April 25, 2001 - Art Bell
02:59:53
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Welcome to Art Bell Somewhere in Time. | |
| Tonight featuring Coast to Coast A.M. from April 25th, 2001. | ||
| From the high desert in the great American Southwest Woods. | ||
| Good evening, good morning, good afternoon, wherever you may be across this great land of ours. | ||
| And it really does include all of that, you know, from Guam in the west, the Rock, eastward to the Caribbean and the U.S. Virgin Islands, south into South America, north to the Pole, and worldwide on the internet. | ||
| This is Coast to Coast a.m. and I'm Mark Bell. | ||
| Good morning. | ||
| And welcome to KCRS in Midland, Texas. | ||
| 550 on the dial, good dial position in Midland, Texas. | ||
| And I'd like to say hello to Robert Hallmark, the PD there, as program director in Radio Ease. | ||
| That's KCRS in Midland, Texas. | ||
| Welcome to Chaos. | ||
| That's what we have up here a lot of nights, and tonight, believe me, is no different. | ||
| Oh my, there's so much going on. | ||
| Just a little more station keeping business, and that is pretty good news, actually. | ||
| For those of you who follow such things, and I usually try and give out the information as it comes in, the Winter Ratings Book. | ||
| That's the Winter Ratings book, has just come out in the first major cities across the U.S. And in this case, it will include two of the three months since I've been on the air. | ||
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In other words, February and March. | |
| And the news is incredible. | ||
| Really is incredible. | ||
| We have it up on the website. | ||
| I think you already know about New York. | ||
| Matt Drudge broke the news about that. | ||
| But, oh my goodness. | ||
| Just to give you some idea, we went straight up to number one in Philadelphia. | ||
| In Los Angeles, the uptick was unbelievable. | ||
| We went from a 3.8 to a 6.9 or an 81.6% increase, just giving you some idea. | ||
| The whole story is on the website. | ||
| In Chicago, hello, WLS, 12 plus persons, all persons, 12 plus. | ||
| We went from an average quarter hour of 11.2 to 20.1. | ||
| That's a 79.5% increase. | ||
| So the whole story with all of the details as you read about such things is on my website right now at www.artbell.com entitled Press Release Art Bell in Ratings Boom. | ||
| Not exactly bad news for anybody in the radio business, so I'm pretty happy about that, as you might imagine. | ||
| Now, the work that I've got to do tonight is stacking up fast, and we've got a lot to do. | ||
| I've got Deke Richards on the phone. | ||
| This time, not a cell phone, but for his immediate safety in a public place on a regular phone, so he'll be easier to hear. | ||
| He told a story the other night you might not have heard because it occurred late in the program. | ||
| It's a story virtually of a second Roswell that you may never have heard before. | ||
| There was so much interest the first time he told the story, and I mean from the highest level UFO researchers, that I thought before I turned his phone number, and he's authorized me to do that, over to them, that I would bring him on the air one more time and let him tell his incredible story. | ||
| And there are a couple of things we hadn't heard before. | ||
| We'll get to those. | ||
| This is about a crash retrieval with bodies in Germany, folks. | ||
| Serious story. | ||
| Also a very serious story. | ||
| We're following what's going on at the bottom of the world. | ||
| Now, the mainstream news tells me, I see AP, a rescue plane, completed the perilous first leg of flight home from the South Pole, carrying an ailing American doctor across Antarctica before landing at a base near the coast. | ||
| The propeller plane carrying Dr. Ronald Shemensky, who's suffering from a gallbladder ailment, flew from the U.S. base at the pole to Ruthera Research Station in just about eight hours. | ||
| They've landed safely, but, oh, there is so much more to this story than what I'm reading here. | ||
| And this is the top story right now. | ||
| And it is apparently obscuring the more important news, far more important news. | ||
| We've got a big update coming from Mr. Hoagland, short but big, at the beginning of the next hour or maybe toward the end of this hour. | ||
| I'm not sure yet. | ||
| And then, of course, we've got James Gilliandon. | ||
| I hope I'm pronouncing that correctly. | ||
| Gilliland. | ||
| Gilliland, G-I-L-L-I-L-A-N-D. | ||
| I think that's right, Gilliland. | ||
| We'll find out. | ||
| Anyway, I slaughter names all the time. | ||
| In a moment, we'll be right back. | ||
| And when we are, we'll have Deke Richards here, who was in Germany when something big came down. | ||
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*Sounds of the wind* | |
| Coast to Coast AM sure sounds great in the middle of the night. | ||
| But you know, you don't have to be nocturnal to enjoy this amazing show. | ||
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| Visit CoastToCoastAM.com to sign up today. | ||
| You're listening to Art Bell, Somewhere in Time. | ||
| Tonight featuring Coast to Coast AM from April 25th, 2001. | ||
| Music | ||
| I received a three-page fax from a man named Deke Richards about, oh, I don't know, several days ago, an absolutely riveting fax detailing, a crash and a retrieval in Germany. | ||
| Might as well call it what it is, the Full the Gap area. | ||
| Now, I wanted to bring Deke back on. | ||
| There's been deep interest from high up in the UFO community. | ||
| So, Deke, are you there? | ||
| Yes, I am. | ||
| Oh, excellent. | ||
| This is, oh, I like regular phones so much better than cell phones, Deke. | ||
| It does sound better, doesn't it? | ||
| Yeah, oh, much better. | ||
| All right. | ||
| What I would like you to do now, relax, take a deep breath, and unwind this story for me. | ||
| Where did you grow up, Deke? | ||
| I grew up in Maine. | ||
| In Maine. | ||
| You grew way up there in the confines of northern Maine on a dairy farm. | ||
| So then you've always sort of been in that area? | ||
| Oh, yes. | ||
| Oh, yes. | ||
| Definitely. | ||
| Except when you went into military service. | ||
| When was that? | ||
| I went into the military. | ||
| I first originally joined when I was in high school still on a delayed entry program. | ||
| Well, you know, you were really anxious, weren't you? | ||
| Well, you know, they have Armed Forces Day there at the high school, you know. | ||
| What year was that? | ||
| Do you remember? | ||
| 1979. | ||
| 1979. | ||
| Right after I graduated, they didn't waste no time sending me into boot camp. | ||
| Fort Lost in the Woods Misery down there in Missouri. | ||
| Uh-huh. | ||
| And we called it Fort Lost in the Woods Misery, but that's Fort Leonardwood, Missouri. | ||
| Well, I was in the Air Force. | ||
| I was in basic training, and I know the misery, so I'd go with that. | ||
| Anyway, listen, you joined, you went through some sort of tech school, probably. | ||
| Right. | ||
| I went down there to, I did my AIT down there in Fort Leonardwood as well. | ||
| that's uh... | ||
| my advanced individual training mhm when i had to uh... | ||
| and Recovery. | ||
| Yes. | ||
| My MOS was a 63 Whiskey. | ||
| At that time, in 79, before they re-changed the numbers of the MOS structures back there in the late 80s there, it was a 63 Whiskey. | ||
| Right. | ||
| Recovery of what? | ||
| Recovery of any wheeled vehicle. | ||
| Okay. | ||
| All right. | ||
| Anything that might get stuck out there or crash or have trouble or whatever. | ||
| I knew exactly what I wanted to do because up there in one of our cornfields, a guy got stuck there one night and I had to go out there at 2 o'clock in the morning to get him out of there because if my father found this guy in our cornfield, he would have had, well, a butt full of buck shots. | ||
| Don't mess up our cornfields. | ||
| All right. | ||
| What rank did you attain in the military? | ||
| E6. | ||
| E6. | ||
| How long? | ||
| Oh, E6, huh? | ||
| Yes. | ||
| Well, because the cutoff scores were so low, because 63 whiskey, there wasn't that many in the field. | ||
| So the cutoff scores were very low, and so I made rank quick. | ||
| You were in for how long? | ||
| I was in for 10 years. | ||
| ten years so i got out and uh... | ||
| Okay. | ||
| You were assigned in Germany from whence to whence? | ||
| I was there from December of 79 till April of 84. | ||
| Four and a half years. | ||
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84. | |
| All right. | ||
| All right. | ||
| Now, in your job, where were you in Germany? | ||
| My first duty assignment there in Germany was with the 29th Supply and Service Company in Baumholder. | ||
| We were up there on top of the hill, right there in Wetzel Kacern. | ||
| We shared the Cassern with the 48th Maintenance Company. | ||
| Okay, so you did what you normally do. | ||
| You retrieved, I take it, normally. | ||
| Right. | ||
| Being in a supply and service company there, we had a laundry and bath platoon, and they went out to the field quite often to service other military units, you know, infantry a lot that was in there. | ||
| And Baumholder was, well, the headquarters for 8th ID was up there in fact, Kreuznach, but the 8th ID, the main contingent of the 8th ID, the 8th Infantry Division, was right there in Baumholder. | ||
| So our laundry platoon had to go out quite often. | ||
| And so we had a record. | ||
| Before they changed the TO ⁇ E, we had a record. | ||
| And I was the only 63 Whiskey there in the unit, and I was assigned, of course, to the record. | ||
| How long had you been in Germany when the incident, we'll call it, occurred? | ||
| Well, let's see. | ||
| The incident occurred during Reforger of 82, so let's say September. | ||
| So let's say almost three years. | ||
| Okay. | ||
| So you had been there almost three years, and then what sends you out on this retrieval, on this mission? | ||
| Do you get a phone call? | ||
| Okay. | ||
| I'll laid out for you. | ||
| The 29th Supply and Service Company, Durham Reforger, had gotten tasked to support the 11th ACR, which is the 11th Armored Cavalry Regiment up there in Path Hirschfeld, Germany. | ||
| And they patrol the 1K zone, you know, no man's land, to fold the gap. | ||
| Right, full the gap. | ||
| That's where people always speculated a war between Russia and that's where it would all begin. | ||
| That's right. | ||
| Okay. | ||
| So we're standing in the chow line there at 0 morning 30, 0600, I guess it was. | ||
| I don't remember there. | ||
| I was still outside the tent when we heard this big, huge bang and a thud. | ||
| And you could feel the vibration right underneath your feet. | ||
| And I was still outside the door of the tent, like I said, and I managed to wheedle my way through the chow line. | ||
| Everybody's wondering what that was, what that was. | ||
| So I'm sitting down. | ||
| I'm just about ready to dig into that wonderful Army SOS when the first sergeant came up to me and he says, we got to go see the CO now. | ||
| What rank were you at that point? | ||
| Do you recall? | ||
| E4. | ||
| E4. | ||
| E4 on E5 list. | ||
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Right. | |
| All right. | ||
| Sure. | ||
| And so the first sergeant said, well, obviously when the first sergeant tells you to jump, you jump. | ||
| That's right. | ||
| So I went. | ||
| And inside, when we got into the CO's tent, now you understand, we were out in the field, so we had everything was in the tent. | ||
| Right. | ||
| And so I went into the CEO's tent, and he's on the phone with these people. | ||
| I had no idea who he was on the phone there with. | ||
| CO hung up the phone, and he told me to go get my record ready and stand by. | ||
| So I went out and I fired it all up and checked everything out and made sure everything was okay. | ||
| And I'm sure you're thinking you're probably... | ||
| Well, not at this particular junction because there was a lot of jumping around there because you had a lot of recovery to do because people were getting stuck up there and everything else all the time. | ||
| All right, so no connection yet. | ||
| Right. | ||
| Go ahead. | ||
| But the first sergeant bet was unusual, but no connection yet. | ||
| Right, okay. | ||
| Okay, so then the 48th maintenance record is coming right up by me. | ||
| And instead of saying the record, can I just call him, can I say his first name? | ||
| Yeah. | ||
| Okay. | ||
| His name was Mike. | ||
| Okay. | ||
| And so anyway, Mike is a message. | ||
| Let me stop you. | ||
| You have a really good memory. | ||
| I take it that called to do so, you could remember Mike's last name, no problem. | ||
| Yes. | ||
| Oh, Mike and I are still friends today. | ||
| All right. | ||
| He doesn't know I'm doing this. | ||
| Well, he might. | ||
| He might now. | ||
| All right. | ||
| Anyway, continue. | ||
| Okay. | ||
| So Mike and I were standing out there. | ||
| We were wondering what's going on. | ||
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And I says, did you tell him, did you get any word? | |
| No, I just told him, Peter, stand here and wait. | ||
| So two Jeeps come up and a Ducenaff come up. | ||
| And then a hat on a D-7 Bulldozer from the 293rd Engineers. | ||
| And so then two helicopters fly in. | ||
| Now, from this time to this time now, it's probably about an hour and a half. | ||
| Because it's not too far past Chow. | ||
| And I managed to grab me a piece of French toast anyway. | ||
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Yeah. | |
| So anyway, these two helicopters fly in. | ||
| And there are people jumping off that helicopter in Army fatigues. | ||
| Now, at that time, we didn't have the BDUs. | ||
| Okay, we still had the regular straight-style fatigues. | ||
| Right. | ||
| But the weird thing about these people was that they had no insignia. | ||
| No U.S. Army, no U.S. Air, nothing on their suits at all. | ||
| Yeah, it's really weird. | ||
| No military insignia at all. | ||
| And the officer that was in the first helicopter, he comes over to us and he says, follow us, gentlemen. | ||
| He gets into the Jeep and we're trekking across the field. | ||
| And because we had the hat with us, which is a heavy equipment transport, at that time it was an M920 was the nomenclature. | ||
| And that can only travel 15 to 20 miles an hour when it's going cross-country. | ||
| Right. | ||
| Okay. | ||
| And it took us about maybe a half an hour to get to where we were. | ||
| You didn't have no problem finding out where you were. | ||
| What kind of terrain is this? | ||
| Well, it's a field. | ||
| It's an open field at first. | ||
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Okay. | |
| And then it goes into a small wooded area. | ||
| And then once we got to the wooded area, we had no problem figuring out what we were going after because the trail this thing led was incredible. | ||
| So you were beginning to see what? | ||
| A debris trailer? | ||
| Right, we were beginning to see a debris trail. | ||
| Could you make out pieces of metal at that point? | ||
| No, no pieces of metal at that particular junction because we're right there up front, okay, and we stopped. | ||
| And because they had to unload the bulldozer. | ||
| Okay, because I mean trees were just, I'm talking great big, humongous fir trees. | ||
| I mean, trees you can't get your arms around. | ||
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These things were 50 to 60 feet tall, and they were uprooted. | |
| It was incredible. | ||
| I mean, the trees were down. | ||
| I mean, bang, boom, some of them were cut right in half. | ||
| All right, but in an obvious trail? | ||
| Yes, it was an obvious trail right through the woods. | ||
