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We've come to the time and the season when family and friends gather near to offer | ||
a prayer of thanksgiving for blessings we've known through the years to join hands and thank the creator now when thanksgiving is due and this year when I count my blessings I'm thanking the Lord He made you. | ||
This year when I count my blessings I'm thanking the Lord He made you. | ||
I'm grateful for the laughter of children The sun and the wind and the rain The color of blue in your sweet eyes The sight of a high ball and train The moonrise over a prairie And oh love that you've made new And this year when | ||
I count my blessing I'm thanking the Lord He made you This year when I count my blessings I'm thanking the Lord He made you And when the time comes to be going It won't be in sorrow and tears I'll | ||
kiss you goodbye and I'll go on my way, grateful for all of the years. | ||
I thank you for all that you gave me, for teaching me what love can do. | ||
And Thanksgiving Day for the rest of my life, I'm thanking the Lord He made you. | ||
Thanksgiving Day for the rest of my life I'm thanking the Lord He made you Okay, welcome back. | ||
This is the second hour of our morning show, Thanksgiving special. | ||
Really want to thank Real America's Voice, the team, our team in Denver, headed up by Wendell, and of course the team in Palm Beach. | ||
Want to thank all the team, both the production entities there, of course our own production team, and Grace and Moe and Jane and Natalie and the entire gang that puts this together. | ||
I want to thank Rob and Parker Sig, their fantastic network to be associated with, so couldn't be happier. | ||
I talked about this, the book, The Cousins, or I haven't talked about it, The Cousins War. | ||
I think it was Kevin Phillips who wrote this book called The New Emerging Republican Majority, I don't know, 40 or 50 years ago. | ||
He was a political thinker, strategist, and a very brilliant guy. | ||
But he, I think he also wrote, I think it's the same guy who wrote the book, The Cousins War. | ||
And it really tracks both the English and the American versions of the interconnections of what were going on with the English Civil War and all the way up through our Civil War and really, quite frankly, to today between these this group called that were spiritually driven, which were the Puritans, the Pilgrims and what part of England they came from and how they were the folks in back of Cromwell and anti the king, King Charles, and how the Cavaliers were part of King Charles. | ||
Charles and they were the entrepreneurs. | ||
He had the spiritual people, the dissenters, the folks that were even against the Church of England, the established order of the Church of England. | ||
They thought that was too close to the Catholic Church with rituals. | ||
Iconography and all that. | ||
And you had the Cavaliers who were very entrepreneurial, kind of drove the British. | ||
And the British Empire had that kind of that those tensions and those forces of both the missionary element of it and the folks who put forward the bringing of the good news of Jesus Christ throughout the world. | ||
The missionaries and it's kind of this pilgrim spirit with the entrepreneurs and the people that eventually, you know, help build the British Empire. | ||
And it came to the United States in the South and particularly in South Carolina and Virginia. | ||
More of the entrepreneurs, not that they didn't have a lot of very religious folks in there, particularly associated with the the Anglican Church or the Episcopal Church. | ||
It was called here, I guess, in the United States and in New England with the pilgrims and the Puritans. | ||
And that led to eventually the abolition movement up in New England. | ||
What led to the revolution, he had kind of two aspects. | ||
The revolution started up in Boston. | ||
Started up in Boston, but it was finished down south. | ||
It was finished really in South Carolina, the Low Countries, and then the war could continue up all the way to Yorktown. | ||
It finished right there near Williamsburg at Yorktown, Virginia, defeating the Royal Navy off the Virginia Capes. | ||
Later in the Civil War, the abolition movement kind of coming from New England, and of course, the hardcore states' rights or the pro-slavery element of it coming from South Carolina, particularly the landed aristocracy and the wealthy aristocracy down there in the plantation, kind of deep cotton south. | ||
