing.
[01:47:55]  I don't know if it's not.
[01:47:56]  You got to understand.
[01:47:57]  A wise man once told me that Shaka Zulu in the 90s, my first time going to ATL from man's Ludacris.
[01:48:03]  This is when Ludacris was doing window on radio.
[01:48:05]  Shout out to Shaka Zulu.
[01:48:06]  Shout the shit up and all that.
[01:48:07]  No, don't bring that up.
[01:48:08]  I'm just saying I ain't no defending himself.
[01:48:11]  Self-defense.
[01:48:12]  What the fuck is that?
[01:48:12]  He don't want nobody.
[01:48:13]  He wants that out there though.
[01:48:14]  He wants to be a bit of a double.
[01:48:16]  I'm trying to turn the ghetto off of him sometimes.
[01:48:19]  Fuck Kyle.
[01:48:20]  Take the rest of them.
[01:48:22]  Wise man wants to be out.
[01:48:24]  I'm losing.
[01:48:24]  I'm losing some time.
[01:48:28]  No, no, no.
[01:48:28]  Shoot him, no, He was there when I got my first dip.
[01:48:33]  That's my nigga.
[01:48:34]  No, but he once told me.
[01:48:35]  He told me.
[01:48:36]  He said, listen, Yale, success doesn't come in the masses, right?
[01:48:41]  So there's going to only be one Andrew Schultz.
[01:48:43]  There's only going to one be one Shane Gillis or fucking Kill Tony.
[01:48:48]  There's only going to one beat 150, one J, one Nas.
[01:48:52]  You know what I'm saying?
[01:48:53]  It doesn't come in the masses like that.
[01:48:55]  As far as like actors, one Leonardo.
[01:48:58]  Am I saying it right now?
[01:48:58]  You killed him.
[01:49:00]  I actually shook his hand.
[01:49:01]  Not with the glitter, though.
[01:49:02]  Not with the glitter.
[01:49:04]  Shout out to Barry.
[01:49:06]  Can't take no time.
[01:49:09]  No pictures.
[01:49:10]  I need to keep his hat low.
[01:49:11]  But he'll chop it up.
[01:49:12]  Like he's departed, right?
[01:49:15]  He'll chop it up.
[01:49:16]  But you got it low.
[01:49:17]  See, for me, like.
[01:49:17]  And he'll know who you are.
[01:49:18]  This is what I'm saying.
[01:49:19]  The rooms that like Jay Artist was in and serving.
[01:49:21]  And no disrespect to him.
[01:49:22]  Like, that's the rooms Jay and B gonna be in.
[01:49:25]  I'm in the rooms with Tillman.
[01:49:26]  I done Wesley Snipes, the Kardashians.
[01:49:29]  Like, I done met Leonardo.
[01:49:31]  This dude just bought Supreme.
[01:49:32]  Like, I'm in those rooms.
[01:49:34]  Like, there hasn't been any.
[01:49:35]  Like, I was like, we couldn't go to Nelson Mandela Crib because we smell like weed.
[01:49:39]  And it was like 100 niggas with fitted.
[01:49:41]  But 50 went to Nelson Mandela Crib.
[01:49:43]  Like, I done been in Nelson Mandela Cell.
[01:49:45]  I done been on Clinary Islands, Black Sand.
[01:49:48]  Like, went to the lube.
[01:49:51]  You know, African brothers.
[01:49:53]  You're skipping the line to see the Mona Lisa.
[01:49:55]  African brothers.
[01:49:55]  We know Yale.
[01:49:56]  See, this is what I'm saying.
[01:49:57]  I'm worldwide.
[01:49:59]  Me and worldwide.
[01:50:00]  I feel you.
[01:50:00]  I feel you.
[01:50:01]  When we're skipping the line, all the white folks looking like, who is these niggas?
[01:50:04]  Who is these niggas?
[01:50:06]  You know, nothing but Mona Lisa.
[01:50:07]  I can elevate.
[01:50:08]  What accent was exactly?
[01:50:13]  And we look, nobody else.
[01:50:14]  Me and Murder, Mona Lisa.
[01:50:16]  See, that's the shit I'm talking about.
[01:50:17]  That's experiences.
[01:50:19]  No other artists can do it.
[01:50:20]  Only June.
[01:50:21]  Put it on silent.
[01:50:26]  But this is what I'm trying to say.
[01:50:28]  Jay is not Jay artist.
[01:50:30]  Jay is not even bigger than that.
[01:50:31]  Why do you keep talking about Jay?
[01:50:33]  No, I'm just saying.
[01:50:34]  You got some hat over there, man.
[01:50:36]  Because I'm trying to tell him, like, but this is weak.
[01:50:38]  This is the hate.
[01:50:40]  Look, you did this.
[01:50:42]  And we did this with hate.
[01:50:43]  So, what do you do?
[01:50:44]  We didn't have, like I said, when everybody was when they're not hot, what are you going to do?
[01:50:47]  Stand next to fire.
[01:50:48]  DJ Kelly.
[01:50:50]  We couldn't do that.
[01:50:50]  So, what do you do?
[01:50:51]  So, here's my question.
[01:50:52]  We couldn't do that.
[01:50:54]  What do you do?
[01:50:54]  We had a disadvantage.
[01:50:55]  What do you do when you see people that don't have that type of loyalty?
[01:50:59]  What is your energy with them?
[01:51:00]  I just, it's the industry.
[01:51:02]  You just expect that to be the industry.
[01:51:04]  You have your own code and you're going to live by your culture.
[01:51:06]  These guys might not be friends when they leave here.
[01:51:08]  I don't know.
[01:51:08]  Me and him might not be friends with him.
[01:51:12]  Like you said, me and him might not be friends with me.
[01:51:13]  But your own personal constitution is just your own personal.
[01:51:16]  You don't put that on other people.
[01:51:18]  Yeah, I don't have expectations because I know it's the industry.
[01:51:20]  It's a cutthroat business.
[01:51:22]  See, I think there's sometimes where it's like, I assume that there were expectations where you just hold down the people that help you.
[01:51:28]  You hold down the people that rock with you.
[01:51:30]  It's supposed to be like that, though.
[01:51:31]  It's supposed to be like that.
[01:51:32]  Like, if I go get a deal or like in a film, I'm always going to say things 50 because I know his fame is a part of it.
[01:51:39]  We're part of his story.
[01:51:40]  We ain't part of his story.
[01:51:42]  So it's always appreciation there.
[01:51:44]  If we got to stop the word glazing and dick riding, that's like these guys.
[01:51:48]  If he goes get a deal and it's because of you, you come back.
[01:51:50]  Yo, I appreciate you.
[01:51:51]  This is my 50.
[01:51:52]  Yeah, you know, holding it down.
[01:51:56]  Like, nobody could go, no other comedian or any other guy up top could say anything bad about you when I'm in the room.
[01:52:02]  Because to me, respect is if Murder leaves the room, if he's not in the room and you talk bad about him, I don't want to hear it.
[01:52:10]  If he's in the room, you talk bad about him, I don't want to hear it.
[01:52:14]  That's just how it is.
[01:52:14]  This guy has a wrap-up.
[01:52:16]  We got beef with Jermaine Dupree, Reverend Ron.
[01:52:18]  Yo, man, shout out.
[01:52:18]  Jermaine Dupree and Reverend Run are my brothers.
[01:52:21]  Don't talk about my God.
[01:52:22]  He keeps talking about it.
[01:52:23]  I got beef.
[01:52:25]  Reverend Runner's my guy.
[01:52:26]  Shout out to Diggy Simpson.
[01:52:27]  I used to work.
[01:52:28]  I'm tired of the rap up.
[01:52:31]  I'm tired of the rapper.
[01:52:33]  You can't talk to anybody that 50 got beefed with.
[01:52:36]  And 50 got beef with everybody.
[01:52:37]  I don't want to talk to them.
[01:52:38]  But that's what you don't.
[01:52:39]  I don't want to talk to them.
[01:52:40]  I'm talking about him, but you just said.
[01:52:42]  You just said you want guests on your podcast.
[01:52:44]  50 times.
[01:52:44]  I ain't got plenty of guests in with you.
[01:52:45]  No, but that's not.
[01:52:48]  But that's how I feel.
[01:52:49]  If you're beefing with my dude, I don't want to fuck with you.
[01:52:52]  I respect Dude Schultz.
[01:52:53]  He's bigger than all these bum ass rappers.
[01:52:54]  I respect him.
