Clif High - WHY Woo - Transcript

March 31, 2023 - Clif High

45:38

WHY Woo

More TOE & How to harmonize & Why Now Trump Indictment https://purebulk.com/products/clif-highs-pure-sleep https://clifhigh.substack.com/p/cancer https://knowledgeofhealth.com/what-if-cancer-was-already-cured/

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	Hello humans, hello humans.
	Let's see, hang on a second.
	Get over there, get this thing out of the way.
	Hello humans.
	So.
	So tangentially will um skirt the issue of the uh Trump indictment and potential arrest and tell you uh basically why all this stuff is is happening the way it is.
	So um there's all of these uh physicists and mathematicians and nut jobs like myself without credentials that are coming up with um theories of everything.
	Now, the thing about the theory of everything is that it uh if it's gotta if it's gonna be valid, it's got to um uh be able to be falsified, be checked, and then um you know by some measurement somewhere, something like this.
	It's also gotta answer all of the questions that are answered already in our understanding of physics.
	So it's got to subsume the existing knowledge of physics for uh, you know, uh the physics of uh waveform movements of electricity through chips, that kind of thing, right?
	It's gotta account for all of that that sort of stuff.
	And then it also has to answer the questions or or fill the holes that um uh prompted you to come up with it anyway, right?
	So so it's gonna answer all the questions that existed, uh which we know the answers to, so it's valid in that, so it's gotta be able to handle you know Maxwell's equations about the electromagnetic fields, right?
	Uh that sort of thing.
	Um if it's gonna say that those don't exist, then it has to have a replacement that would account for that and provide you with the same level of engineering math that allowed you to engineer these machines that I'm using right now.
	Uh and so every theory of everything has a rigor that has got to go through a rigorous test.
	And then it's got to come up and it's gotta fill the hole that prompted you to do this, right?
	And so everybody that does a theory of everything has something in everyone else's theory of everything that annoys them.
	And so some people tell you, well, I'm annoyed by so-and-so's theories stating this, therefore I came up with my own, and mine's better because, right.
	And then they'll go into it, and and then everybody debates it, and there's years of activity on.
	I'm not trying to do that, but essentially what I want to tell you is that everybody else's theory of everything annoys me.
	And um in my theory of everything, which is the uh the model of continuous creation destruction, 22 trillion times a second time flickers into existence, and we all come into existence again, and then 22 trillion times a second we go into a void interval.
	Um my theory of everything has it fills the hole that everybody else has left empty, that no one else is addressed.
	I've yet to see a theory of everything uh that that answers this one fundamental question that we'll get into, right?
	And uh, and mine does.
	It tells you exactly why shit is happening, um, and that's the point.
	Okay, so everybody else's theory of everything uh leaves out motivation, uh, it leaves out why.
	Um so like Einstein, you know, his uh quantum mechanics and all of that, no, doesn't address why the universe exists, why we have material reality, why we're here, any of that stuff.
	Um Eric Einstein's geometric unity doesn't go into why we exist.
	Um why why the materium is the way it is.
	Okay, so mine does.
	Mine answers this question.
	So that's basically what we're doing is we're starting from the top down with the why questions.
	And but we have a couple of assumptions that we're gonna go through here real quick.
	And the assumptions are that there's um echoes or design patterns or uh metaphor for anything above, that is to say, outside of our basic reality to that which is within our basic reality.
	So this is the um the saying as above so below, right?
	Uh as is factored in heaven, so shall be made a factored on earth.
	Um this this concept.
	So we we know that design patterns exist because we see them throughout nature, the spiral of leaves in terms of how they grow, replicated in the um uh the spiral of coral uh replicated in the um growth of crystals, all of these things, right?
	The fact that most um most life molecules have a left-hand bent, that's why you'll see uh the amino acids prefaced with a capital L in a dash, you know, it's a left-hand bent molecule, L or arganine, right?
	Um any of the of the amino acids, etc.
	etc.
	All these molecules have a have a twist to them.
	Very few molecules that are can be accommodated in our in our body have a right hand twist.
	Uh some of the exceptions are vitamin E. Okay, vitamin E is a right-hand twist molecule, and it must be so because of what it does.
	Um, which we won't go into any of that stuff.
	We're just staying at a very high level.
	Okay, so we're addressing the big question.
	And the big question is why?
	All right, and we all know why.
	And we're examples of why, we illustrate why, we constantly deal with why universe, why does universe exist, all of that?
