June 30, 2021 - Bannon's War Room
48:40
Participants
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| Speaker | Time | Text |
|---|---|---|
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unidentified
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Well the virus has now killed more than a hundred people in China and new cases have been confirmed around the world. | |
| You don't want to frighten the American public. | ||
| France and South Korea have also got evacuation plans. | ||
| But you need to prepare for and assume. | ||
| Broadly warning Americans to avoid all non-essential travel to China. | ||
| This is going to be a real serious problem. | ||
| France, Australia, Canada, the US, Singapore, Cambodia, Vietnam, the list goes on. | ||
| Health officials are investigating more than 100 possible cases in the US. | ||
| Germany, a man has contracted the virus. | ||
| The epidemic is a demon and we cannot let this demon hide. | ||
| Japan, where a bus driver contracted the virus. | ||
| Coronavirus has killed more than 100 people there and infected more than 4,500. | ||
| We have to prepare for the worst, always. | ||
| Because if you don't, and the worst happens... War Room. | ||
|
unidentified
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Pandemic. | |
| Here's your host, Stephen K. Bannon. | ||
| I'm sorry. | ||
| I've got to... | ||
|
unidentified
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Listen. | |
| Unless there's a rally in the next 90 minutes, the Dow's going to close down about... | ||
| Unless there's a rally in the next 90 minutes, the Dow's going to close down about S&P and Nasdaq will close down 2.3%. | ||
| Let me tell you why. | ||
| I don't own a lot of stock. | ||
| Let me tell you why. | ||
| Stop avoiding this! | ||
| I just got off the phone with these guys. | ||
| Listen to these quotes. | ||
| These aren't from liberals. | ||
| These are hardcore Wall Street guys who, whatever the world may think of them, know what they're talking about, and so do I. Jamie Dimon at Chase says, voting against raising the debt ceiling would be a moral disaster. | ||
| The Barclays guys say, this debate is detached from reality. | ||
| My Goldman source says, if the House Republicans continue this debate, I hope they're willing to mark the end of the dollar as a global reserve currency. | ||
| Please notice that he didn't say, if the House Republicans don't raise the debt ceiling. | ||
| He said, if the House Republicans continue this debate. | ||
| That's all it takes. | ||
| Just the uncertainty. | ||
| That's why the Dow is going to close down 230 points today. | ||
| Because just the debate, just the doubt, just the possibility that the House majority might commit the most self-inflicted damage to the country since the secession of the South has caused billions in value to disappear. | ||
| Sloane, I understand. | ||
| I swear to God I do. | ||
| But you can't say the same thing in the Seabrook. | ||
| Don't pretend you don't know them. | ||
| Most people watch 10 minutes of news the first 10 minutes. | ||
| The vote isn't until tomorrow night, and it's only the first vote. | ||
| You said yourself it was cosmetic. | ||
| Why do we have to feature it tonight? | ||
| We should have been featuring it weeks ago. | ||
| We should have been leading with it every night. | ||
| Why do we have to feature it tonight? | ||
| To give time for the people to call their congressman and say, if you f*** with the full faith and credit of the U.S. | ||
| Treasury, you're fired. | ||
| To give time for the people to jam the phone lines of the district offices. | ||
| To give the people time to say, I'm a fiscal conservative and you gotta put the pin back in the grenade right now. | ||
| That's why. | ||
| I'm going to do everything I can. | ||
| Please do. | ||
| Why don't we start with the chaos in the Democratic primary. | ||
| Oh my God. | ||
| It's chaos in the Democratic primary. | ||
| How do these people ever complain about anybody else's voting problems? | ||
| I mean, New York City, and we've said this for years, it is It's it's horrific. | ||
| It's antiquated. | ||
| It's incestuous. | ||
| It's corrupt. | ||
| I mean it is just a disaster and here they go. | ||
| Oh, hey, we're going to try to spend 48 plates on our nose while jumping on a trampoline or some Layman may call it, like this ranked choice voting. | ||
| I mean, they can't even get single choice voting right. | ||
| And now they're trying this. | ||
| Once again, they're showing just how incompetent they are. | ||
| Okay, you're in the War Room, you're live. | ||
| It's the last day of the first half of the Year of Our Lord 2021. | ||
| It's 30 June. | ||
| We're about to kick off tomorrow into the 100th anniversary of the Chinese Communist Party and then leading into Independence Weekend. | ||
| We've got specials tomorrow, we've got specials Friday, specials Saturday. | ||
| We're rolling in, but a very special show today. | ||
| The audience last night loved Aaron Sorkin's newsroom clip so much we played it. | ||
| They loved it so much we played it again, just to treat you. | ||
| Now I wanted to do it because Amanda Milius, the great young filmmaker, conservative filmmaker, is in as our co-host today with Raheem Kassam. | ||
| We're going to be talking about debt ceiling and all of it, and also this chaos in New York. | ||
| You saw Rahim and Amanda. | ||
| They're lecturing the rest of the country, and here it's a complete debacle. | ||
| They're talking about President Trump's lighting them up, you know, every second right now. | ||
| They're actually talking about maybe we could do the whole thing over again. | ||
| Absolute disgrace, and this is why, guess what you need? | ||
| Full forensic audits throughout the nation. | ||
| You see total chaos in New York. | ||
| Absolute chaos, but it's not chaos in Arizona. | ||
| It's not gonna be chaos in Georgia once you get to the full forensic audit. | ||
| So Amanda Milley is the reason we have you in here tonight. | ||
| Today your co-host. | ||
| You were such a hit last time talking about the credit, but tonight we have a very special event we'll talk about later. | ||
| You have a special screening of your amazing film, The Plot Against the President. | ||
| Thank you. | ||
|
unidentified
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Right? | |
| It's gonna be incredible. | ||
| So first of all... It might be our last screening actually. | ||
| Our last in-person screening because you know it came out During the election, but this is the first time theaters have been open. | ||
| So we've kind of been doing big events on the tail end versus Are you going to put this in theaters? | ||
| I know it's a lot. | ||
| It was in theaters when it first released, but it was only able to be in small town America because of the COVID restrictions. | ||
| But are you going to try to get a real theatrical release on this thing? | ||
| I don't know if it's worth it because, I mean, like the top grossing movie, I mean, that's one of the top performing movies last year didn't even break even in the theaters. | ||