[01:52:56]  I'm not even Tyson Fury.
[01:52:59]  Jim Carrey or somebody.
[01:53:00]  Fucking out your body.
[01:53:01]  I would just stick it up.
[01:53:02]  50's connected with connecting people.
[01:53:04]  You just make a bum ass rappers.
[01:53:05]  Yeah, I know you niggas.
[01:53:06]  I don't know.
[01:53:07]  He disrespects niggas all day.
[01:53:09]  All the time.
[01:53:11]  Everybody.
[01:53:12]  But he only is disrespectful.
[01:53:13]  Who's the one disrespect?
[01:53:14]  But it's disrespecting disrespectful.
[01:53:16]  Disrespectful dudes.
[01:53:17]  I tell the truth.
[01:53:18]  They're disrespectful.
[01:53:19]  No.
[01:53:19]  How so?
[01:53:20]  Jay ain't do nothing to him.
[01:53:21]  How am I disrespecting Jay?
[01:53:23]  You don't know.
[01:53:23]  I said he was him and 50 and did he was the biggest of all time.
[01:53:27]  You also don't know the backstory.
[01:53:28]  But you ain't gonna say nothing about Diddy because he's one of the political motherfuckers.
[01:53:31]  See, we're the ones that motherfucker did he.
[01:53:34]  But listen, before that, you wasn't.
[01:53:36]  He goes before that.
[01:53:37]  No, listen.
[01:53:38]  Nah, nah.
[01:53:39]  Yo, that's crazy.
[01:53:41]  That's great.
[01:53:41]  That's crazy.
[01:53:42]  That was funny.
[01:53:44]  That was funny as funny.
[01:53:46]  I know you tell me.
[01:53:47]  It was funny as funny.
[01:53:49]  I gotta give it to a motherfucker.
[01:53:50]  It was funny as hell.
[01:53:50]  That's what I'm saying, right?
[01:53:52]  Did he got a man jizzing on him and dancing and all that?
[01:53:56]  Damn.
[01:53:57]  And people still want to be.
[01:53:58]  Don't tell me you're political.
[01:53:59]  No, I'm not.
[01:54:00]  All I'm trying to say is you be trying to tell me to stop the wrap-up.
[01:54:03]  Nigga, your interviews are a wrap-up version.
[01:54:05]  I just know.
[01:54:06]  You do a wrap-up version.
[01:54:09]  You can't stop the rap.
[01:54:10]  You can't stop him.
[01:54:12]  You got little kids saying no, Diddy, right?
[01:54:14]  You got my guy Andrew saying, I can't stop the shit.
[01:54:15]  He can stop the wrap-up.
[01:54:17]  Come on, bro.
[01:54:18]  Listen, it is.
[01:54:19]  What do you say?
[01:54:19]  All right, now look, he talked about Jay, right?
[01:54:22]  We ain't gonna talk about the Mepstein files now either, right?
[01:54:26]  You're quiet.
[01:54:28]  I'm not saying anything.
[01:54:29]  I'm just going up for what I see.
[01:54:31]  I mean, man.
[01:54:32]  No, write it up.
[01:54:36]  I'm not sure.
[01:54:37]  I'm just going off of what I see.
[01:54:39]  And I'm not, and I'm allegedly, because I'm not saying nothing.
[01:54:42]  Unverified.
[01:54:43]  Unverified.

=== Diddy Interview Wrap-Up (15:08) ===

[01:54:45]  I don't know.
[01:54:45]  But what I'm saying is, what I'm saying.
[01:54:47]  This is a flagrant motherfucker.
[01:54:48]  No, no, no, no.
[01:54:50]  We got real on that.
[01:54:52]  About the rapping game, niggas like him, other people and journalists, they pick and choose.
[01:54:57]  So somebody can be a rat.
[01:54:58]  And they'd be like, he's a rat.
[01:55:00]  And then somebody else could be a rat.
[01:55:01]  And they'd be like, his music's good, so he gets a pass.
[01:55:04]  Yo.
[01:55:06]  I think that's true, but I don't think Al is like that.
[01:55:09]  He really loves Jay-Z, so he jokes around.
[01:55:11]  He's like, ah, it was bullshit.
[01:55:12]  That's fucked up.
[01:55:13]  But if he run up that funny shit that just came up, allegedly, he's going to be quiet.
[01:55:18]  No, what he says is he jokingly says, like, ah, this is bullshit.
[01:55:21]  But I hope it is.
[01:55:24]  But what I'm saying is, I learned the rap game and selective politicians.
[01:55:27]  Oh, that's it.
[01:55:27]  So if you did.
[01:55:28]  That's your life game.
[01:55:28]  So if you.
[01:55:29]  That's life.
[01:55:29]  Yeah.
[01:55:30]  So you know what?
[01:55:31]  So I'm glad.
[01:55:31]  I'd rather have that.
[01:55:32]  But I thought we all had the same rules.
[01:55:34]  Like, I thought if somebody was down for you, rode for you, really helped you out, that you were going to be with them forever.
[01:55:38]  But now I see that people really, their loyalty is just to like what gets them to the point where you're going to get it.
[01:55:42]  Whatever to help you.
[01:55:43]  If that just helps you.
[01:55:44]  That's not loyalty.
[01:55:45]  That's not loyalty.
[01:55:46]  Hell no.
[01:55:46]  That's not loyalty.
[01:55:47]  That's true.
[01:55:47]  That's not loyalty.
[01:55:48]  There you go.
[01:55:49]  It's all about how I can use you too.
[01:55:50]  Because half of the people I meet, yo, yo, yo, yo, I love you.
[01:55:54]  But it's really to get to 50.
[01:55:56]  And you have to look through that.
[01:55:58]  Look through it.
[01:55:58]  I don't even hang with nobody like that.
[01:56:01]  50, 50, 50.
[01:56:02]  It's just like, and you got to understand, like, I'm not jealous of my career.
[01:56:07]  You got to remember, Marvin Gaye.
[01:56:08]  Look who Joey's not here.
[01:56:09]  Didn't his father kill him?
[01:56:11]  I didn't know that.
[01:56:12]  Look it up.
[01:56:12]  Where's Joey at?
[01:56:13]  Joey.
[01:56:16]  What are you doing to talk about?
[01:56:17]  Did Marvin Gay father kill him?
[01:56:20]  Answer it.
[01:56:21]  Who found it?
[01:56:24]  I don't know nothing, man.
[01:56:25]  Look it up, please, Joey.
[01:56:27]  Oh, shit.
[01:56:27]  Look that up.
[01:56:28]  The closest one's to you.
[01:56:29]  He's killed by his father.
[01:56:30]  Oh, shit.
[01:56:31]  Thank you.
[01:56:32]  Damn.
[01:56:32]  And what's the right back?
[01:56:33]  I'm about to get my weed.
[01:56:35]  And what was the other singer, Selena Gomez?
[01:56:37]  Oh, wow.
[01:56:38]  She was killed by her best friend, right?
[01:56:39]  Selena Gomez.
[01:56:40]  No, not Selena Gomez.
[01:56:41]  I'm so fucking hot.
[01:56:44]  Yeah, yeah.
[01:56:45]  I need a joint right now.
[01:56:46]  I do this all the time, and they get on me.
[01:56:48]  But see, he didn't know Marvin Gaye.
[01:56:49]  Y'all didn't know Marvin Gay father killed him.
[01:56:51]  No.
[01:56:51]  You go.
[01:56:51]  I know he shot him yet.
[01:56:52]  That was crazy.
[01:56:54]  I know he was jealous of him, but that's crazy.
[01:56:57]  Yeah, Selena got killed by his, her aunt or her head of the fan club.
[01:57:02]  Yeah, head of the fan club.
[01:57:03]  The manager of her boutiques.
[01:57:05]  Yeah, yeah, yeah.
[01:57:06]  Shot the singer back in Corpus Critic.
[01:57:07]  Holy shit.
[01:57:09]  See?
[01:57:09]  Yeah.
[01:57:11]  Here's one thing.
[01:57:12]  And you're right.
[01:57:12]  I am the peace guy.
[01:57:14]  Like, I do want harmony in hip-hop.
[01:57:16]  And I don't like.
[01:57:17]  Harmony and hip.
[01:57:18]  Did y'all hear that?
[01:57:18]  Sucker shit?
[01:57:19]  Yeah, that's like harmony in this hip.
[01:57:21]  In football, it can't be safe.
[01:57:23]  Yo, if Jay and Jay went on tour, that would be the biggest tour.
