Behind the Bastards - Part One: Jim Bowie: The Worst Texan Aired: 2020-05-26 Duration: 01:19:35 === Trust Your Girlfriends (02:06) === [00:00:00] This is an iHeart podcast. [00:00:02] Guaranteed human. [00:00:04] When a group of women discover they've all dated the same prolific con artist, they take matters into their own hands. [00:00:13] I vowed I will be his last target. [00:00:15] He is not going to get away with this. [00:00:17] He's going to get what he deserves. [00:00:19] We always say that, trust your girlfriends. [00:00:24] Listen to the girlfriends. [00:00:25] Trust me, babe. [00:00:26] On the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. [00:00:31] I got you. [00:00:32] I got you. [00:00:36] I'm Laurie Siegel, and this is Mostly Human, a tech podcast through a human lens. [00:00:41] This week, an interview with OpenAI CEO Sam Altman. [00:00:44] I think society is going to decide that creators of AI products bear a tremendous amount of responsibility to the products we put out in the world. [00:00:51] An in-depth conversation with a man who's shaping our future. [00:00:55] My highest order bit is to not destroy the world with AI. [00:00:58] Listen to Mostly Human on the iHeartRadio app, Apple Podcasts, or wherever you listen to your favorite shows. [00:01:07] Hey, it's Nora Jones, and my podcast, Playing Along, is back with more of my favorite musicians. [00:01:12] Check out my newest episode with Josh Groban. [00:01:15] You related to the Phantom at that point. [00:01:18] Yeah, I was definitely the Phantom in that. [00:01:20] That's so funny. [00:01:21] Share each day with me each night, each morning. [00:01:29] Listen to Nora Jones is playing along on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. [00:01:37] What's up, everyone? [00:01:38] I'm Ego Mode of my next guest. [00:01:40] It's Will Farrell. [00:01:43] My dad gave me the best advice ever. [00:01:46] He goes, just give it a shot. [00:01:48] But if you ever reach a point where you're banging your head against the wall and it doesn't feel fun anymore, it's okay to quit. [00:01:55] If you saw it written down, it would not be an inspiration. [00:01:57] It would not be on a calendar of, you know, the cat just hang in there. [00:02:04] Yeah, it would not be. === The Bowie Family Legacy (15:53) === [00:02:06] Right, it wouldn't be that. [00:02:07] There's a lot of life. [00:02:09] Listen to Thanks Dad on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. [00:02:19] Podcasts. [00:02:20] This is Robert Evans, and that was the introduction for Behind the Bastards, which is a podcast, which is why I said the word podcasts. [00:02:28] Today with me, in the room that is a digital room and not a physical room because of the plague, is Mr. Billy Wayne Davis. [00:02:35] Bam, bam, bam, bam. [00:02:36] Hey, everybody. [00:02:37] Hey, Billy. [00:02:38] How are you doing? [00:02:39] How's your quarantine going? [00:02:40] It's doing pretty good. [00:02:42] I'm exercising, raising two kids. [00:02:45] Yeah, when I saw you last over Skype, you looked like normal Billy, and then suddenly this week you have a mustache and a headband. [00:02:54] It's coming together. [00:02:55] It's been an interesting quarantine week for you. [00:02:58] I'm embracing it. [00:03:00] You've got a kukri now, which is a special type of curved Nepalese blade. [00:03:04] Very nice. [00:03:05] Yes. [00:03:05] I went to the Gerber to see if I liked it. [00:03:08] And then now I'm going to go to Nepal and get one proper. [00:03:11] Yeah, I have a Nepalese bladesmith that I can point you towards. [00:03:14] This is a podcast about the worst people in all of history. [00:03:17] And Billy, you and I have developed a couple of different niches for ourselves. [00:03:21] We have a lot of niches. [00:03:22] One of those niches is medical scammers. [00:03:24] And this is not a medical scammer episode because our other niche is Weirdos from the South. [00:03:30] And today we're going to talk about one of the South's great all-time famous weirdo bastards, Billy Wayne Davis. [00:03:39] What do you know about Jim Bowie? [00:03:41] I know the name. [00:03:42] Do you know what I mean? [00:03:44] Like growing up in the South, you're just like, you hear it. [00:03:48] I don't know what he, there's like, I don't know exactly what he did. [00:03:52] You've probably heard of him. [00:03:53] I guess everybody listening to this has at least heard of a buoy knife, which is a great kind of knife, one of my favorite knives. [00:03:59] It's basically a small sword that is a dagger because we call it one instead of a small sword with a specific kind of curved endpoint to the top of the blade. [00:04:10] And it's great for, it was initially, it's great for hunting and skinning animals, and it's also great for waving around drunkenly at a house party if you're me and 19 years old. [00:04:21] The one thing I love about him is the giant mutton. [00:04:26] He had the horrifying facial hair. [00:04:30] He had gigantic mutton chops, and he died at the Alamo. [00:04:33] Now, I was a Texas boy. [00:04:35] So in Texas school, you have a special class called Texas History. [00:04:39] And every Texas kid learns a lot about Jim Bowie, and it's all wrong because they only teach you lies about Jim Bowie in Texas school. [00:04:47] I know who Jim Bowie is. [00:04:49] Yes. [00:04:50] Yeah, yeah. [00:04:51] Sorry. [00:04:52] Yes, I do. [00:04:53] I just came back, it froze, and everything came back, and then you said the Alamo, and I was like immediately, oh, I know who this motherfucker is. [00:04:59] Yes. [00:05:00] Yeah. [00:05:01] So Jim Bowie's a giant piece of shit because this is my show, but he's also like a frontier legend. [00:05:06] Like he's one of those, he's like Davey Crockett or like Wild Bill Hiccock. [00:05:10] Like he's one of those like Wild West legends. [00:05:12] So this is going to be a hoot of a tale. [00:05:16] And yeah, let's just get into it. [00:05:19] So James Bowie was born on March 10th in Logan County, Kentucky in 1796, probably. [00:05:29] Because again, in Kentucky in 1796, nobody was super good at like birth certificates and the like. [00:05:36] Some were. [00:05:36] But that's a good guess as to when he was born. [00:05:40] He's born three or four days ago. [00:05:42] Yeah. [00:05:43] Yeah, he came into the world sometime around about then. [00:05:47] It was the year when we had that big flood on the river. [00:05:50] Yeah. [00:05:51] That's kind of how people talked about shit like that back then. [00:05:54] So yeah, his brother gives March 10th, 1796 as James Bowie's birthday. [00:06:00] His older brother, John, gives that as the birth date. [00:06:03] And John is kind of the source of a lot of our information on Jim Bowie's early life. [00:06:08] But John and every other member of the Bowie family are liars and unreliable narrators. [00:06:14] So it's really, we really take this all with a grain of salt. [00:06:18] I know people like that, and they tell you they're liars too. [00:06:20] Like, hey, now I'm going to tell you the story, but keep in mind, I make a lot of stuff up. [00:06:27] Keep in mind, what with the moonshine, I can't keep much together about my own backstory. [00:06:32] Yeah, the Bowie family is a bit like that, and they have financial motives for telling a bunch of, saying a bunch of fun shit about Jim Bowie. [00:06:38] But I don't think they have much in the way of financial motives about lying about his birthday. [00:06:42] So that's probably more or less accurate, at least as well as they could remember it. [00:06:46] So Jim was the ninth of 10 children born to Rezin, which I think was just sort of... [00:06:54] So basically, R-E-Z-I-N is how his dad's first name was spelled, and it was supposed to be Reason, but they weren't great at spelling in Kentucky back in the 1700s. [00:07:01] So they wrote it out as Rezin. [00:07:05] So he was this, yeah. [00:07:08] You know what? [00:07:08] Not bad for modern Kentucky spelling. [00:07:10] No, we're doing all right. [00:07:11] They're doing all right. [00:07:12] They're doing right. [00:07:13] You get the gist of it. [00:07:14] So yeah, he was the son of Rezin Bowie and an Elvie Bowie. [00:07:18] And his parents came to the United States as part of a massive Scottish migration across Appalachia and into the Old South. [00:07:24] Old South. [00:07:26] The Bowie family were basically the archetypal early white Americans, pioneers down to the core of their marrow. [00:07:32] Rezin had a habit of moving onto wild land in the frontier, developing it by building homes and orchards and stuff. [00:07:38] And then when other people would come in and move in around him, he would get angry because he didn't like being around other people. [00:07:44] He wanted to be out in the middle of nowhere. [00:07:46] And so he'd move somewhere else and start building a homestead again until civilization or whatever caught up with him. [00:07:51] This was kind of like how Jim Bowie's dad liked to live. [00:07:54] He's the first house flipper. [00:07:56] Yeah, yeah, that's kind of what he's doing. [00:07:58] He's like gentrifying. [00:07:59] Yeah, he's basically gentrifying like the woods. [00:08:05] But then he hates it and he's got a like, yeah, you could call them early hipsters. [00:08:09] But instead of like, you know, enjoying artists' lofts and artisanal coffee houses, he liked fighting bears with machetes. [00:08:20] Every time I civilize a place, these people show up. [00:08:24] Mm-hmm. [00:08:26] That's kind of Rezin's attitude. [00:08:27] So the point I'm making is he wasn't just going about this to like make a home and a living for himself and his family. [00:08:34] Like he needed to be at the bleeding edge of the frontier. [00:08:37] And so Jim Bowie's early life as a child consisted of many moves. [00:08:41] You know, they'd spend a couple of years somewhere and then his father would grow frustrated by the fact that there were human beings within a half mile of them. [00:08:48] And so they'd move somewhere else. [00:08:50] I liked his dad. [00:08:51] I realized it's like, ah, these people. [00:08:54] There's a level of, even though all these people are, spoilers, slave owners and colonizers and monsters, there's a level of respect you have to have to anyone who is like, there's people within a mile of me. [00:09:05] I'm going to go move out to the middle of nowhere with a hatchet and build another home. [00:09:10] Like they're tough. [00:09:12] Yeah, I just keep thinking, like, I'm not as stubborn as I thought. [00:09:17] There's a TikTok, right? [00:09:19] That's like where the wife comes in and is like, honey, we have to move. [00:09:23] The neighbor said hi. [00:09:25] And that's these people. [00:09:26] Yeah. [00:09:27] Yeah. [00:09:28] That's Rezin Bowie. [00:09:30] Modern times, friends. [00:09:31] Billy, what were you saying? [00:09:33] I'm going to call you Bowie a couple of times, I'm certain. [00:09:35] That's okay. [00:09:36] I like it. [00:09:37] I don't remember. [00:09:39] Oh, good. [00:09:40] Fantastic. [00:09:41] Well, yeah. [00:09:42] So now, the Bowie family, when Jim was young, tended to live, all the spots they would pick were along the Mississippi River. [00:09:48] And they basically moved down the Mississippi as like people filled up the area above them. [00:09:54] And moving dot day for the Bowie family meant they would build by hand a