Flagrant - Andrew Schulz & Akaash Singh - Action Bronson On Touring With Eminem, Best Pizza In NYC, & His Infamous Tiny Desk Concert
Aired: 2023-12-12
Duration: 02:14:19


=== Reggae Dance And Success (13:31) ===

[00:00:00]  I learned how to f by dancing reggae.
[00:00:02]  I just want to let you know, like, if you weren't dancing reggae in the rec room in Queens, you don't f good.
[00:00:08]  Then I got the Chevy Lumina.
[00:00:09]  Ooh, mid-green.
[00:00:11]  And the wheel was like that permanently.
[00:00:13]  And then I crashed that within three days because I tried to hit somebody in my building.
[00:00:18]  And we'll get to that.
[00:00:19]  He was on it.
[00:00:20]  I was taking like project steroids.
[00:00:22]  My boy Musclehead Ed was making the trend.
[00:00:24]  So he was shooting in your ass?
[00:00:25]  Yeah.
[00:00:26]  He'll hurt you.
[00:00:27]  He'll hurt your butt.
[00:00:30]  Where is Adam Silver from?
[00:00:31]  I don't know, but I'll tell you this.
[00:00:33]  He gives a real good hip-hop handshake.
[00:00:35]  Set the tone crazy.
[00:00:36]  Like, what up?
[00:00:38]  Edward or not?
[00:00:39]  No.
[00:00:41]  He said it to me with his eyes.
[00:00:44]  This is it.
[00:00:45]  Chef Doug.
[00:00:46]  Oh, man.
[00:00:46]  Did you warm them up?
[00:00:47]  This is fucking silly right here.
[00:00:49]  Hold on.
[00:00:49]  Do you want to know where each are from or do you want to kind of be a little bit more?
[00:00:52]  Let me do it blind.
[00:00:53]  What's up, everybody?
[00:00:54]  Hello, and welcome.
[00:00:56]  And today we are joined by, let's okay, we have hip-hop legends.
[00:01:01]  We have food legends.
[00:01:04]  Natural wine legend in the making.
[00:01:07]  Maybe an olive oil legend one day.
[00:01:09]  I think so.
[00:01:10]  Damn, bro.
[00:01:11]  There's a lot of stuff.
[00:01:12]  I'm not even a fucking.
[00:01:13]  We got Mr. Swayed 56 in the building.
[00:01:15]  Oh, yo.
[00:01:16]  Hello.
[00:01:18]  You know I found my AOL.com name?
[00:01:20]  Come on.
[00:01:21]  Ace Suede 56.
[00:01:24]  You got mail?
[00:01:26]  Rotten.com.
[00:01:27]  Come on, man.
[00:01:27]  What's good, man?
[00:01:28]  How you guys doing, man?
[00:01:29]  I'm good, man.
[00:01:30]  It's been too long, bro.
[00:01:31]  I hollered at your boy Clovis.
[00:01:33]  What do you say?
[00:01:34]  I was just like, yo, man, we need a good natural wine for the pie.
[00:01:37]  We need something nice to sip on.
[00:01:38]  So he gave me two selections.
[00:01:40]  Maybe we'd go sip on a little bit later.
[00:01:42]  You know what I mean?
[00:01:42]  But we had to go deep-cut research, bro.
[00:01:44]  I mean, if you're hitting him up, I'm guaranteed it's going to be phenomenal.
[00:01:47]  Okay.
[00:01:48]  I guarantee I'm going to, I can't guarantee other things about him.
[00:01:53]  Yeah.
[00:01:53]  But his selection of natural wine is fucking 100%.
[00:01:56]  What's the other shit you can't guarantee?
[00:01:58]  He's just, you know, he's one of those fucking Frenchmen.
[00:02:00]  He's just, you know, he's unpredictable.
[00:02:02]  He's unpredictable, but he's charming.
[00:02:05]  Yeah, he is.
[00:02:05]  He's a beautiful guy.
[00:02:06]  Bro, I'm stoked that you're here.
[00:02:09]  I've been following your life for a while.
[00:02:12]  And there's one like through line that I've loved with your professional career is it feels like from the outside, there's nothing that you will be motivated to do that you don't love.
[00:02:28]  I really appreciate that.
[00:02:30]  That exudes me.
[00:02:32]  It exudes out of me.
[00:02:33]  That's the fucking exact thing.
[00:02:35]  I can't, I just don't have it in me.
[00:02:37]  I'm not like I've been through it for a minute now.
[00:02:40]  It's been 14 years since I started doing music.
[00:02:43]  And you learn quick that when you're dealing with some certain situations that you're not made for, I'm not going to fucking, I don't respond well to that type of thing.
[00:02:53]  Like what?
[00:02:54]  Just like, you know, being coaxed into trying to do certain things certain ways.
[00:02:59]  Yeah, yeah.
[00:02:59]  It's just not my thing.
[00:03:01]  I have to fuck up.
[00:03:02]  I have to do it my way.
[00:03:03]  I have to, you know, figure it out.
[00:03:05]  Trial and error.
[00:03:06]  Yeah.
[00:03:06]  But my way.
[00:03:07]  Yeah.
[00:03:07]  It needs to be your way.
[00:03:08]  It has to be.
[00:03:09]  There's no other way.
[00:03:10]  Yeah.
[00:03:10]  I'm a fucking control freak.
[00:03:12]  Yes.
[00:03:13]  Of greed, right?
[00:03:14]  100%.
[00:03:15]  Yeah.
[00:03:16]  You got to have the vision.
[00:03:17]  You know what you want.
[00:03:18]  Exactly.
[00:03:18]  No one else knows what I want.
[00:03:20]  Well, this is the thing I think when some people don't understand this.
[00:03:23]  Some people just want success.
[00:03:25]  They don't care about the art or the passion.
[00:03:28]  So for them, they're like, well, tell me what to do to be successful.
[00:03:31]  Like, I'll do whatever you tell me as long as it leads me to success.
[00:03:35]  But if you're doing something because you're passionate about it, which I've seen with you, and I'll bring up an instant that made me think about it.
[00:03:41]  But it's like, if you're doing something you're passionate about and then someone tells you to do it in a different way, you're like, but that's not what I want to do.
[00:03:49]  And they're like, this will make you more money.
[00:03:50]  And you're like, I don't think you're understanding.
[00:03:52]  Like, I'm doing this because I love this.
[00:03:55]  And then if people fuck with it, that's a bonus.
[00:03:58]  100%.
[00:03:59]  You have to go into it looking like that, because i'm not a puppet exactly, i'm the puppeteer, i'm the puppet master, i'm the one pulling the string, i'm making the guy do this and you know all the dances i'm doing that.
[00:04:13]  So what happened when they first tried to make you dance?
[00:04:16]  Well, I don't think they ever tried to really make me dance, because they knew I wasn't going to dance, and that's why I became independent quite quickly.
[00:04:24]  Yeah, so I mean, you know, for the most part, everyone thinks that they know what they could do with you.
[00:04:30]  Yeah, they try and pinpoint who you are and what you think, what they think you would do.
[00:04:35]  Yeah, but there's no pinpoint.
[00:04:37]  I have new aspirations and new, new things that I like daily.
[00:04:41]  Yeah yeah, before I came here, I was just cooking.
[00:04:43]  Yeah, with Russia yeah, exactly with my man Russ, I created four brand new dishes that i'm going to be serving at a dinner, because that's my true passion.
[00:04:50]  Yeah, I have many true passions.
[00:04:52]  This is it right now.
[00:04:53]  Yeah, i'd like you know, i'm just turned 40.
[00:04:56]  I'm trying to get off everything I need to get off.
[00:04:58]  Yeah, check off the battle.
[00:04:59]  What the man?
[00:05:00]  What am I doing here?
[00:05:01]  Yeah, i'm not here to waste time.
[00:05:02]  I'm here to work.
[00:05:03]  Yeah, I have too many things going in my mind, too many things that I need to release to make myself feel better.
[00:05:10]  Yeah, it's really what it's going to be.
[00:05:12]  I was watching the.
[00:05:12]  Uh, everybody should go check out your tiny desk.
[00:05:14]  Your tiny desk was phenomenal.
[00:05:16]  Thank you bro, and uh, thank you, it's.
[00:05:18]  It's one of those things where it's like, i've seen this with comedy sometimes, you see, with music, sometimes you see it when people are like giving speeches, like a really good order can get people to kind of like fall into the vortex.
[00:05:28]  What I was texting and um.
[00:05:30]  And then I was watching some of the food videos and bro, you react to food the same way you react to music.
[00:05:39]  Do you realize it?
[00:05:41]  You were like moaning a little bit.
[00:05:43]  You're like looking up at the air.
[00:05:44]  You're like, oh my, it's because it's all pleasure like that when one, no matter what it is it could be music art this, that a woman's touch, whoever's touch, if you feel that, that chicken skin, that tingle, you know that's.
[00:05:57]  That's a real feeling like just talking about it.
[00:06:01]  My, i'm overcome.
[00:06:03]  You know, like just talking about that, just talking about certain situations, is anything like like watching someone win, like come back from a fight, I cry at, like weird sports stories, you know, you see, you're so like uh, it's the only thing that makes me cry, exactly like i'm sterilized by watching death on twitter.
[00:06:25]  I could.
[00:06:26]  I see it all day long.
[00:06:27]  You don't know where it's like.
[00:06:28]  It looks like a movie all the time, but it's real.
[00:06:30]  Unfortunately, that doesn't make me cry.
[00:06:33]  A story about the guy coming back to the dog, that hasn't seen him in 20 years dog jumps all over him.
[00:06:41]  Or the kid surprising the kid at the little league game, oh, you know like that type of shit gets back from war.
[00:06:47]  That type of gets me.
[00:06:49]  Yeah, you know the real, it's a real victory story.
[00:06:52]  Hell yeah, the way you taste food uh, the what?
[00:06:55]  The things you say when you're tasting coffee and you say I taste purple.
[00:06:58]  When you have Chrissy's pizza and you say I taste this is summer yeah, what can you explain that to me?
[00:07:03]  Because I don't be tasting that.
[00:07:11]  These are things I understand.
[00:07:14]  I speak with Indian food with more passion than I don't know about anyone that I know.
[00:07:19]  It's like I just have a passion for flavor and zest and fire, which all Indian food has.
[00:07:26]  And I think that I just, I have a lot of things.
[00:07:30]  I've lived a lot of life.
[00:07:33]  I haven't just been here for 40 years existing.
[00:07:35]  I've been fucking doing shit.
[00:07:36]  I'm in the streets.
[00:07:38]  I'm out.
[00:07:38]  I've been all kinds of places around this world on earth, whoever, elsewhere as well.
[00:07:45]  So I have a lot of comparisons to draw upon.
[00:07:48]  Colors, fucking this, that, anything you could think of.
[00:07:51]  Sometimes you see a color.
[00:07:53]  Sometimes you smell permanent marker.
[00:07:56]  Sometimes you see an 87635 CSI all white dropped on Borbay rims.
[00:08:03]  It could be whatever.
[00:08:04]  And I could be thinking, I could be talking about fish or I could be talking about a marshmallow.
[00:08:09]  Is food art to you?
[00:08:10]  Because you talk about music the same way.
[00:08:12]  Food is art.
[00:08:13]  So it's called culinary arts.
[00:08:15]  You know, it's not just, it's the art of making food presentably gorgeous and delicious.
[00:08:20]  But evoking emotion through the food.
[00:08:22]  It is.
[00:08:23]  It's theater.
[00:08:23]  There's this.
[00:08:24]  I've been taught you could go to restaurants.
[00:08:26]  You could go to watch a play.
[00:08:28]  You could go to Les Miserables.
[00:08:30]  Or you could go to, I don't know, like a beautiful restaurant and have the same sort of experience, the same theatrical theater.
[00:08:39]  It taps theater.
[00:08:40]  Everything is theater.
[00:08:41]  Yeah, it taps into some shit you've already felt.
[00:08:43]  There's a friend of ours, his uncle's in a business, and he would, he, he would like advise, I guess, or consult on a bunch of these restaurants.
[00:08:51]  And he'd like, you know, try these desserts.
[00:08:53]  He's like, this is delicious, but it's not fall.
[00:08:56]  Yeah.
[00:08:56]  I'm like, what does that mean?
[00:08:58]  And he goes, it doesn't evoke the feelings that you had in Thanksgiving when you were a kid.
[00:09:04]  Like you got to bite in and then think about your childhood.
[00:09:07]  Like on some ratatouille shit.
[00:09:08]  Yeah.
[00:09:09]  If that's what you're going for, I mean, you're not going to serve a passion fruit tart in the dead of winter.
[00:09:13]  Right.
[00:09:14]  That doesn't evoke Caribbean unless you're trying to take someone away from where they are.
[00:09:19]  You're on a vacation.
[00:09:20]  You come to me.
[00:09:21]  You want to put that vacation in your mouth.
[00:09:23]  And there it is.
[00:09:25]  What about women?
[00:09:26]  Was it like this with women?
[00:09:27]  I learned how to cook to try and coax a woman.
[00:09:30]  Really?
[00:09:30]  I mean, yeah, you know, you want to be able to impress, you know, shy guy.
[00:09:36]  A shy guy.
[00:09:39]  Wait a minute.
[00:09:41]  Shaba.
[00:09:41]  Who is this girl?
[00:09:42]  I learned how to fuck by dancing reggae.
[00:09:44]  I just want to let you know, like, if you weren't dancing reggae in the rec room in Queens, you don't fuck good.
[00:09:51]  Really?
[00:09:51]  Yeah, dagger and everything.
[00:09:54]  There was no daggering at that.
[00:09:55]  It was just like lots of grinding and the butterfly.
[00:09:57]  The butterfly was a big movie.
[00:09:59]  Who was the first guy?
[00:09:59]  Episode.
[00:10:00]  Dagger.
[00:10:01]  Like, that guy was brave or crazy.
[00:10:03]  Man, I've seen some extreme daggering off the roof of buildings.
[00:10:09]  It was like extreme daggering competitions.
[00:10:12]  From the turnbuckle.
[00:10:13]  Full-on spinners like 20 foot on top of a building.
[00:10:17]  Like, yo, somehow power slamming this woman and they land and they're still dancing.
[00:10:23]  They're still dancing.
[00:10:24]  They land and they're still dancing.
[00:10:26]  He's fucking, that's crazy.
[00:10:28]  So what was the first meal that you cooked that girl?
[00:10:31]  Some bullshit ass pasta dish.
[00:10:34]  Yeah, it was some trash, but it was all right.
[00:10:36]  But would your dad do this for your mom?
[00:10:37]  Like, I'm not.
[00:10:38]  Where does this come from?
[00:10:38]  I don't know.
[00:10:39]  I just learned from my grandparents.
[00:10:41]  My grandmother was the best cook around.
[00:10:43]  You know, the best Albanian.
[00:10:45]  You know, when you're Albanian, you go to different people's houses and everyone gives you the food.
[00:10:52]  You weren't turning down my grandmother's food.
[00:10:54]  I would turn cigarettes and food down constantly when I was a child.
[00:10:58]  Now, anything.
[00:11:00]  Anything goes.
[00:11:04]  The Albanians in New York.
[00:11:06]  Were you really plugged in growing up?
[00:11:09]  What does that even mean?
[00:11:10]  Okay.
[00:11:11]  Is it true the Albanians took over?
[00:11:13]  He's like, no, not like that.
[00:11:16]  Not like that.
[00:11:16]  But when I was texting you, I was asking, because there were, do you remember the, how you might be young for this, but there were these Albanian gangs.
[00:11:22]  The ABI.
[00:11:24]  There was the Albanian boys or something like that.
[00:11:27]  Do you remember what sounds original?
[00:11:28]  The Albanian boys?
[00:11:29]  Yeah.
[00:11:30]  Listen, they were just learning English, you know?
[00:11:32]  I think, this was uptown.
[00:11:36]  This is maybe like uptown in like Queens.
[00:11:39]  I know about the Queens ones, but I've heard about the sons of doormen and the sons of...
[00:11:44]  Some Iglia pizza owners.
[00:11:46]  Yeah, exactly.
[00:11:46]  Those guys, but the sons of doormen and the sons of the workers of the building, like supers.
[00:11:52]  Yeah, yeah, yeah.
[00:11:53]  They would terrorize the east side and the west side of the city.
[00:11:56]  Yeah.
[00:11:57]  Yeah.
[00:11:57]  There's stories of all kinds of Albanian brothers and all kinds.
[00:12:01]  I mean, it's never a story like, man, this guy's a tremendous surgeon.
[00:12:05]  This Albanian.
[00:12:07]  Like, we know this Albanian guy, Shays, fucking one of the top elbow surgeons on earth.
[00:12:14]  No.
[00:12:15]  Never hear that bullshit.
[00:12:16]  Yeah, you guys were getting that.
[00:12:18]  Yeah, but Albanians, I'm like, do you speak Albanian?
[00:12:22]  A little bit.
[00:12:22]  A little bit.
[00:12:23]  I understand much more than I speak.
[00:12:24]  When I was younger, I did, but now there's really not many.
[00:12:27]  I don't want to talk to.
[00:12:28]  You speak Spanish.
[00:12:29]  Yeah, because that's who I'm not only that, but my wife's Colombian.
[00:12:32]  That's who I'm talking to all day long.
[00:12:34]  Yeah.
[00:12:35]  Any interest in learning Albanian?
[00:12:37]  I feel like I need to.
[00:12:39]  I'm embarrassed to tell you I don't speak it honestly.
[00:12:41]  My Shindi's not good enough.
[00:12:41]  You just got to go there, I think.
[00:12:43]  I've been there fucking three, four times.
[00:12:45]  You have to stay there for an elongated period of time and you have to practice constantly.
[00:12:50]  It's one of the hardest dialects to learn because it's not directly correlated from anything.
[00:12:54]  Any language.
[00:12:55]  It's its own fucking language, literally.
[00:12:58]  Yeah.
[00:12:59]  I think a lot, yeah, a lot of people don't realize how unique Albania is even within the Balkans.
[00:13:04]  I mean, you know, my family's from Kosovo and from Skopje.
[00:13:07]  Yeah.
[00:13:07]  You know, so former Yugoslavia.
[00:13:10]  So you're ethnically Albanian in Kosovo.
[00:13:15]  So Kosovo gets independence, but within Kosovo, most people are ethnically Albanian.
[00:13:22]  Even though it was part of Yugoslavia.
[00:13:23]  Ethnically Muslim Albanian.
[00:13:25]  Muslim Albanian.
[00:13:26]  And Islam comes in with like the Ottomans in that region.
[00:13:29]  You know what?
[00:13:29]  I'm not a fucking, I'm not a historian.

=== Adding Another Philadelphia Show (04:12) ===

[00:13:31]  Yeah.
[00:13:31]  But I would imagine sometime around then.
[00:13:34]  Yeah.
[00:13:34]  Yeah.
[00:13:35]  Yeah, because it's...
[00:13:36]  When the goats came.
[00:13:45]  I heard when you went out there and did a show, it was kind of insane.
[00:13:49]  It was pandemic.
[00:13:53]  Like it was, it was that many people smoking cigarettes.
[00:13:57]  Crazy or what?
[00:13:58]  It was pandemonium.
[00:13:59]  I mean, Dua Lipa brought me out there, for God's sakes.
[00:14:02]  It was her festival, and we're both from there.
[00:14:06]  Like, I was chilling with my uncles and my cousins.
[00:14:10]  Yeah.
[00:14:10]  My uncles and cousins were at the festival and they couldn't even fucking understand what was happening.
[00:14:15]  Wait, what?
[00:14:16]  They didn't understand.
[00:14:17]  They really didn't get it.
[00:14:18]  So they just knew you as a relative, but they didn't know it was like that.
[00:14:23]  They're such simple people.
[00:14:25]  No one could fathom what had happened.
[00:14:29]  No one understands.
[00:14:30]  It's really a fucking crazy story.
[00:14:32]  Was it like make you cry type of shit?
[00:14:34]  They cried.
[00:14:35]  I didn't fucking cry.
[00:14:36]  Really?
[00:14:37]  I've been through this shit already.
[00:14:38]  I know what's up.
[00:14:39]  I do it.
[00:14:41]  I cried before.
[00:14:42]  I'm done crying.
[00:14:45]  I cried all these tears out.
[00:14:47]  Yeah, I need to know what makes you cry, bro.
[00:14:49]  Dog videos.
[00:14:50]  Not being treated nicely.
[00:14:51]  You like that.
[00:14:53]  I like to be treated nicely.
[00:14:54]  I'm emotional.
[00:14:57]  Carl Thomas.
[00:15:00]  Yo, where's Carl at?
[00:15:01]  Shouts to Carl Thomas, man.
[00:15:03]  So emotional.
[00:15:05]  I still want to know if he was plugged up.
[00:15:07]  With?
[00:15:08]  With the Albanian boys.
[00:15:09]  Isn't there a plug?
[00:15:10]  You want to know if I ran guns in and out of the ward?
[00:15:12]  Yeah.
[00:15:13]  Yep.
[00:15:13]  I was fucking 12 years old, but yes.
[00:15:15]  All right.
[00:15:19]  Did I sell rocket launchers?
[00:15:21]  Sure.
[00:15:22]  Tour announcements.
[00:15:23]  First of all, thank you guys so much for gobbling up tickets to the life tour.
[00:15:27]  I just want to let you all know we have added another show in Chicago.
[00:15:31]  We've added another show in Boston.
[00:15:35]  We have added another show in Philadelphia.
[00:15:38]  We have added two more shows in San Francisco.
[00:15:40]  Another show in St. Petersburg, Florida.
[00:15:43]  We added another show in Miami, baby.
[00:15:45]  Miami, we have added.
[00:15:48]  Guys, we also have Houston, Texas.
[00:15:50]  We've added another show in Dallas, Texas.
[00:15:52]  We added Charlotte, North Carolina, Atlanta, Georgia, Nashville, Austin, Texas, Phoenix, Arizona.
[00:16:00]  And yeah, thank you guys so much.
[00:16:02]  Those tickets are all available at theandrewschultz.com.
[00:16:05]  Go to the website, get them direct from the source.
[00:16:08]  Don't get ripped off by the scalpers.
[00:16:10]  I will see you all there at the Life Tour.
[00:16:12]  Thank y'all so much.
[00:16:13]  Peace.
[00:16:13]  All right.
[00:16:14]  Also, guys, sing tour dates.
[00:16:15]  First of all, I'm coming to the UK this weekend.
[00:16:18]  Glasgow, I'm pretty sure I said that right.
[00:16:20]  Glass goal.
[00:16:21]  I don't know exactly how to say it.
[00:16:22]  I hope that's close enough.
[00:16:23]  On the 17th, London on the 18th.
[00:16:25]  We added a show.
[00:16:25]  Those tickets are almost sold out.
[00:16:27]  Manchester on the 19th.
[00:16:28]  Those tickets will sell out for sure.
[00:16:30]  Also, January 6th, 8th, and 9th, I'm going to be out in Europe again.
[00:16:33]  Oslo, Amsterdam, and Eindoven, January 18th through 20th.
[00:16:38]  DC and Prov.
[00:16:39]  Those tickets are already almost sold out, which is crazy because I haven't even announced it on my socials just as pod.
[00:16:44]  So thank you guys for buying tickets.
[00:16:45]  And then January 26th and 27th, I'm going to be in Salt Lake City Wise Guys Comedy Club.
[00:16:49]  And we're adding a bunch more dates.
[00:16:51]  So go to AkashSing.com for all those tickets.
[00:16:54]  I'm coming to you.
[00:16:55]  See y'all soon.
[00:16:56]  I was talking to Chris Gotti, so Irv's brother.
[00:17:03]  And he was saying early days of hip-hop, when you were on the road, not you, but like when someone was on the road, there was basically like one venue where you could do the show.
[00:17:12]  And that venue might have been owned by like the local drug dealer or whatever.
[00:17:16]  The show was like promoted by that.
[00:17:17]  By the time you're in the game, are you playing like traditional venues like Live Nation, whatever?
[00:17:23]  Are you still doing the, hey, they're paying all cash?
[00:17:26]  It could be a little shady.
[00:17:27]  They try to undercut you.
[00:17:30]  Nah, I started out doing shows that I started off doing the good shows because I got with guys early on that, you know, they were doing this.
[00:17:39]  Yeah.
[00:17:39]  So I didn't get fucked around too much.
[00:17:41]  Who's that?
[00:17:41]  This guy, Dante Ross.