Fascinating book about American history and how it kind of rolls through even today. | ||
You see kind of the progressive forces and you have this kind of populist nationalist movement that sprung out of the South and really aspects of what we call the parts of the Midwest, the Intermountain West, I guess you would call it, the Intermountain West up in Wyoming and Montana and Idaho. | ||
The Christian Redoubt or the American Redoubt, as we call it. | ||
There's a fascinating film. | ||
The New World you just saw, I realize that's a little shocking. | ||
That's modern filmmaking. | ||
Like I said, I'm not a big fan of the entire movie, but there are elements of it that you just feel like, wow, how scary is this? | ||
What do these people really get themselves into? | ||
Because they had no earthy idea, trust me. | ||
They were kind of overwhelmed by that. | ||
But it shows you the tenacity to kind of go through the fear of that. | ||
And actually to make sure that you can just keep it together long enough for that colony to survive. | ||
In Jamestown, they got back on the boats and were headed out. | ||
I think after a year, year and a half, they were starving. | ||
A lot of these soldiers of fortune and the fortune seekers, the guys looking for the gold and the fountain of youth, didn't want to farm and they were just getting crushed. | ||
They actually got on a boat and left and they kind of met A relief force, a relief boat with supplies coming in and they turned around. | ||
I mean, this was hanging by a string to keep a foothold there. | ||
Same up in New England. | ||
I mean, they barely, barely hung on, but they did. | ||
And eventually the stories of the first Thanksgiving and working with the Native Americans who are their allies. | ||
And the reason was that the Native Americans, the Indians had very sophisticated alliances. | ||
They were very sophisticated in the kind of the geopolitics or the geostrategic efforts, both in New England and And down south, you know, the Iroquois Confederation up in New York. | ||
These were very sophisticated about their alliances, and they looked at the whites, they looked at the settlers as just another group that could help them drive what they wanted to accomplish geopolitically. | ||
That's the fascinating thing I find fascinating about the first 100 or so years of the United States is the alliances of teaming up and partnering with certain Native American tribes and confederations against others. | ||
And these were very sophisticated Obviously, in one part of culture, they were very unsophisticated, but really in military, how to fight, how to think through fighting, how to hold territory, how to really think through alliances. | ||
The Native Americans, the Indians, were very sophisticated, and you see this in their partnering with different of the white groups. | ||
There's a film from the 1950s called Plymouth Adventure. | ||
I think it was kind of a hit at the time, not as big as they thought it was. | ||
It had an all-star cast. | ||
Spencer Tracy at the top of his game. | ||
Gene Tierney. | ||
Who is considered by many the most beautiful woman in Hollywood. | ||
She plays the wife of one of the leaders of the Pilgrims. | ||
Leo Glenn plays her husband. | ||
I think it's Bradford. | ||
They had that controversial issue with his wife on board the ship and then even afterwards. | ||
I find the film fascinating. | ||
I've seen it many, many times. | ||
It hasn't gotten a lot of play. | ||
I want to put that on your notebook to make sure if you get a chance, either in Turner Classic Movies or you just get it yourself. | ||
You'll be rewarded. | ||
Let's go and play. | ||
We got a clip. | ||
I think it may be the trailer. | ||
It's very hard to find clips in this. | ||
The Plymouth Adventure, I think it's from 1953. | ||
Plymouth Adventure from MGM. | ||
Let's go and play it. | ||
unidentified
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Make ready to sail. | |
Massengers below. | ||
Clear the decks. | ||
Clear the decks. | ||
Get below you fiddle blocks worth sailing. | ||
The End | ||
The ordinary men and women, the strong, the violent, the tender and the weak. | ||
But they were marked for greatness, with the immortal courage to risk any danger to find a free world. | ||
Here, something new and bright and glorious had its beginning. | ||
Out of the storm, another storm is born. | ||
The emotional conflict of this man and this woman. | ||
Plymouth Adventure is first the human story of a strange fascination and the regeneration of a disillusioned man. | ||