flat bottom boat, toss all of their shit onto it, and then sail down the Mississippi to find a new place to live. [00:10:04] So that's what like the U-Haul of the day is. [00:10:07] Yeah, you just wake up and you're like, oh, shit, dad's building a boat. [00:10:11] Dad's making a boat, goddammit. [00:10:16] Yeah. [00:10:17] Now, little Jim Bowie's first memories probably would have been in the Twapity Township in what is now Missouri, and what was then still under French control and part of their New Madrid district. [00:10:28] Now, the name Twapity came from the original inhabitants of the land, the Apple Creek Band of the Shawnee tribe. [00:10:35] They'd been forced out by white men via unspeakable violence and disease, and young Jim would go on to spend much of his childhood playing in camps that they'd abandoned all throughout the forests and swamps around Twapity Township. [00:10:48] Now, his earliest memories from age four to six would have been pretty relaxed. [00:10:52] Bowie family children weren't expected to work much at that age, and Jim would have spent much of his time relatively unsupervised in the middle of the woods. [00:11:01] The Bowie men were in general given to spending a lot of time alone in the middle of nowhere. [00:11:07] Jim's formal education would have been basically non-existent. [00:11:10] His mother Elvie taught her children the alphabet, but that was about all she knew. [00:11:13] So that was about all they learned. [00:11:16] After two years in Twapity, it got too developed for Rezin, and the family moved. [00:11:20] Now, during this time, much of the Southeast was still run and owned by France, and the French government saw Americans as an ally in their endless bloody war against English people, which is the only war that really matters, in my opinion. [00:11:32] I agree. [00:11:35] Now, they were happy to allow Americans to settle in the Louisiana Territory, and they offered generous terms on land grants for them to do so. [00:11:42] The Bowie family kept moving south, and by 1812, they'd staked out a claim on Bayou Vermillion in the Atacapis parish just south of Opalusis. [00:11:51] They got into the timber cutting business, and by now Jim was coming up into a young adult, so he was able to help the family business, as did all of his many brothers. [00:12:00] The Bowie boys were close, and for most of his life, Jim Bowie's primary business partners would be his kin. [00:12:05] He was raised with a love of exploration and constant motion, as well as an abiding appreciation for owning enslaved human beings. [00:12:12] His grandfather had owned people, as had his father. [00:12:15] The Bowies weren't rich, but they did not and did not have large fields full of enslaved people, but they kept small families of field hands enslaved to help them with their work. [00:12:23] And I'm going to read a quote now from the book, Three Roads to the Alamo, that describes sort of how slavery was practiced within the Bowie family. [00:12:31] It's going to sound like it's making a different point than it is at first, but just listen to the whole quote. [00:12:37] Typically, for land owned by small farmer slaveholders, Bowie plantations enjoyed benign, even familial relations between blacks and whites. [00:12:44] They certainly were for Uncle Riza, who never married but who fathered a son named James by a slave mistress sometime around 1790 and thereafter openly acknowledged him, gave him his freedom and the family name and brought him to Louisiana with the rest of the clan. [00:12:58] The black James Bowie remained in Catahoula while the rest moved south. [00:13:02] For years to come, he steadily did land and loan business with both John, senior and junior, even buying and selling slaves himself, and achieved some minor position in the community near Sicily Island. [00:13:12] Wherever Bowie blood flowed, clan loyalty followed. [00:13:14] In later years, the family remembered as well. [00:13:18] Stories of Rezin's young James's closeness to an old slave woman named Mandy, of the little kindnesses he did for her, and of the advice she passed on to the boy. [00:13:26] There was never any question that the Bowie slaves were property, though. [00:13:29] And with the exception of a few favorites like old Mandy, they were usually sold with the land whenever a buoy moved on. [00:13:35] So you've got a really complicated relationship with slaves here to the point where some of the buoy men have children with their slaves, and those children are seen as buoys and are generally live lives as freed people. [00:13:49] And you have like certain older slaves that are beloved and considered almost a part of the family, but also almost includes a lot of wiggle room. [00:13:57] And as much as the buoys pretended to have familiar relations with their slaves, they sold them whenever they would move because these people were in the end property to them. [00:14:07] And this is kind of like this is a pretty normal sort of master-slave relationship to exist in the era at the time among people who were moving a lot. [00:14:16] Like we mainly talk about sort of the old plantation system, but that hadn't really gotten going in a big way at this point. [00:14:23] And yeah, that's kind of how the Bowie family dealt with slavery. [00:14:27] It's, yeah, I don't know. [00:14:30] It's weird. [00:14:31] It sucks. [00:14:32] Yeah, it was bad. [00:14:33] It's just, it's very clear they viewed them as livestock. [00:14:37] They view that's. [00:14:40] It's more messed up than even just that, though, because, you know, the buoys were a close-knit family. [00:14:46] You had a lot of different uncles and brothers all living together with their families. [00:14:49] And when one of them would make another human being with a slave, that person was considered to be a buoy and a member of the family. [00:14:59] But that person's black cousins and half-brothers and stuff would be sold off as property. [00:15:07] So it's this, it's really kind of weird to wrap your head around. [00:15:10] I don't even know. [00:15:11] I can't even really get into the head of the people who would comfortably do that, who could like recognize that, well, this one's got my blood, so he's family and we're going to treat him like family. [00:15:22] But these other people who have are related to him, but not to me, I'm just going to sell like a dishwasher. [00:15:29] It's really strange. [00:15:30] It is like a weird flip of the coin in their head where they've made this is the line for us. [00:15:37] It's bizarre. [00:15:38] It is bizarre. [00:15:39] Yeah, it's hard for me to get my head around it anyway. [00:15:42] And I should note here that because my longtime co-worker Is Soren Bowie. [00:15:49] I'm going to regularly pronounce the Bowie name in a number of different ways, and it's going to frustrate people, and they can just deal with it. [00:15:57] Yeah, deal with it, people. [00:15:59] Yeah, it's just going to happen. [00:16:01] Sorry. [00:16:01] He's a human man. [00:16:03] Yeah. [00:16:03] So the Bowie family patriarch had to kill other human beings at least once while the Bowie boys were children. [00:16:09] When the family moved to Louisiana, they found squatters on their land. [00:16:13] A disagreement ensued, and Rezin killed one of the squatters. [00:16:16] He was jailed. [00:16:17] Yeah, yeah. [00:16:18] And this was not uncommon because, like, land ownership was kind of a murky idea back then. [00:16:25] Yeah. [00:16:25] Yeah, so was the idea of squatting too, where you're just like, I'll see you in court. [00:16:30] You're not going to see me in court. [00:16:32] Yeah, you're not going to see me in court. [00:16:34] I'm just going to shoot you. [00:16:34] You're just going to die right now. [00:16:36] Yeah. [00:16:37] Yeah. [00:16:37] So Rezin killed one of these squatters and like it went to trial and he got jailed in the wake of the fight while they were waiting for a trial. [00:16:43] And his wife actually got a bunch of guns together and one of her slaves and busted him out of jail. [00:16:49] So this would have been a pretty early memory of Jim's Bowie is his like mom and one of their slaves busting their dad out of jail for murdering a guy. [00:16:59] Yeah. [00:17:00] So that's cool. [00:17:01] Well, that's that's that that puts an imprint on your foundation as a person, I think. [00:17:07] Yeah, that the law is something that you can manipulate via having enough guns. [00:17:12] Yeah, if you're sitting there, I think would have been so Jim's older brother, also named Rezin, left home to go have dangerous adventures when he was about 19. [00:17:21] And this was desperately hard for young Jim because he was very close to his brother. [00:17:24] A few years later, when the War of 1812 came to Louisiana, Jim was finally old enough to follow Rezin when he enlisted. [00:17:32] James, another one of the Bowie brothers, described Rezin Jr. as a perfect rowdy. [00:17:36] And Jim himself was noted to be even wilder and even less thoughtful than his older brother. [00:17:41] They were both very excited for their chance to go off and kill English people. [00:17:46] Tragically, they arrived too late. [00:17:47] The war ended without them having to fire a shot. [00:17:50] The Bowie brothers were still in the militia, though, and they remained in it for a couple of months after the battle, taking on boring patrol duties and spending their off-duty time in the city of New Orleans. === Jim Bowie's Violent Reputation (07:57) === [00:18:00] Just in case we get to shoot somebody, we'll hang out for a couple more months. [00:18:04] Just in case. [00:18:04] Yeah. [00:18:05] Yeah. [00:18:06] That's basically what happens. [00:18:08] But they don't get a chance to shoot anybody, and they muster out with about $21 each for their troubles. [00:18:14] So, yeah, that's kind of... [00:18:16] Jim's a man now. [00:18:17] Like, he doesn't get his chance to murder anybody, but he's got $21 in his pocket. [00:18:23] He's like 17 years old. [00:18:24] That's as much of an adulthood as you get at that period in time. [00:18:30] This is his high school graduation. [00:18:32] And in New Orleans, that's a good place to be. [00:18:34] 17 with a pocket full of money. [00:18:36] That is a good place. [00:18:37] That is a good place to be. [00:18:38] Then and now. [00:18:39] Well, no, not now, because of the coronavirus. [00:18:42] But then for sure. [00:18:44] Yeah. [00:18:45] So Jim was frustrated at the fact that his war experience hadn't ended with him getting to shoot anybody. [00:18:51] But he also, you know, it was exciting still. [00:18:54] You know, he got to do some patrols and stuff as part of the militia. [00:18:57] He got to get wasted in New Orleans. [00:19:00] And his taste of being out in the world made it impossible for him to return home. [00:19:05] So he took to the same basic tactic as the men his father had murdered a couple of years back and started squatting on a patch of land above Bayou Booth in Opelosis. [00:19:14] James Bowie, Jim's older brother, and I'm sorry, the Bowie names are all very complicated because there's multiple Jameses and multiple Rezins and Johns. [00:19:22] It's very frustrating. [00:19:24] We forgot what we named the other one and we named him the same one. [00:19:28] The feeling you get from the Bowie brothers' names is that they were expecting the parents were expecting