Clif High - haboo1 p3

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Dec. 20, 2015 - Clif High

19:39

haboo1 p3

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	So, this is part three of Haboo number one, which, by the way, because I'm totally spaced out on it, never got around to telling you the title.
	The title of this we're going to call War Across Time.
	And as will become evident in a few minutes as to why we're calling it that, you know, and like I say, it'd be just a great movie.
	I don't have time to make the movie or write the script.
	I could write the script easily, get it done in less than a month, it'd be really cool.
	Somebody who knew what the hell they were doing could make a really nice script out of it that people would actually like to watch instead of the 160 or 300 pages I would deliver.
	But I don't have time to sell the script or make the movie.
	So I'm going to tell you the story here.
	And sort of like Hemingway used to always bitch and moan that oh, he always talked away better stories than he'd ever written in bars.
	And, you know, because once he'd gotten them out, there was no point in writing it.
	Anyway, so we're continuing Haboo 3 here, and I'm over in this sort of hidden auditorium in this little nondescript building in an area near the Olympia, Washington, close and not too far away, but had to drive just a little distance in meeting these people from a company that was formerly Apollo Inc., who changed their name to like one or two or three letter designations as a result of the nasty stuff they'd gotten involved in in the Iraq war as military subcontractors.
	Now, they're still military subcontractors, and General Baldy here, he's still the head of this organization.
	It's entirely morphed, though.
	Everything's really much higher grade now than last time I involved myself with him.
	Really plush.
	I mean, these guys obviously had hit the gravy train insofar as funding.
	I say this because the well, you know, the chef was top-notch, and everybody ate really well except for the single vegetarian there.
	But the conditions were very much nicer than their previous digs.
	Anyway, so we go into this little theater, and there's this, as I say, giant movie screen thing with these eight panels.
	Six or eight.
	I'm pretty sure it was eight.
	It's been a number of years.
	It's 2013 or so.
	And we sit down, the place gets dark.
	A presenter comes on up.
	He's got a couple of little controllers in his hands.
	And he starts popping up photos.
	Just they seem sort of random at the beginning.
	Some of them are photos of statues.
	Some of them are, and he's talking in the background.
	But these are photos of basically faces, although sometimes you get the upper torso, depending on how the photo was taken.
	Most of them are historic photos.
	They go back grainy old sepia prints all the way up through modern day, through video capture, snapping on up.
	But there's also a lot of the modern ones are also of old stuff, like boss reliefs on various kinds of archaeological digs where they actually had the full face or a profile of someone, these kind of things.
	And then they start slowly dissolving into this pattern.
	By slowly, I mean over the course of five minutes, Izzy's doing the setup.
	Now, I tumbled to it as soon as I saw this one face.
	I thought, oh no, this is just too interesting to believe.
	Okay, and so this is all fiction now.
	No reason to believe any of this ever occurred.
	So disclaimer, let's always make sure that you understand that.
	This is just a haboo.
	It's a tale told around the campfire to entertain people during the dark winter months.
	And so, but I'm sitting there watching this presentation and listening to this guy Nataron about how all these photos were identified.
	And pretty soon, then the next layer on the photos you start seeing that there's lines and little yellow lines that come on up and then green lines cutting the face into segments.
	The presentation starts slowing down.
	We get one photo in a couple of the panels and then details of that photo, the eyes removed, the nose taken out, the ears over here, that kind of thing, in the other panels, and it all starts getting into this little pattern matching thing.
	And as soon as I saw this one face, as I say, I knew that we were in for some really interesting woo-woo.
	And the face was of this guy, David Wilcock.
	He's a well-known woo-woo guy.
	He's out there.
	He's got his own woo-woo site.
	He's been around for years and years, and he writes woo-woo books.
	And he's an interesting fellow, young man, a striking visual facial structure, and an interesting claim to fame, which is that he acknowledges that he thinks, as well as a lot of other people, maybe only at his prompting, but a lot of other people do at least go along with it, that this guy is the reincarnation of Edgar Casey.