It'll soon be over for all of us. | ||
Your adventurers and your saints and Bradford with his frenzy of religion and you with your sense of duty that has you bleeding at the soul and these nights alone. | ||
With this hunger for you that will not leave me. | ||
You're not alone in this. | ||
What makes you think only you can feel? | ||
Others have known the hunger you speak of and have lived to tell of it. | ||
Yes, and never to tell of you. | ||
And one thing more. | ||
I've guessed your secret. | ||
What secret? | ||
That you have a heart. | ||
That there's goodness in you. | ||
That you'd rather die than admit it. | ||
My adventure awaits you when you sail with the bay flower. | ||
A story of the courage and daring of brave men. | ||
A story that is great because it has the breadth of reality in every scene. | ||
Brought to life through the magic of motion pictures with the vivid miracle of color. | ||
The kind of drama for which the giant theater screen was made. | ||
That is a film I would definitely watch it. | ||
Now it takes you from England. | ||
Where the journey started. | ||
And remember, the other vessel was the Speedwell. | ||
The Speedwell that didn't make the... | ||
I tell you what, we'll catch up on all this on the other side. | ||
I want to spend a minute on Plymouth Adventure. | ||
Why I think it's an important film and an important film to watch. | ||
Okay, Johnny Kahn, one of Andrew's partners over at Breitbart. | ||
I love this song. | ||
What a better day to have it played. | ||
In its entirety, I think. | ||
A close to its entirety, American Heart from John Kahn. | ||
We're going to go out in this block, going to come back in the next, on a Thanksgiving morning, in the United States of America, in the year of our Lord, 2024. We'll be back in the warm room in just a moment. | ||
unidentified
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I've got stars in my eyes Oh, I'm in love with her And I won't apologize. | |
They say that we need changing as if all the founding fathers seem to get it wrong. | ||
But I say The greatest innovator, liberator, cultivator, freedom knows So I suggest you take a look inside I think you changed already. | ||
You went and lost your pride. | ||
But I'm American made. | ||
I got American part. | ||
I got American babe. | ||
In America's... | ||
War Room. | ||
Here's your host, Stephen K. Band. | ||
So the Cousins War, I think it's by Kevin Phillips. | ||
The Cousins War lays out how this is a long strain in English and then American history, Anglo-English history, that plays out even today. | ||
It's a book, if you have time or can make time, I really recommend it. | ||
It's absolutely fascinating, all the dots he connects. | ||
The film, and it doesn't get played a lot, I think every now and again on Turner Classic Movies, but it's not one that's like a regular. | ||
To me, it should be shown on TV all the time over Thanksgiving, is The Plymouth Adventure. | ||
Now, it just really deals with the journey. | ||
Spencer Tracy is the captain, and he's a guy that's really against the – he's not a friend of the pilgrims or the Puritans at all. | ||
In fact, he finds it to be – he finds them to be quite unctuous and obnoxious. | ||
And he gives them a hard time throughout the entire time of the journey. | ||
But it's fascinating to see what happens on the ship and kind of the things that come, particularly when the Speedwell, the second boat, can't leave and they got to take a hundred. | ||
And it's a very tiny vessel. | ||
It's already crammed. | ||
They take a hundred of the pilgrims, additional hundred pilgrims, I think, 30 children, something like 40 women. | ||
It's incredible. | ||
Over half of the, over 50% of women and children go on to the Mayflower. | ||
And it was just completely jammed. | ||
You see the horrific nature of the journey just across the Atlantic. | ||
And how they were fooled about even, they were supposed to go to Virginia. | ||
The Virginia company was theoretically paying their way, but you see all the deals that were cut and how people are trying to make money off these religious settlers. | ||
And then it ends really, I think, around the Mayflower Compact, when really they're just starting to go ashore in the very early years to how they're going to govern themselves and how they came up with these kind of democratic institutions to make sure as free men and free women, they could actually make decisions Yeah, | ||