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All right. | |
| Right through the woods. | ||
| So the bulldozer was there to plow up the trees. | ||
| Even that little D7, being the workhorse as it is, it had trouble moving some of them big fir trees. | ||
| And so the Jeeps were following first, and then it was the two wreckers, and then it was the disenhap behind the wreckers that had the personnel in it. | ||
| So we're going for about 150 yards, and then he stops and tells us to put on our gas masks. | ||
| Well, anybody that's ever been out in the field, you always have your web gear and your gas mask with you. | ||
| And so we had to put our gas mask on. | ||
| So we drove up another 20 yards, and then he made the dismount signal, and we all dismounted, got out of the record, and everything else. | ||
| The bulldozer is continuing up. | ||
| Now, at this point, the only thing that we could see was this huge, shiny thing sticking out of the ground. | ||
| Okay, I personally call it. | ||
| It looked like stainless steel. | ||
| All right. | ||
| When you say huge, how big? | ||
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Well, pardon me? | |
| Just a guess, I guess. | ||
| Well, when they put it on the flatbed, the flatbed, they had to bring in a special flatbed because of the length. | ||
| It was a 60-foot flatbed. | ||
| Right. | ||
| Okay. | ||
| What they do, the Army's got these stretched flatbeds where they can stretch them out because the frame moves. | ||
| And they had to move that out to 60 feet. | ||
| Okay. | ||
| And so the width of this thing was about 60 feet wide. | ||
| And so we're going in there. | ||
| Circular. | ||
| Well, after we got it out of the ground, I like to call it an oval triangle. | ||
| Because you take a triangle and just round off the edges. | ||
| Yeah. | ||
| And that's what you had. | ||
| And the nose of this thing was buried right down into the dirt. | ||
| Okay, I can picture that. | ||
| Sure. | ||
| It was incredible. | ||
| It was just buried right down into the dirt. | ||
| How much of it was buried? | ||
| Half of it. | ||
| Half of it, alright? | ||
| Yes, yes. | ||
| Half of it. | ||
| That's a lot. | ||
| So there was a lot of that craft in the dirt. | ||
| Yes, there was. | ||
| Yes, there was. | ||
| And it was very, because about the last hundred yards or so, I mean, it dug a trench. | ||
| It dug a trench like you went in there with a bulldozer for a couple of days and just kept up piling up dirt. | ||
| You know, the banks were, the further in you went, the higher the banks went. | ||
| And I mean, there was roots all over the place and everything else. | ||
| It was just incredible the destruction this thing did. | ||
| How many personnel On the scene at this point. | ||
| Well, at this point, with the people in the deuce and a half, and the guys in the Jeep, and Mike and I, there's about 20. | ||
| 20. | ||
| All right. | ||
| There's about 20. | ||
| And we all walked up there. | ||
| We all walked up to where this craft was. | ||
| And that's when we saw the bodies. | ||
| That's when we saw the bodies. | ||
| The bodies were completely on the left side of the craft. | ||
| And it was like they were trying to walk out of the craft, and then they just fell dead in their tracks. | ||
| And there was a strong smell of ammonia protruding from these bodies. | ||
| All right, now you didn't say that last time. | ||
| No, because I forgot about it. | ||
| They smelled like ammonia, huh? | ||
| Yes, they did. | ||
| There was a strong smell of ammonia. | ||
| it's like they walked off the craft, took a couple of whiffs of atmosphere, and fell over. | ||
| I mean, I'm not saying that's why, They weren't staggered right in the line. | ||
| The furthest one away was about 35 to 40 feet. | ||
| Okay, and the closest one was about five feet. | ||
| All right. | ||
| And he was trying, and he was right up against the bank. | ||
| And I'm assuming he just ran out of gas when he tried to climb up the bank, because the other ones were able to make it up the bank. | ||
| All right, so they were just scattered about how many total? | ||
| Five of them. | ||
| Five bodies. | ||
| Five of them. | ||
| Deke, hold it right there. | ||
| We'll be right back to you. | ||
| Deke Richards is my guest. | ||
| I'm Art Bell. | ||
| This is Coast to Coast AM. | ||
| Good morning. | ||
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This is Premier Networks. | |
| That was Art Bell hosting Coast to Coast AM on this Somewhere in Time. | ||
| *Music* | ||
| *Music* | ||
| *Music* *Music* *Music* *Music* *Music* | ||
| *Music* *Music* | ||
| The heart of the city dreams of meeting. | ||
| I from the neon turn the dawn to day. | ||
| Would you have to take the sleeping? | ||
| We had to get out before you got away. | ||
| We could go with good night. | ||
| Crazy if you died. | ||
| The more I like Everybody Oh Everybody Tonight Good girl Have to learn Oh Oh You and me on the top. | ||
| We let it all day. | ||
| Now we take you back to the past on Art Bell Somewhere in Time. | ||
| Good morning. | ||
| You're listening to a crash retrieval story from a man, Deke Richards, who was stationed in Germany. | ||
| An incident that occurred near the Fulde Gap in Germany that easily rivals Roswell. | ||
| We'll get back to him in a moment. | ||
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We'll get back to him in a moment. | |
| You're listening to Art Bell, Somewhere in Time. | ||
| Tonight featuring Coast to Coast AM from April 25th, 2001. | ||
| Music All right, now back to Deke Richards, who's at a very public place right now on the road and trying to get the story out and doing a damn good job of it at that. | ||
| Deke, you're back on the air. | ||
| And so here, this craft is halfway into the earth. | ||
| You've got bodies, five of them strewn about. | ||
| And take it from there. | ||
| Well, after the all-clear was given, they had to bring in a radiation team and check for radiation. | ||
| And now you're well into the day now. | ||
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You know, everything's well into the day. | |
| They had to wait for the body bags. | ||
| We had the all-clear so we could remove our gas masks. | ||
| That's how we knew the smell of ammonia. | ||
| And if you got too close to these things, your throat would start to burn, your nostrils and everything. | ||
| If you've ever been close to ammonia, it just starts right off your feet. | ||
| That's basically what had happened. | ||
| So the guys that were putting the bodies in a formation type so they could put them in the body bags still had to wear their gas masks. | ||
| What kind of guys are these? | ||
| These were the guys that were in the doosnap, just regular soldiers there. | ||
| E3s, E4s, you know, just guys from different units that were just sent down there to help. | ||
| Right. | ||
| And where are these people who didn't have an insignia at this point? | ||
| Well, they're the ones giving all the orders and they're down there giving a close inspection of the craft. | ||
| All right. | ||
| And there was three of them. | ||
| All right. | ||
| Okay. | ||
| One of the guys was over there at the bodies. | ||
| The other one was over here talking to the bulldozer driver at this time. | ||
| And the other one was over here talking to Mike and I how they wanted to do this. | ||
| You mean retrieve the craft? | ||
| Right. | ||
| All right. | ||
| So how did you go about it? | ||
| Well, first of all, the bulldozer had to dig away some of the earth and had to make a trail so the wreckers could come in there. | ||
| Now, you've got to keep in mind something. | ||
| People would be saying, well, why didn't they use helicopters? | ||
| Well, you're talking about a wooded area. | ||
| You're talking about fir trees that are 50 to 60 to 70 feet high. | ||
| Gotcha. | ||
| So, you know, a chopper wouldn't be very effective. | ||
| So we had to wait for the bulldozer to get to where we get the wreckers in position. | ||
| Meanwhile, Mike and I, we had to take our spade shovels and we had to dig underneath the craft so we could put slings underneath it. | ||
| They didn't want to use any metallic objects, you know, like a hook or a chain or anything else like that. | ||
| They wanted just to use our canvas slings. | ||
| So they had to bring them in special. | ||
| Okay, so you're waiting most of the day for the body bags and this stuff. | ||
| In other words, there was a lot of time in between, right? | ||
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Right, exactly. | |
| Might I ask just very briefly, what in God's name were you guys talking about when you had a little time to talk? | ||
| I mean, you must have said, what the hell are we doing? | ||
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What the hell are we doing? | |
| You must have said, Art. | ||
| I mean, you get it. | ||
| You get it. | ||
| Take this in mind. | ||
| I am just a backwards country boy from Maine. | ||
| Grew up on a dairy farm and I'm thrust into this situation right here. | ||
| I know. | ||
| But still. | ||
| I had to repeat my name over and over and over again. | ||
| I had to help Mike. | ||
| Mike, punch me. | ||
| Make sure I'm still awake. | ||
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Please. | |
| You know, and Mike was just taking it in stride. | ||
| Yeah, right. | ||
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He was. | |
| Did he punch you? | ||
| Yeah, he did. | ||
| Yeah. | ||
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I remember. | |
| All right. | ||
| So, anyway, you guys, do you know what you're dealing with? | ||
| I mean, obviously, these are not humans. | ||
| It's a spaceship or something. | ||
| I want to say that the official news release was an F-4 aircraft. | ||
| And I can check it right now. | ||
| This is not an F-4 aircraft. | ||
| I'm with you there. | ||
| I mean, they said something. | ||
| You know, it's like. | ||
| They said something. | ||
| It's like my little niece goes. | ||
| They said something crashed, but they said an F-4. | ||
| Right. | ||
| And like my little niece goes, duh. | ||
| Duh, yeah. | ||
| All right. | ||
| Describe as best you're able these creatures. | ||
| Okay. | ||
| Now, I was at no closer than four or five feet to these things. | ||
| Pretty close. | ||
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Yeah, exactly. | |
| And one of them was laying down on it. | ||
| It was on its side, but it was face down in the dirt. | ||
| And they had. | ||
| They were gray in color. | ||
| And they had big heads like a small pumpkin. | ||
| Uh-huh. | ||
| Their fingers were. | ||
| Their fingers were skinny and long. | ||
|
unidentified
|
Mm-hmm. | |
| And they had black suits on. | ||
| Black suits. | ||
| Yes, black suits. | ||
| Black skin-tight suits. | ||
| Like. | ||
| Like. | ||
| Which covered their whole. | ||
| Aerobic workers. | ||
| Yeah. | ||
| In leotards. | ||
| There you go. | ||
| There you go. | ||
| Like leotards. | ||
| All right. | ||
| That's what I. Yeah, that's what I was trying to use before was leotards. | ||
| You couldn't. | ||
| So then your discernment of their skin color was from seeing either their face or. | ||
| Just the head. | ||
| Well, I didn't see their face. | ||
| Or. | ||
| Or. | ||
| Okay. | ||
| Then just the head. | ||
| The faces were down. | ||
| The heads were. | ||
| Were down in the dirt. | ||
| The heads were hairless. | ||
| Yes. | ||
| And they were gray. | ||
| Yes. | ||
| Okay. | ||
| They were gray. | ||
| All right. | ||
| And they had the black leotard suits on. | ||
| And the one that was on its side had this. | ||
| On the. | ||
| On its chest. | ||
| It had. | ||
| Weird. | ||
| This word writing. | ||
| I mean. | ||
| I'm familiar with the shirelic alphabet. | ||
| You know. | ||
| The Russian alphabet. | ||
| The. | ||
| You know. | ||
| The backwards letters. | ||
|
unidentified
|
The. | |
| You know. | ||
| You see hieroglyphics and everything else. | ||
| But this resembled nothing I've ever seen. | ||
| Okay. | ||
| And it just looked like some kid had drew a design on there. | ||
| End of story. | ||
| You mean sort of like just a scribble design? | ||
| Yeah. | ||
| Well. | ||
| I'm sorry. | ||
| I don't have the vocabulary to put this in. | ||
| To words. | ||
| You know. | ||
| And still. | ||
| Still to this day. | ||
| All right. | ||
| Still to this day. | ||
| It. | ||
| It gets. | ||
| You know. | ||
| It upsets me when I speak about the body. | ||
| Could you take. | ||
| Because it's freaking me out. | ||
| Could you take a piece of paper. | ||
| And. | ||
| In your mind's eye. | ||
| And could you draw something that would approximate it? | ||
| I could. | ||
| I could. | ||
| Okay. | ||
| Because I've seen it for every day for the last 20 years. | ||
| I hear you. | ||
| All right. | ||
| All right. | ||
|
unidentified
|
So. | |
| You went busy trying to get straps. | ||
| Right. | ||
| Right. | ||
|
unidentified
|
So the. | |
| So the other deuce and a half had come in. | ||
| He had finally come in with the body bags. | ||
| And he had these. | ||
| And he had these chests with them too. | ||
| And. | ||
| You know. | ||
| They were. | ||
| You know. | ||
| They were metal coffins. | ||
|
unidentified
|
Okay. | |
| Right. | ||
| They were the metal coffins that they shipped. | ||
| Right. | ||
| And they had ice. | ||
| So we had to go up there and help them. | ||
| Because they had our straps in there too. | ||
| So that's when I got close to the bodies. | ||
| All right. | ||
|
unidentified
|
Okay. | |
| When I was unloading the deuce and a half. | ||
| And that's when I was right there with the bodies. | ||
| Right. | ||
| And that's when they had them all in the formation and everything else. | ||
| Then I got. | ||
| Then I got out of there. | ||
| Then I got out of there. | ||
| Because I couldn't stand the ammonia. | ||
| And I don't want to put that damn gas mask on. | ||
| Yep. | ||
| Back on. | ||
| All right. | ||
| So you're out of there. | ||
| You're back to your job. | ||
| Yes. | ||
| And I'm back at my job. | ||
| I got. | ||
| I got the slings. | ||
| Meanwhile the guys are putting the bodies in ice. | ||
| And filling them up with ice. | ||
| And they put them on the deuce and a half. | ||
| And off the deuce and a half went. | ||
| And then I'm. | ||
| Mike and I. We grabbed our shovels. | ||
| And we were figuring out. | ||
| You know. | ||
|
unidentified
|
Because. | |
| You know. | ||
| That's our MOS. | ||
| Right. | ||
| We're figuring out. | ||
| How are we going to do this. | ||
| Well obviously we couldn't move it. | ||
| The thing that we were going to have to do. | ||
| Is just lift it up. | ||
| Turn it. | ||
| So the flatbed. | ||
| So the flatbed could back right underneath it. | ||
| And put it under the flatbed. | ||
|
unidentified
|
Gotcha. | |
| That was. | ||
| That was the game plan. | ||
| All right. | ||
| So we had to dig underneath. | ||
| The craft. | ||
| So we could put the sling underneath there. | ||
| Right. | ||
| You know. | ||
| And both Mike and I. We got spade shovels. | ||
| And we're by ourselves. | ||
| And so. | ||
| The guys come over. | ||
| And they called it a day. | ||
| For this day. | ||
| They bought in tents. | ||
| They weren't going to let nobody leave. | ||
| And they called in other guys. | ||
| And they set up tents. | ||
| And everything else for us. | ||
| They bought in chow. | ||
| And the whole nine yards. | ||
| And we had to spend a night in a tent there too. | ||
| We weren't allowed to go back to our garrison. | ||
| We weren't allowed to do nothing. | ||
| Except just stay right there. | ||
| So until that job was done. | ||
| That's where you were. | ||
| Exactly. | ||
| Exactly. | ||
| And all the time in the tent. | ||
| There's three of us in that one tent. | ||