=== Handling The Legal Talk (02:06) ===

[00:17:43]  Okay.
[00:17:43]  He's like a legendary New York fucking, like in the music biz type of guy.
[00:17:49]  But he was a road.
[00:17:51]  He was a road dude for the Beastie Boys.
[00:17:53]  He's just been around forever.
[00:17:54]  Yeah.
[00:17:55]  Legendary, like Low Reese kid.
[00:17:57]  Yeah.
[00:17:57]  And, you know, he didn't let any, he didn't let me get fucked over by any of these weirdos.
[00:18:01]  Yeah.
[00:18:01]  And that just followed suit.
[00:18:03]  And I just learned, never get fucked over by a weirdo.
[00:18:05]  Yeah.
[00:18:06]  The other guys will fuck you over like the suits will fuck you over, but there's some weirdo no.
[00:18:10]  Did you ever have the suits try to?
[00:18:12]  Of course.
[00:18:13]  I've been sued.
[00:18:13]  I've been for a year.
[00:18:14]  They fucking do all kinds of crazy shit.
[00:18:16]  Like smile to your face, that's always what it is.
[00:18:19]  Okay.
[00:18:19]  They don't even talk about it.
[00:18:20]  What do you mean?
[00:18:22]  You'll have an issue with somebody.
[00:18:23]  You'll see them.
[00:18:25]  There won't even be a conversation about that.
[00:18:28]  It'll be something else.
[00:18:31]  Lawyers talk.
[00:18:32]  You don't talk.
[00:18:33]  You can't talk to them about it.
[00:18:35]  Hmm.
[00:18:36]  How are you going to talk?
[00:18:37]  Hmm.
[00:18:38]  And then how'd you handle?
[00:18:40]  You just got to.
[00:18:40]  You handle it.
[00:18:41]  Yeah.
[00:18:41]  You got to fucking, you either tuck your tail and live to fucking fight another day or you get fucking blackballed.
[00:18:50]  Don't get me lying out here.
[00:18:52]  I don't know what the fuck I'm talking about.
[00:18:55]  I'm making shit up.
[00:18:59]  You know, let me chase it.
[00:19:01]  I'm at stuff like Smooth Sailing.
[00:19:03]  I do fucking great shows, festivals.
[00:19:05]  I do good business.
[00:19:06]  I'm known as a good business practitioner.
[00:19:08]  But that's all I'm trying to understand.
[00:19:09]  I come from a world of the culinary world where I'm at a half hour early.
[00:19:13]  You don't catch me doing bullshit.
[00:19:15]  Like, I do my thing.
[00:19:16]  Like, get the fuck out of there.
[00:19:17]  I'm not trying to hang around.
[00:19:19]  I don't want to take pictures with you.
[00:19:20]  Yeah.
[00:19:21]  I'm not hanging around for the next act.
[00:19:23]  Yeah.
[00:19:23]  I'm doing my thing and I'm going back to either watch some sort of mixed martial art.
[00:19:27]  Yeah.
[00:19:28]  Get high or just sit there alone.
[00:19:32]  And just think.
[00:19:33]  Just think of that.
[00:19:34]  Like, just think about shit.
[00:19:35]  Like, I don't have to do anything.
[00:19:36]  I could just sit there alone and think about things.
[00:19:38]  What do you think about Antarctica?
[00:19:40]  I like it.
[00:19:41]  Have you been there?
[00:19:42]  No, but I would go.
[00:19:44]  I would definitely go.
[00:19:45]  I got asked to go next week.
[00:19:47]  And I can't go.
[00:19:49]  But I've been, I'm like.

=== License To Hit A Vehicle (12:37) ===

[00:19:50]  I've been to Deep Alaska.
[00:19:52]  Oh?
[00:19:52]  Yeah.
[00:19:53]  Where?
[00:19:54]  And by the military base, whatever the shit is called.
[00:19:58]  You know, we did.
[00:19:59]  We flew into where's the fucking capital?
[00:20:03]  Anchorage.
[00:20:03]  You fly into Anchorage.
[00:20:04]  And then we did this like nature thing.
[00:20:06]  We took some fucking went fly fishing in the middle of who the fuck knows where.
[00:20:10]  You know, maybe?
[00:20:11]  Nah, it was, it was like the Arctic Circle area.
[00:20:14]  You had to fly the water boat and land in the goddamn valley of ice.
[00:20:21]  Wow.
[00:20:21]  And I got fucking sick playing NBA Jam, and I had to fucking get surgery out there, so I didn't even get to do that.
[00:20:26]  You got surgery in the middle of Alaska?
[00:20:28]  Yo, they got the best goddamn surgeons out there.
[00:20:30]  They pay them so much.
[00:20:31]  Oh, really?
[00:20:32]  Because you get hurt out there, you know.
[00:20:34]  And nobody wants to go live there.
[00:20:35]  If you're a doctor, you're like, oh, they get break emotions.
[00:20:38]  You get hurt playing NBA James.
[00:20:39]  That's what I'm trying to do.
[00:20:40]  I had a hernia prior and it just fucking seized up.
[00:20:43]  But it was because I was doing mad moves on NBA Jam.
[00:20:47]  You play like that.
[00:20:48]  Your whole body's exact.
[00:20:50]  And I fucking ended up having to get emergency surgery.
[00:20:53]  Our hernia from NBA Jam is crazy.
[00:20:55]  It was a prior.
[00:20:56]  It's just a kid.
[00:20:58]  I was on fire in there.
[00:21:00]  Did you finish out the game though?
[00:21:02]  Okay, respect.
[00:21:03]  I won, of course.
[00:21:04]  Knicks versus Jazz.
[00:21:05]  You know, I fucking won.
[00:21:06]  Who you played with?
[00:21:06]  What's your lineup?
[00:21:07]  What's the switch up?
[00:21:08]  I switched Ewing and Oakley, Ewing, Starks, Oakley, Starks.
[00:21:12]  You go Ewing.
[00:21:13]  Starks.
[00:21:14]  No, when you switch it up.
[00:21:16]  Listen, certain plays, you know, there's certain teams you have to switch it up.
[00:21:19]  You don't always use fucking Starks Ewing or Starks Oakley.
[00:21:22]  Right, right.
[00:21:23]  You know?
[00:21:23]  Depends on the matchup.
[00:21:24]  You never use Charles Smith.
[00:21:26]  No, never.
[00:21:27]  I can't believe we used him.
[00:21:30]  Do you guys know the Charles Smith Memorial underneath the rim?
[00:21:34]  R.I.P. What is that?
[00:21:35]  I've never heard of that.
[00:21:36]  Fuck it.
[00:21:37]  When he missed 47 layups in a row in the playoffs.
[00:21:41]  Yeah, I've never seen it.
[00:21:42]  This is a heartbreaking moment.
[00:21:43]  I can never believe we're bringing this up right now.
[00:21:45]  It's all right.
[00:21:46]  Fuck him.
[00:21:47]  Let's move on.
[00:21:47]  Are you really anti-Jordan still?
[00:21:49]  Is that real?
[00:21:50]  I don't fuck with Jordan at all.
[00:21:51]  Yeah, why is this?
[00:21:53]  I don't.
[00:21:54]  First of all, I'm a New York guy, Knicks fan.
[00:21:57]  Fucking, I hate Michael Jordan sneakers because it's like, for me, it's like, I don't know, it's like, it's like the type of uniform.
[00:22:04]  It's like you're a fucking, I don't even know.
[00:22:07]  It's a robot.
[00:22:09]  And he was a fucking asshole when I met him.
[00:22:11]  What did he say?
[00:22:11]  No.
[00:22:11]  And he just gave you a fucking weird handshake, like a walk-by handshake.
[00:22:17]  It was whatever.
[00:22:18]  Yeah.
[00:22:19]  I was with Oakley.
[00:22:20]  I was like, yo, fucking, oh, fuck this guy.
[00:22:23]  Oakley had on the gecko belt.
[00:22:25]  You know about Oakley's studded gecko belt?
[00:22:28]  No, what is this?
[00:22:29]  Legendary, man.
[00:22:30]  He has like this, he wears a lot of wide-leg pants.
[00:22:33]  Yeah, yeah.
[00:22:33]  So he likes to wear, you know, the studded belts.
[00:22:36]  Okay.
[00:22:36]  And he has a gecko like that.
[00:22:37]  It's a fucking sick one.
[00:22:40]  What's Oakley like?
[00:22:41]  It's cool.
[00:22:43]  It's true.
[00:22:44]  He cooks.
[00:22:45]  Really?
[00:22:45]  He had a cooking show.
[00:22:46]  Okay.
[00:22:47]  Really?
[00:22:47]  Yeah.
[00:22:48]  And cook?
[00:22:49]  Huh?
[00:22:49]  Good cook.
[00:22:51]  There you go.
[00:22:52]  Moderate.
[00:22:54]  You better watch.
[00:22:56]  You better watch.
[00:22:57]  And I feel like that's you being nice if I'm being honest.
[00:23:00]  I love Oakley.
[00:23:01]  That's one of my guys.
[00:23:02]  What do you say you love his food, though?
[00:23:03]  I don't know.
[00:23:03]  I don't, I've never tasted it, to be honest.
[00:23:06]  He saw it from eyes.
[00:23:08]  He did the eye test.
[00:23:09]  You know whether you think that's going to be good.
[00:23:11]  I don't know.
[00:23:11]  This tastes like winter.
[00:23:12]  Yeah, this tastes like a rubber shoe.
[00:23:18]  It's all right.
[00:23:19]  He don't need to be a good cook.
[00:23:20]  He was a good rebounder and shooter from the top of the key.
[00:23:23]  Yeah.
[00:23:23]  But right on the side of the key.
[00:23:25]  Oh, yeah, yeah, yeah.
[00:23:26]  That baseline.
[00:23:27]  Yeah.
[00:23:27]  Yeah.
[00:23:27]  12-footer on the baseline.
[00:23:29]  That's where I'm good from.
[00:23:31]  My short game and my in-between game is unmatched.
[00:23:35]  I'm a real ball.
[00:23:36]  Yeah, come on.
[00:23:37]  It's the first game you play.
[00:23:39]  I mean, here in New York, of course, but I thought you were like a football guy.
[00:23:42]  I do it all.
[00:23:43]  How do you play football growing up in the city?
[00:23:44]  That's another, like, you're still.
[00:23:45]  Bayside High School.
[00:23:46]  Oh, you went to like a real.
[00:23:48]  I went to Bayside High School.
[00:23:49]  Yeah.
[00:23:50]  Well, it wasn't really a big high school.
[00:23:51]  It was just one of those high schools that had the team.
[00:23:53]  Like, I could have went to Jamaica High School, but they don't have no football team.
[00:23:57]  Forrest Hills High School didn't have a football team.
[00:23:59]  I played baseball at Bayside and played football.
[00:24:02]  Who did you play at Twin Football?
[00:24:04]  Center and Nose Guard.
[00:24:05]  So literally both fat positions.
[00:24:11]  Fat guy here, fat guy here.
[00:24:12]  I played both of those.
[00:24:13]  Center's the smartest position, though, they say.
[00:24:15]  You know, come on, what are we talking?
[00:24:16]  They used to always bust our ass.
[00:24:18]  I played for channel.
[00:24:19]  You played for the play you.
[00:24:21]  Yeah, I used to bust our ass.
[00:24:23]  You played for Beach Channel that we played.
[00:24:25]  How old are you?
[00:24:26]  34 or younger.
[00:24:27]  Oh, yeah, yeah.
[00:24:28]  Definitely.
[00:24:28]  But I played Beach Channel, and it was like fucking crack needles.
[00:24:32]  You can't even do crack with a needle.
[00:24:35]  But somehow there was crack needles on the channel.
[00:24:37]  It wasn't the players shooting up.
[00:24:38]  It was the Chili.
[00:24:40]  But there were divots out of the ground, bro.
[00:24:42]  Like, it was one of the fucking worst fields to play at Beach Channel.
[00:24:45]  Shouts to fucking Beach Channel, Rockaway Queens.
[00:24:47]  Yeah, yeah, yeah.
[00:24:48]  See?
[00:24:49]  Respect.
[00:24:51]  They were on our schedule every year, Beach Channel.
[00:24:54]  But that was an easy dub or what?
[00:24:55]  Yeah.
[00:24:56]  When we were playing, yeah, it was.
[00:24:59]  When we were playing, it was.
[00:25:00]  It wasn't their fault.
[00:25:01]  I only did a couple years in Beach Channel.
[00:25:05]  That's true.
[00:25:06]  Then he had to, then he, oh, then he was out.
[00:25:08]  I got the hell out of there quick also.
[00:25:10]  Oh, really?
[00:25:10]  Yeah.
[00:25:10]  Wait, did you GED or did you graduate?
[00:25:12]  Nah, I GED, but I feel like I have something better than that.
[00:25:15]  I got a better one than that.
[00:25:17]  Which is?
[00:25:17]  Whatever, the better one.
[00:25:19]  Yeah.
[00:25:21]  I got 100 on the GED, so they gave me the real thing.
[00:25:27]  Yo, I walked into GED school, South Jamaica Quinn.
[00:25:30]  This is what all of these things are.
[00:25:31]  It's Flowers with Care.
[00:25:33]  No, it was a program called Flowers with Care.
[00:25:35]  Okay.
[00:25:36]  That's where I got my GED.
[00:25:37]  I walked in, the lady was like, what the fuck are you doing here?
[00:25:40]  Just come back when the test is there.
[00:25:41]  So I waited two months, came back, got 100 on the test.
[00:25:46]  So they gave me the good diploma.
[00:25:48]  Oh, really?
[00:25:49]  Really?
[00:25:49]  So you got an official high school diploma without having to go to all four years?
[00:25:54]  I went to two, smoked a lot of weed, drove around in Honda Accords.
[00:26:01]  Whose car?
[00:26:01]  Some fucking one of the homies who at the time, he was selling nickel bags and tray bags of regular weed.
[00:26:11]  I had the 96 Jetta VR6 Maroon.
[00:26:14]  This is your parents' car?
[00:26:15]  No, it was me.
[00:26:17]  When were you stealing your parents' car?
[00:26:19]  I started my mother's car 14.
[00:26:21]  At 14, you started stealing your car.
[00:26:22]  I crashed the Jeep Grand Cherokee and fucking on the L-train.
[00:26:27]  But now, but now over in Williamsburg, like fucking Canarsie, because we went to go do graffiti and I parked on the side until 14.
[00:26:36]  Yeah.
[00:26:36]  And I fucking crashed on Atlantic Avenue on the way home.
[00:26:40]  No.
[00:26:42]  You just kept it moving.
[00:26:44]  Hit him run.
[00:26:44]  Hit him run on the car.
[00:26:45]  It was already a dent in the car, so she didn't even really notice my mother.
[00:26:48]  She didn't notice?
[00:26:49]  Nah.
[00:26:50]  To this day, man, I want that car.
[00:26:52]  I want the 94 Forest Green Jeep Grand Cherokee Laredo.
[00:26:57]  I think I'm going to buy that tomorrow.
[00:26:58]  Yeah.
[00:26:59]  Yeah, with the roof rack.
[00:27:02]  Roofed.
[00:27:03]  Of course.
[00:27:03]  Of course.
[00:27:04]  Where else are you going to put the sofa and the mattress?
[00:27:09]  Okay, and then your girl steals your car and drives it into a Burger King?
[00:27:14]  Is this a true story?
[00:27:16]  Oh my God, there's been so many different things.
[00:27:18]  First off, the night before Brett Favre makes his fucking debut for the Jets.
[00:27:25]  The penal debut.
[00:27:27]  I don't know if it was the penal debut, but I believe it was the debut of his arm.
[00:27:31]  Yes.
[00:27:32]  It wasn't the peanut.
[00:27:35]  I go to the store.
[00:27:36]  I have underwear on because I'm up the block from my house.
[00:27:40]  So I just left in Breca.
[00:27:42]  Most Albanian shit.
[00:27:44]  Exactly.
[00:27:44]  I just went in underwear.
[00:27:48]  I had the money in my hand.
[00:27:50]  Money in my hand.
[00:27:51]  Cigarette.
[00:27:52]  But listen to what I went to go get.
[00:27:54]  Set for life.
[00:27:55]  Scratch off while I was in underwear.
[00:27:58]  So I leave the store.
[00:27:59]  I leave the car on in front of the store.
[00:28:01]  Set for life.
[00:28:02]  Scratching it off.
[00:28:04]  Two vanilla Dutches and a snap of lemon ice tea.
[00:28:08]  I go outside.
[00:28:09]  The fucking car is gone.
[00:28:10]  There were two kids sitting in front of the store.
[00:28:13]  I didn't even realize.
[00:28:13]  I didn't even think about it.
[00:28:15]  They just jumped in the car when I was fucking scratching off.
[00:28:18]  Shit.
[00:28:19]  Car stolen.
[00:28:20]  Gone.
[00:28:21]  Honda Sonata.
[00:28:23]  Woof.
[00:28:24]  No, Tucson, Tucson.
[00:28:25]  Oh, the Tucson.
[00:28:26]  What year did Favre make the debut?
[00:28:28]  That's how I remember.
[00:28:29]  It was brand new.
[00:28:31]  Brand new dog.
[00:28:32]  Wow.
[00:28:32]  But, you know, it was like $12,000 brand new.
[00:28:35]  Yeah.
[00:28:35]  It's like some piece of shit.
[00:28:37]  Thank God they stole it.
[00:28:38]  Yeah.
[00:28:39]  Because then I got the Chevy Lumina.
[00:28:41]  Ooh.
[00:28:42]  Mint green.
[00:28:44]  And the wheel was like that permanently.
[00:28:47]  It wasn't centered.
[00:28:48]  It was to the side.
[00:28:49]  So you had to like turn.
[00:28:51]  You never saw the car again.
[00:28:52]  And then I crashed that within three days.
[00:28:55]  Okay.
[00:28:55]  Because I tried to hit somebody in my building and I fucking backed him.
[00:28:59]  Why would they do that?
[00:29:00]  What'd they do?
[00:29:01]  We'll get to that.
[00:29:03]  He was standing right in front of a tree and I hit the reverse and I fucking floored it and I crashed into the tree.
[00:29:10]  And then the whole fucking muffler system got stuck in the tree.
[00:29:15]  Damn it.
[00:29:16]  Now, can you tell us what he did to prompt you to crash the car into him?
[00:29:20]  He pulled a knife on me in my building.
[00:29:22]  Inside the building you were both living.
[00:29:23]  Yeah, he lived under me.
[00:29:25]  I was going to the fucking, going to work.
[00:29:28]  It was early in the morning.
[00:29:29]  I think he'd come home from some sort of like serious situation in the evening of doing an all-nighter.
[00:29:36]  And he just looked crazy, pulled a knife on me, and then we walked out.
[00:29:41]  Somehow we just walked away.
[00:29:43]  And then I saw him walk out of the building and I followed him and I fucking predatorized him.
[00:29:49]  And I tried to, I don't know what I was going to do.
[00:29:51]  I was trying to hit him with a vehicle.
[00:29:53]  And I missed.
[00:29:58]  And then he tried to stab me through the window.
[00:29:59]  I jumped out of the window.
[00:30:00]  I fucking caught him.
[00:30:01]  I earth slammed him.
[00:30:03]  And I mounted him and pounded his face until the cops came and no one got arrested.
[00:30:06]  No one.
[00:30:07]  Wow.
[00:30:08]  I just asked them to make a circle so we could finish it.
[00:30:15]  They wouldn't.
[00:30:16]  They wouldn't.
[00:30:17]  How old are you at this time?
[00:30:21]  22, 23?
[00:30:22]  What's the wildest thing you got away with because people know you?
[00:30:27]  Law enforcement know you.
[00:30:30]  That was pretty wild.
[00:30:32]  I don't know that they knew him like that.
[00:30:34]  But that was just a good old day.
[00:30:35]  Cops not wanting to know.
[00:30:36]  Now, you know what you get away with?
[00:30:37]  What I've gotten away with the most is driving without a license, but I've also got arrested a lot for that shit.
[00:30:42]  You've never had a license?
[00:30:43]  I just recently got one.
[00:30:44]  Oh, nice.
[00:30:46]  Congrats.
[00:30:46]  Thank you very much, Bob.
[00:30:49]  And I didn't even take the driving test.
[00:30:51]  He just saw me because it was in my old neighborhood.
[00:30:53]  He was like, yo, here you go.
[00:30:54]  License.
[00:30:55]  Take a picture.
[00:30:56]  He took a picture.
[00:30:57]  We drove around.
[00:30:58]  He asked me a couple questions about some songs.
[00:31:01]  And that was it.
[00:31:01]  It might be a fake guy.
[00:31:02]  Like, I got the goodness.
[00:31:04]  You got the GT.
[00:31:05]  I don't think you got a license.
[00:31:07]  I have a license, dog.
[00:31:08]  I have one.
[00:31:09]  I have a passport card.
[00:31:10]  I have it all.
[00:31:11]  Wait, So you've been driving the majority of your life without a license.
[00:31:16]  Yeah.
[00:31:18]  Yes.
[00:31:19]  And when you need to rent a car, what do you do?
[00:31:21]  Someone else's name.
[00:31:23]  Wow.
[00:31:24]  Yep.
[00:31:25]  Yeah.
[00:31:26]  It's not an easy life having to rely on other people for simple things.
[00:31:33]  It's really ridiculous.
[00:31:34]  That's why I got the license.
[00:31:35]  I was like, man, this is enough.
[00:31:36]  I'm old.
[00:31:37]  What the fuck am I doing?
[00:31:37]  I can't even buy a car in my own name.
[00:31:39]  When the dude saw you sit down for the appointment, was he like, you don't have a, was he a little bit surprised to see you?
[00:31:45]  Yeah, he just, he followed my life in my career.
[00:31:49]  I've mentioned it before.
[00:31:51]  So I was like, I was, I always wanted to get one.
[00:31:54]  I wasn't able to.
[00:31:55]  I wasn't able to actually make the move.
[00:31:57]  Right.
[00:31:57]  I finally made that move.
[00:31:59]  Yeah.
[00:31:59]  Because it's time.
[00:32:00]  It's time consuming.
[00:32:01]  It's like going to fucking get the pre-check.
[00:32:05]  Yeah.
[00:32:06]  But every time.
[00:32:06]  Book the appointment.
[00:32:08]  But every time I go there in the morning and I have to stand on the regular line, I'm infuriated.
[00:32:13]  So there's a thing I love about you that you don't do anything you don't want to do, but now I'm starting to realize that's not always good.
[00:32:19]  Like you're like, I could be in a five-minute line to get pre-checked, but fuck that.
[00:32:22]  Destructive.
[00:32:24]  Sometimes I'm self-destructive.
[00:32:26]  You know that song from back in the day?

