Dark Journalist - Dark Journalist X-Series 147: PawGate Atlantis Hall Of Records Revealed!
Aired: 2023-04-01
Duration: 03:03:24


=== Five Years of Dark Journalist (08:46) ===

[00:00:07]  And we are live.
[00:00:07]  This is Dark Journalist.
[00:00:09]  What a fantastic crowd we have out there in the ideas room tonight.
[00:00:13]  And of course, tonight I'm joined by the lovely Olivia.
[00:00:17]  Hi, everybody.
[00:00:18]  And Olivia, a special, special tribute tonight.
[00:00:21]  Five years, the fifth anniversary show of the X year.
[00:00:24]  Doesn't feel like five years.
[00:00:25]  Can you even believe it?
[00:00:26]  Unbelievable.
[00:00:28]  And we do it under a historic cloud of the New York Manhattan district attorney issuing an arrest warrant for an indictment against.
[00:00:39]  President Trump.
[00:00:42]  It doesn't, you know, the irony is not missed here, but these things and these weird power grabs, historic in nature, in their seediness, this too shall pass.
[00:00:56]  But we're going to do a special in depth report on that coming up.
[00:00:59]  Of course, that's supposed to all happen on Tuesday, but they have announced it.
[00:01:03]  And, you know, welcome to the circus, right?
[00:01:07]  Where are the clowns?
[00:01:08]  Send in the clowns.
[00:01:09]  They must be next.
[00:01:12]  Tonight's show is going to be.
[00:01:14]  A blockbuster because I can tell you right now that by the time you leave this episode, you're going to have knowledge about something in our ancient past, which doesn't exist anywhere.
[00:01:24]  It's actually no record of it until tonight.
[00:01:27]  There's an amazing crisscross, and what we're going to do is spill this over into two mega episodes one tonight and one tomorrow night.
[00:01:36]  And we're going to do them both in the normal time slots.
[00:01:40]  And I'll tell you what we'll do tonight, Miss Olivia we won't take questions tonight because we'll just get through the presentation and we'll be more question heavy tomorrow.
[00:01:47]  So, hold your fire, as it were, on that one.
[00:01:51]  And you can ask them, and I will copy it before tomorrow night.
[00:01:55]  Okay.
[00:01:55]  All right.
[00:01:56]  That's a good idea.
[00:01:57]  You could sandbag it, and Miss Olivia will put it away.
[00:02:00]  How are you doing out there?
[00:02:02]  Doing great.
[00:02:02]  Fantastic.
[00:02:04]  How's the crowd?
[00:02:05]  Very, very congratulatory, which is lovely.
[00:02:09]  Well, it's really interesting.
[00:02:11]  So many things that we started off with in the X series, some of the themes worked with came right out of the work of.
[00:02:19]  The Dark Journalist Show, but the X series was a way to study and really explore the X steganography aspect of it.
[00:02:26]  And we found some incredible things going down as a result of that.
[00:02:31]  So many ancient doorways opening in the crisscross of the advanced technology on one hand with the ancient mystery school knowledge on the other, proved to be this kind of irresistible path of knowing and knowledge and information, and some of the best guests on the planet.
[00:02:51]  And with a lot of the great researchers sort of behind us, waving us on and waving us in on this, for me, this is the kind of research that matters.
[00:03:03]  And anything that you do, of course, is important.
[00:03:07]  But when you get into some of the deeper structures behind things, that's where I'm the most comfortable, in fact.
[00:03:16]  I think a lot of people in traditional journalism shy away from that, but that's what gets me interested.
[00:03:24]  And it's always been that way.
[00:03:25]  I always tell people that I've been a dark journalist for a long, long time.
[00:03:30]  And I feel like I kind of grew up as one.
[00:03:32]  And, you know, when it comes to the X series, I think what we've got a combination of things happening here, which is there's a past that we don't know, there's a present that we don't know, and there's a future that we need to get a handle on.
[00:03:48]  And in order to do that, there are some principles and some things that have been laid out that if we can understand them and grasp them, Then they can awaken things inside of us, and we can kind of reach our full knowledge and wisdom potential.
[00:04:05]  So, you know, this is an amazing thing.
[00:04:07]  Our slogan for the show is the truth runs deep.
[00:04:11]  And, you know, there's no question about it that with the X Steganography series, that's where we're coming from.
[00:04:17]  And the ideas from and everything that you guys do contributing with your insights, with your emails, with your books, you know, with this incredible crisscross that's such a devastating combination.
[00:04:31]  I would say that between the research that I do, you know, Miss Olivia, The ideas from the incredible guests like Gigi Young and others that we have on the show make this just an incredible happening.
[00:04:44]  And so I look forward every week to doing this for you.
[00:04:48]  And it's an incredible happening for both of us.
[00:04:51]  Tonight is particularly special because it just so happens I have something wonderful for you on the fifth anniversary.
[00:04:58]  And this is an incredible crisscross here because it dovetails so heavily with the Atlantean Hall of Records knowledge, which we've studied so deeply on this show.
[00:05:08]  Involving the two eye stone, the power sources for the Atlanteans, how they brought that into Egypt and really dominated that culture, and how Egypt became the legacy culture of the advanced initiated Atlanteans, and how the mystery schools came out of that, and how we get the Book of the Dead and Pythagoras and all these things as a result of this initial thing that happened way back when.
[00:05:31]  There are some concepts that we've brought forward on the show, including Apotheum, which relates directly to this Atlantean disaster and the technology involved with it.
[00:05:42]  Which is going to be an important piece for us to understand in order to get our heads around something in modern times, like the UFO file, for example.
[00:05:52]  And it was funny, you know, a little aside is there we have all these kind of intellectual types trying to solve the UFO thing.
[00:05:58]  And one of them is this guy, Eric Weinstein.
[00:06:02]  And it's fascinating because, you know, whatever else he does, he goes, you know, how do we get to the bottom of UAP?
[00:06:09]  And I made a little comment under that, which said, well, the first thing you do is you change the The thing to UFO because UAP is a CIA dream that they came up with.
[00:06:19]  So it's very important when these people get into these things that they not adopt what the intelligence agencies and the establishment and the disinformation artists have left behind for them.
[00:06:30]  So you can see how important it is the resource of the ideas from a very well informed and looking for the truth group is going to be far more superior than any kind of group of.
[00:06:44]  Intellectual elites being like, hey, let's get the CIA people on because they have credentials to talk about the UFO file.
[00:06:51]  No, that's not how you do it.
[00:06:53]  That's not how you do it.
[00:06:54]  You definitely want people who are educated around it, but you don't want anyone near the intelligence group.
[00:07:02]  So that's very, very important.
[00:07:05]  A lot of the concepts that we get into when you get into mystery schools involve the incredible avalanche of knowledge that was released at the end of the 19th century.
[00:07:18]  Into the early to mid 20th century.
[00:07:20]  And that includes the public mystery schools of Theosophy with Helena Blavatsky, Annie Besant, and C.W. Ledbetter.
[00:07:30]  And what came out of that, what sprung out of that in Germany, for example, the Rudolf Steiner movement, which brought things back to the Western esotericism, which really has to take center stage now.
[00:07:43]  Steiner really gave us that incredible jumpstart by explaining the eighth sphere and Ahriman and telling us in the 21st century these were the things.
[00:07:51]  We were going to face.
[00:07:53]  We started to bring these things forward, and then somewhere along the line, people started to catch on with the eighth sphere.
[00:08:00]  And so now we have people independently researching this.
[00:08:03]  That is fantastic.
[00:08:05]  And, you know, this is what we need more of.
[00:08:07]  Of course, Gigi Young has done her own incredible work around that.
[00:08:12]  The Steiner work is an incredible vouchsafed legacy to come out, really, in the 21st century.
[00:08:18]  So, you know, we have a wonderful legacy coming in from that.
[00:08:23]  The Gurdjieff work, which I still think is not very well understood in terms of its impact and just the gigantic things that it tackled.
[00:08:33]  So, You know, G.I. Gurdjieff and P.D. Ospensky together with J.G. Bennett just spreading that into America, the UK, and around Europe from Russia and Armenia, which is where Greek Armenia, which is where Gurdjieff was born.

=== The Hall of Records Mystery (15:08) ===

[00:08:53]  And the incredible journeys that he had recounted in his meetings with remarkable men.
[00:08:59]  I always find that fascinating.
[00:09:01]  Another interesting thing that he gave us in the middle of all that was the Enneagram.
[00:09:06]  And the Sarmoon Brotherhood, and this indication that the Brotherhoods were invested in helping humanity survive this change from the Industrial Revolution into this unknown future, and talking about societal collapse and how it could be averted, and how small groups working together were going to be this incredibly potent kind of Noah's Ark going into the future.
[00:09:29]  Not that they always predicted disaster, but I think that they saw there was going to be, you know, this kind of Incredible mental aberration like we're seeing in society right now.
[00:09:41]  You know, how was that trans riot thing?
[00:09:45]  I know we're getting a lot on that one.
[00:09:47]  Don't even.
[00:09:49]  This, you know, these are the things that they want to lay on us, basically, right?
[00:09:53]  How's it going out there?
[00:09:54]  Going great.
[00:09:55]  Mr. Wolf says, as a wolf, there is no way I would miss Pogate.
[00:10:00]  Pogate is so very important because I'm giving that to you on three levels tonight.
[00:10:06]  And Pogate relates, of course, to the right sphinx of the right paw of the Sphinx.
[00:10:13]  And this is something that Edgar Cayce put on the record.
[00:10:16]  He was the first one to put on the record that there was the Atlantean Hall of Records beneath the right paw.
[00:10:23]  But what was interesting is if you really peer into those readings, there's a lot of erudite qualities to them, if you really, there's a complexity to it.
[00:10:31]  And what you realize is that he's saying it's an entrance and that actually the Hall of Records is between the Sphinx and the Nile.
[00:10:40]  But that the entrance, which is oh so important, was hidden there by the Atlanteans when they originally formed dynastic Egypt very early on, before the records that we have.
[00:10:55]  Now, it's also very interesting that Pogate relates to this revelation that I have for you that this group that vouchsafed these records for humanity, for destiny, and You know, put these things in a kind of a time capsule for a future generation to reveal the history and survive all those cataclysms and all the social upheavals and burning books and burning libraries and the burning of Alexandria and everything else.
[00:11:26]  Well, it just so happens that I'm going to show to you tonight that their motif, in fact, the mystery school's symbol is the paw.
[00:11:35]  And I'm going to show you that by going to the Yucatan Hall of Records and revealing the paw symbol that was, in fact, found.
[00:11:45]  And relates directly to something that Casey had said about these Hall of Records that the Atlanteans had left with information about our history, about the Two Eyes Stone, about the destruction of Atlantis.
[00:11:57]  All of that was going to be found in three places.
[00:12:01]  And the first place was going to be under the Sphinx, under the Sphinx's right paw, as we just mentioned, and also in the Yucatan, where Iltar, one of the kind of the Atlantean Noah, the early Mayan Noah, had gone there to deposit these records.
[00:12:18]  This is going to get very interesting because I have new information to put on the record about that tonight, which, you know, is going to open the whole thing up.
[00:12:26]  And Page is right in the heart of it.
[00:12:28]  And of course, the third place being right off the Coast of Bimini, which was the Poseidon temple that Edgar Cayce talked about.
[00:12:36]  That's right there in the hot zone.
[00:12:37]  And what did he say about that?
[00:12:38]  He said, land is rising.
[00:12:42]  You never hear scientists talking about land is rising, but land is rising.
[00:12:46]  So they're leaving that one off the boards when they discover, you know, when they mention climate change and all these types of things.
[00:12:53]  That's not mentioned somehow.
[00:12:55]  They leave that one out.
[00:12:57]  And there's a reason for that.
[00:12:58]  And the mystery schools knew it and they included it, including Steiner and Theosophy, land rising.
[00:13:04]  Off the East Coast.
[00:13:07]  Now, here's another piece that's crucial when you get to Pawgate, which is there was a major, major cover up of findings in Egypt by Zahi Hawass and Mark Lehner in their activities.
[00:13:21]  They're looking for the Hall of Records.
[00:13:23]  Hawass and Lehner represent the real establishment archaeology that were going on in that period of the 90s through the 2000s.
[00:13:33]  And they're still there and they're still active.
[00:13:36]  I think Lehner may have retired because he actually is from Boston.
[00:13:39]  But there were a lot of things that were getting very strange there, including the fact that the Casey Foundation had sponsored both of those guys for their educations before they went over there and started badmouthing Casey and all of his work.
[00:13:54]  So, in fact, I refer to many times the fact that the Egyptian Heritage is written by Mark Lehner, and that's all Casey readings.
[00:14:02]  That's 1974.
[00:14:04]  This guy was controlling the entirety of the Giza Plateau.
[00:14:10]  In the 90s, and he was preventing people like Graham Hancock, Robert Bavall, and Robert Schock from making any headway when they said, Well, you know what?
[00:14:18]  Actually, it looks like the Sphinx is the age of the case he gave at 10,500 BC.
[00:14:23]  He was the major block along with Hawass.
[00:14:26]  So there's a whole apogate piece there.
[00:14:30]  Since we're going to do this in two parts, the thrust tonight is going to come through the figure of Augustus Le Penjon.
[00:14:37]  And Augustus was an incredible archaeologist in the late 19th century who brought forward.
[00:14:44]  The entirety of Chichen Itza and other amazing Mayan sites.
[00:14:49]  And the way that he did it was through psychic archaeology, very different technique and just mind blowing.
[00:15:00]  And this is something that's often forgotten, or is it?
[00:15:03]  Is that just kind of left off that they are using psychics for this stuff, but you're not going to hear about it in any traditional archaeological fashion?
[00:15:12]  So his incredible discoveries included the figure of Chak Mul.
[00:15:18]  And Chakmul is going to be so important tonight because we're going to learn that the origin of the name itself is rooted in the Mayan term for a thunder paw.
[00:15:30]  So we're going to deal with thunder paw and we're going to deal with the Mayan Sphinx tonight.
[00:15:35]  Well, maybe many of you have never heard of a Mayan Sphinx because they don't ever talk about it.
[00:15:40]  Well, it's one of the interesting crisscross things that Augustus Le Plongeon found, and it was left out of the record books.
[00:15:48]  And I'll be honest with you, I don't know where that.
[00:15:50]  Mayan Sphinx is now, but I have pictures of it.
[00:15:54]  And I'm going to show it to you tonight because it was part of his great discovery.
[00:15:57]  And that's where he learned and had the light bulb moment.
[00:16:00]  Aha, Egypt, Mayans, central culture in the middle, feeding both sides, telling them to store records.
[00:16:07]  Well, it's interesting because in the middle of all this, we have Edgar Cayce, another mystery school piece.
[00:16:16]  Well, this is the Sleeping Prophet, of course.
[00:16:19]  And Cayce gave so many important readings about Atlantis, but he had a 40 year career there as a psychic that dealt with so many issues.
[00:16:27]  But this one's important because in some 900 life readings, the Atlanteans show up over and over again.
[00:16:35]  And over the course of time, if you're getting a reading from the 1920s or the 1940s, you're finding the exact language and geography and things.
[00:16:47]  It's added to here and there to give broader perspective.
[00:16:50]  But it's just a remarkable feat that Casey pulled off in drawing upon this Akashic record to give us.
[00:16:58]  This retro cognitive look at the past.
[00:17:03]  And there's something very important in there about him saying, well, actually, that other Hall of Records, the one in Yucatan, that's in a very interesting place.
[00:17:13]  And he starts to describe where it is.
[00:17:16]  And at a certain point, it's discovered that there were these expeditions that he mentions, which were picking up pieces of these two eye fire stones that were Atlantean.
[00:17:29]  And he said, you know, this Penn State actually expedition, they have people out there picking these things up.
[00:17:36]  They don't know what they are.
[00:17:38]  So when we tracked it back a little bit, it turns out that that whole area of the peninsula of the Yucatan was called Yucatan, even down through Guatemala in 1932 when he was giving the reading.
[00:17:53]  So when you go back and you dial that back a little bit, you realize a lot of people who were looking in certain places in the Yucatan for the Hall of Records.
[00:18:01]  Never considered a place like Piedras Negras, which is so important.
[00:18:05]  And the meaning, what the Mayans termed Piedras Negras, which is right there on that border with Mexico and Guatemala.
[00:18:15]  And the meaning of Piedras Negras in Spanish, of course, is the black stone.
[00:18:20]  But the Mayan name for Piedras Negras was the Paw Stone.
[00:18:26]  And this is going to be very important in terms of us understanding that the group that hid the Hall of Records was using the Paw.
[00:18:33]  The right paw, the Sphinx in Egypt, and the Paw Stone in Yucatan.
[00:18:38]  We're going to put this on the record tonight, and we're going to include all those amazing sources that have helped to make this happen.
[00:18:45]  But this is new, and we're all going to be a part of it tonight.
[00:18:48]  It's great to have everyone here.
[00:18:50]  This is, of course, X Series episode 147, the fifth anniversary episode, and it is Pawgate, the Atlantean Hall of Records revealed.
[00:18:59]  And it's going to be over two nights.
[00:19:00]  This is part one, and tomorrow we're taking your questions on it.
[00:19:04]  As well.
[00:19:05]  So, but before I jump into all of it, why don't you give me the temperature?
[00:19:08]  I'm not dead yet.
[00:19:09]  Wants to know the spelling for Augustus Le Plongeon.
[00:19:14]  Yeah.
[00:19:16]  Well, Le Plongeon is an interesting character.
[00:19:17]  His last name is spelled L E P L O N G E O N.
[00:19:27]  And he is interesting in that Manly P. Hall, you know, speaking of mystery schools, Has such dramatic things to say about him after researching him and actually meeting with people who knew him.
[00:19:43]  They weren't really contemporaries because Manly P. Hall just happened to do all this incredible stuff when he was really young.
[00:19:50]  But he had some interesting things that we might even start off with that he had to say about Les Plongeons and just talking about how important his research was to discovering the Mayans.
[00:20:05]  And it's actually amazing because, you know, when he went down there and he's living in Yucatan, you know, these are just the pyramids are just mounds covered in grass, really, and all kinds of nature.
[00:20:20]  And it takes him working with the natives and working with the Indians to just.
[00:20:24]  Transform the entire environment.
[00:20:27]  He's the one who uncovers Chichen Itza.
[00:20:29]  He's actually quite famous in that regard.
[00:20:32]  But he discovered that the Mayan language was very sophisticated.
[00:20:36]  And when he took those findings to the American Archaeological Association in the 1870s, they said, you know, we're still battling the Native Americans here.
[00:20:47]  We're not about to go around saying that these Native Americans had the sophisticated language.
[00:20:53]  You know, just forget about it.
[00:20:55]  And he grew incredibly pessimistic after bringing these findings, so much so that his wife would say at the end of his life that some of his discoveries he was re hiding, so that these kind of scholars and people who were spinning things the wrong way couldn't get at them.
[00:21:13]  I find that quite remarkable.
[00:21:16]  But here's a little pinch of what Manly P. Hall had to say about Elie Plongeon's discoveries.
[00:21:25]  And it's pretty interesting because it gets into the clairvoyance piece.
[00:21:31]  And this is from a book called The Origin of the Egyptians by Le Ponjon.
[00:21:38]  Le Ponjon's reputation was further enhanced by the circumstances that the Indians were convinced that he possessed supernatural powers, that he reminded them of their own magicians and mystics, and they withheld no information which he desired.
[00:21:53]  The discovery of the celebrated statue now known as Chak Mul, this is very important.
[00:22:00]  C H A C M O O L, Chakmul, was typical of Le Ponjon's method of working.
[00:22:07]  He went into the jungle and wandered about apparently in a state of meditation.
[00:22:12]  At last he stopped, considered for a few minutes, and then announced quietly, We shall dig here.
[00:22:19]  Excavating on the spot indicated resulted in the discovery of the finest example of Chakmul figures that have come to light.
[00:22:27]  The news of the discovery traveled rapidly among the Indians and the That the clairvoyance of Great Blackbeard, which is what they called him, was established beyond doubt.
[00:22:37]  Obviously, occurrences of this kind did not enhance Lee Plongeon's reputation among the professional archaeologists.
[00:22:43]  The great figure of Chacmul was confiscated in the name of the Mexican government by General Protasio Guerrera while Lee Plongeon was away on the island of Conomel.
[00:22:58]  This is interesting.
[00:22:59]  So, there's a lot of resistance to him and him coming in here and discovering these things.
[00:23:04]  And then There's this other thing, which is, you know, the Indians around there really kind of worship the guy.
[00:23:10]  So, what he does is he goes to the government in Yucatan and he says, I found these figurines.
[00:23:18]  What I would like to do, this statue in particular of Chalk Mole, we have a centennial coming up in Philadelphia.
[00:23:26]  And I'd like to bring it to America and bring it back.
[00:23:29]  And I'll arrange for the whole thing and the whole culture will know about it.
[00:23:31]  So, basically, almost like a King Tut traveling exhibit type thing.
[00:23:35]  But he said this way, people will really understand how important the Mayans were and how they fit into history and how they are the basis of where the Atlanteans created, you know, this mother culture.
[00:23:49]  So he had some incredible insights.
[00:23:52]  And so what they did is they actually came and they grabbed Chacamul, the statue, and they took it away and they displayed it in Merida.