realize that, hey, the collectivization of the plots didn't quite work, that you had to have initial individual initiative and kind of self-determination. | ||
I want to pivot a moment I want to talk something in the foundation of the country, obviously the foundational element of Thanksgiving and why we give thanks and have done it since we arrived here, that we're a providential nation. | ||
We're the New Jerusalem. | ||
People have been aware of that from the very beginning, and we've offered thanks to God for that. | ||
We're a providential nation now more than ever, I think. | ||
The New Jerusalem, the city on the hill more than ever. | ||
And has this been imperfect? | ||
Absolutely. | ||
Have the elites created kind of an anti-culture and anti-civilization that's quite toxic? | ||
They have. | ||
Are we beating that back, taking it back one block at a time? | ||
We are. | ||
Are we winning? | ||
We are. | ||
Are we ascended? | ||
We are. | ||
And that's one thing to give thanks to. | ||
Give thanks to God for putting you in this time and place. | ||
You talk about American history, you love American history, you love your country, where you're in one of the most important hinges of history in the country's complete time on this earth. | ||
I want to pivot for a moment. | ||
I want to go to Hillsdale. | ||
Two things I want to talk about, two cuts I'm going to show you, is about the Roman Republic. | ||
In the Roman Empire, and how much they are like us in the fact of some of the issues they dealt with. | ||
I first want to go, this was a course. | ||
It's a course you can still take it Hillsdale remote, and I recommend to people, if you get a chance to take it, to take it. | ||
But I just want to, they emphasize the importance of Roman history to Americans, and particularly the importance of the history of the Roman Republic to the revolutionary generation and to the founders of our nation. | ||
So let's go ahead and play that from Hillsdale College. | ||
unidentified
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The history of the Roman Republic is a cautionary tale. | |
We're going on a journey that will teach us a great many things about a free society. | ||
The Roman Republic was one of the finest systems of government that the world has ever known. | ||
The reason we should study the ancients is because it makes us better human beings. | ||
In the progressive modern world, we want to think that human beings can be perfected. | ||
But really what history teaches us is that we're the same people. | ||
If we as a free society think that we are facing unusual tensions and events, You've got to understand that there were mobs in Rome. | ||
There was all kinds of trouble that they were facing. | ||
We don't have to be Rome. | ||
We learned from the Roman Republic the lessons of citizenship, the lessons of tyranny, And what it all means for a free society to face difficult times, particularly if those difficult times are a result of their own success. | ||
The histories are themselves a kind of moral education, a political education. | ||
We as a nation would be far better off if we spent more of our time studying those examples from Roman history. | ||
Why should you take the time to study these old and complicated things? | ||
The answer is it's the best single thing you can do. | ||
The study of the Roman Republic is really one of the most important things we can do as Americans. | ||
Our founders, Washington, Jefferson, Adams, Madison, all study the Roman Republic as they created the American Republic. | ||
It's very important for us to understand why. | ||
This is our course on the Roman Republic. | ||
Let's begin. | ||
Don't forget Hamilton. | ||
I love that spot. | ||
And the reason I love it, it ties together a lot. | ||
It absolutely is. | ||
And for the Warren Posse and going forward, I know you guys have done such a great job today. | ||
And one of the things to give thanks for, I think, is that we had... | ||
The founders of a nation. | ||
How many other nations can look and see the founders that we had? | ||
When you look at the men and the women that stepped forward to build this nation, and they looked back, they understood history. | ||
These were incredibly smart, I would say public intellectuals, a lot of them, but they were men and women of action. | ||
They understood that using their agency in this world, in the material world, was important to build something and leave something behind. | ||
They always thought downrange. | ||
They always thought of future generations. | ||