	Now, I happen to think that this is indeed the case, especially after having seen this presentation that was at the former Apollo Inc., right?
	Because of some of the stuff that they were saying in there, and because of where the whole story leads.
	But anyway, so as soon as I saw David Wilcox's face pop up, and then within a millisecond or so pops the Edgar Casey photo, I knew where they were going.
	I said, oh, they're trying to tell me that these people actually think that this kind of stuff is true.
	And that what we've suddenly reached in history, in reality, is a point in time where we have enough photographic evidence going back far enough that we can start finding current reincarnations of people from the past because we've got photographic evidence.
	And aha, this obviously means that there's a facial carryover.
	And aha, these people have centered in on the four elements of the senses.
	We only have four senses.
	Touch is not a sense.
	So we've got our sight, our sound, acoustic picker-uppers, you know, our olefactories and our taste.
	The taste we can't really see, but there is an expression within the mouth structure that is carried over from that element as well.
	And so the guy goes on to say that they've identified over the course of, you know, yada, yada, yada.
	He's talking about their databases, how 160 programmers working on this effort, facial recognition, old historic photos being gathered from all around the planet on all different kinds of statues and crap to fold in just on the off chance that some of these things were indeed realistic portraits and sculptures, which they found wasn't the case in this great number.
	And here's this evidence.
	And oh, and then pops up Obama and Obama and the photo of yada yada yada in Egypt in the facial recognition.
	And they slice and dice, take the pieces out, just like they did with the David Wilcock photo with Edgar Casey.
	And sure enough, they're interchangeable.
	They match up to this level of precision that's quite interesting and so on and so on.
	Now, it dawned on me, of course, when I see all this that, aha, we're probably all of us being scanned at that point and photos taken.
	So, you know, something to bear in mind.
	And then it also dawned on me as a programmer, aha, now I see why they're trying to recruit these guys because that's really what it turned out to be.
	It was really sort of a recruiting session.
	And General Baldi was trying to see if he could sort of hook me in and get me to go and work for him because I come up with interesting ideas, especially on design patterns and pattern recognition and pattern matching.
	And also they were kind of hoping that maybe there was a linguistic component that they could involve themselves in as well once it got down to a personal little discussion about what was potential there.
	But in any event, so the presentation was kind of cool.
	And so they're going on and on and on about this kind of stuff.
	Bear in mind, this is all fiction.
	No reason to believe any of this stuff ever occurred.
	And so anyway, they talk about Wilcox specifically.
	And then they show all of the interchangeable bits and pieces and how it all fits and actually how it's related to some of the people in his current social circle and then the past social circle of Edgar Casey and how those things kind of connect.
	Now, the presenter didn't provide any of the whys.
	He didn't go into why any of this stuff exists.
	It just was more of a factual mechanistic discussion that, you know, it appears, this seems to be, we suppose it is alleged, you can make the conclusion that.
	And then talks about all these connections between people that are currently alive and what they're doing and people in the past.
	And but basically, you know, if one was astute enough, you could form these conclusions as I had that, well, hey, what they're doing is there's got to be a reason that the powers that be are putting so much money.
	And believe me, this was a serious amount of money for our little bird here that I happen to be in with this nondescript building.
	Serious amount of money being put into the resources provided to keep all these people happy while they do this.
	And they also were settling in for a long endeavor.
	And so it dawned on me, oh, well, hey, there's got to be a reason that, you know, they're hunting and want to be able to do this facial recognition at this particular level of they call them elemental phenotypes.
	And by that, they mean our sense organs and how they display.
	Now, let's digress here for a moment and go back to a weird experience I had, which can be categorized as the typical enlightenment experience where you get there, there's the blinding flash of light, everything is connected, everything else, and you get to see your basically past and future lives.
	One thing that really hit me in that moment when your universal self, it's recall, it's called in the Buddha tradition, when that was revealed to me, was that, oh, well, I look kind of like I do now.