| We were fortunate. | ||
| Because we had a smaller tent. | ||
| And they bought in the cots. | ||
| And we didn't say nothing to nobody. | ||
| looking at each other just wondering what's going on here are we you know where are we but and so anyway the next day we're out there and And we finally got enough dug underneath there where we could put the sling on each side of these things, and we positioned the wreckers out. | ||
| One nice thing about the five-ton wrecker, it's very, very versatile. | ||
| It's got many, many purposes, many uses. | ||
| And by using boom supports and everything else, you drastically increase the capacity. | ||
| Maybe so this would be a boom winch. | ||
| This would be a first-time use, though, I have a feeling. | ||
| A first-time use? | ||
| Yeah, to pick one of these up. | ||
| Oh, yeah, yeah. | ||
| Anyway, I remember when you told the story before, you talked about some tubes, and you said when you got down low, when you were digging in, you actually got to sort of look into a part of the craft that... | ||
| Right. | ||
| You can call them extra treasures. | ||
| I just call them people. | ||
| And anyway, there was these five, I'd say about five inch in diameter tubes coming out of the side because there was a gash in there. | ||
| And I'm just assuming my own personal assumption that this happened when it hit them big fir trees. | ||
| Well, the gash in the craft, how big was that? | ||
| Oh, it went down into the dirt, obviously, but the part that was shown was about 20 feet. | ||
| 20 feet. | ||
| 20 big enough for these beings to come out. | ||
| Well, no, the beams didn't come out of the gash. | ||
| Oh, they didn't? | ||
| No, the beams come out of a door. | ||
| A door. | ||
| All right, so this was a separate opening, unintended opening, we'll say. | ||
| Yes, because the trees, I'm assuming, I'm just assuming that the trees caused it. | ||
| Okay, and there was no burn marks or nothing like that. | ||
| All right, and you did get one look sort of up in there at some point? | ||
| Well, you literally had to lay down on the ground. | ||
| My ear had to touch the dirt to look up inside. | ||
| And all I could see from where I was, from my vantage point, because most of the gas was down inside the dirt. | ||
| But the tubes were coming out of the dirt, out of the craft, and it had this green ooze coming out of them. | ||
| And it wasn't gushing out of there like a fire hose. | ||
| It was just dripping out of there. | ||
| Anything, did it smell of anything? | ||
| No, it didn't smell, but it was very luminescent at night. | ||
| You could see the trail of it coming back in from about 150 yards out there. | ||
| You could just see where it had touched one of the trees, and it was dripping off one of the trees and all everything. | ||
| Yes, yes. | ||
| So, excuse me. | ||
| So the tubes were out there, and I mean, they weren't in any kind of order or anything like that. | ||
| They were all over the place. | ||
| They were all over the place. | ||
| But what I could see from up inside, now personally with my mechanical background and my knowledge of mechanics, I personally thought that this was the engine room. | ||
| And what you could see up inside there was this great big humongous, just, I mean, because it was dark inside there, too. | ||
| You've got to understand that. | ||
| And I didn't shine my flashlight up underneath there because I was in cramped quarters. | ||
| Okay? | ||
| Because my ear was right down into the dirt when I'm taking one eye and being able to look up inside this. | ||
| Gotcha. | ||
| With the tubes out. | ||
| So you didn't want to use the entire thing. | ||
| You could really barely see up into it. | ||
| Right, right. | ||
| But what I could see, it was huge. | ||
| Any details you were able to make out at all? | ||
| Was it just a giant empty room? | ||
| No, it wasn't empty. | ||
| I mean, there was plainly machinery in there. | ||
| Some kind of machinery. | ||
| That's what I'm saying. | ||
| That there was some kind of machinery in there. | ||
| I'm lost for my vocabulary again. | ||
| That's all right. | ||
| So no grinding gears or anything like that, but it was just, it looked like just an engine room. | ||
| Just an engine room with a face on it. | ||
| Okay? | ||
| What I'm talking about, by the face, about a bulkhead, maybe. | ||
| There you go. | ||
| A bulkhead. | ||
| A bulkhead, all right. | ||
|
unidentified
|
Right. | |
| Okay? | ||
| And then at the edge of the bulkhead, there was this machinery. | ||
| Okay? | ||
| And it was like, I've never seen nothing like this before in my whole entire life. | ||
| I mean, you know, it didn't resemble a 454 Chevy. | ||
| I'm trying to keep my sense of humor. | ||
| Yeah, please do. | ||
| That's fine. | ||
| So anyway, your main job, you obviously were able finally to lift this thing all the way out. | ||
| Right, right. | ||
| And obviously at that point, you'd be able to see very clearly its shape, right? | ||
| Exactly. | ||
| Exactly. | ||
| Because meanwhile, while we're out there, you've got guys with brooms on top of this thing trying to dig off the dirt. | ||
| And one thing I didn't mention before, too, is that whenever you hit this thing with a shovel, I mean, you know, just because I did that a couple of times. | ||
| Right. | ||
| You know, it would have a nick in it. | ||
| Then after you bring the shovel back down, the nick would be gone. | ||
| Really? | ||
| The nick would be totally gone. | ||
|
unidentified
|
I mean, like I said, it's very, very flexible. | |
| It sort of reshaped itself. | ||
| It should appreciate itself. | ||
| Now, I didn't want to say that, but... | ||
| I don't mind. | ||
| The shape of the craft, though, when you had it fully up and you could really take a good look at it as it was going to the flatbed, you would, again, describe it as a triangle. | ||
| As a triangle. | ||
|
unidentified
|
But with rounded edges. | |
| Rounded edges. | ||
| Right, it was an oval triangle. | ||
| Okay. | ||
| It was an oval with a point with like. | ||
| Okay, no, I can draw what I can. | ||
| If you took some silly putty and rolled it up and made yourself an oval and then took one end and tried to stretch that out a little bit, what would you have? | ||
| You'd have an oval triangle. | ||
| That's right. | ||
| With rounded edges. | ||
| There you go. | ||
| I just did it myself, and I see exactly what it was like. | ||
| Right. | ||
| And it was, oh, I'd say probably 10 feet tall. | ||
| 10 feet tall at its tallest point. | ||
| And it narrowed down to about 6 feet tall in the nose. | ||
| All right. | ||
| You've already given me one very unusual thing about its makeup. | ||
| It's metal or whatever it was. | ||
| It was shiny. | ||
| It was on the skin. | ||
| And it was shiny. | ||
| Shiny like stainless steel. | ||
| I mean, there was no burn marks or anything on it, but it was shiny like stainless steel. | ||
| That's my word art. | ||
| Had there been any apparent fire? | ||
| No. | ||
| No fire. | ||
| There was no burn marks on it whatsoever. | ||
| I mean, there wasn't a scratch on this thing, except for the gas that was on the side where the tubes were coming out. | ||
| And that's where some of the metal... | ||
| Yes, there was. | ||
| About the last 80 to 50 yards or so, there was debris from the first or second tree. | ||
| That's why I'm assuming that the gas happened because of the trees because if you know anything about fir trees they're going to stand there I can hope. | ||
| What happened to the to the smaller pieces of metal? | ||
| Well that's when the troops were out there picking them up. | ||
| They were doing police call. | ||
| One of the one of the can I call them government gurus? | ||
| If you wish. | ||
| Okay one of the government gurus was out there instructing them to pick up every little piece no matter how minute how many little pieces and they had little trash bags to put to put them in. | ||
| I mean to say the least and and they had probably 20 guys out there who looked like they had a whole platoon out there picking up these little titty pieces and putting them into these bags and he said no pieces unleft. | ||
| And so anyway Mike and I we got the craft up and we had to spin it around. | ||
| So one of us had to drop our wrecker. | ||
| One of us had to drop our end after we got it out of the dirt and after they got all the dirt off of it and everything else. | ||
| And I had to take my wrecker around with the sling still hooked up and I spun it around. | ||
| Mike came around with his boom and then he lifted it up and so we're sitting there and then the flatbed backed right underneath it. | ||
| And then we dropped it right down onto the flatbed and it took them at least two hours to tarp this thing because it was definitely oversized for the flatbed. | ||
| And they had to wait for, I'm assuming that they had to wait for Clarence and everything else to take it down the Audubon. | ||
| That was the main clear thing that they were going to do. | ||
| They had to go right down the Audubon? | ||
| Oh, well, that's what I'm assuming that they had to take it down the Audubon. | ||
|
unidentified
|
How else were they going to get it down wherever they were taking it to? | |
| I mean, they bought it in on a truck. | ||
| Yeah, I've seen a lot of weird stuff on the interstates. | ||
| It's always covered with tarp, and you always go, oh, man, I wonder what that is. | ||
| No, they had to build with 2x4s something to take away the silhouette of this thing. | ||
| I mean, the tarp was on, was not on the craft. | ||
| It was on 2x4s. | ||
| They were constructing something to take away the silhouette so they could transport it down the highway. | ||
| And we're there during this whole thing because now we're in the third day, by the time this is all going on and everything else, and they were waiting for darkness to take that thing out of there. | ||
| I mean, they took it out into the field, and they had an MP perimeter around this whole area. | ||
| And they didn't want to work at night because they didn't want to draw attention to anything. | ||
| Hey, I'm just assuming that, you know? | ||
| Hey, I was in the military. | ||
| I know these things. | ||
| And so anyway, that was a stupid statement. | ||
| All right, don't worry about it. | ||
| Just let this story unwind the way it's going to unwind. | ||
| So anyway, at the end of the third day, they bought in a sanitation team. | ||
| Okay, now these were, I'm assuming they're government gurus too. | ||
| These guys are specialists. | ||
| You know, they brought this all in. | ||
| They got two bulldozers in there now. | ||
| They're covering in the hole. | ||
| They're taking the trees away. | ||
| I mean, they cut them up with chainsaws. | ||
| They're taking the trees away in dump trucks. | ||
| I mean, they're just sanitizing this whole area all the time. | ||
| Were there officers in there burning, huh? | ||
| Were there officers of rank there? | ||
| Yes, there were officers there. | ||
| Of what rank? | ||
| One was a Fulbright Colonel. | ||
| Fulberg. | ||
| One was a Fulbright Colonel. | ||
| And he was directing matters. | ||
| He was directing the matter and he was in and out. | ||
| He was also, he was in and out. | ||
| All right. | ||
| Hold it right there, Deke. | ||
| Can you hold on? | ||
| Sure. | ||
| All right, hold on. | ||
| All my guests are going to get pushed a little bit, so everybody just hang in there. | ||
| I want to get this story start to finish very carefully, and that's what we're doing right now. | ||
| Deke Richards is telling you about something as big as Roswell, except it happened in Germany. | ||
| As always, you be the judge. | ||
| But I know how I'd vote. | ||
|
unidentified
|
This is Premier Networks. | |
| That was Art Bell hosting Coast to Coast AM on this, somewhere in time. | ||
| I travel the world and endeavor to see everybody is looking for something. | ||
| Some of them want to use you. | ||
| Some of them want to get used by you. | ||
| Some of them want to abuse you. | ||
| Some of them want to be a... | ||
| 12. | ||
| 12. | ||
| Where are those happy days? | ||
| They've been so hard to find. | ||
| I tried to reach for you, but you have lost too much. | ||
| Whatever happened to our love. | ||
| I wish I understood It used to be so nice, it used to be so good Oh when you near me darling can you hear me? | ||
| It's so it The love you gave me nothing less to save me, it's so it When you're gone, how can I even try to go on? | ||
| When you're gone, go outside, how can I carry on? | ||
| You seem so far away though you are sending me You make me feel alive, there's something that I see I really tried to make it out, I wish I understood I really tried to make it out, I wish I understood What happened to you, Father? | ||
| Premier Network presents Art Bell Somewhere in Time. | ||
| Tonight, featuring Coast to Coast AM from April 25, 2001. | ||
| We're hearing a story from Deke Richards, which, if true, would rival the Roswell crash in almost every respect. | ||
| Except we'd have an awful lot of witnesses, and we're going to get to that and a lot more with Deke in a moment. | ||
| Stay right where you are. | ||
|
unidentified
|
Stay right where you are. | |
| You're listening to Art Bell, Somewhere in Time. | ||
| Tonight featuring Coast to Coast AM from April 25th, 2001. | ||
| Music All right, notification to all that we're going to be just pushing guests as we have to to get this done. | ||
| We have an update coming from Richard C. Hoagland on the incredible story ongoing from the Antarctic coming up immediately following this right now. | ||
| And then, of course, James Gulliland, and I know I'm saying that wrong, after that. | ||
| So we're trying to get it all done. | ||
| Bear with us, everybody. | ||
| This is important. | ||
| All right, Deke, you're back on the air again. | ||
| Hello, Art. | ||
| Hi. | ||
| All right, Deke, a few questions for you. | ||
| Is there any way that you could approximate or guess the weight of the craft? | ||
| Well, the flatbed trailer that they bought in there was a triaxle, and the wreckers were groaning even under the spilts. | ||
| So, and even with the boom supports on there and everything else, it increases the wrecker weight to about 15,000 pounds each. | ||
| Okay. | ||
| So with both wreckers groaning, and this is just a guess art. | ||
| I would say anywhere between 20 to 30,000 pounds. | ||
| All right, thanks. | ||
| That's all I wanted was a guess. | ||
| Some people are saying, well, if you hit it with a shovel and it sort of repaired itself or resealed itself. | ||
| Why was the gas in there? | ||
| That's right, the big hole. | ||
| Well, maybe the gas was too big to repair itself because it tore away some of the matter. | ||
| I never tore away none of the matter. | ||
| You would just make an indentation where you hit it with the shovel. | ||
| You know, when you're taking a little small spade and thrusting it up, because you've got to understand, I mean, I'm dealing with forest topsoil there with a lot of roots and everything else. | ||
| So I've got to thrust it down in there with my boot and everything else. | ||
| So when I'm thrusting it up underneath there, obviously it's going to make a mark there on the belly side of the craft. | ||
| All right. | ||
| Were there any German authorities on the site? | ||
| None. | ||
| None. | ||
| There was nobody speaking German there whatsoever. | ||
| Okay, this was all American then all the way. | ||
| It was all military. | ||
| They had an MP. | ||
| They had MPs there. | ||
| And about this time after everything was coming down, was there anybody there recording this on film or any other? | ||
| The government guru guy was. | ||
| So there was a recording there. | ||
| Yes, there was. | ||
| They were taking pictures and everything. | ||