| I mean, you know how this works. | ||
| It's very expensive to put movies in the theaters. | ||
| So I think we're We've done so well on Amazon. | ||
| We're the number one streamed documentary of 2020. | ||
| So I'm gonna be happy with that. | ||
| Your material is still very relevant. | ||
| It's not that the film is more relevant today probably than even when Lee Smith started researching and writing the book. | ||
| I mean, people are talking about the NSA, you know, with the Tucker story, the three-jump rule, which we basically broke in that movie. | ||
| I mean, you know what that is, like, you know, smart people in D.C. | ||
| know about this, but most Americans don't know that, and we explained that in the movie for the first time. | ||
| Everybody's talking about it today. | ||
| You're so good. | ||
| No, no, Darren Beatty's going to come on. | ||
| Oh my gosh! | ||
| Since Fox News won't cover Tucker's NSA issue, The War Room's going to cover it. | ||
| We've got Tucker's back. | ||
| It's a breaking point. | ||
| It's a huge point. | ||
| Plus, we've got the whole Oath Keeper situation, Revolver News' lead story, we're going to get into all that. | ||
| We're going to have, because we had Amanda Milius here, See, this is the way we work at the War Room. | ||
| We set up to have Mark Eglinton, the writer of the autobiography, worked with the new book coming out on McAfee. | ||
| He's working on a new book, I think, called Kill Switch, which he wants to turn into a film. | ||
| I'm all over it. | ||
| I said, I'll invite the director. | ||
| Who's that? | ||
| I said, Amanda Millis. | ||
| He goes, boom, done. | ||
| That would be so awesome. | ||
| He's got a hit with Turkish TV for an hour. | ||
| He's carving out to actually be here at 10.30. | ||
| We're also going to go to Rahim in honor of you. | ||
| Michael Yan, the great combat correspondent, has gone from Central America to Greece to basically cover the migrant situation and to talk about the analogy between the invasion of the United States and the migrant crisis of 2015. | ||
| So we're going to go from Athens to Scotland to the power halls of Darren Beattie and the mind of Darren Beattie about the NSA. | ||
| Tucker, just remember, Fox is not covering it. | ||
| The War Room is covering it, because it's not Tucker being paranoid. | ||
| Clearly, the NSA is up to no good, as usual. | ||
| Okay, I want to bring in, we've got Dr. Peter Navarro. | ||
| I've got to talk about the debt ceiling. | ||
| This is signal, not noise. | ||
| Dr. Navarro, here's the point. | ||
| We're trying to get... The ape army is forcing themselves into the conversation. | ||
| They're forcing themselves to have a seat at the table, right? | ||
| By their relentless buy and hold strategy, which the entire... I think you're starting to see some short covering. | ||
| I'm not telling you to buy the stock, but I think you're seeing some aspects of short covering of these big hedge funds. | ||
| The way the deplorables, this audience, which has done, changed history with the Wuhan lab, they've changed history with the 3 November movement, you know, to get to the bottom of what happened on November 20th. | ||
| You heard Trump the other night in the thing saying, hey, don't talk about 2022 and 2024. | ||
| Talk about 3 November. | ||
| Get to the bottom of that. | ||
| Basically, what we say in the war room every day. | ||
| But, to really get the deplorables at the table, if you want to stop the Green New Deal, if you want to stop all the madness, if you want to stop all the spending, guess what, ladies and gentlemen? | ||
| We're back to the debt ceiling. | ||
| Now, Aaron Sorkin's a smart guy. | ||
| He wrote, was it, West Wing for years, had news, had... | ||
| No, but he knows what the issue was. | ||
| If you look at that first season of... Remember, Andrew Breitbart was part of the pilot that didn't get shown. | ||
| He and Chris Matthews got broomed at the last second. | ||
| If you look at what Sorkin focused on, he focused on the Tea Party. | ||
| I think it was 2011. | ||
| Because of the sweeping, stunning victory of the Tea Party in 2010, a big part of the storyline was the debt ceiling. | ||
| And what the debt ceiling made, because guess what? | ||
| The Tea Party finally got a seat at the table and forced everybody's hands on the debt ceiling. | ||
| Of course, they got lied to and there was misrepresentation and all that. | ||
| So, Peter Navarro. | ||
| By the way, Navarro, we've got to get you. | ||
| You're all over MSNBC this morning, brother. | ||
| I guess you threatened... What did I do? | ||
| Well, no, it's a new book out. | ||
| I think Bender's book. | ||
| We're going to pull the clip. | ||
| Literally, we walk in and it's your picture plastered wall to wall. | ||
| I guess Bender's book. | ||
| Michael Bender's book says that you threaten to put the 3M executives in jail and prison if they did make PPE in China and ship it to the United States. | ||
| I said, I don't know if the book's true, but man, that sounds like Navarro, right? | ||
| You're going to prison if you don't send the PPE over here. | ||
| We'll get back to that. | ||
| On the debt ceiling, how big a deal is this? | ||
| Do the grundoons, do the deplorables, do the people that Walshie never pays attention to, do we have a chance to have some leverage here? | ||
| Yeah, absolutely. | ||
| This is the key. | ||
| This is probably our last best hope. | ||
| Here's the problem. | ||
| We're spending beyond way too much, Steve. | ||
| We're heading off a cliff, and somehow the White House and Congress has this idea that since we've been spending so much money, it's okay to keep spending so much money, but that's going to destroy What the debt ceiling does is it gives the Republicans finally a bargainship because here's the scenario. | ||
| Budget reconciliation is a process up on Capitol Hill which allows spending bills to be done at 50% rather than 60% in the Senate. | ||
| And that means the Democrats have the power to do that. | ||
| And they don't have the power to do it once, they have the power to do it twice over the next year. | ||
| So, technically, unless Joe Manchin and The Senator in Arizona don't kind of hold back. | ||
| They have the power to spend us into oblivion, okay? | ||
| The debt ceiling, though, it's like, if we don't extend the debt ceiling, Janet Yellen, who is now at Treasury, she was the Federal Reserve Chair, I like my picture of the Federal Reserve by the way, that eagle's just for you. | ||
| That's not, hold it, dude, I thought that was the right, I thought, stop, I thought that was the right shot. | ||
| What's the German eagle? | ||
| I don't remember, I told him, dump the Wuhan lab for today, dump the beautiful vision of the Justice Department and Trump Hotel. | ||
| Dare I say, that's the Reichstag! | ||
| Heil Paul! | ||
| No, that's the Reichstag! | ||
| What's with the German eagle up top? | ||
| Listen, everybody in D.C. | ||
| knows that's called the Temple, right? | ||