=== Unearthing Ancient Artifacts in Yucatan (06:22) ===

[00:24:01]  And what happened from there is.
[00:24:05]  Le Plongeon could pinpoint other sites and say, that's Chocmul site, that's Chocmul site, that's Chocmul site.
[00:24:10]  And suddenly all these other statues of later versions of Chocmul would show up.
[00:24:15]  This is Le Plongeon, and that's him in 1880.
[00:24:21]  You can see that kind of, you know, he's a very aristocratic kind of figure.
[00:24:27]  He's a very regal figure, but he's got those kind of piercing psychic eyes.
[00:24:31]  And he had spent a great deal of time in Peru.
[00:24:35]  He was a world traveler.
[00:24:36]  And he had done some land investments that allowed him the ability to kind of have this extra money to go and do these things.
[00:24:44]  But he's a very early pioneer, like 1840s, in photography.
[00:24:48]  So he becomes the key early photographer of archaeological sites.
[00:24:53]  How important is that?
[00:24:56]  Manly P. Hall references the fact that many of his photos had never been seen and that some of them were stolen, some were confiscated, and some were hidden because of their controversial nature because the upset the apple cart.
[00:25:09]  Of what we know and what we hear so much about.
[00:25:12]  So, when we get instances of news reports saying, like, hey, they found this whole thing of all the slaves who built the Egyptian pyramids.
[00:25:22]  So, just forget about those theories about how the pyramids might have been made otherwise.
[00:25:26]  We found the slaves and it's all over.
[00:25:28]  Those are all cooked stories.
[00:25:31]  And for years, they were cooked by Zahi Hawass.
[00:25:34]  Now, what's interesting is people like Hawass know the real story, just like Mark Lehner and Hawass.
[00:25:42]  And that's the other piece of Of Pawgate, which is kind of like Giza Gate.
[00:25:48]  But Pawgate shows up there too because there's a lot of hiding as they're searching for this hall of records, not to share it publicly, but to share it with these governments.
[00:25:58]  And it's interesting because Hawass became part of the corrupt Mubarak government before there was a military overthrow.
[00:26:06]  They elected him to cabinet level, booted Mubarak for crimes and corruption.
[00:26:12]  And then there were cases against Hawass for bribery and all kinds of stuff.
[00:26:16]  Somehow he slithered back in.
[00:26:18]  And National Geographic is trying to promote this guy again.
[00:26:21]  It should not be allowed in any case, but there's a lot of things there in relation to blocking access and creating this kind of cult.
[00:26:33]  The other thing is, National Geographic set up a phony situation with him where they would say, like, oh, he found Nefertiti's tomb.
[00:26:40]  And they'd be like, he's studying the DNA.
[00:26:42]  And none of those shows, they did all these shows for years, none of that stuff was ever true.
[00:26:46]  They never found Nefertiti.
[00:26:48]  So, they knew how to get specials going.
[00:26:52]  He knew how to, you know, get checks, basically.
[00:26:55]  So, a lot of that is the corruption around this.
[00:26:59]  And let me tell you whether you're dealing on like a small local level in this field, you know, the secret space program, right?
[00:27:09]  And Gaia TV, or you're going to find sleaze there and you're going to find sleaze in the really big archaeological circles.
[00:27:16]  That's the way it goes.
[00:27:18]  And the sooner that we just deal with that, the better off we're going to be.
[00:27:23]  All right.
[00:27:25]  Now, it's also quite interesting.
[00:27:29]  And I want to say that Lee Plongeon's wife, whose original name was Dixon, and that name should ring a bell if you know anything about Egyptian archaeology and some of the shows that we've done, and of course, Jean Dixon.
[00:27:43]  But she did a remarkable job of being down there with him in the Yucatan.
[00:27:48]  And she was a young photographer.
[00:27:51]  And I think when I looked at the records there, I think he was about 30 years older than she was.
[00:27:58]  But as it turned out, they were quite a match, and she ended up cataloging the findings and really doing this kind of very early psychic yet very scientific archaeology.
[00:28:13]  Here is a picture of Lee Plongeon finding Chakmul.
[00:28:23]  And this all gets very interesting because Chakmul is going to come back here.
[00:28:30]  And we're going to learn that his name, as I said, means Thunderpaw, which is also going to tie in to this whole thing about the Paw Mystery School that was driving all of these hidden finds, the initiates who were stashing the Atlantean Hall of Records, and how that Paw and the symbology of that Paw is going to be what they were using.
[00:28:51]  But they were using it not only in Egypt, they were using it all across the world.
[00:28:55]  And we're going to find them using it in Egypt and in Yucatan.
[00:28:59]  That's the find there of Chuck Mull, and that's in Yucatan.
[00:29:04]  And this is based literally on Lee Plongeon's psychic ability to go in there and discover these things.
[00:29:14]  This figure, Choc Moule, Lee Plongeon would put forward after reading the Mayan hieroglyphs, which he could do and which he submitted for our approval.
[00:29:26]  But like I said, the American Archaeological Association turned him down, that in fact, this is an Osiris character.
[00:29:34]  So, this gets kind of deep as we get into the weeds on it.
[00:29:38]  A quick example of the type of Mexico and Yucatan that he encountered versus what we got later based on his efforts back there.
[00:29:48]  On the top, there you have the Mexican step pyramid, and there it is, you know, years after he discovered it, and then they took all the grass away.
[00:29:58]  But otherwise, these things just look like overgrown hills because, you know, they're not in use after all.
[00:30:03]  And how much history have we lost in this fashion?
[00:30:07]  Now, with the incredible things, and of course, the late Carmen Bolter, God bless her, informed me about this that they were using this LIDAR, kind of x raying the jungles with satellites now, and that there's a great deal of this in use in archaeology.

=== LIDAR Reveals Hidden History (03:34) ===

[00:30:24]  How much of it is coming out to the public?
[00:30:26]  That's a totally different question.
[00:30:27]  Everyone, you're watching the special five year anniversary of the X series.
[00:30:31]  This is Pawgate.
[00:30:32]  Get ready because the Atlantean Hall of Records is at our fingertips, or at our paw tips, as it were.
[00:30:40]  We're going to take your questions in the second part two tomorrow.
[00:30:46]  So we might deal with a few of them at the end of the show tonight, but you can ask those questions and we're going to have, you know, kind of a bigger QA tomorrow.
[00:30:53]  Tonight, it's kind of mostly just all presentations.
[00:30:56]  So great to have all of you here with us.
[00:30:59]  Of course, we do this under the shadow of this egregious act by the government and the Manhattan prosecutor taking ridiculous action.
[00:31:11]  Action against a former president.
[00:31:13]  And obviously, that's going to ricochet through the halls of justice for a while.
[00:31:18]  But to take the pause and just say, you know, wow, just incredible how much we've slipped in America in terms of the rule of law.
[00:31:29]  You know, where are those indictments for Hillary Clinton?
[00:31:31]  I'm waiting, baby.
[00:31:32]  I'm waiting.
[00:31:34]  But in any case, Republican or Democrat, any of those things that we get into, you know, the nature of that kind of overreach that the deep state is attempting and they're operating on a state level, on a federal level, doesn't matter.
[00:31:48]  You know, we can see them.
[00:31:49]  So this is going to be important and there's going to be.
[00:31:52]  You know, if anything, it's going to work to expose who's involved in these things.
[00:31:58]  But I think you're going to see more of it.
[00:31:59]  I think you're going to see more political prosecutions.
[00:32:02]  And this is the big test balloon.
[00:32:05]  So, you know, we have to make sure it does not succeed.
[00:32:10]  And I do think that, you know, it's going to be an unavoidable thing that this is so linked in with the important election next year.
[00:32:18]  And I've been pointing out that that election is very significant.
[00:32:21]  So, you know, if you hear, well, don't worry about presidential elections, it doesn't matter.
[00:32:26]  Don't believe the hype on that one this time.
[00:32:28]  This one may matter more than all the others.
[00:32:31]  Yeah, excellent point.
[00:32:33]  I want to remind you before we get into the next section to go to darkjournalist.com, by the way, and especially if you're new, sign up for our newsletter.
[00:32:42]  It's free, and you get all the incredible information about the X Series episodes that we have coming up for you, the remarkable interviews that we have set for you coming up.
[00:32:52]  I mean, just incredible things happening, documentaries, events, things you just want to be aware of.
[00:32:59]  And stand up and be counted, sign up for the newsletter, make sure that you're there and take that extra moment because we are suffering some intense, and I mean intense types of censorship.
[00:33:14]  And I was reading about this kind of censorship that was being ordered.
[00:33:17]  You know, all these things are coming out, and they would say, reduce the traffic and the availability of these types of videos by 70%.
[00:33:26]  And I just think to myself, well, that's about right.
[00:33:29]  You know, that's the umbrella wing that I think they put us under.
[00:33:33]  So, the easiest way to get around those types of things is by the newsletter, because then you get the information directly, and we're able to share that with you, which I think is crucial in this environment, especially.
[00:33:46]  What do you got over there?
[00:33:48]  Joseph was saying, Hawass, cover something up?
[00:33:50]  Say it isn't so.
[00:33:53]  The Hawass Mubarak connection.
[00:33:55]  Whoa.
[00:33:57]  That's some dirty Egypt right there.

=== The Jaguar Paw Symbolism (15:29) ===

[00:33:59]  Brendan Fisher says, he's like a bad rash, just keeps coming back.
[00:34:02]  Well, wait till I show you what he took part in.
[00:34:07]  Now, let's get some poglyphs going.
[00:34:15]  Now, this is very interesting.
[00:34:17]  Later, after the Atlantean records were hidden, there was a group there inside that still used this poglyph as a way to indicate mystery school brother to mystery school brother to sister to priestess and all the rest, that they were handing this information down.
[00:34:38]  Now, what happens is by around 600 AD, this thing is played out, and that group is largely dissembled.
[00:34:48]  And sort of like, you know, I would say the dark tribes have come in, meaning their intentions, you know, coming in were just to overthrow, and they were getting and losing that kind of innocence of the original Mayans.
[00:35:06]  Interestingly enough, a guy shows up who is like a warrior.
[00:35:10]  And says, I'm going to reverse all that.
[00:35:12]  I'm going to reinstate the, you know, basically like the Paw Brotherhood.
[00:35:16]  And that's Jaguar Paw.
[00:35:17]  Interestingly enough, this is the name that's selected by Mel Gibson for his hero in Apocalypto.
[00:35:25]  So we don't know how deep Pawgate goes, but this is just the tip of the iceberg.
[00:35:29]  So, what is the name again?
[00:35:30]  Jaguar Paw.
[00:35:32]  That is the glyph of Jaguar Paw.
[00:35:35]  And he comes back with a vengeance and says, Not only am I associated with this Hall of Records of our ancestors, I'm also associated with the new.
[00:35:49]  Back tunes that are going to be the new calendar, and uh, I'm the guy who's associated with all the way up to 2012.
[00:35:59]  This is what's remarkable, this is what they discovered about him, and he was taking the mantle up of this earlier group that was identifying itself with this paw symbol.
[00:36:10]  We're going to get into how he did that.
[00:36:12]  Um, here's a bio on the Jaguar Paw King, actually, he was in the fourth century, not the sixth on January 16th.
[00:36:22]  378, a Mayan king, Jaguar Paw, was killed in what is now Tikal in Guatemala.
[00:36:28]  Jaguar Paw's death was probably a result of the arrival of an invading army, a city in the highlands of the Valley of Mexico near what is Mexico City, Mexico.
[00:36:39]  The invading Teotihuacan army did not destroy the Maya.
[00:36:44]  However, they helped expand the culture's sphere of influence to its greatest extent.
[00:36:48]  Tikal was a thriving city by the time they arrived.
[00:36:52]  More than 10,000 people lived in the city, deep in the range.
[00:36:54]  Forest of Central America, Jaguar Paw's enormous stone palace is still standing, the center of one of Guatemala's most popular national parks.
[00:37:04]  The written Maya language was a sophisticated series of hieroglyphics only deciphered in the 20th century.
[00:37:10]  The Teotihuacan period in Tikal's history contributed to an even more advanced Maya civilization.
[00:37:15]  The city grew to 90,000 people, and so on and so forth.
[00:37:19]  This is Jaguar Paw, who takes the old symbolism that is used to store the Hall of Records and this Paw symbolism.
[00:37:30]  And the chalk mule imagery, all that, and decides, hey, I'm the inheritor of this, and I'm Jaguar Paw.
[00:37:40]  I'm going to be the ruler for it.
[00:37:42]  And for a while, it works out for him.
[00:37:45]  And what happens ultimately is he's dethroned by this invading group.
[00:37:51]  But what I find interesting is that he not only takes on the Jaguar Paw piece, but he starts identifying himself with that Bakhtun that takes us up.
[00:38:03]  From 3114 BC all the way to 2012, and all the things that came about as a result of that.
[00:38:08]  I'm going to get into a Russian archaeologist, a female archaeologist who in the 1930s deciphered so much of what was going on at Piedras Negras, and that ties into this Pogate aspect as well.
[00:38:23]  And one of the things that she was able to do was show the advanced mathematics of the Mayans, and that's where the whole thing about 2012 and all the rest came about.
[00:38:32]  Now, there was a marketing effort to say that was the end of the world, and they put all these You know, kind of, you know, the words escape me.
[00:38:41]  It's like that whole Gaia milieu of the doomsday people mixed with the fluff people.
[00:38:48]  And, but there was something significant about the Mayan, including the periods that were in and that, you know, how they were highlighting the end of that Bakhtun 2012 as an important period in time.
[00:39:02]  There's no question that they were seeing these things out into the future.
[00:39:06]  The cataclysm that everyone was being pumped into.
[00:39:10]  But if you look back 12 years from 2012, they did the Y2K thing.
[00:39:14]  So there's a weird mechanism going on in the background there.
[00:39:19]  And just like now, they always want to talk about World War III and they're putting us on the brink of World War III.
[00:39:24]  You better believe it.
[00:39:26]  But there is this disaster consciousness.
[00:39:28]  It's almost like if they keep the smart people in a sense of fear, if they can reach into that sphere, then they can make people out of their center and they kind of thrive on that chaos.
[00:39:43]  So, a lot of interesting things came about as a result of that.
[00:39:46]  But here we have in the middle of this paw imagery, this time it's Jaguar Paw, and he's associated with this kind of advanced astronomical calendar.
[00:39:57]  When we go back a little further and we look at the Chalk Mool character, whose name is Thunder Paw, then we find some of the insights around Lee Plongeon, who discovered him, and who, by the way, was a great believer in the ancient continent of Atlantis and felt that the Maya were.
[00:40:18]  Derived directly from the Atlanteans.
[00:40:22]  He starts to look into this and see that the whole chain is connected from Atlantis through Chak Mul to Osiris.
[00:40:30]  This is how he builds the chain.
[00:40:33]  And it's quite remarkable.
[00:40:35]  What I want to say about Les Plongeons is he's dealing there in the 1870s and 1880s.
[00:40:42]  And he's got the incredible, you know, untainted discoveries there right in front of him.
[00:40:48]  And he's working with them on the ground.
[00:40:50]  He's not an armchair.
[00:40:51]  Researcher, and he's also got this incredible psychic ability.
[00:40:56]  And then here we are, you know, 125, 150 years later, looking back at him, and we have a lot of this sophisticated technology, satellites, and everything else.
[00:41:08]  And it is the combination of those things that can get us somewhere.
[00:41:12]  So, right now, there's a lot of arrogance that, you know, people in the archaeological field about what they think they've discovered as history.
[00:41:21]  One of the things I've pointed out is most of Egyptology, for example, is based directly.
[00:41:26]  On research done in the 18th century.
[00:41:31]  So, you know, we've moved way, way beyond that.
[00:41:35]  And so the fact that they're hanging on to those dates and hanging on to that whole understanding means they've built something that, you know, although it's establishment and they say, well, you know, we believe in science and archaeology and all the rest of it, it's actually very unscientific because the way that they arrived at it was through pretty primitive means.
[00:41:55]  And we have much more sophisticated means, including the things that Dr. Bolter. Had told me about that they could do that kind of, you know, oversight and x rays from satellites of ancient sites and figure out exactly what was going on.
[00:42:11]  So they're looking at this thing and they're feeding the public one thing, but on their side, they're looking for something.
[00:42:18]  That's kind of gives us the jumping off point.
[00:42:20]  And it's where the insights from someone like Lee Plongeon are going to help dramatically.
[00:42:25]  Let's go to the horse's mouth on this and then I'm going to show you the Mexican.
[00:42:32]  Yucatan Sphinx.
[00:42:34]  Yes, they had a Sphinx just like the Egyptians did, oddly enough.
[00:42:39]  And this formed the foundation of some of the thinking that Le Plongeon had.
[00:42:48]  Very good.
[00:42:49]  How are we doing out there?
[00:42:51]  Very well.
[00:42:52]  I do have a good question for you.
[00:42:54]  Yes.
[00:42:55]  Tessa111 wants to know wonder if they found a crystal jaguar paw like the Mitchell Hedges skull?
[00:43:02]  Yeah, well, that's an incredible find.
[00:43:07]  And when you think about the crystal skull find, the original Mitchell Hedges find, and again, she was there with her dad, and he was a remarkable archaeologist.
[00:43:18]  So, those are the types of situations and people.
[00:43:21]  Later, there were knockoffs on the idea of the crystal skull, and we got some phonies and stuff.
[00:43:26]  But that one, the Mitchell Hedges one, always had unusual properties, and the stories around it were quite believable.
[00:43:33]  The paw symbol, In the naming and in how they created Piedras Negras as the paw stone.
[00:43:44]  This is going to be very important because when you think about where the Hall of Records are, remember, we never knew that there was a Hall of Records beneath the Sphinx under the right paw until Casey gave us that information.
[00:43:56]  Now, true, it hasn't been proven out.
[00:43:58]  We haven't, as far as we know, found the Hall of Records.
[00:44:03]  But there's been a lot of, you know, preventing.
[00:44:06]  Independent observation around this.
[00:44:10]  But what's interesting is Casey gave that.
[00:44:14]  So, directly from Casey's unconscious, now working on that mystery school level, he is, through his psychic vision, giving us that instance of the paw.
[00:44:25]  And it was amazing to me when I got around the Piedras Negras story to realize that the Mayans were using their original name for it.
[00:44:37]  Was the Paw Stone.
[00:44:40]  And it was known as what they called the place of the Great Entrance.
[00:44:46]  So, you know, the entrance to the ancient mysteries, as it were, the entrance to the Hall of Records.
[00:44:53]  The Paw part is fascinating because it's not understood, and it didn't occur to me or many of these researchers for many years that the reason it was under the right paw of the Sphinx was because they were using the Paw as the identifier.
[00:45:07]  It's the motif, as it were.
[00:45:09]  Of the mystery school that's involved in hiding the records.
[00:45:12]  So, these initiates, their symbol is the paw.
[00:45:15]  And I'm going to show you how deep that runs.
[00:45:19]  There's a really weird, weird story that came out.
[00:45:26]  Before I get into Les Plongeons' overview, this is something that got my attention because I've noticed that a lot of sphinxes are being discovered, in fact, and they're later, much later knockoff versions, you know, with some king's head on them.
[00:45:43]  But this one struck me as unusual because I think, again, it gets to this motif.
[00:45:47]  As somebody's looking for that key back in time, remains of a sphinx found in northern Israel.
[00:45:56]  Archaeologists believe the statue indicates ties between Egyptian rulers and the ancient city of Hazor.
[00:46:03]  Now, that's not on the record anywhere, the people who built the pyramids had no relations with anyone in Israel.
[00:46:10]  All they found, though, are the paws, not the whole statue.
[00:46:15]  The construction group that found it, in fact, talked about how they found it.
[00:46:21]  And it looks literally like the paws were chopped off the statue and taken and, you know, scurried away.
[00:46:28]  There's something about those paws being in Israel that caught my attention.
[00:46:33]  And I think we have to look at this and say, huh, you know, the Pogate piece becomes very important because we start to realize okay, Casey put one on the record about the Atlantean Hall of Records.
[00:46:46]  That's one, the right hand of the paw.
[00:46:49]  Now, Piedras Negras, which is the place indicated in the Casey readings for Hall of Records site number two, this one also has the, you know, the Mayans call it the Paw Stone, and it has the Jaguar Paw motif and all these other things.
[00:47:06]  So we've got the exact same Hall of Records, and we have again the symbolism of the Paw as the message behind the storing of the records.
[00:47:15]  This gets quite fascinating as we go.
[00:47:18]  As I said, these other ones are being found.
[00:47:20]  Egypt Archaeology Dig Unearths Smiling Mini Sphinx.
[00:47:24]  Which may represent Claudius.
[00:47:25]  I mean, at a certain point, you know, when the Egyptians were falling to Rome and Ptolemy and stuff, they just wanted to kind of be like, hey, you know, we Romans are kind of adopting the whole look and the feel of the Egyptians.
[00:47:44]  But here was another one, in fact, and this is all within a very short period of time.
[00:47:48]  Archaeologists have discovered broken pharaoh's sphinx statues at ancient Egyptian Sun Temple.
[00:47:54]  That one we just got a few days ago.
[00:47:57]  So, these sphinxes are being uncovered left and right.
[00:48:02]  And it's also interesting to note that if you go into a lot of that Masonic history, which Le Plongeon does, what is he saying?
[00:48:09]  He's actually telling us that the sphinxes are what is used in very early Masonic imagery and that the whole thing is based around the sphinx.
[00:48:22]  This is interesting because he was saying that the foundations of Masonic groups.
[00:48:28]  Came directly out of these Mayan territories.
[00:48:34]  So that's fascinating too.
[00:48:35]  That's one of the examples where we see that Sphinx version with the paws again.
[00:48:41]  This is a Masonic temple.
[00:48:44]  So we have to understand and go deep on the paw symbolism and understand it on the esoteric level.
[00:48:51]  What are they getting at with that?
[00:48:53]  And how is this the signature, the steganography for this group moving through history?
[00:48:58]  And I'll tell you, right.
[00:49:00]  Smack in the middle of it, we're going to find we run into the ex steganography.
[00:49:03]  This is really remarkable.
[00:49:06]  Some of the early efforts by people like Robert Schock and Baval gave us some very, very interesting seismographs underneath the Sphinx.
[00:49:18]  And that one by Baval for a television station in the 1990s gives us this kind of empty chamber beneath the Sphinx.