| Okay. | ||
| I've done a number of questions. | ||
| We've got to eventually close this out, but a number of questions for you. | ||
| Why, after all these years, Deek, an obvious question, are you deciding to tell this story now? | ||
| Well, Art, I've lived with this for 20 years. | ||
| And you lived with something like this for 20 years. | ||
| You want to get it done and get it off, get it off your chest. | ||
| Look, this story needs to be told. | ||
| And I've been out of the military now since 89. | ||
| And, you know, you hear a lot of things and everything about the government secrecy and everything else. | ||
| Look, we have to have secrecy. | ||
| We have to have it for national security-related issues. | ||
| But something like this, it needs to be told. | ||
| They're out there. | ||
| All right. | ||
| Once this entire operation was concluded, Deke, was everybody rounded up? | ||
| Yes, everybody was rounded up. | ||
| We had to drive back to the garrison area. | ||
| We weren't allowed to speak to anybody. | ||
| We were put onto a bus out of the field area and shipped up the hill to the 11th ACR Concern, where the 11th ACR was, where they had the barracks and everything. | ||
| And we were put into one barracks. | ||
| It was the first and the 13th. | ||
| And we were on the first floor, and they put us all in there. | ||
| And when the Fulberg Colonel come walking in, and this was our debriefing. | ||
| And, well, if you want to call it debriefing, what it was during the riot app. | ||
| Okay, what did they say to you? | ||
| All right, well, the Colonel had come up there, and he had paused for a moment, and he had said, okay, gentlemen, he said, what you've seen here today is not to be spoken of outside this room. | ||
| You're not to speak of it amongst yourselves to nothing or nobody, not even your wives, not even your grandchildren. | ||
| And he says, to do so, you would be subject to UCMJ, which is the Uniform Code of Military Justice, and I would not hesitate to put one of you away for 20 to 30 years in Fort Leavenworth. | ||
| And while he's doing that, the government gurus are putting, I didn't mention this either, we had to sign a security agreement. | ||
| And so, and then he goes on with his... | ||
| I didn't. | ||
| He just said, sign them. | ||
| He told us this was a security agreement with the United States government, and I'm just summarizing it for you. | ||
| And he said, quote, this is on a need-to-know basis, gentlemen, and I can tell you beyond a shadow of a doubt that there is nobody in this room or outside this room that has a need-to-know basis. | ||
| So in other words, just keep your mouth shut, sign the paper, send them forward. | ||
| All right. | ||
| Again, give me the exact date of this crash and the subsequent three days. | ||
| Well, the date is hard to put down. | ||
| It happened in late September during Reforger. | ||
| Late September. | ||
| Because we have been out there in the field for about two weeks right after this had happened. | ||
| So I would say late September of 1982 during ReForger. | ||
| Yes. | ||
| That'll pin it down pretty well. | ||
| Right. | ||
| How far, do you remember how far into Reforger it was? | ||
| Yeah, it was about, I'd say, a good 10 days, right in the thick of things. | ||
| Okay, that'll nail it down pretty well. | ||
| Right, right in the thick of things or reforger. | ||
| All right. | ||
| All right, so you signed the security agreement. | ||
| Everybody properly had the hell scared out of them, I guess. | ||
| And at that time, you know, I'm still a kid. | ||
| And, you know, when this full bird colonel stands up there and he's telling you this, and he's speaking in a real firm voice when he's saying this, and you don't tell nobody. | ||
| Yes. | ||
| And that was basically it. | ||
| I've never spoken of the incident until I wrote it down on paper and faxed it to you. | ||
| All right. | ||
| What a fax. | ||
| Then luckily you got through, and then finally we've connected with you here on the landline. | ||
| All right. | ||
| A couple of additional things. | ||
| You've kept in contact and still are in contact with your friend Mike? | ||
| Yes, I am. | ||
| So he's available to back up what you say or not? | ||
| Well, he doesn't know I'm doing this right now. | ||
| Well, no, I realize that. | ||
| I mean, if he were confronted, let's say, you think he would back up your story or he would hold to his security agreement? | ||
| Well, I owe him a few trolley horses. | ||
| I could threaten him with that. | ||
| All right. | ||
| There are... | ||
| How many total people, would you say, beginning to end, had knowledge of this, direct knowledge, having seen the craft and or this? | ||
| How many? | ||
| 50 to 60. | ||
| 50 to 60. | ||
|
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Right. | |
| 50 to 60, and most of them were just ordinary soldiers. | ||
| We would like these people to get in. | ||
| I'm not counting the government gurus and the officers. | ||
| Well, they're less likely to talk to us. | ||
| But 50 to 60 other either enlisted or officers. | ||
| Right, right. | ||
| Well, they were all soldiers. | ||
| Yeah, the 50 to 60 were all soldiers. | ||
| They were from various companies, the 293rd, the 48th, and the 29th. | ||
| And our sister company was there too, the 24th Suppliant Service, not a geese. | ||
| All right, so if you were to appeal right now, which is what you can do, to these various groups, you would appeal to what groups? | ||
| I would like anybody out there who hears this appeal to email me, artbell at mindspring.com, A-R-T-B-E-L-L at mindspring.com. | ||
| And who would you appeal to to send me an email to back up your story? | ||
| I would appeal to anybody that was in the 29th Supply and Service Company, stationed in Baumholder, anybody in the 24th Supply and Service Company, I owe it a piece of. | ||
| Anybody in the 293rd Combat Engineers, and anybody in the 48th Maintenance, and anybody that was in the tent that morning that heard that loud bang and the thud. | ||
| And anybody that knows about this, please contact Art. | ||
| Please. | ||
| All right. | ||
| I want to additionally inform you that Dr. Stephen Greer of CSATI and a man named Dr. Stanton Friedman, who's a nuclear physicist into this sort of thing, both would like to contact you. | ||
| And my permission. | ||
| Also, Linda Moulton Howe. | ||
| Linda Moulton Howe as well. | ||
| You may have heard her on my show. | ||
| They all would like to speak to you. | ||
| And I have, of course, your cell phone. | ||
| So with your permission, currently right now, I'm with the Department of the Interior in the state of Maine, and I'm going down to North Carolina to get some largemouth pass to introduce them to some of the lakes up there. | ||
| Because we have a very poor largemouth pass. | ||
| Oh, so that's a time. | ||
| So when I get home, I mean, they can call me on my home phone number, and I just got that phone hooked up. | ||
| But I do have your cell number, and that would be all right, too, right? | ||
| Yes, yes. | ||
| Yes, you most certainly may. | ||
| I just wanted to be sure I had permission. | ||
| Now, you've just identified where you work now. | ||
| That was up to you. | ||
| You said it. | ||
| That's not a problem. | ||
| I don't care. | ||
| I mean, if they wanted to figure out, all they would have to do is just go back to my military record, find my address in Maine, and go see my folks. | ||
| And my folks said, oh, he works for the Department of Interior in Maine. | ||
| So what do you think the repercussions of what you're doing right now might be? | ||
| I don't know. | ||
| I don't really know, and I'll tell you the truth, I mean, at 20 years, I mean, how long 39. | ||
| I'm sorry? | ||
| Well, 39, May 1st. | ||
| 39, May 1st. | ||
| Yeah, the end of the world's coming one year away. | ||
| Think so? | ||
| 40. | ||
| 40. | ||
| Well, look, you'll do all right. | ||
| You'll make it. | ||
| So everything you've told me, is there anything that I've missed that was important or critical? | ||
| No, no, no. | ||
| Everything. | ||
| I just wanted to remind you about the ammonia. | ||
| I forgot to tell you about the GasMax and the ammonia. | ||
| I mean, I could have wrote you a seven-page facts with everything. | ||
| It was sufficient, believe me, to get me interested. | ||
| All right, my friend. | ||
| I'm going to pass this on to people who know how to investigate this sort of thing, and they'll be in touch with you, and they'll be very nice. | ||
| They're not Nazi inquisitors, so they'll just ask you some questions, and they'll do it with the background of having heard all of this tonight. | ||
| All right? | ||
| One more thing, Art. | ||
| Yes, Deke. | ||
| You guys out there that know about this, please, please contact Art. | ||
| If anything, just do it for a fellow soldier. | ||
| Thank you very much. | ||
| Thank you, Deke. | ||
| Good night. | ||
| Talk to you later, Ark. | ||
| Holy smokes. | ||
|
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So what do you say to all that? | |
| Well, now it's going to get turned over to the big boys and girls. | ||
| And we'll see where it goes. | ||
| But that was a lot of detail. | ||
| That was a lot of accuracy. | ||
| And I think I'd leave the man. | ||
| I don't know. | ||
| It's like everything else. | ||
| We submit it to you, the listener, and in this case, others. | ||
| And we'll see where it goes. | ||
| But I think you just heard a very important story. | ||
| Now we're going to switch gears. | ||
| We're going to be doing a lot of that gear switching tonight. | ||
| And we're going to get an update on what's going on down at the bottom of the world. | ||
| It sure is a hell of a mixed-up situation in Antarctica. | ||
| One story after another, one story contradicting another, even from the websites that are down there. | ||
| It's incredibly confusing. | ||
| The lead story nationally right now is about the Rescue of the doctor in Antarctica, who I recall Richard saying didn't particularly want to be rescued at all. | ||
| Here, once again, is Richard C. Hoagland continuing with the story in Antarctica. | ||
| What's going on there? | ||
| Well, good evening, Art. | ||
| It is going to be an intriguing evening, I think. | ||
| Already, huh? | ||
| The last guest was kind of an interesting segue to this because it's now turned into, hold on to your hats, guys, a possible UFO story. | ||
| Remember the story I told you that's on NPR, on the NPR website, from Richard Harris, who was a science correspondent for NPR. | ||
| He was at McMurdo in December of 2000, which is just a couple, three months ago. | ||
| And there was this big rumor going around the base that they were going to have a major UFO landing sometime imminent. | ||
| And he even found a poster. | ||
|
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Well, while he was there, apparently... | |
| What year was this? | ||
| December of 2000. | ||
| 2000, all right. | ||
| Just before the turn of 2001. | ||
| Right, gotcha. | ||
| So it's a couple three months ago. | ||
| Which is kind of the wind-up of summer down there. | ||
| You know, the summer-fall season ends in February. | ||
| this was you know coming to a close of the oven of the season how does a rumor But I mean, this is a big one of UFO that's going to land right here in the Antarctic. | ||
| Well, you know what is curious is that Harris Report says that the news itself on base is controlled. | ||
| There is no free press. | ||
| It is government. | ||
| It is the U.S. government running the place. | ||
| This is a town with 1,200 people during the summer, 85 buildings, you know, hangars and, you know, astrophysical observatories and chem labs and, you know, people looking at penguins and things like that. | ||
| So it's a major small town, but it's run by the National Science Foundation through Raytheon Polar Services. | ||
| And Harris made a point to say that the official news, you know, what they see on their local TV, what they see on their webcast, what they see in their little hand-printed newspaper, is all government-controlled. | ||
| So he said that the major source of news for people is the rumor mill, which is not controlled. | ||
| And then he goes out of his way to point up this story of a major UFO landing over the biggest base in Antarctica sometime in December. | ||
| And then he said he found this poster, which I wish he'd send me a copy because I'd like to see what it looked like. | ||
| And then when they found the culprit, when the authorities found the culprit, what do they do? | ||
| They deported the guy back to New Zealand. | ||
| They kicked him off the continent. | ||
| Yeah, he actually deported him, huh? | ||
|
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Yeah. | |
| And this is on the official NPR website. | ||
| I mean, I used to do things for National Public Radio. | ||
| I have friends that are in high places at NPR, and NPR doesn't kind of kid around. | ||
| So why was this rumor going around? | ||
| That was kind of in the back of my mind. | ||
| Well, last night we talked about that the 11 Americans had been flown by the Hercules, the Royal New Zealand Air Force Hercules, successfully on a seven and a half hour flight back from McMurdo to Christchurch. | ||
| And the four, you know, very ill, injured, whatever you want to call it, Americans had been put into hospital in Christchurch. | ||
| And we had our source, one of our three sources now that we have in New Zealand reporting to us on an almost hourly basis. | ||
| One of the problems is that it's on the other side of the world. | ||
|
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I know. | |
| So when we're awake, they're asleep. | ||
| And when we're asleep, they're awake. | ||
| And that's been one of the interesting things to get used to here. | ||
| Anyway, the hospital reported last night that they had lost their critically ill patients. | ||
| Did they actually report that? | ||
| That is a direct quote. | ||
| In fact, let me go back in my emails here and pull up the proper email from one of our key sources. | ||
| These were two of the personnel you reported last night that were critically ill but stable. | ||
| Yeah, according to Raytheon's John Shreve, who was kind of the personnel commander of the mission, he confirmed that two of the personnel were in Christchurch Hospital in, quote, critical but stable condition and added that they were expected to pull through. | ||
| But down further in my source's email, he says there is currently some confusion within the hospital about exactly where the critical but stable patients are. | ||
| Now, how the hell do you lose critical ill patients who are in the focus of worldwide attention? | ||
| Don't you normally have critically ill patients in critical care wards? | ||
| Probably in the, what do they call that? | ||
| The critical care facility. | ||
| I was in one of those. | ||
| Yes, you were. | ||
| Or when you're very closely watched, monitored, because you can't take a link when people coming in and out, taking your blood, taking your temperatures, making sure that you're doing monitors, all kinds of stuff like that. | ||
| And apparently they, quote, could not find where the people were in the hospital. | ||
| Or Richard, or they were taken to a place of isolation. | ||
| Exactly. | ||
| So now we fast forward the film, as we used to say. | ||
| And when I walked on this evening to get my daily dose of what's going on from our sources down there, let me read for you almost word for word what came in this evening from one of my key sources. | ||
| Because this now, this tale is going from abnormal and anomalistic to bizarre. | ||
| All right. | ||
| We're not going to have time before the break. | ||
| Do you not like that cliffhanger? | ||