[01:57:28]  We don't care.
[01:57:28]  We don't want to see that.
[01:57:29]  Yes, we do.
[01:57:30]  We want to see this.
[01:57:31]  Think about this, right?
[01:57:32]  Everybody says, right?
[01:57:34]  Who don't want to see that?
[01:57:35]  He just said we want harmony and hip-hop, which sounds crazy to me, right?
[01:57:38]  Yeah.
[01:57:40]  What's making Dirk and NBA big right now is because of their beef.
[01:57:44]  You see that motherfucker get killed.
[01:57:46]  I smell that shit.
[01:57:49]  Let's go.
[01:57:52]  Let me finish.
[01:57:52]  Oh, you just finished.
[01:57:53]  This motherfucker just said harmony and hip-hop.
[01:57:56]  This is the harmony in hip-hop.
[01:57:58]  Sit down.
[01:57:59]  Let me bring it down.
[01:57:59]  Let me bring it down.
[01:58:00]  No, Joey, come on.
[01:58:02]  Let me finish, though.
[01:58:04]  Let's keep it real.
[01:58:05]  When you think of hip-hop, right?
[01:58:07]  We're thinking of Gladiator School.
[01:58:09]  We want to see blood on the map when we see a battle.
[01:58:11]  When you see KRS and MC Shannon, KRS, this Queens.
[01:58:16]  Man, they keep on making it.
[01:58:18]  We keep on taking this.
[01:58:19]  And queens keep on faking it.
[01:58:20]  And we was just like, oh, shit.
[01:58:22]  But still respected it.
[01:58:23]  Still respected it.
[01:58:24]  That's the thing.
[01:58:25]  Right?
[01:58:25]  So you see Battle.
[01:58:26]  No, no, no.
[01:58:26]  Not a rapper.
[01:58:27]  Niggas could battle.
[01:58:27]  Let me shake hands after.
[01:58:28]  Let me finish.
[01:58:29]  Now, niggas are sitting there.
[01:58:31]  Let me know your career.
[01:58:33]  Hold on.
[01:58:34]  Let me finish.
[01:58:35]  Let's move.
[01:58:36]  Because you're blood.
[01:58:36]  Hold on, let me make points on this.
[01:58:37]  Let's get the points out.
[01:58:38]  Let's get the points out.
[01:58:39]  Look, when in Rest in Peace to Prodigy, when Jay put Prodigy on Summer Dream, you was at Ballerina.
[01:58:45]  I got the pictures I seen you.
[01:58:47]  Right?
[01:58:48]  That was crazy.
[01:58:48]  But niggas didn't know his grandmother was one of the illest dancing teachers back in the days.
[01:58:54]  That did hurt Prodigy back in the day.
[01:58:56]  Now, look, it hurt a lot.
[01:58:58]  Look, that damn near killed his career, but he was a kid when he probably did one ballet course for his grandma.
[01:59:03]  Recipe to be.
[01:59:04]  But he was a creative guy, right?
[01:59:06]  Boom.
[01:59:06]  They loved it.
[01:59:07]  Right?
[01:59:08]  Nikki and Cardi.
[01:59:09]  Blood.
[01:59:10]  We love it.
[01:59:11]  50 and Ja Ru.
[01:59:12]  Yes.
[01:59:12]  Kill him.
[01:59:13]  Langstock.
[01:59:13]  Kill him.
[01:59:15]  Ethan Jay.
[01:59:16]  Jay said, I'm nutting on your baby seat, nigga.
[01:59:18]  I'm nutting on your girl's baby seat, nigga.
[01:59:21]  Damn.
[01:59:22]  The most violation.
[01:59:22]  On your baby seat?
[01:59:23]  Yeah.
[01:59:24]  And then Niles came with Ether.
[01:59:26]  Ether was crazy.
[01:59:27]  We want blood.
[01:59:28]  That's how we're hip-hop.
[01:59:29]  Harmony and hip-hop.
[01:59:30]  This is some fake reality.
[01:59:32]  So now can I get my tips?
[01:59:34]  Look, now hold on.
[01:59:35]  Fast forward.
[01:59:36]  NBA and Dirk.
[01:59:37]  Dirk is in jail.
[01:59:39]  Let people talk.
[01:59:39]  He don't.
[01:59:43]  You're going to respond to that.
[01:59:44]  Harmony and hip-hop.
[01:59:46]  Excuse me.
[01:59:47]  See Harmony and I want to see Harmony and hip-hop.
[01:59:50]  You missed that shit.
[01:59:51]  I'll break it down.
[01:59:51]  So look.
[01:59:52]  Yeah, yeah.
[01:59:52]  So now you got Dirk and NBA Youngboy.
[01:59:55]  It's the biggest shit.
[01:59:56]  NBA get out of jail.
[01:59:57]  He beat this murder charge.
[01:59:59]  He's good.
[01:59:59]  He good money.
[02:00:00]  We're going to go buy his shit.
[02:00:02]  You know what I'm saying?
[02:00:03]  Kool Shysty.
[02:00:04]  Shot a nigga, got out of jail.
[02:00:06]  FDO, first day out.
[02:00:07]  Oh, yeah.
[02:00:07]  Number one on Billboard.
[02:00:08]  Niggas want blood, motherfucker.
[02:00:10]  That's just hip-hop.
[02:00:11]  Damn.
[02:00:11]  So now.
[02:00:11]  Non-violence.
[02:00:14]  I'm not saying it's right.
[02:00:15]  But motherfuckers ain't singing self-destruction.
[02:00:17]  Like this is the 80s.
[02:00:18]  Self-destruction.
[02:00:19]  Niggas ain't doing that.
[02:00:20]  So now, competition has always been a part of hip-hop.
[02:00:22]  Yes.
[02:00:23]  But do you agree?
[02:00:24]  Do y'all agree?
[02:00:25]  Yes.
[02:00:26]  What I would say is that we want.
[02:00:28]  Let me just.
[02:00:29]  Let me just just.
[02:00:30]  What I would say is that we want blood and then elegance or opulence.
[02:00:34]  It's like what makes, can I just get it all out?
[02:00:36]  It's like, what makes the Italian mafia so seductive?
[02:00:40]  It's like you see these dudes with the suits and the fucking pinky ring and eating lobster at the nicest restaurants, but you know, on the side, there's some guy shooting somebody up and there's warring tribes, et cetera.
[02:00:51]  So it's like you kind of want the best of both.
[02:00:53]  You don't want just some street grimy, that the street grimy gangster shit isn't what crosses over to the whole world.
[02:01:00]  You need some like glitz and glamour.
[02:01:02]  You got to appeal in a certain way.
[02:01:03]  It's like the, yeah, and so in that robbers and shit.
[02:01:06]  In hip-hop, you have battle rap.
[02:01:08]  Battle rap, they say the most disrespectful shit six inches away from each other's face.
[02:01:13]  Talking about second day.
[02:01:14]  Oh, okay.
[02:01:15]  And then, right after.
[02:01:17]  And then right after the battle, they shake hands and they peace.
[02:01:19]  You know how many battle raps got shot up and niggas got cut?
[02:01:22]  No, but I'm just behind the scenes.
[02:01:24]  But niggas can celebrate the fact that, hey, you there's competing, there's battle rap, there's disrespect, but then you can shake hands and be peaceful.
[02:01:32]  You want WWE?
[02:01:33]  You want WWE.
[02:01:34]  It's not going to be like that with nip hits.
[02:01:35]  But why after certain things is said, but why do you not have to have this in our genre of music every other genre?
[02:01:42]  Blame it on drill music.
[02:01:43]  They talk about shooting a nigga and rap about the nigga they shot about.
[02:01:46]  So who's worse?
[02:01:47]  You blaming it on GUI when you didn't even blame it.
[02:01:49]  No, I'm not blaming you.
[02:01:49]  I'm blaming it on GU.
[02:01:50]  They do songs that say, yo, I just killed this guy up the ball.
[02:01:53]  You think I'm blaming on G-Unit?
[02:01:54]  I'm not going to sound like a G-Unit blamer.
[02:01:56]  No, I'm not.
[02:01:59]  No, no, no.
[02:02:00]  It just sounds like that.
[02:02:01]  Because he keeps saying, yo, why can't it be like this?
[02:02:04]  Why 50 guy got beefing at you?
[02:02:06]  And why we need harmony and hip-hop?
[02:02:07]  He sounds like E-Bro, one of them niggas.
[02:02:09]  So what the nigga got to say.
