June 21, 2023 - Bannon's War Room
47:56
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| Speaker | Time | Text |
|---|---|---|
| This is what you're fighting for. | ||
| I mean, every day you're out there. | ||
| What they're doing is blowing people off. | ||
| If you continue to look the other way and shut up, then the oppressors, the authoritarians get total control and total power. | ||
| Because this is just like in Arizona. | ||
| This is just like in Georgia. | ||
| It's another element that backs them into a quarter and shows their lies and misrepresentations. | ||
| This is why this audience is going to have to get engaged. | ||
| As we've told you, this is the fight. | ||
|
unidentified
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All this nonsense, all this spin, they can't handle the truth. | |
| War Room. Battleground. | ||
| Here's your host, Stephen K. Bannon. | ||
| How many pedophiles you caught? | ||
| 280. | ||
| I'm gonna kill T-Cloud. | ||
| It is the fastest growing international crime network that the world has ever seen. | ||
| you It has already passed the illegal arms trade, and soon it's gonna pass the drug trade. | ||
| You can sell a bag of cocaine one time with a child five to ten times a day. | ||
| God's children are not for sale. | ||
| How long you been doing this? | ||
| All years now. How many pedophiles you got? | ||
| 288. | ||
| My kids, he found. | ||
| You will rescue my children, right? | ||
| Can you help me find my sister? | ||
| I promise. | ||
| For Homeland Security. | ||
| You know we can't go off rescuing Honduran kids in Colombia. | ||
| Which means she'll disappear for good. | ||
| Imagine walking into her room right now, staying in empty bed. | ||
| What we do? You quit your job, and you go and rescue those kids. | ||
| At this moment, she could be a block down the road, or she could be at Moscow, Bangkok, L.A. She's a major operator. | ||
| It's all rebel territory. | ||
| No one goes in. Not the army, not the police, not us. | ||
| What if this was your daughter? | ||
| There's no marine unit coming. | ||
| You're on your own. | ||
| This job tears you to pieces. | ||
| pieces. | ||
| BYE! | ||
| And this is my one chance to put those pieces back together. | ||
| When God tells you what to do, you cannot hesitate. | ||
| Okay, it's Tuesday, 20 June in the year of our Lord, 2023. | ||
| Very honored to have Jim Caviezel, the star of this incredible film, Sound of Freedom. | ||
| How did you get attracted to this material? | ||
| Because this film took a long time to make. | ||
| It's incredibly powerful. | ||
| Go to Angel.com right now slash War Room to get your tickets. | ||
| We must. This is the task and purpose. | ||
| We must sell out these theaters opening weekend to send a message to Hollywood. | ||
| Angel.com slash War Room now. | ||
| Get your tickets and get tickets for your friends. | ||
| You're going to want to see this with a group. | ||
| First off, it's a very harrowing film. | ||
| This material, you came out of The Passion of the Christ. | ||
| You had a huge TV series. | ||
| What attracted you to Tim Ballard's story? | ||
|
unidentified
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Well, I have three adopted children from China, and I knew the dangers that we're having to children globally. | |
| Of the child trafficking in China. | ||
| Yeah, just a lot of nefarious stuff going on. | ||
| And then every time I do a film, I'm always working with agents all the time. | ||
| So this would continually come up. | ||
| You're working with agents about the trafficking of people. | ||
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unidentified
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No, just like I'd be working homicide and trafficking would come up. | |
| I'm working with ATF, trafficking would come up. | ||
| And then you start going into the dark web of looking at other stuff, and then it came across the children, and that's where it went into the things that I couldn't even grasp. | ||
| And then when I started working with Tim Ballard, he brought up the organ harvesting. | ||
| Of course, this is a flashback to all the other stuff. | ||
| And so Tim was somebody that, you know, I also had my friends, you know, tell me what kind of guy he was. | ||
| But they sent me the script and I was blown away. | ||
| Alejandro Monteverde and Eduardo Verastegui met with me. | ||
| And then Tim Ballard wanted me based on two films I did. | ||
| One was The Count of Monte Cristo and the other was Passion of the Christ. | ||
| And that's how it all came to be. | ||
| Count of Monte Cristo is when Hollywood had you designated as the next big leading man, right? | ||
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unidentified
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Yeah. Well, it lasted for five minutes. | |
| Then you hit the bit on the passion. | ||
| Your life went in a different direction. A different direction after that. | ||
| What was it about Ballard's story that attracted you to it? | ||
|
unidentified
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Well, like the part I was saying earlier was that knowing what I went through in adopting our children and seeing the threats against children globally and the dangers again with them. | |
| So I thought that this had a What it could do, like what the Passion did. | ||
| I mean, bringing people to their faith. | ||
| And this part of it is taking action. | ||
| As I told you earlier, we don't have a country. | ||
| We don't have a South border. | ||
| By definition, you have to have borders. | ||
| And we don't. And then drawing the light on what is truly going on. | ||
| It's a $152 billion a year business. | ||
| That's insane. $152 billion. | ||
| Is that the sex part, or is that the sex and the organ harvesting part combined? | ||
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unidentified
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So the trafficking part is $32 billion. | |
| $32 to $34 billion is buying and selling the children. | ||
| But if I have a child, let's say, for example, little Joey, he makes me $20,000 a day for 10 hits with 10 different clients. | ||
| I'm his pimp. He procures that money. | ||
| That's $20,000. There's $152 billion. | ||
| So to give you an idea what that is, that's every major sports team in the world. | ||
| All the NBA, all the Major League Baseball, all World Cup soccer, NFL, all that combined, and still not 152. | ||
| You would have to send every 18-year-old this year that graduates high school to Stanford University for four years, and that would be $152 billion. | ||
| What is driving the demand side of the equation? | ||
| You talked about it's trafficking for sex. | ||
| And it's organ harvesting. | ||
| Is there other elements? | ||
| Is it also for labor, for slave labor? | ||
|
unidentified
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Or is it adrenochrome? | |
| The whole adrenochrome empire. | ||
| This is a big deal. | ||
