June 18, 2022 - Bannon's War Room
29:50
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| Speaker | Time | Text |
|---|---|---|
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unidentified
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Well the virus has now killed more than a hundred people in China and new cases have been confirmed around the world. | |
| You don't want to frighten the American public. | ||
| France and South Korea have also got evacuation plans. | ||
| But you need to prepare for and assume. | ||
| Broadly warning Americans to avoid all non-essential travel to China. | ||
| This is going to be a real serious problem. | ||
| France, Australia, Canada, the US, Singapore, Cambodia, Vietnam, the list goes on. | ||
| Health officials are investigating more than 100 possible cases in the US. | ||
| Germany, a man has contracted the virus. | ||
| The epidemic is a demon and we cannot let this demon hide. | ||
| Japan, where a bus driver contracted the virus. | ||
| Coronavirus has killed more than 100 people there and infected more than 4,500. | ||
| We have to prepare for the worst, always. | ||
| Because if you don't, and the worst happens... War Room. | ||
|
unidentified
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Pandemic. | |
| Here's your host, Stephen K. Bannon. | ||
| Wow, welcome back. | ||
| It's Saturday, 18 June, Year of Our Lord 2022. | ||
| Really an amazing film right there, between peace and war. | ||
| Claire Dooley, you're the filmmaker. | ||
| Tell me, what did I just see? | ||
|
unidentified
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Well, you know, so after I left the convoy, I went home and I was sitting there thinking, okay, I have thousands of hours, you know, of footage, 30 days of footage. | |
| And I feel absolutely crushed. | ||
| I don't know what we accomplished. | ||
| What was this? | ||
| What did I just experience? | ||
| And so my entire, I guess, muse for the project was to show the viewer exactly what I went through. | ||
| What it was like to be there from day one, all the way up until I left D.C. | ||
| And so really it's the heart and soul of this trucker convoy. | ||
| And the emotional rollercoaster that they went on alongside all their fellow American people and the intimate moments of it that I think a lot of people kind of missed in the chaos of what the convoy was. | ||
| I think what's, to me, one of the most amazing things is your youth versus many of the people in the convoy and people on the overpasses and things you saw. | ||
| You're from not just a different generation, you're from like this youngest rising generation. | ||
| Did you ever, I mean did it feel, not odd, but it feel like you were seeing something your folks your own age would never experience? | ||
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unidentified
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Absolutely. | |
| You know, there was one other person there who was a few years younger than me, and that was it. | ||
| So I was sitting there, and all my friends on Instagram were like, where are you right now? | ||
| You know, there's fireworks and trucks and dogs and crowds and, you know, massive American flags. | ||
| And, you know, most of them are sitting... This is not mega. | ||
| This is ultra-mega. | ||
| This is ultra-mega. | ||
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unidentified
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It's crazy. | |
| I mean, you've just never seen anything like it. | ||
| I've never seen so many American flags in one place in my whole entire life. | ||
| And so, you know, I think for me it was incredible to see this. | ||
| Huge show of just, like, patriotic support. | ||
| I mean, every single time we'd finish a rally, they'd sing together, you know, they'd pull out this huge flag, and everyone would just, you know, there were certain times everyone would hold hands and pray. | ||
| Like, this unity I'd never seen before. | ||
| Especially leaving the lockdowns, you know. | ||
| After the lockdowns, or during the lockdowns, everyone felt so isolated and alone. | ||
| You were deprived of physical touch, you know, literally just looking at someone's face. | ||
| And then you go from that to everyone being in this crowded warehouse, listening to speakers, praying together, singing together. | ||
| So it's something that I think a lot of people my age have not experienced. | ||
| And I'm thankful for that. | ||
| Is this from an old republic? | ||
| Is this an old America? | ||
| That doesn't really exist? | ||
| Or is it that real America that's out there that the mainstream media in Hollywood just skip over unless they want to talk about all these bad people that are domestic terrorists today? | ||
| Or is that the real America that's out there? | ||
| Is that from what I call the old republic of the old America that's still a remnant of times past? | ||
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unidentified
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You know, that's a great question, because I think I was debating that as I was going across the country, right? | |
| I was like, okay, is this real? | ||
| Or is this this kind of fringe group, you know? | ||
| I mean, is this something that is a powerful movement? | ||