	That's um uh are part of our daily life continuously.
	Most of us just don't think about it at a conscious level.
	But our why uh is uh, you know, it's why woo, okay.
	Why does do things exist?
	And this is a woo question in the sense that uh it's perfectly obvious, but no one ever addresses it.
	It's a um a hidden assumption and and this sort of thing.
	Uh some religions sort of get into it half-assed, uh, like they build up all of this structure that God is this being inside the material universe with us and has uh motivations, uh, you know, a lot of anger, and and they're not not good gods, you know, uh like in the Torah and so on, right?
	Um they have uh we we but we never address why is that God angry?
	Why is that fucker pissed at us that he does all of these things, right?
	Why does he curse Cain and all this sort of shit?
	Okay, so here's the here's the concept.
	Consciousness is everything that exists.
	And so we'll just assume that this uh lumped up uh whiteboard here is is consciousness, and it goes infinitely in any direction, and that and the definition of that infinitely is that if we were to be here on the plane and just kept going, that that plane would never ever cease ahead of ourselves, right?
	It may be drawing up behind ourselves, we don't know, but it's infinite in the direction that we're looking that we're heading.
	So as far as we can can uh ascertain, it's infinite in all directions.
	Okay, so consciousness exists everywhere, consciousness is self-aware, and consciousness gets bored.
	Consciousness knows everything, it knows everything, it is everything.
	So basically, it's sitting around thinking and doesn't have anything to think about, there's no activity, nothing to do, right?
	It's bored, and so it thinks to itself, what would make consciousness all pervasive conscious consciousness not bored?
	And, well, there's only one thing that that could be, and that is novelty.
	Okay, the shock of the new.
	So if you're consciousness and you know everything, then the only prize, the only goal, uh, the only excitement that you'll ever have is with novelty.
	Something You couldn't have thought of.
	You did not anticipate.
	Surprise.
	And so this is a this is a huge thing, right?
	This understanding that novelty is why.
	So we exist in the materium because universe needed to see if it could create novelty.
	And it decided to try that through an experiment that we are part of.
	Alright, all of our lives, everybody you've ever known, everything that's ever happened is part of this experiment.
	So we're sort of like the algorithms in deep thought in the um Hitchhiker's Guide to the Galaxy, the supercomputer that was going to turn itself into God kind of thing.
	But appreciate this idea.
	Consciousness is all-pervasive.
	It wants to create novelty.
	It has to do it in such a way that it can sort of trick itself so that it doesn't know the novelty that would be produced or go, it will still be novel, and it would be potentially surprised.
	Okay, so it consciousness comes up with this idea.
	And consciousness creates the materium.
	Alright.
	And so this is the material.
	This here is the barrier that isolates the materium.
	Everything in here has matter.
	And nothing out here has matter at all.
	It's there's no material anything, right?
	It is an immaterial place.
	There's not even a place, there's no space.
	This is a very weird concept for us because we're trapped in here where there is matter, and our consciousness is bound to that matter, therefore it is bounded.
	Whereas out here, it is unbounded.
	So you have to get this idea of this duality that is instantly created by this thing right here.
	This goes to the creation concepts of the Cathari.
	Okay, so the Cathars that were wiped out in the on Friday the 13th and 1300s by the this crusade, they had this, they were quite numerous through Europe, and they had this um creation understanding of good and evil.
	They thought we hear in the materium that the materium matter was created by evil, okay.
	This is a long and involved concept of to why they thought it was the demiurge, the evil side of things that created this.
	And it's because it's it's material, and out here it's immaterial, and therefore the consciousness is all pervasive.
	They didn't understand the why part of this.
	So I'm augmenting some of the understanding of how the Cathari envision the universe coming into existence, right?
	Now, the materium has all of universe inside it.
	Okay, so all of universe is inside the materium, and within universe there's all of the planets, you know, and then there's all of the galaxies and this kind of stuff, and and you would be a speck so small, Earth would be a speck so small, we would not be able to perceive it in this representation of the materium,
	because this materium is of course three-dimensional, it has dimension, it has time, it has existence, and it has matter, and uh it has uh these things that universe might be able to create conditions in which novelty could exist.
	So you have to understand that there are design patterns throughout this whole thing.
	Universe gets this idea that it could potentially be surprised.
	That alone is a novel idea, okay, that it could surprise itself, and and so instantly we have this duality being created, and novelty exists from that point on.