| I guess they've got the doctor out, right? | ||
| The doctor was extracted. | ||
| I love that term. | ||
| Extracted, yes. | ||
| You think the doctor's removal was more or less a cover for what else is going on, don't you? | ||
| That's exactly what this email is going to be telling us when we come back from the other side of the break. | ||
| And the important thing is that it's being reported in New Zealand that the doctor don't want to go. | ||
| I mean, here's a guy supposedly desperately ill with pancreatitis. | ||
| He's passed gallstones. | ||
| My grandmother, when we were, you know, all, you know, as kids growing up, she had gallstones. | ||
| And believe me, everybody who's ever had a relative with them, it's a nightmare. | ||
| It's a real serious thing. | ||
|
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It's awful. | |
| All right, understood. | ||
| Richard, hold it right there. | ||
| We'll be right back. | ||
| And sorry for the guests that are getting pushed, but this is all very important stuff. | ||
| I'm Art Bell. | ||
| This is Coast to Coast A.M. And it just keeps rolling through the night. | ||
| Stay with us. | ||
|
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This is Premier Networks. | |
| That was Art Bell hosting Coast to Coast AM. | ||
| On this, Somewhere in Time. | ||
| My love is up to you anytime I say There's no love that you need And I've done my best to say everything to please Tell me what is my life That's enough | ||
| Even inside of me Girl, you just don't realize what you do to me When you hold me in your arms so tight You let me know everything's alright | ||
| I'm high on the leaving That you're in love with me Richard, sweetheart's candy. | ||
| It's made it on my mind. | ||
| Girl, you got me thirsty for another couple. | ||
| Gotta fuck on you, girl. | ||
| But I don't need your family if I can't be sure of the good love when we're all alone. | ||
| Keep it up, girl. | ||
| Yeah, you turn me on. | ||
| You're listening to Art Bell Somewhere in Time. | ||
| Tonight featuring Coast to Coast AM from April 25th, 2001. | ||
| Richard C. Hogwind is here. | ||
| We're talking about the remarkable events going on in Antarctica. | ||
| And they are remarkable, and they're about to get more remarkable. | ||
| Harkening back for just one second to Deke Richards' story, which we unwound in the first hour and a quarter or so, Neil in Cave Creek, Arizona writes, Hey, Art, remember David Adair's description of the alien engine he was allowed to examine at Area 51? | ||
| You know, I recall him describing a series of tubes that comprised part of that engine. | ||
| Sounds a lot like what Deke was describing, doesn't it? | ||
| Maybe you ought to get David Adair back on your show. | ||
| And then the other part of it was the touch of the craft itself. | ||
| Remember what David Adair said about that? | ||
| We'll be right back. | ||
|
unidentified
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We'll be right back. | |
| 800-2183527. | ||
|
unidentified
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1-800-2183527. | |
| That's 1-800-218-3527. | ||
| *Music* | ||
| I want to give you a story I don't have confirmation of at all. | ||
| Repeat, no confirmation of it, but somebody named Sentry in Kansas City flashes me, fast blast me, that BBC Radio, USA, just reported that the International Space Station's main computers are down, some sort of software problem. | ||
| That's an unconfirmed report fast blasted to me just now. | ||
| Once again, Richard C. Hoagland. | ||
|
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Richard? | |
| Yeah, I heard this morning that they were having problems with the computer manipulating the new Canada arm that was taken up by the current shuttle mission to be attached to the station. | ||
|
unidentified
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Oh? | |
| So that could have been a galloping software virus. | ||
| One never knows. | ||
| One never knows. | ||
| Anyway, back to New Zealand. | ||
| This just gets squirrelier and squirreler. | ||
| Let me read verbatim from the email from one of our sources, and everybody can sort this out for themselves, but it's going in a very interesting direction. | ||
|
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Okay. | |
| They say, yesterday I had a friend in U.S. Intel tell me a few things. | ||
| I didn't let on what I knew, as I wanted them to tell me what they knew. | ||
| What came back is interesting, to say the least. | ||
| At first I thought they were talking about the flight that had just taken place. | ||
| That's the Hercules with the 11 Americans. | ||
| The first airlift. | ||
| But now I know they were talking about the second flight. | ||
| That's the rescue of the doctor that took place today. | ||
| I was told that on board the plane, remember it was a de Havilland Otter which seats eight people, were four to six boxes of Arctic climbing, surveillance, and communications gear. | ||
| And that this had something to do with the lake area. | ||
| Something I hadn't mentioned to them, so they weren't replying to any questions I asked about the lake. | ||
| They said that the sick doctor was just a cover, and that a four-man team was going in with the equipment and will stay the winter in Antarctica. | ||
| Apparently, one of the team is an Arctic Intel specialist from Nova Scotia, brought in special for Arctic surveillance duty. | ||
| The inference is that they found something in the lake, as they mentioned that a government UFO specialist of long standing was being transferred as part of the team. | ||
| God, this is beginning to sound like the thing, Richard. | ||
| Doesn't it? | ||
| Yes, it's just like The Thing. | ||
| A combination of The Thing, 2001, and how many... | ||
| Okay, now let me go to her second email because this is important. | ||
| This now puts a few dots on some I's and some crosses on some T's. | ||
| Has anybody found the critically ill patients yet? | ||
| Okay, there has been, this is from the email. | ||
| Haven't heard a word where the other seven are, only the four that are in hospital. | ||
| The news bulletin that I saw tonight showed the flight path of the second plane and they had reached the stopover point before going on to Chile. | ||
| I did find it really odd that the second Mercy mission wasn't mentioned here whatsoever until after it was all over. | ||
| The only thing that I had heard before was the doctor now didn't want to be airlifted. | ||
| So that gives some kind of impression that there might not even be a second flight. | ||
| It's almost as if they want people to focus on the other one, meaning the one that brought out the 11 Americans yesterday, and not this second one, which of course, as we know now, did take place. | ||
| It was as if that one and not the other one that carried all the surveillance equipment and the four specialist crew, they probably didn't want much attention on that particular flight. | ||
| But I go back to these patients. | ||
| We still actually don't know where these critical patients are? | ||
|
unidentified
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Nope. | |
| There has been no further word on if the hospital has found them. | ||
| How in God's name can they just disappear? | ||
| Well, what I'm waiting for is an email from our second source who is an investigative reporter who has connections with all the mainstream media and government officials. | ||
| I mean, all of this was reported, even though it was all mixed up, it was reported relentlessly about these critically ill people. | ||
| You just don't lose critically ill people. | ||
| Exactly. | ||
| You don't lose critically ill people. | ||
| Unless they are, as this source says, a cover to lead people off the trail of the real story, which is the doctor who doesn't want to come home, even though he's, quote, desperately ill. | ||
| Now, let me read on. | ||
| I didn't fill you in on this info yesterday about the drop-off or the UFO, as I wanted to see if I could corroborate it from other sources. | ||
| I never ever tell them what I want to hear. | ||
| I let them tell me. | ||
| Yesterday, I was waiting on the two other contacts to see if the stories matched. | ||
| And they do. | ||
| I've also just heard back from two of the same sources, and both have independently told me that the UFO was slash is a dragon snake type. | ||
| Now, do you know what the hell that means? | ||
| No, Richard, I don't have any. | ||
| No, no, no, that's what this person is asking me. | ||
| I see. | ||
| I'm sure I've heard that name somewhere before, but I have to do a search to see if I can find a reference, as I can't recall anything specific. | ||
| They said it drives on the ice and slides right through it. | ||
| Does that make any sense? | ||
| That's all I know for now. | ||
| One of the sources, sure as heck, didn't want to mention Dragon Snake, but I went on and on, and finally he told me. | ||
| That also matches what the other one told me, so either they're both lying, or they're both right. | ||
| So we have escalated now to where we're dealing with a possible circular artifact. | ||
| Now, the question, of course, I have, is it present, is it current, or is it ancient? | ||
| Do you understand where I'm going with this? | ||
| Well, of course. | ||
| Who would know? | ||
| In other words, we are seeing things in our skies now. | ||
| You just had a man on describing something that crashed 20 years ago. | ||
| Yes. | ||
| If we're dealing with a very long-term, how should I say, surveillance program? | ||
| That would do. | ||
| And they're not changing models like 57 Chevys, then it's conceivable that if you find something buried in the ice in Antarctica, it may be of the same class because it's produced by a civilization that has a totally different time scale and things do not change. | ||
| Once you get the physics down and the technology down, you don't change them to put on new tailfins. | ||
| How reliable do you consider this information to be? | ||
| Well, let me give you now the second, you know, as Paul Harvey used to say, the rest of the story. | ||
| Sure. | ||
| Remember the other night I talked to you about a source that had just sent me an email from here in the States that's based in the San Diego area. | ||
| Yes. | ||
| And said that he had a neighbor who was involved in the shipment of 20-foot crates to Miramar for the Antarctic. | ||
| We've got new news on that front. | ||
| Go. | ||
| Okay. | ||
| And this source is a little more volatile, so bear with us. | ||
| He says, Hi, Richard. | ||
|
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Oh, my God. | |
| Sounds like, what's his name on the guy from Hawaii? | ||
| Just talk to my neighbor. | ||
| This could be bigger than you think. | ||
| Are you ready for this? | ||
| He is taking equipment, a lot of equipment, 138 truckloads of equipment. | ||
| Let me repeat that. | ||
| 138 truckloads of equipment from Miramar to a place north by Oxnard to a place called Port Hunami, spelled H-U-N-A. | ||
| No, that would be Port Wainemi. | ||
| Wainemi. | ||
| Thank you, Art. | ||
| They are being loaded onto a container ship that is to ship out at midnight, 426, 2001, to Antarctica. | ||
| He said the pressure is on because they have to finish the loads to the ship by this afternoon. | ||
| Richard, what are they moving a city of supplies over there for? | ||
| Thought you'd like to know. | ||
| Then he followed up a few minutes later with this one. | ||
| All right. | ||
| And this one I tried to verify. | ||
| Well, you'll see how I tried to verify it. | ||
| And we can't verify it yet, but we're ongoing in that process. | ||
| I was in such a hurry, I almost forgot the most important thing. | ||
| The first lady was there today in a White House chopper to do some kind of send-off. | ||
| I'm thinking better not to mention where this came from, my friend, the neighbor, as I do not want to get him in trouble. | ||
| Thanks again. | ||
| The first lady was there. | ||
| The first lady. | ||
| So I called Steve Bassett, and I got him out of bed, and I said, damn it, get to the White House and find out if you can get me the First Lady's itinerary. | ||
| I did not tell him why I wanted it, didn't tell him where I thought she was. | ||
| I bet he loved that. | ||
| Oh, he did love that. | ||
| So he calls me back in about 20 minutes and he says, you know, they don't publish for security reasons her itinerary. | ||
| Plus, it's 12.30 at night and there's nobody in the damn White House to talk to. | ||
| So we can't verify that she was in California this afternoon. | ||
| But my friend, who I've also known for like 10 years and who's not a flighty guy, and who is just awed by what he's tripped over because of the serendipity, I mean, he had no idea that I was onto this and we were going to be doing some of these updates. | ||
| Yes. | ||
| And he just happens to be next to a guy who's heavily involved. | ||
| I mean, that's what Jung used to call synchronicities and which we call hyperdimensional resonance. | ||
| Okay, Richard, let's go over the things we do know. | ||
| They told the second doctor to bring down salt. | ||
| Fill your pockets with salt. | ||
| Setty Carlisle is a replacement doctor for Dr. Zumansky. | ||
| Fill your pockets with salt on the way down, please. | ||
| Now, you interpret that now to mean probably radiation? | ||
| Well, one of your emailers said that salt, iodized salt, is a good substitute for iodine tablets if you are involved in a radiation scenario. | ||
| Do you know who else called me today? | ||
| Linda Moulton-Howell called me, and she said, you know, fill your pockets with salt would definitely be a code phrase for a radiation problem. | ||
| Fascinating. | ||
| Linda said. | ||
| She said, quoting, in the nuclear industry, Linda. | ||
| Exactly. | ||
| Wonderful, Linda, okay? | ||
| Because we have a post up tonight with an update with some of this material in it. | ||
|
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Yes. | |
| And from our sources, we were told the same thing, that it's a code phrase in the industry for basically popular iodine tablets. | ||
| So that means they have a radiation problem. | ||
| Now, where would the radiation come from? | ||
| UFOs do not use nukes. | ||
| Okay, boys and girls, that's not what they do. | ||
| They have much more advanced, sophisticated physics and technology. | ||
| U.S. technology uses nukes. | ||
| And as I explained on the show last night, since the 1960s, our government, the Atomic Energy Commission, Los Alamos, you know, the big national labs, have been involved in the development of a nuclear boring device, Get This Art, which could go through solid rock at the rate of six miles per hour. | ||
| Right, you gave me the patent number for it. | ||
| Yes, we gave you off the patent numbers last night, and they're on our website. | ||
| By the way, I want to credit Richard Sauter for doing a lot of this work in his book on underground bases, because he did a tremendous amount of work in digging out the actual documents, and now we know their time has come. | ||
| This is where they're going to be basically relevant to the issues at hand. | ||
| If they had brought a SNAP 100 reactor, are you familiar with that reactor? | ||
| No. | ||
| That's the one that the Lewis Research Center, now renamed the John Glenn Research Center up by Cleveland, had been working on quietly for several years for a manned Mars mission. | ||
| It was the reactor program that one of the congressmen investigated in the House of Representatives back when Admiral Trulli resigned suddenly as the administrator of NASA. | ||
| Yes. | ||
| But I'm trying here to stick with what we know. | ||
| Well, no, no. | ||