| Is this the beating heart of America? | ||
| Or is this something that is just, you know, these ghosts of the past, these last remnants that we have? | ||
| And what I hope and what I believe after seeing it is that, you know, and that's something I touch on that we just saw in the film, you know, that we're not alone, that traveling through the country you see thousands of thousands of people, some would say millions of people, and that is not a minority. | ||
| And so I totally believe that something like this is what we've all been wanting to experience, but everyone's been under this pressure. | ||
| Well, that gets to the point of the generational divide. | ||
| Does your generation raise in very different circumstances? | ||
| Understand that that's kind of the core of what we call the old America, the real America, this intense patriotism and particularly people that are, I'm not saying they're not well off, but are not the upper crust. | ||
| This is not the Hamptons. | ||
| This is not the Upper East Side of New York. | ||
| This is not Bel Air or Beverly Hills. | ||
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unidentified
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Yeah, you know, I think that's definitely lost on a lot of at least the urbanized people in my generation. | |
| So for me, I'm from a small town in Mississippi. | ||
| I was homeschooled until I was 12. | ||
| I didn't have a TV until I was like, you know, 9. | ||
| So for me, I kind of grew up In a generation that was a bit different, even though I'm the same age as a lot of people that are very different than I am. | ||
| So for me, I've seen things like that. | ||
| Is that what gave you the level of comfort? | ||
| You said that, hey, because that harkened back to your youth? | ||
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unidentified
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Yeah, it reminded me of home, I think, you know? | |
| Sitting around a fire, there's fires everywhere every night, live music, people playing their guitars, people having genuine conversations and hugging one another and embracing one another and teasing one another. | ||
| You know, these real raw moments that you don't see, like when I go and hang out with people who are my age, you know, that I don't know very well, I might say an acquaintance, you know, everyone's looking at their phones. | ||
| They're not very warm, but then I'm around this whole entire group of people and there's just different warmth. | ||
| When you see commercials, though, on television trying to sell products, trying to sell cars, they are trying to get to that experience. | ||
| They're trying to get to the experience that they're out in the woods, they're back at things, they're sitting around a campfire, there's community and friendship. | ||
| So there's a deep yearning for this, although in the modern world, Particularly as we've gotten very digital, there's a remove from that. | ||
| Did you get that sense when you were making this or were you out there not even making it as you were putting it on film? | ||
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unidentified
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Yeah, I think that what happened during the lockdowns is people became more and more reliant on their technology and on their phones, and so they're living vicariously through other people's lives and the best picture of their lives, you know, and that goes into a whole, you know, can of worms about why people my age are so depressed and anxious when you're looking at everyone else having a good time. | |
| So I think that, you know, in this In a movement like this, the only time you saw people actually on their phones or using technology was to share with people who weren't there, to connect with people who weren't there. | ||
| And it wasn't to, you know, brag about something or make it look like some glamorous thing. | ||
| It was about giving other people hope through technology, which I think is a great thing about technology, you know? | ||
| So, I definitely saw the use of it in a positive way, but it can be used so negatively if you're using it as a way of isolating, but not bringing people together. | ||
| I want to talk about your process of work. | ||
| I always want to have writers on here, or filmmakers, or creative artists. | ||
| You started shooting, and you've got to remember, in making documentary films, I'm a documentary filmmaker, but I always have an editor. | ||
| I always have a director of photography. | ||
| I'm not a photographer. | ||
| I'm not an editor. | ||
| I work with a team. | ||
| But there are many documentarians that do it all. | ||
| They're their own shooters, and they particularly want to edit. | ||
| Documentary film was really founded on editing. | ||
| How much footage did you actually shoot? | ||
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unidentified
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Four terabytes worth? | |
| Four terabytes? | ||
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unidentified
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Yeah. | |
| You shot four terabytes worth of footage? | ||
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unidentified