They always put off from themselves benefits they could have had easily. | ||
Think about future generations. | ||
That, if I think it's a defining characteristic of this audience and a defining characteristic of the MAGA movement, is that we're prepared to sacrifice today for future generations. | ||
But we understand in sacrificing today, we can't put off decisions. | ||
People always say, well, election is about the future. | ||
What that means is about happy talk and selling you something. | ||
No, election is about today and particularly how we got here and how we're not going to allow how we got into this crisis, how we got into this jam to continue on. | ||
That's the power of this audience. | ||
And that's the power of this connection back to the framers of the Constitution and really the architects of the country, many of whom were part of the revolutionary generation that had actually fought For this country, fought for this republic against long odds and had a huge stake in the game in doing it. | ||
Okay, I want to go out now. | ||
We're going to come back. | ||
When we come back, we're going to go out with a song inspired by St. John the Evangelist. | ||
The Book of Revelations. | ||
This is when the man comes around from Johnny Cash. | ||
An incredibly powerful song, particularly for today's environment. | ||
One I absolutely love. | ||
And I love this rendition from Billy Strings. | ||
It was a T-Bone Burnett, I think. | ||
Just an incredible version of that. | ||
When we come back, I'm going to play a clip from a film, Decline and Fall of the Roman Empire, The Fall of the Roman Empire from the 1960s, starring some like James Mason and Christopher Plummer. | ||
It's a debate in the Senate about immigration. | ||
unidentified
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Many of the issues we face today, they face then. | |
So we're going to go to commercial break. | ||
We're going to come back with a long clip, but hang with it. | ||
It is very powerful, and I think you will love it. | ||
And I'll be back on the other side to break it all down for you like we do the Daily News. | ||
Okay, short commercial break. | ||
We're going to return in the war room. | ||
Take out from the Book of Revelations, St. John the Evangelist. | ||
Johnny Cash is great when the man comes around. | ||
unidentified
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Hear the trumpets, hear the piper. | |
One hundred million singers. | ||
Runs it to the marches, the big kettle drum. | ||
Voices calling, voices crying. | ||
Some are born and some are dying. | ||
Yeah. | ||
It's Alpha and Omega's kingdom power. | ||
And the whirlwind is in the thorn tree. | ||
The virgins are trimming their wicks. | ||
The whirlwind is in the palm trees. | ||
It's hard for thee to kick against the bricks. | ||
Till Armageddon, no shalom, no shalom. | ||
Then the Father will, he call his checkered tone. | ||
The wise men will bow down before the throne. | ||
And at his feet, we'll cast the golden crowns when the man comes around. | ||
Whoever is unjust, let him be unjust still. | ||
Whoever is righteous, let him be righteous still. | ||
Whoever is filthy, let him be filthy still. | ||
Listen to the words written down when a man comes around. | ||
Hear the trumpets, hear the piper. | ||
One hundred million angels sing in. | ||
Multitudes are marching to the big hill of Rome. | ||
Voices calling, and voices crying. | ||
Twins that song, and some have died. | ||
Salfa and Omega's kingdom come. | ||
And the whirlwind is in the thorns shriek. | ||
The virgins all are trimming their wits. | ||
The whirlwind is in the thorn tree. | ||
It's hard for thee to kick against the prince. | ||
Honorable fathers and senators of Rome, have you heard what is being proposed? | ||
Gaius Metellus Livius has asked that we, the Roman Senate, should give these barbarians, these savages, Roman citizenship and settle them on Roman land! | ||
To treat these wandering murderers as brothers. | ||
Equals. | ||
And what of our other provinces? | ||
What of Gord, so loyal to us? | ||
What of Syria? | ||
And Egypt, which sends us our grave? | ||
If we make Romans of these barbarians, can we withhold Roman citizenship from them? | ||
Then what becomes of the precious prize Roman citizenship once was? | ||
Becomes a cheap, common thing. | ||
To be given away like bread. | ||
I say no! | ||
We are Romans, warriors, and has rid our minds of this poisonous idea. | ||
Crucify their leaders, sell the rest as slaves, teach them once and for all what it is to make war on Rome. | ||