| For a reason. | ||
| I think I heard something called the United States of the Federal Reserve. | ||
| I think I've heard that phrase bandied about by Admiral Bannon just once or twice. | ||
| But you have it exactly right! | ||
| I mean, the Fed has actually no power at this point to do anything good. | ||
| All it can do is do something bad, which would be to accommodate the crazy spending. | ||
| So it takes two to tango. | ||
| They've got to raise the debt ceiling, and Jay Powell's got to print money. | ||
| And my fear is that both of those things will happen. | ||
| If they will happen, and my article in the Washington Times today, please look at that, But hang on a second, but this is where the death ceiling, and we're going to get every member of the posse, even if you're not financially literate, we're going to get you financially literate, because here is the beating heart of this scam. | ||
| Read Navarro, we're going to get it up on the new website and we're going to get it into the live chat, Rahim, about the stagflation. | ||
| Here's what the scam is, and here's where the Federal Reserve comes in. | ||
| It's not like the spending is so out of control and not really into capital equipment that's going to include growth and bringing the supply chains back for high value added manufacturing jobs for working class people and middle class people. | ||
| What it is, it's so pathetic. | ||
| They can't sell the bonds. | ||
| The Chinese and the Japanese are saying, hey, we've got enough of this stuff. | ||
| We'll take a little bit more because we're chasing yield, but we can't do it, number one. | ||
| Number two, they can't raise taxes because people will revolt. | ||
| It's like Bush and these guys didn't actually sell war bonds or increase taxes for the wars. | ||
| Once you start doing that, people will hangover for a second. | ||
| If I'm going to pay for it, I really want to drill down. | ||
| All they're going to do is print the Federal Reserve. | ||
| It's going to print money. | ||
|
unidentified
|
Let me explain something real quick. | |
| 30 seconds before the break. | ||
| The way it works is if the Fed can't sell the bonds out in the open market, the Fed buys the bonds itself. | ||
| That's accommodating. | ||
| And as soon as it buys the bonds, that creates more reserves, that creates printing money. | ||
| So that's where we're headed. | ||
| Hold it, hold it. | ||
| That building behind me is a printing press. | ||
| No, the Temple. | ||
| That is where they print the money. | ||
|
unidentified
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Yes. | |
| But hang on, they talk about the pull the dollar at the full faith and credit of the American people is the full faith and credit of the poorables. | ||
| The Fed ain't buying the bonds. | ||
| The Fed's the intermediary in the treasury. | ||
| It's the American people. | ||
| It's the working class and middle class upon everything's on your shoulders. | ||
| Now they're going to put another 20 trillion dollars. | ||
| OK, because they're out of control. | ||
| You have the control. | ||
| The reason they're not talking about the debt ceiling, they don't want you to be aware that you have power. | ||
|
unidentified
|
Peter Navarro, back next in The War Room. | |
| The epidemic is a demon and we cannot let this demon hide. | ||
| Here's your host, Stephen K. Bannon. | ||
| Okay, the fight for freedom continues every day. | ||
| The armor-piercing shell that is Mike Lindell. | ||
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| So I want to bring back in Peter Navarro. | ||
| Peter Navarro was mesmerized by the opening. | ||
| Aaron Sorkin, of course, a total left-winger. | ||
| What a great writer. | ||
| So Peter... No, we had a debate in the... No, Peter, the actresses didn't think, did not... She's an actress. | ||
| That's a script. | ||
| No, no, no, no, no. | ||
| And by the way, she's the... In that whole show, she's the tragic figure. | ||
| Dr. Sabath... Sloane Sabath. | ||
| She got her start. | ||
| She's played by Olivia Munn. | ||
| She got her start. | ||
| Steve, she got her start on The Daily Show and used to write her own monologues that were friggin' brilliant on economics. | ||
| I'm telling you, she and Aaron got together over a cold one one night and wrote that. | ||
| She wrote that. | ||
| Be that as it may, what I've got for you, by the way... Hang on a second. | ||
| She's very important for the war room, and I realize people, their heads blow up yesterday because it's all left-wing stuff, but take the reverse. | ||
| It's the little guy, the social conservative that wants to fight the debt ceiling being increased, okay? | ||
| But here's the tragic figure in that entire series. | ||
| Was Dr. Sloan Sabbath because she's always trying to talk about signal, not noise. | ||
| She always walks in and says, we've got to put more economics. | ||
| We have to put more finance into the nightly news. | ||
| It's basically the Anderson Cooper show, right? | ||
| Then we got to put more news in there. | ||
| We got to put more things that are really important. | ||
| And she's always dismisses. | ||
| Nobody wants to follow it. | ||
| Nobody wants to watch it. | ||
| Everybody's economically illiterate. | ||
| And she makes the case. | ||
| That you've got to understand economics, you've got to understand basic finance, or you're always going to be at the whim. | ||
| And this is the power of the APE Army. | ||
| I mean, we're profiling members of the APE Army. | ||
| I get questions from the APE Army that literally the partners on the desk at Goldman Sachs would get and have to answer. | ||
| The technical questions they ask And I say, where are these people getting these questions from? | ||
| They're teaching themselves. | ||
| It's a collective effort. | ||
| There are no MBAs in that crowd. | ||
| It's all working class and middle class people, but they're teaching themselves because they understand something now of being involved in the stock market. | ||
| You're kept economically illiterate for a reason. | ||
| They don't want you to really understand how the system works. | ||
| This is what I'm saying. | ||
| I'm not a conspiracy theory guy. | ||
| I said, hey, it's just the way the system works. | ||
| But they never let you learn about the system. | ||
| So you think it's a conspiracy. | ||
| Once people understand it, and that's why this debt ceiling thing is so big. | ||
| It was so big back in 2011 when this city had a meltdown. | ||
| Wall Street had a meltdown. | ||
| The people that tried to stand up to not raise it were the worst people in the world. | ||
| So it's going to be very important. | ||
| We're going to be all over it. | ||
| But the tragic figure. | ||
| of the newsroom. | ||
| I don't know if Aaron Sorkin even meant to do this. | ||
| It was the woman who continued to push the signal, not the noise. | ||
| And it's good to know that Peter Navarro said that she wrote a lot of the diagram. | ||
| That's Olivia Munn, right? | ||