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Yeah, yeah, and, you know, going through... How did you go through? | |
| I mean, just, how did you actually go through? | ||
| You started the... because the Convoy just finished, what, a couple of months ago? | ||
| Yeah, yeah, so... You went back, you must have been 24 hours a day in the editing room, because it's so... or did you... | ||
| Did you see this? | ||
| In other words, did the film come together in the editing room, or did you know as you were filming every day, I see the arc of this film? | ||
| Because the film has a real structure to it. | ||
|
unidentified
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I don't want to be cliche when I say this, but I came back home and I'm staring at four terabytes of footage and I'm sitting there thinking, what do I do with this? | |
| And I literally would just begin praying every single day, right? | ||
| So every morning before I go edit, I would pray and listen to worship music, and then I would go into the editing suite and just say, God, whatever you want me to make, just let me do it. | ||
| And so I just went through chronologically Through all the footage, you know, 12, 13 hour days and would just, you know, I think when I first ended the rough cut, it was like two hours long. | ||
| And so when I said it again, all right, let's go. | ||
| It was only two hours. | ||
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unidentified
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And I was really picky with everything. | |
| Holder, you took the 4 terabytes down in your first rough cut. | ||
| That's actually amazing. | ||
| Most rough cuts like that before, and you have to tell the guy, this is not a mini-series. | ||
| We're trying to make a feature. | ||
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unidentified
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Right. | |
| Yeah, you know, I... Because the final film's 90 minutes, essentially? | ||
| No, it's an hour and 10 minutes. | ||
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unidentified
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Hour and 10. | |
| Hour and 10 minutes, so 70 minutes. | ||
| Yeah. | ||
| So you basically then had to cut the film in half after you had the rough. | ||
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unidentified
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Well, you know, and that broke my heart, because there's so many people's stories I wanted to tell, and I couldn't. | |
| And so, I mentioned them in the credits, I put their names in there, and I tried to put B-roll of them in there, get their faces in there. | ||
| The hardest thing to do in a film, as a filmmaker, is what they call killing your babies. | ||
| You hate it. | ||
| You say, the film is not going to make it. | ||
| And you keep telling people, Nobody's seen the movie yet, only you've seen it. | ||
| It is hardest. | ||
| People tell me I'm a madman. | ||
| I mean, cutting five minutes out of a film is torturous. | ||
| You basically cut almost an hour out of the film after your rough cut. | ||
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unidentified
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Yeah, you know, it's really funny you say that. | |
| I literally had a moment where I sat down with myself and I was like, you have to kill the baby, Claire. | ||
| You have to do it! | ||
| And that was one of the first things I was taught by Brian Burrows, who edited Vaxxed and Vaxxed 2. | ||
| He was one of the people that was in the beginning of my career. | ||
| He's one of your mentors? | ||
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unidentified
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Yeah, really helped me learn a lot. | |
| Did he teach you how to edit? | ||
| I knew how to edit already, but he taught me a bunch of the ins and outs of it, some of the shortcuts and keyframing and stuff. | ||
| For our audience, this is a beautifully not just shot film, this is a beautifully edited film. | ||
| You would normally think that there was a separate crew of that, but also you had an editing team. | ||
| But take a look at that kind of footage. | ||
| What you do is you put the skeleton of the film together on paper, a paper cut, and then the editing team pulls up the best. | ||
| You did this, you did this, you would pray in the morning, you did it all yourself. | ||
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unidentified
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Yeah. | |
| And that's the thing, you know, this is my fourth film, so I've worked on... But this is your first feature length. | ||
| Right. | ||
| The difference between the 30 minutes, which are fabulous, and this is all the difference in the world. | ||
| Because this you could put in theaters. | ||
| I mean, this, if it got into L.A. | ||
| or New York for a week, you would have qualified for the Academy Award. | ||
| I'm not saying you'd be nominated, but this is the type of... this is at that level of quality. | ||
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unidentified
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Yeah, you know, and so I've worked on, I've edited feature-length films, but with stuff like that I'm working with other assistant editors. | |