=== Solving the Sphinx Enigma (10:00) ===

[00:49:29]  That was early computer imaging on that.
[00:49:31]  Never investigated, and it was later blown off by Hawass and his group saying, Oh, it was a water chamber.
[00:49:40]  There, of course, is one of the largest statues in the world, this great enigma, the Sphinx.
[00:49:45]  The question is what does it represent, and what territory are we getting into?
[00:49:51]  With Casey suggesting it's a sentinel for the Atlantean Hall of Records, and those records containing information about the Two Eyed Stone, about this deep spiritual connection.
[00:50:04]  And about that history of a very advanced, technologically and otherwise, civilization there in Atlantis.
[00:50:13]  This has to be something that we take a deep look at and start to say, oh, the Pawgate, you know, the motif of the Paw becomes the identifier of the school, the mystery school that's involved in the hiding of the records.
[00:50:29]  And this is going to get us into some deeper territory as we go.
[00:50:35]  I promised you a look at this.
[00:50:39]  Sphinx that was discovered in Yucatan by Les Plongeons.
[00:50:45]  Now, subsequently, I have not seen this thing anywhere.
[00:50:49]  I don't see any traces of mention of it anywhere, but it's in his work.
[00:50:53]  And he found it and he identified the building that it was associated with, et cetera.
[00:50:58]  I don't know what the Mexican authorities have done with it, but I'm very curious about it because we know the Egyptian Sphinx was related directly to the Hall of Records.
[00:51:07]  Again, I think we have this Pogate imagery.
[00:51:10]  Now, this is early photography from the 1880s that Lee Plongeon and his discovery.
[00:51:18]  Of chalk mole and the whole site on the top of the site, he finds a sphinx, and this is the sphinx there.
[00:51:26]  But the body is that of a jaguar, and the head is that of a man.
[00:51:34]  So here we have a closer view of Lee Plongeon's find.
[00:51:40]  That is, in fact, a Mexican Yucatan sphinx connected directly to the Mayan culture.
[00:51:49]  Where is this artifact?
[00:51:51]  Uh, we're going to go deep.
[00:51:52]  To find out its connection to Chalk Mole, Pawgate, and all the rest of it, because we're getting closer to this Atlantean Hall of Records in Yucatan by following the trail of Augustus Le Plongeon and the Paw symbolism at Piedras Negras, which is the site that Casey located the Atlantean Hall of Records.
[00:52:14]  This is going to be an earthquake if we can get our hands on where some of these artifacts are.
[00:52:23]  All right, a little further.
[00:52:24]  Let's get now into Le Plongeon's head a little bit and get, you know, kind of an idea of where he was coming from on this.
[00:52:34]  And remember, he'd been in South America, he'd been in India, he'd been involved in incredible archaeology.
[00:52:40]  And then by the time he set out for Yucatan, it's just him and his wife and some 20 or 30 loyal Mayans there going through and uncovering these pyramids and really changing things.
[00:52:54]  Okay, so here's a few things that are interesting that he has to say about the Sphinx, the Egyptian one.
[00:53:00]  Quote From all antiquity, the Egyptian Sphinx has been a riddle that has remained unsolved to our day.
[00:53:06]  It is still, as Bunsen says, the enigma of history.
[00:53:09]  The name itself, most conspicuous on the tablet in the temple between the paws of this wonderful statue, is that of Armaeus.
[00:53:19]  According to Osborne, it was the work of King Khafre, but he is still in doubt.
[00:53:25]  For it, for he adds, on the other hand, the great enigma of the bearded giant sphinx still remains unsolved.
[00:53:30]  When and by whom was the colossal statue erected and what was its significance?
[00:53:36]  We're accustomed to regard the sphinx in Egypt as a portrait of the king, and generally, indeed, is that as the particular king whose features it is said to represent.
[00:53:45]  In hieroglyphic written character, the sphinx is called Neb, the Lord.
[00:53:52]  But researcher Richard Lepsis, this is a 19th century research he's citing.
[00:53:56]  Remarks, King Kafra was named in the inscription, but it does not seem reasonable to conclude that Kafra first caused the lion to be created.
[00:54:08]  So he's showing the doubt about any of the Sphinx stuff in the official story in his period.
[00:54:15]  Now we know they've moved along through time, and now here we are in 2023, and they're looking back at this and they're saying, oh, you know what?
[00:54:24]  The Sphinx is, you know, 2500 BC, the pyramids are 2500 BC.
[00:54:29]  They're just stuck on that.
[00:54:30]  They think that they found it out.
[00:54:32]  All of the new research, including Shock's research about the weathering on the Sphinx that shows it's from 10,500 BC at least, they just don't want to deal with it.
[00:54:42]  You know, it's just discarded.
[00:54:44]  So it's been proven, and it's been proven by different sciences.
[00:54:49]  You know, in Shock's case, we're talking geologists.
[00:54:53]  So, you know, step aside, archaeologists, and give a geologist a moment on this.
[00:54:59]  Well, the people who blocked a lot of that information from coming out were these same people at the heart of a different kind of Pawgate.
[00:55:07]  Like I was mentioning, Hawass and our friend Mark Lehner.
[00:55:11]  What's interesting about them.
[00:55:13]  Also, as I've said, and this has to be understood in the impact of it, which is they have taken millions of dollars for research from the Casey Foundation to do the work that they do.
[00:55:27]  So, on one hand, badmouth all of Casey's predictions, badmouth his thing about ancient Atlantis.
[00:55:32]  On the other hand, take all the money from the gullible ARE and do all this, God knows what they're doing with the money.
[00:55:40]  But the thing is, that's been a long, hardcore process.
[00:55:45]  They did it for 30 years.
[00:55:46]  What's interesting is it was Casey's son, Hugh Lin, that sponsored one, Laner, and two, Hawass, for Egyptian university scholarships so that they could go over there and do this research in the first place, presumably for the Association of Research and Enlightenment.
[00:56:04]  So this is really quite the backhand when you get into it that they became the main trust blocking people.
[00:56:11]  Now, like I said, Laner retired and then Hawass was thrown out.
[00:56:16]  You know, because he was part of the Mubarak government, but he weaseled his way back in, and now you're seeing him kind of adopted to these.
[00:56:22]  You know, oh, he's Indiana Jones for the Great Pyramid and stuff.
[00:56:27]  You know, don't believe the hype on that, is all I can say.
[00:56:30]  But it's interesting to me the level of deceit that's involved in there.
[00:56:34]  But also, think about it how knowledgeable were these guys if they were studying the same Casey readings that you and I are looking at?
[00:56:40]  And they had all the archaeologists and all the satellite imagery and all that stuff in those.
[00:56:46]  Sections.
[00:56:46]  There's a letter, in fact, there's a whole New York Times article that covers this in 1998 of all times.
[00:56:53]  But there's a letter from Graham Hancock at the end of his book, which is a copy of a letter that he sends to the Egyptian antiquities saying that, you know, he thinks these guys are looking for the Hall of Records and they don't want to share it.
[00:57:06]  So, you know, it's interesting to me.
[00:57:10]  There were a lot of scuffles.
[00:57:11]  There was a feeling there that something was being held back, but nobody could do anything about it.
[00:57:17]  Well, you know, I've done a number of shows with Dr. Joseph Farrell.
[00:57:22]  And if he's out there tonight, hello, Joseph.
[00:57:26]  But, you know, we talked about archaeology wars.
[00:57:29]  And he did this incredible overview on what they did with the Baghdad Museum.
[00:57:33]  And also what they've done in terms of that hunt for advanced ancient technology and how they can use it is at a very high level.
[00:57:43]  And we have to understand a couple of essential facts about that.
[00:57:46]  One, there is on the record a declassified CIA document.
[00:57:51]  Saying that they placed people inside the Casey Foundation in 1964 because they wanted information about what?
[00:58:00]  The Hall of Records, the Atlantean Hall of Records.
[00:58:03]  They wanted all the information they could get about it.
[00:58:05]  So they figured the best way we could do it, put three people in there, have them be volunteers.
[00:58:09]  Let's stick around and listen to things.
[00:58:13]  You know, that's pretty wild when you think about it.
[00:58:15]  So then we start to understand the level of the ancient stories, the technology, the Hall of Records from a different perspective.
[00:58:24]  I can tell you that.
[00:58:25]  The CIA spent thousands and thousands of dollars looking for Noah's Ark.
[00:58:30]  Why, you would ask?
[00:58:32]  Because they understand the significance of those sacred relics.
[00:58:36]  And if you go further back into the Nazi kind of going all around the globe looking for these sacred items, and the sphere that pierced Jesus and things of this nature, the spear of destiny, these objects take on a totally different understanding when you take them esoterically, as opposed to just be like, hey, I guess these people wanted some cool things in their collection.
[00:59:04]  No, they actually represent power to these groups who know how to use them.
[00:59:09]  And so when you get around the Hall of Records, probably the ultimate, my guess would be the two eyed stone with the Hall of Records is probably the ultimate item that they're looking for.
[00:59:18]  Okay, a little bit further in, we get a little more of Lee Plongeon's ideas about the Sphinx, which I think are important.

=== Osiris and Chakmul Connections (04:56) ===

[00:59:29]  And like I said, we're taking your questions tomorrow.
[00:59:32]  You can ask them today, and Miss Olivia still put those together.
[00:59:35]  How are you doing out there?
[00:59:36]  Good.
[00:59:36]  I'm trying not to cough.
[00:59:37]  Nicely done.
[00:59:41]  So he's quoting another researcher in this period, and he says Henry Bruch tells us the Sphinx is called in the text Hu, H U, a word which designates a man headed lion, while the real name of the god represented by the Sphinx was Hormaku, that is to say, Horus on the horizon.
[01:00:02]  It was also called Kepra, Horus in his resting place on the horizon where the sun goes to rest.
[01:00:09]  Herodotus says that Horus was the last of the gods who governed the Egyptians before the reign of Menes, the first of their terrestrial kings.
[01:00:19]  He came into the world soon after the death of his father, being the youngest son of Isis and Osiris.
[01:00:24]  He stood forth as his avenger, combating Set and defending his mother against him.
[01:00:30]  What happens is Lee Plongeant does a huge crisscross with the story of Isis, Osiris, and Horus, and then he realizes that the Chak Mul.
[01:00:42]  Queen Mu story that he discovers in the Mayan hieroglyphs is the same story.
[01:00:48]  But the Chakmul character is the one who is killed, like Osiris, and he's defeated, and it's his wife who erects all of these statues and assembles the different pieces.
[01:01:02]  And then they take their son, who is the equivalent of Horus, and he's the one who represents hope for the future.
[01:01:11]  Now, it's interesting because in the Mayan texts, That Lee Plongeon found about Queen Mu, she goes over the seas.
[01:01:20]  So she's leaving Yucatan and she's going across the sea.
[01:01:23]  And his conclusion is she goes across the sea, and that's where the whole Isis myth comes from because it's first born there in the Mayan territory.
[01:01:34]  Now, his version of the Mayan is further back than history's version.
[01:01:38]  And here's just like Casey's version of the Egyptians is 10,500 BC.
[01:01:43]  And, you know, so it gets very interesting because you look at, you know, King Khufu and the great pyramids and all the rest of it, and that's supposed to be 2500 BC again.
[01:01:52]  Casey's like, No, no, 10,500 BC, and he has something else he wants to add.
[01:01:57]  He says, Well, actually, you know, the reason they selected the spot of the plateau of Giza was not even, you know, they were actually looking at it as an archaeological site then, and he's talking 10,500 BC, so that site is very, very ancient, way, way further back than 2,500 BC, which is.
[01:02:20]  The best of our archaeologists tell us, oh, that's the period because we have a king there who identifies himself with the pyramids, even though none of it makes sense and his name never appears in the pyramid.
[01:02:32]  So we've got some issues, shall we say.
[01:02:36]  Now, one of the other crisscrosses that he mentions is what I just showed you about this Sphinx.
[01:02:44]  Now, what he says is we may be permitted to call attention to striking analogies existing between the Egyptian Sphinx.
[01:02:53]  And the leopard with human head that crowned Prince Ko's mausoleum.
[01:02:59]  That's the Yucatan Sphinx I just showed you.
[01:03:03]  By the way, Chakmul, his name, that's like a name that means, as I said, Thunderpaw, but his actual name is Prince Ko, C O H. In order to better understand these analogies, it will be necessary to consider not only the meaning of the names of the Sphinx, but also its position relative to the horizon.
[01:03:23]  And to the edifices by which it is surrounded, it is placed exactly in front and to the east of the second pyramid overlooking the Nile toward the rising sun.
[01:03:33]  It represents a crouching lion or maybe a leopard with a human head hewn out of solid rock.
[01:03:40]  Piazza Smith tells us that about the head and the face, though nowhere else, there is much of the original statuary surface occasionally, and it's painted a dull red.
[01:03:50]  And then he does a crisscross with how the Mayans made their statues with this red pigment.
[01:03:57]  So, he makes quite an interesting case for it.
[01:04:00]  And he makes the case that, in fact, there's a crisscross with Osiris and Chakmul.
[01:04:08]  So, this is something that he's putting forward.
[01:04:10]  And he gives us, you know, decades of research to back this up.
[01:04:14]  Now, what I think he does, which is remarkable, is he gives us the similarity in the names of Egyptian gods and Egyptian priests.