| It is listed under the NIH. It is a chemical compound. | ||
| It's a molecular structure. | ||
| It's C9H9NO3. It's an elite drug that they've used for many years. | ||
| It's 10 times more potent than heroin. | ||
| And it has some mystical qualities as far as making you look younger. | ||
| There's that scene in Fear and Loathing in Las Vegas that nobody could figure out. | ||
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unidentified
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No, I saw that. | |
| And I tell you, that had a big laugh. | ||
| About 9 % of the audience laughed. | ||
| Annoying laugh? Oh, absolutely they knew what was going on. | ||
| An insider knowing that? Absolutely what it was. | ||
| And so we returned that on Sound of Freedom. | ||
| Okay. You've got to hear this story. | ||
| Okay, hang on. For those in this audience that know the details, but we'll share this with, because we want to share this with family and friends and take people to the theater. | ||
| Go back to the stimulant in the blood, adrenochrome, and back it up with, give me some facts so people don't say we're in conspiracy theory. | ||
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unidentified
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Well, okay, so here's the point. | |
| I don't believe that there's a Hunter Biden laptop. | ||
| You know how I know that? Because for two years the media said there was no such thing. | ||
| So there's none. But then there is now. | ||
| And then for seven years we learned that Trump's a Russian spy. | ||
| For seven years. Well, you know he's a Russian spy. | ||
| But then he's not. Well, that was about 80 % of everything we heard from the media for the last seven years. | ||
| And suddenly I bring this up and you say, well, this is conspiracy theory. | ||
| So we're back to this whole conspiracy theory thing with the media that's putting on... | ||
| Well, I mean, I had my career completely ransacked. | ||
| I had no idea what I was stepping on. | ||
| But every doctor that talked about... | ||
| But you had your career ransacked before this... | ||
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unidentified
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Yeah, but this was a bridge too far for them. | |
| When you were Count of Monte Cristo, they were saying you're the next big leading man in Hollywood. | ||
| Then you did Passion of the Christ. | ||
| That in and of itself took your career off track, correct? | ||
|
unidentified
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Yes, it did. Absolutely. | |
| I was taken off the list. | ||
| The moment I took that film, I was taken off the list. | ||
| Now, I was able to keep going on because I had some, you know, favors and directors that came up and stepped up and said, no, I'll hire him. | ||
| You also have star quality. | ||
| And just the practical part of the business. | ||
|
unidentified
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I work my butt off what I do. | |
| So why would you take this film knowing that you're stepping on a Claymore mine? | ||
| Because you know what the reaction is going to be in the industry. | ||
| This film, by the way, go to angel.com. | ||
| The film, I think, is close to a masterpiece as far as filmmaking goes. | ||
| Particularly an action film like this. | ||
| It's also a thriller. | ||
| But it's taking you three years to get distribution. | ||
| The angel.com guy stepped up. | ||
| You must have known when you read the script. | ||
| You must have known in meeting with Tim Ballard where this was going to lead you. | ||
|
unidentified
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Yeah, but I saw something that was so beautiful. | |
| I, you know, a film that really affects me a lot is It's a Wonderful Life. | ||
| Now, that seems like a reach, but I'll tell you this. | ||
| Jimmy Stewart did 26 missions over Germany, Nazi Germany. | ||
| He ran the, it's not the B-50, B-60. | ||
| But anyway, I'll come back to you in a second on that one. | ||
| But anyway, you have to absolutely have quiet comms, and he was the leading commander. | ||
| And when you're flying through FLAC, a lot of those planes go down and you hear the screams go on. | ||
| I'm sure that affected him tremendously when he was doing that scene where he says, God, if you're out there, and that's bar scene, and it's a wonderful life. | ||
| Now, here's a guy that's going to commit suicide. | ||
| End of his rope, and he said, God, if you're out there, please help me. | ||
| That greatly affected me, and when I read this, Where this guy, Tim Ballard, is out there, God, please help me. | ||
| And he goes out there and risks his life for this little curl. | ||
| You know, Jesus talks about, you know, the kingdom of heaven is like a pearl, right, that you'd sell everything for. | ||
| And this guy goes out and actually does it. | ||
| And I thought of how... | ||
| You know, like King David. | ||
| You know, David, when he was a boy, 16, his own father rejected him, and he can't believe that Goliath is talking all these horrible words about him, and he comes off that hill and tells those commanders what to do, and he goes off because he's going to face his Goliath. | ||
| And this guy has that David quality. | ||
| My son's named David. | ||
| There is something about that that just moved me. | ||
| And yeah, there were a lot of actors that turned out and all they saw was the trafficking and everything. | ||
| But this thing hits your heart and makes you do incredible things. | ||
| And we as a country, my God, are a republic to save it. | ||
| We've got to pull it together. | ||
| We've got to pull our shit together and save our children. | ||
| If not our country, our republic, we've got to save our children. | ||
| How is the United States as the New Jerusalem? | ||
| How can we be the drivers of demand on this worldwide? | ||
| And both for the sex part of it with children and the organ harvest? | ||
|
unidentified
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I'm going to tell you how this is going to happen. | |
| You go in a movie like this, just like The Passion of Christ, you see that movie and your heart's on fire. | ||
| And all of a sudden, you know, God can take you and do amazing things. | ||
| Like He did with me. | ||
| He came to me and asked me to become an actor, and I said, oh, yes. | ||
| But, you know, it was impossible, I thought, you know. | ||
| Now, when you go to a movie like this, and you start going, and all of a sudden it sheds this light, and it starts spreading across the country, and then we get all these whistleblowers. | ||
| See, Steve, I want these whistleblowers, the guys that showed me this stuff. | ||
| And then they'll have the courage, because they're terrified. | ||
| They feel they're going to die, right? | ||
| So those guys come forward and start telling, blowing the whistle, like Ms. | ||
| Rodas did on April 26th. | ||
| And drawing a light and saying that 85,000 children died, I guarantee it's much more than that. | ||