=== Jet Skiing Into The Waves (06:57) ===

[00:32:28]  Yeah.
[00:32:28]  Self-destruction.
[00:32:30]  I don't know.
[00:32:31]  Come on, bro.
[00:32:32]  Do you?
[00:32:32]  Minnesota?
[00:32:34]  Don't know her either.
[00:32:35]  KRS-1.
[00:32:36]  Know him.
[00:32:36]  I know him.
[00:32:37]  They're related in some fashion.
[00:32:42]  It was kind of like a We Are the World song.
[00:32:45]  It was like a save hip-hop.
[00:32:47]  You know, self-destruction.
[00:32:48]  Saving yourself from the self-destruction of not knowing yourself.
[00:32:53]  Yeah, he be doing that a lot.
[00:32:54]  Sure.
[00:32:56]  What do you think the craziest thing you've seen on the New York City subway is?
[00:33:01]  I mean, bro.
[00:33:03]  Explosive, explosive missile shitting on the doors.
[00:33:09]  Sex.
[00:33:10]  Yeah.
[00:33:12]  Flashers, whacking off.
[00:33:15]  Break dancing.
[00:33:18]  Ballroom dancing.
[00:33:19]  Ballroom.
[00:33:20]  That's what I'm saying.
[00:33:21]  I've seen...
[00:33:22]  Man, pretty much, I don't know what I haven't seen.
[00:33:27]  Yeah.
[00:33:28]  I don't know what I haven't seen.
[00:33:29]  You get a little taste of everything.
[00:33:31]  Yeah, you definitely get a flavor for it all.
[00:33:34]  Yeah.
[00:33:34]  Yo, what is left to do?
[00:33:38]  That's out more.
[00:33:40]  So much.
[00:33:41]  So much.
[00:33:42]  For example, I really love the ocean.
[00:33:44]  I've been seeing the key to fucking with Will.
[00:33:47]  You know Will and Will Schuden.
[00:33:49]  You brought these guys out there.
[00:33:50]  Did you guys have a guitar?
[00:33:51]  Oh, that's what I'm saying.
[00:33:52]  But you know, like, Will takes me to the ocean.
[00:33:55]  And, like.
[00:33:56]  Is he pulling you in on the ski?
[00:33:58]  I have before.
[00:33:59]  It's in one of the craziest days ever.
[00:34:01]  You know, Will could teach me about the water, but he's a surfer.
[00:34:04]  I'm a bodyboarder.
[00:34:05]  Yeah.
[00:34:05]  He can only put me in the best position possible and I have to do the rest.
[00:34:09]  But that man.
[00:34:11]  That's what I'm saying.
[00:34:12]  Like, I let him, his family teaches my child to swim.
[00:34:15]  Yeah, yeah, yeah.
[00:34:15]  They're going to be Scooten alumnus.
[00:34:18]  Yeah.
[00:34:18]  So that's how much I trust them.
[00:34:19]  So Will Scooten runs the, well, I guess they have the Scooter Surf Academy, and they also have like swimming lessons out in Long Island.
[00:34:25]  But they also made the Wave Pool in Jersey that we went to.
[00:34:29]  But Will Schuden is a fucking big wave surfing.
[00:34:32]  Like he's one of the ghosts of Nazare.
[00:34:34]  Literally one of the big wave surfing legends, one of the only ones on the East Coast.
[00:34:39]  For sure, maybe the only one on the island.
[00:34:42]  Yeah, it's crazy.
[00:34:43]  Well, there's a kid who just won a Pipe Masters from Ball Rollins.
[00:34:46]  Ball Rollins.
[00:34:47]  Yeah, yeah, yeah.
[00:34:48]  He's the man.
[00:34:49]  That's crazy.
[00:34:50]  I've been in the lineup with them.
[00:34:51]  Really?
[00:34:52]  I mean, yeah.
[00:34:53]  When you're out on these certain days, like...
[00:34:56]  Tell them about the Jetsky when you were getting pulled in.
[00:34:58]  Because this is kind of gnarled.
[00:35:00]  I wasn't even as good as I am now.
[00:35:02]  I wasn't confident.
[00:35:03]  I didn't have fins on, nothing.
[00:35:05]  Barefoot.
[00:35:06]  Yeah, just pulled up one day.
[00:35:08]  It was, I don't know, Christmas or some shit.
[00:35:10]  It was the first snow.
[00:35:12]  It was like 18 degrees.
[00:35:14]  It was a hurricane somewhere.
[00:35:15]  And we got crazy waves.
[00:35:19]  I went out to Long Island, met up with the homie.
[00:35:23]  He had the jet ski, so I had the wetsuit on.
[00:35:25]  I had my board.
[00:35:26]  I hopped on the jet ski.
[00:35:27]  And he just started taking me in and out of these waves as if we were riding the wave on a board, you know?
[00:35:34]  But on the jet ski, like taking you into the fucking heart of the wave.
[00:35:38]  Yeah.
[00:35:39]  That was a next level experience.
[00:35:41]  Essentially.
[00:35:42]  But this was before I even got towed in.
[00:35:44]  I was just sitting on the thing while we were like, oh, he was fucking feel where you're supposed to be on the wave.
[00:35:49]  But not only that, he was just, he's like, watch this.
[00:35:52]  We're going to get tucked on the wave on the jet ski.
[00:35:54]  So the same thing that you would do on the board, he used the fucking jet ski and was in the goddamn wave.
[00:35:59]  Wow.
[00:36:00]  So all that stuff.
[00:36:01]  You get barreled.
[00:36:02]  Barreled on the ski.
[00:36:04]  Are you on the shit behind that's being dragged?
[00:36:06]  Yep.
[00:36:07]  No, That's when he picks you up.
[00:36:09]  I was just sitting on the seats.
[00:36:12]  I'm holding him and we're getting barreled.
[00:36:14]  I'm like, oh, shit.
[00:36:16]  I'm holding the board.
[00:36:17]  I'm holding him.
[00:36:18]  So then he fucking, he's like, all right, this next one, I'm going to tell you when to jump and you just jump.
[00:36:23]  All right.
[00:36:24]  So he pulls me and he goes, jump.
[00:36:26]  I jumped.
[00:36:27]  And I'm like, all right, boom.
[00:36:29]  And I'm just fucking gliding.
[00:36:31]  And I just see the waves start curling over my head.
[00:36:34]  And I just think to myself, motherfucker, this is ridiculously amazing.
[00:36:39]  Yes, it's unbugged.
[00:36:40]  It's like, oh, shit.
[00:36:40]  Have you been to Slater's pool yet?
[00:36:42]  No.
[00:36:43]  We might need to go do that.
[00:36:46]  I was teaching.
[00:36:47]  It's a 100% fact I'm going to perform in that pool.
[00:36:51]  So that wave is made for me.
[00:36:53]  Bro, that's a boogie wave.
[00:36:55]  That's a boogie.
[00:36:56]  That's the boogie.
[00:36:58]  Because it's pretty, you're tucked in the whole time.
[00:37:01]  Like, you come in, you just get fucking sitting there and just carve.
[00:37:05]  They made a Slater wave in Abu Dhabi that opened a week after we left.
[00:37:09]  I was fucking bummed about that.
[00:37:11]  But yeah, Slater's wave.
[00:37:12]  I hit him, matter of fact, recently.
[00:37:14]  He's like, bro, you got to come out and check the wave.
[00:37:15]  But if I'm saying, if I go, we got to.
[00:37:19]  You invite me, I'm there.
[00:37:20]  Done.
[00:37:20]  I'm there.
[00:37:21]  I mean, it's all-time experience.
[00:37:24]  Bro, I'm there.
[00:37:26]  I'm trying to go to all these places.
[00:37:27]  Switzerland invited me.
[00:37:29]  Go to Waco.
[00:37:30]  Waco, Texas.
[00:37:31]  I heard that was incredible.
[00:37:32]  That one's incredible.
[00:37:33]  I think that one is the most ocean-like.
[00:37:36]  Because with Slater's, you got to wait.
[00:37:38]  I think it's like a five-minute wait for the train to basically come back to create the next wave.
[00:37:42]  Got it, got it.
[00:37:43]  This one is similar to Scooters, where it just pumps out three waves at a time.
[00:37:46]  I love that.
[00:37:47]  Four waves at a time.
[00:37:48]  I mean, I've seen a lot of them.
[00:37:49]  Scooting makes 10 or 20 different waves.
[00:37:53]  Yeah, it's crazy.
[00:37:54]  Like cool fucking waves that you could really like perform on, too.
[00:37:57]  Do you prefer the ocean or being in a pool?
[00:37:59]  I love the ocean, but the pool is the, that's where you train.
[00:38:02]  That's the training ground.
[00:38:03]  That's the gym.
[00:38:04]  All that, yes, the gym.
[00:38:05]  All that time in the pool, bro.
[00:38:08]  At one point, I was in the pool almost every other day when they were testing it.
[00:38:12]  Really?
[00:38:13]  I would lose 10 pounds daily being in that pool.
[00:38:16]  Because you do five or 10 laps before you get on the wave, and then he runs it consecutively for an hour or two hours.
[00:38:24]  And if you try and catch in a wave every two minutes, gas.
[00:38:28]  Dog, that's cardio, man.
[00:38:29]  I would leave there.
[00:38:30]  My fucking hip flexors, everything.
[00:38:33]  So ripped at that point.
[00:38:34]  Yeah.
[00:38:38]  I just want to be shredded by tonight.
[00:38:41]  I know you just want to be shredded so bad, man.
[00:38:43]  Why not get on the, what is it called?
[00:38:46]  Cycle the peptides, get on the.
[00:38:48]  I don't want that bullshit.
[00:38:49]  I want the real game.
[00:38:51]  Wait a minute.
[00:38:51]  The peptides ain't the real game?
[00:38:52]  Nah, you know, I want fucking Ronnie Coleman.
[00:38:55]  I want.
[00:38:57]  No, what's it called?
[00:38:58]  What is it called?
[00:38:58]  A trend?
[00:38:59]  Yeah, trembling.
[00:39:01]  Trent is that's you use that in conjunction with things.
[00:39:04]  You've taken steroids before.
[00:39:05]  Yeah, when I was 24, it let me down because I was taking like project steroids.
[00:39:10]  My homie was making the trend.
[00:39:11]  Wait, wait.
[00:39:12]  Yeah, yeah.
[00:39:13]  Come on.
[00:39:14]  My boy Musclehead Ed was making the trend.
[00:39:16]  Musclehead.
[00:39:20]  He was joking on the bottom.
[00:39:20]  You ordered it and you let it drip into the bottle and it's yellow and you just shoot it in your ass.

=== Peptides Versus Real Game (08:05) ===

[00:39:25]  So he was shooting in your ass?
[00:39:26]  Yeah.
[00:39:27]  And how did you guys get to that level of comfort?
[00:39:31]  He's like, yo, you don't fucking bend over to shoot juice, bro.
[00:39:38]  You just have to shake your leg over there.
[00:39:42]  Fully fucking grabbing your ankles to take the juice.
[00:39:45]  So I'm getting fucked for you.
[00:39:46]  For no reason.
[00:39:47]  You stand up, you fucking turn your head, make sure that the fucking chic muscle is showing.
[00:39:52]  You fucking jam it.
[00:39:53]  Bite the pillow.
[00:39:54]  It's not that hard.
[00:39:56]  I don't know how to do it.
[00:39:56]  You don't bite pillows.
[00:39:57]  What are you biting a pillow for?
[00:39:58]  Why is there a pillow in your mouth?
[00:40:00]  I'm trying to figure out, bro.
[00:40:01]  But for real.
[00:40:02]  Why is that?
[00:40:03]  Why is there a pillow?
[00:40:04]  That's what the dude that gave me the steroid said, why do you pull your pants all the way down when you do it?
[00:40:08]  That's what he told me to do.
[00:40:09]  I was in the locker.
[00:40:10]  I was like, how do I get like you?
[00:40:11]  He said, I'll show you.
[00:40:12]  I didn't know that there was another way.
[00:40:13]  That's crazy.
[00:40:15]  There's five ways.
[00:40:16]  I got to get with you.
[00:40:16]  There's so many ways.
[00:40:18]  What's his name?
[00:40:18]  Musclehead.
[00:40:19]  Now, you don't want to go with you.
[00:40:20]  He'll hurt you.
[00:40:22]  He'll hurt your butt.
[00:40:27]  Where's he at now?
[00:40:28]  Where's Musclehead?
[00:40:29]  I don't know.
[00:40:29]  Nah, he's in.
[00:40:31]  I don't know what we were shooting.
[00:40:33]  Corn oil, whatever the fuck.
[00:40:34]  Tahini.
[00:40:36]  Yeah, rubber cement.
[00:40:37]  Why don't we?
[00:40:38]  Nah, that's in Jackson Heights.
[00:40:40]  Rubber cement, they shoot your ass.
[00:40:42]  That's bad.
[00:40:43]  On the roof.
[00:40:44]  If you want to get an ass fucking situation on the roof, I got Jackson Heist.
[00:40:48]  There's a strip club out there called?
[00:40:49]  Which one?
[00:40:51]  Sugar Daddy's.
[00:40:52]  I don't know the name.
[00:40:53]  Perfection.
[00:40:53]  Mermaids.
[00:40:54]  There's some Colombian, like, official club.
[00:40:57]  Like, they're all from Columbia.
[00:40:58]  They usually don't have a name.
[00:40:59]  It's usually just a casa.
[00:41:01]  It's a house.
[00:41:01]  It's an address.
[00:41:03]  That's a good shit.
[00:41:05]  Well, depending on what you want.
[00:41:07]  I think.
[00:41:07]  Y'all talking about different.
[00:41:11]  It's usually a guy that walks you around the block six times to make sure everything's good, then walks you out.
[00:41:16]  You should go into the apartment.
[00:41:17]  What is that like?
[00:41:18]  Yeah.
[00:41:18]  Tell us about those strip clubs.
[00:41:21]  The Chica Chica house, man.
[00:41:23]  I don't know what to say.
[00:41:24]  Just crazy?
[00:41:25]  That was just the period in Queens.
[00:41:26]  You know, I don't know what else to say about that.
[00:41:30]  I mean, how much is it?
[00:41:31]  $30 for everything?
[00:41:34]  To get in.
[00:41:35]  It's not the club.
[00:41:36]  You don't pay to get in.
[00:41:38]  You pay for ladies free before six.
[00:41:41]  The fuck are they doing there?
[00:41:42]  Wiping the shit out of us.
[00:41:46]  It's not a nice thing to do.
[00:41:48]  What's that?
[00:41:49]  Have sex work.
[00:41:50]  Illegal sex work.
[00:41:52]  I mean, it has to be legal.
[00:41:53]  I agree with that.
[00:41:54]  Yo, hold on.
[00:41:55]  I agree with you there.
[00:41:56]  Yeah, it is all sex work is kind of illegal.
[00:42:01]  In New York, we have an audience.
[00:42:02]  Unsanctioned sex work.
[00:42:04]  Unsanctioned.
[00:42:04]  That's a better name for it.
[00:42:05]  It's not illegal.
[00:42:06]  It's just unsanctioned.
[00:42:08]  Well, who's the sanctioning body?
[00:42:10]  That has to be determined.
[00:42:11]  Yeah, we need to wipe out.
[00:42:12]  The New York State Athletic Commission.
[00:42:16]  That's what you need.
[00:42:19]  Strip Club of the City.
[00:42:20]  No, you've been to.
[00:42:21]  I don't like strip clubs.
[00:42:22]  Really?
[00:42:22]  No.
[00:42:22]  Why not?
[00:42:23]  I don't waste money.
[00:42:25]  I fuck.
[00:42:26]  I'm not going to throw my money.
[00:42:29]  What is this?
[00:42:30]  A laugh dance?
[00:42:31]  I don't want to be danced on.
[00:42:32]  Fuck the girl or dunk.
[00:42:33]  I don't understand that.
[00:42:34]  What is that?
[00:42:35]  It's just like, I like romance.
[00:42:38]  I don't want to be, I don't want my shorts to smell like fucking vagina without sanctioning.
[00:42:44]  Yeah.
[00:42:46]  State athletic leadership.
[00:42:47]  Sanctioning is the issue.
[00:42:50]  We don't want to go against the body.
[00:42:52]  Yeah.
[00:42:53]  Yeah, I don't know.
[00:42:53]  I'm trying to think about it.
[00:42:54]  No, the soup club could be fun.
[00:42:56]  I think it could be fun.
[00:42:58]  It could be the intentions are.
[00:42:59]  You need to have the right group.
[00:43:00]  Like, if you're going there dolo, it's a little weird.
[00:43:02]  Yeah.
[00:43:03]  But if you have the right group in the...
[00:43:04]  It depends on, you know, if there's a good chicken there, if they have like a chicken millinace.
[00:43:08]  Oh, you're talking about like a menu.
[00:43:11]  Yeah, there's a menu.
[00:43:12]  Yeah, they do a stuff that's important.
[00:43:14]  Like.
[00:43:15]  Because they're doing like the people are there for lunch.
[00:43:17]  Yeah.
[00:43:17]  You know, it's the lunch crowd.
[00:43:19]  Yeah, lunch break.
[00:43:20]  You get it in.
[00:43:21]  The rush.
[00:43:22]  What?
[00:43:22]  What?
[00:43:23]  Going to a strip club on your lunch break, bro.
[00:43:25]  That's like something that's going to be.
[00:43:26]  No, it's like a lunch meeting.
[00:43:27]  Power lunches go down there.
[00:43:30]  Like the power.
[00:43:31]  King of Thomas has like amazing wings, apparently.
[00:43:33]  It's like unbelievable.
[00:43:34]  What's the other one in Atlanta?
[00:43:37]  Oh, Magic City?
[00:43:38]  Magic City.
[00:43:39]  I always had dreams of going to those.
[00:43:41]  Those I'd go to.
[00:43:42]  You've never been.
[00:43:43]  How if you've not done a food review in the strip club?
[00:43:46]  I feel like that's so like, it's expected.
[00:43:49]  You think it's expected?
[00:43:51]  Yeah.
[00:43:51]  Well, thank you.
[00:43:53]  I once had.
[00:43:54]  God damn, bro.
[00:43:56]  I really did.
[00:43:57]  It's original doing food in Paris.
[00:44:03]  I'll tell you this.
[00:44:04]  I haven't seen another fucking person do it better than me.
[00:44:06]  That's true.
[00:44:07]  You got the best.
[00:44:07]  I mean, it's incredible.
[00:44:08]  It's incredible.
[00:44:11]  I was going to say I've done a food review from the Whorehouse before because I had a dinner because it was one of the girls' birthdays.
[00:44:19]  So they made rice and beans and cake 10 of 10.
[00:44:25]  Really?
[00:44:26]  They call that a power dinner?
[00:44:29]  No, that was just like a birthday dinner.
[00:44:31]  Yeah.
[00:44:34]  Colombian girl?
[00:44:35]  Who is a girl?
[00:44:35]  No, I don't know.
[00:44:36]  But I would, how do I know?
[00:44:37]  A Dominican, maybe?
[00:44:38]  I mean, rice and beans.
[00:44:40]  It could be literally anywhere.
[00:44:42]  It could be from any fucking country, anywhere.
[00:44:45]  Do you fuck with Tokyo?
[00:44:47]  Hell yeah.
[00:44:47]  I figure you'd like it.
[00:44:49]  I love Tokyo.
[00:44:50]  The attention to detail.
[00:44:52]  That's really what it's about.
[00:44:53]  Details.
[00:44:55]  Everything's the same unless you fucking pay attention to the details.
[00:44:58]  Culturally, they are just like obsessed with perfection, perfecting a thing.
[00:45:03]  Every Japanese man that I know is amazing, and their passion drives them towards one thing.
[00:45:10]  I know one of the best shoemakers, glass blowers.
[00:45:15]  They only care about making fucking rice.
[00:45:18]  They're very singular-minded, but the best.
[00:45:22]  Yeah, the joy is in the expertise of it.
[00:45:24]  That really, that's something that I wish I had more of in me.
[00:45:30]  But I have too much of a, like, I'm too, too curious about all kinds of different stuff.
[00:45:35]  I can't just focus on one thing.
[00:45:37]  Yeah, the thing about it is, like, they're trying to perfect a thing, but that might not be your passion.
[00:45:46]  And what's perfection?
[00:45:48]  That's another thing, right?
[00:45:50]  Like, I find so much perfection and imperfection.
[00:45:53]  I think you lose a little bit of the art.
[00:45:55]  I feel like I have to because, you know, like, not perfect.
[00:45:58]  But, but not only that, it's like, what makes the flavor of the steak?
[00:46:02]  The fat, right?
[00:46:05]  I mean, that's fucking deep.
[00:46:07]  You can eat the animal where it comes from, what it ate.
[00:46:09]  I'm just saying, like, you need a little fat.
[00:46:11]  Oh, yeah, you need that.
[00:46:12]  You need it.
[00:46:13]  Because, you know, Colin Quinn, iconic in New York Comic, he was like, he was talking about like sometimes comics are trying to cut all the fat out of their jokes.
[00:46:21]  And it's like the fat brings the flavor.
[00:46:22]  Don't cut all the fat.
[00:46:24]  Can't just hit him with non-stop fucking.
[00:46:26]  It being imperfect.
[00:46:27]  No, no, let it be imperfect.
[00:46:28]  That's what we might love about you.
[00:46:30]  So I think that was my one thing about when I was in Japan, I was seeing like I had incredible pizza.
[00:46:35]  I had an incredible steak.
[00:46:36]  I had all these things were incredible.
[00:46:37]  And I was like, wait, is the only goal perfection?
[00:46:40]  Like, where's the guy who's not perfect?
[00:46:44]  Where's the steak that might be a little bit undercooked or something like that?
[00:46:49]  Where is the imperfection?
[00:46:52]  Like the grandma's cooking type shit.
[00:46:54]  Grandma's food wasn't perfect, but it was.
[00:46:56]  Yeah.
[00:46:57]  You're damn right.
[00:46:57]  Yeah.
[00:46:58]  That's the food that we fucking crave.
[00:47:00]  That's the food we lust over.
[00:47:02]  That's the feeling that it gave you.
[00:47:03]  Yeah, exactly.
[00:47:04]  The feeling's perfect.
[00:47:05]  And so, if an imperfect thing brings out the perfect feeling, then maybe it's perfect.
[00:47:08]  I went to that GRE.
[00:47:09]  Fucking beautiful, beautiful thoughts.
[00:47:11]  You know, Jiro's Seattle?
[00:47:13]  Nah, in Turkey.
[00:47:14]  Vancouver.
[00:47:15]  Nah, the Jiro Dreams of Sushi, the guy.
[00:47:16]  Oh, yeah, But like, OG guy dedicated his life to one thing, right?
[00:47:20]  Like, the rice got to be perfect.
[00:47:22]  The fish has to be perfect, whatever.
[00:47:23]  And, bro, it was the worst sushi I had in Texas.
[00:47:26]  Sushi wasn't that good.
[00:47:27]  I thought it was ass.
[00:47:28]  How upsetting is that?
[00:47:29]  Fucking asshole.