most of them to die and then they didn't because the buoys tended to be pretty tough. [00:19:38] And so you wind up with a bunch of kids who have the same fucking name. [00:19:40] I don't know. [00:19:41] Name James again. [00:19:42] I don't give a shit. [00:19:44] Yeah, we didn't expect as many of them would make it to 18 as did. [00:19:48] I gotta make them both. [00:19:49] There's people over here. [00:19:51] Yeah. [00:19:52] Yeah. [00:19:53] So, uh, James Bowie, another one of Jim's, another one of Jim Bowie's older brothers, would later describe 18-year-old Jim Bowie this way. [00:20:02] Quote, he was just a little bit of a joke. [00:20:06] Jim's older brother. [00:20:07] Yeah, yeah, yeah. [00:20:08] Jesus. [00:20:08] I'm sorry, the buoy names are so fucking complicated. [00:20:11] How many siblings does he have? [00:20:12] Do they all have weird? [00:20:13] He has 10. [00:20:14] He has 10. [00:20:15] Yeah, he does. [00:20:16] Are they all Jim John? [00:20:17] Joe. [00:20:18] Jim, John, right? [00:20:19] There's a couple. [00:20:19] There's a resin in there. [00:20:20] Yeah. [00:20:21] Resin Jr. [00:20:22] Cool. [00:20:22] It's very frustrating. [00:20:24] But Jim Bowie's older brother would later describe Jim at 18 this way. [00:20:28] Quote, he was young, proud, poor, and ambitious, without any rich family connections or influential friends to aid him in the battle of life. [00:20:35] After reaching the age of maturity, he was a stout, rather raw-boned man of six feet height, weighed 180 pounds, and about as well-made as any man I ever saw. [00:20:43] His hair was light-colored, not quite red. [00:20:45] His eyes were gray, rather deep-set in his head, very keen and penetrating in their glance. [00:20:49] His complexion was fair, his cheekbones rather high. [00:20:52] Taken together, he was a manly, fine-looking person, and by many of the fair ones, he was called handsome. [00:20:57] The fair ones are women. [00:20:59] He was possessed of a brother a little bit, too. [00:21:02] Yeah, for a bit. [00:21:02] Abandoned his brother a little bit. [00:21:04] Yeah, you know, you get the idea that maybe some buoy brothers got up to some things. [00:21:11] They were in French country. [00:21:13] It wasn't weird. [00:21:14] Good-looking brother I got right there. [00:21:16] Yeah, I got some sexy brothers, and I know from sexy brothers. [00:21:20] He was possessed of an open, frank disposition with a rather good temper, unless aroused by some insult, when the displays of his anger were terrible and frequently terminated in some tragical scene. [00:21:30] So he was a friendly guy unless he got angry, in which case he got really violent. [00:21:34] That's it, nigga. [00:21:35] He had a pretty fair temper unless you made him mad. [00:21:37] That's what he just said. [00:21:40] That's literally what he's saying. [00:21:41] Oh, I forgot. [00:21:42] You just learned the alphabet. [00:21:43] I forgot about it. [00:21:44] Yeah, that's your only education. [00:21:47] He was never known to abuse a conquered enemy or to impose upon the weak and defenseless. [00:21:52] A man of very strong social feelings. [00:21:54] He loved his friends with all the ardor of youth and hated his enemies and their friends with all the rancor of the Indian. [00:21:59] He was social and plain with all men, fond of music and the amusements of the day, and would take a glass in a merry mood to drive Dole Carrow away, but seldom allowed it to steal away his brains or transform him into a beast. [00:22:10] This is what his brother claims, and a lot of it's lies because he was a famous drunk. [00:22:15] But yeah, that's how his older brother described him at 18. [00:22:21] Now, by any accounts, Jim Bowie was a pretty good frontiersman. [00:22:26] He squatted on land, chopped and sold cypress wood, which he saw down in the planks, and then floated down by the river into town. [00:22:32] He also hunted a great deal. [00:22:35] And his brother John wrote that he developed a particularly painful way of hunting bears. [00:22:40] Quote, in the summer season, when the bears were constantly ravaging little patches of green corn of the early settlers, he adopted the following novel plan to entrap them. [00:22:48] After finding a place where they usually enter the field, he would find like a stump, a tree stump that was kind of hollow on the inside, and he'd fill the inside of the stump with spikes that were facing inward, and then he'd pour honey into the stump. [00:23:00] And so the bear would stick its snout in the stump to get honey, and then as it pulled its head out, the spikes would gouge into its face. [00:23:08] And so its head would be trapped inside the log, like with iron spikes gouged into its mouth. [00:23:16] And then while the bear was like in horrible agony trying to free itself and blinded because its head's stuck in a stump, he would just shoot it in the head. [00:23:23] Great. [00:23:24] I mean, I feel like he went a step barbaric for that, but you know, it's different times, I guess. [00:23:33] So yeah, that's the kind of hunter Jim is. [00:23:35] He's a A cunning man and good at surviving, but also clearly not against horrific cruelty. [00:23:43] Even like, I mean, even among sort of the ways you hear about people trapping, that's pretty rough. [00:23:48] Yeah. [00:23:49] Yeah. [00:23:50] So he was very successful at living on the frontier. [00:23:55] And he made enough money that after two years living this way, he'd saved up $300 to use as a down payment on the land he'd been squatting on. [00:24:03] And he had enough left over from that nest egg after he bought the land to buy some human beings, a family of four that he purchased on credit from his father. [00:24:12] Over the next couple of years, Jim Bowie used their unpaid labor and very questionable credit math to work out a series of loans and deferred payments for three more parcels of land. [00:24:22] Now, these were days in which no one had much hard currency, and most deals relied heavily on the amount of personal trust the low-kni was able to gain from whoever issued the loan. [00:24:32] It wasn't like today where you actually had to have the money one way or the other, you know, if you got like a bank to front it to you. [00:24:37] Like a lot of loans were based on like, you're a trustworthy guy. [00:24:42] And Jim Bowie was good initially, at least, at convincing people that he was worth taking a risk on. [00:24:49] Before long, using only his own elbow greased and the uncompensated labor of four enslaved people, Jim was able to turn these four plots of land into a productive and valuable piece of property. [00:24:59] He would eventually sell it for significantly more than he paid for it. [00:25:02] What Jim succeeded with was essentially the goal of the smartest pioneers. [00:25:06] They were land speculators looking to turn labor into real estate value and eventually get to the point where they could profit from investments without spending three years clearing timber. [00:25:15] In the time when he wasn't working, Jim Bowie was sociable. [00:25:18] As Three Roads to the Alamo notes, society was important to James Bowie. [00:25:22] He loved company, and his open, frank manner, and even temper attracted others to him. [00:25:26] He was also ambitious, and he knew it to be in his interest to cultivate friendships with what John Bowie called the better class of people. [00:25:34] And there, on rare occasion, when there were too many glasses and the merriment turned to harsh words, his other side might emerge. [00:25:40] He would not abide an insult. [00:25:41] When enraged, James Bowie became entirely single-minded in his determination to vent his anger on a foe. [00:25:47] What observers took for fearlessness was as much an entire forgetfulness of his own safety in the grips of his fury. [00:25:53] He soon acquired a reputation as a man to both respect and fear. === Unpredictable Friend and Enemy (06:11) === [00:25:57] That's an elegant way to put that like once he got drunk and you pissed him off, he would fight you till he couldn't fight you anymore. [00:26:06] Yeah, it's this thing where, like this is like this constant state of realization, as you like, go over the stories of like frontier legends and Wild West heroes and stuff that like oh, if these people were around in 2020, you would call them violent drunks who commit murder when they get wasted. [00:26:24] Like in there, there's like he was a good friend and a dangerous enemy, which just means that, like when he got drunk and he thought you had muttered something about him, he would just start shooting like yeah, and that person a good friend and a dangerous enemy. [00:26:41] That shouldn't be the same person. [00:26:43] Yeah yeah, he shouldn't be your good friend and then, in the same day, also be your worst enemy. [00:26:52] That's not, that's not a good dude. [00:26:54] Yeah, he got pissed easily, especially when drinking, which is, it was more of a romantic thing back then than I think we tend to consider it. [00:27:03] It's just, it's fun. [00:27:05] Yeah, we didn't have terms like violent alcoholic back then. [00:27:10] Instead, you were just known as being rambunctious and a man to respect and fear. [00:27:17] Like, that's what you called a guy who was really good with a gun and got drunk and angry too often. [00:27:23] There's that guy that's going to kill us. [00:27:25] He's so funny. [00:27:26] He's so funny. [00:27:27] I really respect his ability to murder people when he's wasted. [00:27:31] I like that we don't know what he's going to do ever. [00:27:33] That's my favorite part about him. [00:27:36] I like how unpredictable he is with that six gun he always carries. [00:27:40] Yeah, yeah. [00:27:42] And also how talented he is at using it. [00:27:45] That part mixed in with the unpredictable is awesome. [00:27:49] Yeah, it's so good. [00:27:51] Robert, you know what else is so good? [00:27:54] I was going to say, you know what also is unpredictable with a handgun. [00:27:59] Sure, let's go with that. [00:28:00] The sponsors of this podcast, you can never predict what they'll do with their guns. [00:28:05] That's how we vet all of our sponsors, is their unpredictability with a firearm. [00:28:11] We just throw one at them, see what happens. [00:28:13] See what happens. [00:28:14] You can never predict it. [00:28:15] Here's a product. [00:28:22] There's two golden rules that any man should live by. [00:28:26] Rule one, never mess with a country girl. [00:28:30] You play stupid games, you get stupid prizes. [00:28:32] And rule two, never mess with her friends either. [00:28:36] We always say, trust your girlfriends. [00:28:40] I'm Anna Sinfield, and in this new season of The Girlfriends... [00:28:44] Oh my god, this is the same man. [00:28:46] A group of women discover they've all dated the same prolific con artist. [00:28:50] I felt like I got hit by a truck. [00:28:52] I thought, how could this happen to me? [00:28:54] The cops didn't seem to care. [00:28:56] So they take matters into their own hands. [00:28:59] I said, oh, hell no. [00:29:01] I vowed I will be his last target. [00:29:03] He's going to get what he deserves. [00:29:08] Listen to the girlfriends. [00:29:09] Trust me, babe. [00:29:10] On the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. [00:29:20] Hey, I'm Nora Jones, and I love playing music with people so much that my