| Who I don't think is deplorable, but maybe we recruit her like we're trying to recruit other people. | ||
| Genius. | ||
| Good luck. | ||
| No, come on. | ||
| What are you, her agent? | ||
| Peter, what is it? | ||
| By the way, Olivia Munn's manager. | ||
| Hang on. | ||
| I'm going to give you some love here. | ||
| The thing that caught my ear yesterday on the show was when you talked about the rigged game, you know, the Ape Army versus the rigged game. | ||
| And you made a key point where when they issue these new IPOs and these new rounds of things, it's that last round that they give people like Pelosi and others access to where there's the big payout. | ||
| It's called the friends and family round. | ||
| Before the stock ever gets to the market. | ||
| I just have one question for Dr. Navarro. | ||
| stock. Yes it is the Friends and Family Round. I'll tell you what we have a clip we got we got so much we're gonna have Steve Moore in here but he's tied up this morning at a medical at a doctor's we're gonna have the great Steve Moore on later. I just have one question for Dr. Navarro. | ||
| Peter do you think Steve writes his own lines as well? | ||
| Actually, Amanda Milley is actually our writer. | ||
| See, we're bringing the writers now up to give them some face time. | ||
| Hold it. | ||
| We have now an amazing clip from this morning. | ||
| Right when we were walking into the War Room, they were breaking news. | ||
| Mike Bender, the great reporter for the Wall Street Journal, who actually interviewed President Trump for his book. | ||
| It's up. | ||
| Let's play this clip, and I want you to respond to it. | ||
| Dr. Peter Navarro. | ||
|
unidentified
|
Kushner and Navarro threatening the CEO of a Fortune 500 company with prison time? | |
| They don't even have the right to do that! | ||
| It was, I thought we could have written a book just about this one interaction. | ||
| I mean, it was amazing. | ||
| There was an extreme need in March 2020 for N95 masks. | ||
| And 3M is one of the biggest producers of these masks. | ||
| They produce them all over the world. | ||
| Navarro and Kushner and others in the White House wanted 3M to essentially turn over all the masks they make around the world to the United States. | ||
| And 3M tried to say, listen, we're doing everything we can to help Get more mass in the United States, but we have customers and clients all over the world who are also dealing with this pandemic. | ||
| We have to fulfill those orders and Navarro and Kushner and others would not take no for an answer. | ||
| And eventually it got to the president's desk. | ||
| The president was furious and signed a document that would have a one year prison penalty for the head of a company if they did not comply with White House directives on like mass production. | ||
| So Eventually, 3M relented, and they agreed to sell almost 150 million masks to the United States and the White House. | ||
| Hold it, hold it, let me, I gotta come in here. | ||
| By the way, Stephanie Ruhle, jumping all over you, former investment banker, she didn't have, you know, I know that she was very upset about putting CEOs in prison. | ||
| Didn't she have a problem like flying around on a jet with the Under Armour? | ||
| Oh, I'm not gonna go there. | ||
| I'm not gonna talk about her Under Armour issue, Stephanie Ruhle. | ||
| Was that true? | ||
| Did you threaten Dr. Peter Navarro, which I think is great? | ||
| Bender said he could have written a whole book on that incident. | ||
| Well, I did. | ||
| It'll be coming out soon, and there'll be news from the War Room on that. | ||
| But look, 3M versus Honeywell, both of them made N95 respirators. | ||
| Those are the gold standards. | ||
| And it was a tale of two companies, right? | ||
| Honeywell, just a beautiful organizational culture. | ||
| They did everything possible to get N95 masks to the American people and save lives. | ||
| Full stop. | ||
| And we put up two factories in Trump time. | ||
| It was amazing what we did. | ||
| One in Rhode Island, one in Arizona. | ||
| Honeywell bent over backwards, okay? | ||
| And then, boom! | ||
|
unidentified
|
3M. | |
| These people should be in jail for what they did. | ||
| Companies think that they're not American companies, that they're nation-states, they operate like the Vatican out there, running their own friggin' foreign policy, and they were nothing but double-dealing SOBs, and were their words exchanged, was there stuff going on? | ||
| I was the Defense Policy Act coordinator. | ||
| If this was World War II, I don't know what Stephanie Ruhle would object to about putting executives in prison, but I can tell you that we cracked down on 3M, And they danced to our tune, and American Lives got saved, and MSNBC, come on, have me on, and I'll defend everything that we did, Stephanie Ruhle. | ||
| You should not be talking nice about 3M. | ||
| Talking nice about Honeywell? | ||
| Not 3M. | ||
| Or Under Armour. | ||
| It's so catty, I don't want to be an ingrown. | ||
| Or Nike! | ||
| But hold it, 3M, this is just a recent development. | ||
| Remember, they're Minnesota Mining and Manufacturing. | ||
| They were a great American company, but another American company lost their way when they shipped their manufacturing over to China. | ||
| Right? | ||
| They were kowtowing to the CCP. | ||
| Remember, the thing was, oh, if we make it, we can't send it back to the United States. | ||
| The Chinese are going to demand we keep it there. | ||
| And Navarro says, hey, you're shipping it back. | ||
| Anything you make, it's coming back to the United States of America. | ||
| 3M's making masks in China, right? | ||
| And Shanghai, it was like the regional government, not even the federal government, basically commandeers their plant. | ||
| They don't object at all to it. | ||
| And meanwhile, they keep exporting masks from the United States. | ||
| I mean, it was insanity. | ||
| And all I can tell you is that my experience in the White House as a Defense Policy Act coordinator, it's like, That DPA was a tool that we could use as a hammer to keep folks in line. | ||
| And like 90% of the companies in America, they're patriots, okay? | ||
| But there's 10%, like 3M, that they just, I mean, they just, if we couldn't put them in jail, they belong there somehow. | ||
| I don't want to think down range, but let's think down range. | ||
| In the restoration of Trump, right? | ||
| In 2024, or maybe at some other time. | ||
| I think DPA may be a tool to use to go anti-wokeness, okay? | ||
| I don't want to hear from the Libertarians. | ||
| You could help create the monster. | ||
| Deregulation, all these tax cuts, these guys, they've turned on the American people. | ||
| They're anti-American. | ||
| They put this poison out every day. | ||
| It's absolutely obscene. | ||
| I don't mind using the DPA to start banging some heads, right? | ||
| So I think, Peter Navarro, you'd be the head-hand banger. | ||
| This pandemic's not over, okay? | ||
| We're going to have mutant strains. | ||
| This is going to go on forever. | ||