=== Craving Imperfect Grandma Food (04:15) ===

[00:47:30]  And they did a whole fucking movie about this weirdo.
[00:47:32]  And he was there.
[00:47:33]  And Lil's son was there, and it sucked, bro.
[00:47:36]  Over wasabied.
[00:47:38]  Like, couldn't even keep it down almost.
[00:47:40]  25 minutes.
[00:47:42]  They move you out your seat the second you finish the last one to another one.
[00:47:45]  Then they give you this expensive ass melody.
[00:47:47]  You gotta chill out.
[00:47:48]  You know how they are over there.
[00:47:49]  You don't make them.
[00:47:50]  There you go.
[00:47:51]  How we are, bro.
[00:47:52]  I was like, bro, drop another one, bro.
[00:47:54]  Oh, my God.
[00:47:55]  Bro, like, what is this?
[00:47:57]  Come on now.
[00:47:58]  Nah.
[00:47:59]  Come on now.
[00:48:00]  Oppenheimer, get back at it.
[00:48:03]  God damn.
[00:48:04]  I don't know, bro.
[00:48:04]  Yakuza's going to pull up on you.
[00:48:05]  Nah, nah, chill out, Yakuza.
[00:48:07]  They got a Yakuza spot in the city on the west side over on like 53rd Street.
[00:48:11]  There's like a gentleman's club.
[00:48:13]  I don't know if it's Yakuza, but it's like Japanese gentlemen's club.
[00:48:17]  Like, oh, no, 53rd on like the east side.
[00:48:20]  And it's just dudes in suits pulling up, going to this spot.
[00:48:23]  Women not allowed in.
[00:48:25]  Like, real official Japanese spot.
[00:48:28]  Yeah.
[00:48:30]  I like the Asian gangs that used to be all around here.
[00:48:32]  Weird.
[00:48:32]  I'm sure they're like, flying dragons.
[00:48:34]  What do you mean you like them?
[00:48:35]  I mean, like them.
[00:48:38]  Of all the gangs.
[00:48:41]  Hey, listen, based on high school, I've seen fucking seven Chinese kids jump out of a Honda fucking Civic.
[00:48:47]  I was standing next to this kid that had an issue with them.
[00:48:51]  Kid, fuck, I don't know, must have been 20 feet away, jump kicked him, fucking threw the metal fence.
[00:48:58]  He had the one piece of yellow hair in front of his eye.
[00:49:02]  You know what I'm talking about?
[00:49:03]  Did he finish him?
[00:49:04]  He finished him with the crazy flying kick.
[00:49:07]  And then they walked.
[00:49:08]  Yeah, and then they literally walked away.
[00:49:10]  Wow.
[00:49:11]  Flying crazy.
[00:49:12]  The no can't defend.
[00:49:13]  I was just talking to this kid out of nowhere, seven.
[00:49:16]  Boom.
[00:49:16]  20 feet away, flying kick, game over.
[00:49:19]  Did you feel like you had to defend?
[00:49:20]  I had nothing to do with that.
[00:49:22]  He just enjoyed the shit.
[00:49:23]  They didn't come out.
[00:49:23]  They didn't come for me.
[00:49:24]  I was just standing there.
[00:49:25]  The kick flew right there.
[00:49:28]  Hit the person it was meant for, and then everyone walked out.
[00:49:31]  Yeah, mid-conversation, knockout.
[00:49:33]  It's rare you see flying kick mid-combo.
[00:49:36]  That's why I'm telling you about this because that shit stuck with me since high school.
[00:49:40]  Since high school, it stuck with me.
[00:49:41]  Did your boy even remember what happened?
[00:49:42]  I hear when you get knocked out.
[00:49:44]  I don't even remember that fucking weirdo's name.
[00:49:46]  You got nicked out from watching weirdo.
[00:49:48]  Whoa.
[00:49:49]  I don't even remember what happened.
[00:49:51]  Did you get in fights in high school?
[00:49:52]  Always.
[00:49:53]  Yeah.
[00:49:53]  Yeah.
[00:49:53]  You get into fights everywhere.
[00:49:55]  Did you like fighting?
[00:49:56]  Or did you have to do it?
[00:49:57]  I enjoy fight, but you know, I enjoy a nice handshake after a fight.
[00:50:01]  Yeah.
[00:50:01]  I don't know why.
[00:50:03]  I feel like it's competition.
[00:50:04]  Yeah.
[00:50:05]  Even if there was an issue, like if I, even if you fucking get the best of me, I'm still going to shake your hands.
[00:50:11]  It is what it is.
[00:50:12]  Would the fights ever have weapons in them?
[00:50:15]  No.
[00:50:15]  It was always just hands.
[00:50:17]  Well, yeah, well, I guess a lock, like a master lock on the knuckle.
[00:50:22]  That's a weapon run.
[00:50:23]  That's a very serious weapon.
[00:50:24]  That's definitely a weapon, dude.
[00:50:25]  You were throwing it out.
[00:50:26]  I didn't do that.
[00:50:26]  No, I wouldn't.
[00:50:27]  I've gotten hit with that.
[00:50:29]  And just KO or no, I've never been killed.
[00:50:32]  You've never been knocked out?
[00:50:33]  No.
[00:50:34]  Not even sparring or nothing?
[00:50:35]  Never.
[00:50:36]  Body shot?
[00:50:38]  I don't remember ever taking a very hard body shot.
[00:50:41]  I'm sure I would get KO'd from a body shot.
[00:50:43]  That's the only time I've been dropped sparring.
[00:50:46]  I mean, you can't move.
[00:50:47]  It's not, you can't be tough about it.
[00:50:49]  Yeah, no, I like to wrestle, I like to grapple, I like to fucking submit and hurt.
[00:50:53]  You do jiu-jitsu?
[00:50:53]  I do it all.
[00:50:56]  What is the rest?
[00:50:57]  Wrestle.
[00:50:58]  Okay.
[00:50:58]  Fucking Bangozan.
[00:51:02]  You don't know you don't do Bangozan?
[00:51:04]  No.
[00:51:05]  You don't do Krav McGraw?
[00:51:06]  No.
[00:51:07]  Krav McGuire, I've heard of.
[00:51:08]  Krav Maga?
[00:51:09]  Yeah.
[00:51:10]  Or Krav McGraw.
[00:51:12]  Krav McGraw.
[00:51:12]  Krav McGraw.
[00:51:14]  That's a country music.
[00:51:15]  Country music.
[00:51:16]  Yeah.
[00:51:17]  It's like Herb McGruff from Harlem World.
[00:51:21]  He's one of my favorite rappers.
[00:51:22]  You know about Herb McGruff?
[00:51:23]  Yeah.
[00:51:24]  Sick.
[00:51:25]  Children of the Corn back in the day.
[00:51:28]  Deep car.
[00:51:30]  But yeah, no, I like to fucking tussle around.
[00:51:33]  I like to fucking get after it.
[00:51:36]  I like to grapple.
[00:51:37]  Headbutt.
[00:51:38]  Headbutt.
[00:51:39]  I like fucking, I like unorthodox things.
[00:51:43]  You listen to Big L growing up?
[00:51:44]  Of course.

=== Krav McGraw Rap Roots (15:31) ===

[00:51:45]  That's what I was just talking about.
[00:51:46]  Like Children of the Corn.
[00:51:47]  Big L, Herbert McGruff.
[00:51:49]  Damn Mace.
[00:51:50]  Yeah, that's what you.
[00:51:51]  Bloodshed.
[00:51:53]  Yeah, L was just this.
[00:51:55]  It's crazy.
[00:51:56]  I remember that happening.
[00:51:58]  Big L was like the first, I don't want to say first rapper, but he was one of, he was a rapper that I remember growing up, and I was like, wow, this is just word of mouth.
[00:52:07]  He made you laugh.
[00:52:08]  Bro, that's what I'm saying.
[00:52:10]  The punchlines make you laugh.
[00:52:11]  And it's like, oh, holy shit.
[00:52:12]  It's just crazy.
[00:52:13]  Also, ass Beavis.
[00:52:15]  I get nothing but heads.
[00:52:16]  I mean, that shit gives you chills.
[00:52:17]  Yeah.
[00:52:18]  That's one of those rap lines that give you chills.
[00:52:20]  I feel like when you're doing that, like...
[00:52:22]  That was the first thing I ever started doing was trying to do one-liners about the color of a car.
[00:52:29]  Like, you know, like when Jadakiss would say that he got to vanquish the color of water.
[00:52:35]  Yeah.
[00:52:35]  You know, I would try and come up with a car, the color of something, or the temperature of something.
[00:52:41]  Yeah.
[00:52:41]  So hot tomato.
[00:52:44]  Hot fucking purple.
[00:52:46]  Yeah.
[00:52:47]  Temperature, color.
[00:52:49]  Temperature, vegetable, fruit.
[00:52:52]  That's the template.
[00:52:53]  Yeah.
[00:52:54]  And it's with everything, describing everything.
[00:52:56]  Just to make your boys laugh or it was always about making my friends laugh.
[00:52:59]  You make them laugh, you know, it's like coming up with those crazy one-liners that no one else is going to think of.
[00:53:07]  Real off-the-wall shit.
[00:53:10]  Is there a line that you had that people, when they saw you, would come up and say it?
[00:53:17]  So many.
[00:53:19]  I actually, the ones that I respect the most are the lines I think are the headiest, you know?
[00:53:25]  When someone comes up to me and says a certain one, like, oh yeah, hell yeah.
[00:53:28]  For example, I can't think of it right now, but I'm like, all right, yeah, you fucking get it.
[00:53:32]  Like if they say a specific thing that hits my heart, I'm like, oh yeah, you understand?
[00:53:36]  Yeah.
[00:53:37]  I'm glad that you chose that one line to tell me.
[00:53:40]  You think that there's people that found out about you through non-rap content and then went back to your rap and are surprised how nice you are?
[00:53:50]  Yeah.
[00:53:51]  100%.
[00:53:52]  Because at this point, a lot of people know me for the food show.
[00:53:56]  They know me.
[00:53:58]  But there's people that know me just from rap.
[00:54:01]  That's the thing.
[00:54:02]  Because oftentimes, like when a rapper has a personality, the bars might not be there.
[00:54:08]  You know what I'm saying?
[00:54:09]  I don't want to call specific people, but it's like they're bigger than they are, like rappers.
[00:54:14]  Exactly.
[00:54:14]  They're bigger than they are.
[00:54:15]  Good, exactly.
[00:54:16]  And the personality is its own thing.
[00:54:19]  But you spit, bro.
[00:54:22]  Thank you, bro.
[00:54:23]  For sure.
[00:54:24]  For me, man, rap, there's not many people on earth that I think could rap with me.
[00:54:32]  And that's just being me.
[00:54:34]  I'm not like a fucking boastful guy.
[00:54:36]  That's just a fact.
[00:54:38]  For me, in my mind, rap sucks.
[00:54:42]  Rappers suck.
[00:54:43]  They don't have experiences.
[00:54:45]  The things they say aren't interesting.
[00:54:47]  It's really all about finding interesting music and saying interesting things.
[00:54:52]  At least for me.
[00:54:54]  I have a diversity and like a crazy amount of different things that you could say that'll touch me.
[00:55:02]  I get a whole bunch of shit.
[00:55:05]  It's a thirst for experience.
[00:55:06]  That's what I'm saying.
[00:55:07]  Like I want, like you said, I want to make, I want to think, someone to make me laugh.
[00:55:13]  I want someone to mention something that I thought only I know about.
[00:55:16]  We got this thing in stand-up where like sometimes comic will be up there and they'll tell a joke and then and they'll be like, I told that joke one time in Oklahoma and this was the reaction and a joke is about that.
[00:55:26]  And the second I see that, I'm like, oh, you ain't living enough.
[00:55:29]  Yeah, no.
[00:55:29]  Your whole life is just on stage.
[00:55:32]  So there's nothing for you to pull from.
[00:55:34]  And that's why I thought, I mean, I remember when I was looking some stuff up for you, it was like, I feel like you're one of those guys that could continue rapping till much later in life because the identity is never built around youth.
[00:55:47]  It's built around passion.
[00:55:49]  For sure.
[00:55:50]  So it's like, I don't, you don't want to stop anytime soon, right?
[00:55:54]  No, not at all.
[00:55:55]  I mean, I'm not stopping cooking because you're not 25.
[00:55:58]  It's like.
[00:55:58]  That's the whole thing.
[00:55:59]  Like, I look at myself and I still feel like I exude some sort of youthfulness in my passion for things.
[00:56:08]  Sure, I'm fucking weathered.
[00:56:11]  Sure, I've been through the ringer of life, but I still have all kinds of new experiences to bring to the world and new type of new energy.
[00:56:21]  Like, right now, I feel better than I've ever felt ever.
[00:56:26]  Musically, like, I'm just as because you grow with confidence as you succeed and you do things.
[00:56:32]  And like, just that tiny desk gave me a whole fucking new breath of fresh air with that.
[00:56:37]  Like, you know, a lot of people don't give a fuck about things.
[00:56:41]  You watch big artists tiny desk and then no one gives a fuck about it, really.
[00:56:45]  Nah, bro.
[00:56:46]  It was.
[00:56:46]  Like, this one went the fuck off.
[00:56:48]  People seem to really gravitate to it and enjoy it.
[00:56:50]  And that's because you were lost in it, bro.
[00:56:53]  Also, the opening, like, who, I imagine you're curating and orchestrating all this, right?
[00:56:59]  Like, song choice, everything.
[00:57:02]  I'm lucky to have some tremendous musicians around me.
[00:57:05]  I feel like I have.
[00:57:05]  Those were your guys?
[00:57:07]  Those are my guys.
[00:57:07]  So, so with Tiny Desk, you bring your guys.
[00:57:09]  I brought my, well, I finally got my guys.
[00:57:11]  You know, I never had a group of people that I was talking about.
[00:57:13]  My man.
[00:57:14]  The sax is crazy.
[00:57:15]  Young Mexico, Matt Cuddy, your bro.
[00:57:18]  He's one of the best musicians on earth right now.
[00:57:20]  And I tell everybody this.
[00:57:21]  I feel like all my guys are that.
[00:57:23]  Young Mexico is the best saxophone player on planet Earth right now.
[00:57:26]  I love it.
[00:57:26]  For real.
[00:57:27]  I love it.
[00:57:28]  For real.
[00:57:28]  Like, man, that motherfucker makes everybody cry.
[00:57:32]  I'm on stage going through it.
[00:57:35]  And it ain't no joke.
[00:57:36]  Like, shit, I'm fucking.
[00:57:37]  You can cry.
[00:57:38]  You can tell you're locked in.
[00:57:40]  There's a... Crying.
[00:57:41]  This motherfucker is literally like the most whimsical, gentle human being I've ever met.
[00:57:47]  Yeah.
[00:57:48]  And just could just like.
[00:57:49]  Nah, set a tone.
[00:57:51]  Goddamn, fucking, I don't know.
[00:57:54]  I don't know the terminology they use in the horn world, but man, he could blow that thing.
[00:58:00]  Yeah, the tone was set.
[00:58:02]  Even the first song, like, knock them out the bottom.
[00:58:05]  But you got to set the tone.
[00:58:07]  No, there is a confidence to it.
[00:58:10]  It is an arrogance.
[00:58:11]  It's like, hey, I'm supposed to be here and I'm nice and I'm going to show you why I'm nice.
[00:58:17]  And then immediately after it, you're just like so affected by the music.
[00:58:22]  You.
[00:58:22]  Like, there's a great part, the last one, you're doing the banger, obviously, where it looked like you were a little scared to sing.
[00:58:29]  Were you?
[00:58:30]  Like, were you, you were like.
[00:58:31]  There was a lot of 40-year-old women in there, and I'm saying, bitch, and fucking this.
[00:58:35]  I didn't want to say, there were certain things I didn't, I didn't want to say, I might not be able to touch my toes, but I will still fuck these hoes while I'm looking directly at the 40-year-old woman.
[00:58:46]  You know, there was like... MPR.
[00:58:48]  Keep that in mind.
[00:58:49]  Tiny Desk is run by MPR.
[00:58:50]  I remember you apologized to what you're like.
[00:58:52]  I apologize because there was a fucking kid standing right there.
[00:58:55]  And I love that moment.
[00:58:56]  I was like, man, you know, like, bro, you're going to have to, you know.
[00:58:59]  No, this is the funniest part.
[00:59:00]  You bring the fucking kid.
[00:59:01]  You're going to hear some shit.
[00:59:02]  He goes, he goes, Car, I just want to let you guys know, I can't touch my toes.
[00:59:06]  He didn't say I'm sorry to fucking tell us.
[00:59:10]  I can.
[00:59:11]  That was a big thing for me.
[00:59:12]  At one point, I couldn't touch him.
[00:59:13]  And it's like, oh, shit.
[00:59:15]  Yeah.
[00:59:15]  That's how simple that was.
[00:59:17]  I didn't even breathe.
[00:59:18]  I didn't even breathe.
[00:59:19]  How did you prep for the tiny desk?
[00:59:21]  Were you nervous at all going into it?
[00:59:22]  I didn't prep.
[00:59:23]  No prep at all.
[00:59:24]  Nah, there was.
[00:59:25]  I don't prep.
[00:59:26]  I don't prep.
[00:59:28]  We had been doing a couple of shows.
[00:59:29]  We had just done a couple of shows.
[00:59:31]  And man, we caught lightning in a bottle.
[00:59:33]  Those guys are sick every night, but that was one of the best performances we've had.
[00:59:36]  Also, when everyone was on fire.
[00:59:38]  When you fucked up the line and you said, run it back.
[00:59:41]  And they kept it in.
[00:59:42]  That's how I do, no matter what.
[00:59:44]  If I fuck up, I'm running it back.
[00:59:45]  You don't deserve that.
[00:59:47]  I don't deserve that.
[00:59:49]  It's a great, it's a great tiny desk.
[00:59:52]  And I've seen a few tiny desks too.
[00:59:54]  And there's some people that have these like, I think that's a real, obviously, like, to say it sounds obvious, but I'm considerate when I'm saying it.
[01:00:01]  It's like, it's a real like performer stage, meaning like if you have that skill, like there's some people who make music that's great to ride to.
[01:00:07]  But when you see them perform it, rap a lot of times is boring.
[01:00:11]  Lackluster.
[01:00:12]  Rap, low-key sucks live.
[01:00:14]  Trash.
[01:00:14]  Without a fan.
[01:00:15]  It's like almost every rap concert I went to live, I'm like, why am I here?
[01:00:19]  It's embarrassing.
[01:00:19]  It's actually about, I know this.
[01:00:21]  Bro, you need live instruments.
[01:00:22]  I don't know why every, like, Jay-Z figured that out as well when he did the Rock Nation like orchestra.
[01:00:27]  And I remember seeing that live and I was like, ooh, this is a different feeling.
[01:00:31]  And the energy, it taps into human, I don't know, that primal instinct.
[01:00:37]  Like you need it.
[01:00:38]  You need to feel percussion.
[01:00:39]  You need to feel the strings.
[01:00:42]  Hearing 20 or 30 people playing in unison is powerful.
[01:00:46]  I mean, to have an orchestra is only Jay-Z could do that.
[01:00:49]  Or like and like dudes of that nature.
[01:00:51]  It's not easy to put together quality musicians to play music.
[01:00:56]  Luckily for me, my music isn't like rappity rap beats.
[01:01:01]  Because to me, that shit sucks.
[01:01:03]  When you bring a guy in, you're like a band playing a hip-hop beat.
[01:01:08]  They're trying to recreate something that was made.
[01:01:10]  Exactly.
[01:01:12]  What we're playing is I'm using the most incredible samples of music, like the pieces of music.
[01:01:17]  That are already instruments.
[01:01:19]  It's the best musicians that are playing the instruments there.
[01:01:22]  That's why you're playing the best piece of music that could possibly be made.
[01:01:27]  Like singled out.
[01:01:28]  You don't have to play a break beat over it where there's a chance for it to fuck up.
[01:01:34]  You have to play the goddamn groove and that's it.
[01:01:37]  There's a get to be a real musician.
[01:01:40]  Yeah.
[01:01:40]  Not a hip-hop band.
[01:01:42]  Yeah.
[01:01:43]  It reminds me of like, you ever see, like most of the times you see like a Van Gogh, right?
[01:01:49]  You see a print of it, right?
[01:01:51]  That has no texture at all.
[01:01:53]  And then you see it in real life and you realize this is a three-dimensional fucking painting.
[01:01:58]  And you're like, whoa, whoa, whoa, whoa.
[01:02:00]  This is what it was meant to be seen as.
[01:02:02]  And this is what I'm supposed to be indulging in.
[01:02:04]  I feel like that's the same way.
[01:02:05]  When you're trying to take something that was made electronically and turn it into music, it's better than nothing.
[01:02:10]  But when you take the thing that's meant to be and was born through instruments and then you play that.
[01:02:15]  This means a lot to me because you get it.
[01:02:17]  Yeah.
[01:02:17]  You get it.
[01:02:19]  That means you understand.
[01:02:20]  But the live performance, I've always thought about that with like, especially rap.
[01:02:23]  It's like, bro, the majority of, I don't even, like, if you're only in it for money, let's say you are, not you, but the average person, let's say that's into rap is like only it for money.
[01:02:33]  Like, you have to recognize that the live show, there's a reason why people are not going to tune in.
[01:02:37]  That's a humongous part.
[01:02:39]  I mean, if you're lucky enough to just have massive hits and you're not that talented, you don't have to take your show on the road.
[01:02:47]  I take my show on the road because it's like worth coming to see.
[01:02:50]  There's people who really want to come and fucking watch me every night.
[01:02:53]  Yeah.
[01:02:54]  Because I put on a fucking experience.
[01:02:57]  Like I literally, you get everything.
[01:03:01]  You get comedy.
[01:03:02]  You get fucking emotion.
[01:03:04]  You get some of the most incredible music.
[01:03:07]  And it's like a roller coaster of emotion you get.
[01:03:12]  I heard two friends that went to different concerts of yours.
[01:03:15]  One in Dallas where I grew up.
[01:03:16]  They said you took it outside, microphone outside on the street, like very quickly.
[01:03:21]  Oh, yeah.
[01:03:22]  And then another one, this is a fine.
[01:03:23]  What do you mean, outside?
[01:03:24]  I mean, I've done, I've been doing that forever.
[01:03:26]  Like, I usually leave the venue.
[01:03:28]  I'll take people outside with me in the street.
[01:03:30]  It's like Steve Martin used to do this.
[01:03:31]  It's just like dumped.
[01:03:32]  Like, just fucking, I used to go up in the fucking mezzanine and just go just dump shit.
[01:03:38]  Yeah, yeah.
[01:03:38]  I used to go in the crowd a lot.
[01:03:40]  Love.
[01:03:40]  That stopped, though.
[01:03:41]  What?
[01:03:42]  They started fucking trampling me.
[01:03:44]  Bro, I fucking had fucking 20 people hanging on my neck.
[01:03:46]  You know, it was crazy.
[01:03:47]  Yeah.
[01:03:48]  It's crazy.
[01:03:48]  This is a cool story.
[01:03:49]  And this is when I started to understand.
[01:03:50]  There's like a mythology around you that you live up to.
[01:03:53]  My friend, a comic friend of ours, Matt Pavich, been a fan of yours forever.
[01:03:56]  Queens guy.
[01:03:57]  Hell yeah.
[01:03:58]  And he said he was going to your concert, saw your car, recognized your car.
[01:04:01]  It was a gold something, something that you ran out.
[01:04:03]  Homies driving.
[01:04:04]  You're in the passenger seat.
[01:04:05]  He said he would remember this story.
[01:04:07]  They're like, yo, action, action, action.
[01:04:09]  You roll down the window.
[01:04:10]  They roll down the window.
[01:04:11]  You flick a fat ass rapper joint on the highway directly into their car.
[01:04:15]  100%.
[01:04:16]  I remember throwing this joint into their window.
[01:04:20]  I don't fucking believe you made it in.
[01:04:23]  That's what I'm saying.
[01:04:23]  I'm fucking nice like that.
[01:04:26]  I knew the wind.
[01:04:27]  I had to throw it this way.
[01:04:29]  And velocity brought it directly into their window.
[01:04:33]  And then he said he went to the concert.
[01:04:34]  It was with Das Races.
[01:04:35]  That's how long ago it was.
[01:04:36]  Das Racist rap band, local New York band, Chows to Hemes, but like a decade ago.
[01:04:41]  And then he said, you just didn't like the energy of the crowd or something.
[01:04:44]  And it's not legal at this point, but you go grab a fucking hefty bag of wheat and just start throwing it into the crowd.
[01:04:50]  Yeah.
[01:04:51]  Was it just like in 2013, 14, whatever?
[01:04:55]  Like, there's cops there.
[01:04:56]  He said the cops were just like, I don't know if we're supposed to arrest this guy or.
[01:05:01]  They loved it.
[01:05:02]  The cops fucking loved it.
[01:05:03]  I've given away so many things.
[01:05:05]  I've given away full barbecues, like assembled barbecues.
[01:05:11]  For real?
[01:05:12]  Yeah.
[01:05:12]  Smoker.
[01:05:13]  I've thrown that into the crowd.
[01:05:15]  Yeah.
[01:05:16]  No, before Traeger came out.
[01:05:17]  This was like a... The Weber.
[01:05:19]  No, before Weber.
[01:05:20]  He went to one of your shows at Terminal 5.
[01:05:21]  He threw a 70-inch TV.
[01:05:23]  All right, so he was there.
[01:05:24]  So yeah, Terminal 5, I did these two shows for my, you know, in 2015 for my Mr. Wonderful album, Two Sold Out Nights.
[01:05:32]  Like I fucking went to Circuit City.
[01:05:39]  I went to Circuit City.
[01:05:41]  I bought a 70-inch TV.
[01:05:43]  I bought an iPad.
[01:05:44]  I had a couple of iPhones laying around.
[01:05:47]  I had some other electronical products that I brought out.
[01:05:50]  A fucking Xbox at the time.
[01:05:53]  And I just threw all that shit into the crowd.
[01:05:55]  When I threw the fucking TV, to this day, there's a picture, bro.
[01:06:00]  It was a sea of humanity.
[01:06:02]  Like, it was pandemonium.
[01:06:04]  It was pandemonium.
[01:06:06]  That's a different type of love because that was one lawsuit, probably.
[01:06:09]  Never, never, never, never.
[01:06:11]  Anybody else?
[01:06:11]  I've also stage dived, and I definitely could have broken someone's whole neck when I was 380.
[01:06:16]  Staged out at 380.
[01:06:18]  Yeah, they held me up.
[01:06:19]  God bless.
[01:06:19]  47 people held me up.
[01:06:23]  Hold on, is this it?
[01:06:26]  Let's see this.
[01:06:31]  As Toto's playing.
[01:06:33]  Toto.
[01:06:34]  Overhead.
[01:06:36]  Son, that's crazy.
[01:06:38]  That's crazy.
[01:06:41]  See, that's a different type of love.
[01:06:42]  There's some good ones, man.
[01:06:43]  Fucking i've thrown.
[01:06:45]  I did this show called Outside Lands In in the Bay Area.
[01:06:49]  It was a food and music festival yeah, and I was doing the food stage and I had like 50 chicken palms wrapped up.
[01:06:57]  There was a tree like 30 yards away.
[01:07:01]  This kid was perched in a tree 20 feet up in the air, Brady screaming for it.
[01:07:07]  Everyone was like throw it.
[01:07:08]  So I went back Fucking, jammed it right in his fucking stomach.