	The mere fact that universe could conceive that it could be surprised creates novelty to itself at that stage, and thereafter everything proceeds.
	And the design patterns keep folding in on themselves and magnifying, but the patterns themselves of duality and the And the Trinity keep being created, okay, because everything is anything that is a duality is also a Trinity.
	So if you have one thing and another thing, you also have both things.
	Okay, so you have three.
	So you have each and both.
	And this is an important concept all the way through, but nonetheless, okay, so uh this here, this barrier, this uh separation point is the life-death barrier.
	Okay.
	This is this is my theory of everything here, and it's gonna explain, it already explains why, all right.
	That universe needs novelty to be created, and it created the experiment of the materium and shoved all of us in here.
	And so we are encapsulated consciousness that is a triune being.
	Okay, so there's three elements to us here.
	Again, another trinity there.
	One of those elements has 12 is divided up into 12 little chunks, and these little chunks are each individually come down into the materium and have a life, all right.
	And so that's that is that's how we each exist, but there are greater parts of us that are not in the materium.
	That's why we think of ourselves as having these higher beings and all of this sort of thing, right?
	Because that exists.
	We are so our consciousness, in order that this might occur, we had to have a knower and a thinker and a doer.
	And this is actually the doer in the body.
	Okay, so that's what you are.
	You are one of the twelve doers in the body for your personality, for your persona, for your being.
	But the whole being is big, and only a little tiny bit can come down here in the material.
	That's why things are so tough on us.
	Okay, so so understand some things right off.
	You're really fucking tough.
	Um just to exist in matter, and universe in making this experiment knows that the the shit you're gonna go through in matter, and so when you die, it has already prepared a recovery period for you out in consciousness where your consciousness can be cleansed of all of the crap you've gone through,
	all of the suffering you've endured, everything will be cleansed, it'll put into a be put into a single drop of intuition that you can take into your next life.
	But because there's 12 of you doers in the body, you get to cycle, so you don't have to come back right away.
	So you get this long sleep to digest and and integrate and come to grips with all of the crap you've got to go through in this life.
	So it's all part of a system, right?
	We can think of it as a system, and it's uh prepared there, right?
	Uh already for you.
	So okay, so it's easier after, easier on this side of the death barrier after death, um, than it is here in the materium.
	All right, the materium is the experiment, it's the testing ground.
	Um, it is the reason that we have a why question at all.
	It is the answer to that why question to create novelty.
	Um, so it's an experiment where everything's like caged off in a giant three-dimensional petri dish, and there's all these humans, planets, aliens, uh, you know, platypi, lizards, you know, bacteria, all this kind of shit, just all shoved into this this experiment.
	And the idea is that the idea is to try and create the conditions that we call chaos.
	Okay, and within chaos used to be the name of a Greek god, one of the pantheons of the Theoi, yet another name for all those space alien.
	But chaos uh as a concept is not as we uh have a tendency to perceive it because chaos itself uh was thought of by the Greeks as the uh potential for newness to emerge, for um the for serendipity for the happenstance of interactions that would not otherwise in the normal staid course of events come into being.
	And so chaos, in in one sense, is an integral part of the creation of novelty.
	Now, the if you look at all these languages, you get all kinds of hints of this, especially the further you go back into some of these languages, like even Greek, and you'll encounter people that have written of their descriptions of as philosophers of encountering psychedelics.
	Okay.
	They used to have the uh Oracle at Delphi.
	That was a person that ingested gases that were psychedelic on their effect of the brain, had visions, wrote them down, etc.
	There were the mysteries at Elysium, which were psychedelic brew that would, in group kind of a way, would take you and take you on these journeys.
	And these people understood in a lot of these languages, the um they appreciated the nature of chaos because they went to hyperspace.
	So now this life-death barrier, which is not material, okay, it's it's sort of, it has some aspects of matter because it bridges the the immaterial out here and the and the area of matter.
	So it has some aspects of both.
	This is also called hyperspace.
	In my place hyperspace in my theory of everything, right?
	My toe.
	My toe tells you why universe exists and why all this shit happens.
	And I can even tell you aspects of the why that are very interesting, at least to me.
	But anyway, so in my theory of everything, this life-death barrier is hyperspace.
	And so if you go listen to Joe Rogan talking about uh taking DMT or any of these other people, and you talk about and listen to them talking about um uh psychedelic drugs and going to the hyperspace, this is where they go.