| You're going to be fighting this, right? | ||
| In the Defense Production Act, It's designed to bring production here so we don't have to worry about it. | ||
| Our therapeutics, our vaccines, our machines, our medical equipment, everything we need. | ||
| That's a tool. | ||
| We are still in an emergency as far as I'm concerned. | ||
| So yeah, it's something that we need to... Bottom line, Steve, is there needs to be a culture in this town that we need to bring our manufacturing, everything, back on shore. | ||
| If we're going to create the kind of jobs to employ the tens of millions Okay. | ||
| Deplorables who are out of work because the White House and Congress do not understand what's going on or they're in bed with the corporatists Okay, let me give you a signal not noise this the sell Michael Bender's book on the explosive nature of the of the of that Last year in the White House. He's using Peter Navarro's narratives Peter Navarro, I take it in your book, I want to tease this a little bit, I take it in your book, you're going to have the goods, you're going to have the receipts, it's going to be even more explosive, can you guarantee us and commit to that? | ||
| I can guarantee that, yes, yes. | ||
| Can you guarantee that I get an early copy? | ||
| There's actually a quote in there from Bender, so it'll be back at you, Mike. | ||
| It's the whole truth and nothing but the truth. | ||
| Okay, hang on. | ||
| She's committed to do the film. | ||
| I want an early copy of the book. | ||
| You're going to get a copy. | ||
| You're going to get galleys. | ||
| Amanda Milius, okay? | ||
| We've got a deal going on here! | ||
|
unidentified
|
Alright! | |
| I'm supposed to be in Dallas. | ||
| I don't know. | ||
| But if I'm invited, I'll come. | ||
| Okay, fine. | ||
| But Peter's right. | ||
| The thing is, this pandemic made the best argument for nationalism. | ||
| And the sad thing about being in the Trump White House at that time, which I left right before, the communications side did not understand that. | ||
| We had a great opportunity to make the argument for nationalism, and we didn't. | ||
| Well, we're making it here every day. | ||
| Peter, real quickly, I'll tell you, I'll put your coordinates up. | ||
| We've got to bounce. | ||
| Thank you very much. | ||
| Peter Navarro. | ||
|
unidentified
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War Room Pandemic with Stephen K. Bannon. | |
| The epidemic is a demon and we cannot let this demon hide. | ||
| War Room Pandemic. | ||
| Here's your host Stephen K. Bannon. | ||
| Okay, welcome back to the War Room. | ||
| You had some commentary? | ||
| I had some commentary that's really thoughtful for Dr. Navarro. | ||
| What's the t-shirt vibe? | ||
| I'm so used to seeing him in a suit at the White House and really buttoned up, and he's like... You haven't been watching the War Room lately? | ||
| It's very punk rock. | ||
| It's the Navarro gun show. | ||
| I love that. | ||
| I'm down for the gun show. | ||
| He's out of the White House. | ||
| He's on chain. | ||
| We need a gun show every day. | ||
| He's like Anderson Cooper, right? | ||
|
unidentified
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It's like the Anderson Cooper t-shirt. | |
| But it looks good. | ||
| I like it. | ||
| I'm here for it. | ||
| Plus, it's summer. | ||
| It's hot. | ||
| It's really hot in D.C. | ||
| right now. | ||
| I know you want his book. | ||
| Yeah, I do. | ||
| Okay, fine. | ||
| We're going to get you the early galleys of it. | ||
| Incredible we got to get to this because he's got a huge TV hit we're gonna do it later We want it we got to do it now Mark Eglinton is joining us from Scotland He was on the other day when John McAfee on the first days of his I don't know the latest chapter of his I would call it the epic life of his death. | ||
| Nobody knows, is he dead? | ||
| Is he on the run? | ||
| Did he commit suicide? | ||
| Was he murdered? | ||
| Nobody knows, but this is the gentleman that started working on his autobiography and eventually flipped it at McAfee's request to a biography. | ||
| We brought in, the reason I want to have Mark on today is I've got the great filmmaker, Amanda Milius, in the house. | ||
| We're going to make a deal. | ||
| Yeah, I want to pitch, you know, normally no pitching in the world where we're going to do it, so Mark, the question everybody's got, And I realized the first day you were on, it was like the first day he was dead, you were a little bit in shock. | ||
| Where do we stand? | ||
| Is McAfee dead? | ||
| Is he on the run? | ||
| Is there a kill switch? | ||
| What exactly is going on here? | ||
| Because I gotta tell you, this is one of the most charismatic individuals in the world. | ||
| He's like a Bond villain. | ||
| But, people forget, he's one of the most important people in the history of technology in this country. | ||
| Mark Eglinton, tell us about John McAfee. | ||
|
unidentified
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100%. | |
| To answer your question, we've no idea what happened. | ||
| You're right, I was on the back foot the other day, big time. | ||
| I was reeling from his death. | ||
| At this point now, I'm a bit more front foot in terms of where I think things are, not just because I've listened to some of the tapes again, I've spoken to his attorney. | ||
| I just don't see, based on what I know and from what John has said to me, this is a guy who more or less did everything he could to live. | ||
| He did everything he could to evade The CIA in the Dominican Republic in the Bahamas. | ||
| This is a guy who went on the run across the US for five years shooting holes in his house because people were circling it from the outside. | ||
| This isn't somebody who was going to give up and I don't see I don't see why on earth this guy would have committed suicide in prison based on what I know. | ||
| That's where I am at the moment. And I'm not the only one thinking that. | ||
| Is there any way he faked his own death? Because I noticed in the Instagram post he put up, and he rarely posted on Instagram, but there was two posts before the last one. | ||
| It commented on, it said about the Epstein thing, it's like, oh, well, we don't know if he died, if he's still living, or if he was suicided or what, but he definitely didn't kill himself. | ||
| And he had faking one's death on his mind. Is that possible? | ||
| Well, Mark Eglinton would know that. | ||
| If anybody would do it, it would be him, right? | ||
| So what's your response? | ||
| By the way, we're having Darren Beatty on next about the whole Tucker situation with NSA. | ||
| Since Fox won't cover it, we will, okay? | ||
| But this is all part of, we're trying to get you back, what's reality versus what's presented to you. | ||
| We're not conspiracy theory, but from the debt ceiling to this. | ||
| This is why McAfee's, the epic life of his death is as important as any issue we have out there today. | ||
| So it's a question, could he be alive? | ||
| Could he have faked this? | ||