That is the Roman way. | ||
Honorable fathers of Rome, you have greeted me as a soldier who came in small triumph from the wars. | ||
And I thank you for it. | ||
All right. | ||
But you will have a hard decision to make here today. | ||
And it must not be that I, as a soldier, swayed your vote. | ||
I ask, therefore, of Caesar, that a man who is neither soldier nor senator, but a philosopher, a man of reason, be permitted to speak for me. | ||
I don't know. | ||
Fellow Romans, Greek, Greek! | ||
Born a Greek, I became a Roman by choice. | ||
Slave! | ||
Born a slave, I won my freedom. | ||
Fellow Romans, I am a teacher. | ||
And as a teacher, I know that when I have tried to teach the same lesson for a hundred times and still the pupil does not understand, then I am forced to the conclusion that perhaps there's something wrong, either with the lesson or with the teacher. | ||
A hundred times we have taught those we call barbarians what it means to make war on Rome. | ||
We've burned their villages, we've crucified their leaders, we have enslaved their young. | ||
Fires go out, the dead are buried, the slaves die slowly. | ||
But the hatred that we leave behind us never dies. | ||
Hatred means wars. | ||
Wars mean tribute, torn from our provinces, taxes, hunger, disease. | ||
How costly that is! | ||
How wasteful! | ||
And yet the answer is simple. | ||
We must have no war. | ||
No war? | ||
unidentified
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When your friends continually attack us? | |
This is treason. | ||
These people have proved their aims very clearly. | ||
To destroy us and to destroy the whole Roman way of life. | ||
And yet... | ||
The answer is simple. | ||
Let us transform my friends from men of war to men of peace. | ||
Let us put them on our abandoned farmlands. | ||
Not only will they produce food for themselves, but this I pledge you. | ||
One day they will send food to Rome. | ||
Yes, I agree. | ||
Put them on those lands. | ||
Let them produce for us, but as slaves! | ||
That is the way it has always been. | ||
Niger here used to have 20,000 slaves on his family estate. | ||
Where are they now? | ||
All sold or freed? | ||
Why? | ||
Because Niger is opposed to slavery? | ||
Huh? | ||
No, because it's no longer profitable to keep slaves. | ||
Slaves do not produce as much as free men. | ||
Let us do what is profitable. | ||
And right. | ||
Let us share the greatest gift of all. | ||
Let us give these men the right of Roman freedom. | ||
Then they will spread the word that Rome has accepted them as equals. | ||
then will we have our human frontiers, the Roman peace that Marcus Aurelius promised. | ||
Aurelius! | ||
In the name of Caesar... | ||
Thank you. | ||
In the name of Caesar! | ||
Caesar has asked me, when has Rome ever been greater or stronger? | ||
I say in answer to Caesar, never has Rome been greater or stronger than now. | ||
And what is it that has kept our empire together? | ||
Our strength? | ||
our might. | ||
Equality, freedom, peace. | ||
Who is it that uses these words but Greeks and Jews and slaves? | ||
Behind him and his people are the vandals, untold millions of them, waiting for a moment of weakness, ready to destroy us. | ||
If we take these barbarians in amongst us, our enemies will say it is because we are weak. | ||
Then they will pour in on us from everywhere, It will be the end of the Roman Empire. | ||
It will be the end of Rome. | ||
The end of Rome? | ||
How does an empire die? | ||
Does it collapse in one terrible moment? | ||
No. | ||
No, but there comes a time when its people no longer believe in it. | ||
Then, then does an empire begin to die. | ||
Fathers of Rome, I have lived under four great helpers. | ||
Trojan, Hadrian, Antoninus, Marcus Aurelius. | ||
And during all those years, our empire grew, changed. | ||
The law of life is grow or die. | ||
And you, the senators, are the heart of Rome. | ||
It is through you that the people speak. | ||
Speak up, let the world hear you. | ||
Let the world know that Rome will not die. | ||
There are millions like them waiting at our gates. | ||
If we do not open these gates, they will break them down and destroy us. | ||
But instead, let us grow ever bigger, ever greater. | ||
Let us take them among us. | ||
Let the heart of the empire grow with us. | ||
Honorable fathers, we have changed the world. | ||
Can we not change ourselves? | ||
Yes! | ||
It is time to change and end to war. | ||
From the fall of the Roman Empire, an incredible film, | ||