[02:02:10]  But for me, I'm going to keep it real.
[02:02:12]  Like, you got drill music.
[02:02:14]  K-Flop.
[02:02:14]  We're going to need you on that podcast before we figure out some cases.
[02:02:17]  Flock was one of the biggest drill rappers in New York City.
[02:02:20]  You know what he's known for?
[02:02:22]  Killing motherfucking designer.
[02:02:24]  You know what?
[02:02:24]  That's gonna, this shit is gonna sell, and that's what these little kids want.
[02:02:28]  And it's sorry to be because the kids in the suburbs that don't live that life want to see how it is that life is.
[02:02:34]  Just like 50 getting shot nine times.
[02:02:36]  Yeah, but oh shit, he survived.
[02:02:37]  Is that good for our culture, though?
[02:02:39]  What do you mean?
[02:02:39]  Is that good for our culture?
[02:02:40]  People are just saying they truth, brother.
[02:02:42]  K-Flock is from the Bronx.
[02:02:43]  It's kill or be killed, nigga.
[02:02:45]  So there's two different questions.
[02:02:47]  You sound like I sound in them restaurants around the white people.
[02:02:50]  I'm not putting my hole.
[02:02:52]  You sound what I'm saying.
[02:02:53]  You sound like me and them restaurants for the record.
[02:02:56]  I like my brother.
[02:03:00]  Hip-hop has not been found on beef.
[02:03:03]  Did you like Kendrick and Drake?
[02:03:04]  Yes, you did.
[02:03:05]  Did you love it?
[02:03:06]  Yes, he did.
[02:03:06]  Before that, we was listening to Sexy Red.
[02:03:08]  Hip-hop was boring.
[02:03:10]  And right now, niggas call it the sexy hip-hop.
[02:03:12]  Shout out to Sexy Red.
[02:03:13]  Niggas calling Drake a pedophile.
[02:03:15]  Oh, now he's on Kendrick's side.
[02:03:16]  No, no.
[02:03:18]  You just said it's about Jake.
[02:03:20]  Scott's political.
[02:03:22]  You didn't say it's about Jay.
[02:03:24]  He just don't like.
[02:03:25]  He's saying what he don't like.
[02:03:27]  I took media training to see what's going on.
[02:03:31]  The dude is just so fire.
[02:03:33]  I'm the guy that don't hit him.
[02:03:34]  I can't fucking.
[02:03:35]  I don't know what I'm going to win.
[02:03:36]  I agree with Yay-Yo.
[02:03:37]  I'm going to win because I don't care.
[02:03:39]  Everybody cares.
[02:03:40]  See, you know how I like comedians?
[02:03:41]  You know, I like you.
[02:03:42]  Shane Gillis killed Tony.
[02:03:44]  Yeah.
[02:03:44]  Because they got cancelled before, right?
[02:03:46]  Yeah.
[02:03:46]  But them motherfuckers don't care.
[02:03:48]  And look, they're big as ever.
[02:03:49]  Yeah.
[02:03:49]  Because if you care.
[02:03:51]  See, he's political.
[02:03:53]  You need hip-hop and harmony.
[02:03:54]  He needs to listen to Tylip Khali.
[02:03:56]  I want to get money.
[02:03:58]  He needs to listen to them.
[02:03:59]  You don't listen to the Ari Up How to Rob.
[02:04:01]  You don't need to listen.
[02:04:03]  I want to shout out the bones.
[02:04:05]  Shout out to MOP.
[02:04:08]  He don't listen to that.
[02:04:09]  That nigga mentioned on the flame rich show.
[02:04:11]  You know what I'm saying?
[02:04:12]  There's never been.
[02:04:13]  He said harmony and hip-hop.
[02:04:15]  Guys are getting shot and they're buying into the story more.
[02:04:19]  They're buying into the story more.
[02:04:20]  You got the guy.
[02:04:21]  This is the greatest.
[02:04:22]  Right.
[02:04:22]  Hypothetical.
[02:04:22]  Well, they killed Vaughn, right?
[02:04:24]  The guy that killed King Vaughn.
[02:04:25]  Rest in peace to Vaughn, one of my favorite artists.
[02:04:27]  And NBA, and I love Dirk.
[02:04:28]  I love all of them as artists, right?
[02:04:29]  Vaughn was killed.
[02:04:32]  The kid that killed him is on stage with NBA Youngboy.
[02:04:34]  They still giving NBA Youngboy plaques and he's still getting loved by the fans.
[02:04:38]  And Atlanta's giving him love.
[02:04:40]  And he's dissing niggas.
[02:04:41]  And niggas got smoked.
[02:04:42]  And Timmy's up there dancing and shit after he killed the nigga.
[02:04:45]  And niggas are buying right into it.
[02:04:47]  Even me.
[02:04:47]  I'm watching the concert.
[02:04:48]  And now little kids is looking.
[02:04:52]  And it's like, oh, shit.
[02:04:53]  So I can get on.
[02:04:54]  I got to shoot.
[02:04:54]  I got to shoot somebody so I can do it.
[02:04:56]  Well, the kids are shooting.
[02:04:57]  Listen, we can't have competition.
[02:05:00]  I don't think they can't get together.
[02:05:00]  We can't blame.
[02:05:01]  I don't think the kids is going to, I got to shoot somebody that's not.
[02:05:04]  They are.
[02:05:04]  No, they are.
[02:05:05]  You know what I'm doing rappers right now?
[02:05:06]  I hate when people blame music.
[02:05:08]  Ain't no movie.
[02:05:09]  You know what's going on?
[02:05:10]  Stop saying tune.
[02:05:11]  You know how much merge was really taking back in the days when we was coming up?
[02:05:14]  A lot.
[02:05:15]  Yes.
[02:05:15]  It's not that many.
[02:05:16]  Shit happens to you because it's not that much.
[02:05:19]  You just Instagram make it look like there's a lot more going on.
[02:05:22]  But back in the day, super far in the streets, you had thousands of motherfuckers dying a year.
[02:05:27]  A thousand here, 1,200, 800, 900.
[02:05:30]  Now, not saying like it's nothing, but it'd be about 200, 300.
[02:05:33]  It's not as bad as it was.
[02:05:35]  Crime is gone.
[02:05:35]  But it's so much social media shit that it make you look like it's extra crazy.
[02:05:41]  We got super.
[02:05:42]  She's been coming down a lot.
[02:05:44]  Just think about it.
[02:05:44]  If you a nigga, like, and you trying to look for a way out, and you see, oh, this nigga shot Vaughn, and now he's on a stage next to NBA Young Brother.
[02:05:52]  We believe, but we believe that we want that.
[02:05:54]  We want to hear that.
[02:05:55]  So there's two things here.
[02:05:56]  You want to hear that?
[02:05:57]  Just like when you see Scarface in a movie, he shot everybody, and that was the best scene.
[02:06:01]  Just because Scarface shot everybody don't mean I'm going to go somewhere.
[02:06:04]  Just because I watch a movie ahead of music, that's a movie to me.
[02:06:08]  The music, it's the same thing with the music, though.
[02:06:10]  You ain't going to make you do some dumb shit.
[02:06:11]  Regardless if it does or it doesn't, I think what Al is saying is like, you're worried about the negative effects on the culture from the music, but that's separate from what is attractive.
[02:06:22]  Naturally, we're going to watch things that are rebellious, whether that's like rock music saying, fuck everybody.
[02:06:28]  I'm going to bite a bat on stage.
[02:06:29]  I'm going to dress in crazy outfits.
[02:06:31]  We're drawn to people that are going against whatever the system is, whatever the status quo is.
[02:06:36]  So whether that's violence, you see that in hip-hop or you see it in mafia movies.
[02:06:39]  Movies, yes.
[02:06:40]  Why do you think niggas love mafia movies?
[02:06:42]  Exactly.
[02:06:42]  So we like that or the Tony Montana shit.
[02:06:45]  Like we like that shit.
[02:06:46]  Naturally, we're drawn to it.
[02:06:48]  The question is, I guarantee a lot of Italians will be like, well, it's fucked up that everybody thinks that I'm a fucking mafia guy because they watch these mafia movies.
[02:06:55]  So they're upset about that negative stigma that comes with it.
[02:06:58]  Of course.
[02:06:58]  But human beings naturally want to see chaos.
[02:07:01]  Like back in the day, the gladiator sports, you saw a fucking dude get eaten by a lion because it was, for whatever reason, entertainment.