=== Spiritual Technology Origins (16:05) ===

[01:04:26]  And then he goes back over the Maya and he does the same thing.
[01:04:29]  His work was used by Ignatius Donnelly in the first Atlantean classic, The Antediluvian World.
[01:04:36]  But Madame Blavatsky draws on his research in her secret doctrine.
[01:04:41]  That shows us again this interesting crisscross on the mystical side.
[01:04:46]  When we go in and we look at Le Plongeon, he is what?
[01:04:51]  He's a theosophist.
[01:04:54]  So he understands the Atlantis story from the mystical side also.
[01:04:58]  And as we learn from Manly P. Hall, he's a psychic archaeologist.
[01:05:03]  All right.
[01:05:05]  Somewhere along the lines, we find that Edgar Cayce starts talking to this one person about their Atlantean experience, and he talks about where this other Hall of Records is and how Iltar, who is the leader, the kind of Noah of the Atlanteans on the Poseidon side, that is where the Bahamas is and all that, he goes to Yucatan.
[01:05:34]  And what he does is he deposits these Hall of Records.
[01:05:37]  The first temple that he builds for them is right on the coast there off Yucatan.
[01:05:42]  It sinks because Atlantis is not done pulling everything down.
[01:05:46]  And there's this whole effect that's taking place, not only through earthquakes, et cetera, but also through the destruction of this 2I power station, Crystal Mower.
[01:05:55]  What he decides to do is he takes that temple structure, he goes deeper into Mexico, and he brings it.
[01:06:05]  To that border there with Guatemala, which, as we know at the time, was just one big piece.
[01:06:12]  So Casey starts to talk about what's there near the Hall of Records.
[01:06:18]  And he starts to describe how the stones are magnetized by this process of using the two eye stone.
[01:06:27]  And he describes these portable versions of the large two eye stations, and they're called Firestones.
[01:06:33]  So the Firestones become kind of the central power network in Yucatan.
[01:06:39]  You could call it kind of like Atlantis II.
[01:06:42]  And the Firestones become a remarkable achievement because he reverts them back to their original.
[01:06:52]  This is very interesting because Casey talks about how the technology that the Atlanteans had was originally designed to be a spiritual technology.
[01:07:02]  So, literally, you open your laptop up and you're dealing with the Ascended Masters.
[01:07:08]  So, the technology is directly tied to your spiritual advancement.
[01:07:12]  And the way he describes it is they prime themselves and they create these priestesses to interact with the Two Eyes Stone.
[01:07:22]  And then they have contact with what he calls the outer spheres or the saintly realm.
[01:07:29]  So they're interacting directly with these higher spiritual beings through the technology.
[01:07:34]  This is the Amelius group and all of the kind of spiritual angle that they're coming from, the kind of one God approach.
[01:07:43]  And, you know, they call them the children of the law of one.
[01:07:46]  The other group discovers you can use that technology to, you know, blast a hole in a neighboring island.
[01:07:56]  And this is how the technology gets developed into divergent directions.
[01:08:02]  The war that takes place in Casey's kind of history of that whole period is between the Belial group and the Amelius group.
[01:08:11]  And what happens is they literally face off against each other using psychic abilities and the advanced technology that the Atlanteans had.
[01:08:21]  And it is that battle where the Belial group sets their death rays too high that pulls everything down.
[01:08:29]  That's the story of the destruction of Atlantis, the three destructions, as it were.
[01:08:35]  But Casey has that final destruction happening in 10,500 BC as a direct battle between the Belial group and the Aemilius group.
[01:08:45]  That clash of technology and the destruction, the major destruction took place right where, in that area that I call the hot zone, there between Cuba, Florida, Bimini.
[01:09:01]  In the Yucatan Peninsula down there into the Caribbean.
[01:09:05]  So, you know, you've got that whole section.
[01:09:08]  And overlapping that is what is known as the Bermuda Triangle.
[01:09:12]  So, a lot of the magnetic upset of the area, et cetera, may be the lasting result of the disruptions of this original battle.
[01:09:20]  That has to be kept in mind.
[01:09:22]  Everyone, you're watching the Dark Journalists five year anniversary show.
[01:09:26]  It's fantastic to have so many of you here with us.
[01:09:29]  We are laying out Pogade.
[01:09:31]  Which is new information, uh, builded on the structure of all this incredible Atlantean Hall of Records information.
[01:09:39]  We are going to take your questions on some of this, we're going to do that tomorrow night because we have a lot to get to tonight.
[01:09:44]  Miss Olivia, before I go any further, how are you doing?
[01:09:47]  Um, good.
[01:09:48]  Scarlet Fire says, Is the Hall of Records a physical thing, uh, or an energy gate of sorts?
[01:09:55]  Well, I think just like something like the pyramid, it's both.
[01:10:00]  So, on one level, it exists physically, you can.
[01:10:05]  Touch it, it's a place.
[01:10:08]  But what it represents, and because of the sacred architecture involved and what it can draw in, it exists in this kind of ethereal zone as well.
[01:10:17]  So, for the purposes of what we're talking about, we're talking about something that would be like a shrine, would be like a pyramid to hold the information of the culture.
[01:10:34]  Now, they have incredible abilities in that period.
[01:10:38]  For example, You know, they're building pyramids through sound and things of this nature.
[01:10:44]  They're using their thoughts, their collective thoughts, to overcome nature.
[01:10:50]  So that's something that we don't have a lot of now, but we have a great reliance on what we can do physically with the technology.
[01:10:57]  So, you know, I would say that the Atlanteans are caught somewhere between the ethereal and the physical on this.
[01:11:04]  They did have physical bodies and they were operating physical ships, but they have much more.
[01:11:11]  Of an ethereal life.
[01:11:12]  And I think Casey put it best, in fact, when he said that the individual in the period of Rata, which is 10,500 BC, is very different from the individual of today.
[01:11:25]  For example, he says they were aware of things taking place above them 10 miles.
[01:11:32]  So that's pretty in tune with nature.
[01:11:37]  And it's a faculty that a lot of us don't have.
[01:11:39]  Once in a while, you get someone who's really well attuned to nature, but whoa, you know.
[01:11:43]  So, Casey gives us a lot of clues there that the actual people, the beings themselves, aren't so.
[01:11:50]  This is a very, the period that we're in is a lot more dense.
[01:11:55]  So, that's a good thing for us to keep in mind.
[01:11:57]  But the actual records, nonetheless, are physical, for sure.
[01:12:01]  I make no mistake about it.
[01:12:03]  Okay.
[01:12:05]  What about Casey and those two eyed stones?
[01:12:08]  And how does all this relate to what we're talking about?
[01:12:14]  Gave those readings, as I said, consistently over a course of three decades.
[01:12:18]  And what he was trying to tell us about the Atlanteans, I think, is unique.
[01:12:23]  And I don't think, even with the incredible mystery school knowledge that has come down, I don't think anyone has ever touched just how deep Casey's version of Atlantis goes.
[01:12:33]  So he was kind of like the ultimate in that regard.
[01:12:38]  You know, as what we can say about Casey is he was the sleeping prophet, he had a demonstrated lifetime of being able to medically diagnose people at a distance.
[01:12:48]  And, you know, there are books written about him, affidavits, witnesses, family members.
[01:12:53]  I mean, it's so much.
[01:12:55]  And, you know, it's suggesting to us that we all have this psychic ability, as Casey would say, but we, you know, it's something that we kind of put away.
[01:13:05]  And Casey was lucky.
[01:13:07]  It was still, you know, he was able to tap into it.
[01:13:12]  There's a really interesting setup of the Two Eye Stone that he described.
[01:13:19]  And then there are some.
[01:13:21]  Mayan hieroglyphs that I think are going to give us the idea of how the Firestone piece fits into this.
[01:13:27]  Before I do that, if you've watched any of our shows in the hot zone, I've shown this image.
[01:13:33]  This is an image of the two eye stone that a NASA scientist in 1974 developed.
[01:13:40]  He was very interested in the Casey readings, and based on the Casey readings, he felt that he had a scientific breakdown of what that crystal was.
[01:13:51]  And there it is a six sided.
[01:13:54]  Cylindrical figure of a kind of blue crystal.
[01:14:00]  And this 2i stone operated power stations throughout the globe.
[01:14:07]  This is the way that Casey said they were set up.
[01:14:09]  The name 2i, T U A O I, was spelled out by Casey on multiple occasions.
[01:14:15]  So we know the spelling is correct.
[01:14:18]  But what the word means is really interesting because various interpretations show up.
[01:14:25]  You know, the similarity to, for example, the Tuatha di Danan.
[01:14:31]  Uh, you know, some of that mystical imagery of that group, uh, showing up in Ireland in a glow, riding in on a cloud, dominating the place, and then showing up in their record of kings.
[01:14:47]  Um, you know, there's a lot of interesting things.
[01:14:51]  The tribe of Dan, for example, in the Bible, they are a seafaring, you know, they're only on ships, which is very odd for any of the other, um, You know, Jewish tribes.
[01:15:06]  So there's this idea that this group may have been kind of going around to different locations and leaving their mark.
[01:15:15]  So the name T U A Y shows up also in Simone.
[01:15:24]  So, you know, we get a lot of strange references about this.
[01:15:27]  What I found about it fundamentally in Celt literature is that it means something like when you say, Two eye stone, you're saying the people's stone.
[01:15:42]  Something along that line.
[01:15:43]  Or people of the stone.
[01:15:46]  So people of the crystal.
[01:15:48]  Now it's interesting because Casey says that for a long time they refer to it as the mighty crystal because it's got these incredible spiritual qualities.
[01:15:57]  By the time it's causing all this destruction, it's referred to as the mighty, terrible crystal.
[01:16:02]  And you'll find that term right in the middle of one of Ezekiel's visions.
[01:16:07]  Where he says, right above their heads, I could see the blue, mighty, terrible crystal.
[01:16:13]  This is a reference.
[01:16:15]  Again, we're seeing the two eye stone come back there.
[01:16:18]  And it's interesting because when they were asking Casey about the flying machines that the Atlanteans used, he stops and he says, Oh, you know, it was very much like what Ezekiel described, but that was a much later date.
[01:16:32]  So, you know, when we have Ezekiel and there's some dispute about when he was active.
[01:16:39]  But let's say, you know, a good range would be somewhere around like 2000 BC.
[01:16:46]  But the Atlanteans went down in 10,500 BC, according to Casey.
[01:16:50]  So, somewhere in the 8,500 years in between, somebody kept the technology because Casey's saying, well, if you want the Atlantean spaceships, basically, it's the same thing that Ezekiel was seeing.
[01:17:03]  Well, in the middle of Ezekiel's vision, he's like, hey, look, it's the two eye stone, the terrible crystal at the top of this machine.
[01:17:10]  So, a lot of that, you know, there's a lot of piecing together of this.
[01:17:16]  And then I also think about Casey and his own tight relationship with the Bible and how this Atlantis information is coming forward.
[01:17:23]  So, he's able to kind of navigate these two worlds because when he's coming up with these concepts originally, nobody from his Christian communities wants to hear anything about this because reincarnation is involved, which is how he's getting a lot of the information.
[01:17:38]  So, there's a lot of, let's just say, there's a lot of interesting background with Casey around this.
[01:17:44]  Okay, so he's telling this woman, look, you were deep in the priestess action with the two eye stone back in the Atlantean Poseidon period, say about 11,000 BC.
[01:18:00]  And he says, in the center, upon a board or a paper, begin with the stone as the light of the activities in the temple of the Atlantean Poseidon era.
[01:18:11]  This might be termed the two eye stone, T U A O I.
[01:18:16]  This would be a six facet stone at the height as to proportion with the rest of the chart, as may be indicated.
[01:18:23]  The stone of the two eye would be opalescent, while the light would be indicated from the top in the rays of white light.
[01:18:32]  Some foliage, as might be indicated by the laurel, would be around the portions of the base of the stone.
[01:18:39]  In the foreground of this would be the pool or water with the moon shining upon, saying, Put the life force of the lotus or indicated.
[01:18:49]  In the lotus with its white and ruby center, he's giving her this kind of imagery that she should be using when she's thinking about this period.
[01:18:58]  Upon the left side, put the full moon surrounded by four fingers, represented by the zodiac sign Leo.
[01:19:06]  The moon would be a silvery gray.
[01:19:08]  As to whether this would be radiations or not would depend on the choice of the artist according to the concept of the relationship.
[01:19:14]  Upon the right side of the chart, on the level of the base of the stone, put again the full moon.
[01:19:19]  The face here is more representative of the pink and the red.
[01:19:23]  The figure about this foreign number would be represented in the sign of Cancer.
[01:19:28]  So he's giving her this kind of zodiac he's laying out, and she's, you know, with the two eye stone in the middle.
[01:19:35]  And it goes on, but I think the one that was interesting also is that he gives her Venus and Mercury to include in here.
[01:19:43]  So there's a mention of two eye early, very early, in the Casey readings.
[01:19:49]  Later, there's a much more advanced overview.
[01:19:54]  Based on these individuals who come to him.
[01:19:58]  Dr. John Sutton, the scientist, the NASA scientist who was interested in all this, came up after studying the readings with these basic categories about what the two eye stone was and was not.
[01:20:12]  So, here, after studying the readings on it, he drew the following picture of the two eye stone one, it became hot when used, two, it was large, three, It received its energy from the sun and from elements that are and are not found in the Earth's atmosphere.

=== Casey Readings on Energy Stones (06:27) ===

[01:20:31]  Four, it consisted of prisms or a glass.
[01:20:35]  Five, it employed induction methods.
[01:20:37]  Six, it employed a kind of wave energy other than electromagnetic.
[01:20:44]  Seven, the energy could be emitted in a beam to which water and other matter is transparent.
[01:20:50]  Eight, the beam was invisible.
[01:20:53]  It's like the wireless is invisible.
[01:20:57]  Nine, the beam was transmitted enough power for the needs of a city.
[01:21:01]  Ten, it could be used to retard the aging process.
[01:21:05]  This is interesting because there are regeneration stations where it's set to a point where it can regenerate human tissue.
[01:21:14]  Now, this is interesting for a couple of reasons.
[01:21:17]  One is the only indication of how this worked is he said, well, the radiations were set to a point where they would be destructive to an animal organism, but Not destructive to a human organism, so they're right in between that spectrum.
[01:21:34]  It could be used to retard the aging process.
[01:21:36]  11.
[01:21:36]  It consisted of two separate pieces, a cylinder and a capstone.
[01:21:40]  12.
[01:21:41]  The energy produced was concentrated between two pieces.
[01:21:46]  13.
[01:21:47]  Representations of it will be found in Yucatan.
[01:21:51]  14.
[01:21:52]  The crystal was cylindrical, six sided, and was of hexagonal cross section.
[01:21:58]  Hexagonal cross section, sorry.
[01:22:01]  Light waves were used.
[01:22:02]  15.
[01:22:03]  Light waves were used for communications with extraterrestrial intelligence.
[01:22:08]  This is important because.
[01:22:11]  He talks here about them communicating with the outer spheres.
[01:22:16]  So it's extraterrestrial in that sense.
[01:22:21]  It doesn't necessarily include alien contact.
[01:22:26]  16.
[01:22:27]  Misuse, accidental or otherwise, of the two eye stone caused two geological upheavals.
[01:22:32]  In fact, three.
[01:22:34]  But it's a pretty good rundown when just looked at on a bare scientific basis.
[01:22:40]  And I remember.
[01:22:43]  At a certain point, when they try to rebuild the Ark of the Covenant and when they were doing it, it was producing all this electrical problems for the guy who was reproducing it.
[01:22:53]  When we get these concepts inside of a scientific environment, we start to realize just how hardcore this is.
[01:22:59]  Yeah, how are you doing?
[01:23:00]  There's nothing I have for you.
[01:23:04]  How are you making out over there?
[01:23:05]  Again, I'm just trying not to cough.
[01:23:08]  I like it.
[01:23:10]  Nicely done.
[01:23:13]  All right, this gets us on Casey's side to a very important place.
[01:23:22]  At a certain point, and this opens up the whole Piedras Negras, Paw Stone, Hall of Records aspect.
[01:23:31]  There's a reading that he does, and it's for Mitchell Hastings.
[01:23:34]  Mitchell Hastings actually will be a guy who comes back here and founds all these radio stations, WBCN.
[01:23:41]  And driving around Boston, if you look up at the Prudential Tower, you're still going to see this radio.
[01:23:48]  Tower on the top of it.
[01:23:49]  And Mitchell Hastings built that back in maybe the 1970s, but it's still there.
[01:23:55]  Joseph is asking Is this a Casey reading that you're reading?
[01:24:00]  That was a Casey reading.
[01:24:01]  Yeah.
[01:24:01]  Okay.
[01:24:01]  Two Eye Stone.
[01:24:02]  Yeah.
[01:24:02]  He was giving that Casey reading.
[01:24:04]  This reading is 440 5, and it is the reading for Mitchell Hastings.
[01:24:11]  So that's who he's giving it for.
[01:24:13]  The other one was an early mention of the Two Eye Stone.
[01:24:18]  And it was in the middle of this woman's reading, talking about her spiritual abilities.
[01:24:24]  And he starts to say, well, you know, you picked this up during your Atlantean, Poseidon lifetime, and here's some of that.
[01:24:32]  This one's a little bit different.
[01:24:34]  And he talks about the discovery of the two eye stone in modern times.
[01:24:40]  He talks about what it was and how this guy was involved with it then, and how he has to be especially cautious not to get hung up.
[01:24:49]  In, you know, if he rediscovers the two eyed stone, because the last time he was involved with it, it led to destruction.
[01:24:59]  I'll tell you what's weird about this if you don't know.
[01:25:03]  I met Hewlin Casey.
[01:25:05]  No, I'm sorry, Edgar Evans Casey.
[01:25:07]  Hewlin died in the 80s, but Edgar Evans lived into his late 90s.
[01:25:14]  He was a remarkable guy.
[01:25:15]  And when I met him, he must have looked 30 years younger than he was.
[01:25:20]  So he was using the Casey readings.
[01:25:23]  But he used.
[01:25:24]  His dad's readings to write Edgar Cayce on Atlantis, which I think is the real hardcore book on Atlantis.
[01:25:31]  And he tracked the whole thing because he was an engineer in real life.
[01:25:35]  You track the whole thing scientifically, his whole life.
[01:25:39]  And if you go back in there, you learn that a lot of the Atlantis stuff becomes personal with Casey because his son, when he's giving a reading for his own son, he says, Oh, you know, back in the Atlantean period, a lot of people referred to him as the dreaded one because his engineering abilities, you know, helped to produce the two eye stone.
[01:26:04]  So, you know, There might be some kind of intergenerational debt that the Caseys were doing by bringing forward this information for the good this time.
[01:26:17]  And I find that kind of interesting and it's open to interpretation.
[01:26:20]  But wow, you know, Edgar Evans, the dreaded one, indeed.
[01:26:27]  This psychic reading was given by Edgar Casey at his home in Virginia Beach on the 20th day of December 1933.
[01:26:34]  The dates are important because of what he says is going on.
[01:26:37]  And.
[01:26:39]  Like I said, this is all about the two eyed stone and this guy's earlier interaction with it.
[01:26:47]  So, here are the questions Give an account of the electrical and mechanical knowledge of this entity, then known as Azel Sign, in Atlantis.