Actually, a lot of, I think, Gladiator was kind of lifted from it, at least the framework of the story, starring Christopher Plummer, you saw James Mason, and of course, the great hero Alec Guinness stars in it also. | ||
So Sophia Loren, it's an absolutely stunning film for the 1960s. | ||
Did not turn out to be a great hit. | ||
But this one is definitely one you have to watch. | ||
And you saw right there one of the many fabulous debates they have in this film. | ||
Almost like they're having it on the U.S. Senate today about amnesty and citizenship. | ||
Remember, one thing to be grateful for and thankful for today is that you are an American citizen. | ||
You're an American citizen in the Greatest Republic. | ||
The greatest country, the most powerful nation, and the nation has delivered more freedom and more financial and economic prosperity. | ||
The blessings of liberty to more people throughout the world than any nation in the history of the earth. | ||
And today, when you say your blessings for your family, your health, and all of it, make sure you don't forget to say thanks that you are an American citizen, and particularly in a time such as this, where you have become one of the guardians of this republic. | ||
Okay, we're going to go out with Modern Day Holy War, which I think encapsulates from Nicole Negrady, one of our favorite songs here, and one of the anthems of the MAGA movement from Nicole Negrady, Modern Day Holy War. | ||
unidentified
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You gotta believe, believe Open your eyes, no time to be blind Even after your mind, you'll find your soul. | |
Oh, oh, it's true. | ||
Night and day, holy war tells your blessings, beating sin no more, no more. | ||
Cause Jesus puts all the light in you. | ||
Little children in a straight line Don't fall behind Oh no, the television's only meant to indoctrinate the mind Seeing ain't always believing Doesn't mean Count | ||
your blessings. | ||
Be your sin no more. | ||
No more. | ||
Cause Jesus put the light in you. | ||
Light in you. | ||
Count your blessings. | ||
Be your service. | ||
Could you be clear? | ||
Could it be true that everything you learned in school was always just a great big stupid lie? | ||
Things you wouldn't believe, mind can't conceive, will probably make you break down and want to cry? | ||
Don't you want to know how to stop the flow of evil so blatantly running? | ||
War Room. | ||
Here's your host, Stephen K. Mann. | ||
It's Thanksgiving Day of 2024, and we have so much to be thankful for. | ||
I mean, against the longest of long odds, this movement has flourished, and this movement has had one of the, if not the greatest, political victory in the history of the republic. | ||
Think about that for a second. | ||
Just think about that. | ||
And we have so much farther to go, but today is a day, just like the pilgrims and the The settlers, the adventurers down in Virginia and the pilgrims, Puritans up in New England to take a break, to enjoy family, friends, but most importantly to give thanks to Almighty God to put you here in this time and place. | ||
You have become a... | ||
A critical member of history, like so much of what we've talked about before in the history of this country, whether it's in the Revolution, whether it's in the Civil War, whether the Great Depression or World War II, or the great fourth turning in American history. | ||
And inside the turnings, as you know, there are four turnings, and we're in the fourth turning of that. | ||
I want to thank everybody, particularly our sponsors. | ||
By the way, coffee. | ||
Have a... | ||
You know, today you can drink coffee later because stay up. | ||
Tomorrow's Black Friday. | ||
We've got a Black Friday special show tomorrow. | ||
You're not going to miss that. | ||
We always do the Entrepreneur's Show on Black Friday. | ||
The Patriot Economy. | ||
That's what we do. | ||
Warpath Coffee. | ||
Warpath.coffee. | ||
Brought to you by the Navy SEALs. | ||
Tasia Gill and the team. | ||
It's the way we start every day to get jacked up. | ||
Warpath.coffee. | ||
Don't take it from us. | ||
Take it from your... | ||
Compatriots, 5,000 five-star reviews. | ||
Over 5,000, adding every day. | ||
I also want to thank the team over at Sacred Human Health, sacredhumanhealth.com to get the best of these products, particularly grass-fed beef liver. | ||
They got an immunity product. | ||
So many others just go there today. | ||
Check it out. | ||
They got all the information up on the website. | ||