[02:07:08]  We agree on that.
[02:07:09]  I know that.
[02:07:10]  That's what people.
[02:07:10]  See, you know what it is with me?
[02:07:11]  And I'm going to keep it real.
[02:07:12]  I'm smart enough to know, like, I believe in God and all that.
[02:07:16]  I don't want to get religious because we don't talk about religious and politics because people get crazy already.
[02:07:21]  But I know that me, I do like violent movies.
[02:07:24]  I do want to watch Scarface.
[02:07:25]  I do want to watch Training Dates.
[02:07:27]  I do want to watch Men in Society.
[02:07:28]  I'm not, you might want to watch a Tyler Perry movie, some lay back in some science stuff.
[02:07:33]  Yo, come on.
[02:07:34]  That's what you want to watch.
[02:07:35]  No, what's that example?
[02:07:36]  Yeah, come on.
[02:07:37]  That's an example.
[02:07:38]  Come on, shout out.
[02:07:38]  Shout out to Tyler Perry.
[02:07:40]  I still do want to change.
[02:07:42]  Shout out to Tyler Perry.
[02:07:43]  No, I'm not really.
[02:07:45]  I'm trying to get Tyler Perry on the group and stuff.
[02:07:51]  Excuse his own.
[02:07:53]  He puts on the wig.
[02:07:56]  Everybody knows.
[02:07:57]  Labels.
[02:07:57]  And everybody knows.
[02:07:59]  And like sex sales.
[02:08:00]  That's why when they do an ad, a liquor ad, they're going to get a high chick.
[02:08:03]  Right.
[02:08:04]  You see Megan Stallion.
[02:08:05]  She's in shape.
[02:08:05]  We're going to get her for paying.
[02:08:06]  I know the game.
[02:08:07]  I understand.
[02:08:08]  So we know sex sales, violence sales.
[02:08:10]  In hip-hop, we love battles.
[02:08:12]  There's nothing wrong with that.
[02:08:13]  When it goes past that, and motherfuckers start getting shot.
[02:08:15]  That's what I'm talking about.
[02:08:17]  But that's like Thomas.
[02:08:18]  You got to get out the pussy and back in the gym, too.
[02:08:19]  He just wanted to make this thing.
[02:08:21]  I was just thinking about that for God.
[02:08:22]  Oh, fuck.
[02:08:25]  He ain't no jump shots, right?
[02:08:26]  Like, he's been felling up ever since he's in the middle.
[02:08:28]  Oh, Thompson.
[02:08:29]  Oh, yeah.
[02:08:29]  He got big and stallion in the middle.
[02:08:31]  He got to get back in that gym.
[02:08:32]  Come on, bro.
[02:08:33]  They just water with it, man.
[02:08:35]  She got the weirdest ass up.
[02:08:38]  He's weird as hell.
[02:08:40]  Man, what the fuck is going on?
[02:08:41]  He never had no Texas shit like that.
[02:08:44]  But what I'm saying is, hip-hop has always been blood sport.
[02:08:48]  Jay-Z and Nas we love.
[02:08:50]  50 and Ja Ru, we loved.
[02:08:52]  What else?
[02:08:53]  Dirk and NBA Youngboy.
[02:08:55]  We love that.
[02:08:56]  Drake and Meek Mills.
[02:08:57]  We love that.
[02:08:58]  Drake and Kendrick.
[02:08:59]  Drake and Kendrick.
[02:09:00]  Drake and Pusher.
[02:09:02]  We love battles because music is boring without it.
[02:09:06]  It is.
[02:09:10]  Can I say one thing?
[02:09:10]  We can have battles to that point.
[02:09:12]  Keep it.
[02:09:13]  Taylor Swift's biggest albums are when she's going at her ops, right?
[02:09:17]  When she's talking about that ex-boyfriend that broke her heart or the guy that she was dating.
[02:09:21]  That gets the most attention.
[02:09:23]  And maybe girls don't have the bloodlust for violence, but they do want to see that drama, that chaos.
[02:09:28]  I agree with that.
[02:09:28]  Like, I think some of the people should have dropped the record after the Pizza Hut shit.
[02:09:31]  Right?
[02:09:32]  Pizza Hutchins.
[02:09:32]  She should have dropped the recording.
[02:09:33]  Rich the Kid.
[02:09:34]  Would have been popular.
[02:09:35]  Well, Rich the Kid baby bombs and it was arguing.
[02:09:37]  And she's like, the next time you call this, save my number on the Pizza Hut.
[02:09:40]  She's like, I'm not going to pizza her something like that.
[02:09:41]  Some of Walker, she likes to save my number under Pizza Hut.
[02:09:44]  So your girl don't know it's me?
[02:09:45]  Yeah.
[02:09:45]  I think she should have dropped the record shit.
[02:09:47]  Summer Walker music is love her.
[02:09:50]  Every time she shit on like one of her baby fathers, her music is fire.

=== Headliner Ego Battles (15:36) ===

[02:09:53]  Yeah, we do want to see.
[02:09:54]  They want real life shit.
[02:09:55]  They want real.
[02:09:56]  We do want to see a certain level of drama.
[02:09:57]  Like every one of those housewives shows is pure drama.
[02:10:00]  Every one of these, yeah, every reality show, there's no reality show where like everybody gets along and everybody's high five.
[02:10:06]  And it's like they're borderline almost fighting each other.
[02:10:08]  And that's why we watch everybody.
[02:10:10]  You say, you might say, yo, baddies is foolish because they fight, right?
[02:10:13]  But I'm checking that shit out.
[02:10:15]  When they fight clips come, I'm watching that.
[02:10:17]  You be watching the baddies now?
[02:10:18]  I mean, I'm not saying I watch the show, but if a clip is on, oh, yeah, you want to see me?
[02:10:24]  See a fight video.
[02:10:25]  You should entertain the guy.
[02:10:26]  And they get in their bag.
[02:10:27]  If that's what they do, they get in the room and they rumble.
[02:10:30]  That's cool.
[02:10:30]  It's just like wrestling or anything else you see.
[02:10:32]  Yeah.
[02:10:32]  I would just also like to see.
[02:10:34]  You want peace and hip-hop.
[02:10:36]  I would love to see 50 and Jay combine to that shit with me.
[02:10:41]  That's like Cardi.
[02:10:41]  Tell me how crazy.
[02:10:42]  You want to see Cardi B and Nikki tour too, then?
[02:10:44]  That's what you want to see.
[02:10:45]  I would.
[02:10:45]  It'll never happen.
[02:10:46]  Like, that's great music.
[02:10:47]  Why wouldn't we want to see both of them?
[02:10:48]  I mean, I mean, going to like, going to like, what's the Mets fucking City Field?
[02:10:54]  Going to City Field and watching like Jay, watching 50, watching Nas, like watching the New York GOATs come together and do one concert for the city.
[02:11:04]  You're telling me that wouldn't be a crazy thing.
[02:11:07]  That wouldn't be dope.
[02:11:08]  But listen, this is what y'all not getting, though, right?
[02:11:10]  That's like you being the comedian Shane Gillis Kill Tony, right?
[02:11:13]  But it's like, listen, y'all do do it.
[02:11:15]  No, no, I understand, but with rappers, it's going to be like, yo, who's going to be the headliner?
[02:11:20]  We got to go through that too.
[02:11:21]  So look, I'm saying now, listen, who's going to be, right?
[02:11:24]  Who's going to be the headliner, right?
[02:11:26]  That's going to be the argument.
[02:11:28]  So when 50 wasn't where Jay was at, when 50 didn't sell 11 million records, of course, Jay is going to say.
[02:11:34]  You headline.
[02:11:35]  Yeah, no.
[02:11:37]  You can come on tour with me because Jay's standing next to the fire.
[02:11:39]  Yeah.
[02:11:39]  Like I told you.
[02:11:40]  He's good at that.
[02:11:40]  He's a genius.
[02:11:41]  You're a genius, Jay.
[02:11:42]  Stand next to the fire.
[02:11:43]  He's just standing next to the fire.
[02:11:46]  Got you, mother.
[02:11:46]  He's the fire.
[02:11:48]  I ain't the fire.
[02:11:49]  Nah, you ain't the fire.
[02:11:52]  So look, but now 50 is the fire.
[02:11:55]  He sold more records than Jay.
[02:11:57]  So he's on his tour.
[02:11:58]  So if they was going tour, you know who's on it?
[02:12:00]  Who's the headliner?