| I was an assistant editor on other projects, right? | ||
| Animators, you have the sound design, you have all these different people, and I had to literally be a jack-of-all-trades for this. | ||
| So I was very thankful for my career up until this point because it allowed me to be able to edit something like this and create something like this all on my own. | ||
| As far as the actual footage goes, I did have one girl with me. | ||
| Her name was Ariana Victor. | ||
| And she's also an amazing filmmaker. | ||
| I think she came on the show a few times. | ||
| And she shot some of the interviews as well. | ||
| And her cinematography, her eye, she did a great job too. | ||
| Before we go to break, I want to ask you, you said you pray every morning. | ||
| Talk to me about the lived experience of your faith, and particularly on this caravan across the country. | ||
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unidentified
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So, about a week before I was asked to go on this trucker convoy by CHG TV, I just finished a court case with CHG, and it was just really tough. | |
| It was a vaccine-injured child, and things didn't go the way we thought they would. | ||
| And I remember just leaving thinking, God, why is this happening? | ||
| Why are so many people suffering in this way? | ||
| Why isn't the government listening to us? | ||
| What does this mean? | ||
| And just praying, and I was exhausted. | ||
| I'd been working for three weeks, 12-hour days, and then I left to go on this convoy two days later. | ||
| And so... No break. | ||
| No break. | ||
| Just go home, clean up, pack, and go. | ||
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unidentified
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Yeah. | |
| It was crazy. | ||
| I was like, I literally was just physically exhausted. | ||
| Like, it's that kind of cry you have when you're just tired. | ||
| And God immediately pulled out, you know, all these people on the overpasses, and He just drove home to me, like, you are not | ||
| alone and I need you to trust me and I'm doing something with this and and you just have to listen to me and just hold my hand and just like I know I felt like I was holding God's hand and my eyes were closed and I was just running and so that was an absolutely beautiful experience spiritually and I came close with a lot of people who have crazy Jesus stories and I also include that in the film what they've just seen that that God was absolutely present in this convoy | ||
| God, you saw the presence of God there. | ||
| You felt it. | ||
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unidentified
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Yeah, yeah. | |
| Okay, the filmmaker is Claire Dooley. | ||
| The film is Between Peace and War. | ||
| We're going to take a short commercial break. | ||
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unidentified
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We'll be back in the War Room in just a moment. | |
| Everything's just beginning for the games you want to play. | ||
| Bring it on and have a fight to the end, just watch and see. | ||
| It's all started, everything's begun, and you are over. | ||
| War Room. | ||
| Pandemic. | ||
| With Stephen K. Bannon. | ||
| The epidemic is a demon and we cannot let this demon hide. | ||
| War Room. | ||
| Pandemic. | ||
| Here's your host, Stephen K. Bannon. | ||
| Okay, we're going to get into the film in a second, but you have a very profound faith, right? | ||
| Do you read the Bible every day? | ||
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unidentified
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Every day, I try to read the Bible at least. | |
| You do? | ||
| Yeah. | ||
| And for a person in your generation, what does that do for you? | ||
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unidentified
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You know, the way I view it is, the literal creator of the universe, the man, the being that made everything around us, gave us a guidebook to life. | |
| And reading his word and praying, It changed everything for me. | ||
| Absolutely everything. | ||
| What do you mean everything? | ||
| Because it's such a hedonistic age and it's particularly for young people coming up. | ||
| It's all about looks, it's all about the clothes you have, it's all about the material goods. | ||
| You see all the demonology being forced on these kids today in the schools. | ||
| So how does that affect somebody your age? | ||
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unidentified
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All of us go through grief, so you have either godly grief or worldly grief. | |
| And so, the thing is, God takes your grief, if it's godly grief, and transforms it and redeems it, and makes something beautiful out of it. | ||
| Whereas, worldly grief just brings you further and further into a dark, you know, horrible place. | ||
| And so, for me, in my life, I saw all these different things going on in the world that were out of my control, and different personal things that were going on. | ||