	I think that that's where I went when I journeyed to hyperspace.
	Was this you might think it the as like the thin layer between life and death, but it's thick enough that your consciousness can go in there in this form, the consciousness of the doer of the body in this one-twelfth reduction of the greater being can get into hyperspace through psychedelic drugs and other technologies, okay.
	And um, and you can learn that hyperspace, because it is a, in my opinion, because of in my concept, because it's a um three-dimensional, it because it has dimensions within it,
	thus it has aspects of matter, because it has the materium within it, uh, has those aspects that allow our consciousness in this form to come through in like this sponge layer, so to speak, and you can exist in here and interact.
	But because it's there, it's also got influences from the greater part of consciousness, so you can actually tap into your knower and thinker out that are on the other side of this barrier while you are the one-twelth reduction inside hyperspace.
	Further, you can also communicate with other beings inside hyperspace uh and observe them.
	Now, it's not like you can sit in a classroom, it's not like you can talk to these beings.
	Uh, it's not like anything is stable in hyperspace, okay.
	Hyperspace is frenetic and frantic and chaotic and bizarre beyond understanding.
	All right, and so it's it's not like you sit down and have a conversation with people.
	Uh, there are other beings there that you recognize as hominids or uh insects, uh, other things that you recognize as flying, uh, other things that look like crystals walking along the bottom of a of a creek turn out to be crystals of time.
	Alright, so you have to be really careful in making assumptions and doing things when you're in hyperspace, and certain certain psychedelics take you there better than other psychedelics.
	Uh, and that depends on your body and any number of factors that relate to you being that doer in the body and that greater being.
	So, this is incredibly fucking complex.
	Uh, it's so complex that the design patterns constantly repeat in and out and echo back and forth and back and forth.
	One of those design patterns happened to meet this morning.
	And so I'm sitting down there making notes as to what I'm going to talk about here relative to the hyperspace and novelty.
	And I just happened to get my first cup of coffee and go on over and open up my email.
	And the very first email there was this guy that sent me an email with a screenshot from ChatGPT about how to make uh psychedelic extracts out of seeds.
	Okay, and so it was just really curious.
	He wasn't making LSD, he was making LSA, which is, you know, a lesser psychedelic, but nonetheless, it was just interesting that you know, here I was planning on thinking, I'd been thinking about this last night.
	Oh, I you know, I had an opportunity, I had some time, I could do this video.
	I'd been wanting to talk about the why aspect and the toe and novelty, which brings up hyperspace, and boom, there you go, an email from universe, a design pattern echoing off of hyperspace coming back to me, basically saying, go ahead and do it, right?
	Basically, it was a uh confirmation.
	And so that a lot of people will describe these as you know, comms from universe or um positive hits on your um what do they call that law of attraction, okay?
	That sort of thing.
	All of those are valid understandings of what's going on.
	It's all these echoes and constant movement of the energy inside the materium that create these interference patterns that then echo back to you that interact with your consciousness such that novelty could be uh produced.
	Okay, so the next part up here.
	Um I'm an Aikidoca, right?
	That's a somebody who studies Aikido.
	The KA means student.
	Um I have studied Aikido for 40 plus years.
	Um I studied a very deep level, and Aikido is the harmonization of mind and body with universe.
	Okay.
	So Aikido is the concept is you recognize you're in the materium and you harmonize with all of these waves around you.
	Now, why would one want to do that if one were in the materium?
	Well, here's the thing.
	It's like the law of attraction approach.
	If you know these waves are moving through the materium, and these waves and forces are much greater than you, and they're going to alter your life in this little tiny life bubble that that is your body and your matter sitting on your chair listening to this, then um one way you could could make your life easier and better would be to harmonize with those waves.
	So if you had a wave through universe that came in and informed you that uh the species, the the money, the currency you're using is degrading, then you can harmonize with that by getting into something else, right?
	You it's a way of you reacting to the inflow of information from universe in order that you might move, in order that you might have an activity, in order that there might be a dynamic response to what's going on to thus create more novelty.
	Now, here's the idea.
	Uh things happen.
	Okay, so we look at all of this, and I'm sitting back here and I'm doing all kinds of analysis on my uh on my toe on my theory of everything.
	And I'm I'm writing out all of these things that I call the time rules, okay.
	As to how time operates.
	Uh, and this because time exists only in 22 trillion times a second, there's a flash of time that exists for that one 22 trillionth uh fraction of a second.