=== Throwing Chicken Palms At Fans (02:24) ===

[01:07:16]  Jammed it in his stomach, bro.
[01:07:18]  If he would have deviated an inch that way, he would have fell out of the tree.
[01:07:21]  And you made the chicken palm?
[01:07:22]  Because that's like your dish, right?
[01:07:23]  The homie made the chicken palm.
[01:07:25]  But I also, we also brought a full lamb out.
[01:07:27]  I was ripping legs off and throwing them into the crowd.
[01:07:31]  I threw a fucking lamb arm into the crowd and this girl fucking scooped.
[01:07:36]  It was like a fucking rugby.
[01:07:38]  He picked her up.
[01:07:39]  She grabbed the fucking ball and fucking started going ripping the lamb arm.
[01:07:46]  Where did you learn to be a showman like this?
[01:07:48]  Like, who was the person that's?
[01:07:49]  ECW.
[01:07:50]  Oh, it's wrestling.
[01:07:51]  Oh, really?
[01:07:52]  Yeah.
[01:07:52]  Wrestle.
[01:07:52]  Also, lambs got arms.
[01:07:55]  What did they have?
[01:07:55]  Two legs, four legs?
[01:07:56]  What legs had they?
[01:07:57]  What's that?
[01:07:57]  Yeah, that's awesome.
[01:08:01]  So a dog got two legs and two arms?
[01:08:03]  Well, yeah.
[01:08:03]  Like, if a dog bitch is saying the front one.
[01:08:06]  If it's a lamb's shoulder, it doesn't connect to a leg.
[01:08:09]  That's fair.
[01:08:10]  The shoulder don't connect to the legs.
[01:08:12]  That's fair.
[01:08:12]  You got me there.
[01:08:13]  But like, if a lamb was to wear pants, it wouldn't wear pants on the front and pants on the legs.
[01:08:17]  Yeah, we'd go.
[01:08:18]  But it would be a shirt.
[01:08:20]  Leg pants.
[01:08:21]  Yeah, idiot.
[01:08:21]  It's a lamb park, bro.
[01:08:22]  It's a lamb bicep.
[01:08:23]  It's a bicep.
[01:08:24]  Lamb bicep.
[01:08:25]  Yeah, exactly.
[01:08:27]  But it was on wrestling that inspired the live show.
[01:08:29]  I would imagine, man.
[01:08:31]  I've been a fucking huge fan of like extreme wrestling my entire life.
[01:08:35]  I don't know, just shit like that.
[01:08:37]  I don't really know.
[01:08:39]  I have a lot of VHS tapes.
[01:08:42]  My grandfather left me so many VHSs.
[01:08:45]  Lethal weapon.
[01:08:48]  All of them.
[01:08:49]  Yeah.
[01:08:50]  All on VHS.
[01:08:52]  Yeah.
[01:08:54]  The only DVDs I have is like early UFC ones.
[01:08:59]  Got all the Disney movies and the plastics.
[01:09:01]  Okay.
[01:09:02]  Come on, dog.
[01:09:03]  Terminator 2 fucking pornos just taped over them.
[01:09:07]  Oh.
[01:09:10]  Yeah.
[01:09:10]  Did DMX inspire the live show at all?
[01:09:13]  No, but he did inspire my child to come out of my wife's stomach.
[01:09:18]  How so?
[01:09:19]  Which?
[01:09:20]  Well, we were in labor for 18 hours with fucking flute music playing.
[01:09:26]  Okay.
[01:09:26]  And she said, turn that fucking shit off.
[01:09:28]  So I put DMX on.
[01:09:29]  There you go.
[01:09:30]  Stop, drop, shut him down, open up shop, and my son popped out.
[01:09:34]  Wow.
[01:09:34]  Wow.
[01:09:35]  And I never got the chance to tell him that, but I wish I would have.
[01:09:38]  So your son just refused to come out to that gay flu shit.

=== DMX Inspired Birth Story (05:43) ===

[01:09:41]  Nah, I can see it.
[01:09:41]  Until the DMX started screaming.
[01:09:43]  She's like, oh, oh, oh, oh.
[01:09:46]  He just popped out.
[01:09:48]  Tim's on.
[01:09:51]  He came out with Tim's.
[01:09:53]  Even broccoli's though.
[01:09:54]  Yeah.
[01:09:55]  Did you ever see X live show?
[01:09:58]  No.
[01:09:59]  But I watched the performance at Woodstock.
[01:10:02]  I was about to stand up, man.
[01:10:04]  The Red Overalls.
[01:10:05]  Yeah, Red Overalls.
[01:10:06]  I watched it like that all the time.
[01:10:07]  I love videos like that.
[01:10:08]  I love the soul sacrifice performance from the original Woodstock, Santana.
[01:10:13]  Soul Sacrifice.
[01:10:16]  I love to watch this one video of the Thres Bravos de Piano, Papa Luca, Eddie Palmieri, and fucking Larry Harlow, the Fanya All-Stars.
[01:10:29]  Like three of the best salsa pianists that's ever lived.
[01:10:33]  I love watching shit like that.
[01:10:35]  I get hyped up.
[01:10:37]  What about speeches?
[01:10:39]  Not really for me.
[01:10:40]  Are you like a Jimmy V cancer speech?
[01:10:45]  Nah.
[01:10:46]  Have you seen it?
[01:10:46]  Yeah, of course.
[01:10:47]  Yeah.
[01:10:47]  Come on.
[01:10:48]  Been watching Sports Center since it's fucking the Jimmy V Cancer Foundation.
[01:10:52]  Yeah.
[01:10:52]  They got a fucking game all the time.
[01:10:54]  Yeah.
[01:10:55]  All right, guys.
[01:10:55]  Let me tell you something real quick.
[01:10:57]  There's a company out there that wants to cover your flight, cover your tickets, cover your hotels to an NFL football game.
[01:11:07]  Now, that sounds playoffs, not just football, but I'm sorry.
[01:11:10]  I'm sorry.
[01:11:10]  Big difference.
[01:11:11]  Huge difference.
[01:11:13]  Financially huge difference, okay?
[01:11:14]  Oh, yeah.
[01:11:15]  And they're just going to give this to you.
[01:11:16]  And all you got to do, all you got to do is tail my picks for four weeks in a row.
[01:11:22]  And that is PrizePicks.
[01:11:23]  PrizePicks.com is going to take you from wherever you live, your shitty fucking town, and they're going to fly you to most likely shitty town as well, where you will watch a team in the playoffs take on another team in the playoffs, okay?
[01:11:40]  I am from New York, so I haven't experienced the playoffs with one of my teams in a very long time.
[01:11:47]  It's a distant memory of mine, to be honest with you.
[01:11:50]  But it doesn't have to be for you.
[01:11:52]  It could be reality.
[01:11:53]  All you got to do is tail my picks.
[01:11:54]  That means four weeks in a row.
[01:11:55]  Whatever I pick, which is going to be what Akash picks, we're going to lock it up.
[01:11:59]  You take my locks four weeks in a row, and then we dance.
[01:12:03]  And they're automatically entered into it.
[01:12:05]  All you got to do is go to prizepicks.com and check out the promos tab.
[01:12:09]  And you can see all of Andrew's picks there.
[01:12:10]  Tail them.
[01:12:11]  The winner gets two tickets to an NFL playoff game with flight and hotel paid for.
[01:12:16]  And by the way, if you haven't already signed up already, Prize Picks is still matching your initial deposit up to $100.
[01:12:21]  So what really was the loss?
[01:12:22]  This is incredible.
[01:12:22]  This is incredible.
[01:12:23]  You're welcome.
[01:12:24]  All right, guys, we're going to take a break real quick because if you get injured, that sucks.
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[01:12:30]  But you know what's not hard going to Morgan and Morgan?
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[01:13:22]  And you should know this is a paid advertisement, but let's get back to the show.
[01:13:25]  What's your favorite sport right now?
[01:13:27]  Mixed martial arts.
[01:13:29]  Yeah.
[01:13:30]  You watch a lot of UC?
[01:13:31]  He's just all of it.
[01:13:33]  I watch everything, yeah.
[01:13:34]  Who's your most exciting, who's the most exciting fighter right now for you?
[01:13:37]  That's really tough to say.
[01:13:39]  There's an abundant amount of exciting fighters.
[01:13:42]  I just, I like watching, I'm locked in.
[01:13:45]  I'm locked in on everything.
[01:13:46]  I saw you hanging with Cheeto.
[01:13:47]  He seems like a broken bro.
[01:13:48]  Cheeto's a legend.
[01:13:49]  Cheeto's my guy.
[01:13:50]  Yeah.
[01:13:50]  We don't just hang.
[01:13:51]  That's my bro.
[01:13:52]  Yeah, he's cool.
[01:13:53]  He's my guy.
[01:13:54]  It's probably cool seeing his come up and like how he's been rising to the rank.
[01:13:57]  That's what I'm saying.
[01:13:57]  You know, like you, you attached somebody before you even know them.
[01:14:00]  And then now you just, man, he's fucking on the brink, bro.
[01:14:03]  Yeah.
[01:14:03]  He's right there.
[01:14:04]  How did you guys link up at first?
[01:14:07]  I just was a fan of his.
[01:14:09]  I saw we were fouled.
[01:14:11]  He followed me.
[01:14:11]  I followed him back.
[01:14:12]  I just let him know that I'm a big fan.
[01:14:13]  We've been, me and my boy Mike Rojas, we've been fucking with him because, you know, Ecuadorian, Calari, I feel like there's... Synergy.
[01:14:22]  When I met him, we fucking been, we were talking, smoking.
[01:14:26]  We found out we have the same birthday.
[01:14:28]  So, you know, it's like magic was the reason why I gravitated to the kids before I even knew, you know?
[01:14:34]  You ever thought about getting in the octagon?
[01:14:36]  Fuck out of here.
[01:14:39]  Nah.
[01:14:39]  I'm 275.
[01:14:42]  Think about who I got to fight.
[01:14:43]  Yeah, John Johnson.
[01:14:47]  Sergey Pavlich, fucking Tom Aspinall.
[01:14:50]  Come on, dude.
[01:14:51]  Aspinall's a beast, man.
[01:14:52]  Yeah, we're good.
[01:14:53]  That kid is nice.
[01:14:54]  I'm good on all that.
[01:14:55]  You could take him, bro.
[01:14:56]  You could take him.
[01:14:57]  Yeah, listen.
[01:14:57]  Do you ever play as yourself as your own character in UFC?
[01:15:01]  I have before, yeah.
[01:15:01]  Yeah, you're a character.
[01:15:02]  That's all.
[01:15:03]  I know.
[01:15:03]  That's pretty crazy, right?
[01:15:04]  I used to play as you back in the day.
[01:15:06]  UFC4.
[01:15:06]  I'm a four-star heavyweight.
[01:15:08]  Yeah.
[01:15:10]  How do you what do you what do you do differently to be successful in building businesses outside of entertainment?
[01:15:19]  I tend to, I don't know.
[01:15:20]  I think that I'm interested in things that other people just don't even think to be interested in.

=== Auditioning As Yourself In UFC (15:08) ===

[01:15:25]  I've always, I'm a professional and everything.
[01:15:27]  But let me get that.
[01:15:29]  But not only that, it's like other people might have interests, but it feels like you'll execute on them.
[01:15:35]  Like getting the wine out or getting the olive oil out.
[01:15:37]  Like, what is the, I'm just a curious person.
[01:15:39]  Like, what is the process?
[01:15:40]  Do you go, hey, I want to make a wine or do they approach you with it?
[01:15:44]  Well, as far as a wine, that's a bit difficult, you know, with alcohol and stuff like that.
[01:15:52]  So with winemakers, you have to like, you have to feel it.
[01:15:55]  Yeah.
[01:15:55]  You have to fucking like to want to work with somebody.
[01:15:58]  Yeah.
[01:15:59]  That, I, you know, olive oil is a little bit easier for me.
[01:16:03]  I taste what I want.
[01:16:04]  I talk with my man who is the top oleologist on earth who also plays bass in the band with me.
[01:16:10]  Oh.
[01:16:11]  My man Nicholas Coleman.
[01:16:12]  That's what I'm saying.
[01:16:13]  We have a lot of random connections.
[01:16:15]  Bro, it's crazy.
[01:16:16]  He plays fucking an unbelievable bass.
[01:16:18]  This Berkeley graduate also happens to be the top expert on olive oil on earth.
[01:16:24]  So he's just some, he's just a brilliant guy.
[01:16:27]  So that's how we work.
[01:16:30]  He chases the harvest, northern hemisphere, southern hemisphere, depending on the time of year.
[01:16:36]  And we get the freshest oil we taste from different people that he's built relationships with throughout the years.
[01:16:43]  I taste the best.
[01:16:44]  We come to a conclusion.
[01:16:45]  I do the art and we execute.
[01:16:49]  Okay.
[01:16:50]  Do you have like your business people making contracts and stuff like this?
[01:16:55]  Like, how do you make it official?
[01:16:57]  That's the thing.
[01:16:58]  Well, with people like that, it's official when you have a lawyer in a handshake.
[01:17:02]  That's it.
[01:17:02]  Yeah.
[01:17:03]  Okay.
[01:17:04]  And this is separate, but something that I want to give some credit to.
[01:17:09]  Did you edit your old stuff or do you have an editor that was doing it?
[01:17:13]  As far as what?
[01:17:14]  Even your old vlogs and stuff like that were edited in a really funny way.
[01:17:20]  Meaning like there were moments that weren't funny, but because of the editing, they're hilarious.
[01:17:26]  Well, when I was with Vice, I've been working with one producer forever, my man Chris Grosso.
[01:17:31]  He's literally, he's just fucking, he sees the show while it's happening.
[01:17:37]  So with Ancient Aliens, while we were watching that shit, at time that Vic Berger dude, you know, remember Vic Berger?
[01:17:44]  He would like do all those crazy cuts.
[01:17:46]  Crazy edits.
[01:17:47]  So we used him to edit the ancient alien shows and people of that mindframe to make weird things funny that's not funny.
[01:17:55]  You know, like if I touched your leg, he would just be like, do a close-up of me, just touching your ankle very gently.
[01:18:01]  It'd be classic.
[01:18:02]  So they're injecting the comedy into that.
[01:18:04]  That, some of that, but you know, a lot of the food stuff, it's, it's just done in a different, in a different vein.
[01:18:10]  You know, we're moving at a different speed, man.
[01:18:14]  Bro, there's a moment where who is it?
[01:18:16]  You and the dude, there's a black dude that's with you, and he's like, you guys are eating like a patty that's inside a sandwich somewhere.
[01:18:23]  Yeah, yeah, yeah.
[01:18:24]  I don't know.
[01:18:24]  Oh, yeah, my man mayhem.
[01:18:26]  Okay.
[01:18:27]  And you go, what do you think about it?
[01:18:30]  He goes, I think it's, I think it's, it's, it's a good patty.
[01:18:37]  And you go, that's some good commentary.
[01:18:42]  But, like, most editors wouldn't put that there, right?
[01:18:46]  Because they're like, I don't know if this is pushing the show or whatever.
[01:18:48]  But I feel like there's a lot of those moments that make the show feel more authentic.
[01:18:52]  That's really awkwardness.
[01:18:54]  Of course.
[01:18:54]  Like, there's a joke that you're, I'm even watching one and, like, you make a joke in one of the kitchens and it kind of bombs.
[01:19:01]  And then you kind of call it out.
[01:19:03]  Everything bombs.
[01:19:04]  But that's the beauty of it.
[01:19:06]  No.
[01:19:06]  Because it's like.
[01:19:07]  That's some of my favorite shit is bombing.
[01:19:09]  Let me tell you something.
[01:19:10]  I wish I could fucking show you some of the movie auditions I've done.
[01:19:16]  Oh, bro.
[01:19:17]  If we could get the fucking audition I did for Uncut Gems, we'd all be fucking dying right now.
[01:19:23]  Hold on.
[01:19:23]  Should I hit up?
[01:19:24]  Hit him up.
[01:19:25]  Let me hit up, Benny.
[01:19:26]  Hit him up.
[01:19:26]  I know those motherfuckers got it because I want to see it.
[01:19:29]  What character?
[01:19:30]  What are you going for?
[01:19:30]  Who I don't know.
[01:19:31]  I was in the fucking store talking some shit.
[01:19:34]  I made believe Shaq was in there.
[01:19:37]  How about don't give it away?
[01:19:39]  Let me let me see.
[01:19:40]  I'm gonna pay.
[01:19:41]  This is an unseen thing.
[01:19:42]  I've never, I don't know where it is.
[01:19:45]  If you could get this, God bless.
[01:19:48]  Wait, so you just walked into the audition with them.
[01:19:51]  Nah, you know, like, I know it's all friends of friends of friends.
[01:19:55]  So I've done several auditions where it was just like, what am I doing here?
[01:19:59]  When I auditioned for the Irishman, I couldn't even see the paper.
[01:20:03]  I asked the 70-year-old woman for her glasses.
[01:20:06]  Hold on, dog, do you have the fucking audition footage from Uncut Gems?
[01:20:13]  Fun, find it, please.
[01:20:14]  For God's sakes, we need to see that.
[01:20:17]  It was the worst shit ever.
[01:20:19]  I need it immediately.
[01:20:20]  We have to put it out.
[01:20:22]  We're going to put it out there?
[01:20:24]  Come on, please.
[01:20:26]  Let me ask Jen because she's a castie greater.
[01:20:28]  She definitely has somewhere.
[01:20:30]  She was mean also.
[01:20:32]  She wasn't nice to me at all because I was a little late.
[01:20:35]  Not gonna lie, I was stoned also.
[01:20:37]  If you can get past her, then you get to.
[01:20:40]  Gas.
[01:20:40]  Why?
[01:20:40]  Obviously, she wasn't feeling me.
[01:20:42]  Obviously.
[01:20:43]  Get us that audition, Benny, please.
[01:20:46]  What are you guys doing right now?
[01:20:47]  We're just filming the pod right now.
[01:20:49]  He said he bought up.
[01:20:51]  He goes, I was like, yeah, you have all these awkward moments in the blogs that are beautiful because that's what life is.
[01:20:56]  Life is awkward sometimes.
[01:20:57]  He goes, man, if y'all saw how I bombed my uncut gems, every audition I've ever been on was a bomb.
[01:21:07]  Somehow they gave me two.
[01:21:08]  I don't know what the fuck.
[01:21:09]  They must have liked me.
[01:21:10]  Anyway, I'll hit you after.
[01:21:12]  Peace.
[01:21:12]  Peace.
[01:21:15]  Yo, how was the Irishman?
[01:21:18]  That was the easiest shit I've ever done in my life.
[01:21:20]  They just gave it to you?
[01:21:21]  He just gave it to me.
[01:21:22]  Because he's a fan?
[01:21:23]  I don't fucking know.
[01:21:24]  Did you talk to Marty at all?
[01:21:26]  Yeah, of course.
[01:21:26]  And he was just, I don't know, he was enamored with me for some reason.
[01:21:32]  Like, he just found me very interesting.
[01:21:34]  You know, like, you always meet these guys that are real high up.
[01:21:37]  Yeah.
[01:21:37]  You come back, come in the room like fucking, they're very interested with me.
[01:21:40]  Like Bono.
[01:21:42]  I was at a dinner with Bono, and I think his South African, whatever was there, this woman, she was very interested in me, which made him even more interested in me.
[01:21:54]  In what way?
[01:21:55]  I don't know.
[01:21:56]  As far as like wanting to know what I do, what am I doing here?
[01:22:00]  You know, like all these things.
[01:22:01]  Like, what are my dreams?
[01:22:04]  And what do you think that's from?
[01:22:07]  Sounded like a potential freak off situation.
[01:22:12]  Everything is a potential freak off situation.
[01:22:14]  Well, it's like, I don't know.
[01:22:16]  Go, go.
[01:22:17]  Insecurities.
[01:22:18]  Oh, exactly.
[01:22:19]  So his shorty is kind of really pressing you.
[01:22:21]  Yeah, maybe.
[01:22:22]  I don't know.
[01:22:22]  They just seem like, who's this guy?
[01:22:24]  This fucking weirdo-looking guy who's an interesting character.
[01:22:27]  I don't know.
[01:22:28]  What I find interesting about you, and I want to ask you about this, you seem completely secure, confident.
[01:22:33]  You pursue your passions.
[01:22:35]  That's it.
[01:22:36]  And I think that's something people are drawn to.
[01:22:37]  And then I wanted to ask you, is that something you felt like you've always had?
[01:22:40]  Or were there a couple of seminal moments where you're like, yeah, I don't want to chase this thing.
[01:22:44]  I don't want to be insecure about this thing.
[01:22:45]  And then you just let it go.
[01:22:47]  Yeah, I never want to feel insecure, period.
[01:22:49]  I don't want to feel rejection.
[01:22:51]  I guess that's also a thing.
[01:22:53]  That's also one of those, like, that's an insecurity, not wanting to feel that type of thing.
[01:22:58]  So that's maybe why I keep to myself and only satisfy myself because I know and I've realized you can't satisfy everybody.
[01:23:05]  And if you try, you're going to miserably fail.
[01:23:09]  There's only really one person that needs to be satisfied with what they're doing, and that's me.
[01:23:14]  I'm the motherfucking one doing it.
[01:23:15]  I'm wasting my time.
[01:23:16]  So I feel like I have to, it has to touch me in a way.
[01:23:21]  It's brutal when you do something that is not authentic to you to impress somebody else and they reject it.
[01:23:29]  Oh, you feel nauseous because you know you shouldn't have done it anyway.
[01:23:31]  You rejected yourself.
[01:23:33]  They reject.
[01:23:33]  I've done it.
[01:23:34]  I felt it before.
[01:23:35]  Wow.
[01:23:35]  I'm trying.
[01:23:36]  I knew you were going to ask for a pinpointing shit, but it's not.
[01:23:39]  When you asked me what I, I don't fucking remember that quick fuck.
[01:23:43]  Entertainment-wise, private life?
[01:23:45]  So many things.
[01:23:48]  Yeah, man, I knew I should have fucking put myself out there.
[01:23:51]  Or even like reaching out to somebody and they like leave you on red or some shit, you know?
[01:23:58]  Something that simple.
[01:24:00]  And it's like you didn't even want to fuck with them in the first place.
[01:24:02]  I'm doing it just because I felt like I needed to for a look.
[01:24:06]  Yeah.
[01:24:07]  I'm like, bro, I don't fucking need this goddamn look.
[01:24:09]  I'm doing you a favor by hitting you up.
[01:24:11]  What are we doing?
[01:24:12]  Yeah.
[01:24:13]  But I've always had this confidence in myself where I felt like I knew I was mad judgmental about shit, but on the low, you know, like, nah, I don't fuck with that.
[01:24:25]  I like this.
[01:24:26]  But sometimes I knew what I like.
[01:24:27]  That's things like sometimes people look at that as like the judgmental side is insecurity.
[01:24:31]  I don't think it's insecurity if you know what you like.
[01:24:34]  There's a difference between just being a hater because you think you're definitely not a hater.
[01:24:38]  Exactly.
[01:24:38]  But because you'll give it up if you think someone's being off the shit.
[01:24:42]  All day.
[01:24:42]  And that's the other thing.
[01:24:43]  I love everybody's shit.
[01:24:45]  I love to give props.
[01:24:46]  Especially if you're nice.
[01:24:47]  If you're nice, I just want to scream your fucking name and your talent to the rooftop.
[01:24:51]  But if it's whack, I can't just say it's nice because you're nice.
[01:24:56]  I know.
[01:24:57]  It's a tough situation sometimes because there's a lot of people I like that I don't love their work.
[01:25:02]  It's just, it is what it is.
[01:25:04]  What do you say when they're like, how do you feel about this?
[01:25:07]  I'd rather they not ask.
[01:25:08]  Yeah.
[01:25:09]  But if they do, I lie.
[01:25:12]  Because you don't want to hurt their feelings.
[01:25:15]  Because I know I'm going to be deemed a dick by this person that you like.
[01:25:20]  Yeah.
[01:25:20]  Yeah.
[01:25:21]  How do you turn down the features that you don't want to do?
[01:25:24]  I don't do anything.
[01:25:25]  I don't do anything.
[01:25:26]  I say a ridiculous amount of money.
[01:25:28]  Yo, I charge you an unbelievable amount of money.
[01:25:31]  Yeah.
[01:25:31]  And if you want to pay that, then I'll do it.
[01:25:33]  If not, if you're hitting me up out of the blue and we don't know each other and you're asking me for a feature, there's no way.
[01:25:38]  Come on.
[01:25:38]  This is business.
[01:25:39]  Bro, that's made of business by doing that.
[01:25:41]  I just, you can't.
[01:25:43]  I would never do that.
[01:25:45]  I would never do that.
[01:25:46]  That's my ethics.
[01:25:47]  I don't, I couldn't imagine someone.
[01:25:49]  But some people are shameless, bro.
[01:25:51]  Some people don't care.
[01:25:52]  They don't even care if you reject it.
[01:25:54]  They have one goal.
[01:25:55]  What if it's one of those artists that you know of, but you don't really respect their art?
[01:25:59]  So it's like you have a relationship with them and then they ask you for a feature.
[01:26:02]  I've done it.
[01:26:03]  You still just tell them a crazy price.
[01:26:05]  I've done it.
[01:26:05]  Or you did that.
[01:26:06]  I've done it.
[01:26:06]  You do this.
[01:26:08]  I've done it.
[01:26:08]  I've done it.
[01:26:09]  But that's why I don't do things anymore because I'm like, you know what?
[01:26:13]  If I don't truly like it, I'd just rather not.
[01:26:15]  I'm going to mail it in.
[01:26:16]  I don't want to mail anything in.
[01:26:18]  The respect.
[01:26:18]  And even I'll mail it in and they'll be like, yo, that's the craziest shit I ever heard in my life.
[01:26:23]  Thank you so much.
[01:26:25]  All right.
[01:26:25]  Thank you, man.
[01:26:25]  No doubt.
[01:26:26]  What's the dream feature right now?
[01:26:30]  A lot.
[01:26:30]  The dream.
[01:26:36]  I don't know.
[01:26:38]  Drake.
[01:26:40]  Really?
[01:26:40]  I would love to fucking rap with all these fucking top guys.
[01:26:44]  I only rap with the best guys that I think are the best anyway.
[01:26:47]  Yeah, yeah, yeah, yeah.
[01:26:48]  Let's start getting to the real.
[01:26:49]  Who you think is the best right now, Drake?
[01:26:51]  Who else?
[01:26:52]  I don't think Drake is the best, but he's the best ever as far as like business and being.
[01:26:57]  Yeah.
[01:26:58]  I mean, he's amazing.
[01:27:00]  Yeah.
[01:27:01]  It's amazing what this man has done.
[01:27:03]  You guys are crazy.
[01:27:07]  I just recently did a little photo shoot for them with the Jets.
[01:27:11]  Oh, really?
[01:27:11]  Yeah, so nice.
[01:27:13]  Put a little leather jacket on with the owl.
[01:27:15]  Yeah.
[01:27:15]  I don't really do shit like that either, but I figured I'd give it a shot.
[01:27:18]  Yeah.
[01:27:19]  Now, having you guys rap on a, on a song would be fire.
[01:27:22]  What about outside of rap?
[01:27:23]  Like, what about, is there a hands?
[01:27:25]  Ooh, that'd be me and Duel.
[01:27:27]  That would go crazy.
[01:27:28]  Yeah, that's my first time.
[01:27:29]  Me and Dua.
[01:27:30]  Listen, she's on another fucking hemisphere.
[01:27:33]  She's on another planet, that woman.
[01:27:35]  Yeah, yeah, but I knew that.
[01:27:36]  That's my sister, but she's on another fucking hemisphere.
[01:27:38]  You know, like, I mean, she is.
[01:27:41]  She's interviewing Tim Cook.
[01:27:43]  I don't even know who that is.
[01:27:44]  Apple.
[01:27:45]  Oh, you should have fucking said like Adam Silver.
[01:27:48]  I would have known who it was.
[01:27:50]  Fuck it.
[01:27:50]  Yo, what?
[01:27:51]  All tagglyable.
[01:27:53]  Then I'd be impressed.
[01:27:55]  What is Adele, huh?
[01:27:57]  He's tagging.
[01:27:58]  Fuck Adele.
[01:27:59]  Where is Adam Silver from?
[01:28:01]  Like, what?
[01:28:01]  I don't know, but I'll tell you this.
[01:28:03]  Why is he?
[01:28:03]  He gives a real good hip-hop handshake.
[01:28:06]  No way.
[01:28:06]  Oh, yeah.
[01:28:07]  When he goes in strong, daps you up and everything.
[01:28:10]  But like with flavor.
[01:28:12]  Wow.
[01:28:13]  You know, like with flavor, he has Sazon.
[01:28:16]  He has a little bit.
[01:28:17]  No, he has some Sazon.
[01:28:18]  When I met him at the garden, he got to that.
[01:28:24]  He's around enough.
[01:28:28]  No, there's a lot of dudes that are around that don't know how to do the snowback.
[01:28:32]  It's the closure here.
[01:28:33]  Sometimes it's sideways.
[01:28:34]  It needs to be a full-on dap.
[01:28:37]  That's one of those things that annoys me so much.
[01:28:39]  I just don't say it, but this closure like that.
[01:28:41]  Come on.
[01:28:42]  It got to be good.
[01:28:42]  He went in for it with a lot of people.
[01:28:43]  A couple people here.
[01:28:45]  You set the tone or he went in for it with you?
[01:28:47]  Set the tone crazy.
[01:28:47]  Like, what up?
[01:28:49]  No.
[01:28:49]  Like, what up?
[01:28:50]  Like, I knew already it was about to go down.
[01:28:55]  Edward or not?
[01:28:57]  No way.
[01:29:00]  With his eye.
[01:29:02]  He said it to me with his eyes.
[01:29:06]  Bro, Adam.
[01:29:08]  What do you think about these new courts, bro?
[01:29:11]  I didn't like it.
[01:29:12]  I lied about it and said I was all right.
[01:29:14]  I didn't tell you.
[01:29:15]  Bro, the new courts.
[01:29:16]  I didn't like it.
[01:29:18]  I hate shit like that.
[01:29:19]  It's tough to see the garden in anything other than that linoleum hardwood, you know?
[01:29:25]  But change is always good, too, but it got to be good.
[01:29:28]  Like, why are you doing some trash?
[01:29:30]  Who okayed that design?
[01:29:32]  And I'd like to be involved in that decision the next time.
[01:29:35]  Yeah, dude, would they bring, would they bring someone like you in for a consultation?
[01:29:40]  I don't know, man.
[01:29:41]  Like, once again, people like to put thumbs on things.
[01:29:44]  I fucking put your thumb in your ass.
[01:29:46]  I could do it all.
[01:29:47]  Yeah.
[01:29:48]  My only thing is, like, you're not going to wiggle.
[01:29:51]  No, damn.
[01:29:52]  So, so what is so?
[01:29:53]  What happens when you sit with Adam Silver and you're like, there's got to be a dinosaur in every court?
[01:29:58]  He'll listen.
[01:30:00]  If I'm coming, if I presented to Rahe no.
[01:30:08]  He's going to listen.
[01:30:09]  Trust me.
[01:30:11]  That one's hard.
[01:30:12]  That was a hard eye.
[01:30:14]  Are you nice in the room?
[01:30:15]  Like, when it comes to the presentation of an idea?
[01:30:18]  Nah, I speak with passion.
[01:30:19]  Yeah, I go for it.
[01:30:20]  I speak with passion.
[01:30:21]  If I'm in the room, I'm not going to let that opportunity slip.
[01:30:24]  It's guaranteed.
[01:30:25]  I don't know if it's guaranteed, but I'm definitely going to do what I have to do.
[01:30:28]  And if you're not feeling it, then I'll just have to live with it.
[01:30:31]  Then I'll fucking have to go back to the drawing board.