| This SNAP reactor would be small enough and portable enough to put in a Hercules aircraft and fly to the Antarctic to basically put together as a nuclear subterrain to melt through the ice to get at something underneath. | ||
| You put all these dots together. | ||
| We've got the NPR story on the UFO rumor in December. | ||
| We've now got my sources information that Intel people are telling her that we've got guys going in under the cover of the Take Out the Doctor story to look at a UFO, basically. | ||
| We've got radiation possible poison people being airlifted in an emergency EVAC situation to Christchurch where they have been lost in a hospital, which is not that big. | ||
| Oh, impossible. | ||
| And finally, and no statement on their conditions. | ||
| And no statement on where they are. | ||
| So much as one word, I assume, from either our government, any branch or part of our government or Raytheon, right? | ||
| Nope. | ||
| Nothing. | ||
| When they're asked, what do they say? | ||
| Apparently, they're saying no comment. | ||
| They are hiding behind the New Zealand privacy laws. | ||
| Even though these are not New Zealand citizens, they're American citizens. | ||
| They work for a company which is being paid by U.S. tax dollar money. | ||
| And the National Science Foundation project's the bottom of the world. | ||
| Now, let me give you this one. | ||
| This is the one that kind of puts the icing on the cake for me. | ||
| As you know, there were two separate airlifts. | ||
| There was the New Zealand airlift of the 11 Americans out yesterday. | ||
| Correct. | ||
| And then there was the Canadian airlift with the Otters, the Zahiland Otter, which is a light aircraft, twin-engine aircraft, today of the Doctor supposedly back to Chile. | ||
| That was managed by a company called Ken Borak Air out of Canada. | ||
| Yesterday, MSNBC ran a story, in fact it's on the MSNB website, all right, with a quote from the general manager about what they were involved in. | ||
| And I mean, this just is going to blow you away, Art. | ||
| He said, quote, we might as well be on Mars. | ||
| Well, right. | ||
| Now, if we're dealing with people finding high technology and a crash program to send people in to nail down reconnaissance and communications during the dead of winter down there, and a major container ship following with 138 truckloads of gear, which has to leave tomorrow night at midnight, which is, by the way, one day after my birthday, which was tonight. | ||
| Oh, happy birthday. | ||
| Thank you, Art. | ||
| Sorry, there's so much going on. | ||
| There is a bit going on. | ||
| My, my. | ||
| And so, based on what we know versus some of your dots are lighter than other dots. | ||
| Right? | ||
| Some of them are very heavy dots. | ||
| And the heavy dots are what we know. | ||
| The trouble is, connecting them doesn't bring us anywhere. | ||
| In other words, about the number of people who got sick. | ||
| Then the stories of people coming out for personal reasons, too. | ||
| And that one doesn't make any sense to me, frankly. | ||
| The CNN was reporting two days ago when some reporter asked why the other seven came out in addition to the four that were ill. | ||
| Right. | ||
| The spokesperson, this Shreve guy, says, oh, they were homesick. | ||
|
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Huh? | |
| Oh, please. | ||
| No, no, no. | ||
|
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Are you serious? | |
| They had just begun their winter down there. | ||
| These are highly paid contract workers. | ||
| The U.S. government pays a fortune to screen them. | ||
| Excuse me, but these dots don't connect. | ||
| To equip them? | ||
| Yeah. | ||
| These dots do not connect. | ||
| To employ them. | ||
| They were homesick. | ||
| No, no, that's what he said. | ||
| It is on the CNN website from two days ago. | ||
| One of my sources in New Zealand said that when asked by a New Zealand reporter what was wrong with one of the four, he was told he had a broken leg. | ||
| He had a broken leg. | ||
| A broken leg. | ||
| Now, bear in mind, anything like this would be cured on the spot. | ||
| Independent television last night, New Zealand Time, interviewed one of the four. | ||
| They found one of the four, all right? | ||
| Right. | ||
| And interviewed him in a hospital bed. | ||
| In that hospital. | ||
| Yes. | ||
| He was a fireman, supposedly. | ||
| Yes. | ||
| He supposedly had very massive head trauma. | ||
| Except on camera. | ||
| Head trauma. | ||
| He had no bandages. | ||
| He had no bruises. | ||
| No contusions. | ||
| He spoke coherently. | ||
| And he hadn't shaved his head. | ||
| In other words, none of this fits together. | ||
| So when things don't fit together, it's like, what's wrong with this picture? | ||
| The most interesting thing to me, Art, is the call for salt. | ||
| Because as Linda has now corroborated, that says radiation emergency, and there are no nukes by treaty on the entire continent of Antarctica since 1993. | ||
| Yeah, it's international. | ||
| So international territory. | ||
| Well, we used to have a reactor at McMurdo, and the Navy took it out because of the environmental concerns of waste products and all that. | ||
| All right, Richard, how do we get inside this story? | ||
| How do we do it? | ||
| Isn't it time the major media began asking the hard questions? | ||
| Unquestionably. | ||
| But it's a little difficult because they're half a world away. | ||
| We pull back all our bureaus because we really don't care about the world anymore. | ||
| Even CNN does very light world coverage. | ||
| This is a problem. | ||
| All right. | ||
| Anybody with information bearing on this directly who really knows what's going on, email me, artbell at mindspring.com. | ||
| And if it's relevant, I'll get it to Richard. | ||
| How's that, Richard? | ||
| I don't know what else we can do. | ||
| Well, let me give out our FAX number here. | ||
| All right, go ahead. | ||
| Which is 505-505-286-6130. | ||
| 6130. | ||
| If anybody has relevant information or documents, they can get it to me that way. | ||
| Okay, 505-286-6130. | ||
| Yep. | ||
| All right. | ||
| By the way, your PAX TV special. | ||
| When's that coming up? | ||
| It's Friday evening, 8 o'clock Eastern and Pacific, 7 Central, 6 o'clock Mountain Time. | ||
| And it's going to be Mars a la Sidonia a la artifacts as you have never seen it on network television. | ||
| All right, listen, we're out of time. | ||
| The rest of the story coming up as it happens. | ||
| We'll just stay in touch. | ||
| Richard, thank you. | ||
| Thank you, Art. | ||
| Good night. | ||
|
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This is Premier Networks. | |
| That was Art Bell hosting Coast to Coast AM on this, somewhere in time. | ||
| But she lets me down every time, and they come mine. | ||
| She's no one who likes with me. | ||
| She'll be so in mind. | ||
| I wanna roll for myself. | ||
| Oh, I can't one day should I. I'm getting through my mind, my soul. | ||
| I can't one day should I. You gotta love me. | ||
| You gotta love me. | ||
| Now we take you back to the path on Art Bell somewhere in time. | ||
| Well, all right, here comes a ufologist. | ||
| He is James Gilliland. | ||
| I'm calling him a ufologist, actually. | ||
| He's from ESETI. | ||
| We'll have him tell you what that's all about in a moment as the night progresses and that it's doing very quickly. | ||
| My, what a busy night. | ||
|
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My, what a busy night. | |
| You're listening to Art Bell, Somewhere in Time. | ||
| Tonight featuring Coast to Coast AM from April 25th, 2001. | ||
| Well, all right. | ||
| Now comes James Gilliland. | ||
| And I hope I'm doing that justice, his name that is. | ||
| James was raised in a small desert town, spending most of his time in nature. | ||
| In high school, he was captain of the water polo team, on the swim team, and experienced a wide variety of friends of all kinds. | ||
| He never separated himself into any one group. | ||
| College, very diverse. | ||
| Studied biology, chemistry, physics, psychology, pre-law, pre-dental, yet didn't acquire a degree or practice professionally. | ||
| Having diversity was more important than anything else to him, apparently, you know, understanding all aspects of life. | ||
| His work experience, also very diverse. | ||
| He learned all facets of the construction industry, grocery industry, real estate industry, owned his own Commercial real estate company, which developed and managed shopping centers and other large multi-million dollar projects. | ||
| He was also on the board of directors for the Chamber of Commerce. | ||
| He had a near-death experience, and that is a story unto itself. | ||
| He's been a speaker at many, many events, has appeared on ABC and Fox News, King5 Evening News magazine, Elena Smitha, I believe it is, Daylene Gates, and on and on and on. | ||
| He's been all over television. | ||
| His articles and UFO reports have been featured by Magical Blend, oh, I know that magazine, and UFO Magazine, I know that one, and are a regular feature by major UFO groups like Cause, Move On, and UFO Roundup, and so forth. | ||
| So obviously, a long time ufologist. | ||
| Welcome to the program, James. | ||
| Thank you, Art. | ||
| It's an honor to be on the show. | ||
| I'm sorry that you're on a little late, about an hour late, actually. | ||
| But we had two things that unwound, had to unwind on the program. | ||
| One, and I just thought I'd have you comment on these. | ||
| One was this incredible story of Deke Richards. | ||
| He seemed to have so many details, so many facts, so many probable witnesses, and it's such an incredible... | ||
| Yeah. | ||
| Is that the way it's? | ||
| That'll be excellent. | ||
| What's interesting is my family came out of New Mexico, and they knew a lot of the people involved in that Roswell crash. | ||
| And when I talked to my grandmother about it, she knew the sheriff, and I think it was, was his name, Bob Frizzell or? | ||
| That's right, Bob Frizzell. | ||
| Yeah, my grandfather actually sold him his farm equipment and a lot of his windmills and a lot of things of that nature. | ||
| And they speak very highly of everybody involved. | ||
| They said they were as honest as the day is long. | ||
| And if they said they saw something, they saw something. | ||
| And they said they were very shaken by the event when it happened. | ||
| So I have no doubt that definitely an event happened there. | ||
| Okay. | ||
| And then this other several days long story we're now following with regard to the Antarctic. | ||
| I don't know how closely you've been following that one, but it's getting weirder by the minute. | ||
| There's a lot of anomalies there. | ||
| It's almost sound like the Bermuda Triangle, the same kind of magnetic fluctuations there. | ||
| Yes. | ||
| They may end up digging up a buried pyramid with an activated crystal in it and something of that nature. | ||
| You never know what they're going to find. | ||
| Yeah, it could be anything. | ||
| The radiation isn't making sense. | ||
| It sounds like something got away from them there. | ||
| And I don't know how you lose critical patience either. | ||
| No. | ||
| No, it's pretty interesting. | ||
| You have to really work at that. | ||
| Yeah, you know, another thing, too, when you get these huge, massive solar flares and CMEs, those energies come zinging in right at the poles. | ||
| Right. | ||
| And so these people could be getting fried by just there's just way too much energy and magnetic fluctuations. | ||
| You know, it's interesting that you would mention that. | ||
| By the way, I'm getting confirmation that all three main computers on the International Space Station have failed. | ||
| We're trying to follow that story as it comes in. | ||
| But I've got a story here which ran in the Wall Street Journal. | ||
| And this has not been, I guess sure they're the mainstream press, but I had never heard about it until I got this Wall Street Journal copy of the story. | ||
| And what it basically says is that airlines like, for example, Northwest, which regularly flies over the pole on routes from Detroit to Beijing and Shanghai, they recently began doing these flights. | ||
| They've all decided to stay south of the pole and did so for about two weeks. | ||
| United Airlines, with its Hong Kong to New York route, also avoided the established flight path closest to the pole on a few flights by taking another nearby route. | ||
| Continental twice bypassed the pole on its Hong Kong flight, all of this because of solar flares. | ||
| And I wonder what they told the passengers. | ||
| Who knows? | ||
| I mean, these, you know, there's been some research, too, done at Stanford where they subjected monkeys to fluctuations in the magnetic fields and very large fluctuations. | ||
| And they exhibited behavior everything from comatose to self-mutilation. | ||
| Really? | ||
| Gee, we're all kind of monkeys. | ||
| Exactly. | ||
| Sort of, kind of. | ||
| And so, you know, it's not these flares and CMEs, they hit the bioelectric fields around the human body. | ||
| There's Russian research around this, too, where people have emotional outbursts. | ||
| They start projecting and processing a lot of old wounds and traumas. | ||
| And it's what you refer to as the quickening. | ||
| Everything's coming up. | ||
| Well, I'll say. | ||
| All right. | ||
| I watched your videotape tonight, James. | ||
| Great. | ||
| So I saw what you're about to describe. | ||
| Fortunately for James, he had not one, I think, video camcorder, but probably two, because I kept hearing people saying, are you getting this? | ||
| Are you getting this? | ||
| Did you have one out there or two? | ||
| We had, actually, on the two landings we had, we had one. | ||
| Landings. | ||
| Yeah, we have landings. | ||
| So hold on, folks. | ||
| We're getting ahead of our story here. | ||
| Yes. | ||
| We're talking about, first of all, what period of time? | ||
| Represented on the videotape. | ||
| What period of time? | ||
| Many days, I would assume? | ||
| Well, we've got from, we started filming these objects last May. | ||
| And I was telling people about all the UFO activity here, and nobody was believing me. | ||
| All right, now we get to the here part. | ||
| Where is here? | ||
| Where are you talking? | ||
| Okay, we're in Trout Lake, Washington, right at the base of Mount Adams. | ||
| Okay. | ||
| And Mount Adams has, or the Yakima Reservation, which is my, I look straight out across the reservation. | ||
| Our ranch is right next to the reservation. | ||
| It has a very long history of UFO activity and sightings. | ||
| Dr. J. Allen Hynek, Bill Vogel, and Greg Long, David Akers, have all done a lot of research here. | ||
| And their findings actually came out, they've been out for some time now, actually a couple of them have documents. | ||
| They've got sightings near Mount Adams? | ||
| Yes, they would be on the east side of Mount Adams is where they were seeing these. | ||
| And it's all well documented on our website at eSETI.org. | ||
| All right, what is ESETI? | ||
| Now, ESETI is, what it stands for is enlightened contact with extraterrestrials. | ||
| Sounds like CSETI, only ESETI. | ||
| Very similar. | ||
| The only thing is we've taken the step further and we've actually made contact. | ||
| And we've had some very interesting things where we've got probably over 700 eyewitnesses now that have come here and seen the craft fly over and light up on command. | ||
| You know, I must say, if I hadn't seen it, that is the video, I would think you're crackers right now. | ||
| But folks, I saw these extremely bright objects moving as no satellite could, as no airplane could, in some cases, accelerating instantly to incredible speeds. | ||
| I saw one of them land on the damn mountain. | ||
| And I'm talking about Mount Adams. | ||