	All right, so we could think of these as let me see.
	Yeah, we can do okay.
	So we could think of these as like bursts of time.
	There'd be 22 trillion of these bursts in so this would this rep these four lines represent 22 trillion, and this bracket here represents one second.
	Okay, and so there we go.
	So there'd be four of these, uh, so there'd be 22 of these uh segments within this one second.
	If we think about this, this is the pulse, okay.
	That the pulse comes through universe and creates all this continuously, uh, but it's followed by a void which cleans it up.
	This is the way that universe would have the materium, that's the way consciousness would have the materium operate, such that we can have movement and all different kinds of things.
	So my my theory of everything explains not only why universe wants to have this happen, but also how it happens, because my theory of everything allows the uh for growth, it allows for aging, allows for infirmity, uh, it allows for emotion, and you just don't see a lot of these other theories of everything that explain to you why you are having these emotions, why it is necessary that you react this way and experience this shit.
	Mine actually tells you this, okay?
	It's part of this thing of novelty.
	Now, so imagine this.
	If there are all of these waves, and they're coming at you, and of course, there's bazillions of them in every direction, and so there's all these interference patterns here that arise.
	That is those interference patterns and all these waves of energy that are created by time flashing into existence.
	If we think of it as flashing this way, then these things could be thought of as creating a wave, right?
	And so this wave is the energy that powers all of the universe, it powers you, it makes your heart pump, moves your blood through re through your veins, all of this stuff makes your thoughts occur, and that is this pumping of time.
	22 trillion times a second, powering these bowel waves.
	Okay, so that creates, according to my time rules, that creates temporal pressure.
	Okay.
	Okay, that and that happens 22 trillion times a second.
	It is the the flashing of time into existence that creates all the different kinds of energy we see in our reality.
	My gas stove over here burning plasma out of a jet engine, the sun, the creeping of a worm through the through the soil, the fall of water.
	All of these things are created by the temporal pressure of uh the time flashing into existence 22 trillion times a second.
	Um, so there's another aspect of this.
	So you have this um E equals MC squared Einstein thing, right?
	It's not valid, in my opinion, at all.
	And uh my time rule number seven um takes into account and uh replaces that.
	Alright, so time rule number seven says that all right, so okay, so there's two two aspects of this.
	There's temporal pressure, the pressure of time coming into the universe, and then there's novelty potential, okay.
	So um, how to get this idea across.
	Alright, so if we had uh if we understand the nature of the pulse, it comes in and it and it creates all of the the materium uh within one 22 trillionth of a second, and then it disappears, and then it recreates the materium in the next 22 trillionth of a second and keeps doing that.
	This means that the pulse necessarily transmits over itself if we were to think of it as a and see there's more novelty.
	I now I have to get another color, we have to intrude.
	So all these things are aspects of the universe doing this, right?
	I have to respond to the complexities and the and the chaos that's introduced by this thing running out of effective fluids.
	And so all of these design patterns are affecting us now.
	If you open up your mind, you can watch them unfold.
	This is the law of attraction, this is all of that spooky um uh woo-woo, uh, what they used to call quantum entanglement, all of that quantum doesn't exist, it's a bullshit way of thinking of things.
	Anyway, so here is the pulse, and it's coming in, circling around, and it crosses itself and it continually crosses itself over and over and over again in every spot that there is any kind of matter or potential for matter to form within the materium.
	Just bazillions upon bazillions upon bazillions, uh a number so large we could not conceive of it, right?
	Going over and over and over itself because it's been recreating the time aspect of this for how many uh bazillions of years, and it's all doing it within the materium.
	So the concept is that there is a novelty potential value that can be assigned to this location, this loci.
	Okay, and that novelty potential value can be thought of as a complementary force to temporal pressure.
	So we have these two.
	So instead of E equals MC squared, in my toe here, you have matter equals the temporal pressure times the novelty potential.
	And when both are at maximum, you have matter manifest.
	And there's some subtle variations on that because uh the matter may not change, but just manifesting in different positions through universe is also another form of a manifestation.
	It doesn't necessarily mean the appearance of a hydrogen atom or hydrogen ion, okay, which actually does occur, and that's how all of universe expands continuously, is that all these loci out in deep space and all of this kind of stuff are continually producing new matter such that novelty may expand and we may get more uh potential for novelty.