| And having that faith, God just took every thread of pain and turned it on its head, you know, and made Satan look like a fool, you know, and brought me down the path that I'm on now. | ||
| And so, you know, having a faith like that is something you can't help but share whenever you have that gratitude, because, you know, I absolutely would not be the person I am today. | ||
| I wouldn't be where I am right now if it weren't for God. | ||
| When people see this film and now that it's going to get a more broadly talked about because you know all the media and the Chinese intelligence agents and everybody watches the show, they're going to say, oh, this is this whole convoy. | ||
| It's part of Bannon and all these guys working, these Christian nationalists, right? | ||
| This is all part of it, and now they've got a young filmmaker who's a hardcore Christian nationalist, and there's all these subliminal themes of Christian nationalism. | ||
| What they want is a, they want a theocracy, right? | ||
| They're not interested in having a nation that's multicultural, diverse, that's got to be, it's got to be, and they're going to put it in, and you can tell what he's doing. | ||
| They're going to put out the most attractive, nicest people, right, in front of this, but at the end it's a very hardcore message of Christian nationalism. | ||
| What would you say when you start getting attacked, as you will, from that angle of attack? | ||
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unidentified
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The America that I believe in is a place where nobody is labeled in that way. | |
| That if you're Muslim, or any other religion, that no one is judged for their beliefs. | ||
| And so, for me personally with Christianity, What I did was literally one day, I was atheist for years, and I picked up a Bible. | ||
| You were an atheist? | ||
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unidentified
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Yes. | |
| You were an atheist? | ||
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unidentified
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Yeah. | |
| For years? | ||
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unidentified
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Yeah. | |
| You? | ||
| Yeah. | ||
| Isn't that crazy? | ||
| So I picked up a Bible, and I just started reading it one day. | ||
| And it was absolutely shocking to me. | ||
| I didn't go to a church, you know. | ||
| No evangelist on the street changed my mind. | ||
| Nobody brainwashed me. | ||
| I was sitting there and I read this book and it changed my life as I've described before. | ||
| Your road to Damascus actually came from you with no intermediary, just reading the Holy Word of God. | ||
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unidentified
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Absolutely. | |
| And different people in my life that weren't pushing on me, but had this extraordinary love that you could not explain. | ||
| So, where I live in Austin, Texas now, I live with Polly Tommy, who is the producer of CHGTV, and her husband, John Tommy. | ||
| They have a center for adults with autism. | ||
| So they have a son with autism, they have an adopted son with autism, and they're creating a sustainable community for adults with autism to move into. | ||
| whenever their parents pass away. And so I moved there to work on a film with them and their hearts were just like shocking. I didn't even know what to think of it. And they were Jesus people. | ||
| And I was like, ah, you know, I think it made me mad at first. | ||
| Were you not a Christian at the time you went there? | ||
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unidentified
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No, no, I wasn't. | |
| You showed up and you were still, would you consider an atheist? | ||
| Or at least agnostic, right? | ||
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unidentified
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Yeah, and I was just like, well... You were not churchy? | |
| Not churchy. | ||
| I refused to go to a church. | ||
| I was like, I'm not going to step, you know, 50 mile radius of a church. | ||
| And they never asked me, they asked me to go, but I never went with them actually. | ||
| But what did it for me was looking at how loving they were, how giving they were. | ||
| and just warm and and They literally showed me the love of Christ And so when I moved to Miami to work on another film called 1986 the act I'm all by myself everything locked down and I am Miami is not Austin, Texas. Oh It is not Austin, Texas And especially, too, during the lockdowns. | ||
| You know, I moved, I don't speak Spanish, and I didn't have time to make any friends. | ||
| So I'm just sitting there, working 12-hour days on this film, and I have absolutely no one. | ||
| And I had an old copy of the Bible I had from when I was a kid and picked it up and started reading. | ||
| And it was that love of Christ in the back of my mind from Paulie and John that just made me think, well, like I was craving that love. | ||
| And when I went to that book, I found it, but in an endless way that I never expected. | ||
| On the convoy, it is diverse. | ||