| The numbers that Tim were giving me were so astronomical. | ||
| And so this is a clear and present danger. | ||
| And we've got to get behind these warriors. | ||
| And we've got to get behind our country. | ||
| And we've got to be by the people again. | ||
| You want whistleblowers to come forward. | ||
| Absolutely. Because Tim Ballard... | ||
|
unidentified
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And this film has the power to do that. | |
| This film, when you watch it, you just all of a sudden, I'm not afraid anymore. | ||
| Like the passion was. Because of what Tim Ballard did. | ||
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unidentified
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Absolutely. You know, on Passion of the Christ, we had two guys come forward and say they committed murders 20 years earlier. | |
| They realized, wow, when this thing all runs out, they ain't gonna go...they're not... | ||
| They came forward and said, you know what, I got away with committing murders, okay? | ||
| This has a power to...some agent sitting there watches this and says, I don't care, I know what I've seen, I know what's there, and I'm not afraid of the truth any longer. | ||
| Because part of the story is where Tim Ballard is at DHS, he's assigned to this, he's a group leader, they tell him, come home, and we're aborting the mission, and he refuses to do that. | ||
| That's correct. We want those whistleblowers inside our government to start coming forward about what really is going on. | ||
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unidentified
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It goes back to the line in the film, when God tells you to do something, you don't hesitate. | |
| Because God's children are not forsaken. | ||
| That's correct. In the making of Passion, knowing you for many years, the making of Passion had so many Supernatural efforts to stop it. | ||
| And you and Mel and the rest of the team had clearly a spiritual journey of catharsis. | ||
| Yes. Did it happen in the making of this movie with you or is it happening in trying to get this movie? | ||
| Because people, when you say this movie, you're going to sit there and go, how can this movie be in the can for two years or three years and not be seen by people? | ||
| Somebody must be suppressing this. | ||
|
unidentified
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Well, we showed it in a theater. | |
| In Vegas with 1,500 people. | ||
| They were in there and during one particular part they kept talking. | ||
| I think it was like five screenings but at the end I got to talk to all of them. | ||
| And I said, why were you talking in this particular part? | ||
| In all five screenings you did. | ||
| And they all started yelling out, Epstein Island. | ||
| So in this movie there is a sex island because Epstein Island isn't the only sex island out there. | ||
| Okay, talk about the Sex Island, because this thing is dealing with Columbia. | ||
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unidentified
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Talk about the Sex Island. In this particular film, well, they do a raid, and the lady that ran that operation, she was out. | |
| She was out of prison. | ||
| See, so you've got a lot of agencies that are involved in this where, why wasn't she in prison? | ||
| So he was down there talking to their side of their government, saying, do you understand when this film comes out? | ||
| It's going to shine a light on you. | ||
| And if you don't put her back in prison, you're going to have problems. | ||
| Eduardo, when he was on the show the other day, he's saying that between the Mexican government and other governments, that there's not just even a conspiracy, that that's where these kids are trafficked up from for the demand to the United States. | ||
| Do you also think that inside the U.S.? A hundred percent. | ||
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unidentified
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All the three-letter agencies are all involved. | |
| Absolutely. I'm not saying all of the people are, but the ones are the most powerful. | ||
| They're protecting. They're protecting this information from getting out. | ||
| You mean CIA, DNI, FBI? All of them, yes. | ||
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unidentified
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Yeah. Why would they not be? | |
| Well, let me just say, like, you know, Fast and Furious. | ||
| And you heard about that. I said, oh, that's a conspiracy theory. | ||
| And then you go, wow, why does the cartel— This is the gun-running operation. | ||
| Yeah, but why does MS-13 have the most advanced guns? | ||
| You know, why do we at Sinaloa and gangs have all—how come 110,000 people died or disappeared in Mexico City? | ||
| Where did they go? And they're starting pulling people out of body bags now. | ||
| This is just insane. | ||
| With our military, our special forces, and we don't take care of this, like I said to you earlier, Tim has got, for one traffic guy like Tim Ballard, you've got five Guys that go after the cartel. | ||
| They're just completely outnumbered. | ||
| On drugs? Correct. Yes, on the drugs. | ||
| And we know now the human trafficking... | ||
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unidentified
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Oh, I think this is far... | |
| I think it's far bigger than that now. | ||
| Well, I mean, we were talking about two million children, and he goes, yeah... | ||
| So you can monetize these kids every day. | ||
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unidentified
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That's correct, and then he started going into two million other children. | |
| Now, this is other agents that I'm speaking to, too. | ||
| The two other million are in the organ harvesting, and it's just like two million this year, two million, and they just use them up, and then they pass them off into organ harvesting programs. | ||
| Talk to me about the demand. | ||
| It's so organized on the trafficking of these children, and for either sex or for an eventually organ harvesting. | ||
| You can't just have that demand unless somehow that's organized also. | ||
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unidentified
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100%. Okay, so the agents that I've spoken to, for a barrel of oil, $77. | |
| For a barrel of body parts and what's going to be a draenochrome, all the plumes that are in the mother's wombs, that goes into a plastic barrel, that's $77,000. | ||
| Now that gets sent into these- BioLabs. | ||
| $77,000 for a barrel of body parts of children, blood, all of that goes to these BioLabs. | ||
| And then now go to Victoria Nuland's testimony. | ||
| The BioLabs, you're talking about the BioLabs in Ukraine. | ||
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unidentified