| Could he be on the run right now? | ||
|
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Could be. | |
| I mean, I couldn't rule that out. | ||
| I mean, John was somebody who called himself the king of misinformation. | ||
| This is what he did. | ||
| He presented situations. | ||
| One of the lines in his book was, you know, I like to pretend to my enemy. | ||
| I'm on the other side of the hill. | ||
| I can pretend to my enemy. | ||
| I'm dead. | ||
| That is a quote from the book. | ||
| This is somebody who has thought about these things. | ||
| This is somebody who has faked heart attacks and faked strokes. | ||
| Did he do it? | ||
| I don't know. | ||
| But could he have done it? | ||
| I couldn't rule that out. | ||
| Absolutely not. | ||
| Is there like, what major evidence has there been? | ||
| Has there been photographs? | ||
| I mean, because I mean, he has so much money, he could just buy off the country and just, I don't know. | ||
| How much evidence is there that he's actually dead? | ||
|
unidentified
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I'll give you an exclusive right now. | |
| John McAfee was broke. | ||
| Oh. | ||
| Well, hold it. | ||
| Is that one of the myths? | ||
| I mean, did he run? | ||
| People say, this is what's so fascinating about this guy. | ||
| Is he running the largest Bitcoin mining operation in the world out of some hotel in Spain? | ||
| Does he have hundreds of billions of dollars in cryptocurrency throughout the world and password keys you can't get to? | ||
| I mean, is he broke in fiat money? | ||
| Is he broke in real estate holdings, but he's wealthy in crypto and other things? | ||
| What do you think the reality is here? | ||
|
unidentified
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Well, based on some of the reality we dealt with, because I asked him for a fee for some of the work I was doing, and he couldn't raise it. | |
| And he said to me that his position was no better than mine, without knowing what mine was. | ||
| Hold it, you're telling me your evidence is stiffing a writer? | ||
| Dude! | ||
|
unidentified
|
Stiffing a writer, is that evidence? | |
| By the way, let's not get Eglinton to Hollywood. | ||
| He'll be crestfallen. | ||
|
unidentified
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He'll be like, it turns out they're broke now. | |
| The producers, hey I'm broke, guy's living in a mansion in Beverly Hills, I don't have money to pay you dude. | ||
| Sorry. | ||
|
unidentified
|
I don't think so. | |
| I don't think so. | ||
| I don't think he had any money. | ||
| I think, well, put it this way, people say, oh, he sold McAfee Associates or took a share from the business for however many hundreds of millions. | ||
| That was gone years ago. | ||
| This is a guy who built properties in Ecuador and Texas and various other places, spent $20 million on properties that he never once set foot in. | ||
| All right? | ||
| And he did this because he felt like it, just like somebody felt like doing a sculpture. | ||
| They build a sculpture, it's there, and they leave it. | ||
| He did that all his life. | ||
| That was his life story. | ||
| This is how he lived. | ||
| Tell our audience real quickly, why is a guy like this, one of the legends and founders of the high technology industry in the United States, that does the virus, says, hey, I got a kill switch I put in, that's wanted by everybody, the CIA, FBI. | ||
| What is he doing in a Spanish prison? | ||
| Exactly what was he, the charges, and why was he in a Spanish prison, what, for a year? | ||
|
unidentified
|
Well, it didn't make sense. | |
| I mean, to be honest with you, having had conversations with a defense lawyer, I mean, the initial reports were that he faced 30 years in jail in the States. | ||
| That's not the case. | ||
| The worst he could have faced was a five-year sentence. | ||
| And in any case, this is a non-violent crime, and this is a 75-year-old man. | ||
| I mean, it doesn't make sense to me that somebody who only failed to file income tax returns should be put in a Spanish prison for eight months Under clear duress, I mean his physical condition looked atrocious and not offered bail. | ||
| It makes no sense to me whatsoever. | ||
| And the other point to mention here is that even given that he had been decided he'd be extradited, it would have been at least a year until he left Spain. | ||
| And that's even if it was guaranteed he would leave Spain. | ||
| There's no guarantee he was leaving Spain. | ||
| And they already had applications into the UK to the Corps of Human Rights. | ||
| There was a lot of distance to run with this. | ||
| I mean, nothing makes sense on this, but this is more bizarre than the Epstein thing. | ||
| Way more bizarre. | ||
| Almost as bizarre. | ||
| I got to ask you, was he a suspicious person? | ||
| In other words, they talk about the suicide or people get to him to kill him. | ||
| How naturally suspicious slash paranoid was John McAfee in your opinion? | ||
|
unidentified
|
I'll give you an example. | |
| This is one of the ones that jumped out at me when we were doing our talks. | ||
| We did all our talks on Skype. | ||
| And all from this hotel, the Bitcoin Hotel, as it turns out. | ||
| I didn't know that at the time, but he was sitting there one day with a cup of coffee and sitting there at the table talking to me. | ||
| He was usually half naked. | ||
| He usually looked like he'd gone out of bed. | ||
| Some days he hadn't gone out of bed, like myself. | ||
| And his wife came up with a cup of coffee and he said to her, Janice, stop there. | ||
| Stop there. | ||
| And I said, what's going on here? | ||
| And he said, Janice, can you please take a drink of this coffee? | ||
| I don't trust her. | ||
| why you ask? He says because I don't trust her. I don't trust her. | ||
| Let me, let me, let me write that down. | ||
| He of the three XY's. | ||
| Let me just write that down. | ||
| Chase the, okay, got it. | ||
| The guy's a genius. | ||
|
unidentified
|
He actually told the wife, why are you doing Skype? | |
| Hey honey, hey honey, come over. | ||
| What, she made the coffee. | ||
|
unidentified
|
That's amazing. | |
| Hey honey, come over here. | ||
| He's a smart man. | ||
| Take a sip of that in front of me. | ||
| Is that true? | ||
| Is that really happened? | ||
|
unidentified
|
He actually asked her to take a sip? 100%. | |
| 100%. | ||
| She didn't look shocked at all. | ||
| It wasn't like this was a surprise to her. | ||
| Not the first time. | ||
|
unidentified
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She'd had to be the food taster of the food she made. | |
| Wait a minute, one more thing. | ||
| I said to him, can you fully trust Janice at this point? | ||
| And he said, no, as much as I can trust anyone, I can't even trust myself. | ||
| So if you're asking me whether this is somebody who is paranoid, Or it's suspicious. | ||
| I think you got your answer. | ||
| You may go to the other side of paranoia. | ||
| Okay, so the book is No Domain. | ||