[02:12:01]  Because once you get a million dollars a show, it's an argument of who the fuck is the headliner.
[02:12:05]  Because we're all making millions.
[02:12:07]  Flip a coin.
[02:12:07]  You don't understand business.
[02:12:09]  But once you make money, Jay and 50 can do a tour.
[02:12:12]  Nigga, you got to understand business.
[02:12:14]  If it was Nikki and Cardi, who's going to be the headliner?
[02:12:16]  It's going to be an argument about that.
[02:12:18]  Nas and whoever, who's going to be the headliner?
[02:12:20]  Let's flip a coin.
[02:12:21]  Yeah, that's it.
[02:12:22]  You can switch.
[02:12:22]  Nah, come on.
[02:12:23]  No, no.
[02:12:24]  That's the ego.
[02:12:26]  Real talk.
[02:12:27]  So you think, so, so let me ask you.
[02:12:29]  So let me ask you a question.
[02:12:30]  You remember when you talked about it?
[02:12:30]  So let me ask you a question.
[02:12:33]  You think Prince and Michael Jackson would do a tour together?
[02:12:36]  Them two egos?
[02:12:37]  Well, that's rest in peace now.
[02:12:39]  That's a good question.
[02:12:40]  That's the problem.
[02:12:40]  But they do a tour together.
[02:12:42]  That's a good one.
[02:12:43]  Come on, man.
[02:12:44]  But that's a good one.
[02:12:45]  The rappers got the biggest ego.
[02:12:46]  But it will be funny.
[02:12:47]  They think they printed a bunch of people.
[02:12:48]  It might be fire, but as you can see, it didn't happen.
[02:12:51]  You could pass that.
[02:12:52]  If you could.
[02:12:53]  Didn't you just smoke a whole bunch by yourself?
[02:12:55]  He's a little bit.
[02:13:00]  Co-sounding the Brooklyn is.
[02:13:02]  Told you.
[02:13:04]  Now he's trying to get some Queens Karate.
[02:13:08]  I'll tell you.
[02:13:10]  I need to be on.
[02:13:13]  Connect this motherfucker.
[02:13:14]  I want Harmony and hip-hop.
[02:13:17]  That's like saying we want Harmony and football.
[02:13:19]  We want to see blood.
[02:13:21]  We want to see motherfuckers get hit.
[02:13:23]  Competition is different.
[02:13:25]  We love competition.
[02:13:26]  I don't think you can piece it up.
[02:13:28]  I don't think people care about competition.
[02:13:30]  And the proof of that is there are more people that watch like influencer boxing than just some elite boxers that nobody knows about.
[02:13:40]  Because the influencers might have super drama between the both of them.
[02:13:45]  They've been beefing for years and they want to go settle it.
[02:13:47]  And they can't even box that well, but we'll watch it because we want to see these guys fight it out.
[02:13:52]  Jay is a guy who says, I disagree.
[02:13:54]  I think the influencers are much better at marketing.
[02:13:58]  But what are they marketing?
[02:13:59]  No, but they're marketing the drama, though.
[02:14:02]  Exactly.
[02:14:02]  They're not marketing the skills.
[02:14:03]  We're not watching them to see the skills.
[02:14:05]  Yes, but they're better than boxers at promoting a fight.
[02:14:08]  Sure, but the point to that is we don't want to just see elite competition.
[02:14:11]  Like, we don't even care about most sports until the Olympics.
[02:14:15]  And the Olympics is literally about my country is better than your country.
[02:14:18]  Yeah, right?
[02:14:19]  There's wars and shit behind it.
[02:14:20]  Yeah, it's like generations of us going, yeah, we fucked, we saved the French, fuck you.
[02:14:25]  And then we're just watching so we can save them again or beat him again.
[02:14:28]  So I think it's like, unfortunately, like you would love to just see the best of the best go at it.
[02:14:33]  And ego does play a big part in that.
[02:14:35]  It's ego.
[02:14:35]  Every rapper I met had ego, man.
[02:14:37]  That's why they're not.
[02:14:38]  It takes ego to a sense.
[02:14:40]  Nobody cares about the whole star game.
[02:14:41]  They cares about the whole star.
[02:14:42]  If there's no stakes, don't give a fuck.
[02:14:44]  They don't care.
[02:14:44]  We don't care.
[02:14:45]  Back in the days, Jordan was in the slam dunk contest.
[02:14:47]  Because he's like, I'm better than all you motherfuckers.
[02:14:50]  Times is different.
[02:14:50]  But you don't want to see actual violence.
[02:14:52]  Wait, but speaking of ego, who don't want to see violence?
[02:14:54]  I want both of y'all to rank all G-Unit artists best to worst.
[02:15:00]  Oh, wow.
[02:15:01]  Now you're bugging out.
[02:15:03]  What you mean?
[02:15:05]  He's on some conspiracy.
[02:15:06]  I mean, hip-hop and hip-hop is hip-hop is coming.
[02:15:08]  Mr. Hallman, Queen Swamp.
[02:15:10]  Yo, Queen.
[02:15:12]  That nigga on somebody.
[02:15:13]  I don't hit him on this competition, though.
[02:15:14]  I think hip-hop's coming down.
[02:15:18]  Who's the best of G-comments?
[02:15:20]  Yo-Yo ain't no lie.
[02:15:21]  Yo-yo.
[02:15:24]  50 always started.
[02:15:26]  50 always started.
[02:15:27]  Punch some pussies in there.
[02:15:29]  You being like J. Cole right now.
[02:15:31]  Niggas ain't talking about that.
[02:15:34]  Damn, niggas shooting at J. Cole, too.
[02:15:35]  Why are you shooting at my nigga J. Cole?
[02:15:37]  He's running away from the battle.
[02:15:38]  J. Cole.
[02:15:41]  He's one of them guys in the comments, bro.
[02:15:43]  You got to watch.
[02:15:43]  Nah, I never copied.
[02:15:45]  I never copied.
[02:15:48]  When you're the best, everybody comes for you.
[02:15:50]  When 50 was number one on top, everybody came for him.
[02:15:53]  When Drake was number one and helped these niggas, you know what I made 50 smart?
[02:15:57]  He didn't help these stupid niggas.
[02:15:59]  Oh, wow.
[02:16:00]  You started helping them later on and they still shitting on you.
[02:16:02]  Isn't that interesting?
[02:16:03]  Drake helped everybody that he dissed them.
[02:16:06]  Yeah.
[02:16:07]  That shit is fast.
[02:16:08]  It's the game.
[02:16:09]  I wouldn't help none of y'all because I know this shit is all fake.
[02:16:12]  And you know why I win?
[02:16:13]  Because I'm smart enough to say, fuck everybody.
[02:16:16]  Fuck the industry.
[02:16:17]  And that's why my podcast, me and Murder, I say mine.
[02:16:19]  You know what I'm saying?
[02:16:21]  I am a star.
[02:16:25]  I am a star, Joey.
[02:16:26]  I'm my story.
[02:16:27]  Fuck I am.
[02:16:28]  I am.
[02:16:29]  Fuck I am.
[02:16:30]  I realize.
[02:16:30]  Joey, Google.
[02:16:31]  I realize I am.
[02:16:32]  Google the fucking star of the real world.
[02:16:34]  I didn't see what the fuck that shit said right now.
[02:16:41]  Don't you know that shit, Joey?
[02:16:43]  That's just not going to break that fucking screen.
[02:16:45]  Look, I haven't made no music.
[02:16:47]  Look, I'm hotter than I was 05 when Seductive came out.
[02:16:52]  I even think I'm hotter than Fab right now.
[02:16:53]  No disrespect.
[02:16:54]  Yo, this guy had yo.
[02:16:56]  This guy had my bars.
[02:16:58]  My God is brand new.
[02:16:59]  He's bars.
[02:17:00]  He got my body.
[02:17:01]  Because listen, bars is not going to market you.
[02:17:03]  When you think about it, right?
[02:17:05]  When I talked about Fab and we talked about Banks, right?
[02:17:09]  On what's name?
[02:17:10]  Banks was trending number 23 on Twitter.
[02:17:14]  You hardly see Banks.
[02:17:15]  He was trending 23 on Twitter.
[02:17:16]  And I guarantee that shit.
[02:17:19]  Nah, that's my nigga.
[02:17:21]  He's overseas.
[02:17:22]  That's what I'm saying.
[02:17:24]  Banks is a real rapper.
[02:17:25]  He don't, like, he don't care for all this shit.
[02:17:27]  He's overseas.