=== Intergenerational Knowledge Debt (09:22) ===

[01:26:58]  Casey answers Yes, we have this entity's activities during the experience.
[01:27:02]  As indicated, the entity was associated with those that dealt with the mechanical appliances and their application.
[01:27:09]  During that experience, as we find it was a period when there was much that has not even been thought of yet in the present experience.
[01:27:18]  About the fire stone that was in the experience, did the activities of this entity then make those applications that dealt with both the constructive and destructive forces in the period?
[01:27:30]  It would be well that there be given something, a description of this, that it may be better understood by the entity in the present as to how both constructive and destructive forces were generated by the activity of this stone.
[01:27:44]  In the center of the building that today would be lined with non conductive metals or non conductive stone like asbestos, the building above the stone was oval or dome, wherein there could be a rolling back so that the activity of the stone was received from the sun rays or from the stars.
[01:28:08]  The concentrating of the energies that emanate from bodies that are on fire themselves with the elements that are found and not found in the earth's atmosphere.
[01:28:17]  The concentration through the prisms of glass, as would be called in the present, was in such a manner that it acted upon instruments that were connected with various modes of travel.
[01:28:31]  When he goes into the types of travel, he talks about airships that would go fly through the air, could fly underwater, and could fly through things.
[01:28:43]  Figure out that last part because it's quite interesting.
[01:28:46]  Preparation of the stone was in the hands only of the initiates.
[01:28:48]  At the time, and the entity was among those that directed the influences of the radiation that arose in the form of rays that were invisible to the eye, but that acted upon the stones themselves as set in the motivating forces, whether aircraft that were lifted by the gases of the period, or whether guiding the more pleasure vehicles that might pass along close to the earth, what would be termed crafts on the water under the water.
[01:29:14]  These then were impelled by the concentrating of the rays from the stone that was centered in the middle of the power station.
[01:29:21]  Or powerhouse, as would be termed in the present.
[01:29:25]  So he goes on to talk about the manners of the construction of the two eye stone.
[01:29:30]  And he says the manners of the construction of the stone are actually buried in these three hall of records.
[01:29:38]  And here we start to get the conversation about the hall of records going.
[01:29:43]  The records of the manners of construction are the same, they are in three places in the earth as it stands today.
[01:29:48]  I want you to take note of the three here because the three is going to be very important when we go back to Piedras Negras.
[01:29:58]  In the sunken portions of Atlantis or Poseidonia, there's a portion of the temples may yet be discovered under the slime of ages of seawater near what is known as Bimini off the coast of Florida, and in the temple records that were in Egypt, where the entity later acted in cooperation with others in preserving the records that came to the land from the land where these had been kept.
[01:30:21]  That's the Sphinx records.
[01:30:23]  Also, the records that were carried to what is now Yucatan in America.
[01:30:28]  Where these stones that they know so little about are now during the last few months being uncovered.
[01:30:36]  And they put being uncovered in caps as if he said it very loudly.
[01:30:40]  That's how the stenography does it.
[01:30:42]  So he says, being uncovered.
[01:30:45]  Now, in December of 1933, it turns out there were no expeditions.
[01:30:58]  And he says, in the last few months, in that period, there were no expeditions.
[01:31:02]  In the what we call Yucatan now, but going back through those records, a number of researchers have discovered oh, you know what?
[01:31:12]  It turns out Penn State Museum, where he said the ruins went to, they actually were working in Piedras Negras, and that was called, in fact, Yucatan in that period.
[01:31:25]  Um, so a little more about the stones, and then we'll jump it over to uh Piedras Negras.
[01:31:34]  Question, is it for this entity to again learn the use of these fire stones?
[01:31:43]  When there have come those individuals who will purify themselves in the manner necessary for the gaining of knowledge and the entering into the chambers where these may be found, yes, if the body will purify itself.
[01:31:55]  In Yucatan, there is an emblem of same.
[01:31:57]  Let's clarify this, for it may be the more easily found, for they will be brought to this America.
[01:32:05]  These United States.
[01:32:06]  A portion is to be carried, as we find, to the Pennsylvania State Museum.
[01:32:10]  A portion is to be carried to the Washington Preservations of such findings.
[01:32:14]  That's the Smithsonian or Chicago.
[01:32:18]  Some people got lost on that one and thought he meant Washington State.
[01:32:22]  Washington finding of such things?
[01:32:23]  It's the Smithsonian, it's D.C. As to the use of the same and as to how it is to be applied, one must prepare the self, or it may not wholly be given through any channel until an individual is so purified.
[01:32:36]  Their purposes and desires for is given not again will man bring to himself or to those that have been awakened to their individual development destruction for the earth, saving that man does it himself.
[01:32:49]  This is interesting.
[01:32:50]  So it's suggesting look, if you want to make nuclear weapons, you know, and things of this nature, you know, be my guest, basically.
[01:33:00]  But you're not going to get kind of that supernatural interface that the Atlanteans had.
[01:33:08]  By using the two eye stone and getting all this information to destroy yourselves with.
[01:33:12]  So it's pretty interesting when you really look at the language there.
[01:33:18]  And so he goes into purification and so on.
[01:33:23]  But then this question comes up.
[01:33:25]  Wait, who's conducting the work in the Yucatan?
[01:33:29]  And the answer is would it be sent to any other place than to those who are carrying on the same?
[01:33:36]  So, as he mentioned, the Pennsylvania State Museum.
[01:33:41]  It's actually the University of Pennsylvania Museum in Philadelphia, right?
[01:33:45]  Well, the quote here is Pennsylvania State Museum, is how he describes it.
[01:33:51]  But what we learn later is the terminology.
[01:33:54]  Is the University of Pennsylvania Museum.
[01:33:57]  But that's a good point.
[01:33:58]  Give an account of the electrical and mechanical knowledge in the period.
[01:34:02]  And so he goes on.
[01:34:03]  Now, the reading is extensive.
[01:34:04]  I won't do the whole thing here, but there's a very interesting, important piece.
[01:34:12]  What do you got there?
[01:34:14]  Jimmy Lyle Kenemer wants to know could this be the key to speed of light travel?
[01:34:22]  Well, that's interesting.
[01:34:23]  I know it's a heavy question.
[01:34:27]  We're talking physics.
[01:34:30]  I would say you're on the right track.
[01:34:35]  All right, what else you got?
[01:34:40]  Nothing else yet.
[01:34:42]  Okay, Shane Walker.
[01:34:44]  Are these two eye catastrophes related to Velikovsky's research and a cataclysm 6,000 years ago?
[01:34:52]  I think when we look at Velikovsky, we're looking at a deep.
[01:34:59]  Understanding and an overview of how astronomical bodies were interfering with incidents that were happening on the earth.
[01:35:09]  And one of the incredible things of the worlds in collision that he brought forward was this idea that a lot of the things that were happening during Moses being in Egypt, you know, we're talking pretty heavy duty stuff.
[01:35:27]  The rain of locusts and parting of the Red Sea.
[01:35:35]  Well, you know, certainly you can take it on a purely spiritual basis.
[01:35:40]  But the other thing you could look at is, you know, he was very aware of these things happening and he used them.
[01:35:48]  So he had incredible insights.
[01:35:54]  And for me, his work is very advanced.
[01:35:58]  He kind of, you know, shows up in that zone.
[01:36:02]  Where that's the type of work, that's the type of scientific direction that we should have been taking.
[01:36:08]  But instead, you know, we got this kind of bland scientific for the public.
[01:36:16]  Hey, we're advancing technology, while in the background they understood the real thing that was going on.

=== Ritualistic Temple Imagery (14:58) ===

[01:36:21]  So, you know, we're still kind of stuck with that version of it, you know.
[01:36:26]  So you get bozos like Neil deGrasse Tyson and things of this nature when we could have had, you know, Belakovsky.
[01:36:33]  So it's tough.
[01:36:34]  It's a tough trade.
[01:36:36]  David Tormina says the Trump family has been very much associated with the University of Pennsylvania.
[01:36:42]  As have a lot of very interesting families.
[01:36:45]  You're going to find that pretty much everything that has been crucial when you get around these topics comes through UPenn.
[01:36:58]  So that's an interesting question as well.
[01:37:03]  Now, what's interesting is.
[01:37:05]  Because in the readings where he's talking about the stones that they know so little about, he starts to talk about how there's a kind of a magnetized quality to these stones.
[01:37:23]  And he mentions that they'll be taken off to these three different places.
[01:37:28]  Now, a portion is to be carried, like I said, Penn State Museum, a portion to Washington.
[01:37:35]  Preservations of such findings or to Chicago, meaning it went either to Chicago or to the Smithsonian.
[01:37:42]  Now, here's the important piece the stones that are set in the front of the temple between the service temple and the outer court temple, he's putting himself in the Yucatan Hall of Records.
[01:37:54]  So Casey's consciousness has jumped at this point.
[01:37:57]  He's actually describing how it looks.
[01:38:00]  The stones that are set in the front of the temple between the service temple and the outer court temple or the priest activity.
[01:38:07]  For there later arose, which may give a better idea of what is meant, the activities of the Hebrews from this, in the altar that stood before the door of the tabernacle.
[01:38:21]  This runs deep.
[01:38:21]  I'm going to keep going, but I'll jump back to explain that.
[01:38:24]  This altar or stone, then in Yucatan, stands between the activities of the priest, for of course this is degenerated from the original use and purpose, but is the nearest and closest one is being found.
[01:38:39]  As to the use of same, as to how it's to be applied, one must prepare oneself, and it may not wholly be given through any channel until an individual has so purified their purposes and desires.
[01:38:52]  So he starts to describe it, and then he starts to say, look, they found these stones, and there's going to be an emblem of same that will be carried to America.
[01:39:08]  So they've found some of the fire stones.
[01:39:11]  And there's an emblem of the firestones, obviously, some kind of mural of some sort that'll give you an idea of how they're used.
[01:39:18]  Now, in this connection, I've found some interesting things from Piedras Negras that might give us a hint of how the firestones are used.
[01:39:28]  And I believe that they involve two objects that activate a kind of attunement and that they are portable.
[01:39:38]  So, some of these images, I think, become.
[01:39:46]  Very fascinating for us to kind of just get an overview.
[01:39:50]  And then we'll move on into the jungles, as it were.
[01:39:56]  But it's fascinating to me because when I was looking at that, I was thinking to myself, well, you know, he's talking about fire stones now.
[01:40:07]  And so the two eye stone is split off, it's been miniaturized into these smaller versions.
[01:40:12]  Here in Piedras Negras, and this is a picture from 2018.
[01:40:17]  That is one of the altars that still is standing there.
[01:40:24]  And you can see that it's got, you know, it's a circular stone, as Casey described that they were, and he was describing some of this priest activity.
[01:40:34]  Now, if we go back and we look at the earlier searching through of Piedras Negras, there's other images of these altars.
[01:40:45]  And this will give us a hint then again of.
[01:40:49]  That they were using the Firestone technology there on the altars.
[01:40:54]  And then when we talk about where they buried the Hall of Records, we're starting to get warm.
[01:40:59]  This is called the Cave of the Cobra.
[01:41:04]  That's in Piedras Negras.
[01:41:08]  Quite fascinating.
[01:41:09]  And you can imagine that as a sort of a ritualistic temple.
[01:41:13]  Now, what's interesting is we know very well that the Aztecs practiced human sacrifice and that the end of the Mayan civilization, this happened.
[01:41:23]  But the Mayan civilization that Casey is referring to in the Iltar part, the early setup of these groups, they're completely.
[01:41:34]  The opposite from that.
[01:41:36]  They're basically the Amelius group on steroids.
[01:41:39]  So they're not using human sacrifice.
[01:41:41]  Their idea of sacrifice is what they put on the altar is hate, malice.
[01:41:46]  And it's just like what Casey referred to as the temple beautiful.
[01:41:50]  So that becomes interesting too.
[01:41:53]  So let's take a quick look.
[01:41:55]  I want to jump to some of the.
[01:42:03]  This is another picture actually of.
[01:42:06]  A structure in Piedras Negras that takes on this altar of fire stones look.
[01:42:13]  That's another one that they found there that they don't know the origin of it.
[01:42:20]  And they figure, well, it's some kind of religious worship.
[01:42:22]  We just don't know, you know, maybe sacrifice.
[01:42:25]  Because now they look at everything and because they know about Aztec and later Mayan sacrifice, they just look at anything and they're like, oh, it's a sacrifice temple.
[01:42:35]  Not so if we jump now from Casey back to Les Plongeons.
[01:42:40]  Le Plongeon, again, talking about these Chak Mules, saying that they're noble warriors, Atlantean warriors, who are setting up a new culture.
[01:42:51]  So here's the name origin of Chak Mule.
[01:42:53]  Here's a later version, by the way.
[01:42:55]  You can see that these changed a lot over time.
[01:43:00]  This is the one that Le Plongeon found.
[01:43:05]  That's the actual classic Chak Mule.
[01:43:08]  His version of it, he said he read the Mayan hieroglyphs and that it was all a story of an Atlantean.
[01:43:15]  A conqueror, and that he, you know, kind of installed this whole idea of service and that he had all these victories.
[01:43:24]  And so basically, the implication for me was, you know, they rolled in there with more advanced technology and they left this legacy of it.
[01:43:32]  Now, what's fascinating too is remember, Lee Plongeon says this is the Osiris story that goes to Egypt because he gets killed, and his sister, who he's married to, just like Isis is married to Osiris.
[01:43:47]  Erects these statues to him and has the sun immortalized and all the rest.
[01:43:51]  And remember, we started off with the Yucatan Sphinx.
[01:43:56]  All right.
[01:43:57]  Now, Chalk Mool.
[01:44:00]  The name came from Augustus Le Plongeon, 1826 to 1908.
[01:44:07]  He and some others were excavating a platform on the site of Chichen Itza and they came across a Chalk Mool.
[01:44:13]  Le Plongeon decided it was a statue of a prince.
[01:44:18]  Named Ko, and called it Chok Mul, meaning Thunderpaw.
[01:44:27]  The source says that Lee Plougent chose Chok Mul and also referred to Thunderpaw as Great or Red Jaguar Paw.
[01:44:38]  Again, remember the Sphinx Paw in this relation.
[01:44:41]  The source that says he chose Chok Mul says Stephen Salisbury then altered the spelling to.
[01:44:52]  C H A C M O O L, where he said it was C H A A C M O L. Slight variation there.
[01:45:01]  Lee Plongeon was working for this guy in Worcester, Massachusetts, which is maybe about a half hour from here.
[01:45:08]  About an hour.
[01:45:09]  About an hour.
[01:45:10]  See how good I am with directions.
[01:45:12]  And what's interesting for me is everything in this period, whether it's psychic research, theosophy, archaeology, it all goes back to Boston.
[01:45:23]  That's where you're going to find it.
[01:45:24]  It's all around Massachusetts.
[01:45:27]  The source says he chose the name.
[01:45:29]  Okay.
[01:45:31]  Now, Lee Plongeon wanted to take a chalk mull to an exposition called the Centennial Exposition in Philadelphia, 1876.
[01:45:41]  That would have been the first anniversary, 100th anniversary of America.
[01:45:47]  However, the president he asked was replaced by Porfino Diaz.
[01:45:51]  Diaz sent some of the military in to take it up to Mexico City's National Museum of Mexico.
[01:45:59]  Chalk mull later, all these other versions they would find.
[01:46:05]  And again, it appears very obvious that these later versions are the same motif, slightly different, just like the Sphinx being slightly different in different mutations, interestingly enough.
[01:46:23]  So we have the Great Sphinx, and then we have all these weird knockoffs later, but it's the same motif.
[01:46:29]  Here, by the time you get to the Aztecs, you have this.
[01:46:34]  That is still using this figurine.
[01:46:38]  Of Chakmul.
[01:46:40]  But again, remember, when they started with it in the early period, it's a noble Osiris type figure before whatever the Aztecs turn it into.
[01:46:49]  Who knows?
[01:46:51]  But Chakmul is a great mystery.
[01:46:52]  They don't know why he's in this position.
[01:46:55]  Now, this becomes important.
[01:46:58]  Can I throw you a question?
[01:46:59]  Sure.
[01:47:00]  He wants to know, but why is Chakmul related to Osiris in Le Plougent's thinking?
[01:47:06]  Yeah, it's an interesting piece.
[01:47:08]  Basically, he reads.
[01:47:12]  The Mayan story and the Mayan hieroglyphs.
[01:47:15]  And then he submits to the American Archaeological Association that he knows how to read the Mayan hieroglyphs.
[01:47:23]  And they say, no, no, no, no.
[01:47:24]  We don't want any part of that.
[01:47:26]  So he releases the story all about Chok Mul.
[01:47:34]  And they don't accept it.
[01:47:36]  So we're stuck in this weird zone where he says he's solved the Mayan hieroglyphs and they say he didn't.
[01:47:42]  Interestingly enough, that's another shot.
[01:47:46]  Excuse me.
[01:47:48]  And we're looking at Chalk Mool there in those ruins.
[01:47:52]  And this gets us into an interesting territory as well.
[01:47:58]  Because remember from Joseph's question there, the Chalk Mool story, the overlap is quite fascinating with Isis and Osiris and Horus.
[01:48:07]  Because in the Chalk Mool story, we have the queen and.
[01:48:16]  The king, uh, well, he's the prince at the time and he dies, and eventually she becomes queen.
[01:48:21]  So, I guess she's princess at the time, and she's princess Moo M O O, and he is prince Ko.
[01:48:32]  Chok Mool is going to mean the thunder paw, so he takes on the role of the thunder paw.
[01:48:41]  For me, he is again taking on the role of this paw stone.
[01:48:47]  Because remember, Piedras Negras is Paw Stone.
[01:48:50]  Remember that in his temple, there's a sphinx on top, Chakmul's temple.
[01:48:57]  So, what we have is an overlap of this imagery of the paw.
[01:49:02]  Then we go back to Egypt and we have Casey saying, under the right paw of the Sphinx is the Atlantean Hall of Records.
[01:49:08]  These things are connected across continents and we're getting the same imagery even.
[01:49:16]  So, it's quite remarkable when you think about it.
[01:49:18]  The other piece that's important here is that Isis, again, her brother Osiris gets killed and she creates all these wonderful things as a tribute to him.
[01:49:32]  And it's the same case with Chalk Mool and Queen Mu because he gets killed and she does the same thing.
[01:49:41]  And they have a 16 year old son in the story.
[01:49:45]  So it's just like the Horus story.
[01:49:47]  And what happens is she says goodbye after she erects all those things.
[01:49:50]  Remember Chalk Mool?
[01:49:51]  You know, and all the wonderful things that we did.
[01:49:54]  And she sails off.
[01:49:57]  And they're like, you know, she's looking for the original motherland, Aztlan, as she leaves.
[01:50:05]  And.
[01:50:06]  It's Lee Plongeon's conclusion that she shows up with all the imagery intact in Egypt, and that the whole Isis, Osiris, Horus, Sphinx piece becomes generated directly from that.
[01:50:24]  Now, you don't have to accept that part of the story, but what's interesting for me is the paw crossover from Egypt to Yucatan and the Hall of Records tie in.
[01:50:33]  How are we interpreting his position, his reclining position?
[01:50:38]  A lot of people are relating it to a woman giving birth.
[01:50:43]  Isn't that interesting?
[01:50:46]  There's a lot to be said about the position that Chakmul is in.
[01:50:53]  I'm going to explain Chakmul a little further.
[01:51:01]  But I would say that there was a sense there of.
[01:51:10]  What's happening with him is that for me, he is operating the Firestone in the pose.