| All of this was quite visible on the videotape. | ||
| However, at no point did it become more than an extremely, at least to the video camera, an extremely bright light moving in ways that aircraft couldn't move. | ||
| That's how far I can go from what I saw on the videotape. | ||
| Exactly. | ||
| We've had some of this analyzed. | ||
| I have another tape, actually. | ||
| It's on its way to you with even more footage. | ||
| Well, James, as you were describing one of the objects, and you would call for it to brighten, and by God, it would brighten. | ||
| And there were several witnesses there, not just you. | ||
| That was the other impressive part about it. | ||
| The object did, in fact, brighten. | ||
| How sure are you that object was responding to your request to brighten? | ||
| Well, we've got 11 hours now of video footage of them flying over doing this same behavior. | ||
| And after a while, when it's repeated again and again and again, it's real funny. | ||
| We just yell, the whole group goes, light it up, light it up, and it'll get right over the ranch here, and then it just lights right up. | ||
| Lights up. | ||
| What kind of video camera were you using? | ||
| I've got a small Sony. | ||
| It's probably the cheapest model you can get. | ||
| Well, it did very well because it even caught some of the background stars, and that made it easy in some cases to get a reference for how this object was moving. | ||
| Exactly. | ||
| We're on a shoestring budget here. | ||
| Basically, we've got one Sony camcorder and two VCRs. | ||
| We put all this together. | ||
| I see. | ||
| We're not like NASA or SETI, but we've delivered, actually. | ||
| We've delivered the witnesses. | ||
| We've had astrophysicists up here, scientists and aeronautic engineers. | ||
| We've even had Air Force design engineers come out and look at these ships flying over, and they said, those aren't ours. | ||
| Well, I noticed that at one point when you were filming one of the objects, it was particularly bright. | ||
| You said, I'm watching it with one eye through the viewfinder, and my other eye is seeing more than the camera is seeing. | ||
| You were saying it was a gold color, and were you able to discern shape? | ||
| Well, that particular object, it morphed into as many as four balls. | ||
| But in the naked eye, it was gold color, and it kept expanding out, and it would morph into four, like a long wing with four lights on it. | ||
| But the camcorder could only pick up one light, unfortunately. | ||
| If we had a real nice digital camera or something of that nature, we could probably pick up a lot more detail. | ||
| All right. | ||
| Tell me what's available to be seen on your website. | ||
| On our website, we have just a load of information there. | ||
| We have all kinds of photos that have been taken by UFO investigators and guests. | ||
| The photos were all taken by other people, and there was a reason for that. | ||
| And this extends this out further, but in telepathic contact that I've had for quite a while with these beings, they told me they didn't want me to try to prove that these pictures are real. | ||
| So it leaves me out of the loop. | ||
| I don't have to prove it because I have the people that took the pictures and their testimony to back up the events. | ||
| All right, for some reason, I'm being taken. | ||
| Let me be sure I'm in the right place here. | ||
| I'm being taken to something called Self-Mastery Earth Institute. | ||
| Yeah, we'll click on the UFO where it says photos. | ||
| UFOs and full contact photos and video clips. | ||
| All right, video clips. | ||
| Photos and video clips. | ||
| All right, I see it. | ||
| I'm on my way. | ||
| Okay, then you'll start coming up with the photos. | ||
| All right. | ||
| And the video clips there. | ||
| And we've got some clips of the landings. | ||
| There was actually two landings, and we've got all kinds of photos of flyovers and things of that nature. | ||
| Well, I'll say this. | ||
| Gosh, the video itself was incredibly, just incredibly impressive. | ||
| Those were not any sort of terrestrial aircraft, that's for certain, and they weren't satellites, so what's left? | ||
| Exactly. | ||
| Well, you know, that one was taken 12 miles away, the landings, because the mountain is about 12 miles away from us. | ||
| So the sheer candle power that that object was putting out and the size of it is immense. | ||
| And it came over the very top of the mountain, and this was almost, you know, a 13,000-foot mountain. | ||
| Came over the top and started descending down and descended over some sheer cliffs and rock faces. | ||
| And it would be impossible for any kind of conventional vehicle to do anything like that. | ||
| And people that have looked at the tape, they said the sheer candle power, there was no way you could get anything up there mobile with that much candle power. | ||
| I absolutely agree with you, and they changed intensity. | ||
| Sometimes they would pulse, sometimes it would simply get extremely bright and stay that way. | ||
| They went through all sorts of changes, right? | ||
| Well, they would actually morph. | ||
| It would send a smaller light out, and then that one would get as big as the original one. | ||
| I saw that happen, as a matter of fact. | ||
| And it would morph into as many as three, and one, it actually goes into four, but four different objects, and then back to one again. | ||
| So they can actually bi-locate or duplicate their ship. | ||
| It's phenomenal what the technology these beings have. | ||
| And so what we're looking at is definitely nothing that we have. | ||
| Okay, your page is slowing down. | ||
| We should be able to take a million and a half hits, according to my webmaster, but my server. | ||
| Yes. | ||
| Well, we'll see. | ||
| It's kind of slow right now. | ||
| You know, I've got the sound of a UFO. | ||
| You actually recorded the sound of a UFO, didn't you? | ||
| Yes. | ||
| Yes, we did. | ||
| Now, this actual recording was recorded by a very good friend of mine named Choi. | ||
| You know what, though? | ||
| I don't have it. | ||
| Oh, you didn't get it? | ||
| No, I don't think that I've yet received it. | ||
| I will consult my chief helper in the other room, my lovely wife, Ramona. | ||
| All right. | ||
| You sent it on a CD? | ||
| No, actually, I think it was... | ||
| Oh, I believe you... | ||
| Delana, is it Delana? | ||
| No, Delani of the Netherlands. | ||
| Delani, yeah. | ||
| Delani was actually shooting that over to you somehow. | ||
| Okay. | ||
| However she did that, I don't know. | ||
| I don't think that it made it today. | ||
| Today would have been the day when it would have arrived, I think. | ||
| And so if we don't have it, we're going to have to play it for somebody tomorrow. | ||
| Do you have a recording of that there? | ||
| No, I have it on the website, actually, where it says hear the sound of a UFO. | ||
| I know. | ||
| I've been clicked on that now for about a minute and a half. | ||
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Okay. | |
| We're challenging your website right now. | ||
| I'm afraid. | ||
| You know what? | ||
|
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I've got it. | |
| Bless your heart, honey. | ||
|
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Thank you. | |
| My wife just brought it to me. | ||
| It did arrive. | ||
| It hasn't even been opened yet. | ||
| I'm going to open it up right now. | ||
| Voila. | ||
| A CD. | ||
| So after we come back from, it's a 36-second clip. | ||
| And after we come back from the break, I'll be able to play this for everybody. | ||
| So they did get it here. | ||
| All right. | ||
| How about that? | ||
| How do you think and why do you think that you and your friends, and you've got a witness there who's going to get on the phone when we want him to, have been blessed where you are with such frequent and incredible contact? | ||
| Any thoughts on that? | ||
| Yes, what's happened is we've risen to the occasion and there's some very strong protocols when you're dealing with these beings because they're very advanced beings and they're also very spiritually advanced as well. | ||
| How do you know that? | ||
| Because I've seen them face to face. | ||
| That's a good answer. | ||
| You've seen the beings face to face. | ||
| Yes, uh-huh. | ||
| We've had full-blown contact here. | ||
| It's been going on for about eight years, but we haven't been able to get it out or get anybody to listen to us. | ||
| So we just kept documenting the evidence over and over and over. | ||
| Well, your video documentation is excellent. | ||
| Oh, thank you. | ||
| We've got more. | ||
| How many people have copies of this tape? | ||
| That particular tape has been shot out to probably about 40 or 50 people. | ||
| So 40 or 50 have seen this. | ||
| Exactly. | ||
| And what kind of comments do you get other than the ones I gave you? | ||
| Well, even skeptics walk away just scratching their head. | ||
| And one woman watched it and she went into process, started kind of really flipping out, just could not handle it. | ||
| Because she was in denial and real skeptic. | ||
| Not quite that close. | ||
| But I mean, when these lights, these bright orbs just suddenly split and take off. | ||
| Well, we have these giant golden ones that come in and they come right at you. | ||
| Okay, now we could not discern the golden color on the tape. | ||
| That's what I remember you said. | ||
| No, I remember you said I'm seeing it just as a bright light in the viewfinder, but with my left eye, I can see it's gold colored. | ||
| Yeah, that was a higher one. | ||
| There's been so much activity here. | ||
| Unfortunately, we haven't been able to get it all on film. | ||
| You've got enough, though. | ||
| Hold on, if you would, please. | ||
| James Gilliland is my guest. | ||
| He's a ufologist up in Washington State, which seems to be a hotspot for just about everything. | ||
| I'm Art Bell, and this is Coast to Coast AM. | ||
|
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This is Premier Networks. | |
| That was Art Bell hosting Coast to Coast AM on this Somewhere in Time. | ||
| Fire. | ||
| We've been traveling far without a hope, but not without a star. | ||
| Only one will be free. | ||
| In the green shine away, In the tree around the beach. | ||
| In the ocean look at their birds and you, When drag in ribbons here. | ||
| When I was cold, the breathless moon in the pool of the night. | ||
| The shadows of the dream appear amid the lantern light. | ||
| We got a big fire. | ||
| Let me turn it up again. | ||
| The green, the green, the green You pull a good down to the shady grove Become the shadowy. | ||
| Time-breaking on the ship. | ||
| Premier Networks presents Art Bell Somewhere in Time. | ||
| Tonight featuring Coast to Coast A.M. from April 25, 2001. | ||
| Well, I hate to be the bearer of a self-fulfilling prophecy, but I've got to find out. | ||
| I'm having a terrible time getting on James' site. | ||
| My guest is James Gilliland, a ufologist, and he's got a lot of photographs and moving video up there that we all want you to see, but I'm having trouble getting on the site. | ||
| So, give it a try. | ||
| How do you get there? | ||
| Everybody's asking. | ||
| How do you get there? | ||
| Go to my site, www.rfl.com. | ||
| Click on tonight's guest info. | ||
| You'll see the name right away, James Gilliman. | ||
| Go down to website, www.it looks like Ezekiel.org. | ||
| That's what you want to click on. | ||
| And then if you would be so kind, you go, of course, to the videos, you go to the photos and video clips section and see how you do. | ||
| And if you would be so kind, report back to me on FastBlast and let me know whether you're getting through or not. | ||
| I said it may be a self-fulfilling prophecy. | ||
| Sending you there to check may cause it to stop utterly, but it was pretty well stopped for me anyway. | ||
| So if it's just me, then I want to know that. | ||
| If it's all of you, then I want to know that so that we can make some adjustments in the future, if not right now. | ||
| Anyway, we've got the sound of an extraterrestrial craft on a CD. | ||
| I've never heard it. | ||
| We'll all listen together. | ||
|
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coming right up You're listening to Art Bell Somewhere in Time. | |
| Tonight featuring Coast to Coast AM from April 25, 2001. | ||
| Coast to Coast AM from April 25, 2001. | ||
| James, welcome back. | ||
| I've got good news and medium news. | ||
| The good news is one person I see out of 10 here that I've got on my screen right now did get through, watched, he says, a 31 meg MPEG file, and he says, wowzers, that's Dick in Cottage Grove, Oregon. | ||
| So he saw some video. | ||
| Most of the other people, though, are saying things like, the site is slow, it's not just you, I'm on cable. | ||
| Or, let's see, a sound is downloading now, but at about 50 bytes a second, I may hear it next week if I'm lucky. | ||
| So that gives you some idea of what's happening to your website right now. | ||
| Well, we know that a million and a half of your listeners have computers, that's for sure. | ||
| All right, so they're trying to get to what they can get to. | ||
| All right, so I've got this CD, and by the way, it looks like it has I'm trying to determine how many tracks are actually on, I guess just one. | ||
| All right, describe to me where you were when you recorded this and the circumstances around whatever is on here. | ||
| Okay, this particular sound was recorded actually by a friend of mine by the name of Choi who was very involved with us here. | ||
| And he was a student at Portland State University. | ||
| And he came up here and made telepathic contact with them. | ||
| And he was a kung fu master, chikung master, totally fearless, very tapped in, studied at all the Eastern schools. | ||
| And when he made contact with these beings, he sat there and cried for half an hour. | ||
| And he said, this is the strongest energy he's ever felt anywhere. | ||
| And his first meeting with them when they came in and flew over real low, he had a $7,000 video camera with him, and it just sat there hanging at his side. | ||
| And I told him, I said, you think you're ready, but you're not ready yet. | ||
| Along with his mouth on his chin on his chest, I suppose. | ||
| Exactly. | ||
| His mouth was wide open, and he was just two feet planted and almost in shock. | ||
| I understand that. | ||
| And I told him, I said, well, this is your first one. | ||
| And so, you know, I said, you're just getting primed, you know, for when they really come in. | ||
| So then what? | ||
| He had it running, but not pointed to it. | ||
| Well, no, what he did was they told him there's two videos that he took for us, and one is on the other video that I'm sending you that we have available on our site. | ||
| And he took one out of a plane window where they said they were going to fly next to the plane. | ||
| And he shot that, and they did. | ||
| They flew right next to a commercial plane. | ||
| He shot it out the window. | ||
| And he got this on videotape. | ||
| Yeah. | ||
| Out of a commercial airline. | ||
| Exactly. | ||
| And this ship flies right along next to the plane. | ||
| And it starts shape-shifting, which is the weirdest thing. | ||
| And it turns into a large pillar, like a pillar of light, straight up and down. | ||
| Yes. | ||
| And then it turns into an arrowhead. | ||
| And then it turns into a hand held exactly like the Hebrew symbol for God. | ||
| And which is phenomenal. | ||
| I think I saw an outer limit just like this, except in that, this little being was, might have been Twilight Zone, I don't know, where this little being was pounding on the airliner's window, and it was terrifying. | ||