[02:17:27]  That's why I say, like, no disrespect to Fab, but who's touring?
[02:17:31]  There's not a lot of rappers that tour from New York overseas.
[02:17:33]  It's not.
[02:17:34]  You know, motherfuckers make it to DC to go go and maybe to Atlanta, but maybe not even far as Atlanta because the South got their own market.
[02:17:41]  That's true.
[02:17:42]  We was there for the transition when it was like, fuck New York, and it was all about the South.
[02:17:46]  Yeah.
[02:17:46]  I went through that period of hip-hop.
[02:17:48]  Niggas know, you don't know nothing about that.
[02:17:49]  Was it harder to tour?
[02:17:51]  Yeah, he'll fuck with you, bro.
[02:17:52]  I remember one time me and Banks went to some promo shit in Texas, and it was a meeting.
[02:17:56]  It was all the DJs.
[02:17:57]  And it was like, we got to stop playing these New York niggas.
[02:18:00]  And you said you're like, it's about the South.
[02:18:05]  So think about it.
[02:18:06]  The South, Boosie and them, they don't have overseas, but Boosie can make millions of dollars because he got Savannah right there, he got Texas, they got more markets.
[02:18:14]  Think about the average artist from New York, right?
[02:18:17]  They don't have, we don't have a big market.
[02:18:18]  You got the North.
[02:18:19]  We got New York, we got Connecticut.
[02:18:21]  Yeah, we might go upstate towards Buffalo, but when we start in Connecticut, but as far as going towards like DC and VA, it's a rep from there.
[02:18:28]  They playing Go-Go and South music, too.
[02:18:30]  That's interesting.
[02:18:31]  So artists from the South have more of an advantage.
[02:18:34]  Why?
[02:18:35]  Because the New York artist has upstate, you have Connecticut.
[02:18:39]  Boston, you could probably Boston.
[02:18:41]  And then you got overseas, and that's it.
[02:18:43]  So the New York artist has more attachment.
[02:18:45]  We only got like three or four real markets: Boston, Connecticut, New York, and upstate.
[02:18:50]  And all that, like, well, that's New York too.
[02:18:52]  What I mean, like, you know, Buffalo and that.
[02:18:53]  You know what I'm saying?
[02:18:54]  The down south artists, they got Atlanta.
[02:18:57]  They got Georgia.
[02:18:58]  They got fucking, they got motherfucking Savannah.
[02:19:00]  They got Mississippi.
[02:19:03]  They could get rich just staying in the South.
[02:19:05]  That's why a lot of the Down South artists don't care about coming overseas.
[02:19:08]  Yo, I'm curious.
[02:19:09]  I see 50 and Cam.
[02:19:11]  They seem to be like really cool right now.
[02:19:13]  Can we possibly kill a kid?
[02:19:15]  Can we possibly get a G-Unit dip set tour?
[02:19:19]  This nigga asking a whole dumb question because niggas is making movies, bro.
[02:19:23]  Why is that a dumb question?
[02:19:26]  You wouldn't tour with dipset or not?
[02:19:28]  Listen, shut the fuck up with this.
[02:19:31]  Is that a neck?
[02:19:32]  Can I give him a neck?
[02:19:33]  Yeah, he didn't get a gift for that.
[02:19:35]  That's a get why.
[02:19:39]  I don't think they played.
[02:19:40]  Let's put the dreads on that kid.
[02:19:45]  He's one of them controversial niggas.
[02:19:50]  I like the music.
[02:19:52]  I grew up on you and you.
[02:19:55]  This is why he doesn't understand about music.
[02:19:57]  50 is a million-dollar show, nigga.
[02:20:00]  Yeah.
[02:20:02]  So there's nobody in Dipset or in G-Unit besides 50 that get a million dollars in better show.
[02:20:09]  I don't get a million.
[02:20:10]  Thanks ain't get a million, but nobody in G but Murder never got a million the show.
[02:20:14]  There's certain artists that's in.
[02:20:16]  So how do you when you tell 50 to do something?
[02:20:19]  He's gonna say, why?
[02:20:20]  When people's merch sell like a 50 cent, like his merch can do 10 million without Live Nation touching it on its own.
[02:20:28]  Like I'll do 10 million.
[02:20:29]  Yo, oh shit.
[02:20:30]  How many shows we did?
[02:20:31]  We did like 30 shows.
[02:20:32]  What's the count?
[02:20:34]  Seven, eight million.
[02:20:35]  I'm like, I see why 50 wanted to keep his merch sales on that one.
[02:20:41]  So the shit you talk about.
[02:20:45]  Stupid.
[02:20:47]  It's all about money.
[02:20:49]  Yeah, but you was just in the living.
[02:20:50]  Come on.
[02:20:51]  How much 50 is getting for.
[02:20:53]  I'm not asking 50 what he's getting.
[02:20:54]  Okay.
[02:20:55]  50 do plenty of private events.
[02:20:56]  11 is not going to be a money.
[02:20:57]  I'm giving them a million dollars to perform at a nightclub.
[02:20:59]  It's a difference.
[02:21:00]  You don't know what they're giving them, bro.
[02:21:02]  That's not me.
[02:21:02]  It's not business.
[02:21:03]  It's also different than a full show.
[02:21:05]  Like if you're going there, you just get a lot of fun.
[02:21:06]  That's still 50 to a couple shows.
[02:21:08]  I done seen that nigga go in rooms and a nigga touch him.
[02:21:11]  That's what happened.
[02:21:12]  You see a whole bunch of Branson and Lashim.
[02:21:15]  That's why we in Club 11 to promote Branson and LaShim.
[02:21:18]  What you think Nikki and him get?
[02:21:19]  What you think Dre get?
[02:21:20]  What you think, Kendrick?
[02:21:21]  I think I'm trying to understand.
[02:21:24]  Thank you.
[02:21:24]  I appreciate it.
[02:21:25]  Let me ask you a question.
[02:21:27]  No disrespect to Cameron, Jim Jones, and Jewelles, and nobody.
[02:21:31]  They made history.
[02:21:32]  I love Dipset, I love D-Block.
[02:21:34]  We made history.
[02:21:34]  It's no niggas just back and forth.
[02:21:36]  It's internet shit until it gets real.
[02:21:38]  If it gets real, you know.
[02:21:39]  But we the shot 9-7, niggas, so I hope they don't want it to get real.
[02:21:42]  You know what I'm saying?
[02:21:43]  So that shit really happened to him.
[02:21:49]  So what I'm saying to him is to shoot up.
[02:21:51]  None of those.
[02:21:52]  Nobody, but he's saying have a concert with Dipset and G-Unit, right?
[02:21:55]  Correct?
[02:21:56]  None of us or them make a million dollars a show.
[02:22:00]  So there's a certain amount of money that a concert can create.
[02:22:04]  Yeah.
[02:22:05]  And there's a certain amount of money that it's going to take for 50 to do a concert.
[02:22:08]  So you just got to run the numbers.
[02:22:09]  So he's not going to cut his check.
[02:22:11]  He don't understand.
[02:22:13]  He just don't get it.
[02:22:13]  I'm asking you to get a lot of money.
[02:22:14]  Like if I say to him, if I say to him, look, yo, I don't know if Jay-Z could do 103 dates by himself without Beyonce for Live Nation, even though he's a part of Live Nation.
[02:22:25]  He don't understand business.
[02:22:26]  But I say, yo, oh, Rick Ross, yeah, Rick Ross definitely can't do 103 dates on Live Nation.
[02:22:32]  Yeah, yo, definitely.
[02:22:32]  I can't do it either.
[02:22:34]  Murder us, yeah, because it's reality, nigga.
[02:22:36]  Right.
[02:22:37]  I mean, you are talking, you are talking about like a handful of people.
[02:22:40]  It's a handful of people.
[02:22:41]  Not just rappers, just musicians on the planet that could do it.
[02:22:44]  It's like his first one, right?
[02:22:46]  With Live Nation.
[02:22:47]  Would they get him 50 mil or something?
[02:22:48]  Maybe something like that?
[02:22:49]  Come on, bro.
[02:22:52]  It's a handful of people that's doing Live Nation tours.
[02:22:54]  Like Travis.
[02:22:55]  I'm sorry, I'm a fan of music and I would love to see you.
[02:22:57]  But you don't understand the music.
[02:22:59]  You're like, yo, Concord do, you like telling Michael Jackson to do a tour with Jim Jones or somebody.
[02:23:06]  No, that's no disrespect to that.