=== Resurrection Art in Caves (09:26) ===

[01:51:20]  And this is what's interesting.
[01:51:21]  I'm going to show how that works and how basically, when he comes in his chalk mull, he is coming and saying the same thing, which is, I possess the connection to the ancient thing that we do.
[01:51:34]  Just like years and years later, Jaguar Paw is going to come forward and say, I'm connected.
[01:51:40]  Here's the Postone.
[01:51:41]  I'm the guy.
[01:51:41]  I'm the mystic ritual guy.
[01:51:43]  I'm connected to the Bakhtuns and all the way up to 2012.
[01:51:46]  You know, hear me out.
[01:51:47]  I'm the hero leader.
[01:51:49]  So, this pose, they have all of these traditional imagery.
[01:51:57]  They're like, oh, well, you know, it's a give your service of water to the rain god.
[01:52:03]  You know, they do all these things with it that don't add up for me.
[01:52:06]  So, the traditional explanation falls far short.
[01:52:11]  My feeling is it's a representation of power and saying, just like the Urim and Thummim is used by the priests in Jerusalem to contact the higher centers, he's saying, here's how I use the Firestone as a breastplate, basically.
[01:52:29]  But he is directing it to his solar plexus in a reclining position.
[01:52:34]  Now, reclining positions, when you go into that part of the world, often signify royalty also.
[01:52:42]  So, we're getting to somebody who is maybe like a high priest warrior.
[01:52:47]  And what's interesting is, for all the different versions of this that have come up, no one knew anything about it until Le Plongeon put it on the map.
[01:52:58]  And what's interesting is, his definition was very clear that this is an Atlantean who, you know, basically had come in to give them a new culture.
[01:53:09]  So that's quite interesting when you get down to it.
[01:53:13]  In Piedras Negras, you're also going to find some of the things that I found interesting.
[01:53:20]  Looking back, there are these spirals, which look an awful lot like what you find in the Cuban caves, recounting an astronomical disaster from some 20,000 years ago.
[01:53:34]  These images look exactly like what you find in that cave.
[01:53:39]  And I have this wonderful picture of Polina Zelitsky, who discovered the Cuban city off the coast and got into all this trouble for doing it.
[01:53:50]  And before she does that, there's this wonderful picture of her exploring that cave.
[01:53:56]  And there, in fact, is the imagery.
[01:53:57]  Now, this one I find interesting.
[01:53:59]  By the way, circular imagery was not very common, interestingly enough, in the Mayans of this period.
[01:54:08]  So this really harkens to something else.
[01:54:11]  This is another one, and it appears to be one of these small versions of a firestone type of altar.
[01:54:21]  And it's right on the water there.
[01:54:23]  Which I find interesting.
[01:54:25]  One other thing, and some of these pictures are great.
[01:54:30]  One other thing I want to show you on that tip, and also to back some of this up these priests can be seen at Piedras Negras, and these are the priests who are overseeing that kind of sacred, in my opinion, they're the Firestone priests.
[01:54:54]  But if you look at them, one of them, remember these are supposed to be Mexican Indians.
[01:55:01]  One of them has a pharaoh's beard.
[01:55:07]  The other one is clearly Asian and may have altered their skull the way that we see that incredible altering that happens in South America, the so called cone heads, et cetera.
[01:55:21]  Take a look at this shot.
[01:55:24]  We can clearly see this guy.
[01:55:28]  Has a Pharaoh's beard.
[01:55:29]  That is a Pharaoh's beard.
[01:55:31]  And this guy is so unusual looking that he does not look like the indigenous population there.
[01:55:39]  So he's from somewhere else.
[01:55:42]  And by the shape of his head, he could be from somewhere a long way away as in outer space.
[01:55:48]  But he's an unusual figure there, shall we say, by any stretch.
[01:55:54]  Another piece of imagery that's going to kind of help us in regard to this.
[01:55:59]  Is there was a scarab that was uncovered in a tomb fairly recently in Egypt, and it shows a sphinx on the bottom side of the scarab.
[01:56:10]  And beneath the sphinx is what looks like a room, and the room is designated with an X.
[01:56:17]  So I want you to take a quick look at this and see if you can make out the sphinx here, and then the X in the room beneath him.
[01:56:27]  You got that?
[01:56:29]  That one making sense to you?
[01:56:31]  Here you have the back of the Sphinx.
[01:56:33]  There's the head.
[01:56:34]  There's the X in the room beneath him.
[01:56:38]  That scarab, again, with the imagery, I think it's going deep to give us, you know, it's more pictorial confirmation.
[01:56:49]  The thing is, when you start to look with an eye towards steganography around the Sphinx, around the Paw Stone, around the X, the whole thing starts to open up.
[01:57:02]  And I remember this wonderful image.
[01:57:05]  It's actually Gigi Young sent it to me.
[01:57:07]  And I'm still looking for the book that it actually comes out of because I want to show a high res version of it.
[01:57:13]  And this thing is so incredible because it shows a lion holding an ankh and it shows a pharaoh on the ground being resurrected and he has the X on his chest and they have these people attending them.
[01:57:29]  That is again, that comes out of a Masonic book from 1888 talking about their various rituals.
[01:57:35]  Apparently, that image shows up in three different Masonic books in that period.
[01:57:40]  So they knew what they were talking about.
[01:57:42]  But again, we've got the lion's paw involved in that resurrection.
[01:57:46]  In that case, the paw is holding an ankh.
[01:57:50]  And I will get a higher res version of that and show it.
[01:57:56]  But that definitely is giving us, I think, an idea of where we're going with this.
[01:58:00]  Okay.
[01:58:01]  Let me throw you a couple questions.
[01:58:02]  Yeah, sure.
[01:58:03]  Karen Carpenter wants to know Do spirals stand for portals?
[01:58:06]  And Simone Nyman wants to know Does DJ think that the spiral petroglyphs suggest the use of rods of God?
[01:58:14]  Well, I'll tell you, the fact that they show up whenever we're going very, very ancient.
[01:58:25]  So, the caves at Lascaux, you know, the spiral imagery back there is representing something that is, it's like a spiritual astronomical connection.
[01:58:43]  In my opinion.
[01:58:44]  And it's from a deep level.
[01:58:47]  You know, it's those shamans going into the very deepest communing with this higher power.
[01:58:55]  And then they're revealing this art.
[01:58:59]  When you see it as the overlap in the hidden caves in Cuba, and those caves are very sacred, and they're recounting somebody from the Cuba Astronomical Society.
[01:59:14]  Went in there and studied them for years and found out that they were tracking an event that took place, but it was 20,000 BC.
[01:59:23]  So, how did it end up in the caves?
[01:59:24]  Well, they were tracking it that far, maybe because of the nature of the destruction that they had to hide in a cave.
[01:59:31]  But there is this kind of sense that the spirals are representations not only of astronomy, but of spiritual understanding.
[01:59:42]  So, that gets pretty deep.
[01:59:44]  Um, this is the mausoleum of Chak Mul that it hadn't been fully excavated, but this is how, in the reconstruction idea, our friend was picturing it.
[02:00:01]  Le Plongeon, there it is.
[02:00:03]  That's looking like Atlantean architecture of the Poseidon variety, come in from the hot zone, uh, directly into Guatemala, and um.
[02:00:17]  You know, some of those, when you look at them, they don't look like anything else.
[02:00:22]  Le Plongeon writes when he's talking about this story that he has about Chalk Mool this is not a book of romance or imagination, but a work intended to give ancient America its proper place in the universal history of the world that declares the Maya, not India, is the true mother of nations.

=== Piedras Negras Discoveries (03:39) ===

[02:00:46]  So we can see now where he's coming from.
[02:00:50]  And I think we're getting a lot from him.
[02:00:53]  But remember, How did he go in?
[02:00:55]  He went in with psychic archaeology and found Chalk Mole and had all these insights about it.
[02:01:01]  How is Casey going in with the Hall of Records?
[02:01:03]  He's going in psychically.
[02:01:05]  So, you know, you can only go so far with, you know, radar and scientific impressions.
[02:01:13]  Apparently, some other type of internal radar is required to get at these sacred sites.
[02:01:19]  Otherwise, they might just show up like a mirage, or maybe there's a natural concealer built into the process.
[02:01:26]  You know, it's just.
[02:01:27]  Let's be real about it here.
[02:01:30]  So that gets us on Chalk Mool, and I'm going to do more on Chalk Mool for us for tomorrow, but I want to go even a little bit deeper now with a different discovery pattern around Piedras Negras.
[02:01:45]  Are you ready?
[02:01:47]  Everyone, you're watching the Dark Journalist five year anniversary special.
[02:01:50]  Deep, deep tonight on Piedras Negras and the Atlantean Hall of Records.
[02:01:55]  Edgar Casey and Augustus Le Pont Jean, what a dream team there.
[02:02:02]  Well, let's meet a third member of this team.
[02:02:06]  Very interesting woman indeed.
[02:02:09]  And she is Tatiana Proskoryakov.
[02:02:17]  And she was the expedition architect for Piedras Negras in 1936.
[02:02:23]  At the age of 24, she was the only female archaeologist in the whole group.
[02:02:30]  What she determined was that, oh, yeah.
[02:02:34]  You know what?
[02:02:35]  Lee Plongeon was right.
[02:02:36]  They did have advanced writing, they did have advanced mathematics.
[02:02:40]  And she puts that on the map, and that's where they get the interpretation of the whole Bakhtun calendar and the 2012 and all the rest of it.
[02:02:49]  Later in life, her version comes to life after she spends 12 years in this endeavor for the Pennsylvania State Museum.
[02:03:02]  She makes a pictorial artist's outline of.
[02:03:08]  Piedras Negras at its height, and that back there is the early Atlantean city that became the Mayan culture, Piedras Negras.
[02:03:18]  Um, here's a couple of oddities now.
[02:03:25]  Um, our friend, uh, you know, Lee Plongeon started to tie over the fact that you know we have this jaguar involved.
[02:03:40]  In Chakmul and the Paw Stone, and all these different things.
[02:03:46]  And then he starts to see all of these leopards showing up around Osiris.
[02:03:53]  And so, when the pharaoh is moving on, they have to imitate this Osiris ritual.
[02:03:58]  There's the Osiris ritual, and they're wearing these leopard skins.
[02:04:06]  In King Tut's tomb, they've got this.
[02:04:10]  Priest A who takes over, and he's also wearing this.
[02:04:16]  For Lee Plongeon, it's the tie over of the Jaguar and the Choc Moule Jaguar Sphigs.

=== Osiris Ritual and Leopard Skins (02:24) ===

[02:04:26]  So, you know, a lot of that imagery, I think, captures, shall we say, a lot of what we see here with Pogate.
[02:04:35]  Now, let's go even a little bit further.
[02:04:42]  Let's go back to Egypt temporarily.
[02:04:45]  And it's great, by the way, to have so many of you here with us.
[02:04:48]  We're going to go about another half hour tonight.
[02:04:51]  How does that work for you?
[02:04:52]  That's good.
[02:04:53]  And like I said, we'll be back here at 8 p.m. tomorrow night with part two of Pogate and your questions as well, because I know you get a lot of them.
[02:05:05]  And there's a lot with this one that, you know, it's going to be an ongoing exercise.
[02:05:12]  But what I can tell you is.
[02:05:14]  This incredible vantage point of research around Pawgate and the Paw imagery is going to be very important to the discovery of the Hall of Records.
[02:05:25]  And now we know that the Paw is the imagery because we had it with Casey.
[02:05:31]  He gave us the clue.
[02:05:32]  He said, It's the Sphinx, right?
[02:05:33]  Paw.
[02:05:33]  And by the way, there's two other sources.
[02:05:37]  Well, it never occurred to anybody to say, Well, are the other two also guarded by something like a Paw or Sphinx?
[02:05:45]  Turns out that's their motif.
[02:05:47]  Now, Let's go, like I said, to a couple of people who really rode off of the Casey Trail and collected a lot of money from National Geographic and government officials and all that stuff and the ARE Zahi Huas and Mark Lehner.
[02:06:06]  And Lehner is here.
[02:06:08]  What's interesting is one of Lehner's books, as a 23 year old guy, is called The Egyptian Heritage.
[02:06:17]  And it is all the Casey readings around the Sphinx and the Hall of Records and everything else.
[02:06:23]  And Hugh Lynn Casey, who, when he headed up the ARE, he was an impulsive guy.
[02:06:32]  And they say that, you know, he was the impulsive one, and Edgar Evans was kind of the logical one.
[02:06:39]  And Edgar Evans, Hugh Lynn in this case, got behind this guy who was a high school dropout and had hitchhiked to the ARE.

=== The Impulsive ARE Leader (13:47) ===

[02:06:51]  That's Laner.
[02:06:52]  And when he shows up there, he starts to.
[02:06:55]  Date Hewlin's daughter.
[02:07:01]  And then Hewlin takes him under his wing and says, You know, if you're so interested in this stuff, I'll, you know, set up a whole scholarship through the University of Chicago and then send you to the University of Cairo and all this wonderful stuff.
[02:07:14]  And it's interesting because when he's doing this stuff, he runs across, Laner runs across Hawass.
[02:07:22]  And then Hawass, he's like, Hey, you know, the ARE helped me.
[02:07:25]  Maybe they'll help you too.
[02:07:27]  And Hawass goes to them and they say, Yeah, well, you know, if you'll be our man in Cairo, we'll do all these things for you.
[02:07:32]  And so, in fact, the ARE puts these two guys in.
[02:07:35]  And by the way, they've lectured at the ARE as recently as like a few years ago.
[02:07:39]  So, you know, there's still that connection and what they get from the ARE is still going.
[02:07:44]  Now, what I don't understand is why the board at the ARE, who, you know, are nice people, don't sit down and say, Oh, yeah, you know, we're giving this guy money to one, badmouth all of Casey's theories and two, to basically hog.
[02:07:59]  The Hall of Records research, and oh, yeah, they just spent 30 years blocking anybody else's activity.
[02:08:06]  And like I said, you know, now Laner is retired and Hawass is back, you know, weaseling his way through that system.
[02:08:14]  But those people are still active.
[02:08:18]  And so I don't think that the ARE should give them any money for anything because I don't think that they have any interest in sharing that information with the public.
[02:08:27]  One, and I bet they've been lying to the ARE this whole time as well because I haven't seen anything but obfuscation.
[02:08:34]  And there's a classic moment where, um, You know, Graham Hancock challenges Hawass to a debate.
[02:08:41]  It reminds me of, you know, some of the challenges I've made to the people through TTSA and Elizondo and that whole group.
[02:08:50]  And Hawass just freaks out.
[02:08:51]  You know, he shows up for a minute and then he starts yelling at him and he can't take it.
[02:08:55]  He can't take the heat.
[02:08:56]  He storms off and he thinks that his rage is a cover for, you know, a logical argument.
[02:09:02]  He just can't sit in the same room with Hancock, who, you know, Hancock can see through him.
[02:09:08]  And, um, So that's just logic.
[02:09:12]  And the interesting thing is, Hancock is a fascinating guy.
[02:09:16]  I've met him.
[02:09:18]  I interviewed him here in Cambridge.
[02:09:19]  We did a wonderful two hour interview that's available right on this channel.
[02:09:24]  And we've done other interviews with him and kept in touch.
[02:09:26]  But one great thing I want to say about his work is that he doesn't want to, he's not satisfied with that official story just being like, You know, oh, well, this is the way it is, and you know, you have to accept because these Egyptologists have told you.
[02:09:47]  So, he's a real iconoclast by nature, and he did a Netflix series where they gave him this incredibly hard time because they're like, oh, you know, you talk about an ancient civilization, well, that's racist.
[02:09:58]  You know, I mean, you can't win with those people.
[02:10:01]  Um, but I find it particularly interesting in relation to our friends, Mark Lehner and Zahi Huas, because a weird story showed up.
[02:10:15]  In the New York Times in 1998.
[02:10:18]  And I'm going to read some of it because it gives us an idea of the struggle that was going on behind the scenes about the Hall of Records research.
[02:10:28]  The case of the Edgar Cayce's place in the middle of it, and the independent researchers wanting access to the site, and Hawass and Lane are blocking them off.
[02:10:37]  This goes back 20 years.
[02:10:40]  Quote By year's end, the Great Sphinx of Giza is to reemerge in unfettered glory, stripped of scaffolding for the first time in a decade.
[02:10:47]  On the completion of the most extensive repair work undertaken since it was unburied from the sands by French explorers.
[02:10:54]  So they had, for a decade, no public access to the Sphinx.
[02:10:58]  That's a good time to look beneath it for a hall of records.
[02:11:03]  The Sphinx has undergone countless such repairs, yet remains a source of boundless fascination part lion, part god, part pharaoh, so old that it was ancient even to the ancient Greeks, century for millenniums, great pyramid in the plateau.
[02:11:19]  Might there be something else the sculptured beast is guarding?
[02:11:23]  This question has been asked for as long as the Sphinx has reigned.
[02:11:26]  And now, just as workers are applying the finishing touches to a new protective limestone coat, it is now being asked with urgency by visitors of Cairo's at the outskirts of Cairo.
[02:11:38]  Zahi Hawass has basically obstructed us, said John Anthony West, an American author and tour leader whose accusation is typical of the vitriol that has been turned what might have been the year of the Sphinx into one of bitterness and backbiting.
[02:11:52]  By the way, John Anthony West was a great guy.
[02:11:56]  Got to meet him on a couple of occasions, and he was also someone who didn't take a backseat.
[02:12:05]  He was like a lovable curmudgeon.
[02:12:08]  Well, he has the wonderful books, Serpent in the Sky books, and really incredible.
[02:12:13]  And what's interesting is Gurdjieff's nephew showed up on a couple of his tours.
[02:12:19]  At issue is whether Egyptian officials are blocking research that might shed new light on the Sphinx and its origins, but because many of the accusers have relied more heavily on mysticism and speculation than on science.
[02:12:31]  The response from officials like Hawass, the director of the pyramids, has been equally scathing.
[02:12:36]  I call them pyramidiots, Dr. Hawass said of the most outspoken of his critics, who believe that beneath the Sphinx there may lie an undiscovered secret chamber containing the records of an advanced civilization.
[02:12:53]  I'm sure the CIA gave him the pyramididity, it's pretty lame.
[02:12:56]  In its Greek, Roman, and ancient Arab texts, there's much speculation that something may indeed lie beneath the Sphinx.
[02:13:03]  Perhaps inspired by ancient hieroglyphs that depict the sculpture as sitting atop a pedestal with a doorway beneath it.
[02:13:10]  But while ancient and modern researchers have probed various cracks and tunnels, they've found no sign of a pedestal, a doorway, or a secret chamber.
[02:13:19]  That an American mystic Edgar Cayce, no, Edgar Allan Cayce, isn't that weird?
[02:13:23]  His middle name is an Allen.
[02:13:24]  What are you talking about?
[02:13:27]  Edgar Allan Cayce, claimed to have seen a vision.
[02:13:31]  Mr. Cayce died in 1945.
[02:13:33]  One way or another, his vision of buried secrets has inspired a widening band of followers.
[02:13:38]  Including Mr. West, who produced an NBC television film about the quest, and two authors, Graham Hancock and Robert Bavall, whose best selling book in 1996, The Message of the Sphinx, points to what they say are scientific facts to support some of Casey's contentions.
[02:13:54]  This is where the heat of it was.
[02:13:56]  It was the mid 90s, and it was the closing in of this thing.
[02:14:00]  And they had this absolute don't go near the Sphinx thing to these guys.
[02:14:06]  Borrowing variously from Geology to astronomy, they've all argued that there's ample reason to believe the Sphinx, perhaps the Great Pyramid, were built not by ancient Egyptians in 2600 BC, but thousands of years earlier at a time when there's no evidence for any advanced civilization anywhere on Earth.
[02:14:25]  Now, after this, they found Gobekli Tepe, and that's already, you know, 10,000 BC, and they have an advanced civilization.
[02:14:32]  So, so much for that.
[02:14:36]  But you can see the, you know, There's this attempt to be like, well, we looked at this stupid, crazy stuff, but only science can save us.
[02:14:46]  Also, all have also said there's ample reason to believe that the hidden chamber may lie somewhere beneath the Sphinx's paw and that its contents, Mr. Casey called the Hall of Records, may contain the secrets of Atlantis.
[02:14:58]  And because Mr. Casey predicted that 1998 would bring about the first discovery of the Hall of Records and then the second coming of Christ, the issue of delving, Into the ground beneath the Sphinx is seen by some as growing urgency.
[02:15:13]  Okay, both of those are false.
[02:15:16]  Casey didn't say that they would find the Hall of Records in 98, and he didn't say Christ would come back in 98 either.
[02:15:22]  So they wanted to paint this as like a crazy notion.
[02:15:25]  Now, he did say that Poseidon Temple would start to rise off Bimini, and we'll start to see it in 68 or 69, and we found the Bimini Wall.
[02:15:36]  So, if anything, he has a good batting average there.
[02:15:40]  And he highlighted 1998 for a number of reasons.
[02:15:43]  Nothing about the Sphinx.
[02:15:47]  We will begin to understand more fully what it's all about, John Van Aachen, a disciple of Mr. Casey, said.
[02:15:52]  He's one of the directors still.
[02:15:57]  The most notable attempt to detect such a hidden chamber was carried out in an electrical resistance survey in 1977 by the Stanford Research Institute, SRI, and it found evidence of nothing more than small anomalies in the rock around the Sphinx.
[02:16:14]  Now, it's interesting because when they just found a chamber inside the pyramid recently, this is fascinating.
[02:16:22]  We've got the same process that they used.
[02:16:26]  Cosmic rays, SRI employed in that 77 study.
[02:16:31]  So they may have found those in 1977, done all the research around them.
[02:16:35]  And guess what?
[02:16:36]  It's 2023 and they want to show you the public.
[02:16:40]  That's the way I look at so much of this.
[02:16:41]  But this fight has been going on a long time in the background.
[02:16:45]  Joseph says, ding, ding, ding, SRI is a giveaway.
[02:16:50]  Well, you know, it's interesting because I want to get my eyes on the new pyramid book.
[02:16:58]  That Joseph has just put out because a lot of these pieces around the pyramid and its true antiquity lie right in the heart of his Giza Death Star book series and also the use of the pyramid as well.
[02:17:13]  So that's going to be fantastic.
[02:17:15]  And I need to actually get you, Joseph, back on the show so we can talk about that new book.
[02:17:22]  They mentioned something about Trump and Heston in there, but believe it or not, Heston did a Sphinx special.
[02:17:28]  Oh, that is such a great special!
[02:17:31]  It's fantastic.
[02:17:32]  And it's very early.
[02:17:34]  I don't even think they would let out that kind of information now, frankly.
[02:17:38]  But he did a great job with it, and shock is in it and stuff.
[02:17:41]  Everybody is so young, too.
[02:17:44]  It's remarkable.
[02:17:47]  Even Iron Face Hawass is young in it.
[02:17:49]  Okay.
[02:17:51]  Okay.
[02:17:52]  Here are some images in Piedras Negras that I am going to say have more to do with tuning.
[02:18:06]  And this idea, remember again that the fire stone is there and operational in Piedras Negras.
[02:18:12]  Take a look at this shot and just kind of go with this idea that they have this stone and they know how to tune it.
[02:18:28]  Later, there's this motif that shows up over and over again in Piedras Negras, and it looks like one priest bullying another one.
[02:18:37]  Now, The one that I showed you, which had the figure that was, he looked kind of Asian, and the other one who looked like he had a tut beard, that dynamic is kind of there as well.
[02:18:50]  Take a look at this one.
[02:18:51]  This is, in my mind, somebody ordering someone else to use that attunement so they can activate their stone.
[02:19:02]  Now, I understand there's a leap there, but think about the location.
[02:19:08]  Of where this is, and then this is early, early imagery, pre Mayan, as it were.
[02:19:15]  Take a look, and it seems to me, you know, I'm sure if this were ancient aliens, they'd be like, Hey, look, their headgear, they must be astronauts.
[02:19:25]  Um, but take a look, this guy has something in his hand there, and then again, we have this kind of tuning pot, you know.
[02:19:38]  And he's not making maize for the gods there.
[02:19:41]  Something else is going on.
[02:19:43]  So, I think in the imagery of Piedras Negras, if we study it, say, the way that Le Plongeon studied Chichen Itza earlier, we might start to get a hint of what Casey is saying about there's an emblem of the firestones there if you search the imagery out.
[02:20:02]  Interesting.
[02:20:03]  Michelle Tessier says a scalar wave hand device.
[02:20:07]  Isn't that interesting?
[02:20:08]  I got an impression immediately that there was, you know, there's obviously an aggression involved.
[02:20:17]  And you can see that the other one has to be almost kind of submissive in a way, getting the tone ready for this thing.
[02:20:27]  And this guy's holding something that looks like, you know, I mean, of course, you could say it could be anything, but a square like that is a little bit unusual.
[02:20:35]  And I should have maybe blown it up.