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Correct. And wherever else those places are, so yes. | |
| Walk through the supply chain of the supply into the BioLabs. | ||
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unidentified
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What do they take? As far as the...I can't give you the molecular structure. | |
| I can give you... What's this the input of the body parts? | ||
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unidentified
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Everything. All the waste. All the body waste. | |
| All of that. That's what they told me. | ||
| Which has the stimulant in? Yes, that's one way again. | ||
| It's probably not the ultimate way, but it's probably a Diet Coke. | ||
| Who's organizing that? | ||
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unidentified
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I would have to say definitely that it has to be in the three-letter agencies. | |
| So your contention and what you want... | ||
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unidentified
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I'm saying this. | |
| You say there's smoke, there's fire. | ||
| Okay, so if I say to a media person, two plus what equals five? | ||
| And I say three, and the media will immediately say, how do you know, did you see a three? | ||
| That's what it's like. | ||
| If you go to Vegas and you win a thousand hands in a row in blackjack, do you think there's cheating going on? | ||
| At the level of $152 billion a year, this has to be making money for a lot of people and that cash has to be flowing through. | ||
| Your contention is it is impossible to have demand at that side and have supply at that side and not have some sort of organization. | ||
| This can't be a random. | ||
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unidentified
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No, no, no, no, no. | |
| But the whole thing, just the thing with Ms. | ||
| Rodas, she comes out and makes this testimony, this claim. | ||
| Well, she said that 85,000 children have disappeared. | ||
| And she's a whistleblower. | ||
| 85,000 of the kids were coming across. | ||
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unidentified
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That's correct, this last year. | |
| And you would think that they would be pretty good. | ||
| They can track anybody anywhere. | ||
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unidentified
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Steve, the next day the media didn't even pick it up. | |
| It's not even worth, it's worthless to them. | ||
| That's worthless information. | ||
| And there's no, hey, my bad, Hunter Biden laptop. | ||
| Oh, and by the way, there was a lot of suggestions that there was probably something more on that laptop than we want to go into. | ||
| I mean, when you say laptop from hell. | ||
| On the perversion. Well, I got it from, listen, I got it from the best of the best, and they said there'll be adrenochrome there. | ||
| Oh, and by the way, on the street, for all of those of you that don't know this, but it's called ambrosia. | ||
| Ambrosia is the street term? | ||
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unidentified
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That's a street term, yeah. Well, the elite term. | |
| And your belief is in the hard drive from hell, when you get to the bottom of that, you'll also find, when you see all the perversion and degradation of Hunter Biden with these women, that you'll also find that? | ||
| I'm trying to get you in as much trouble as possible. | ||
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unidentified
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If the three-letter agencies are going to come after you, we're going to make it worth their while, right? | |
| Well, I think that they know why those laptops disappeared in the cross-testimony. | ||
| Was it Crowley that did that testimony? | ||
| Was it Christopher? | ||
| Christopher, right. Was he the one that was being cross-examined? | ||
| And they asked him where the—maybe it wasn't him, but it was someone high up in the FBI, and they said, where are the laptops? | ||
| Oh, they've disappeared? I'd like to look at those laptops. | ||
| I think you've got to start looking at them. | ||
| Well, we can certainly get your hard drive. | ||
| Let's go back on the three-letter agencies. | ||
| Your contention is that they must know that these government agencies or other operators in these other governments are doing on the supply side of bringing the kids in here. | ||
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unidentified
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You have to understand. Also, hang on. | |
| Your also contention is that it is impossible. | ||
| Rojas tells you 85,000 children are missing under our... | ||
| Just disappeared. Disappeared that we can't find. | ||
| And since the government is so good about getting the EBIT cards and the phones and tracking everybody else, how could they possibly lose 85,000 children? | ||
| Your other contention is that the organization of this, both in the organ harvesting and in just the use of these children for sex objects, is so big that it has to have some sort of organized effort. | ||
| That's correct. And that effort, I take it in your belief, is more than organized crime or more than the people that are monetizing this. | ||
| It has to have some element of the government. | ||
| Is that your contention? | ||
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unidentified
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Yes, it's my contention, but my biggest thing here is why they were so against this film coming out. | |
| And when I saw this in front of the audience and they started, they're not stupid. | ||
| I mean, a lot of the public, they're very smart and they understand more than me in a lot of ways. | ||
| Oh, they connected the dot very closely. | ||
| But when you sit down in the room and you actually go through this footage that I have absolutely seen with my own eyes and I couldn't sleep for two years. | ||
| What footage was this? Oh, it's pretty bad. | ||
| Pretty bad stuff, just regular. | ||
| But it was given? | ||
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unidentified
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No, no, no. It's bad stuff. | |
| It's stuff that goes into all of the trafficking and all of the stuff. | ||
| And I remember at one point he looked up to me and he said, are you sure you want to go any further? | ||
| And I said, I didn't know and I said yeah and I couldn't believe what I went into and then so then I went and met at some point with Tim Ballard and he started telling me about organ harvesting and I just said we got to do something so in the film The first thing I did was, | ||