=== Adam Silver Court Talk (06:41) ===

[01:30:33]  Yeah.
[01:30:35]  Have you watched people flip?
[01:30:37]  Wait a minute.
[01:30:38]  Wait, what?
[01:30:39]  I'm just going straight.
[01:30:40]  Yeah.
[01:30:40]  Oh, yeah.
[01:30:41]  Like you see them waiting my arms.
[01:30:44]  Yeah.
[01:30:45]  Sometimes, sometimes if they're really good, you can't read them.
[01:30:50]  What about earlier in music career?
[01:30:52]  Have you been in front of audiences that you've seen flip?
[01:30:57]  Because you go out there, they don't know who you are for.
[01:30:59]  70 inch TV out there.
[01:31:00]  People suddenly like you.
[01:31:02]  They already liked me by then.
[01:31:04]  I was just showing love at that.
[01:31:06]  I was saying thank you.
[01:31:07]  By that time, I was thanking them for loving me.
[01:31:10]  But early on, you know, of course.
[01:31:12]  When you're opening for people or something.
[01:31:14]  You know, I didn't do a lot of that.
[01:31:15]  I didn't do a lot of that because in the era I came up in, there was enough time.
[01:31:20]  There was enough space to do your own little show where you could do 500 people alone.
[01:31:25]  Just have, you know, just build off that.
[01:31:27]  500, 1,000, 2,000, 3,000, 5,000, fucking 50,000 people.
[01:31:33]  But tell me about the flip.
[01:31:34]  That's what I'm interested in with music.
[01:31:36]  The flip is hesitant first.
[01:31:37]  You come out there, you look the way you do, you know, and you fucking wrap your goddamn ass off.
[01:31:43]  And by the second, third song, they're cheering for you.
[01:31:46]  You feel it.
[01:31:46]  Oh, yeah.
[01:31:47]  You can see it in their eyes.
[01:31:48]  They're like, I look in their eyes.
[01:31:50]  I'm fucking looking in each person's eyes.
[01:31:54]  There was only 20 people in the room, so I'm fucking looking at you.
[01:31:57]  And they went from, oh, shit, where am I at to, oh, God, this guy is going to blow the fuck up.
[01:32:02]  I don't know if they thought that, but they definitely were going to follow me after that.
[01:32:06]  They became fans.
[01:32:09]  Yeah, that's real.
[01:32:11]  You just need a chance.
[01:32:12]  You know, sometimes you just have to meet somebody or see what they have to offer, and then you could change your mind about them.
[01:32:19]  Do we have some locks for this week?
[01:32:21]  Oh, baby, I got them.
[01:32:22]  Let me get the exact yardage up.
[01:32:24]  Raheem Mostert, I think, is going to get more than 49 and a half rushing yards.
[01:32:28]  The Dolphins are a great running team.
[01:32:29]  I trust he can get that.
[01:32:31]  DJ Moore, less than 62 and a half receiving yards.
[01:32:35]  He's going up against the Browns defense.
[01:32:36]  I just think their pass rush is so good.
[01:32:38]  It's going to affect Justin Fields.
[01:32:39]  And Jordan Love, the Packers are on a heater, more than 1.5 passing touchdowns.
[01:32:44]  Those are the sing locks.
[01:32:47]  Fuck if I know, man.
[01:32:48]  Those guys, they had a beautiful thing going, but I don't really know the whole backstory behind shit.
[01:32:54]  All I know is that I had fucking carte blanche to do whatever, and I was doing whatever.
[01:32:59]  I feel like that's when it flipped.
[01:33:01]  Like now it's like, that's when it was fun.
[01:33:04]  That's when it was fun, but I don't know if I was the fucking, I don't know if I was the reasoning shit went down.
[01:33:11]  Probably not.
[01:33:13]  No, I feel like it got bought.
[01:33:16]  Yeah, it kills a lot.
[01:33:17]  They sold to this thing, and then all of a sudden.
[01:33:19]  I think it was a bull.
[01:33:20]  I think they pulled a fucking gag.
[01:33:21]  I think they did some weird shit.
[01:33:23]  I think that was actually that's what happened.
[01:33:27]  They were trying to position themselves to get into some bidding war or some dumb shit, and then ended up falling through and they ended up getting nothing.
[01:33:36]  Oh, so they didn't get bought.
[01:33:38]  They got bought, but I bought them.
[01:33:40]  But I believe they got bought for a much lesser amount than it was initially.
[01:33:45]  I thought it was kind of like a billion dollar valuation or something crazy.
[01:33:48]  Exactly.
[01:33:49]  Three or something like that.
[01:33:50]  Something more than that.
[01:33:51]  Yeah, that's why.
[01:33:51]  I mean, it was just dominating culture.
[01:33:53]  Like this one brand was dominating.
[01:33:56]  That's why I didn't sign with a regular label.
[01:34:00]  I signed with vice.
[01:34:01]  It wasn't tremendous money, but everything that came from that is more than money.
[01:34:07]  There was freedom.
[01:34:08]  Much more than money.
[01:34:09]  Yeah.
[01:34:10]  I made phenomenal content for fucking six years.
[01:34:13]  Yeah.
[01:34:15]  Lives to this day.
[01:34:16]  Yeah.
[01:34:16]  Yeah.
[01:34:17]  Coming on the 10-year anniversary of fuck that's delicious.
[01:34:20]  I fucking, I've had a show for 10 years.
[01:34:22]  That's a long time.
[01:34:24]  It's a long time.
[01:34:25]  Five years on TV, five years on the internet.
[01:34:29]  Is it wild to see like it's wild to see trends that you might have greatly influenced become very popular?
[01:34:39]  Like, for example, just food content in and of itself online.
[01:34:43]  Now, there are other people that also did food content, but to see the popularity of that now.
[01:34:49]  Yeah.
[01:34:49]  I mean, in our age group, you could directly correlate that to me.
[01:34:55]  Yeah.
[01:34:56]  In our age group, you know, definitely I was influenced by people.
[01:34:58]  You it's Bourdain.
[01:34:59]  But that's what I'm saying.
[01:35:00]  We were influenced by them.
[01:35:02]  Bourdain and like Andrew Zimmern and all these other guys were the predecessors of us.
[01:35:07]  They were our forefathers.
[01:35:08]  I came after, and this new wave came after me.
[01:35:12]  I feel like the new wave is not anything that Bourdain would have been happy with.
[01:35:17]  Why is that?
[01:35:18]  It's not thoughtful.
[01:35:19]  Because it's not thoughtful.
[01:35:20]  These are not thoughtful things at all.
[01:35:22]  He's made comments before that he only liked to watch me and like a couple of other things.
[01:35:26]  So that's why I don't do run-of-the-mill shit.
[01:35:31]  That's why it doesn't always go viral and it's not like these TikToky food videos that do thoughtful pieces on real people, real institutions, real families, real chefs, real this.
[01:35:43]  It's all thoughtful pieces.
[01:35:45]  These are not regurgitated and fucking like you're going here.
[01:35:49]  I'm going here.
[01:35:49]  I'm going to this fucking place.
[01:35:51]  It's bullshit.
[01:35:52]  It's bullshit.
[01:35:53]  You're going to this place for the first time.
[01:35:55]  Sure, you're standing on the street in Queens.
[01:35:57]  You just go into a bunch of places.
[01:35:59]  This guy has a fucking great bagel.
[01:36:01]  This has a great suck my dick.
[01:36:03]  I don't care.
[01:36:04]  Have you seen Leave the Meter running that show?
[01:36:07]  No.
[01:36:08]  It's actually a TikTok show that's around this topic that I think actually does a good job where the dude gets into an Uber or a taxi with someone and he'll basically be like, hey, where's your favorite restaurant in the city?
[01:36:17]  What's the food that you feel like represents your culture?
[01:36:19]  Then he goes with them to the restaurant and then he talks with them about where they grew up, where they came from, how the food impacts the culture, and then pays them for the whole rate that the meter was running.
[01:36:28]  It's a really cool show.
[01:36:29]  I'm not that.
[01:36:30]  It's really cool.
[01:36:30]  And now I think it's getting scaled to like TV.
[01:36:32]  It came from TikTok though.
[01:36:33]  Kareem Rama.
[01:36:34]  But that's the thing is I feel like a lot of people are creating around things they like and not what they love.
[01:36:39]  And when you create around something that you love, it's hard to fail yourself.
[01:36:45]  You know what I mean?
[01:36:46]  Like if you, if you love, imagine like doing a documentary on your mom.
[01:36:49]  Like, are you going to make a shitty documentary about your mom?
[01:36:52]  Right.
[01:36:53]  Yeah.
[01:36:53]  It's like, so it's like, and I feel like a lot of people are just like, hey, I like eating.
[01:36:58]  Okay, I'll do that.
[01:36:59]  I like going out.
[01:37:01]  Okay, I'll create content around you.
[01:37:02]  Because anything that they see is popular at the moment.
[01:37:05]  They're trusting.
[01:37:06]  They're taking it.
[01:37:06]  They're giving it a go.
[01:37:07]  But there are young guys doing it good because even Keith Lee, I love the way I'm doing it.
[01:37:11]  Keith Lee greatness.
[01:37:12]  Okay, coming from fucking around a restaurant.

=== Kareem Rama Food Culture Show (06:13) ===

[01:37:15]  That's what I'm saying.
[01:37:16]  But that's Keith Lee is not a normal example.
[01:37:22]  That isn't an abnormal example of someone that popped off.
[01:37:25]  That's not a typical thing.
[01:37:27]  You know, people do that all the time, sitting in their car fucking talking about some shit.
[01:37:31]  It doesn't pop off like Keith Lee.
[01:37:33]  I think the comic thread.
[01:37:34]  You know what I mean?
[01:37:35]  If you don't do that, you're going to have to do that.
[01:37:39]  What I'm saying, both of y'all have, I think, is authenticity.
[01:37:42]  When I watch your shit and his shit, I trust you.
[01:37:45]  I'm like, oh, this guy is not, it's just him doing him.
[01:37:48]  That's what I'm saying.
[01:37:48]  He's just, he's in it for the real.
[01:37:50]  He wants to tell you how he really feels.
[01:37:51]  He's not going to sugarcoat it.
[01:37:53]  Yeah.
[01:37:53]  That's it.
[01:37:54]  His brother's an amazing fighter.
[01:37:56]  He was a fighter, too.
[01:37:57]  I know.
[01:37:58]  He was a good fighter.
[01:37:59]  His brother was an amazing fighter.
[01:38:00]  Yeah.
[01:38:01]  Yeah, it's, it's, yeah, it's weird.
[01:38:05]  Why are people not more, I guess you're aware of your passions.
[01:38:09]  I wonder if people just listen to their passions that they might execute better on them.
[01:38:14]  It's weird.
[01:38:15]  Like, I'm like allergic to doing anything that I don't enjoy in life.
[01:38:19]  Like, I fucking hate it, but I can work endlessly on the things that I really love.
[01:38:24]  It doesn't even feel like work.
[01:38:25]  Get lost in it.
[01:38:26]  Yeah, it's phenomenal.
[01:38:28]  I get lost, and I could get lost just sitting there writing my name 100 fucking times like graffiti, just writing baklava a million times in 20 different ways.
[01:38:36]  Yeah.
[01:38:37]  You know, just doodling.
[01:38:38]  I love to paint.
[01:38:40]  I just need things to get lost in.
[01:38:42]  I need visuals.
[01:38:43]  I need visual stimulation, oratory stimulation, oral stimulation.
[01:38:49]  Yeah.
[01:38:49]  All that.
[01:38:50]  What was your tag when you were graffiti?
[01:38:52]  Skunt.
[01:38:54]  Well, what is scunt?
[01:38:55]  It's a guy in these word that you call somebody.
[01:38:59]  It's a bad thing.
[01:39:01]  And then I wrote action.
[01:39:03]  Oh, wow.
[01:39:03]  Starting in 04.
[01:39:04]  Are any of your tags still up?
[01:39:05]  Do you?
[01:39:09]  There's some things here and there.
[01:39:11]  You got to look close.
[01:39:12]  Yeah.
[01:39:13]  We'll go outside right now and catch some tags.
[01:39:15]  No way.
[01:39:16]  If you want, you got some paint.
[01:39:17]  Let's do it.
[01:39:19]  Yeah, that early graffiti scene is very interesting.
[01:39:21]  Did you ever have like iconic tags that like you really wanted, like spots you really wanted to lock up?
[01:39:27]  Yeah, the Hell's Gate Bridge.
[01:39:28]  You know that bridge?
[01:39:29]  When you're driving on the fucking, going to the Bronx, you're getting on the Triboro Bridge, you look to the right, and those train tracks on the right side, you know them?
[01:39:40]  And then there's these big pillars within.
[01:39:43]  And they got, it's like you need to wear a harness.
[01:39:46]  Oh, this is.
[01:39:46]  Yeah, if I wasn't going to fucking do all that, but that's something I always wanted.
[01:39:50]  I want to have a tag on every single street in movies.
[01:39:54]  You know, like Rocky.
[01:39:56]  Oh, shit.
[01:39:58]  A famous graffiti writer's father made Rocky.
[01:40:01]  So this graffiti writer's tags were all in every fucking part of the movie.
[01:40:06]  That's fine.
[01:40:07]  Like, I love looking at shit like that.
[01:40:09]  I love catching something like that, reading the street.
[01:40:12]  Did you ever tag that area in Long Island City?
[01:40:15]  Now they tore it down, but it's like Five Points?
[01:40:19]  Yeah.
[01:40:19]  Yeah, yeah, of course.
[01:40:21]  That used to be called the scrapyard.
[01:40:23]  Oh, no, wait.
[01:40:24]  That used to be called something else.
[01:40:29]  It wasn't called Five Points.
[01:40:32]  Fucking some other shit.
[01:40:34]  I just knew it was Long Island City before it was Long Island City.
[01:40:37]  But that's where I found, man.
[01:40:38]  That used to be a fucking raw spot.
[01:40:41]  I forgot the name of it before that thing.
[01:40:44]  What happened to Hunt's Point?
[01:40:47]  Got cleaned up real good.
[01:40:48]  Did they really?
[01:40:49]  Yeah, got cleaned up real good.
[01:40:54]  It's not the same, man.
[01:40:56]  Hunt's Point was like, I feel like Hunt's Point was, that was the runway.
[01:41:01]  Yeah.
[01:41:01]  That was the fashion show.
[01:41:03]  Bro, it was, it was.
[01:41:04]  Did you ever see it at its height?
[01:41:06]  Yeah.
[01:41:06]  Yeah.
[01:41:07]  I mean, they had an HBO show.
[01:41:08]  Shout out to Bobby.
[01:41:09]  Come on, man.
[01:41:10]  It's one of my favorite shows.
[01:41:12]  Hookers at the point.
[01:41:13]  I met one of the dudes.
[01:41:15]  Do you remember the episode where the dude's rubber breaks?
[01:41:18]  Oh, my God.
[01:41:19]  Of course.
[01:41:20]  You met him?
[01:41:21]  Bro, his boy is a comedian named Brooklyn Mike.
[01:41:25]  He was fucking Cindy.
[01:41:27]  You know the girl.
[01:41:28]  Cindy the crazy.
[01:41:29]  Girl, I'm sucking dick.
[01:41:30]  I can't.
[01:41:30]  Yeah, That's a legendary clip.
[01:41:34]  It's an unbelievable moment.
[01:41:36]  That's a legendary.
[01:41:37]  First of all, HBO, America Undercover, all gangbanging in Little Rock, fucking all that shit was the best.
[01:41:45]  Crazy.
[01:41:45]  HBO.
[01:41:46]  It was the best.
[01:41:47]  Growing up, that was the shit.
[01:41:50]  It was Vice before.
[01:41:51]  Vice, you can't even see it.
[01:41:52]  Yeah, yeah.
[01:41:53]  Oh, it was way before.
[01:41:54]  Fucking taxi cab confession.
[01:41:56]  But there was that one about jail.
[01:41:58]  There was this famous clip about tossing salad.
[01:42:01]  We learned about tossing salad in 91 from this fucking dude in jail talking about, yeah, if I like you, you eat my ass with jelly or without it.
[01:42:12]  The little smucker jelly.
[01:42:13]  Yeah, the schmucker's jelly.
[01:42:15]  If I fucking eat my ass with schmucker's jelly.
[01:42:18]  I mean, you might as well eat it with.
[01:42:19]  You know it.
[01:42:21]  It's like a cheese steak.
[01:42:22]  You want it with or without.
[01:42:23]  You always wanted whip.
[01:42:24]  Yeah.
[01:42:25]  Bro, there's, yeah, that Hunts Point shit was so crazy.
[01:42:28]  Where's Hunt's Point?
[01:42:29]  So Bronx.
[01:42:30]  It's in the Bronx, but it was this, like, I guess, legendary spot where if you had a car, you could go pick up a street walking hooker.
[01:42:36]  And like, you go get ahead or you fuck this girl in your car.
[01:42:39]  But this dude was on he was the walker.
[01:42:44]  Like, he was just a walker, no car.
[01:42:46]  And the girl was like, I usually don't fuck guys without a car.
[01:42:49]  And he's like, come on, you can fuck me.
[01:42:51]  And he was kind of like rising her a little bit.
[01:42:53]  And he starts to smash.
[01:42:54]  And then the rubber breaks.
[01:42:57]  And it's like, and HBO just leaves it at that.
[01:43:01]  And then I bumped into this motherfucker, bro.
[01:43:03]  Hopefully he didn't bump him.
[01:43:04]  Thank God he was.
[01:43:05]  Hopefully he didn't bump him.
[01:43:06]  I think he was all right.
[01:43:07]  Yeah, yeah.
[01:43:08]  But it was, I couldn't believe it.
[01:43:09]  I was like seeing a superstar.
[01:43:12]  He was like, I can't compare.
[01:43:14]  It's like looking at Thanos.
[01:43:15]  You were nervous.
[01:43:16]  Your hands were shaking.
[01:43:16]  I like how he was.
[01:43:18]  I'm bugged out right now.
[01:43:19]  I'm like, damn, I'm jealous.
[01:43:21]  Bro, it's so funny.
[01:43:23]  I've met a lot of people, but this is one man I'd love to meet.
[01:43:25]  Yo, it was an iconic moment.