[02:23:07]  That's crazy.
[02:23:09]  That's crazy.
[02:23:11]  A nigga getting a million a show.
[02:23:12]  One nigga getting on me.
[02:23:13]  Like, you're getting 10,000 a show.
[02:23:16]  You know what I'm saying?
[02:23:17]  Like, it's a big difference.
[02:23:19]  Right, right, right.
[02:23:20]  There's only a certain amount of people who are doing that.
[02:23:20]  You don't understand business.
[02:23:22]  That's why I'm talking about the nails and everything.
[02:23:23]  I want to go on a business community and start talking about hip-hop because some people are going to be biased.
[02:23:28]  You're like, fuck he know about fucking music and shit.
[02:23:32]  All right.
[02:23:36]  I can't ask nothing, dude.
[02:23:38]  It's perfect.
[02:23:39]  Seeing your friend get roasted.
[02:23:41]  It's not even a roast.
[02:23:42]  This is why I ain't talking about CDF.
[02:23:45]  This fill with PDA.
[02:23:49]  Shout out to Epstein.
[02:23:52]  Shout out to the Epstein.
[02:23:53]  Look, see what I'm saying?
[02:23:54]  No, motherfuckers ain't going to talk about that Epstein shit.
[02:23:57]  That's why I'm glad I kept it street.
[02:23:59]  I never went to a PDD party, nothing weird.
[02:24:01]  I just kept it straight because I would hate to be in one of them pitches in a picture like, yo.
[02:24:06]  Yo.
[02:24:07]  You know what I'm saying?
[02:24:08]  Niggas had the mayhem pictures.
[02:24:10]  That shit is crazy.
[02:24:11]  Isn't that crazy?
[02:24:12]  But it's internet.
[02:24:13]  He's scared to talk about shit like that because I'm told Harmony.
[02:24:16]  We the real report, nigga.
[02:24:17]  We don't give a fuck about that.
[02:24:19]  We got his security and bulletproof trucks.
[02:24:22]  I'm going to be the first person to subscribe to the shit.
[02:24:24]  We're not talking shit.
[02:24:25]  I'm not political.
[02:24:26]  I don't care.
[02:24:27]  Yes, I want to hear that.
[02:24:29]  Is there a time in your life where you guys are going to be like, all right, I don't want to deal with the stress of beef anymore.
[02:24:34]  I just want to enjoy my life.
[02:24:36]  You know why it's no stress?
[02:24:37]  Because I'm not where rappers are.
[02:24:39]  Ah.
[02:24:40]  So see, 50's on another level.
[02:24:43]  I say 50.
[02:24:43]  So when we do shows with him, we're in Morocco.
[02:24:45]  You ain't gonna.
[02:24:46]  It's like, we like the first.
[02:24:47]  We were the first rappers to perform.
[02:24:50]  Damn, we're Kim Kardashian.
[02:24:51]  We're different.
[02:24:52]  Armenia.
[02:24:52]  Armenia.
[02:24:54]  You can look it up.
[02:24:54]  We were the first actually rappers to perform in Armenia.
[02:24:57]  Like performance.
[02:24:58]  Kanye rapped by the pond or the lake or something like that.
[02:25:00]  No, he didn't even rap.
[02:25:01]  He didn't even rap.
[02:25:02]  He was just there.
[02:25:04]  He was actually the first rapper.
[02:25:05]  He don't understand.
[02:25:07]  I remember being in the studio with Kanye and he's in 50-year.
[02:25:10]  We like, yo, I'm like, who's this nigga?
[02:25:11]  5th?
[02:25:12]  I don't know.
[02:25:14]  And it was Kanye Race.
[02:25:16]  We was going to radio and Ludacris before, oh shit.
[02:25:19]  I'm not him doing radio.
[02:25:21]  I seen a lot of niggas blow.
[02:25:23]  Like, out of here, pause.
[02:25:25]  Like, Rihanna, we got to pause every day.
[02:25:28]  What's my man's name again?

=== Artist Performance Realities (02:55) ===

[02:25:30]  Joey.
[02:25:30]  Joey?
[02:25:31]  Yeah.
[02:25:31]  That's how he pulls up the facts.
[02:25:33]  You know what I'm saying?
[02:25:34]  The first motherfuckers to perform.
[02:25:36]  You got to have your facts.
[02:25:37]  You got to have your facts.
[02:25:38]  Worldwide tour, green light game.
[02:25:41]  A lot of your favorite rappers can't do what 50 did.
[02:25:43]  So when you say, I'd rather have Jay-Z career, Jay-Z can't do that.
[02:25:48]  Maybe with Beyonce.
[02:25:49]  No disrespect.
[02:25:50]  He's big.
[02:25:51]  But you can't disrespect a nigga.
[02:25:54]  And then just add no.
[02:25:55]  You just don't want the facts.
[02:25:56]  You want me to be a dick ride?
[02:25:58]  You just want me to do what everybody in the industry do.
[02:26:01]  I'm not here for that.
[02:26:03]  And you know why we win?
[02:26:04]  It's not me.
[02:26:04]  I don't want to hang around rappers.
[02:26:06]  I don't want to be around them.
[02:26:07]  I don't care because I know it's all fake business.
[02:26:10]  Most rappers get stabbed in the back.
[02:26:12]  Most people in positions, that's why 50 and everybody's so guarded.
[02:26:15]  Because you help everybody.
[02:26:16]  You help the actors.
[02:26:17]  You help Meach turn into an actor.
[02:26:19]  You help Yale.
[02:26:20]  You help Buck.
[02:26:21]  You help.
[02:26:22]  You pebb Bell money.
[02:26:23]  People turn their back on you.
[02:26:24]  Boy niggas' cars.
[02:26:25]  They crash your cars now.
[02:26:26]  Oh, you talking shit about you and they crash your car.
[02:26:29]  Motherfuckers steal money.
[02:26:30]  Shit.
[02:26:31]  Watches is missing.
[02:26:32]  Anything.
[02:26:33]  This is how it is being an artist.
[02:26:34]  That's why artists are guarded.
[02:26:36]  Because somebody's always, then you got lawsuits.
[02:26:38]  Motherfucker was your friend.
[02:26:39]  Now he wants to talk about you.
[02:26:40]  Your assistant.
[02:26:41]  No, man.
[02:26:42]  I had an assistant calling all my friends.
[02:26:44]  I don't work for him no more.
[02:26:45]  Like, and I don't even have half the money y'all got.
[02:26:51]  So imagine the snake shit you gotta do.
[02:26:56]  Charlamagne made 200.
[02:26:57]  Now you gotta watch your back.
[02:26:58]  Get some ocean.
[02:27:02]  Come on, bro.
[02:27:03]  Let's not act like this is not a shark business, nigga.
[02:27:05]  What are y'all gonna talk about on the pod?
[02:27:07]  I'm kidding.
[02:27:08]  Talking about you.
[02:27:11]  Niggas like you with painted nails and opinions.
[02:27:15]  Painted nails and opinions.
[02:27:18]  Painted nails and opinions.
[02:27:22]  The real report.
[02:27:24]  The real report.
[02:27:25]  Check out the podcast.
[02:27:28]  And Uncle Murder.
[02:27:30]  That podcast is the real podcast.
[02:27:32]  Thank you guys so much.
[02:27:34]  Thank you for having us.
[02:27:36]  Thank you.
[02:27:36]  Thank you.
[02:27:37]  Check out that podcast.
[02:27:38]  If you guys were there, you would have been good.
[02:27:41]  I don't have nothing to joke on, bro.
[02:27:47]  What day of the week does the pod come out?
[02:27:49]  What does it?
[02:27:51]  We're supposed to be shooting an episode.
[02:27:53]  We actually got to go shooting Wednesday.
[02:27:54]  We're supposed to be doing a baby.
[02:27:55]  We got to go shoot today.
[02:27:56]  You're supposed to do it.
[02:27:56]  We want to shoot.
[02:27:57]  They want to keep us urban like all the other parties.
[02:27:59]  We do need you on there.
[02:28:00]  Yeah, I'm going to come anytime.
[02:28:02]  I'll be there anytime.
[02:28:03]  Yeah, I'll get you.
[02:28:05]  What the whole crew, the whole crew.
[02:28:10]  This is the family.
[02:28:11]  We're freaking the brand.
[02:28:13]  We're freaking the whole time.
[02:28:18]  Joe coming.
[02:28:19]  Joe's the name of the podcast.
[02:28:24]  Y'all all got it.