podcast called Playing Along is back. [00:29:26] I sit down with musicians from all musical styles to play songs together in an intimate setting. [00:29:30] Every episode's a little different, but it all involves music and conversation with some of my favorite musicians. [00:29:36] Over the past two seasons, I've had special guests like Dave Grohl, Leve, Mavis Staples, Remy Wolf, Jeff Tweedy, really too many to name. [00:29:46] And this season, I've sat down with Alessia Cara, Sarah McLaughlin, John Legend, and more. [00:29:51] Check out my new episode with Josh Grobin. [00:29:54] You he related to the Phantom at that point. [00:29:57] Yeah, I was definitely the Phantom in that. [00:29:59] That's so funny. [00:30:00] Sherry stay with me each night, each morning. [00:30:09] Say you love me. [00:30:11] You know I. [00:30:13] So come hang out with us in the studio and listen to Playing Along on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. [00:30:21] I'm Laurie Siegel, and on Mostly Human, I go beyond the headlines with the people building our future. [00:30:26] This week, an interview with one of the most influential figures in Silicon Valley, OpenAI CEO Sam Altman. [00:30:33] I think society is going to decide that creators of AI products bear a tremendous amount of responsibility to products we put out in the world. [00:30:40] From power to parenthood. [00:30:42] Kids, teenagers, I think they will need a lot of guardrails around AI. [00:30:45] This is such a powerful and such a new thing. [00:30:47] From addiction to acceleration. [00:30:49] The world we live in is a competitive world, and I don't think that's going to stop, even if you did a lot of redistribution. [00:30:54] You know, we have a deep desire to excel and be competitive and gain status and be useful to others. [00:31:01] And it's a multiplayer game. [00:31:03] What does the man who has extraordinary influence over our lives have to say about the weight of that responsibility? [00:31:09] Find out on Mostly Human. [00:31:11] My highest order bit is to not destroy the world with AI. [00:31:14] Listen to Mostly Human on the iHeartRadio app, Apple Podcast, or wherever you listen to your favorite shows. [00:31:22] What's up, everyone? [00:31:23] I'm Ego Modem. [00:31:25] My next guest, you know, from Step Brothers, Anchorman, Saturday Night Live, and the Big Money Players Network. [00:31:32] It's Will Farrell. [00:31:35] My dad gave me the best advice ever. [00:31:39] I went and had lunch with him one day, and I was like, and dad, I think I want to really give this a shot. [00:31:44] I don't know what that means, but I just know the groundlings. [00:31:46] I'm working my way up through it. [00:31:48] I know it's a place they come look for up and coming talent. [00:31:50] He said, if it was based solely on talent, I wouldn't worry about you, which is really sweet. [00:31:55] Yeah. [00:31:56] He goes, but there's so much luck involved. [00:31:59] And he's like, just give it a shot. [00:32:00] He goes, but if you ever reach a point where you're banging your head against the wall and it doesn't feel fun anymore, it's okay to quit. === Illegal Slavery Con (13:56) === [00:32:09] If you saw it written down, it would not be an inspiration. [00:32:11] It would not be on a calendar of, you know, the cat just hang in there. [00:32:18] Yeah, it would not be. [00:32:20] Right, it wouldn't be that. [00:32:21] There's a lot of luck. [00:32:23] Listen to Thanks Dad on the iHeartRadio app, Apple Podcast, or wherever you get your podcasts. [00:32:32] All right, we are back and we're talking about Jim Bowie. [00:32:36] So back during his brief time in the militia, Jim had been in near contact with a guy named Dr. James Long, a surgeon who'd served in the Battle of New Orleans and was pretty well known by the excitable and heavily armed men of Louisiana. [00:32:49] In the summer of 1819, Long began making plans to invade Texas. [00:32:55] Now, then, as in today, Texas was a violent and lawless wasteland. [00:33:00] Mexico was ostensibly in charge, but they weren't great at being in charge. [00:33:04] And the United States had only recently yielded her claim over Texas in the Adams-OnĂ­s Treaty. [00:33:09] And if we're being honest, Mexico is still in charge of large swaths of Texas. [00:33:15] Yeah, but they're not, again, they're still not good at it. [00:33:17] No one's really ever been good at being in charge of Texas, which is part of it. [00:33:22] It's a lot of Texas's charm and a lot of what makes Texas such a bad place to be. [00:33:28] Oh, so you think one person's going to tell all these dick ads what to do? [00:33:32] Okay. [00:33:32] No, no. [00:33:33] No, they don't even listen to each other. [00:33:35] They're not going to listen to you. [00:33:37] Yeah. [00:33:38] Oh, everyone voted? [00:33:39] Okay. [00:33:40] Okay. [00:33:41] Yeah. [00:33:41] Yeah. [00:33:41] It's just like people talk about Austin being the capital of Texas. [00:33:45] The capital of Texas has always been whatever the most men with guns in a given part of Texas want the law to be. [00:33:53] That's just how it works. [00:33:55] Yeah. [00:33:56] So yeah, yeah, a lot of southern white dudes weren't happy that the U.S. had kind of backed off on attempting to take over Texas. [00:34:04] And mainly this was because they wanted to take over a bunch of Texas for themselves because other parts of the Southeast were kind of filling up. [00:34:12] So this doctor, James Long, started putting together a crude militia of what you would either call freedom fighters or violent extremists, depending on, you know, their complexion and your complexion and how you feel about complexions in general. [00:34:26] And there were about 75 of these guys. [00:34:28] And their plan was to launch an expedition through the territory and claim it for the United States. [00:34:33] They marched through Louisiana on their way over, and Jim Bowie could not resist the urge to get into a series of gunfights and maybe also get rich. [00:34:40] So he signed up along the way. [00:34:43] Wait, wait, we're going where? [00:34:45] Sure, sure, I'll do it. [00:34:47] You need a violent guy? [00:34:49] I'm a violent guy. [00:34:51] I'm really bummed that I didn't get into more gunfights when the war happened. [00:34:55] I would love a chance to do that again. [00:34:57] I never shot over that one before. [00:34:59] Yeah. [00:35:00] Yeah, so by the time Long reached Nacog Dochez, one of every three or four towns in Texas that every Texan elementary student learns how to spell, it was late June, and Long and his men declared a new government and started proclaiming laws. [00:35:14] Now, as a general rule, when white folks with guns in the middle of nowhere started announcing laws in this period of time, one of two things would happen: one would be a violent shit show, and two would be the United States of America. [00:35:26] Unfortunately, that had already happened, and so this turned into a violent shit show. [00:35:31] Yeah, so Long knew that his 300 men or so wouldn't be much of a match for the entire Mexican army, so he attempted to draw more filibusters down by offering them land at a dollar an acre, which was a pretty good price. [00:35:45] And so, for a couple of months, he succeeded in drawing in a few hundred guys who wanted very cheap land. [00:35:51] And Jim Bowie was immediately one of the most popular of these filibusters, mainly because he was really good at getting into gunfights, which happened pretty regularly during this period of time. [00:36:02] And the various fights that Jim got into around now would have been his first taste of mortal combat. [00:36:08] But it was pretty obvious that Long was outmanned and outclassed by the Spanish authorities. [00:36:13] And by October of 1819, they'd driven him and his men out of Nacogdochez. [00:36:17] Within a month or so, the expedition was a shambles, and Jim Bowie fled back to Louisiana because he didn't really want to get his ass kicked. [00:36:24] So we got into a couple of gunfights. [00:36:26] He gets to have an adventure, but it doesn't really work out in the long run. [00:36:29] I got fled out of Magadoches one time. [00:36:31] Yeah, it's a rite of passage for every Texas Texan. [00:36:35] So Jim Bowie was a trailblazer in that. [00:36:37] Got hammered, and they're like, you need to leave town. [00:36:40] I was like, that makes sense. [00:36:42] Now, this would not be the last time that James Bowie would try and fail to conquer Texas. [00:36:47] And thankfully, there were no consequences at this point for invading another nation's sovereign territory and trying to take over a part of it. [00:36:54] Like he and the other filibusters just kind of went back to Louisiana and everything was fine. [00:36:59] I mean, it's kind of like the Bundies. [00:37:03] Yeah. [00:37:03] Yeah, it is a little bit like that. [00:37:05] Yeah. [00:37:06] With more gunfire than occurred with the Bundies. [00:37:10] So, or Jim would return home and kind of got together with his brothers John and Rezin, and they all kind of agreed that they were ready to make a whole big fucking pile of money. [00:37:20] And in those days, as now, the best way to make a whole big fucking pile of money was to sell illegal and desirable products. [00:37:28] Now, today that means cocaine. [00:37:30] In the early 1800s, it meant enslaved human beings. [00:37:34] Slavery was obviously a big business and a big part of the economy of the South. [00:37:38] But by 1819, most American slaves had been born in or around the United States because the federal government had banned Americans from buying African slaves about a decade earlier in 1808. [00:37:49] Now, some of this had been due to moral pressure to end the Atlantic slave trade, but it only happened because America's political leaders assumed that existing slaves would breed enough to, you know, settle demand. [00:38:01] But the massive growth of the plantation system in the South in this period surprised people. [00:38:05] And before long, the demand for slaves in the old South far outstripped the supply. [00:38:10] This was obviously Jesus Christ. [00:38:13] What? [00:38:14] That surprises you? [00:38:16] No, but just to hear it. [00:38:19] Yeah, I mean, there's no way it's weird because these are human beings, and we should always talk about this as the crime that it was. [00:38:27] But also, I think if you talk about it, I think it actually gets across how horrible it was when we do use terms like supply and demand and product because that's how these people viewed them. [00:38:38] Jim Bowie was looking at the fact that, oh, you know, slaves aren't having enough babies to meet for the demand. [00:38:46] So, someone needs to bring in more people to enslave. [00:38:50] He was looking at it the same way that, like, today we're like, oh, there's not enough toilet paper. [00:38:54] We need to manufacture more toilet paper. [00:38:56] That's how they thought about human beings who were enslaved at this point in time. [00:38:59] And that's a big thing. [00:39:00] Or he thought about it like, hey, there's not enough prisoners in my prison for the stockholders to make money. [00:39:09] Yeah. [00:39:10] Yeah. [00:39:10] He would have owned a private prison or at least invested in one if he'd lived in the modern day. [00:39:15] But he didn't. [00:39:16] And so he got up to what I can only call like