	Okay, so if we assume I'm correct, and that this is existent, and that temporal rule number seven says that manifestation or matter equals the uh the product of the temporal pressure and the novelty potential, then as humans down in here, if we understand that to be the case, then we can look at things and we can say, why did this occur?
	Aha!
	The the there wasn't maximum temporal pressure, or there wasn't maximum novelty potential.
	I find in my analyses that novelty potential is much more uh the fine gradient factor within the materium in which we live.
	And so, okay, so let me bring this back and then I'll close and then I gotta do some other stuff.
	But let's look at the Trump indictment, okay?
	And so we have uh didn't want to get into erasing, but here, okay.
	So we have the um we'll do it over here.
	So we have the uh the discussion at this one date, okay.
	And we'll just uh I don't know a couple of weeks back when they started talking about the the potential for a Trump arrest, right?
	The Trump indictment, and that that was at a particular date.
	And then they could have done it, they said that they were gonna do it, it came out on a Friday, they said they were gonna have this um uh that he would be indicted on a Tuesday, and then they would have to deal with the arrest aspect of it, right?
	Okay, and so that created that responded, that was okay, and that was a manifestation of the accumulated temporal pressure and the uh novelty potential at that point causes this thing to occur on that date.
	Alright, um, but that was just the discussion about it, it didn't actually happen.
	It was just the emotions, everything coming on up.
	By the way, novelty is why we have emotion.
	You must have emotion in order that novelty might be uh uh existent with potential because you have to interact with this process to increase the complexity to increase the potential for chaos, and to because you're increasing the potential for chaos, you're increasing the potential for novelty.
	Anyway, though, so so getting back to Trump, so they come back up and they say, Oh, well, we're gonna indict him here, and we hear this particular date, and it's on a Tuesday, and nothing happens.
	So we so it doesn't happen.
	And then here we are now, and we're in a Thursday, and it comes out, and then they actually do it.
	And so there we go.
	We have manifestation because the novelty potential had been allowed to, it had gone on up with the discussion, and then it had ebbed off when it didn't happen.
	And then it started going back like this.
	And then they go ahead and they do it, and we get this kind of a novelty potential, or this kind of a manifestation, showing that if we were to look at it a graph form, that at the first occurrence, the the novelty potential was not as high as it is now.
	So you see that there this sag effect, okay.
	They they big emotional build up and then sag.
	And then whoa, bigger emotional build-up when it's actually manifest.
	And so that's that's this aspect uh demonstrating itself through our universe as events follow those kind of patterns.
	And so it would also make sense then that if there were to be an arrest component, that it would follow maybe this same kind of a pattern where it would come on over here, and then they would have a lot of talk about the arrest, and then it wouldn't happen.
	And then it would go along, and then it would happen, right?
	And so we would have this design pattern, the same kind of an occurrence at a bigger level of scale occurring up here.
	And that's that's basically how universe works.
	We see it manifesting this way uh constantly.
	Everything from flames in the height of flames and gas, gas flames, um all different kinds of things.
	So you have to understand that just as with so as above, so below, okay.
	So out in universe, out in consciousness, there's it's damn difficult to create novelty to create anything that's random because your consciousness and you know every fucking thing, you know your own thoughts and the results of it before you have those thoughts.
	So um in the materium, we have that same thing within our chips.
	We can't cause random numbers to pop up in any of our digital chips.
	The only thing we can do is set a range and fiddle with the range by way of interference, and a number will pop up within that range, but it's not ever going to exceed the range that's set by that random function within that chip.
	And it's definitive.
	So there's a lot you can do.
	So the true random things uh for computers, they'll do like uh put a camera looking at uh a lava lamp, right?
	That's plugged in, you know, those lava lamps where the things float up in the oil and then drop down and float up because it's reacting the lamp itself is reacting to the heat at the of the light bulb, causing the oil to float up and the viscosity to change in temperature, but that is more or less controlled by the greater universe in the materium,
	so it's much more random than you would get with the computer chip, and then every so often it takes a picture of where that blob is and then makes a random number out of where the distribution of blobs are within that picture frame that it got of the lava lamp.
	And so we've got uh uh so there's all different kinds of these kinds of efforts to create true randomness for computer programming.
	Um, I know of one thing where they're doing three lasers and they're they're um they're they've got three lasers and they're basically taking pictures of dust particles that fall through the uh through a grid created by these three lasers, and uh it so far has been much more random and much more effective in their particular computations than any kind of random they could create out of chips.