| Did you feel anything when they say about Christian nationalism or anything? | ||
| Was there anything that was not open and giving of these people that you saw in any of the footage you shot? | ||
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unidentified
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No, not in the footage I shot, and not there. | |
| You know, I became friends with so many different people from all these different backgrounds, and there were people there who were atheists or agnostic. | ||
| And you had people that were different religions, and some people maybe just didn't identify as anything, didn't want to talk about it, and some people were very outspoken about their faith. | ||
| We had the president or the vice chief of the Navajo Nation come out and speak to us. | ||
| We stopped at the overpasses. | ||
| Ariana interviewed some Native American people and they had their drums and you know it was a completely different turnout than what we thought we would see. | ||
| And so there was a huge diversity when it came to the beliefs that people had, the color of their skin, their gender, their age, whatever it was. | ||
| We saw in the film, I was shocked. | ||
| And I presented that as what we've just seen. | ||
| Just how diverse it was. | ||
| I did not see that coming. | ||
| Tell me about Trucker G. There's so many great vignettes in here as a filmmaker. | ||
| Tell me about Trucker G. | ||
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unidentified
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So Trucker G and Miss G, can't forget her, are a lovely trucking couple. | |
| And so I met them on day two and Trucker G would call me and give me updates because I didn't know anyone and I'm trying to figure out, okay, what time is the convoy leaving? | ||
| When are they going through this place? | ||
| I was very confused. | ||
| I just kind of got thrown into the situation. | ||
| So I walked up to, you know, the most friendly looking trucker and I was like, Hey, you know, can you give me some pointers here? | ||
| So I got to be friends with Chucker G and by day seven we're in Indiana, Indianapolis, Monrovia. | ||
| So they have this open mic night which we saw in the film and he gets up there on stage and talks about how his little brother was found basically not breathing. | ||
| They rushed him to the hospital and the doctors basically say that he's brain dead. | ||
| And so, Trucker G is a live streamer. | ||
| He live streams all of his rides. | ||
| I guarantee you, he's probably live right now. | ||
| And he's been doing that for years, and that's just what he and his wife do that. | ||
| And so, on his live stream, he tells everyone, my little brother is in a coma, and he's brain dead, and I think I'm gonna leave, I don't know what I'm gonna do, and everyone just starts commenting, I'm praying, I'm praying for you, we're praying, and just loads of messages, and people, I mean, I heard about it and started praying, right? | ||
| An hour later, his little brother wakes up. | ||
| And I think 30 minutes later, he's like, you know, his little brother is responsive. | ||
| And then 30 minutes later, his little brother is awake, like asking for a cheeseburger. | ||
| And is completely, like, has come to. | ||
| Do you think that's the miracle of prayer? | ||
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unidentified
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Absolutely. | |
| No doubt in your mind? | ||
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unidentified
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No, no doubt in my mind. | |
| Because you, we saw it over and over again. | ||
| You believe that the spiritual world is actually a physical thing? | ||
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unidentified
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I don't believe it, I feel it. | |
| And that's another sense you have, right? | ||
| You can see something, you can hear something, you can feel. | ||
| When you were there, you could feel the spirit of God. | ||
| And that was what I think inspired me to make the film. | ||
| Because I left, and I'd never seen or felt anything like that. | ||
| And I wanted to show other people who weren't there what it was like, hopefully, that they would just consider that he exists. | ||
| Because just absolute magic happens when you open your heart to that. | ||
| When, before I go to your future projects, for young people that'll see this, that are on a, and you see this in these, because I say all these young boys are the same. | ||
| It's this nihilism, and this anger, and this lack of God, or lack of anything spiritual in their lives. | ||
| For young people out there, what would you recommend? | ||
| If they're on some sort of journey and haven't gotten any traction yet, On a spiritual journey, what would be your recommendations of how to get started or how to, you know, what happened to you? | ||
| What would be, and I realize you're not a sage, you're not some guru, but just what would be your advice to people that are out there, you know, the Clare Dulles of a couple years ago that could have heard that and maybe, maybe sooner turn things around? | ||
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unidentified