a slave trading con. [00:39:22] Wow. [00:39:23] So, yeah, this is a complicated business. [00:39:26] So I have to explain some peculiarities of Louisiana law first. [00:39:30] So slave smuggling was a big business. [00:39:34] And because the state was fundamentally racist, it had no desire to like the state didn't want people smuggling slaves, right? [00:39:42] It had to try to stop that. [00:39:43] It had to arrest slave smugglers and it had to confiscate the smuggled slaves. [00:39:47] But those smuggled slaves were still property. [00:39:50] So when illicit slave traders were caught bringing African slaves illegally into the United States, those slaves were not freed and they sure as shit weren't returned home. [00:39:59] Instead, they were auctioned off by the government for profit. [00:40:03] This meant captured smuggled slaves were super profitable for the government because if you captured a bunch of slaves, you just made a shitload of money as the government. [00:40:12] So the government had a real interest in actually people telling them where contraband enslaved human beings were. [00:40:19] So they would pay a bounty on people who could turn in control, like who could point out like, hey, there's a bunch of contraband slaves here. [00:40:27] Such helpful citizens received a percentage of the sale price of the slaves as a reward. [00:40:33] Are you seeing how this could be, the system could be gamed yet? [00:40:37] I, yeah, yeah. [00:40:38] Yeah. [00:40:40] So all this brings me to the story of Jean Lafitte, a French pirate who spent half of his year robbing and raping and stealing whole ships full of booty on the Spanish Maine, and half of his year hanging out in a fortified compound called Snake Island near Galveston, which is objectively cool. [00:40:55] It is true to be a pirate with a couple things that he shouldn't have done, but everything else sounds awesome. [00:41:01] Yeah, snake pirate with living on Snake Island. [00:41:03] That's cool as hell. [00:41:05] Like, I mean, it's awful that he's trading in enslaved human beings, but Snake Island, you know? [00:41:10] Yeah. [00:41:11] Yeah. [00:41:11] So, yeah, he would sell stolen goods from his base in Snake Island. [00:41:16] And throughout 1818 and 1819, Lafitte and his pirates were particularly successful in stealing shiploads of enslaved people bound for South America. [00:41:24] And Lafitte's barracks on Snake Island soon held more than 600 of these people. [00:41:30] Now. [00:41:32] Can I just make a terrible judge? [00:41:34] Just like one of his other pirates, like scratching his head on the island, like, this place used to be a lot more fun. [00:41:44] It sounds like all he cares about is money now. [00:41:46] This is not what I had in mind when I signed up. [00:41:50] It used to just be about the pillaging. [00:41:53] Yes, exactly. [00:41:56] So around this same time, Jim Bowie had developed a bit of a reputation in this area as a rough customer and an exciting guy. [00:42:06] He was a land speculator, but he also made cash as a roper and a tamer of wild horses and as an alligator writer. [00:42:16] What? [00:42:18] But do you understand? [00:42:19] Like, everyone around this time was a rough character. [00:42:23] So for everyone else to be like, that guy's fucking, he's crazy. [00:42:29] The average person in like the southeast, southwest in this period of time who could make it to 20 would have just wiped the floor with any given MMA fighter today, largely because they would have immediately pulled a knife. [00:42:45] What you said? [00:42:45] I thought we were fighting. [00:42:46] This is a fight. [00:42:47] I just stabbed him. [00:42:48] That's how we fight. [00:42:49] He did. [00:42:50] He didn't stab me back. [00:42:52] I don't understand it. [00:42:53] He dumb. [00:42:53] That guy was dumb. [00:42:55] Kept trying to punch me. [00:42:56] So Jim Bowie was like really popular among like the whole area around Snake Island because he was just this tough dude who would ride alligators and shit, who tried to invade Texas. [00:43:08] He was seen as kind of a cool guy. [00:43:10] So James, you know, his popularity eventually brings him into conversation with Jean Lafitte. [00:43:16] And the two became instant friends because they were both dangerous sociopaths. [00:43:20] And eventually the pirate let Jim in on a little secret. [00:43:23] He had a shitload of slaves, but a lot of them were sick. [00:43:26] And so he just couldn't sell them. [00:43:28] And he wasn't allowed to legally sell any of them in the United States because they were all from Africa. [00:43:34] Now, at this point in time, a healthy slave went for about a dollar a pound, which is how Jean Lafitte sold human beings. [00:43:40] But again, these sick ones were unsellable. [00:43:42] So Bowie came to visit Lafitte on Snake Island and took a look at his inventory. [00:43:46] And he returned from the trip, got together with his brothers, and together they launched a plan. [00:43:50] So John Bowie, who was part of this plan, would later write, quote, We first purchased 40 Negroes from Lafitte at the rate of $1 per pound, or an average of $140 for each Negro. [00:44:02] We bought them into the limits of the United States, delivered them to a custom house officer, and became the informers ourselves. [00:44:08] The law gave the informer half the value of the Negroes, which were put up and sold by the United States Marshal, and we became the purchasers of the Negroes, took half as our reward for informing, and obtained the Marshall sale for 40 Negroes, which entitled us to sell them within the United States. [00:44:22] We continued to follow this business until we made $65,000. [00:44:26] So you see what the scam is here, Billy. [00:44:28] They're buying slaves that are illegal to bring into the United States from their pirate friend Jean Lafitte. [00:44:35] And then they turn the slaves in to the government and say, we caught these illegal slaves being smuggled in. [00:44:42] And the reward the government gave them was half the value of the slaves. [00:44:46] And then the government would auction off the slaves and they would buy the slaves at auction and basically get subsidized for the price of the slaves because they'd get, you know, half of the value of them as a reward. [00:44:59] And then once they bought the slaves at auction, they would be legal slaves in the United States and they could go on and sell them to other people. [00:45:06] And it also worked because Lafitte, a lot of his slaves were elderly and old and sick. [00:45:12] And so nobody was going to buy them from the pirate, but they would buy the slaves, turn them into the United States and get half of the value because they were valued by weight. [00:45:21] They'd still get money for these slaves that were actually valueless slaves. [00:45:24] And then the government would just be stuck with them. [00:45:27] So like, yeah, it was a that this was like the slavery con that that Jim Bowie made his fortune in. [00:45:34] Wow. [00:45:35] Yeah. [00:45:38] It's like robbing drug dealers, but worse because there's not because you're still a terrible person. [00:45:45] Yeah, it's it's I don't even really have a word for it, but like slavery is one of the worst things a human being can do. [00:45:52] But in this time it was illegal. [00:45:54] And so they found a way to take this horrible legal thing and also break the law while doing it. [00:45:59] Like it's yeah, we're doing slavery, but shady. === Shady Legal Breaks (03:07) === [00:46:05] Yeah. [00:46:05] What is that? [00:46:06] How did you do that? [00:46:08] It's a gift. [00:46:09] It's a gift. [00:46:10] Now, Billy, you know who won't illegally commit tax fraud by sneakily importing slaves in and then turning them into the customs officers in order to take advantage in a loophole in the law. [00:46:22] You know who won't do that, Billy? [00:46:24] I don't want to guess. [00:46:26] The products and services that support this podcast. [00:46:34] There's two golden rules that any man should live by. [00:46:38] Rule one, never mess with a country girl. [00:46:41] If you play stupid games, you get stupid prizes. [00:46:44] And rule two, never mess with her friends either. [00:46:47] We always say, trust your girlfriends. [00:46:51] I'm Anna Sinfield, and in this new season of The Girlfriends... [00:46:55] Oh my god, this is the same man. [00:46:57] A group of women discover they've all dated the same prolific con artist. [00:47:02] I felt like I got hit by a truck. [00:47:04] I thought, how could this happen to me? [00:47:05] The cops didn't seem to care. [00:47:08] So they take matters into their own hands. [00:47:10] They said, oh, hell no. [00:47:12] I vowed I will be his last target. [00:47:15] He's going to get what he deserves. [00:47:19] Listen to the girlfriends. [00:47:21] Trust me, babe. [00:47:22] On the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. [00:47:32] I'm Lori Siegel, and on Mostly Human, I go beyond the headlines with the people building our future. [00:47:37] This week, an interview with one of the most influential figures in Silicon Valley, OpenAI CEO Sam Altman. [00:47:44] I think society is going to decide that creators of AI products bear a tremendous amount of responsibility to products we put out in the world. [00:47:51] From power to parenthood. [00:47:53] Kids, teenagers, I think they will need a lot of guardrails around AI. [00:47:56] This is such a powerful and such a new thing. [00:47:58] From addiction to acceleration. [00:48:01] The world we live in is a competitive world, and I don't think that's going to stop, even if you did a lot of redistribution. [00:48:05] You know, we have a deep desire to excel and be competitive and gain status and be useful to others. [00:48:12] And it's a multiplayer game. [00:48:14] What does the man who has extraordinary influence over our lives have to say about the weight of that responsibility? [00:48:21] Find out on Mostly Human. [00:48:22] My highest order bit is to not destroy the world with AI. [00:48:25] Listen to Mostly Human on the iHeartRadio app, Apple Podcast, or wherever you listen to your favorite shows. [00:48:34] Hey, I'm Nora Jones, and I love playing music with people so much that my podcast called Playing Along is back. [00:48:39] I sit down with musicians from all musical styles to play songs together in an intimate setting. [00:48:44] Every episode's a little different, but it all involves music and conversation with some of my favorite musicians. [00:48:50] Over the past two seasons, I've had special guests like Dave Grohl, Leve, Mavis Staples, Remy Wolf, Jeff Tweedy, really too many to name. [00:48:59] And this season, I've sat down with Alessia Cara, Sarah McLaughlin, John Legend, and more. [00:49:04] Check out my new episode with Josh Grobin. [00:49:07] You related to the Phantom at that point. [00:49:10] Yeah, I was definitely the Phantom in that. === Intimate Music Conversations (16:02) === [00:49:12] That's so funny. [00:49:14] Share each day with me each night, each morning. [00:49:22] Say you love me. [00:49:25] You know I. [00:49:27] So come hang out with us in the studio and listen to Playing Along on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. [00:49:34] What's up, everyone? [00:49:35] I'm Ago Moda. [00:49:36] My next guest, you know, from Step Brothers, Anchorman, Saturday Night Live, and