| there's a scene in there between me and the pedophile Ernst Pachinsky, and what happens is that in the scene, this actual line is not in the film. | ||
| But Alejandro Monteverdi said, you know, you were talking about that line earlier. | ||
| I said, yeah, go ahead and use it. | ||
| So I go and I tell the actor, I said, we're shooting French overs. | ||
| So we're shooting, you know, simultaneously. | ||
| So you get his reaction. | ||
| I said, look, we got the scene. | ||
| It's amazing. Just play along with me on this. | ||
| Hang on one second. We get to the end of the scene. | ||
| I said, better a millstone be hung around your neck that you be cast into the sea that you should ever hurt one of these little ones. | ||
| And his immediate reaction was, I don't know what you're talking about. | ||
| I laughed so hard. But anyway, the reaction from the audience in this audience that I was, it was about 60%, 60 % of the audience in this place, not on the adrenochrome, but this one exploded. | ||
| And the 40 % were like, what was that line? | ||
| What is it from? And they'd be like, it's from the Bible. | ||
| Words of Christ. This is the worst, worst evil that I've ever seen. | ||
| And I'm going to tell you this. | ||
| The screaming, I saw a movie called Eclipse of Reason. | ||
| And in the womb, and then another one's called Silent Scream. | ||
| In the womb, the baby is quiet. | ||
| You can't hear the scream. | ||
| But on the outside of the womb, you get to hear the screams. | ||
| And that is... | ||
| When sound has feel. | ||
| Let me explain. That is what absolutely thwarted me. | ||
| And so in the film, I asked Eduardo, there's a scene in there. | ||
| We don't show it, but there's a scene where this guy goes and rapes this girl. | ||
| Now, we don't show that. We can't show that. | ||
| But what we do is we come into my iris. | ||
| And this wasn't planned. | ||
| It just was God. | ||
| Put the camera up to your eyeball. | ||
| And you get to see certain things through my iris. | ||
| And then you see my eye filling up with tears. | ||
| And this is where Tim told me that he can't keep guys. | ||
| They don't last very long. | ||
| Tim never went into the adrenochrome with me. | ||
| He went into the organ harvesting. | ||
| Let me be very clear on that. | ||
| But I don't understand the weather... | ||
| However it's done, you're murdering children. | ||
| And right now in the state of California, they want to kill babies 27 days after they're born. | ||
| Explain to me how that saves the mother's life. | ||
| We're going to take a short commercial break. | ||
| We're going to be back. The film is The Sound of Freedom. | ||
| It is a film that I think will change your life when you see it. | ||
| This is also the beginning of a movement to shut this down here in the United States and throughout the world. | ||
| back with Jim Caviezel in the War Room in just a moment. | ||
|
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War Room Battleground with Stephen K. Bannon. | |
| back with Jim Caviezel. | ||
| First off, just for the film, and this film is to generate action. | ||
| It's to generate action on Capitol Hill for major investigations. | ||
| It's to generate a movement throughout the country. | ||
| It is unacceptable. That in this providential nation that we have, that we're the biggest demand side of the equation, both for the children for sex, as hard as that is to believe, plus the organ harvesting. | ||
| And so this is the start of a movement, and this is what we need, and this film will galvanize that much as the pastor of Christ galvanized so many evangelicals and traditional Catholics. | ||
| I do want to say, there's not the organ harvesting part is not in the film. | ||
| That's further research. And things that you're working on, et cetera. | ||
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No, this is an action adventure. | |
| This is taken. It's not a documentary. | ||
| It has pulled all of the truths from his life into this piece of work. | ||
| I mean, he's been on multiple, multiple missions. | ||
| And why was he canceled? | ||
| Why did DHS say, come on, why'd they say stop? | ||
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You'd have to ask Tim on that. | |
| You'd have to ask Tim. Do you believe that that's part of the senior government apparatus, just does not want to touch this? | ||
| They profit off it? | ||
| They don't mind if it happens? | ||
| I mean, why would DHS, when they're in charge, and like you said, there's five drug agents to every one human trafficking agent, this trafficking is a massive problem. | ||
| People know it's a problem. | ||
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That's my opinion. It's my opinion. | |
| I don't know what Tim's opinion, but it's definitely my opinion that this is something they don't want to solve. | ||
| And so it's going to take the public to put the light on it. | ||
| You think that's why they suppressed this film for three years after it was finished? | ||
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Absolutely. I believe that, look, we'll have people in there. | |
| And this is right after The Passion of Christ. | ||
| You might have 14 people in a room. | ||
| And they all want you, but two have big enough voices where they can shut down those 12. | ||
| And so, you know, right now, I don't think it was smart for Bud Light to, you know, somebody woke up in the morning and said, hey, let's put transgender on our beer can, okay? | ||
| And then Target's looking, going, wow, look at all the billions they're losing. | ||
| We've got to do this, too. | ||
| Obviously, something's going on, right? | ||
| What about the Dodgers, your beloved Dodgers, with the nuns of perpetual indulgence? | ||
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Yeah, see, so... You have, in this particular case, you have a crucifix, our beloved Jesus Christ on a cross and using him for a strip-pull. | |
| I mean, the Sisters of Perpetual Indulgence, what monastery are they from? | ||
| Are they nuns? But who wants to answer these questions? | ||
| Ask them. Perpetual Indulgence means... | ||
| Grace. What kind of grace are you giving to Catholics when you insult them? | ||
| Or to Christians. All Christians are offended. | ||
| Tremendously. And you do it under the, well, see, it's not the L, it's not the B-T, it's T, right, trans? | ||
| Yeah, it's that one. | ||
| It's like brown shirts with a red armband with a black spider on it, but you can't talk about that. | ||
| That's crap! Talk to me about we can't get to the bottom of why in this town they're having these huge fights over the supplemental for Ukraine. | ||
| Walk me through how the Ukraine fits into the overall global distribution of this perversion. | ||
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Okay, so I look at it. | |
| I go from the cross-examination, and I'm watching, as an actor, I watch behavior. | ||
| And I'm looking at Senator Cruz's questioning. | ||