| It's coming out, I think, in September. | ||
| I think you guys are trying to pull it forward. | ||
| It was an autobiography that he liked you so much as a writer, and the publisher, they flipped it to a biography. | ||
| It's coming out, but you're already working on a sequel, and I've got your filmmaker. | ||
| I'll connect you guys later. | ||
| Yeah. | ||
| She's already on fire for this film. | ||
| Well, I was saying, what's a bummer about this is, you know, my father's retired. | ||
| He had a stroke like 10 years ago, but the person who would have been amazing to write dialogue for this would have been my dad. | ||
| I mean, what went off the charts? | ||
|
unidentified
|
One thing to tell you that's interesting, when I got into a relationship with John for this book, we both said to each other, shall we bother with a collaboration agreement? | |
| And he said, what for? | ||
| And I said, what for? | ||
| The guy has 172 lawsuits out against him. | ||
| What was I going to do if he didn't pay me or he didn't honor it? | ||
| So in the end, we just did it. | ||
| We just said, well, OK, let's see what happens. | ||
| But in the end, that's worked for me because I have no NDA. | ||
| The tapes are mine. | ||
| All this material is mine. | ||
| And there's a lot more in these tapes than ever ended up in the book. | ||
| So this is just sitting here and I want to use it. | ||
| See, Eglinton, you may have been a caddy, but you know how to pitch. | ||
| That's good, that's a good pitch. | ||
| How many hours of tapes that are undisclosed, how many hours of tapes of McAfee's conversations do you have, sir, roughly? | ||
|
unidentified
|
Between 25 and 30. | |
| Hello. | ||
| Bingo. | ||
| Okay. | ||
| The story of John McAfee. | ||
| It's amazing. | ||
| No Domain is the book. | ||
| It's up on Amazon. | ||
| It's pre-order. | ||
| Mark, I know you've got a big interview with Turkish television coming up, so we'll let you go. | ||
| I want to thank you for changing your day away to be with us and to meet Amanda Milius, your director. | ||
| And we will make that deal happen. | ||
| And your producer right here. | ||
| Thank you, Brother Egerton. | ||
| We're going to have Darren Beattie. | ||
| The reason I want to do this beforehand, because we got Darren Beattie. | ||
| You know, Tucker comes out the other night. | ||
| Raheem, I was pretty shocked by it. | ||
| I mean, Tucker comes out and says, hey, I got a source at NSA. | ||
| The guys are hacking into me. | ||
| They want to take my show down. | ||
| No offense, Fox, it's crickets. | ||
| To me, it's one of the biggest news stories out there. | ||
| It's a game changer. | ||
| I'm really, really riled up about it because, I mean, obviously this is something that the movie that I made is very much focused on. | ||
| The plot against the president. | ||
| But the fact that they're going to do it to Tucker Carlson, who's so important to keeping, I mean, there's you, there's Tucker. | ||
| I think that's why they're doing it. | ||
| But it's the fact that they're doing it to a journalist and everyone is, they're silent on it. | ||
| I mean, it's insane. | ||
| And that non-response, I think the response from the NSA made me angrier. | ||
| That PR release, it was so offensively evasive. | ||
| Why did they do that? | ||
| What did you expect them to say? | ||
| Nothing. | ||
| It's a heckle. | ||
| Of course it's a heckle. | ||
| Do you think the NSA doesn't know that everybody who's plugged into this stuff knows exactly what they're doing here? | ||
| It's a heckle, it's in your face. | ||
| They're lying, they know you know you're lying, etc, etc. | ||
| Here's the thing, I have a different view on the Fox coverage of it. | ||
| If I were at Fox, if I were an editor at Fox, I would not be trying to get a head of Tucker Carlson on this story. | ||
| I would not be having guests on to talk about it, I wouldn't be having... You might mention a headline somewhere, but Tucker's leading this story right now, and there's a lot more to come. | ||
| Hang on, hang on, hang on. | ||
| I got that. | ||
| How about just report it? | ||
| It's news. | ||
| I get that it should be on the website somewhere. | ||
| How about give me a Chiron? | ||
| Just give me a Chiron. | ||
| Do you know what? | ||
| Where it's going, and where a lot of this stuff is going over the next 14 days, it doesn't need a Fox Chiron. | ||
| Put it that way. | ||
|
unidentified
|
Wow. | |
| Oh my God. | ||
| Verheem is inside baseball. | ||
| That's inside. | ||
| That's inside baseball. | ||
| Okay, we take a short commercial break. | ||
| We're going to get Darren Beattie. | ||
| We're going to triple down on inside baseball. | ||
| Darren Beattie, the one and only revolver. | ||
| I tell you what, we're going to have a little competition. | ||
| Revolver and National Pulse on who's dropping more bombs on this thing. | ||
| Amanda Milius! | ||
| The rising generation's great director. | ||
| She of the Lee Smith's plot against the president. | ||
| They're doing a benefit tonight for the great Rich Higgins. | ||
| Incredible guy. | ||
| Got a problem with the CCP virus. | ||
| We're going to talk all about that. | ||
| Darren Beattie, Revolver News, on Tucker Carlson, the NSA, and also the FBI on the 1-6 situation. | ||
| All next in the War Room. | ||
|
unidentified
|
War Room. | |
| Pandemic. | ||
| With Stephen K. Bannon. | ||
| The epidemic is a demon and we cannot let this demon hide. | ||
| War Room. | ||
| Pandemic. | ||
| Here's your host, Stephen K. Bannon. | ||
| Yesterday we heard from a whistleblower within the U.S. | ||
| government who reached out to warn us that the NSA, the National Security Agency, is monitoring our electronic communications and is planning to leak them in an attempt to take the show off the air. | ||
| Now that's a shocking claim, and ordinarily we'd be skeptical of it. | ||
| It's illegal for the NSA to spy on American citizens. | ||
| It's a crime. | ||
| It's not a third world country. | ||
| Things like that should not happen in America. | ||
| But unfortunately they do happen, and in this case they did happen. | ||
| The whistleblower, who is in a position to know, repeated back to us information about a story that we are working on that could have only come directly from my texts and emails. | ||
| There's no other possible source for that information, period. | ||
| The NSA captured that information without our knowledge and did it for political reasons. | ||
| The Biden administration is spying on us. | ||
| We have confirmed that. | ||
| Okay. | ||
| I'm going to bring in now Darren Beatty from Revolver. | ||
| I've got Amanda Milius, who's a fighter, did plot against the President. | ||
| She knows all the inside details. | ||
| Raheem Kassam, founder, editor-in-chief of National Pulse. | ||
| I've got the three hitters I want for this segment, and we're going to roll over. | ||
| We've got Michael Yan in Greece to talk to us about the migrant crisis of 15 and what's happening today about the invasion of the United States. | ||