the Big Money Players Network. [00:49:43] It's Will Farrell. [00:49:47] My dad gave me the best advice ever. [00:49:50] I went and had lunch with him one day and I was like, and dad, I think I want to really give this a shot. [00:49:55] I don't know what that means, but I just know the groundlings. [00:49:58] I'm working my way up through and I know it's a place they come look for up and coming talent. [00:50:02] He said, if it was based solely on talent, I wouldn't worry about you, which is really sweet. [00:50:07] Yeah. [00:50:07] He goes, but there's so much luck involved. [00:50:10] And he's like, just give it a shot. [00:50:11] He goes, but if you ever reach a point where you're banging your head against the wall and it doesn't feel fun anymore, it's okay to quit. [00:50:20] If you saw it written down, it would not be an inspiration. [00:50:22] It would not be on a calendar of, you know, the cat just hang in there. [00:50:30] Yeah, it would not be. [00:50:31] Right, it wouldn't be that. [00:50:33] There's a lot of luck. [00:50:34] Listen to Thanks Dad on the iHeartRadio app, Apple Podcast, or wherever you get your podcasts. [00:50:44] So we're back. [00:50:45] So the Bowie boys spent months engaging in this business of buying slaves from a pirate, taking them into the United States, smuggling them in, and then turning them into the government. [00:50:53] And true to form, Jim Bowie had the most personally violent task of the whole enterprise. [00:50:59] And I'm going to quote now from William C. Davis's book, Three Roads to the Alamo. [00:51:03] Quote, James himself did the most dangerous work of conveying the contrabands through the swamps and bayous, bringing them in lots of 40 at a time, as many as one or two men could handle. [00:51:12] Although the blacks were chained, Bowie found little need for fetters. [00:51:15] The frightened Africans knew nothing of the country and had nowhere to go, while they were told enough of alligators, snakes, and hostile natives to know that safety, if not happiness, lay with the Bowies. [00:51:25] On one trip, a few slaves may have escaped, not to be found again. [00:51:28] But for the rest, James Bowie felt secure that they would not run. [00:51:31] He even told Lafitte on one of his visits to Campiche that he rarely lost a slave because he was armed and he knew they feared him. [00:51:38] Instilling fear in others was something James Bowie did with ease. [00:51:43] It sounds like not with ease, like with pride. [00:51:46] With pride, yeah. [00:51:47] Yeah, he's like, no, I have this gift that I'll kill you. [00:51:51] Yeah, I'm really good at scaring chained up people with a gun as I lead them through unfamiliar territory. [00:51:58] Because they look at me and without question, they know that I will murder them. [00:52:02] Yeah, I don't give a shit. [00:52:03] It means nothing to me. [00:52:04] It's like blinking. [00:52:05] Yeah. [00:52:06] Yeah, it's a and people tell me it's a gift, but it's just who I am. [00:52:10] Now, James was very much taken with the slave smuggling business. [00:52:13] He saw it as an easy way to make outsized profits while committing what he considered to be a victimless crime. [00:52:19] The state made money. [00:52:20] The pirate made money. [00:52:22] And he made money. [00:52:23] No one got harmed. [00:52:24] No one. [00:52:25] Not a person. [00:52:26] Not one human being got harmed. [00:52:29] Yeah. [00:52:29] Yeah. [00:52:30] Now, one thing Jim Bowie was capable of doing was nursing a deep and abiding love for knives. [00:52:36] Obviously, Bowie is most famous for the enormous blade that bears his name, which we'll be talking about in detail here. [00:52:42] The gym knife. [00:52:43] The gym knife. [00:52:45] Yep, the old gym knife. [00:52:46] Yep. [00:52:47] You know the old saying, you got a gym on your hip. [00:52:50] Never go hiking without a gym. [00:52:53] Yeah. [00:52:54] So, and I have to confess here that my bowie knives are my favorite kind of knife. [00:52:59] I love, there's nothing like having like a fucking pound and a half knife on your hip and just really fucking up a piece of wood or a severed skull of a cow. [00:53:09] Whatever you got to fuck up with a knife when you're hiking around in the middle of nowhere. [00:53:13] A bowie knife can do it. [00:53:14] And I feel it's a shame that these solid knives have gotten tarnished by the name of this slave-owning monster. [00:53:21] And this is the story of why, because he did not invent the knife. [00:53:24] Yeah, but I feel like he probably did it justice. [00:53:29] He did. [00:53:30] He did. [00:53:30] And we're going to talk about why his knife got famous here. [00:53:33] So the knife was initially, the knife that he got famous for was initially a gift from his brother. [00:53:39] Probably. [00:53:39] You'll hear a couple of different stories about how he got the first Bowie knife from a couple of different people. [00:53:45] And it's not really important to get into each of the different stories in detail. [00:53:49] But the details we can synthesize that they kind of all have in common boil down to Jim Bowie received a really fucking big knife, either as a gift or as a purchase he like commissioned himself from a blacksmith. [00:54:01] And it was made by a local Louisiana blacksmith to be significantly larger and heavier than most hunting knives of the era were. [00:54:09] So he just gets an unusually large knife. [00:54:11] Either his brother has it made for him or he pays a guy to make it, but he winds up with this huge fuck-off knife. [00:54:18] It's a Hobbit sword. [00:54:19] It's a Hobbit sword. [00:54:21] It is a Hobbit sword. [00:54:22] Yeah. [00:54:23] And his brother John would later claim that he bought the knife for Jim. [00:54:27] And John had significant financial motivation to making this claim because the Bowie family got rich off of the fact that their name was attached to a famous kind of knife. [00:54:36] And John also had a vested interest in making it seem as if his brother was like a knife-wielding prodigy, like an artist with a blade. [00:54:43] And the reality is very different from that. [00:54:47] Now, J. Frank Dobie, a historian who studied Bowie and produced a pretty fair biography of him in 1957, noted, Big Jim Bowie, in conveying smuggled slaves, armed himself with three or four knives so that he could transfix any captive who tried to break away. [00:55:00] Jerking a knife out was easier than reloading a horse pistol at the muzzle. [00:55:04] Both Jim and Rezin could keep several knives moving in the air at the same time without allowing one to touch the ground. [00:55:09] At 20 paces, either could send a knife clean through a small wooden target. [00:55:13] So that's probably untrue, but these are the kind of stories people started to tell about Jim Bowie, that he was like, yeah, like a master of the blade. [00:55:21] And the reason that he got this reputation for being an artist with a knife is because of something that happened in 1827, the infamous sandbar fight. [00:55:32] So it's amazing to me because a lot of people get stabbed to death in fights even today, and nobody cares about those fights, and they're kind of written down as like the result of thugs and criminals just having access to knives. [00:55:49] But when a bunch of white dudes stab each other to death, this is what happens. [00:55:55] Well, on a sandbar. [00:55:56] Yeah, on a sandbar. [00:55:58] It's good to know that people have always been doing nonsense on sandbars in the Gulf of Mexico. [00:56:04] Yeah, yeah. [00:56:05] And this sandbar, we'll talk about this sandbar. [00:56:07] So Jim spent most of the 1820s engaging in a series of land cons in Arkansas. [00:56:14] And basically, he committed dozens of acts of fraud and basically sold people land and forests. [00:56:20] Or as they call it to this day in Arkansas, business. [00:56:24] Business. [00:56:25] Yeah. [00:56:26] He would sell people land that he didn't have any right to and then take their money and fuck off. [00:56:32] I'm not too mad at that. [00:56:35] He did that for decades. [00:56:36] Like, as a general rule, if you're wondering what Jim Bowie was doing during a period of his life where we don't have a lot of detail, he was scamming people into buying land he didn't own. [00:56:45] So he did this a bunch in Arkansas and it pissed off a lot of people. [00:56:49] And he also, like, the only way he was able to get away with it was that he relied heavily on banks to lend him the credit to do land speculation. [00:56:57] And at one point in the late 1820s, he was infuriated to find that the sheriff of a nearby parish had basically put in a bad word against him and stopped the bank from giving him a loan that he needed to continue his cons. [00:57:09] So he got into an argument with the person who'd put with that sheriff and they got into a fight on the street. [00:57:14] And the sheriff, a guy named Norris Wright, shot at Jim Bowie and only failed to kill him because the bullet hit a silver dollar in Bowie's pocket. [00:57:23] Jim fired back, but his pistol misfired. [00:57:25] And so he charged Norris Wright to try to beat him to death with his bare hands. [00:57:29] But his friends intervened and stopped the whole thing from ending in murder. [00:57:33] And that really pissed Jim off. [00:57:35] And he promised after that point that he would never be caught without an enormous knife on his body so that if that happened again and his gun misfired, he could just stab a guy to death and maybe stab his friends to death for trying to stop him from stabbing a guy to death. [00:57:47] No, for sure, stab his friends because those aren't his friends anymore. [00:57:51] Yeah, yeah. [00:57:52] So, yeah, it did not take long for Jim Bowie to find an occasion to use his giant fuck-off knife to stab a man. [00:58:00] So the sandbar fight is really romanticized in Texas history, although it didn't happen in Texas, but it involves Jim Bowie, and so we all learned about it. [00:58:09] And the short of it is that Bowie wound up on one side of a formal duel, which was held on a sandbar between Louisiana and Mississippi. [00:58:16] Dueling was actually illegal in both states, and because the sandbar wasn't really in either state, it was a popular place for men to get together with their friends and try to murder other men. [00:58:26] And they later used that same loophole for gambling. [00:58:32] Yes. [00:58:32] Yeah, it's the same basic idea. [00:58:35] Now, one of the fun things about the sandbar duel is that no one really has a good explanation as to why it started. [00:58:42] There were two different camps. [00:58:44] One camp was focused around two brothers named Wells and their friends, including Jim Bowie. [00:58:50] And on the other side was a guy named Robert Crane, a doctor named Thomas Maddox, and Bowie's old enemy, Norris Wright. [00:58:57] Now, all of these people had beef with each other for a bunch of reasons, ranging from business disputes to allegations of voter fraud. [00:59:03] And mainly, they just didn't like each other. [00:59:05] William C. Davis writes that, quote, chances were that by late summer of 1827, none of them knew the true origins of their feud. [00:59:12] So it's just a bunch of men who hate each other, and they agree to meet up at the sandbar. [00:59:16] Well, it's okay to try to murder each other, to try to murder