=== HBO Leaving It At That (07:05) ===

[01:43:28]  I was so young.
[01:43:29]  I went there almost like when you go the holidays and you look at the houses that are lit up.
[01:43:34]  Like I went just as a boy.
[01:43:36]  I just look at this.
[01:43:37]  Yeah, because it's like you see the shit on HBO and it's like, I got to see this shit in person.
[01:43:41]  Exciting.
[01:43:41]  I was way too afraid to talk to anybody.
[01:43:43]  I'll get out the car.
[01:43:44]  They'll come right up to you.
[01:43:45]  Yeah, they're aggressive.
[01:43:46]  Did HBO blow up the spot?
[01:43:47]  Like, was everyone going there afterwards?
[01:43:49]  Like, did those girls stick around the corner?
[01:43:51]  Remember the girl that dressed as a nurse that had no top teeth?
[01:43:54]  See HBO Keith Lee for hookers?
[01:43:55]  Cindy exactly.
[01:43:57]  Then Cindy's different then.
[01:43:59]  Cindy was the one with the schnaz.
[01:44:01]  She was like Italian.
[01:44:02]  She talked real crazy.
[01:44:03]  Cindy.
[01:44:03]  Cindy.
[01:44:04]  This other girl wasn't Cindy.
[01:44:05]  This other girl is a black girl or Latina.
[01:44:07]  Oh, yeah, yeah, yeah.
[01:44:07]  All right.
[01:44:08]  That one.
[01:44:08]  She was the one who was like, girl, suck your dick.
[01:44:10]  Girl, that one.
[01:44:12]  I got a piss.
[01:44:13]  Go go put it.
[01:44:13]  Nah, it was like the show was making politicians look bad because they're like, yo, you're just letting this happen.
[01:44:19]  You're not doing anything about it.
[01:44:20]  So they got, they got like political pushback.
[01:44:23]  So then they cleaned it up.
[01:44:24]  I mean, 42nd Street used to be like that too.
[01:44:26]  42nd was crazy.
[01:44:27]  Yo, you know what?
[01:44:29]  The Upper East Side on like third half or something crazy.
[01:44:34]  I remember like late at night, they just unleashed the hookers on the upper east side.
[01:44:38]  Flushing also on the back blocks, Farrington by Main Street.
[01:44:43]  Bad news bears.
[01:44:45]  Back pages.
[01:44:46]  Good old days.
[01:44:47]  I mean, it's wild how much.
[01:44:49]  The village voice.
[01:44:50]  Bro, remember the village voice?
[01:44:51]  Come on.
[01:44:52]  No, the village voice is this newspaper.
[01:44:53]  It's like looking at the movies.
[01:44:55]  It's like, oh, you want to see fucking scream?
[01:44:58]  You just look in the back and you find who you need.
[01:45:00]  This is before Craigslist or whatever, where you could, the village voice was the thing.
[01:45:05]  And yeah, they printed out in like Cooper Square in the East Village.
[01:45:09]  I had a feature in there.
[01:45:10]  Really?
[01:45:11]  Yeah.
[01:45:11]  The Village Voice.
[01:45:12]  And there was some good fucking back pages there, too.
[01:45:14]  So I'm proud that I was in that issue.
[01:45:19]  Yeah, man.
[01:45:20]  Yeah, that's wild.
[01:45:21]  Old New York just is such a different world.
[01:45:23]  Bro, I was when I was hitting those days.
[01:45:26]  When I was hitting you before, talking about like public access, it's so funny how, like, so New York, and I'm sure most cities maybe had this, but there was these public access networks where like anybody could get a TV show and it was on, you know, I guess if you had regular cable, you could do it.
[01:45:39]  And I remember the channels 34 and 35 in Queens.
[01:45:43]  35 was Robin Burke.
[01:45:44]  Yeah, exactly.
[01:45:45]  34 and 35.
[01:45:47]  They had the Jamaican fucking fest.
[01:45:50]  Everyone, it was like a fucking dance fuck party.
[01:45:56]  It was like MTV the grind, but Jamaican.
[01:45:59]  And they were fucking.
[01:46:00]  Yeah, yeah.
[01:46:01]  I was telling Jewish Task Force, JTF, dude with the glasses and the fucking big screaming at the time.
[01:46:08]  This dude was the spick in Spanish.
[01:46:11]  Oh my God.
[01:46:13]  So many different things.
[01:46:14]  You can save.
[01:46:15]  That was the name of the show.
[01:46:16]  Spicking Spam was the cleaning thing.
[01:46:19]  So they had Spicking Spanish, and then they had the Black Israelites podcast.
[01:46:24]  So podcasting and live streaming, what is popular right now, existed with public actors.
[01:46:29]  You could call in in real time and just start arguing with the people you were watching on TV.
[01:46:35]  And they would tell you to be like, Can you turn down your TV because it's coming through the fall?
[01:46:38]  No.
[01:46:39]  Yeah.
[01:46:40]  Oh, that's so funny.
[01:46:41]  And it was an insane time.
[01:46:42]  Robin Bird, who was this like, she was like an iconic, I guess, porn lady, but she was old and kind of weathered, but she brought on like porn stars and they would like fuck.
[01:46:54]  There was no rules.
[01:46:55]  Nah, like public access was one of those things.
[01:46:59]  It was like YouTube.
[01:47:00]  Like you just upload your own shit.
[01:47:02]  Yeah.
[01:47:03]  It was Wayne's World.
[01:47:04]  Yes.
[01:47:04]  It was Wayne's World.
[01:47:06]  Yeah.
[01:47:06]  What was Jewish Task Force?
[01:47:07]  What was that show?
[01:47:08]  It was this one fucking dude, this freak wilding out about everything Jew shit.
[01:47:15]  You would just talk about Jewish music.
[01:47:17]  Yes, yes.
[01:47:18]  Really?
[01:47:19]  Israel.
[01:47:20]  This was the late 90s, early 90s, late 90s into the 2000s.
[01:47:25]  So whatever the fuck was going on.
[01:47:27]  Yeah.
[01:47:27]  And he was commenting on it.
[01:47:28]  He was fucking freaking out.
[01:47:31]  Yeah.
[01:47:31]  Just a little crack up.
[01:47:33]  Nah, public action.
[01:47:34]  That was comedy.
[01:47:35]  Yeah.
[01:47:35]  Yeah.
[01:47:36]  Oh, that's fine.
[01:47:37]  Yeah, just call in and rile them up.
[01:47:38]  Dude, the black Israelites were the best.
[01:47:41]  In the street, they're the best.
[01:47:42]  You can really fucking ride.
[01:47:44]  They don't even, they're not even out like they used to be.
[01:47:46]  No, you got to go to 125th.
[01:47:48]  I got to go way uptown.
[01:47:49]  Yeah, you got to be in the white areas.
[01:47:52]  It used to be a nice little dialogue in front of Whole Foods on 14th.
[01:47:56]  I have not seen that one.
[01:47:57]  Bro, they've rope in these white girls and it'd be so funny.
[01:48:00]  Like you could just watch them because you know it's about to go down and the white girls will like start to fall for it.
[01:48:05]  Well, that's not right.
[01:48:06]  And I'm like, well, once they got her hooked, it's over.
[01:48:08]  Just like when you stand there and you see dudes really arguing with them, you're like, yo, where are you from?
[01:48:13]  You fucking stupid.
[01:48:15]  You got nothing to do to that?
[01:48:16]  You fucking stupid right now, man.
[01:48:18]  We're in front of Popeyes on 125th and you're arguing with these guys.
[01:48:21]  What are we doing?
[01:48:22]  Two of my roommates from college became Hebrew Israelites.
[01:48:25]  They were like, you know, in Dallas.
[01:48:26]  They were going out there in downtown yelling about white people or whatever.
[01:48:29]  It was the craziest thing.
[01:48:30]  Also, they only fucked white girls, so it was so funny to watch.
[01:48:33]  I remember one time I was with a white chick.
[01:48:35]  I was like, yo, we got to cross the street.
[01:48:39]  You didn't want to fucking smoke.
[01:48:40]  Put your hoodie up.
[01:48:41]  Put your hoodie up, right?
[01:48:43]  All right, action before you get out.
[01:48:44]  I saluted you, honestly.
[01:48:45]  No.
[01:48:45]  No, no.
[01:48:46]  No.
[01:48:47]  They did not say that.
[01:48:49]  But they would have said shit about her.
[01:48:50]  Yeah.
[01:48:50]  And I would have been like, damn, I got to pop off.
[01:48:53]  And it was deep, too.
[01:48:55]  He wasn't popping off.
[01:48:56]  I just have a really quick question.
[01:48:57]  What was it like touring with Eminem in Australia with all the rest of those guys?
[01:49:02]  I was fucking bugged out.
[01:49:03]  Insane, right?
[01:49:04]  It was insane.
[01:49:05]  It was me, Kendrick, J. Cole, and Eminem.
[01:49:07]  Holy crazy.
[01:49:08]  And this was like before everyone really popped off like that.
[01:49:12]  I didn't even have an album out, but I had the same manager, Paul Rosenberg, as him.
[01:49:16]  So they brought me along.
[01:49:18]  I performed in front of 35,000 people in South Africa with him.
[01:49:23]  Wow.
[01:49:23]  55,000 in Johannesburg, 35,000 in Cape Town.
[01:49:27]  Wow.
[01:49:28]  What do you learn performing for something that big?
[01:49:30]  Like that you didn't know before?
[01:49:33]  You need fucking, you need all kinds of doodads on the stage.
[01:49:36]  You need fire.
[01:49:37]  You need pyrotechnics to take because it's just you standing there.
[01:49:40]  Yeah.
[01:49:41]  You need a little bit more.
[01:49:43]  You need to fill the room.
[01:49:44]  You need music.
[01:49:45]  Yeah.
[01:49:45]  I had one goddamn DJ up there with music that wasn't mixed.
[01:49:49]  It was a shit show.
[01:49:50]  No.
[01:49:51]  But it was fun.
[01:49:52]  Did you get to hang with the guys?
[01:49:53]  Yeah, of course.
[01:49:54]  Of course.
[01:49:55]  And so just like tour bus shit.
[01:49:57]  Nah, it wasn't really tour bus shit.
[01:49:59]  This was more like everyone had their own space, but at the venues, you see everybody.
[01:50:04]  Yeah.
[01:50:04]  And what were the convos like backstage with Kendrick and those guys?
[01:50:10]  These guys are very normal guys.
[01:50:11]  You know what I'm saying?
[01:50:12]  Like, I can't really pinpoint conversations.
[01:50:15]  Everyone just talks shit.
[01:50:17]  Yeah.
[01:50:18]  I remember when I first met M, it was in Leeds, in Reading and Leeds Festival.
[01:50:25]  You know, you have to be summoned to meet him.
[01:50:27]  So he asked for me.
[01:50:28]  They brought me.
[01:50:30]  He was standing.
[01:50:31]  You know, I walk in.
[01:50:32]  There's like three guys standing in a circle.

=== Backstage Conversations With Kendrick (11:04) ===

[01:50:34]  His back is to me.
[01:50:36]  He turns his head slightly.
[01:50:39]  The fucking shine of the light just tickles his cheek.
[01:50:44]  All you see is a side profile.
[01:50:46]  I thought he was going to make a full turn.
[01:50:47]  He just went back that way.
[01:50:49]  And then I went and said, what's up?
[01:50:50]  And it was just normal.
[01:50:51]  Real.
[01:50:52]  And he made me a plate.
[01:50:54]  Fixed me a plate of food.
[01:50:55]  What's on a plate?
[01:50:56]  Some bullshit, some string beans, some roast, whatever was back there.
[01:51:04]  How's it that?
[01:51:04]  Yeah.
[01:51:05]  Strong dad.
[01:51:05]  Strong dad.
[01:51:08]  But this wasn't a full, it's, you know, it was this hug.
[01:51:13]  The slap hug.
[01:51:15]  But the slap was strong.
[01:51:16]  It was a connection.
[01:51:18]  And then the hug was even stronger, gable grip.
[01:51:22]  Fanning your work?
[01:51:24]  I would say.
[01:51:24]  Yeah.
[01:51:25]  I would say.
[01:51:26]  I mean, that's why you're there, right?
[01:51:27]  I would say so.
[01:51:28]  Yeah.
[01:51:28]  Yeah.
[01:51:29]  Okay, before you leave, we have something for you.
[01:51:31]  And I know you've been trying to, you know, be a skinny, shredded motherfucker.
[01:51:35]  Yeah, right.
[01:51:35]  What the fuck?
[01:51:38]  We have an omikase for you.
[01:51:40]  Oh, shit.
[01:51:40]  But it is a chocolate chip cookie omikase.
[01:51:43]  Oh, my God.
[01:51:44]  Okay.
[01:51:44]  Okay.
[01:51:45]  You all knew about this?
[01:51:46]  Of course.
[01:51:47]  Now, listen, we have what we think might be seven of the best chocolate chip cookies.
[01:51:52]  Wow.
[01:51:53]  Okay.
[01:51:53]  One or two had to be made.
[01:51:57]  One is Milton Abel Jr.'s chocolate chip cookie.
[01:52:02]  This has been...
[01:52:03]  Bless that man.
[01:52:04]  This has been made.
[01:52:06]  Milton Abel Jr. is a fucking tremendous man.
[01:52:08]  Tell us, tell us.
[01:52:09]  I mean, Milton Abel Jr. is one of the best bakers I've ever met.
[01:52:16]  Met him in Copenhagen.
[01:52:18]  And, you know, he used to work at the French laundry.
[01:52:20]  He worked for...
[01:52:21]  Yeah, of course.
[01:52:22]  And over here, in Copenhagen, he worked at NOMA.
[01:52:25]  He worked at a bunch of different places.
[01:52:27]  NOMA is the number one restaurant in the world or whatever.
[01:52:29]  Right now, yeah.
[01:52:31]  And he worked at a bunch of different places, but he opened a spot over there.
[01:52:35]  And the man just is magical with the baking.
[01:52:38]  Okay.
[01:52:38]  We're going to do one of each.
[01:52:40]  Also, what is your choice of milk?
[01:52:42]  We have all of the milk.
[01:52:44]  Skim.
[01:52:45]  Ooh.
[01:52:46]  Cold.
[01:52:46]  Ooh.
[01:52:47]  Well, cold, yeah.
[01:52:48]  Yeah.
[01:52:49]  And then let's do one of each cookie and then we can all in one round?
[01:52:53]  Yeah, I think so.
[01:52:54]  Do you know why you do cold skim?
[01:52:56]  Why skim?
[01:52:57]  Because the cream affects the cookie.
[01:52:59]  If you do a whole milk, the creaminess of the milk could make the cookie better.
[01:53:04]  So you don't get a true taste.
[01:53:06]  You don't get a true taste of the cookie.
[01:53:08]  What we're doing is we're still getting some lactic cold, but the full taste of the cookie.
[01:53:13]  That's interesting.
[01:53:14]  And also, you know, I don't really need to dunk.
[01:53:16]  It's more of a wash with the milk.
[01:53:18]  Yeah.
[01:53:19]  It's a milk wash.
[01:53:20]  I agree with that.
[01:53:20]  Do you think that is the best pairing for the chocolate chip cookie?
[01:53:25]  Yeah.
[01:53:26]  Or is this just a cultural thing that we just have agreed to?
[01:53:29]  Chai is good.
[01:53:31]  Wow.
[01:53:31]  Chai is good.
[01:53:32]  Yeah.
[01:53:32]  Chai biscuits will do.
[01:53:33]  That's what I'm saying.
[01:53:34]  Chai and chocolate cookies or coffee and chocolate chip cookie is really good.
[01:53:38]  Yeah.
[01:53:39]  The reason I knew you were hanging with Russ is because I went to go get a cookie from a place and the guy who's the chef there, he had worked on some stuff with Russ.
[01:53:53]  And he's like, yeah, I think they're cooking today.
[01:53:56]  Bro, I'm going to invite you guys to the pop-up.
[01:53:59]  Crazy?
[01:53:59]  It's ridiculous.
[01:54:01]  It's ridiculous stuff.
[01:54:02]  But he makes a good fucking cookie.
[01:54:06]  The butterscotch.
[01:54:07]  Yeah.
[01:54:07]  Yeah, yeah, yeah.
[01:54:08]  He sent them over here.
[01:54:09]  I didn't realize that you had made that.
[01:54:10]  Now it all makes sense.
[01:54:12]  Yeah.
[01:54:12]  Do you enjoy the process of being in a proper kitchen or do you like being dolo working on your own shit?
[01:54:17]  No, I like being in a proper kitchen also.
[01:54:19]  I like all that shit.
[01:54:20]  It's the energy.
[01:54:21]  Yeah, because I don't know it all.
[01:54:23]  I need to be with people that are better than me and have more experience.
[01:54:27]  That's why I only like to be around high-level shit, because how would I get better?
[01:54:32]  Yeah.
[01:54:32]  If I'm around fucking mediocrity.
[01:54:34]  But you enjoy the intensity of taste.
[01:54:38]  I love all that shit.
[01:54:39]  I like pressure.
[01:54:40]  I like balls to the wall.
[01:54:42]  Yeah.
[01:54:42]  And do you like the, I guess, systems of running an entire restaurant or do you want to only focus on the kitchen?
[01:54:49]  You have to be conscious of it all, bro.
[01:54:52]  That's where that money, the money's in the bar, the money's in, you know, in the minutiae, in the little details things.
[01:54:58]  You know, the food usually, the bar is what dictates the ability of the kitchen to do what they want.
[01:55:04]  If you're making real money at the bar, you could get the good stuff.
[01:55:07]  It's all that.
[01:55:07]  You can do whatever the fuck you want.
[01:55:09]  It's all a show.
[01:55:10]  Where's your restaurant?
[01:55:11]  I'm working, man.
[01:55:12]  I'm working on it right now.
[01:55:14]  There's some things in the works.
[01:55:15]  Like, yeah, I don't like to put it out in the air until it's so it's real.
[01:55:18]  What are some restaurant red flags?
[01:55:19]  If you sit down at a restaurant and you see something, how do you know it's going to be not as good as people tell you?
[01:55:24]  Hmm.
[01:55:30]  Fuck, man.
[01:55:31]  I don't, you know, I really don't like to like, I don't like to shit on places, so I don't want to give that up.
[01:55:36]  I just know.
[01:55:38]  You just know.
[01:55:39]  All right, what if the who the fuck is telling you it's good is usually a telltale, a telltale sign of whether it's going to be good or not.
[01:55:46]  What do you mean by that?
[01:55:47]  Yeah, if you're not.
[01:55:48]  Who that info is coming from.
[01:55:49]  Yeah, like, yo, if I know your palate's garbage, and you're telling me this is great, oh man.
[01:55:55]  Yeah.
[01:55:55]  Do you think Michelin star restaurants are sometimes overhyped?
[01:55:58]  Of course.
[01:55:58]  Yeah.
[01:55:59]  Of course.
[01:56:00]  But I think that they're looking for things that are new and inventive.
[01:56:03]  And it's like, it's just like music.
[01:56:06]  It's a lot of shit that just keeps getting redone in movies.
[01:56:10]  So when someone does something new and fresh and crazy, give them the fucking star.
[01:56:15]  Why not?
[01:56:16]  Why you think they're a little too traditional about it?
[01:56:19]  I don't really know what they look for.
[01:56:22]  I believe that.
[01:56:23]  It looks for Japanese, Italian, and French.
[01:56:26]  Yeah, there it is.
[01:56:27]  It's usually some fucking snooty bullshit.
[01:56:29]  That's why it's a goddamn tire company for fuck's sake.
[01:56:32]  Yeah, that's my history of it is fucking.
[01:56:34]  You know, it's not Michelin.
[01:56:36]  It's fucking Michelin tire from Michigan or wherever the fuck.
[01:56:41]  Toledo.
[01:56:42]  I know they know about food.
[01:56:44]  We're going to do our own.
[01:56:46]  I went to a Michelin star at an Indian restaurant and I was like...
[01:56:48]  Which one?
[01:56:49]  I have not found good Indian food in the city.
[01:56:51]  If you know spots, I would love to know them.
[01:56:53]  The maca is good.
[01:56:54]  I heard the maca is good.
[01:56:55]  Tamarind?
[01:56:57]  You got to go to Queens.
[01:56:59]  There's no rest.
[01:56:59]  You're in Queens?
[01:57:00]  We go to Edison.
[01:57:01]  No, we go.
[01:57:01]  My wife and I go to Europe.
[01:57:02]  Oh, Edison.
[01:57:03]  Also, it's just as good as Jackson Heights.
[01:57:05]  Yeah, yeah, yeah.
[01:57:06]  Just as good.
[01:57:07]  Yeah.
[01:57:07]  But you got to go to the places that don't have like these big names.
[01:57:11]  No big restaurants.
[01:57:11]  You're going to be happy.
[01:57:12]  You're going to go to Holden Wall.
[01:57:14]  Yeah.
[01:57:15]  You got to go to a fucking place with the steam table.
[01:57:18]  Will you give a restaurant extra credit for being able to serve more people at the same quality?
[01:57:26]  In other words, that's what I'm saying.
[01:57:28]  The consistency and level at that.
[01:57:31]  Yeah, but I also talked to a chef who said that he fucking, that's actually like trash.
[01:57:36]  What you mean?
[01:57:37]  To be able to just do the same thing over and over again, the same every day is kind of like sad also.
[01:57:44]  Break that down.
[01:57:45]  Yeah, so one of your vlogs are going to be a good thing.
[01:57:47]  Yeah, exactly.
[01:57:47]  And that dude has the table, which is this dude Bruno Verjou.
[01:57:53]  He just became a chef at 52 or 56.
[01:57:57]  He was a food critic before that.
[01:57:59]  And he makes different food every day.
[01:58:01]  It's always dependent on what's the freshest from the farm.
[01:58:06]  And then that dictates his menu.
[01:58:10]  He thinks that it's sad to have brilliant young creatives doing the same thing every day.
[01:58:18]  The restriction.
[01:58:19]  The restriction.
[01:58:20]  You lose industry.
[01:58:21]  You lose.
[01:58:22]  It's like you lose language.
[01:58:24]  You lose the ability to express yourself.
[01:58:29]  I agree with that artistically.
[01:58:31]  Like you just want to be able to flow and do whatever.
[01:58:33]  But like the difficulty required in recreating something to satisfy me the second, third, and fifth time.
[01:58:41]  Like if I go have a steak at Rawls, right?
[01:58:43]  And I tell my friends, hey, we got to go to Rawls and get the steak.
[01:58:47]  I want to know that that shit is going to taste like the last time I went because I just put my name on it.
[01:58:51]  For sure.
[01:58:51]  Like at this point with Lugers, Lugers is phenomenal, but I judge it like, oh, tonight was a really good night.
[01:58:58]  You know, like tonight was a good one at Lugers, you know, because sometimes you, it's just so, you know, it's not as good as the last time.
[01:59:06]  Yeah.
[01:59:07]  But sometimes it's fucking unheard of and you can't even judge it.
[01:59:10]  You know what I'm saying?
[01:59:11]  Even with Lugers, like I remember Lugers getting all that shit.
[01:59:14]  Remember they was like, it got, yeah.
[01:59:15]  And it's like, yo, because that fucking guy is a cocksucker.
[01:59:18]  All he wants to do is talk shit anyway.
[01:59:20]  He was saying, he was like, he was up to his fucking, he was like, I'm sick of this shit.
[01:59:25]  That's on him.
[01:59:26]  Yeah.
[01:59:26]  That's it.
[01:59:27]  I feel him, though.
[01:59:29]  What he's looking for is some new inventive shit.
[01:59:31]  But don't go to Lugers.
[01:59:32]  Don't go there for that.
[01:59:33]  You know you're not getting this.
[01:59:35]  This is a traditional steakhouse.
[01:59:36]  Like dudes are going there after work in their work attire.
[01:59:40]  And now all of a sudden, people are coming from China and making it this whole big dinner thing.
[01:59:44]  And it's like, dude, this is...
[01:59:46]  I was there on Thanksgiving.
[01:59:47]  Yeah.
[01:59:48]  It was only Asian people in there.
[01:59:51]  It was literally only Asian people in there and us.
[01:59:54]  I've never seen that before.
[01:59:55]  But that's what's happening now.
[01:59:56]  So the expectation is like, you're going to go to this exquisite fine dining.
[02:00:00]  It's like, no, you're going to get a great cut and you're going to hang with your boys and you're going to have like a decent cocktail.
[02:00:06]  For me, I don't really give it.
[02:00:08]  I like an old school bartender that fucking makes a shitty drink.
[02:00:12]  You know, I don't want a guy fucking shaking it and it's all delicious.
[02:00:17]  I don't want it to be delicious.
[02:00:19]  Yeah, yeah.
[02:00:20]  I want it to be rough.
[02:00:21]  Like, what is this?
[02:00:22]  Yeah.
[02:00:23]  They're all Albanian in there.
[02:00:25]  Every fucking waiter is old school Albanian, Bosnian.
[02:00:28]  Both gangs, too.
[02:00:29]  They're all Balkan.
[02:00:30]  Bro, they're all, those jobs are passed on from generation to generation.
[02:00:35]  Just off of me, I could only imagine what he made in a tip just from my table.
[02:00:40]  Those dudes put motherfucking kids through college.
[02:00:43]  Oh, yeah.
[02:00:44]  Fucking swim team, golf team, whatever you want as a waiter at fucking Lugers.
[02:00:49]  That's a career.
[02:00:51]  That is a...
[02:00:51]  That's not a top.
[02:00:53]  No, you're a top-tier professional when you're a waiter at Luger's.
[02:00:57]  And you're making cash, bro.
[02:00:58]  I'm so surprised, though.
[02:00:59]  So much cash.
[02:01:00]  Thanksgiving, you went to Peter Lugers?
[02:01:01]  Yeah.
[02:01:01]  I would think like that's a day you're going to shuff it up and do your thing.
[02:01:04]  No, I don't really give a shit about things like that, man.
[02:01:06]  Like, that's a fucking, I don't celebrate genocide.
[02:01:11]  And not only that, it's fucking, you know, I'm not trying to fucking clean.
[02:01:16]  And I also cook for people, you know, like the not cleaning thing, I'm with you, but the genocide shit, come on, bro.
[02:01:22]  Stop losing a fun day.
[02:01:25]  You know, I got a knee.
[02:01:26]  I need a reason.
[02:01:26]  You know, I gotta make it dramatic.
[02:01:32]  That bothered me.
[02:01:33]  I'm glad you called me out on that.
[02:01:36]  You know, you gotta make it a little bit dramatic.

