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Feb. 1, 2024 - Candace Owens
06:10
Ice Cube Agrees With Me!
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Man, a lot of articles were written about me in my review of Ice Spice's song, You Think You the S**t Bar.
I didn't expect that review to go so viral.
Most people agreed with my assessment that obviously music has fallen.
I grew up listening to The Temptations.
Lauryn Hill produced one of the greatest albums of all time, The Miseducation of Lauryn Hill.
And now we have this young woman, nothing personal against her, but writing about s**t We should probably pause and just wonder what we're doing here.
What's the purpose of this?
How it is that these sorts of individuals are winning awards at all?
You should not be allowed to win an award for writing a song like this or a song that's like WAP, which won many awards, and yet these songs routinely go viral.
And I think, as I said in monologue today, that a lot of this is artificial.
Something about this seems particularly evil that Hollywood decides to say, we are going
to make this person really relevant.
I think about this even in terms of Lil Nas X.
Suddenly he embraces Satan and they're like, oh my God, you're amazing.
He's not the most talented individual, so why is he everywhere?
Because he's being artificially pushed.
Well, take a listen to this.
This is Ice Cube.
He's formerly a rapper, and this clip has been making the rounds because he appeared on Bill Maher.
He is deeply respected.
To talk about this intentional pushing of thug culture and what's actually behind it, or rather, who's behind it.
Take a listen.
Let's take rap music.
Let's take it.
Same people who own the labels own the prisons.
So, literally the same people?
Literally the same people who own the labels on private prisons.
The records that come out are really geared to push people towards their prison industry.
But they didn't make you write those lyrics.
It's not about making somebody write the lyrics.
It's about being there as guardrails to make sure certain songs make it through and certain songs don't.
This, to me, is somewhat, you know, some social engineering going on here to make sure those prisons stay full.
Do they actually, like, Monday, Tuesday, go to work as a record company executive and Wednesday through Friday go to work at the prisons?
No.
No, no, no.
Of course, they're not actually running the labels.
They have financial interests.
They have financial interests.
I mean, what should I say here?
Ice Cube didn't kill himself.
We've been talking about this topic on this show as well, because I showed you guys an old clip of one of these record executives.
His name is Lior Cohen, basically talking about how he knows what he puts out is absolute filth, but he wants to make money, and profit is what is the reason behind why he allows these sorts of things to hit the airwaves.
And I do want to push back on Bill Maher saying, well, we didn't tell you to write the music.
Yeah, but you're signing them for a record deal.
Why?
That is the question.
You don't have to sign this person.
You know the music doesn't sound good.
You know that when Cardi B comes to you and says, I'm going to write a song about my vagina, you could just be like, no, actually, that's filth, and we're not going to allow it onto the airwaves.
You are intentionally finding the worst people in black America, and you are giving them money so that they can influence another generation of black individuals.
And obviously, these kids tend to be in a circumstance where they're growing up in single-family homes.
They're looking at these people like idols.
Oh, they have some money in their pocket, and they're dancing in front of a Lamborghini.
I want to be like him, as opposed to wanting to be like their father, who is absent from their lives.
And it does create a cycle.
where they go into the prison system.
So it is curious to hear that they have a vested interest in the security, in the prison systems.
And also, I will add this, guys.
If you think that all of this is conspiracy and that the CIA has never been involved in any shenanigans,
you need to wake up.
You need to learn about the history of the DEA.
You should learn about what the CIA did in the South.
They absolutely knew that crack was being flooded into communities, but they were making a profit,
and they had initiatives in South America which they wanted that profit for to be
able to fund certain groups.
It's very bizarre to me that we have just so much concrete proof that exists that you can look up.
Of what the CIA has been involved in all over the world, how the CIA was okay with drugs coming over our border, as long as it allowed them to fund their initiatives, and yet people still don't want to accept this.
They want to believe it's a conspiracy.
And I often ask myself, why is that?
Why is it so hard for people to accept these things as true, even when they're proven to be true?
And I think the answer is that it's scary to understand that your government can be evil.
It's nicer to want to believe that, no, they just want my best interests at heart.
I don't wanna believe that big pharma is evil and intentionally creating addicts
and intentionally giving our children vaccines to make them sick so they can make more money.
No, no, no, no.
I wanna call that person a conspiracy theory because I still want to live in this cloud of ignorance
because it's easier to be ignorant.
It's more comfortable to be ignorant.
I think that's the reason.
Anyways, Alex Jones, who is now back on Twitter, hopped on this and he tweeted this.
Record company executives funded and pushed the creation of gangster rap music in the 1980s as a form of weaponized culture.
The CIA supplied the crack to supercharge the crime wave.
Now Hollywood pushes thug culture on the world with devastating effects.
The transgender cult is also a CIA creation.
Reject both.
If it comes out of the system, it is designed to kill you.
Now, I know nothing about the transgenderism, but I do absolutely know that the CIA was very much involved in crack and cocaine, and as I said, that is historical.
So don't dismiss it.
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