each other. [00:59:21] So they meet up there in the summer of 1827. [00:59:24] I'm not against any of this at this point. [00:59:26] No, no. [00:59:28] It sounds like everyone's willing to meet at the sandbar. [00:59:30] So you're like, well, I'm going to be on the bank and I'm going to watch. [00:59:33] This is the only victimless crime that we've run into. [00:59:36] So who gives a shit? [00:59:40] And these are all probably monsters. [00:59:43] Like, these are all slave owners, all pieces. [00:59:45] I don't care. [00:59:45] Yeah. [00:59:46] So all these guys meet up at the sandbar and they exchange insults and they wave guns at each other in the nearby city of Alexandria first. [00:59:53] And like, so they all meet in the city near the sandbar first and they like wave guns and yell at each other. [00:59:58] And it's kind of like a pro-wrestling thing, right? [01:00:00] Like they all get everyone around them fired up. [01:00:03] And so the citizens in Alexandria like realize, oh, there's a feud got to be happening. [01:00:07] And so like, when these guys meet up at the sandbar. [01:00:11] Yeah, that's exactly what this is. [01:00:13] This is a fucking WWE match. [01:00:15] And so when they meet up at the sandbar, like hundreds of people surround the sandbar to watch this like fight start. [01:00:22] It was very, very silly, is kind of the end summary of what happens. [01:00:27] So eventually on July 26th, like the two kind of ringleaders of both groups, Norris Wright and a guy named Hall, agree to have a gunfight on the sandbar. [01:00:37] And 200 people show up to observe the fight. [01:00:39] Fuck yeah, they did. [01:00:40] Yes. [01:00:41] Yeah, yeah. [01:00:42] I would. [01:00:42] I would. [01:00:44] But Norris Wright doesn't show up for the fight. [01:00:46] Instead, he gathers a heavily armed posse and shows up near the site of the duel and like sends a representative in to say like, not ready to fight yet, but we're going to have a big fight in September. [01:00:56] That's when we're going to do it. [01:00:57] September. [01:00:58] It's like a fucking... [01:01:00] I can't get over how much like the fucking WWE this is. [01:01:06] Yeah, so everybody kind of waits until the fall. [01:01:11] And then the aggrieved, we all come back in the fall. [01:01:17] Yeah. [01:01:17] So the aggrieved parties all gather back at the sandbar on September 19th, 1827, to try to murder each other for reasons which, again, are completely unclear. [01:01:26] It was very unclear. [01:01:30] Boredom seems to be the main driver in all this. [01:01:33] Now, officially, the duel was between Wells and Maddox this time, and everyone else was seconds, including Jim Bowie. [01:01:41] But there was so much hatred between all the different men on both sides that the organizers of the duel started to worry it might turn into a gigantic bloody fight. [01:01:47] And to avoid that, they limited each side to bringing three men onto the sandbar. [01:01:53] So Wells and Maddox face off at 10 paces. [01:01:56] And because Wells was nearly blind, they had to be extra close. [01:01:59] But it didn't matter if they were extra close. [01:02:03] They're both terrible shots, and they both miss at fucking 10 feet away. [01:02:08] And so the duel ends and nobody's hurt. [01:02:10] And both men shake hands. [01:02:11] And Wells and Maddox are actually like fine with this. [01:02:14] They're like, now we can be friends again. [01:02:16] We tried to shoot each other. [01:02:17] Nobody died. [01:02:18] This is great. [01:02:19] And so, kind of like at the end of when a fucking children's baseball team finishes a game, like both sides convene together to shake hands. [01:02:29] And this is where things go awry. [01:02:31] Because the other friends who hadn't shot at each other are still really pissed, and they start insulting each other. [01:02:37] And an argument sparks up. [01:02:39] And we don't know exactly what happens. [01:02:42] There's different stories. [01:02:43] One of them is that one of the doctor, Dr. Maddox, pulls out his gun and tries to shoot another guy and accidentally shoots Jim Bowie in the leg. [01:02:52] Three Roads to the Alamo claims that the fight started when Jim Bowie and another man named Crane both drew their guns and everyone else tried to calm them down. [01:02:59] And then Crane shot at Bowie and missed him. [01:03:01] And then Bowie fired back and missed Crane. [01:03:04] And then Crane drew his second pistol and fired again and missed again, but hit one of Bowie's friends in the leg and severed an artery. [01:03:10] And then Crane realized he'd fucked up and he ran like hell away. [01:03:13] And so Jim Bowie drew his second pistol and fired while Crane was running. [01:03:17] And he missed again because none of these guys are good at shot. [01:03:22] I can't overemphasize how bad guns are in this period of time. [01:03:26] Like these men are all firing multiple shots from 10-foot distance and they can't fucking hit. [01:03:31] That's what I was going to say. [01:03:32] It's like, I don't think it's like a marksman problem. [01:03:34] It's like a manufacturing issue. [01:03:38] No, they're metal tubes with explosives and a ball in them. [01:03:43] Like guns are so shitty at this point in time. [01:03:47] And yeah, none of these people can hit for shit. [01:03:50] So Bowie misses with his second shot. [01:03:52] And at this point, he makes the wise decision to stop relying on his guns and go with an idiot-proofed killing tool, the gigantic fuck-off knife that he had strapped to his hip. [01:04:02] So roaring like a madman, he draws the knife and he like charges into the crowd of his adversaries. [01:04:07] Because the guy who shot him like ran back to his friends. [01:04:10] And Bowie just rushes towards them wielding what is essentially a small sword. [01:04:14] The survivors describe him as seeming like a tiger as he shouted out, Crane, you have shot at me and I will kill you if I can. [01:04:23] So it's still pretty proper. [01:04:28] Pretty proper. [01:04:29] So Crane panics and he only, he doesn't have a loaded gun, but he has an empty gun and it weighs like 10 pounds because guns are big back then. [01:04:37] So he throws it at Bowie as Bowie's charging and he hits him in the head and like seriously injures him because it's again a heavy piece of metal that he's hit this guy in the face with. [01:04:46] This is if we wrote this, it would kick us out of the network. [01:04:51] They'd like to get out of here. [01:04:54] This is famous for being one of the most badass fights of the old West and it reads like a fucking Benny Hill skit. [01:05:01] It does. [01:05:02] He probably gives Bowie a concussion from this. [01:05:04] Like nobody, concussions weren't a thing back then, but he like he just based on the reports, he would like this fucks Bowie up. [01:05:11] Getting hit in the head with this gun like really hurts him. === The Birth of the Bowie Knife (11:02) === [01:05:15] Yeah, so he falls down to his knees as a result of getting hit in the face with this gun. [01:05:20] And then Maddox, one of the duelists, the doctor who by some accounts had accidentally started the fight by accidentally shooting Bowie, but who knows? [01:05:27] Dr. Maddox charges Bowie just to like fistfight him and Bowie throws him away like just because tosses him. [01:05:34] And so then Crane and their other friend, Norris Wright, who is the guy who had had a gunfight with Bowie months ago, charge in to try to deal with Bowie. [01:05:43] And Wright draws another pistol and aims it at Bowie, who yells back at him, you damned rascal, don't you shoot? [01:05:53] Just. [01:05:54] Don't you dare shoot me, you rascal. [01:05:56] You damned rascal. [01:05:59] Yeah. [01:06:00] He swore. [01:06:01] That's a cool line. [01:06:03] Norris Wright, like, stands there with a gun pointed at Bowie, and the two shout at each other for a while until one of Bowie's friends runs up and hands Jim a gun. [01:06:11] And both men fire at each other at point-blank range. [01:06:14] And of course, both miss again. [01:06:17] Oh, God. [01:06:19] Now their hands hurt. [01:06:21] Yeah, they're so bad at shooting each other. [01:06:24] So, Wright pulls his second pistol, and Bowie yells at him to shoot and be damned. [01:06:29] And Wright shoots again, and of course, he misses a second time. [01:06:34] Wow. [01:06:37] Now, at this point, one of the few not dangerously unhinged men present, a guy named Denny, runs up in between Bowie and Wright and pleads with Bowie, this must be stopped, sir. [01:06:48] This must be stopped. [01:06:49] He's just like, please, for the love of God, stop fighting. [01:06:52] And he puts a hand on Bowie's chest just as Wright draws a third pistol and fires again and hits. [01:06:59] So he finally did hit somebody. [01:07:02] So the ball passes through directly through Denny's hand and it into Jim Bowie's lung. [01:07:09] And with a concussion and a bullet in their lung, most men probably would have stopped fighting. [01:07:15] But as one of Jim Bowie's friends later noted, if there ever lived a man who never felt the sensation of fear, it was James Bowie. [01:07:22] It was his habit to settle all difficulties without regard to time or place. [01:07:26] And it was the same whether he met one or many enemies. [01:07:29] So Jim Bowie, bullet in his lung and a fucking concussion, charges Norris Wright waving a gigantic knife. [01:07:36] He got about 15 feet when two of Wright's friends arrived with fresh guns and opened fire. [01:07:41] One bullet hit Jim Bowie in the thigh and took him down again. [01:07:45] Now Wright had been running away from the madman with the sword, but as soon as Bowie dropped, Norris Wright whipped out a sword cane and charged him again. [01:07:57] Now the guy who'd shot Bowie in the thigh also pulled out a sword cane, and the two just start stabbing Jim Bowie to death a bunch. [01:08:04] So the next moment in this fight is the one that would earn the name Bowie Knife a proud place in the long history of human fighting implements. [01:08:16] Shot through the lung and the thigh, probably concussed and repeatedly stabbed with sword canes, Bowie draws his giant knife again and fights off both men's sword canes, parrying their jabs with his mighty dagger. [01:08:28] He gashed both of them repeatedly on the hands and the arms. [01:08:32] In response, they stab him through the hands and the wrist. [01:08:34] I'm going to quote now from William C. Davis's book on how the fight ended. [01:08:38] Quote, Bowie got himself up to a sitting position. [01:08:41] Then in one lunge, he reached up to grab Norris Wright by the collar. [01:08:44] And as Wright tried to straighten himself, he inadvertently helped raise Bowie to a near standing position. [01:08:49] As Bowie later told the story to Rezin and their friend, he said in Wright's ear, Now, Major, you die. [01:08:54] With a single savage thrust, he drove the knife through Wright's chest, boasting afterwards that he twisted it to cut his heartstrings. [01:09:02] Well, he's not, he's not, that's not how that works. [01:09:06] Yeah, he guts him, is how most people relate it. [01:09:08] He just, he, he pulls this guy down while being stabbed and just opens his belly with his gigantic sword knife. [01:09:16] And yeah, kills the shit out of him. [01:09:19] Yeah, so Jim Bowie passes out immediately after stabbing Norris Wright