| Interesting why he brought that up in the first place when he brought in the... | ||
| Cruz or Rubio? | ||
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Rubio. Sorry, it was Rubio. | |
| No, no, you're right. | ||
| The architect of the Revolution, of the Orange Revolution, of this war. | ||
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But he's asking her a question about just biolabs. | |
| I saw her reaction, like, why are you asking me this question? | ||
| But she had to give an answer, and she did. | ||
| So I... I wrote that down, looked all that stuff up, and then I started going back to my agents that I've spoken to, and they said to me, well, let's look into what this can mean if that's a biological weapon used, and if you can go through DNA... Hang on, I just want to get to terminology. | ||
| This is not agents you use in Hollywood to book your films. | ||
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No. These are agents... | |
| You're talking, agent, these are professionals in the field in this area. | ||
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That's correct. And I spoke to them about looking at why is Putin going into Ukraine? | |
| And then, for example, we started looking at the biological... | ||
| I'm going to go to a James Bond film. | ||
| Can you take, you know, somebody's DNA, half of him is from Switzerland, half of him is from Ireland, and you use that particular code, you could release that gas in a particular area, and kill. | ||
| Just the person that you want to take, if you have their DNA, that you could actually kill them. | ||
| But now, say they're all Bolsheviks, say they're all Russians. | ||
| Ukrainians have Russian bloodline and everything, and then I started looking up that, Then I started looking up this Azov Battalion stuff, the Nazis. | ||
| And then we just find out... | ||
| They're worth financing. But we were told for two years that there's no Nazis there, but now there are. | ||
| Again, this is another conspiracy theory. | ||
| See, it keeps changing. | ||
| Either this or that. | ||
| And this is where it's a joke. | ||
| And Americans are seeing this. | ||
| We're talking about this all the time. | ||
| But I was given... | ||
| Good data on this. | ||
| And now I realize, well, wait a minute. | ||
| Maybe Putin was defending himself. | ||
| Who is NATO? Who is the UN? And who are the central banks? | ||
| Who is the IMF, the ECB, the Private Western Central Banks, the Biz, the Rothschild banks? | ||
| And then you start going, wow, this is fascinating. | ||
| Is this why you're premiering the film here in Washington and you're meeting with people? | ||
| Are you pushing in this to get answers? | ||
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Do you want investigation? It's a giant octopus. | |
| What do you want? The octopus head, and I think the octopus head has a lot to do with the children and what that all is. | ||
| And then when you start looking at bloodlines and all of this other stuff, and you look at trafficking, and it's like going to Vegas, and somebody's just won a thousand hands in a row in Vegas. | ||
| Is it possible they're cheating? | ||
| What are the odds of this happening? | ||
| How many coincidences have to occur before the public realizes that that's mathematically impossible? | ||
| But they continue to change every day. | ||
| And here's the thing, when something comes out and it's truthful in the media, like Let's go back to Ms. | ||
| Rodas. She comes out and says 85,000 children are missing. | ||
| That's damn near a Rose Bowl stadium. | ||
| And I think it's a lot more than that after I talked to Tim and many of them. | ||
| They're saying, Jim, these are small numbers. | ||
| Okay, fine. But that's not newsworthy the next day? | ||
| You don't want to pick that up? | ||
| And then I started noticing. | ||
| You think that's a tell? It's a huge tell. | ||
| It's over and over. Every time something trafficking comes out. | ||
| Next day, nothing. | ||
| Nobody wants to talk about this story. | ||
| Nothing. But I went through this on The Passion of the Christ. | ||
| I was told every day that this is an anti-Semitic film. | ||
| There's science, you know, that Jesus was a Jew. | ||
| Okay? I don't know why we're arguing over this. | ||
| I've been told that. Okay. Well, anyway, so, but I got used to it, but then you'd be in some place like Japan and they're saying this, and I'm thinking, wait, wait a second. | ||
| What does this have to do with the tea in China? | ||
| You guys are a Buddhist country. | ||
| Why would you be asking me this question? | ||
| You see? So it starts, as you start going through this, you realize, hey, what is the connection here? | ||
| And so the Tim Ballard thing came up... | ||
| Where did the anti-Semitic part come up against the Passion? | ||
| Because when I look at the film, it's the Romans that torturing him, the Romans that crucify him, it's state power of the devil. | ||
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Okay, so you have to understand... | |
| Jesus is a Jew. All the apostles are Jewish. | ||
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Well, there's a line there where Pilate says to him, do you not know I have the power to crucify you? | |
| And Jesus says, I believe it's, Nulla potestas estibeneis, elei desertereteta, elei eti tuqueme, etibetra de darunt baius peccatum habent. | ||
| No power would you have over to me if it had been given to you from above. | ||
| They therefore who have handed me over have committed the greater sin. | ||
| Well, who's they? | ||
| His brothers and sisters. | ||
| But then Jesus said... Well, the Sanhedrin. | ||
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Well, okay, but his own, those that stayed quiet. | |
| So then what does this mean now? | ||
| If the Bible is alive, I got to play Jesus. | ||
| Oh, you're saying the disciples and apostles that didn't come forward when he was coming in here? | ||
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Absolutely. They were all complicit in some way, except John who was there and watched him die. | |
| And so we're all a part of this sin, okay? | ||
| That's why the Bible is timeless. | ||
| But the other part of it was his blood be on ourselves and our children. | ||
| Okay, this is... But His blood, it was not a blood curse. | ||
| It was a blood blessing because that blood opened us up to Christ. | ||
| It opened our eyes. | ||
| Jesus would say, those that have eyes to see, those that have ears to hear, let them hear. | ||
| That's the only line, though, that Mel... | ||
| It didn't take out. | ||
| It's still in there if you hear the crowd, but it's not in the subtitles. | ||
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Isaiah, okay, that was another anti-Semitic. | |
| He would be wounded for our iniquities and cleansed for our sins by stripes we are healed. | ||
| That's in Isaiah. That's one of their books. | ||
| That's our books. We shared it. | ||
| But again, that was another thing. | ||