	You know, and it turns out to have been rather interesting because now I know why that is the case and that we have a tendency from life to life to life to life to use our same template.
	And so at age 60 now, I looked like I looked at age 60 in all my other previous lives with minor variations.
	Variations can include skin color, but not usually racial type.
	It changes over time.
	But there's a lot of damn lives involved.
	So the carryover is when you're presented with this experience in the Enlightenment process, you get these images of all of your past lives going from the most recent all the way back, very much in a perspective fashion in the sense that you get to see them all winding all away from you.
	But you can zoom in and look at individual ones should you care to during that instant or moment of the whole process.
	So at least that's how I experienced it.
	Anyway, so and I've read literature about other people being presented similar views of their past incarnations and how they all commented about that too.
	And in some of the drawings I've seen where people have described it and artists have rendered it, they show the individual with only slight variations going back.
	So it's a rather common understanding.
	And so, you know, poor me, I'm not going to look any better in my next life than I do this life.
	So I'm pretty well screwed that way.
	Anyway, so that having been said, so I can see what's going on here.
	It's like, oh, they're making a lot of assumptions.
	They've got, you know, now they're getting down to the gnats ass in pattern matching.
	They wanted to do things like be able to, there's 160 plus muscles that they cared about, subdivided into all these groups that are related to all of the sensory apparatus.
	And so they, you know, they're concerned about little muscles under the eyes, the muscles that twitch the nose and, you know, raise your snout up, that kind of thing.
	And they wanted to get down to a very fine level of pattern matching on this.
	And they'd actually gotten to the point where they were discussing, see, what this was was basically, come on and play with us with this really cool project.
	and here's where a section where you could work or this kind of thing, this is what we'd, they were asked a few questions, like how did they propose to, you know, attach, or crack, or excuse me, attack this particular kind of a problem that you were bound to encounter, et cetera.
	And so they went into some level of detail in their thinking, and, you know, because we'd all signed, you know, ain't going to blab statements when we went on in.
	And you could tell these are the kind of people that, you know, if you did blab, you would just simply probably disappear.
	Now, I'm not blabbing because this is all a fictional story.
	And I'm not describing anything that, you know, is going to cause anybody any problems.
	Facial recognition is out there, and it's being used extensively.
	I always thought it was being used for, you know, basically, oh, well, we've got a, you know, FBI 10 Most Wanted list.
	Didn't realize the 10 Most Wanted list ran across time.
	See, my thinking is on this, and again, here's the woo-woo part, and here's the end of our little story at the moment, really, is that what's going on is that Faction A and the powers that be has suddenly come across the idea that, oh, jeez, we can track our enemies that were our enemies 1,000 years ago into this life because you don't incarnate from, you know, you don't die in one life and then come back 12 days later or 40 days later or 200 days later.
	Sometimes you may, you know, depending on how much of a bastard you were and how much energy you put out and how much you have to rebuild, it might take you 1,000 years.
	So, you know, this might be Obama's most recent incarnation after being, you know, emperor or pharaoh, who's he was it, back there in Egypt 2,000 years ago.
	So that kind of thing, right?
	And, you know, with Wilcock, well, he's here now, but he didn't, Edgar Cayce, he didn't cause that much problem, right?
	So he's reborn relatively quickly.
	And you also have to know from my perspective how it is to be human.
	So I found all this quite acceptable.
	I knew there were only four senses, and that was one of the questions I got into is, you know, why didn't they care about things like, you know, the cheek muscles and various different other things?
	Um, uh, their pattern and they didn't really they don't understand that was that's when I knew oh I wasn't gonna do it anyway you know I'm tired of that level of programming and the secrecy shit always really annoyed me it was interesting conjecture to think about doing it but and consider some of the problems that they had but I know why they don't care about the the cheek muscles and all this kind of thing it's because the really the things that transit over time are your four senses that we keep in our heads,
	which are these like subsystems.