=== Houdini's Egyptian Mysteries (05:09) ===

[02:20:38]  I've looked at it a bunch of different ways, but I think we're getting somewhere.
[02:20:41]  What do you got?
[02:20:43]  Well, Corinna's Tarot says it's the stuff that's in the Sumerian gods' purses.
[02:20:48]  I have to say that.
[02:20:50]  I was feeling the same way about it.
[02:20:53]  Yeah, I think what's interesting, we've spent some time on what Graham Hancock calls it the man bag.
[02:21:03]  I think it's interesting because what happens there is there's a motif and it goes throughout different areas of the world of that handbag.
[02:21:13]  The paw stone seems to have that, you know, now we're getting that is the motif coming up around this.
[02:21:20]  I'm going to go even further.
[02:21:22]  On that.
[02:21:24]  How would you like to take Harry Houdini's word for it?
[02:21:27]  Are you ready to hear Harry Houdini?
[02:21:30]  Well, I'll tell you what, I would let you hear Harry Houdini talk about it, but you know, somebody else wants to talk about it with him.
[02:21:37]  Guess who the other person is?
[02:21:38]  Who is it?
[02:21:39]  H.P. Lovecraft.
[02:21:40]  Okay.
[02:21:41]  How about if they talk about it together?
[02:21:44]  I kid you not.
[02:21:45]  Now, the book comes out in 1924, it becomes very hard to find.
[02:21:53]  And originally, it's called Buried Alive.
[02:21:56]  Harry Houdini and H.P. Lovecraft.
[02:22:00]  That was the original image for it.
[02:22:05]  And it's got Houdini flying in the sky over the Sphinx.
[02:22:08]  Now, later, a short story version of it comes out called Under the Pyramids.
[02:22:15]  And if you read the book, it's supposed to read like it's real.
[02:22:20]  And then once in a while, he says, Now, I don't know if it was a dream or not.
[02:22:24]  So that's kind of the.
[02:22:28]  Getting the ability to, you know, well, I can always say that this wasn't real.
[02:22:34]  So, what happens is he goes and he's exploring in Egypt.
[02:22:40]  Now, it's always been said about Houdini.
[02:22:44]  Houdini's real name is Eric Weiss, and he's a Hungarian magician par excellence.
[02:22:51]  And we all remember he's the ultimate escape king.
[02:22:53]  And he dies under strange circumstances when someone punches him in the stomach before he has to do a big trick.
[02:23:00]  So, He supposedly got involved with mystery schools in this period that he's talking about, 1910.
[02:23:14]  He's going to die in 1926, and the book is done in 1924 but refers to 1910.
[02:23:21]  So, what he says happens is he goes to Egypt, and he's in Egypt, and he is searching for these mysteries in Egypt about magic.
[02:23:34]  And a lot of people have suggested that he learned dematerialization from a famous French magician.
[02:23:43]  And by the way, he takes his own name from a French magician named Houdin, who was his mentor.
[02:23:51]  The dematerialization would certainly explain a great deal of his trolls, or he could have just had incredible muscle ability.
[02:24:00]  Imprisoned with the pharaohs, called Under the Pyramids in draft form.
[02:24:05]  It's published as Entombed with the Pharaohs.
[02:24:08]  It's a short story written by fantasy author H.P. Lovecraft in collaboration with Harry Houdini, February 1924.
[02:24:19]  I want to say, I have an image of Lovecraft and Houdini here.
[02:24:25]  It's interesting.
[02:24:26]  Lovecraft is a genius in his Cthulhu books, the whole imagery that he brings with his writings.
[02:24:37]  During his lifetime, he's not acknowledged.
[02:24:38]  He actually dies.
[02:24:39]  And poverty.
[02:24:41]  But the people who interact with him, like Houdini, know how incredible this guy is.
[02:24:46]  And his books are just wonderful.
[02:24:50]  So, told from the first person perspective of escape artist Harry Houdini, imprisoned with the pharaohs, is a fictionalized account of an encounter he claims to have experienced while on vacation in Egypt in January of 1910.
[02:25:05]  Enlisting the services of a guide, Houdini is taken on a tour of Cairo and eventually forced to break up a conflict between the guide.
[02:25:13]  A Bedouin leader.
[02:25:18]  So he says, I'm going to show you that there's a custom of great antiquity in Cairo.
[02:25:24]  And the escape artist is tied up, taken to an unknown location, and dropped into a deep pit.
[02:25:33]  I hope that doesn't happen to me when I go to Egypt.
[02:25:36]  After dreaming of spectacular horrors, Houdini awakens to the bottom of the pit and eventually manages to free himself from the rope, suspecting that he is somewhere in a temple under the great Sphinx of Giza.

=== Orion Constellation Links (12:27) ===

[02:25:48]  He travels through the dark in an attempt to find an exit, following what he believes to be a draft from outdoors.
[02:25:55]  Instead, he discovers he's actually been headed further underground, eventually down a flight of stairs, landing in a large ceremonial cavern.
[02:26:06]  There, he witnesses an army of half man, half animal mummies, and the Egyptian pharaohs, Kephron and Nitocris, leaving offerings.
[02:26:20]  To a five headed being deep in the hall.
[02:26:23]  As he enters, he realizes that the creature is merely the paw of a much larger being whose image the Sphinx has carved.
[02:26:32]  So, in the middle of this whole piece, is the imagery of him being beneath the Sphinx and that there's a paw that is this all consuming thing.
[02:26:45]  Now, I couldn't, when I was listening to parts of this book, I could not get over this section.
[02:26:55]  Which is just a short little clip of what he has to say.
[02:27:06]  Let's see if I can get this.
[02:27:09]  I dreamed that I was in the grasp of a great and horrible paw, a yellow, hairy, five clawed paw, which had reached out of the earth to crush and engulf me.
[02:27:20]  And when I stopped to reflect what the paw was, it seemed to me that it was Egypt.
[02:27:26]  In the dream, I looked back at the events of the preceding weeks and saw myself lured and enmeshed little by little, subtly and insidiously, by some hellish ghoul spirit of the Elder Nile sorcery, some spirit that was in Egypt before ever man was, and that will be when man is no more.
[02:27:54]  I don't, I hellish ghoul spirit.
[02:27:57]  Now, The paw imagery comes up right there.
[02:28:01]  This is the end of the book, by the way.
[02:28:04]  And the great takeaway includes the fact that are you ready?
[02:28:10]  These half animal creatures that he's seeing, guess what Houdini calls them?
[02:28:16]  Things.
[02:28:17]  Oh.
[02:28:18]  Edgar Cayce is giving readings about Atlanteans and them taking into Egypt these things half animal, some of them half cyborgs.
[02:28:29]  He refers to some of them as mechanical automatons.
[02:28:37]  Now, let's figure out a few quick things here on the record about Houdini, Automatons, Casey.
[02:28:47]  By the way, Houdini, in this period of time before his death, say the decade before his death, is on a big binge to expose all these spiritualists.
[02:28:58]  And I believe that he's doing that for a particular mystery school who doesn't want spiritualism out there.
[02:29:05]  And one of the doors that he ends up at is Edgar Cayce's.
[02:29:08]  And guess what?
[02:29:09]  He ends up getting a reading from Edgar Cayce.
[02:29:14]  Now, Hewlin Cayce remarks in his biography that when Houdini showed up, he left with a bemused, bewildered look on his face, and he never wrote anything negative about Cayce.
[02:29:26]  And Hewlin always assumed, well, it's because he felt Cayce was legit or whatever.
[02:29:31]  Well, I wonder about the reading with Cayce and Houdini.
[02:29:35]  In the whole thing about the things and what Houdini got from his exchange with Casey, because only a couple years later, he's writing about the things.
[02:29:45]  Pretty odd.
[02:29:47]  And then if you go deep into Lovecraft, you're going to find something even more interesting about the Sphinx.
[02:29:55]  Okay.
[02:29:59]  Now, I might have told you that if you looked on my Twitter feed and in the last episode, I mentioned something about a company called Lightfield, which is funded to do holograms by Bill Gates.
[02:30:15]  And one of their interesting videos that I played on the Twitter channel is this weird Mayan god calling himself the creator of light, right?
[02:30:27]  So keep that in mind.
[02:30:32]  And so they are using the Mayan god imagery as one of their first takeoffs on this.
[02:30:41]  By the way, here's a picture of that book, the Houdini with the Egyptians book.
[02:30:50]  And, you know, it was easy to dismiss it all as, oh, it's some pulp fiction that H.P. Lovecraft came up with with Houdini.
[02:30:58]  But really think about the imagery involving the Sphinx and the half creatures and the fact that he had visited Edgar Cayce only a couple years earlier.
[02:31:08]  All right.
[02:31:08]  Are you ready?
[02:31:10]  Here is.
[02:31:11]  The paw stone glyph, the signature of the group that set up Piedras Negras.
[02:31:18]  That's it.
[02:31:21]  That is the image, the place name of Piedras Negras in Guatemala, the Paw Stone.
[02:31:28]  And there's a very interesting study from Harvard University on the Paw Stone and what it represents because the people who are looking into it are confused by the inscription and have tried to figure out what it is.
[02:31:44]  But now here we are coming at it with the knowledge of the Hall of Records and the Sphinx and the Paw's involvement there and the Paw Stone.
[02:31:53]  Starts to make a little more sense.
[02:31:55]  Good Witchy says, Light Lucifer?
[02:31:59]  Hadn't thought of that.
[02:32:00]  That's true.
[02:32:02]  Yeah, he's the ultimate light bringer, right?
[02:32:05]  That's the nature of the myth.
[02:32:09]  A little blip from this the inscriptions of Piedras Negras, Guatemala, and nearby El Cayo make occasional reference to a place name and has remained unidentified since its initial recognition over a decade ago.
[02:32:25]  And so they go on.
[02:32:27]  And he says, I'll offer a few observations about the Postone glyph and textual appearances.
[02:32:34]  And then what he starts to realize is the glyph is associated with ceremonial centers all over Piedras Negras.
[02:32:42]  So it is the place of this Postone.
[02:32:46]  And there are variations of it here that he cites in his academic paper.
[02:32:52]  This isn't even a book, it's just a paper on the Postone that I ran across.
[02:32:56]  What's of interest to me was that.
[02:33:03]  The Paw Stone was often seen in relation to Piedras Negras as part of a throne.
[02:33:12]  So it relates to the initiates carrying the information over time.
[02:33:18]  So that grabbed me, and the fact that the Chalk Mool is called Thunder Paw also gets us into that territory.
[02:33:27]  Now, interestingly enough, they find the Paw Stone in relation to these.
[02:33:34]  Altars that are set up in Piedras Negras.
[02:33:37]  And I'll just give you a quick look at those.
[02:33:39]  I'll get better blow ups of those eventually.
[02:33:44]  So the glyph is showing up in these weird places.
[02:33:47]  And then finally, the paw sign shows up also on these almost cigar shaped objects that they don't know what the objects mean, but they're somehow related to the ceremonial activity.
[02:34:03]  So they just kind of look like cigar shaped.
[02:34:07]  There's a lot of study to be done about the poglyphs, but one of the interesting things that happens when you get into Piedras Negras is they start seeing this setup of three everything, three thrones, you know, and we have these two priests, three thrones, and there's a suggestion of three everywhere.
[02:34:30]  Then they start to realize, oh, there's a connection, a heavy duty connection with Orion and Orion's belt.
[02:34:36]  Then they start to realize in archaeoastronomy that a lot of the setup of Piedras Negras relates directly to Orion.
[02:34:45]  As we found out through Baval and others, so does the whole setup of the Great Pyramid and the Sphinx mirror directly in the sky Orion as well.
[02:34:54]  I think the book is called The Orion Mystery.
[02:34:58]  But here is another researcher who does work for Brigham Young University.
[02:35:06]  And she's bringing this forward.
[02:35:08]  She says the turtle, so there's a turtle motif which encompasses Orion.
[02:35:15]  And she gives a lovely image of it here.
[02:35:19]  And I did do a blow up of that.
[02:35:20]  So let's see if I find that before we're done.
[02:35:23]  This turtle encloses a full motif of a star.
[02:35:25]  It's a Mayan logogram for a star.
[02:35:30]  We have the famous Bonpak murals.
[02:35:34]  The turtle and the three stars of Orion are on the top of one of the murals in the Maya Madrid Codex.
[02:35:41]  They are the three stones on the turtle's back hanging from a sky band.
[02:35:45]  Notice the three stars in Orion that represent what the Mayan called the three stones of creation.
[02:35:51]  The Orion Nebula is contained within a triangle of stars from the left star of Orion's belt going down to the left and then to Rigel on the right.
[02:36:02]  The triangle is formed, the three stars are considered metaphorically the stones, three stones of creation by the Maya.
[02:36:10]  And so we've got this whole setup of three in the motifs around.
[02:36:17]  Piedras Negras.
[02:36:18]  Now, interestingly enough, we've got three Hall of Records.
[02:36:22]  And we have this crossover that we've been doing tonight, the Pawgate.
[02:36:27]  But remember that on the other side there, the other crisscross with the Paw and the Sphinx and all the rest is now we have an Orion connection to both sites.
[02:36:38]  The center of every traditional Mayan dwelling is a household hearth, a triangle of three stones.
[02:36:45]  The hearthstones have a sacred as well as an utilitarian function.
[02:36:48]  Mayan rituals often begin with the Centering of the four quarters of the world around the ritual precincts.
[02:36:55]  Now, the three bright stars, the Kishi people still refer to the triad of the three bright stars as the hearthstones, and the hazy nebula below Orion's belt is called the smoke from the hearth.
[02:37:08]  Orion is also called the turtle stars.
[02:37:12]  Now, it's interesting because this turtle god who represents Orion, Ak Ek, as they call him, he is all over this Piedras Negras.
[02:37:24]  One final thing, and her name is Diane Worth, by the way.
[02:37:29]  She's doing research because remember, the Mormons have a whole origin story about the Mormons of this lost hive of Israel coming over and landing in Mexico.
[02:37:40]  So she says Notice the three stars of Orion that represent the Maya called the three stones of creation.
[02:37:46]  The Orion Nebula is contained within a triangle of stars.
[02:37:50]  There's an interesting connection to the dying and resurrection of the Maya maze god and his association with the constellation of Orion.
[02:37:58]  The dying and resurrection of the Egyptian grain god Osiris is also associated with Orion.
[02:38:05]  Both Osiris and the Mayan maize god were ferried to a celestial boat down the river in the sky, the Milky Way, to Orion, where both were resurrected.

=== Dying Gods of Maya and Egypt (02:46) ===

[02:38:15]  Well, it's quite fascinating.
[02:38:17]  Here's an independent researcher from a totally different thing coming to the same conclusion about this Osiris connection here with the Maya.
[02:38:28]  So we've got something quite unusual.
[02:38:32]  There for me, which is it's again when you're dealing with resurrection, that whole area of the Giza Plateau, there's a whole motif about before Jesus is crucified and resurrects, he actually, through the Essene Brotherhood, he goes into the king's chamber and basically dies in the pyramid, and then in three days.
[02:39:02]  Picks himself back up and goes through the resurrection ritual, which is what all the sacred masters in the mystery schools did in that period.
[02:39:11]  And so he goes through that whole thing.
[02:39:13]  And so by the time he actually gets to do it, he's already had the practice of doing it.
[02:39:18]  So there is a whole resurrection motif to these sacred sites as well.
[02:39:22]  And I think that gets us into fascinating territory.
[02:39:25]  Before we leave off for tonight, and it's great to have so many of you here, I told you it was going to be a deep one.
[02:39:33]  Remember, that's the Paw Stone, Paw Gate Cliff right there.
[02:39:39]  I want to just remind us of a couple of things since I brought up the automatons, the things there.
[02:39:46]  Which were cited in the Casey readings.
[02:39:50]  Oh, by the way, when I mentioned someone, Jaguar Paw picking up the motif of that forgotten mystery there, when he becomes king again, that's the Jaguar Paw motif that he uses.
[02:40:06]  So we have that Paw motif really heating up down there in Yucatan at different periods.
[02:40:13]  Okay, Piedras Negras is the modern name for a ruined city in pre Columbian Mayan civilization located on the north bank.
[02:40:21]  Of the Yusumacinta River in the Petén department of Guatemala.
[02:40:28]  The name Piedras Negras means black stones in Spanish.
[02:40:31]  Its name in the language of the classic Maya has been read in Maya inscriptions as Yokib, meaning great gateway or great entrance, considered a possible reference, classic cosmic reference.
[02:40:48]  Some authors also have interpreted the name as.
[02:40:53]  Postone.
[02:40:55]  So, the great entrance, great entrance to what?