	Um anyway, so anyway, so random is hard.
	Chaos is hard in in reality, uh, but these design patterns exist all the way through here.
	So it in my expectation, we're probably gonna see something like this relative to any arrest that may or may not occur.
	So maybe maximum novelty potential is that we get right up to this point and it never occurs and it keeps stretching out.
	That would build up on that that would allow the temporal pressure to build up underneath that particular uh meme or metric or idea or or uh emergence in reality, and so maybe that's what would happen.
	Maybe the idea is it would keep moving the potential for the arrest out.
	Uh there's these issues though, right?
	Because it fades in our emotionality, the impact fades, and then of course it happens, and it's a big snapback.
	And but you're also at that point you're operating from a higher level of um uh potential to begin with.
	So anyway, so I've got all these time rules where I'm developing here and writing these things down, and it appears to be harmonious with the universe.
	So now getting back to that real quick, and I'll and I'll um got to get in and do work.
	Um so the people that are involved in this on both sides are trying to play timing, in my opinion, and uh working within the harmonious relationship of uh what universe wants, which is maximum potential for novelty.
	And so if one knew that these design patterns were um in effect, then you could make certain decisions.
	You could you can instantly analyze things and know which way it's likely to go based on the design patterns that inform that thing.
	So uh we know that the Cazarian mafia will be defeated because there's much more novelty potential with all of us free.
	Okay.
	We know that that defeat itself involves novelty potential, and so it will be at a point of maximum stress, maximum temporal pressure, and maximum novelty potential that it will erupt into open warfare, right?
	So you can predict these things based on the growth of temporal pressure against novelty potential.
	A lot of temporal pressure on novelty that's just expended itself doesn't manifest anything at all.
	These things have to be there's a rule, rule number seven is that you have to have maximum of these two items here in order that there might be manifestation.
	And so you can predict, sort of timing-wise when some of these things will uh will pop off, and if not exactly when, the likelihood of the way in which they will manifest.
	Now, knowing that as like uh a person within the materium, you can harmonize with the various waves that are going through the materium, or decide which ones of these waves to harmonize to surf, um, or uh or to swim through, right?
	To let it go over you and just swim right through it.
	Uh because you can.
	You can you can say, no, I don't want to harmonize with that wave because I know there's this bigger design pattern that's showing, and this little wave is just within that larger pattern, and I'll harmonize with this larger pattern.
	You can use this all the way down to your uh martial arts, your aikidos, right?
	If you know a guy um uh is a karate fellow and he attacks you uh and you see by his stance that he's you know into kicking and this kind of stuff, then uh you can harmonize with him in the sense that you present to him a perfect target, like your knee, you know, or some part of your body that would just be perfect for him to strike with a foot.
	And what you're essentially doing is harmonizing with his intent to do that such that he will do what you want, which is to bring his foot up to the point that you can grab it and turn the whole thing into a grapple.
	Uh, you know, and he's not prepared for a grapple, he's a strike and kick kind of guy, and he doesn't do well rolling around, that sort of thing, right?
	And so um, you know, harmonizing it design patterns at a at a very facile uh low level here.
	Anyway, so this is long enough.
	Um, but I wanted to let you know that this is the way that the my toe, my theory of everything works, and that one of the aspects of this, the novelty producing the why, answering the question of why, also is that novelty is the currency of hyperspace.
	So when you go to hyperspace, if you're there uh and you're aware enough, so it's not like DMT that just shoots you through too quick, but if you're there with like um mescalin or psilocybin and you're there for a while,
	you understand that it's transactional, that that there appear to be all kinds of transactions going on around you constantly, even your own eyeballs are participating, or what you think are your eyeballs, are participating in the transactions that are occurring around you within this hyperspace area.
	Uh you can magnify that thought and make it a an objective thought and get into the process of trading.
	Okay, and in hyperspace, the currency is novelty, is new ideas.
	And so that metaphor goes throughout the whole of universe.
	And so look at how it is with us.
	If you have novelty and thought and you can get patterns or patents then you're harmonizing with this design pattern and you are benefiting at a personal level because you've got a patent and maybe you can make money off of that right maybe you'll make the world better because you got hooked on to the idea that novelty is what everything is about and the more novelty I can create the more universe likes me the more the materium likes me the more that my doer in the body will do well down here in the materium.
	Anyway it's it's ever so much more complex than this but this level will allow you to navigate ever so much more better.

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