	But these people I was dealing with had no idea why they come to some accurate conclusions, I grant them that, after laboriously, after a lot of heat transfer, but they had no idea as to why this was occurring.
	And if they'd understood the why, it would have made a lot more sense.
	They could have been a lot further along.
	And I'm not going to bother to tell them.
	They don't exist anyway.
	This is all a fake story.
	But we needn't go there on this.
	But what was interesting was I could see what was going on in a background.
	And that is that the powers that be have a war across time going along here, where they're using our modern, our current happenstance of having several, you know, nearly over a century of photographic evidence going back.
	And now also they're taking in statues.
	So we've got, you know, going back three, four, five hundred years where we were doing realistic statuary and so on and portraiture.
	And so they're folding those in.
	And they've also now, one of the guys, I guess, is going to go and try and do 3D modeling off of perspective, inaccurate, known portraits, you know, where the artist just wasn't that good.
	And so you get a goofy looking human, but the human that they were replicating was well enough endowed with money in their age to be able to pay for a portrait.
	And it happened to be rare, so these guys figured to be able to use it.
	And they're also doing things like applying the same sort of thing to Mayan and other relics.
	Because there's no, even though you don't reincarnate in a different race and so on, there's no reason to suppose that you're going to reincarnate in anything close to the same culture.
	It probably happens frequently on those people that cycle fairly frequently for their own reasons.
	But some of these big-ass people within the powers that be, they've got all this energy out there, so their recycling rate in the whole karmic scheme of things is a little bit different than the guy who's working on his progression and not bugging people.
	So anyway, so here we are with the war across time, and it's very interesting because undoubtedly we're going to start seeing disappearances and we'll just let it go with that.
	Some of these people that happened to match up with other ancients in the past may be your enemies, not your friends.
	And maybe you'll just decide to send them on their next reincarnation a little bit earlier than they might have planned.
	And the interesting part about this is you don't bring over memories.
	Okay, now there may be technology for capturing the memories before you die and then transferring them again once you're reborn and settled in into your new protoplasmic manifestation with the breath form holding it in place.
	That may be feasible for all I know, but in the way it is of nature, you do not bring in memories from the past.
	You bring in intuition.
	Intuition is like distilled experience that comes down so that you know without ever even having to have been there all of a sudden exactly how to do this, that, or the other thing.
	It's a talent you were born with.
	Any of the stuff you're quote talents you're born with or skills that you bring in with you are the distillation of previous lives that are that you're hauling along as good stuff.
	So you could be in a situation where here you are some poor schlub Walking along the street in San Francisco, and all of a sudden, you know, they use their death-dealing ray from, you know, satellite XYZ 4131 and Kazap you with a, you know, supposed cosmic ray right through your noggin, and you're dead on the street.
	And it simply happened to be because a bit of software did a facial scan on you, you know, as you got out of the airplate, out of the airport in San Francisco and got into the rental car to go to your business conference, and it does a facial scan on you and discovers that, you know, you're the current reincarnation of Brutus from 1800 years ago that pissed off one of the current powers that be.
	And you have no clue.
	You don't know you were Brutus.
	You just don't have a clue at all.
	And now you're just a dead sucker with a satellite-induced cosmic ray maser hole in the top of your head lying there in the street in San Francisco saying, basically, what the fuck?
	What happened here?
	And so it's going to be a real interesting war across time.
	So I actually put a little bit too much time into this.
	I'm going to have to let the woo-woo part about the channelers go for another time and just upload the haboo for everyone's amusement here before the weekend runs out.
	I actually have my dishes done today, but I've got a lot of other work I've got to get to.
	So that's the story so far, guys.
	And so go and check out this meme that you'll see floating around.
	So-and-so was so-and-so in the past.
	And look, here's the photographic evidence and so on and so on.
	You'll find this quite a wide meme on the internet.
	And of course, it relates to my fictional story here.
	100% fiction.
	No reason to believe any of this ever happened.
	Everybody have a good weekend.
	And into this next week, it's going to be interesting.

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