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If you're looking for a love that you've never ever felt and you're looking for it and all these different things and all these different people. What you really have to look for first off is a real Jesus person, right? So you have, I think you have a lot, we have an insane amount of fake, not fake Christians, I don't want to judge anyone else's faith, but people who just show up and they don't read the Bible and they don't talk to God and they just kind of are digesting information. | |
| And those aren't the people you need to seek out. | ||
| They're on their own journey. | ||
| But find someone who wakes up every day, and reads the Bible, and prays, and prays for you. | ||
| And the one thing I would say is, what is the worst that can happen? | ||
| You've used this phrase a couple times today, a real Jesus person. | ||
| What is Claire Dooley's definition of that? | ||
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unidentified
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A real Jesus person is somebody who is actively being sanctified by Christ, right? | |
| So every single day they're waking up and thinking, how can I love my neighbor as I love myself? | ||
| How can I love God more? | ||
| How can I serve the people around me? | ||
| How can God use me? | ||
| How can I show other people the love of Christ? | ||
| And that's on their heart constantly. | ||
| What they were trying to trick Jesus at the temple in the last stage, right? | ||
| God above all things and your neighbor as yourself. | ||
| Simple, extremely difficult, right? | ||
| You're a very talented filmmaker. | ||
| So talk to us about other projects you're working on. | ||
| Where is Claire Dooley, the filmmaker? | ||
| We want to get this convoy film out. | ||
| You've got another one out that's very disturbing about infertility. | ||
| But where do you go from here on your next projects? | ||
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unidentified
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Yeah, so I have an absolute love for Children's Health Defense TV. | |
| I've loved working with them. | ||
| They're doing amazing work. | ||
| So, you know, we've been in communication about different projects very often. | ||
| There's a few different other filmmakers in the Austin area that I've been connected with. | ||
| But what I look for is when God points and says, hey, that's what you need to do. | ||
| And I haven't gotten a clear message of what that is yet, so I'm not going to jump the gun on anything. | ||
| So I'm just going to wait out and see what's next. | ||
| In other words, you want your work to totally align. | ||
| You're not just a gun for hire. | ||
| I'll make this documentary. | ||
| It's got to be something that flows with where you're going as an individual, correct? | ||
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unidentified
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Right. | |
| You know, and I haven't been diagnosed with ADD or ADHD, but I definitely have something similar to that, right? | ||
| So I can't do work. | ||
| I find it impossible to work. | ||
| How can you do that? | ||
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unidentified
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You just took four terabytes of film and cut it down. | |
| The amount of focus that takes, I couldn't do it. | ||
| I mean, my editing team does it. | ||
| If I just sit in an editing room, it would drive me crazy. | ||
| And the people that do that are so maniacally focused. | ||
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unidentified
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So you can't have Well, that's it, right? | |
| I have to have an undying passion for what I'm working on. | ||
| And if I don't have that, I will waste time. | ||
| I won't be able to have a clear focus. | ||
| And so when it comes to the next project, what I'm looking for is something that just undeniably drives me with this passion that says I have to make this. | ||
| How do people get you on social media? | ||
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unidentified
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So my Instagram is c.duly. | |
| You can find me on YouTube, on Facebook, and I'm going to get on the other platforms soon here. | ||
| We'll make sure you're on the other platforms by this weekend. | ||
| Okay, it's been extraordinary. | ||
| The film's amazing. | ||
| We look forward to her other projects, of course, Children's Health Defense. | ||
| The whole Children's Health Defense team is fantastic. | ||
| They got the great book up by Robert F. Kennedy Jr. | ||
| Really want to thank everybody. | ||
| I think the War Room Posse needed this. | ||
| This is the type of thing we need to take it to the next level. | ||
| So, Clara, amazing film. | ||
| Thank you so much. | ||
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unidentified
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Thank you so much. | |
| In Peace and War, filmed by Clara Dooley. | ||
| Make sure you spread this out to all your friends. | ||
| We'll see you Monday morning at 10 a.m. |
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