to death, and the attending physician who observed him after this found a gash on his forehead, seven stab wounds, and two bullet wounds. [01:09:31] They all kind of assumed he was going to die of his injuries, but he didn't. [01:09:34] And over the next two months, Jim Bowie gradually recovered from his many injuries. [01:09:38] Meanwhile, the story of how he stabbed a dude to death became national news. [01:09:43] So most duels were all like regional stories, and it wasn't uncommon for people to die in them. [01:09:51] But the sandbar fight became legend for one reason, Jim Bowie. [01:09:55] Davis writes that in typical frontier fights, quote, the real fighters risked themselves only when they seemed to have the advantage and happily ran to cover otherwise. [01:10:03] But Bowie, impelled by the rage that blinded him to fear or self-protection, stood his ground and simply kept fighting. [01:10:09] That was the sort of thing that turned brutal, pointless brawling into legend. [01:10:13] Yeah. [01:10:13] I mean, he does. [01:10:16] Because you're not human anymore. [01:10:19] Yeah, it's totally human to like stand in front of another guy and you both shoot at each other and one of you dies and one of you doesn't. [01:10:24] What Bowie does is like, yeah, he's like a fucking superhero because he survives this and because he goes so fucking far beyond what any rational person would do in the era. [01:10:35] Well, yeah, there's also probably he's not the guy that like afterwards while he's like healing, he's also not the kind of guy who's like, I got carried away, you guys. [01:10:46] No. [01:10:47] No. [01:10:47] He was just like, yeah, come at me again. [01:10:49] And you're like, okay, dude, you got to chill out. [01:10:52] And that's exactly what happens. [01:10:54] So newspapers write huge spreads about the sandbar fight. [01:10:58] And of course, they exaggerate everything that happens in it. [01:11:00] And people are in America start talking about Jim Bowie. [01:11:03] And Bowie's canny enough to lean into the legend. [01:11:05] So he spent weeks bedridden, like from gunshot wounds. [01:11:09] But he would invite reporters in to talk to him. [01:11:11] And he would tell all of them the story of the fight. [01:11:12] And he would always have his knife strapped to his chest while he was in his sickbed so he could show it off to reporters and the steady stream of well-wishers who came by to talk to him. [01:11:22] So the Bowie knife becomes incredibly famous as a result of this. [01:11:26] And suddenly, like, every guy who feels who wants to feel like a badass has to have a Bowie knife. [01:11:35] And I found a fun write-up on sort of the spread of the Bowie knife in the wake of this by a site called The History Bandits. [01:11:40] And it does a pretty good job of tracing how Jim and all of his brothers capitalized on the fame of the family knife. [01:11:47] Quote, the Bowie family quickly made efforts to actively link the Bowie name with the famous knife's design and quality. [01:11:53] Bowie's older brother, Rezin, who had allegedly given Jim his blade before the sandbar incident, began promoting similar knives, which he advertised more trustworthy in the hands of a strong man than a pistol, which given the fact that everyone missed at the duel is not necessarily inaccurate. [01:12:07] Yeah, it's pretty accurate at the time, I think. [01:12:09] Yeah, yeah. [01:12:10] Within months of the incident, the name of Bowie was forever linked with the large hilted knives of the southern backcountry. [01:12:15] As the story of Jim Bowie's feats with his knife spread, blacksmiths across the country began to receive requests from customers to make them a knife-like buoys. [01:12:23] As far afield as England, the buoy knife became a novelty and knife shops and easterners of the United States purchased buoy knives as a symbol of the frontier. [01:12:30] Even backwoodsmen who were used to such knives adopted the new terminology of the 1830s and requested buoy knives by name at Smithy's from St. Louis to the Mexican border. [01:12:41] The Red River Herald of Necatochez, Louisiana, claimed that with hyperbole that all the steel in the country, it seemed, had immediately been converted into buoy knives. [01:12:50] By 1830, the buoy knife became a staple at forgeries across the American continent. [01:12:55] So that's cool. [01:12:57] Yeah. [01:12:59] It just cools good. [01:13:02] Yeah. [01:13:03] It's reassuring that America's always kind of been like this. [01:13:07] Yeah, it's fun. [01:13:08] The write-up I found on this actually compares the Bowie brothers in particular to Bear Grylls. [01:13:14] Because Bear Grylls has like an incredibly popular series of knives made just based off the fact that he's good at being in the woods and has been on camera like using camping knives and stuff. [01:13:25] So like knife companies like Gerber are like, hey, what if we made a knife and stick your name on it? [01:13:31] And sure enough, now they're incredibly popular. [01:13:33] You can find them in any outdoorsman store and they're not bad knives. [01:13:35] I don't like the hilts very much, but whatever. [01:13:38] So the Bowie, like, what I find interesting about this write-up is that they kind of make the point that like the Bowie family is the first in that line. [01:13:48] Like they do basically what Bear Grylls has done. [01:13:51] They create a brand with their family name for giant fuck-off knives. [01:13:56] That's kind of neat. [01:13:58] The duck dudes, too. [01:14:00] Yeah, like Duck Dynasty. [01:14:01] This is like the very first time that happened in American history, right? [01:14:04] The Bowie family definitely has some powerful Duck Dynasty energy to it. [01:14:09] Well, it's the same area, too. [01:14:11] Yeah, and it is the same area. [01:14:13] They might, in fact, be related. [01:14:16] Well, yes, there's not a lot of people down there because they kept killing each other. [01:14:20] Yeah. [01:14:21] So, yeah, Jim Bowie, slave trader, land con artist, and guy who stabbed a person to death, becomes a celebrity, mainly for stabbing a person to death. [01:14:34] And yeah, we'll talk about what comes next and how he gets to the Alamo in part two. [01:14:39] But for right now, Billy, it's time for you to celebrate your own knife. [01:14:43] What would a Billy knife be, Billy? [01:14:45] It would probably just be like a form of the kukri. [01:14:49] You would want it to be a kukri? [01:14:50] Kind of like that. [01:14:52] I really am enjoying the kukri. [01:14:55] I like it a lot. [01:14:56] Yeah, kukries are nice. [01:14:57] I enjoy the uh, I enjoy the uh, the, the, the feel of a kukri. [01:15:02] If I was going to have a Robert knife, I would want it to be. [01:15:07] I would want it to be a knife that's too large to be wielded. [01:15:09] I would like it to be like a hunting knife, but one that has to actually be mounted to the bed of a truck. [01:15:14] Like, you know how they have technicals in the Middle East with machine guns in the back? [01:15:17] I want that, but with a knife that you have to like drive at a target. [01:15:21] You want to stab it. [01:15:23] You just want a bayonet for a Humvee. [01:15:25] Yeah, I want a bayonet for I more like a bayonet for an 18-wheeler. [01:15:29] That's pretty cool. [01:15:30] Yeah, yeah, that would be, I would like a Robert knife to be a knife that requires as much steel as a small skyscraper. [01:15:37] That would be, that would be the legacy I'd like to have. [01:15:40] That sounds good. [01:15:43] If they ever give us a TV show, we could make that happen. [01:15:46] We could make that happen. [01:15:48] All right. [01:15:49] Well, if you want me to get my own branded knife, find Bear Grills on Twitter and send him pictures. [01:15:59] Send him your favorite Simpson screen grab. [01:16:01] Let's make it confusing for old Bear. [01:16:04] And if you want to find us on the internet, you can find us at behindthebastards.com. [01:16:08] You can find t-shirts on TeePublic. [01:16:09] And I have a podcast called The Women's War that is about Rojava and does include a little bit about knives. === Legacy and Branded Knives (03:18) === [01:16:17] So there we go. [01:16:18] It's an optimistic podcast. [01:16:21] It is optimistic. [01:16:22] Also optimistic is my co-host today, Mr. Billy Wayne Davis. [01:16:26] Billy, you want to tell the people where they can find you? [01:16:28] Yes, at Billy Wayne Davis on Twitter and Instagram. [01:16:33] If I ever start touring again, we're allowed to, bwdtour.com. [01:16:37] And then I have a podcast about the people that make up cannabis communities. [01:16:42] And it's called Grown Local, and season one is based in Eugene, Oregon. [01:16:48] Speaking of both the marijuana industry and Eugene, Oregon, a lot of people getting stabbed to death with large knives. [01:16:55] Definitely. [01:16:55] Lots of that. [01:16:56] Not in your podcast necessarily, just in the industry and in Eugene, Oregon. [01:17:01] Yeah, and probably not even related. [01:17:04] No, no, no. [01:17:06] I mean, or maybe. [01:17:08] Yeah. [01:17:09] All right. [01:17:10] Episode done. [01:17:20] When a group of women discover they've all dated the same prolific con artist, they take matters into their own hands. [01:17:28] I vowed I will be his last target. [01:17:31] He is not going to get away with this. [01:17:33] He's going to get what he deserves. [01:17:35] We always say that. [01:17:36] Trust your girlfriends. [01:17:39] Listen to the girlfriends. [01:17:41] Trust me, babe. [01:17:42] On the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. [01:17:52] I'm Laurie Siegel, and this is Mostly Human, a tech podcast through a human lens. [01:17:56] This week, an interview with OpenAI CEO Sam Altman. [01:18:00] I think society is going to decide that creators of AI products bear a tremendous amount of responsibility to the products we put out in the world. [01:18:07] An in-depth conversation with a man who's shaping our future. [01:18:10] My highest order bit is to not destroy the world with AI. [01:18:13] Listen to Mostly Human on the iHeartRadio app, Apple Podcasts, or wherever you listen to your favorite shows. [01:18:22] Hey, it's Nora Jones, and my podcast, Playing Along, is back with more of my favorite musicians. [01:18:27] Check out my newest episode with Josh Grobin. [01:18:30] You related to the Phantom at that point. [01:18:33] Yeah, I was definitely the Phantom in that. [01:18:35] That's so funny. [01:18:37] Share stay with me each night, each morning. [01:18:45] Listen to Nora Jones' Playing Along on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. [01:18:53] What's up, everyone? [01:18:53] I'm Ego Modem. [01:18:55] My next guest, it's Will Farrell. [01:18:59] My dad gave me the best advice ever. [01:19:02] He goes, just give it a shot. [01:19:03] But if you ever reach a point where you're banging your head against the wall and it doesn't feel fun anymore, it's okay to quit. [01:19:10] If you saw it written down, it would not be an inspiration. [01:19:13] It would not be on a calendar of, you know, the cat just hanging in there. [01:19:20] Yeah, it would not be. [01:19:22] Right, it wouldn't be that. [01:19:23] There's a lot of life. [01:19:24] Listen to Thanks Dad on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. [01:19:31] This is an iHeart Podcast. [01:19:34] Guaranteed human.