Meriwether Farms, the great Catherine O'Neill, the young prodigy that was over at the campaign in 16 at the White House. | ||
She was at the State Department, a fighter for President Trump. | ||
She fought to the bitter end of 20 and was one of the ones that said, hey, Mr. Bannon, they stole this thing. | ||
I said, let's get to work here. | ||
So she's just absolutely fantastic. | ||
Tomorrow is Black Friday, and I want to make sure that you consider this as a gift. | ||
Rebels, rogues, and outlaws. | ||
Dan Fluitt's The Pictorial History of the War Room. | ||
This is stunning. | ||
And for any of the War Room Posse, get this, put a bow on it, put it under the Christmas tree. | ||
You will spend hours and hours and hours dipping into this, seeing this tremendous photography. | ||
Of the contributors and the staff here at the War Room, the people who made this show possible over the last five years, it's just absolutely incredible. | ||
Rebels, rogues, and outlaws. | ||
And aren't we all? | ||
Aren't we all? | ||
It's very special. | ||
Dan's done an amazing job. | ||
He's the producer on my films. | ||
I've been a great line producer and creative producer over the years. | ||
I didn't even realize, knowing he had a great eye for the photography on the films, didn't realize his still photography is absolutely extraordinary. | ||
I think Quite frankly, he's one of the most talented photographers in this nation today. | ||
That's how good this book is. | ||
This book is not your standard just picture book. | ||
It is a work of art with incredible writing. | ||
You will be very proud that the War Room, and particularly our staff here, Dan Floyd, stepped up and the contributors. | ||
Just absolutely amazing. | ||
I want to thank the guys at Birch Gold that sponsor us all the time, birchgold.com. | ||
Over the holiday weekend, maybe it's time to kind of rethink through your financial position where you have your assets and always good to look at alternatives. | ||
Give yourself a broad palette in which to paint. | ||
Go to birchgold.com. | ||
Talk to Philip Patrick and the team, birchgold.com slash Bannon, Philip Patrick and the team. | ||
They'll help you out. | ||
Or if you're near your phone, just text Bannon at 989898. They get all the free brochures and information. | ||
You can check it out. | ||
I want to leave you today to spend the rest of your holiday with your family, with Odette's. | ||
Odette has this amazing rendition of one of my top two or three favorite songs, The Battle Hymn of the Republic. | ||
Let's leave you in, I think, an amazing version of that. | ||
We'll see you tomorrow morning on Black Friday. | ||
See you then. | ||
unidentified
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Mine eyes have seen the glory of the coming of the Lord. | |
He is trampling out the vintage where the grapes of wrath are stored. | ||
He hath loosed the fateful lightning of his terrible swift sword. | ||
His truth is marching on. | ||
Glory, glory, hallelujah! | ||
Glory, glory, hallelujah. | ||
Glory, glory, hallelujah. | ||
His truth is marching on. | ||
I have seen him in the watch fires of a hundred circling camps. | ||
They have builded him an altar in the evening dews and damps. | ||
I have read his righteous sentence. | ||
By the dim and flaring lamps, his truth is marching on. | ||
Glory, glory, hallelujah. Glory, glory, hallelujah. Glory, glory, hallelujah. | ||
His truth is marching on. | ||
I have read a fiery gospel, written burnished rows of steel. | ||
As ye deal with my condemners, so with you my grace shall deal. | ||
Let the hero born of woman crush the serpent with his heel. | ||
His truth is marching on. | ||
glory glory hallelujah Glory, glory, hallelujah. | ||
His truth is marching on. | ||
He has sounded forth a trumpet that shall never call retreat. | ||
He is sifting out the hearts of men before his judgment seat. | ||
Oh, be swift, my soul, to answer. | ||
Oh, be jubilant, my feet. | ||
His truth is marching on. | ||
Glory, glory, hallelujah. | ||
Glory, glory, hallelujah. | ||
In the beauty of the release, Christ was born across the sea, with a glory in his bosom that transfigures you and me. | ||
As he died to make men holy, let us die to make men free. | ||
His truth is marching on. | ||
Glory, glory, hallelujah. Glory, glory, hallelujah. Glory, glory, hallelujah. | ||
His truth is marching on. | ||
Mine eyes have seen the glory of the coming of the Lord. | ||
He is trampling out the vintage where the grapes of wrath are stored. |