| So when you were confronted in Japan or anywhere else that it was anti-Semitic, what would your response be? | ||
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Okay, send me the facts. | |
| Where's your peer-reviewed studies on that? | ||
| And that's your same thing you're saying here. | ||
| That's all I'm saying. Okay, the film, go to angel.com slash war room. | ||
| July 4th. Here's the task and purpose before us. | ||
| Caviso and his team are here in D.C. because they want to rattle some cages. | ||
| They want investigations, they want hearings, they want public hearings, they want all of it. | ||
| To get this movement, get some muzzle velocity, we have to sell two million tickets opening weekend. | ||
| You've got some pretty big competition. | ||
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Yeah. Oh, and then Tom Cruise's movie. | |
| And so we're, yeah, we're... | ||
| Typical Caviezel. He wouldn't take on a big... | ||
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Oh, Jesus. He wouldn't go against an open weekend. | |
| And you're already in 2,000, 2,500 theaters? | ||
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Yeah, but we need more theaters. | |
| We're running out of room. We're coming up against a wall. | ||
| One of the two biggest films of the world. | ||
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Oh, this is the most important film. | |
| This is why movies were supposed to be made. | ||
| This is why I wanted to become an actor. | ||
| I wanted to do things to bring the light on evil. | ||
| And this is a perfect good versus evil film. | ||
| You know, they'll say... | ||
| Listen, the media is very powerful. | ||
| They can say in a heartbeat, go see Taken, action adventure, okay? | ||
| We're a Taken type of film, but now it's a sex trafficking film. | ||
| It's a better quality. And you don't want to see this, and you don't want to see this, right? | ||
| It's not sex trafficking. It's sex trafficking of minors. | ||
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It's even worse. This is about a heroic dude that goes out there and he's willing to throw his life. | |
| Tim Ballard is a freaking saint hero, man. | ||
| But it cost me everything to do this. | ||
| My wife, she was so worried because she got just done watching this huge thing, a documentary on what was going down in Central America. | ||
| And so Tim goes, hey, Jim's got 30 Navy SEALs around him. | ||
| While we were down there filming, What I end up finding out is the gal that's in this movie, the beauty queen contestant, oh, she's real. | ||
| And she was out. | ||
| And Tim goes, are you kidding me? | ||
| She's out. And while this is going on, because he's saying if this film comes out and she's out of prison and the Colombian people find out... | ||
| She'll put a hit on you guys? These evil people won't be able to walk down the street ever again. | ||
| But while we were doing this, I had a really great team around me, but all of a sudden they disappeared. | ||
| They saved 200 children in the middle of this whole thing. | ||
| We were literally working. | ||
| Tim's team was working. While you were making the film down there, those guys go out and they saved these kids. | ||
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They saved 200 children while we were down there. | |
| This is the power of this movie, okay? | ||
| Go to angel.com slash war room. | ||
| Get your tickets. You've got to take your friends on 4th of July on that opening weekend. | ||
| We need to be in 4,000 theaters. | ||
| The way we do that is sell tickets. | ||
| So we're going to have Ed Water on tomorrow. | ||
| Here, about all the other issues you've got about andronochrome and about harvesting and all this apparatus you say, the alphabet agencies are here, are involved somehow. | ||
| You're meeting with people. You want hearings. | ||
| You want investigations. You want whistleblowers. | ||
| You want everybody to start coming forward. | ||
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I want media to do what Laura Logan's doing. | |
| That woman is a hero. | ||
| She puts herself right into hell. | ||
| And she goes out and... | ||
| No, she doesn't just say, hey... | ||
| Oh, they told you just read these today. | ||
| Okay. Mr. | ||
| Kabuzel, you've been fact-checked. | ||
| Oh, really? Well, do your fact-checkers? | ||
| Well, let me ask you since I can't act anymore in Hollywood. | ||
| Can I get a degree in fact-checking? | ||
| Is that like at Stanford? Where do you get a doctorate degree in that? | ||
| Masters? But seriously, they need to cross-examine because they were really quiet when Ms. | ||
| Rodas gave her testimony and then the fact-checkers went quiet. | ||
| I thought that was unusual, because the fact-checkers, we need to listen to them. | ||
| But what's interesting is most of these people won't come down to the border. | ||
| They won't go into those areas of hell. | ||
| And they won't look at this stuff that's so wicked. | ||
| Would you say now, if we could organize, get all the media, and by the way, Larry Logan's going to be on the show later in the week, if we get all these, if we put an open... | ||
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I would love these guys to come. | |
| And you would take them down, and you would show them what's going on there. | ||
|
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Well, I would love them to meet a lot of these agents, and that can be provided for them, but they have to go into hell to see it. | |
| And then going into the dark web to get... | ||
| Can we help to arrange that? I think that would be amazing. | ||
| I think there's... Jason Jones would be a great guy to go to. | ||
| And then all the... | ||
| Oh, that would be awesome. | ||
| And then it would be amazing because then you could, like, actually film them, see it, and listen to this. | ||
| And if they go down... Show them the worst of the worst stuff, guys. | ||
| It's all phony. Then they can sit there and go, hey, this is all... | ||
|
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Yeah, maybe it's green-screened. | |
| Maybe it's AI. Maybe it's artificial intelligence. | ||
| Help us get Jason Jones and team put together. | ||
|
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I would love that. I'll reach out to Lara Logan, too. | |
| That would be amazing. You like that? | ||
| You know, Lara, I love that. | ||
| You know, she was at a dinner one time with me, and she said a really nice thing to me. | ||
| And then she said, well, here's what Jim's talking about. | ||
| And she flipped it around, and everybody at the table started screaming. | ||
| And I said, well, that's rated G. So, um, you've got a lot to do this week around, but Edward on tomorrow. | ||
| Yeah. Um, to congressmen, senators, and people in the government, what is your, we got a couple of minutes here. | ||
| Tell us, look in the camera and tell them what you want them to do while you're here and to do with this film. | ||