=== Automaton Representations of Beings (06:26) ===

[02:41:02]  Now, to end off on Casey and the things, and remember, if you think about it, the Sphinx is like an automaton representation because he's half man, half animal, as many of them were.
[02:41:21]  And Casey is giving us there kind of a literal translation, but we're passing through.
[02:41:27]  Our relationship mystically with the Sphinx, who Casey said is set as a sentinel for the Hall of Records.
[02:41:35]  He's protecting it.
[02:41:37]  Remember the great lion imagery that's involved there.
[02:41:40]  Okay, what are the automatons?
[02:41:43]  Things, untouchables at times, these Atlantean mixtures from the scientists, sometimes described as, you know, automaton, after all, is.
[02:41:57]  A being in the period that it's robots.
[02:42:00]  It's an early version of a robot.
[02:42:03]  And over and over again, Casey goes back to this motif.
[02:42:07]  Here's what he has to say about them those entities that were part of the producers, as we would term today, or the laborers, the farmers, the artisans, or those who were in positions of what we would call in the present just machines, were those that were projections of the individual activity of the group.
[02:42:29]  And it was over these then.
[02:42:30]  That the relationships they bore to those that were in authority, that the differences arose.
[02:42:36]  Those in authority, usually the Belial group, kept these half beings.
[02:42:43]  And the problem was the suggestion is that they're somewhat human, somewhat animal, somewhat cyborg.
[02:42:54]  Quote In Atlantean land, just preceding the final breakup of the land where there was the use of many of the influences that are again being discovered, that the sons of Belial turned into destructive forces.
[02:43:04]  Could be benefits to communications and transportations, et cetera, if used right.
[02:43:12]  Here's another one.
[02:43:13]  Be it true that there isn't the fact of reincarnation and that souls that once occupied the environment of Atlantis are entering the earth's sphere and inhabiting individuals in the present.
[02:43:25]  Is it any wonder that if they made such alterations in the affairs of the earth in their day as to bring destruction upon themselves, if they are entering now, they might make changes in the affairs of peoples?
[02:43:37]  And individuals in the present, 1934.
[02:43:46]  Then began those periods when there were those invasions of this continent by those of the animal kingdom.
[02:43:51]  This brought about the meeting of the nations of the globe to prepare a way in a manner of disposing of them, else they would be disposed of themselves by these forces.
[02:44:01]  He's talking about being overrun by dinosaurs.
[02:44:05]  They asked him the date of this meeting that takes place in Atlantis.
[02:44:09]  He says it's 50,722.
[02:44:14]  So, they're considering sending out a death ray all around the globe to eliminate these wild, gigantic beasts, which sound exactly like dinosaurs.
[02:44:24]  Well, we've got 65 million years.
[02:44:29]  Supposedly, the dinosaurs were eliminated then.
[02:44:31]  So, it's a big gap between 50,000 Casey and 65 million there.
[02:44:35]  I don't know.
[02:44:36]  These gaps, these times, somehow, something has to compress them back to normal.
[02:44:41]  This brought about the meeting of the nations of the globe to prepare a way and a manner for disposing of these.
[02:44:46]  Else they would be disposed of themselves by these forces.
[02:44:49]  This animal invasion resulted in the development of a destructive force as could be set and then meted out in its force and power.
[02:44:58]  In other places, he calls it a death ray.
[02:45:01]  In Atlantean land, at the time of the development of electrical forces that dealt with transportation of craft from place to place, photographing at a distance, reading inscriptions through walls, even at a distance, overcoming gravity itself, preparation of the crystal, the terrible, mighty crystal.
[02:45:20]  Much of this brought destruction.
[02:45:22]  So the hints are there.
[02:45:27]  The sense that, oh, they had this incredible thing, they had spiritual applications for it, but it got used and it took us to such a point of destruction that it created this apotheum wave, this apotheum effect.
[02:45:41]  And that what's so interesting about this for me is the only thing that's comparable to what they describe around the Atlantean destruction and the two eyed stone.
[02:45:54]  Is are the same sorts of bizarre things that happen.
[02:45:58]  The same apothecary effect apparently takes place in the presence of the UFO phenomena.
[02:46:04]  There's no time.
[02:46:07]  You know, people are missing time.
[02:46:09]  Power goes out.
[02:46:10]  Things don't grow.
[02:46:12]  Animals go wild.
[02:46:13]  All of these unusual impacts happen.
[02:46:16]  It seems like the whole thing about the UFO presence feeds out this.
[02:46:25]  Distorting reality, distortion physics, which sounds exactly like the Sapothium effect when they have the destruction of Atlantis.
[02:46:33]  Because the memory of it coming out of the mystery schools, it sounds like when they use steganography to cover up even the fact that they had any of this technology, and they keep it only in the hands of the initiates after the fact, it means that they arrived at such a place of technology that they basically destroyed everything.
[02:46:55]  So we got to start all over again from.
[02:46:58]  Basically, a caveman level, except for a small group which had preserved the information in these three places.
[02:47:05]  Now we know that they were using the paw motif, but there's more to be told on this historic event, and we're going to do that with you tomorrow night.
[02:47:20]  So, thank you everyone for being here with us.
[02:47:22]  It's an incredible story, and it's an incredible group with us here, Miss Olivia.

=== Proving Ancient Civilizations with Shards (02:20) ===

[02:47:29]  You can tell me if you have anything you want to add there.
[02:47:32]  Well, I mean, I could go straight into questions.
[02:47:34]  I can just copy them all.
[02:47:36]  Sorry.
[02:47:36]  Okay.
[02:47:37]  So let's start with Joseph.
[02:47:39]  He was asking could it be that the ARE is getting information secretly from Hawass and from Laner?
[02:47:50]  Over the years, I've known people who've worked at the ARE, and the impression that I get is that they've been feeding them phony information.
[02:47:59]  Nonsense for years, and that they've been on a treadmill of paying them out because there was a tradition started through Hugh Lynn Casey of getting these guys over there to do their stuff.
[02:48:12]  But unfortunately, these people have never produced anything for the Casey's and they've badmouthed him publicly and said that, you know, oh, his psychic readings are just the imaginations of some guy.
[02:48:24]  You know, I mean, they've been like that blunt and like, you know, we have pot shards to prove the civilization.
[02:48:30]  You know, it was amazing because uh, Hawass and Laner have been proven wrong over and over again.
[02:48:37]  And um, you know, I've gone through their history as well about producing these National Geographic specials that were just hogwash, you know, like oh, we found Nefertiti's tomb, oh, no, it's not, you know.
[02:48:49]  But so they had a tendency to do this, but it is an excellent idea that um, you know, the area is certainly still.
[02:49:01]  Incredibly engaged around the idea of proving the Casey readings correct.
[02:49:06]  And they still spend money in that regard.
[02:49:09]  The problem is the people they got as two of their main sources not only took the information and ran with it for their own purposes, but God only knows who got their hands on it.
[02:49:23]  It's funny, too, because I like to do this.
[02:49:27]  Here's my ultimate irony, which is I have the book, The Egyptian Heritage, and the Mark Lehner that wrote this is the same guy that we're talking about.
[02:49:36]  Who disparages Casey and says, Oh, you know, so they found, you know, they found this weather, weathering of the Sphinx that means there was rainfall in 10,500 BC.

=== Controversial Sources at UPenn (06:35) ===

[02:49:49]  Well, for years he was stuck on that question.
[02:49:51]  But guess what?
[02:49:52]  He had this great realization recently that he told Harvard Magazine.
[02:49:56]  He was like, Oh, it just hit me.
[02:49:57]  It was from some floods.
[02:49:59]  You know, it was from some river floods, man.
[02:50:01]  That's what it was.
[02:50:02]  Yeah.
[02:50:03]  He's like, It hit me.
[02:50:04]  You know, it was like a vision.
[02:50:05]  It was climate change.
[02:50:06]  Oh, that's right.
[02:50:07]  Yeah.
[02:50:07]  It was climate change.
[02:50:09]  Based on these floods.
[02:50:10]  And Harvard magazine is like, brilliant scientist solves this with climate change.
[02:50:15]  You know, just ridiculous.
[02:50:17]  First of all, the feature of flooding waters from the Nile is totally different from rains when it was a tropical paradise.
[02:50:29]  So, you know, you just get too much.
[02:50:34]  You know, those guys, they know they've been beaten in the area of, Actual public opinion.
[02:50:40]  So they just kind of come up with a story that'll cover things nicely.
[02:50:44]  And that's really, I think, where they're coming from.
[02:50:47]  There were a couple questions about UPenn.
[02:50:51]  Michael Thornburg wanted to know how far is UPenn from Kecksburg?
[02:50:54]  Could there be some research related to this info resulting in the Kexberg Bell?
[02:50:59]  I haven't.
[02:51:03]  You know, what I've seen that's pretty interesting is this university comes up over and over again when it's related to a number of the research around the X series.
[02:51:19]  And for me, there's a reason for that.
[02:51:23]  I think that they have, like the Smithsonian has, an advanced wing.
[02:51:28]  And I think that they share it with their biggest donors.
[02:51:31]  But there's a lot of universities like that.
[02:51:33]  Pasadena, also with Caltech, has that.
[02:51:38]  So I would say that, in relation, though, to the University of Pennsylvania, there's something unique about how they're engaged in this process.
[02:51:53]  We'll also remember that Andrew Carnegie and his museums with all these dinosaurs and everything else.
[02:52:01]  There in Pittsburgh.
[02:52:03]  There was a weird obsession by Carnegie that whenever one mention of this dinosaur find would come up, he would send a team there and always be first.
[02:52:16]  So, whatever it was that he was looking for, he'd been told something in relation to the dinosaurs.
[02:52:22]  That's pretty interesting.
[02:52:23]  When I delved a little bit deeper into it, I found that he had granted the university.
[02:52:32]  There is a large donation of an Egyptian room with all these, you know, kept adding these Egyptian relics to it.
[02:52:40]  So these people are in the know.
[02:52:42]  If you look, you're going to find something else, which is, you know, what was Charles Lindbergh doing in his off time when he wasn't flying across the Atlantic?
[02:52:52]  Well, he was being hired out to fly over the ruins in the Yucatan, and he did it for years.
[02:53:03]  Now, what was he doing up there?
[02:53:05]  Well, he's some of the earliest air photography over Chichen Itza and all these other areas, too.
[02:53:11]  So there's something very specific when we get into Yucatan and that Mayan piece.
[02:53:19]  So we've got that whole piece in the hot zone, which is a lot of people have been waiting for it to rise, and they know that there's an Atlantean city under there.
[02:53:29]  Off the coast of Cuba, it's already been proven.
[02:53:33]  Now, when we get into this other piece, we see it's been generational.
[02:53:38]  They've been flying around looking for this stuff for a long time.
[02:53:41]  So that gets us there.
[02:53:42]  Yes.
[02:53:43]  Susan Blackstone, hey, you can go to UPenn and see their fabulous exhibit.
[02:53:47]  It's one of the best on the East Coast.
[02:53:49]  We used to drop acid and go there to trip late 60s.
[02:53:53]  Awesome.
[02:53:56]  This research is so weird.
[02:53:58]  Tripping with it could not be accomplished.
[02:54:01]  You don't need to take anything.
[02:54:02]  That would be the end right there.
[02:54:04]  But that's fantastic.
[02:54:06]  Of course, you know, out there beneath that sphinx, we've got a huge mystery brewing.
[02:54:15]  And now we have more tools with Postune to understand that the second Hall of Records also has a reference there.
[02:54:24]  Another odd shot, a couple of weird things from Piedras Negras and the surrounding Yucatan.
[02:54:30]  This motif is also interesting.
[02:54:32]  I see this a lot with the legs in the air royalty.
[02:54:39]  As if to say his gravitational center is coming from somewhere else.
[02:54:45]  This is not very well explained everywhere.
[02:54:48]  I've looked for it.
[02:54:49]  The explanations are terrible.
[02:54:52]  To me, this represents a kind of anti gravity shot.
[02:54:54]  It has nothing to do with aliens.
[02:54:58]  But I think there's a reference there to it.
[02:55:03]  This one I do think is interesting also.
[02:55:06]  Really look at the top of this jar.
[02:55:11]  And I mean, really take a look at that.
[02:55:15]  I think that's when we get into the obscure artifacts and we dispense with the regular, you know, like, oh, well, they're trying to make fruit for the gods, whatever.
[02:55:25]  Really take a look at the stuff.
[02:55:26]  Like, who are they dealing with here for this?
[02:55:30]  You know what that reminds me of?
[02:55:31]  What?
[02:55:31]  It reminds me of the incident where the guy is chased by a robot.
[02:55:37]  Cisco Grove UFO encounter.
[02:55:39]  Totally.
[02:55:40]  Look at that and just look up Cisco Grove UFO encounter.
[02:55:43]  That is a creepy encounter.
[02:55:45]  It looks exactly like this being.
[02:55:47]  And then, of course, we have a guy here in the middle who's just hanging out in the window, right?
[02:55:52]  He's.
[02:55:52]  I don't know what that is, but this thing.
[02:55:55]  I don't know, something going on there.
[02:55:57]  And some of these shots, the Maya city of Tikal rose to its height of power and prominence after a conquest by Teotihuacan in 378 AD.
[02:56:08]  Interestingly enough, I think we're getting hints of what these Atlantean cities looked like.
[02:56:13]  This is the post architecture, but it's giving us that hint.
[02:56:17]  Certainly, their abilities for making pyramids and astronomical facilities just completely off the charts.

=== Deep Dive into Tikal (06:59) ===

[02:56:25]  I'm going to show you to close this episode out.
[02:56:28]  Different angles now on those two priests together, one with the Egyptian beard and the other one looking like a mutant, looking like one of these things.
[02:56:39]  There they are again.
[02:56:42]  Most interesting indeed.
[02:56:44]  This guy is wearing a kind of pharaonic beard, as we said.
[02:56:52]  It's Piedras Negras.
[02:56:57]  And that is a shot.
[02:57:00]  An artist's interpretation of what Piedras Negras was at its height.
[02:57:06]  It's looking pretty darn Atlantean to me.
[02:57:09]  So, and with that, we will visit with you again with part two of Pawgate tomorrow night and open up the other pieces associated here with the Hall of Records.
[02:57:25]  I'm going to do some shout outs before we do it.
[02:57:26]  Miss Olivia.
[02:57:27]  I have to thank a bunch of super chatters.
[02:57:29]  So, let's start with a cult fan.
[02:57:31]  D.E. Gillenjoy R. Jimmy Lyle Kenimer, Karen Carpenter, B. Nickel, Ghost Malone, Deborah Sloan, P.V., B.C., Joe Toney, Ivan Langley, Odie Huffman, Renata Heilberg, Les Scott, Combliziert,
[02:57:49]  Polaris23, Catherine Rorden, The Weed in Your Garden, Redcap Goblin, Jawan Bay, Erica Swenson Elliott, W.C. Ray, Brian Berner, The Buddhas of Boston Sports, Doreen Hewitt, Eurythmias Fun, Jordan Romeu, Sick of the BS, Global Atlantis, Sandra Lavender, Izzy the Great, Trident Vibes, and YouTube user 427.
[02:58:12]  Thank you so much for your generous super chats.
[02:58:15]  Fantastic.
[02:58:16]  We will be back with you tomorrow night at 8 p.m. for part two of the five year anniversary of the X Steganography series.
[02:58:25]  And it's been so great to be here with you tonight.
[02:58:29]  Just an excellent place that we're moving into.
[02:58:33]  With our extra knowledge around this and Pogate runs deep.
[02:58:38]  I think we've got some real glints of how deep this is going to go tonight.
[02:58:44]  Can I read a comment?
[02:58:46]  Yeah, sure.
[02:58:47]  I just love this.
[02:58:47]  Aaron Akhtas, thank you.
[02:58:50]  So happy I was here alive tonight.
[02:58:53]  That is often, really, I have to say how I have felt over the last five years is that no matter what else is going on, I'm very grateful to be here with all of you every time.
[02:59:08]  It's made my life so much more enjoyable and fulfilling and meaningful.
[02:59:14]  Thank you so much.
[02:59:15]  Wow.
[02:59:16]  Well, you contribute so much.
[02:59:18]  So bravo.
[02:59:20]  Miss Olivia, you know, unstoppable.
[02:59:22]  Really, completely the insight machine that you are.
[02:59:27]  It's great to have so many of you with us tonight.
[02:59:30]  Let's see, I'll do a few shout outs here.
[02:59:32]  Me too.
[02:59:33]  This is Michael Watson.
[02:59:34]  I'm right there with you.
[02:59:37]  Mark Pochel, Karen Holland, Alex Baldman, Deborah Sloan, Mr. Wolf, his shocking paw.
[02:59:46]  That's the one.
[02:59:49]  You've been great paws tonight.
[02:59:50]  Try and vibes.
[02:59:51]  That's incredible.
[02:59:52]  And I'm a rocky life.
[02:59:53]  I feel the same way.
[02:59:56]  Hey, hey, I can appreciate it.
[03:00:03]  Gigi Young is out there.
[03:00:04]  Fantastic.
[03:00:04]  Of course, Gigi's contributed dramatically to the series as well.
[03:00:07]  I want Gigi to do her own episode about all of this.
[03:00:11]  Yes.
[03:00:11]  Oh, yeah.
[03:00:12]  You know what's coming.
[03:00:14]  Karen Carpenter, Mr. B, Dutch Wayne, Chrissy.
[03:00:22]  I get well soon.
[03:00:23]  I'm actually fine.
[03:00:24]  I just, my throat is a little.
[03:00:26]  Kind of tapped out tonight.
[03:00:28]  Fantastic.
[03:00:29]  Thank you, though.
[03:00:32]  Beautiful show.
[03:00:33]  Thank you, Carly.
[03:00:34]  Appreciate it.
[03:00:36]  Much obliged.
[03:00:38]  Robert Schultz, swimming underwater.
[03:00:40]  Yes.
[03:00:43]  It's a great crowd tonight.
[03:00:45]  I know Kate's out there.
[03:00:46]  It's great to see you.
[03:00:48]  Tim Houston, Wayne Media.
[03:00:55]  See you later.
[03:00:56]  I like that one.
[03:00:57]  See you later, Alligator.
[03:00:59]  God bless you, DJ and Olivia.
[03:01:01]  Thank you, Corey.
[03:01:03]  Fantastic.
[03:01:04]  Great crowd tonight.
[03:01:04]  Of course, Joseph was out there.
[03:01:06]  We'll have Joseph on shortly talking about pyramids and other things and indictments.
[03:01:13]  He's sending you a copy of his book.
[03:01:14]  Fantastic.
[03:01:15]  And I guess the crystal portion he wants you to read up on.
[03:01:19]  Yeah, yeah, yeah.
[03:01:21]  Good times.
[03:01:23]  Zach Robinson.
[03:01:24]  Aha.
[03:01:26]  Mighty final.
[03:01:28]  WC Ray.
[03:01:30]  Mighty fine.
[03:01:31]  Oh, that makes more sense.
[03:01:34]  Excellent.
[03:01:35]  Wow.
[03:01:36]  So great to have so many of you here with us tonight.
[03:01:38]  We will be back with you tomorrow night at 8 p.m.
[03:01:41]  And remember that the truth runs deep.
[03:01:44]  Pogate, this is maybe a window into something much larger.
[03:01:49]  And we're going deep into this place.
[03:01:53]  And I can't wait to see where it leads us.
[03:01:56]  But we'll all go there together.
[03:01:58]  And we'll take more of your questions tomorrow night.
[03:02:00]  Today, we just had so much to get through.
[03:02:02]  But.
[03:02:03]  Tomorrow we'll be ready for it.
[03:02:05]  Um, one last comment, creme de menthe.
[03:02:07]  Uh, said, I just joined for those interested.
[03:02:09]  Auguste Le Plongeon was an American, but his last name is French.
[03:02:14]  Plongeon in French means dive, so his name literally translated means Auguste the dive.
[03:02:21]  Interesting.
[03:02:22]  Well, Auguste the deep dive.
[03:02:25]  Excellent.
[03:02:25]  Wow.
[03:02:26]  Well, that's a great interpretation.
[03:02:27]  Fantastic.
[03:02:28]  Scarlet Fire.
[03:02:30]  Excellent.
[03:02:31]  So many good, good people in the ideas room tonight.
[03:02:35]  Excellent.
[03:02:35]  We will see you all next week.
[03:02:37]  Nope, tomorrow night.
[03:02:38]  And remember, it says end broadcast, but after all, it never really ends.
[03:02:44]  Nope, never does.
[03:02:45]  Nicely done.
[03:02:47]  Thank you, everyone.
[03:02:49]  Silent murmur.
[03:02:52]  But we are love.
[03:02:54]  Nicely done.
[03:02:57]  I know someone asked about a Trump thing.
[03:02:59]  We're going to do a Trump special.
[03:03:01]  Make no mistake about it.
[03:03:02]  Yeah, that story's not going anywhere.
[03:03:03]  It's just not part of Pawgate.
[03:03:08]  Although he has some lion.
[03:03:10]  He's more like Godzilla paws.
[03:03:14]  The street smarts of Godzilla.
[03:03:17]  Thank you, everyone.
[03:03:18]  Foo Bar Fighters out there.
[03:03:20]  Great to see you.
[03:03:21]  We will see you all tomorrow night.
[03:03:23]  Okay.
[03:03:23]  God bless.