| I've got to bring you in. | ||
| Is Tucker Carlson completely paranoid and jumped the shark? | ||
| Or is Tucker Carlson on to one of the biggest stories in this era? | ||
| I want to start with Darren Beattie and then we'll go around the table. | ||
| So Darren Beattie, you know Tucker. | ||
| You also, and we're going to talk about your explosive story about the 1-6 situation and the Oath Keepers in a second. | ||
| Let's deal with Tucker. | ||
| I don't see it on a chyron at Fox. | ||
| I don't see anybody reporting on Fox on just the news aspect of it. | ||
| Right? | ||
| So what's going on Darren Beaty? | ||
| Well, I'm not privy directly to the communication, so I can't state anything as a matter of fact. | ||
| But I know Tucker, and I have every confidence that this is real, not only by his saying it, simply by the nature of the NSA and what they do. | ||
| They've lied about this. | ||
| In fact, I would be shocked if they didn't do it. | ||
| And I think it's important to remind your audience of the context of this. | ||
| In the monologue, he proceeded with saying, His FBI source told him that there was in fact infiltration, that his reporting on the revolver.news bombshell was vindicated by an FBI source. | ||
| So this is a very high stakes game. | ||
| It's a very dangerous game. | ||
| It's reached the level where the United States national security apparatus is the enemy of the people. | ||
| And it's the enemy of the handful of people who have the guts and maybe the craziness Well, I think this is a turning point. | ||
| I mean, I don't know what it is about the fact that it's, as you say, I'd be surprised if they weren't doing this, but it's an absolute turning point. | ||
| Amanda Milius, you spent a year of your life making a film about this, about what they tried to do with President Trump. | ||
| Your thoughts? | ||
| Well, I think this is a turning point. | ||
| I mean, I don't know what it is about the fact that it's, as you say, I'd be surprised if they weren't doing this, but it's an absolute turning point. | ||
| For me, I'm coming out of this thinking any Republican who doesn't make the fight against the security state and the priority of dissolving them, defunding and completely restructuring the way that the security apparatus this country is is not somebody i can vote This is the number one issue in our country. | ||
| Um, it should take us back a week or ten days where we were talking about this story in the New York Times that Tucker Carlson talked to other reporters. | ||
| Who was that story written by? | ||
| Uh, Ben Smith. | ||
| Ben Smith. | ||
| Ben Smithing. | ||
| What's Ben Smith? | ||
| Otherwise most known for in Washington, D.C. | ||
| now. | ||
| Leaking the report from Comey. | ||
| Yeah, the PP dossier. | ||
| The Steele dossier. | ||
| He leaked it on so that other media could pick it up. | ||
| So at least from that we know that Ben Smith is very well connected inside these pseudo-intelligence circles, right? | ||
| These hyper-partisan, politicized, weaponized intelligence circles. | ||
| So what was it? | ||
| Who tipped Ben Smith off ten plus days ago to start looking into who Tucker Carlson was talking to? | ||
| Or didn't even, or didn't even, or didn't even, uh, you know, even made it up. | ||
| Are you saying gave him, gave him what to read for? | ||
| I'm just saying, if Tucker Carlson has texted with somebody from the Daily Beast, which I don't think anybody in this room hasn't, right? | ||
| Because they reach out to us and we respond to their questions, their queries, their comments, their criticisms, their nonsense, right? | ||
| That's a brilliant point. | ||
| You're saying the Ben Smith article is predicated upon NSA leaks. | ||
| So that's communications. | ||
| Precisely that. | ||
| Because what did I say 10 days ago? | ||
| I said why would 18 journalists give up one of the best sources they could have? | ||
| Big time. | ||
| Right here on the show. | ||
| Now we know. | ||
| That it wasn't the journalists giving up Tucker Carlson as a source, it was the intelligence services telling Ben Smith, you want to look into who's talking to Tucker Carlson. | ||
| Darren Beattie, is Amanda Milius right? | ||
| Is this the central issue of our time right now between the nationalist populist movement, the deplorables, and the national security state, the apparatus? | ||
| It's not the permanent political class that's in front doing the pro-wrestling on cable TV, right? | ||
| This is the real thing and Tucker's cut to the heart of it. | ||
| Yes, and I'd like to kind of refine that a little bit is to say that basically we won't have a country and all of our politics will be fake and performative until we bring the security state to heal. That is the bottleneck. And I think, I like to think that revolver.news is at the forefront of this transformation, bringing the right, bringing the populist movement up to speed specifically that this is | ||
| the issue, that it's the national security state. And it's not even just the deep state. | ||
| That was too vague. | ||
| As you'll recall, with the Color Revolution series we did, we refined it. | ||
| It's not Deep State. | ||
| The Color Revolution was a specific Atlanticist faction within the national security state. | ||
| And now we've refined it still further in our coverage of January 6th, which again, as I said, is the highest stakes, most dangerous story series that we've ever done. | ||
| And you see with what Tucker's saying, you see what the stakes really are. | ||
| This is a battle with the national security state of our own country, and we can see how that ends. | ||
| We see how that can end for people like Assange. | ||
| It's not a joke. | ||
| But unless we bring this under control, our country will not be a real country, it will not be a free country, and our politics will be fake and performative, and we will get nowhere. | ||
| And people don't understand, this is when it really gets nasty, right? | ||
| This is when it really gets nasty. | ||
| You see, they've already got the lawfare part of the state going after everybody, right? | ||
| From Rudy Giuliani to the President, to myself, to everybody, right? | ||
| Tucker's about to fall into that. | ||
| Okay, we're going to take a short break. | ||
| Darren, you've got to stay over. | ||
| We've got Rahim Ghassan, Amanda Milius, Darren Beatty. | ||
| We're going to talk about The Oath Keeper is going to talk about why we wanted a commission, why Darren Beattie and the War Room and Revolver in Nashville, we wanted a commission. | ||
| We wanted a venue to adjudicate what the government knew and when they knew it, and also to show the receipts on November 3rd. | ||
| As President Trump said at the rally the other night, we can't go forward until we get to the bottom of November 3rd. | ||
| Darren Beattie is also positive we can't go forward until we find out what the government knew, when they knew it, and what did they do leading up to the 6th of January. |
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