|
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Well, I saw a movie that Jimmy Stewart did. | |
| One was It's a Wonderful Life, and the other one was Mr. | ||
| Smith Goes to Washington. And, um, I don't know how you can do what you can do and know the greatest evil of mankind is going on right now and you're just this. | ||
| You know, this is because they're killing everybody who's a... | ||
| every child is a Jew, Muslim, Catholic, Christian, Evangelical, anybody of any color, skin color, probably black, they want the most. | ||
| You know, all our children are in trouble. | ||
| And this is just, it's got to stop. | ||
| You have the power to do it. | ||
| But, you know, if you do that and put your thing in the air like that and where the wind's coming from, it's probably not going to move you. | ||
| So it's really got to come from the people. | ||
| The people have got to do it. | ||
| The people are the ones that got to say enough. | ||
| And that's what will drive this whole thing. | ||
| It's the people. Okay. | ||
| Jordan Harmon, the producer of the film and the distributor of the film, is going to join us in a moment. | ||
| We're going to take a short break. | ||
| We're going to be back with Jordan. I want to thank you for doing this. | ||
| Thank you. We're going to have you on many more times. | ||
| This movie is a mission now. | ||
| This movie is a cause. | ||
| This movie is a movement. Jim Caviezel, once again, you're doing the Lord's work, as you've done many times in your life. | ||
|
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Hey, guys, pray for us in the resurrection of the Christ as well. | |
| Thank you. Plus five support agents for a month in country, the penthouse in Bogota, the mansion in Cartagena, on and on. | ||
| And yet, somehow, somehow you have failed to bring me one real-world lead. | ||
| Or one American child, or one American trafficker. | ||
| For one reason DC would let you within a million miles of this day, but... | ||
| Clammer shots of Miss Cartagena don't count! | ||
| She has the girl. | ||
| And I say the girl's in Russia. | ||
| Prove me wrong! It's over, Tim. | ||
| close up, get on the plane, and come back home. | ||
| Jordan Harmon, you're the president of the studio that's distributing this. | ||
| Tell us about Angel. | ||
| Tell us about this film. How do people get to it? | ||
| Because we've got to sell two million tickets that opening weekend. | ||
|
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Yeah, I mean, so, I mean, we're grateful for your help. | |
| Obviously, angel.com slash war room. | ||
| We've got to get two million tickets. | ||
| And the reason we're doing this is because we're not really going up against, like, the theaters want to support us. | ||
| They want to support films like this. | ||
| We've met with all the exhibitors. | ||
| Those are the theater chains. And they're super excited about what this is. | ||
| But they need the courage to be able to give us the screens that they would maybe normally give to Indiana Jones or Mission Impossible. | ||
| What's the biggest weekend of the year? | ||
|
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It is the biggest weekend of the year. | |
| Honestly, when we decided... | ||
| Everybody in the industry is like, you guys are nuts. | ||
| Why are you going for the July 4th? | ||
| And it felt like we felt very strongly that it had to come out this week. | ||
| And so, you know, we've just passed well over, I think we're well over 2,000 screen theaters now. | ||
| And our goal is between 3,000 and 4,000 screens. | ||
| 4,000 is a big release. It's a huge release. | ||
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That puts you on the footing. Matter of fact, a wide release is considered. | |
| Anything over 1,800 to 3,000 is really wide. | ||
| This puts you on the level of the Tom Cruise movie in Raiders. | ||
| And that's what you want to be. Exactly. | ||
| And to do that, we have to show our muscle. | ||
|
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That's right. And it needs to be sold in advance. | |
| And so Angel's mission... | ||
| Is to tell stories that amplify light. | ||
| And we define that as whatever is lovely, true, honest, noble, authentic, excellent, right? | ||
| And that's Sound of Freedom. Sound of Freedom is one of those films where you watch it and you have this experience where at the end of it you're feeling this burning desire to say, how can I help? | ||
| How can I solve this problem? | ||
| And maybe it's as simple as paying it forward for someone else to go watch the movie for free that couldn't afford it. | ||
| But there's going to be people, if we get millions and millions of people into theaters over the next months, there are going to be people who have influence and the ability to move the needle. | ||
| But to keep it in theaters, we need muscle loss. | ||
|
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That opening weekend has to be powerful. | |
| Angel.com slash war room. | ||
| Not just get a ticket for yourself, get a ticket for your friends. | ||
| You ought to go in a group and see this and become a force multiplier. | ||
|
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I think one thing that's really important to talk about with Angel's process is, so obviously we started with The Chosen, Dry Bar Comedy, you know, those have passed well over 100 million viewers. | |
| But because we are very focused on what the viewer wants to experience, we have what's called the Angel Guild. | ||
| And the Angel Guild is basically 100,000 people Who are investors in The Chosen and Drybar and Tunnel Twins and Freelancers, any one of our TV shows, and now The Sound of Freedom, they are the decision makers. | ||
| We screened this to the Guild, the film, and they said, this amplifies light and this needs to get out to the world. | ||
| And so just know that there are thousands of people who have screened this, and although it's difficult, it's the right thing. | ||
| Angel.com slash War Room. | ||
| Tomorrow, for an hour, we have Eduardo in studio. | ||
| We then got Tim Ballard at the end of the week. | ||
| Lara Logan's going to be on. She loves the film, too. | ||
| So it's an entire week, and we're going to sell two million tickets. | ||
| Angel.com slash War Room. | ||
| Thank you, Steve. You're doing God's work. | ||
| Appreciate you. Great slate of The Chosen. | ||
|
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I mean, this is blood. We're so grateful for it. | |
| We'll be back here at 10 o'clock tomorrow morning. | ||
| Ed Warder is going to be in studio with us for the entire hour to go through the big screenings tonight. | ||
| We've got to head over there, Matt Schlapp and the team at CPAC, and Matt Schlapp's announcing a new center on child sex trafficking. | ||
| So we'll talk more about that, maybe get Matt on tomorrow morning. | ||
| Tomorrow morning at 10 o'clock, see you back in the water. |
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