=== Special Honey Butter Ice Cream (12:41) ===

[02:01:38]  Yeah, you got it.
[02:01:40]  You mean a dramatic?
[02:01:41]  Yes.
[02:01:41]  Here we go.
[02:01:43]  Here we go.
[02:01:45]  Chef Duff.
[02:01:46]  Oh, man.
[02:01:47]  Oh, Dub.
[02:01:48]  This is a weird angle to bring it.
[02:01:49]  You could have brought it over there.
[02:01:52]  It doesn't work at Lugers.
[02:01:53]  It doesn't work at Lugers.
[02:01:54]  Okay.
[02:01:56]  Now.
[02:01:56]  Did you warm them up?
[02:01:58]  Listen, that's it.
[02:01:58]  This is fucking silly right here.
[02:02:00]  This is not warmed up.
[02:02:01]  This is not warmed up.
[02:02:04]  Oh, they are.
[02:02:05]  They're about 15 seconds.
[02:02:06]  Okay.
[02:02:08]  Okay.
[02:02:09]  So, here we go.
[02:02:11]  All right.
[02:02:12]  Okay.
[02:02:13]  Now, I believe, just do you have all you know everything?
[02:02:17]  Okay.
[02:02:18]  I believe this is Milton, right?
[02:02:21]  No, other way.
[02:02:22]  Oh, sorry.
[02:02:22]  This is Milton.
[02:02:23]  So, if you want, you can start with Milton.
[02:02:26]  Do you want to know where each are from, or do you want to kind of be a little bit more?
[02:02:29]  Let me do it blind.
[02:02:30]  Okay, go blind.
[02:02:31]  Let me do it blind.
[02:02:32]  I wish I didn't tell you.
[02:02:32]  That's all right.
[02:02:33]  I'll try Milton's last.
[02:02:35]  I know what Milton's tastes like.
[02:02:36]  We also, we got the mat for you right there.
[02:02:39]  Now, that's a sleeper, that one.
[02:02:42]  If you get this, though, if you get this, I'm having the hardest time not jumping.
[02:02:50]  Sure, I jump in.
[02:02:52]  That's good for me.
[02:02:54]  Yeah, I love the chewiness of that.
[02:02:56]  Yeah, yeah, fantastic.
[02:02:59]  That reminds me of a cookie that you used to be able to buy in the Bronx, and they would warm it up for you right there in the store.
[02:03:08]  Do you want to know where it's from?
[02:03:09]  Let me guess.
[02:03:10]  Let's let him.
[02:03:11]  Yeah, let him work.
[02:03:13]  That's not, it's not Miss.
[02:03:15]  It's Spunkmeyer.
[02:03:17]  Is it Otis Spunkmire?
[02:03:18]  Or the Otis Spunk Meyer.
[02:03:20]  Which one is that?
[02:03:21]  That's Subway.
[02:03:23]  And you were kind of right when you said old.
[02:03:28]  I think it is.
[02:03:28]  Oh, it might be a shit.
[02:03:29]  It is, dog.
[02:03:30]  Okay.
[02:03:30]  It is.
[02:03:30]  It's a Spunk Meyer.
[02:03:32]  Okay.
[02:03:32]  That's fire.
[02:03:33]  Bro, Subway is Otis Spunk Meyer.
[02:03:35]  Holy shit.
[02:03:37]  Brock.
[02:03:39]  Brock fucking with the Adam Silver.
[02:03:42]  Yeah, nah.
[02:03:44]  Nah, it was a wink there.
[02:03:46]  Bro, that's great.
[02:03:47]  That is crazy.
[02:03:48]  That's crazy.
[02:03:51]  All right.
[02:03:51]  He just cracked a code.
[02:03:54]  Okay.
[02:03:56]  That was a good crunch.
[02:03:57]  This one here?
[02:03:58]  Mm-hmm.
[02:04:02]  I like that.
[02:04:02]  It's nice and crunchy, right?
[02:04:03]  Oh, that one's fucked up.
[02:04:04]  Oh, wait.
[02:04:05]  That's my favorite.
[02:04:06]  Which one?
[02:04:06]  That fluffy guy?
[02:04:07]  I tend to like a chocolate chip cookie that doesn't have too many chocolate chips in it.
[02:04:11]  Bro, I feel that way.
[02:04:12]  I don't like chocolate chunk.
[02:04:14]  I like the cookie taste better than I like the chocolate.
[02:04:16]  You feel me?
[02:04:17]  I don't like the chunky chocolate chip.
[02:04:18]  You want more?
[02:04:19]  You want extra chocolate in it?
[02:04:20]  I don't load it.
[02:04:21]  Oh, my God.
[02:04:22]  Then just eat chocolate.
[02:04:23]  You know what I mean?
[02:04:24]  Yeah, that one.
[02:04:25]  God damn.
[02:04:26]  This one with the crunch.
[02:04:28]  The crunch is stupid, right?
[02:04:29]  I think I know which one that is.
[02:04:31]  The texture is ridiculous.
[02:04:33]  I think I might know that one.
[02:04:34]  Is this Levain?
[02:04:35]  No.
[02:04:36]  Is that culture?
[02:04:37]  I'm not sure.
[02:04:38]  That is culture.
[02:04:39]  That's culture.
[02:04:39]  What is that?
[02:04:40]  Culture special.
[02:04:41]  Sound like 36th Street, I think.
[02:04:43]  I believe it is Culture 36th.
[02:04:45]  That's a great cookie.
[02:04:45]  So, yeah, it's great.
[02:04:46]  I never knew that.
[02:04:47]  That's really good.
[02:04:48]  I'm not even eating it.
[02:04:48]  That's how fat I am.
[02:04:49]  I knew by looking.
[02:04:51]  That's what I've been trying to do.
[02:04:52]  I've been trying to figure it out.
[02:04:53]  This is special.
[02:04:54]  A little sea salt.
[02:04:55]  Mm-hmm.
[02:04:55]  Sweet and salty.
[02:04:58]  These look beautiful.
[02:04:59]  That looks crazy.
[02:05:00]  The way it just broke apart, like artisan.
[02:05:03]  No, this is crazy.
[02:05:04]  It's a valerona chocolate.
[02:05:06]  Breaker, breaker, breaker.
[02:05:08]  Oh, no.
[02:05:08]  I got you.
[02:05:09]  Good.
[02:05:09]  This is crazy.
[02:05:11]  This is this is one people are saying is the cookie.
[02:05:15]  Well, no.
[02:05:20]  OG.
[02:05:20]  Young Milton.
[02:05:22]  There should be honey butter on there.
[02:05:24]  We didn't do the honey butter for a reason.
[02:05:27]  We felt like it was like adding ice cream.
[02:05:30]  Yeah, it's too much.
[02:05:31]  Yeah.
[02:05:31]  Like a cheats it tastes like an additional thing.
[02:05:35]  Yeah.
[02:05:37]  Yeah, that's excellent.
[02:05:38]  As far as flavor, Milton's cookie is the best.
[02:05:42]  Wow.
[02:05:43]  The flavor of the cookie.
[02:05:45]  Now, my wife made these.
[02:05:47]  They're really good.
[02:05:47]  She did a fucking tremendous job.
[02:05:49]  Yeah.
[02:05:49]  For real.
[02:05:51]  Oh, wow.
[02:05:51]  It's a delicious cookie, you know, like this.
[02:05:53]  This is great, too.
[02:05:54]  That vanilla paste, too.
[02:05:55]  That's what I'm saying.
[02:05:55]  That's the difference between everything is that vanilla paste.
[02:05:58]  You get like, it's a special cookie.
[02:06:02]  So this is mercerie.
[02:06:05]  It's good.
[02:06:05]  The chef.
[02:06:06]  It's good.
[02:06:07]  It's friends with Russia.
[02:06:08]  Not Hughes Wanted.
[02:06:09]  No, that's good.
[02:06:09]  That's a good cookie.
[02:06:11]  This crunch is the best.
[02:06:13]  That one's crazy.
[02:06:14]  Bang for Buck, you go Subway.
[02:06:17]  100%.
[02:06:17]  Bang for the Buck and Gold or Spoke Meyer, dog.
[02:06:20]  Because those, I'm telling you, these could be warmed up in the microwave 12 times.
[02:06:25]  Nothing.
[02:06:26]  It'll always like a big back dose.
[02:06:28]  It'll always be the same.
[02:06:30]  Okay.
[02:06:30]  This is my wife's chocolate chip cookie.
[02:06:35]  You got to get in there.
[02:06:40]  A lot of pressure, bro.
[02:06:42]  Brown butter?
[02:06:44]  I can ask.
[02:06:48]  That's really good, too.
[02:06:50]  Smooth.
[02:06:51]  That's really good.
[02:06:53]  You heard it, man.
[02:06:55]  Great job.
[02:06:56]  Yeah, this is a real smorgasbord over here, man.
[02:06:59]  This one is crazy because it's soft and crunchy.
[02:07:02]  Where's that one from?
[02:07:03]  This is the culture.
[02:07:04]  This one right here, you guys should try for the vanilla flavor in it.
[02:07:07]  That one has like a special, it has something to it, bro.
[02:07:09]  It's like you don't really taste things like that.
[02:07:13]  Yeah.
[02:07:14]  And she nailed that shit.
[02:07:15]  She killed it, right?
[02:07:16]  She nailed it.
[02:07:17]  And that, when that comes out, that comes out really soft.
[02:07:20]  Yep.
[02:07:21]  Like, you got to let that sit for 20 minutes before you can even take it off the pan.
[02:07:26]  That's up there with the Subway cookie.
[02:07:28]  Right?
[02:07:30]  That's up there.
[02:07:31]  That's up there.
[02:07:31]  That's a fucking big deal.
[02:07:33]  It's a big deal, though.
[02:07:34]  Apartment 4F is this one.
[02:07:37]  I used to live in 4J.
[02:07:41]  Let me see.
[02:07:41]  There's a line out the door of that place this morning.
[02:07:43]  Really?
[02:07:44]  Bro, that place has a line.
[02:07:45]  I used to live right by it.
[02:07:46]  Is it only for cookies or is it what else they saw?
[02:07:48]  French bakery.
[02:07:49]  Okay.
[02:07:52]  My favorite French bakery is by far the BC Clette.
[02:07:54]  Bro, yeah, I saw that episode.
[02:07:56]  That was great.
[02:07:57]  Yeah, no, it's by far.
[02:07:59]  He's the illiest dude ever.
[02:08:00]  He makes all the bread himself.
[02:08:03]  He was great.
[02:08:04]  He's great.
[02:08:05]  And he wasn't like pretentious like what you would think a French baker would be.
[02:08:08]  He was a friendly.
[02:08:09]  Because he's Ukrainian, you know?
[02:08:10]  He's like a Ukrainian Frenchman.
[02:08:13]  Yeah, that whole place is crazy.
[02:08:14]  Classic.
[02:08:14]  The sandwiches they do.
[02:08:15]  Bro.
[02:08:16]  Chocolate roulette.
[02:08:17]  That one's good.
[02:08:18]  I love that.
[02:08:19]  Yep.
[02:08:19]  This one's crazy.
[02:08:20]  I love the finance.
[02:08:22]  It's fucking crazy.
[02:08:23]  All-time.
[02:08:23]  The culture one is crazy.
[02:08:25]  We see Slovak and Yaser means you go there all the time.
[02:08:28]  Oh, crazy.
[02:08:30]  All right.
[02:08:31]  Best slice in New York.
[02:08:33]  Rosario's pizza in Astoria.
[02:08:36]  Rosario's.
[02:08:37]  Trust me, it's unheard of.
[02:08:38]  No one really knows about it.
[02:08:39]  It's an old, like an old Sicilian dude, chubby guy who looks like Jerry Garcia.
[02:08:46]  Try it out.
[02:08:46]  Fucking crack.
[02:08:48]  And that Chrissy spot was legit.
[02:08:49]  Chrissy, I mean, Chrissy, I just want that swap to always be open.
[02:08:53]  It's just such a novel.
[02:08:54]  He's the fucking man.
[02:08:55]  Well, besides it being in the home, he now has a space.
[02:08:59]  He's trying to figure it out, you know.
[02:09:01]  But can you get that oven cooked the same?
[02:09:03]  I don't know.
[02:09:04]  I'm going to have to try, but I'm going to try and book a day one time at the house.
[02:09:10]  How hard is that?
[02:09:11]  Not that hard.
[02:09:12]  Just call him up.
[02:09:13]  They will come to the house.
[02:09:14]  That'd be fire.
[02:09:15]  Because the pizza looks crazy.
[02:09:16]  Yeah.
[02:09:16]  You think you need to try that?
[02:09:17]  Yeah.
[02:09:18]  You need a house call.
[02:09:19]  If you got someone that's coming to New York, like there's probably a lot of people listening that are going to visit New York.
[02:09:23]  What restaurants do I need to do?
[02:09:25]  Yeah, that is a fucking great question.
[02:09:28]  Red Hook Tavern.
[02:09:29]  Yeah.
[02:09:31]  Lilia.
[02:09:31]  Yeah, Lilia's great.
[02:09:33]  Yeah, you got to go to Luger's.
[02:09:34]  You got to go to Queens.
[02:09:35]  You got to go to Jackson Heights and just go to some of the Columbian spots, some Thai spots.
[02:09:40]  One of my favorite Thai restaurants, Khao Kang in Elmhurst.
[02:09:47]  Bro, Cow Kang.
[02:09:48]  Fucking stupid shit.
[02:09:49]  Like really unheard of flavors.
[02:09:54]  It's like you've never eaten Thai food before.
[02:09:57]  Why is there such good flavor from that region?
[02:09:58]  Like, why is Thai food and what's so specific?
[02:10:01]  Vietnamese food, even though?
[02:10:02]  Because they power pack five or six different flavor profiles into every dish.
[02:10:07]  Sweet, sour, salty, fucking spicy, umami, this, that.
[02:10:12]  It's in every dish.
[02:10:13]  Indians love Thai food.
[02:10:14]  Oh, yeah, because.
[02:10:15]  I don't know if they're singing.
[02:10:15]  Singaporeans do.
[02:10:16]  Everybody's.
[02:10:18]  It's that Pan-Asia.
[02:10:19]  It's like all that area where they use 40 different things in one dish.
[02:10:25]  Yeah.
[02:10:25]  You know?
[02:10:26]  I went to Bangalore.
[02:10:28]  Every place you went to, like the pizza place, barbecue chicken pizza, jalapenos on it.
[02:10:32]  They do everything a little Indian.
[02:10:34]  Thai food, they don't.
[02:10:36]  We let that sit.
[02:10:37]  It was a fascinating thing to see.
[02:10:39]  I like altering pizza.
[02:10:41]  I don't want it to just be like an Italian pizza with all these beautiful Italian products.
[02:10:46]  Cool.
[02:10:47]  But we could play and fucking have fun.
[02:10:49]  There's room for both.
[02:10:49]  Yeah, I like pineapple and fucking shit on pizza.
[02:10:52]  I like all that stuff.
[02:10:53]  Give it to me.
[02:10:54]  Yo, that sandwich.
[02:10:57]  Sorry, but the people who get upset about pineapple on pizza act like there's no regular pizza places they could just go to.
[02:11:02]  Yeah, that's what I'm saying.
[02:11:04]  Try it.
[02:11:05]  If you had it the right way where it's not like some disgust, pineapple, some ham, and stuff just done right.
[02:11:11]  But that's some like Italian shit where it's like they've spent so long curating and crafting their cuisine.
[02:11:17]  When you do anything to it, they're just like, no, no, we did all the things.
[02:11:21]  We tried it.
[02:11:21]  We did this already.
[02:11:22]  We tried pineapple.
[02:11:23]  It didn't hit.
[02:11:25]  It's like insulting to them that we would think we could add on to it.
[02:11:29]  Which I get a little bit.
[02:11:30]  Like they got a few thousand years.
[02:11:32]  Yeah, but all kinds of new shit comes out.
[02:11:35]  There's no new product that's coming fresh out of Italy that's being used.
[02:11:39]  That's what they say about Italy right now.
[02:11:41]  It's like they're stuck in the past.
[02:11:42]  Like Italians will go, we love our culture so much that it's almost hard to break free from it.
[02:11:47]  It's hard to be a new chef doing something novel because you get criticized that you're not respecting the way the food should be made.
[02:11:55]  You're right.
[02:11:56]  Whatever.
[02:11:56]  I talked to these young chefs in Rome that told me that their restaurant is really like out there and amazing.
[02:12:02]  They use like the soul of that type of thing, but they modernized it and people like being shunned.
[02:12:10]  But you know what?
[02:12:11]  They got to do that.
[02:12:12]  Like that's the way that you make a name for yourself.
[02:12:14]  I'm looking at all these dudes like Masi Mo Batura, like the dude who just like, sure, that's Italian food, but is it?
[02:12:21]  Like, what the fuck is that?
[02:12:24]  He's like painting, but that's not.
[02:12:27]  What is his food?
[02:12:28]  Like, it's all artful things on the plate.
[02:12:30]  Like, it just looks gorgeous.
[02:12:32]  But at the root of it, it's traditional cooking.
[02:12:35]  But he just makes it look better.
[02:12:38]  So people, I guess, they get mad at him for making something that would traditionally be one shape of pasta and this sauce.
[02:12:46]  It has to be this or else it's not that.
[02:12:48]  And he does it differently.
[02:12:51]  But that's how you become a legend.
[02:12:52]  Yeah.
[02:12:53]  Fucking think out the box and break through.
[02:12:55]  Stop doing the same shit as everyone.
[02:12:57]  All right, last question before we wrap.
[02:13:01]  You made a sandwich in one of your videos.
[02:13:04]  It's a chicken cutlet, sesame seeds.
[02:13:07]  It looked like you had some fried bananas on there or something.
[02:13:10]  Was it bananas or plantains?
[02:13:12]  Oh, this is a long time.
[02:13:13]  Yeah, yeah, the fried maduro, like the sweet plantain.
[02:13:16]  And then chocolate ice cream.
[02:13:17]  Chocolate ice cream.
[02:13:19]  Now, it sounds crazy, which is why I clicked the video, but the explanation was interesting.
[02:13:27]  It was, and it was what we were saying earlier, back to your childhood.
[02:13:29]  It was like, what'd you say I want?
[02:13:31]  Wendy's spicy chicken sandwich and a frosty.
[02:13:34]  So when you're eating that together, that's what your mouth is going through, right?
[02:13:39]  Now, here's my question about it.
[02:13:41]  Are you two questions?
[02:13:42]  Are you letting the chicken cutlet cool before you throw that ice cream on?
[02:13:46]  No.
[02:13:46]  So the whole shit is just melting as you eat it?
[02:13:48]  Well, you put a big enough scoop there.
[02:13:51]  I've seen this recreated recently and it looked really good.
[02:13:56]  There's a way to make it really, there's a way to make it better.
[02:13:58]  But yeah, it's fucking messy.
[02:14:00]  It's going to be messy.
[02:14:00]  So you just accept it.
[02:14:02]  Yeah, you accept what you're eating.
[02:14:03]  You know that this is not right, and you fucking do it anyway.
[02:14:06]  Yeah.
[02:14:08]  I mean, that looked crazy.
[02:14:09]  I'm not going to lie.
[02:14:10]  It's a good one, man.
[02:14:10]  Well, you just go get a spicy chicken sandwich and a frosty and it'll be the same thing.
[02:14:14]  Yeah.
[02:14:15]  You heard it here first.
[02:14:16]  Action Bronson, everybody.
[02:14:17]  Thank you, everyone.
[02:14:19]  Thank you.