| This isn't quite that bad, but was anybody else, pray tell, besides your friend, seeing this, you know, like, the other passengers, the stewardess, the... | ||
| And so he didn't tell anybody else or try to verify it. | ||
| But he got the tape. | ||
| Exactly. | ||
| And we actually have copies of that, and that's all. | ||
| It's been analyzed by Jim De La Tosa with Village Labs and several other people, and they said there's no evidence whatsoever of a hoax. | ||
| It's real. | ||
| All right, come back now to the sound that I'm going to do. | ||
| Now, the second thing he filmed was right outside of his window at Portland State University, they brought a mothership in, a great big one, and he sat there and filmed it. | ||
| Now, the film only shows a light in the sky, a very large light. | ||
| But the light actually corresponds with the sound. | ||
| And when the sound starts pulsing faster, the light pulses faster. | ||
| So it ties it in with the ship. | ||
| And the sound, too, has some very interesting characteristics to it, because when people hear it, it seems to alter them in some way, in a very good way. | ||
| But it triggers either old memories or something. | ||
| People just love hearing this sound. | ||
| I've never heard it. | ||
| Now, so he recorded this, the only thing on video was a very bright light. | ||
| But obviously the camera was rolling. | ||
| Now, did anybody utter any language during this that I can't play on the air? | ||
| No. | ||
| No. | ||
| And actually what we did is we had to take out the background noise because actually he was listening to you in the background interviewing Linda Moulton Howe. | ||
| You're kidding. | ||
|
unidentified
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No. | |
| We get around. | ||
| No, but it was pretty funny, so we had to take that out to boost up the sound. | ||
| All right. | ||
| How far above him was this when he taped this? | ||
| I would say probably a couple thousand feet. | ||
| A couple thousand feet. | ||
| You know, just a guesstimate. | ||
| And he had invited this thing to arrive. | ||
| Exactly. | ||
| What happened was he would go into meditation. | ||
| We showed him how to connect with them, and that's why we call it enlightened contact with extraterrestrials because we have a technique that we can show people actually how to connect with these beings. | ||
| Okay, then really your work is very much like C. Setis, Dr. Greer, isn't it? | ||
| Very much. | ||
| It's very similar. | ||
| Dr. Greer also feels that he can communicate with these beings and cause contact. | ||
| Exactly. | ||
| They've got quite a few records of it. | ||
| All right, I'm going to play this sound. | ||
| I'm dying to hear it, so let's play this sound and we'll be right back. | ||
| Here it is. | ||
| whatever it is. | ||
|
unidentified
|
Thank you. | |
| Thank you. | ||
| Holy smokes. | ||
| Holy smokes. | ||
| You're saying that it was delivering that sound from 2,000 feet up? | ||
| Exactly, right to the camcorder. | ||
|
unidentified
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They have Yeah. | |
| That's some sound. | ||
| What do you think we're hearing? | ||
| We're hearing, obviously, the drive system, I guess, of some kind of craft or what? | ||
| Well, actually, I'll tell you another mind-blower is that sound, when I listened to the Elfrad site and the Kent Steadman, both have a sound of a pulse coming from the center of the galaxy. | ||
|
unidentified
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Yes. | |
| And they added the goldamine to it, and they put it together on a tape. | ||
| And when you clicked on it, it sounded almost identical to that craft. | ||
| One more time. | ||
|
unidentified
|
short version. | |
| It's not exactly steady. | ||
| You hear it hiccup a little. | ||
|
unidentified
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There, for example. | |
| Oh, that's weird stuff, James. | ||
| It kind of stutters steps a little bit, doesn't it? | ||
| Yeah, that might be in the reproduction of it because we had to do some work on it to take out the background noise. | ||
| Is that basically an accurate rendition otherwise, though, of that sound? | ||
| It's very accurate. | ||
| We just removed some of the background noise. | ||
| Like my show on the radio. | ||
| I mean, I'd lose it. | ||
| If there was an object above me making that sound with a very bright light, I don't think I could really hold it together. | ||
| But then again, he was new, I guess, at this, right? | ||
| You're kind of an old hand at this by now. | ||
| Yes, uh-huh. | ||
| So I think you'd probably keep your camera in the right. | ||
| In fact, I must say, you were doing an incredible job. | ||
| On the video, folks, you could see, even though it was nighttime, it was clear enough, or there was enough light, or the camera was good enough. | ||
| You could see Mount Adams quite clearly. | ||
| In fact, when you were zoomed in, although it's a long zoom, you could see the trees, you could see the rocks above the tree line, that sort of thing on Mount Adams. | ||
| And when one landed, it kind of landed and moved around on the mountain for quite a period of time, didn't it? | ||
| Yes, yeah. | ||
| We had two landings. | ||
| One lasted about 45 minutes, and the other one lasted probably about an hour and 15 minutes. | ||
| And you tracked these on the ground as best you could as they moved all around the mountain, from the tree line up to above the tree line, and then down even toward the base of the mountain, right? | ||
| Exactly. | ||
| One came actually over the top of the mountain, which would be impossible for any kind of a vehicle. | ||
| And that's also a wilderness area. | ||
| There are no vehicles allowed, not even a helicopter. | ||
| No motorized vehicles can go up there. | ||
| And the only way you could go up there if it was a life and death, like a rescue, and you have to have a note from the governor and the head of the wilderness department here. | ||
| Okay. | ||
| Just for the record, if you wouldn't mind, ask Paul to either get on the phone or pick up a phone. | ||
| He's another witness who was with you during all of this, right? | ||
| Yes, he's listening in right now, and he should have the phone right next to him. | ||
| All right, Paul, turn your radio off and pick up your telephone. | ||
| That information will get to him in about six seconds. | ||
| Okay. | ||
| Just about now. | ||
|
unidentified
|
Okay, yes, I'm here, Art. | |
| Yeah, hi, Paul. | ||
|
unidentified
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I take it. | |
| You're listening to a radio in a different room. | ||
|
unidentified
|
Yes, yes. | |
| I'm actually in our other house, what we call our guest house, where people that come to Skywatch and enjoy the craft stay. | ||
| How long have you known James? | ||
|
unidentified
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Three years. | |
| Three years? | ||
|
unidentified
|
Yes. | |
| And you know the videotape I saw, right? | ||
| Oh, yes, yes. | ||
|
unidentified
|
I was out there watching it this morning. | |
| You were there during all of this? | ||
|
unidentified
|
Yes. | |
| Your observations, please. | ||
|
unidentified
|
We're talking about the last landing here. | |
| I beg your pardon? | ||
| You broke it. | ||
|
unidentified
|
Are we referring to the last most recent landing? | |
| Well, the times that you saw the objects near Mount Adams, around Mount Adams, above Mount Adams, the objects that traveled, sometimes moving in impossible ways, sometimes accelerating in impossible ways, obviously not satellites, those objects, whatever they were. | ||
|
unidentified
|
Okay. | |
| Well, basically, these are, from what I can see, the same craft that we view overhead all the time, that we videotape, that make these impossible right-angle turns that they light up on request, as James was mentioning earlier. | ||
| We saw something kind of funny just last night when two of these craft were flying over and a commercial airplane was coming towards them. | ||
| And one of them made a real quick like a right angle turn like a zip. | ||
| Who knows how many thousands of miles per hour to move out of the way at the last second. | ||
| And we know that. | ||
| We were just laughing. | ||
| We're going, we know that potted must have just been blown away. | ||
| And of course, we'd love it if that potted would call into your program. | ||
| Yeah, it was 11 o'clock. | ||
| We shouldn't hold our breath on that one. | ||
|
unidentified
|
But anyhow. | |
| Is there any way the pilot could have missed it? | ||
| No. | ||
|
unidentified
|
They waited until the last minute to get something out of the way. | |
| I know it's difficult to judge with altitude, but how seemingly close to the airliner did he come? | ||
|
unidentified
|
It looked like within a thousand feet. | |
| I mean, as far as height, within a thousand, two thousand feet. | ||
| I mean, they were, you couldn't say that they were in direct line of each other, but surely within his view. | ||
| As in, you know, I wouldn't say they were going to collide, but surely he could see this big orb just hovering there right in front of him. | ||
| You know? | ||
| It was quite close. | ||
| But I don't think there was ever a real danger of a collision. | ||
| It was more like just like a contact where they come in and hover there for a minute and say hi, they didn't move out of the way so the pilot doesn't panic. | ||
| Paul, how close has your contact been? | ||
| James has had full contact, has met with these beings, which we're going to get to yet. | ||
| How about you? | ||
| How much contact have you experienced? | ||
|
unidentified
|
The same, but with a different group of beings, actually. | |
| But, again, working for the same cause. | ||
| I wouldn't say it was exactly the same. | ||
| It was more, my situation was more one where we were out in a vehicle and kind of contacted by a craft that came in and basically picked up the vehicle. | ||
| So that was a different group, but yet associated with what's going on here. | ||
| They're definitely connected. | ||
| You know, they're all working together. | ||
| How many are typically, for example, on a cold night up there near Mount Adams, how many of you are there that witness these incredible things? | ||
|
unidentified
|
Well, this depends, again, if it's a weekend and if people are coming up. | |
| this time of year when it warms up and when we can get the word out a lot of people will come up and you know sometimes there's as many as 20 people outside there around a campfire basically the way we set it up and well it's a campfire that faces north towards the mountain which is where the activity is primarily occurring in that direction and so I would say you know it could be just me and James or it could be as many as 20 or 30 of us out there even 20 or 30. | ||
| Did you see, and I should really say the same thing to Dr. Greer sometime, did you see Independence Day, the both of you? | ||
|
unidentified
|
Oh, yeah, yes. | |
| You did. | ||
| Do you remember the group on top of the building that was waving and screaming and yelling and UFO land here? | ||
|
unidentified
|
Woo! | |
| Land here, you know. | ||
| Come save Earth. | ||
| All the rest of it, they held up signs. | ||
| And as I recall, they were the first group that were destroyed by the Independence Day craft, right? | ||
| Now, have you ever, as a group, wondered about that? | ||
| I mean, after all, you are inviting things in about which you don't know a great deal, or at least certainly didn't in the beginning, and still may not. | ||
|
unidentified
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You want to take that one, James? | |
| I think our biggest threat isn't coming from the ETs. | ||
| It's coming from our own people, our own government. | ||
| We just had a warthog fly in here. | ||
| It said U.S. Marine Corps. | ||
| Actually, Paul saw it better than I did. | ||
| He could tell you about it. | ||
|
unidentified
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Yeah, they gave us a low flyover this morning about, oh, I think it was about 11 a.m. | |
| Yeah, we get those here, too. | ||
|
unidentified
|
Yeah, and those warthog bombers, I believe they're called warthogs, the ones we used in the Gulf War, the low-level bombers. | |
| Yeah, that's right. | ||
| They go after tanks. | ||
|
unidentified
|
And yes, and they flipped up and showed us the underside to let us know they were loaded with bombs, just as they went over at treetop level. | |
| Oh, a threat. | ||
|
unidentified
|
Yeah, it was a little bit of a message. | |
| But, you know, Black Helicopter was here last week trying to do the same thing, and we just, we don't worry about it. | ||
| I have him on film, actually. | ||
|
unidentified
|
Yeah, we filmed that one. | |
| You have not yet answered my question. | ||
| In other words, inviting these things in as you are, isn't there the slightest concern that you might not be inviting something that will be happy with you when it gets there? | ||
| I, personally, I've experienced them firsthand, so I don't have a problem with that. | ||
| And I also know these other ones are looking after me that no negative experience. | ||
|
unidentified
|
It's an energy thing, Art. | |
| You know, when you're connecting with a ship even, and when they light up, there's a pulse of energy that comes down that literally tingles your whole body and just it creates an excitement that I can only explain. | ||
| It's like you'd see a child with a new toy ride his bike for the first time, a six-year-old kid or whatever. | ||
| The level of excitement that goes through you and just the rush of real positive energy is just incredible. | ||
| And then the one that James filmed here about, well, I guess it was about two weeks ago now, you can even see these pulses of his energy coming off of it. | ||
| And they're hitting me directly, and I'm outside building a campfire. | ||
| You know, if you didn't have photographs, you know, if you didn't have photographs and video and sound, people would think you're crazy as a loon. | ||
|
unidentified
|
Yes, they probably would. | |
| Or, sorry, loons. | ||
|
unidentified
|
All right, gentlemen. | |
| Hold on, hold on. | ||
| Instead of bumper music, let us go to the break with this. | ||
| You're listening to Coast to Coast AM from the high desert. | ||
|
unidentified
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You're listening to Art Bell somewhere in Time. | |
| Tonight featuring Coast to Coast AM from April 25, 2001. | ||
| Coast to Coast AM from April 25, 2001. | ||
| When it's alright, it's over. | ||
| We gotta get it right back where we've got it on. | ||
| Love me and go. | ||
| We gotta get it right back when we're starting for you today. | ||
| When you first came my way I said no one could take your way And if you get hurt, if you get hurt I don't even think I'm baby. | ||
| I can put that smile back on if you're all, baby. | ||
| When it's all right and it's coming on, we gotta get right back to where we won't start at all. | ||
| Love is good, love can be gone. | ||
| We gotta get right back to where we won't start at all. | ||
| Love like us, you never make a way. | ||
| You're listening to Art Bell somewhere in time, tonight featuring Coast to Coast AM from April 25th, 2001. | ||
| Well, I see I've received about a thousand emails since we went on the air, so I've got a lot of work to do tomorrow to pour through these. | ||
| A lot of them involve Antarctica. | ||
| I just pulled one at random and printed it out on my printer. | ||
| It's from Ed. | ||
| And the subject is New Zealand Navy guard duty in Antarctica. | ||
| This is interesting. | ||
| He says, I have a friend in Auckland. | ||
| He's in the New Zealand Navy. | ||
| He recently said that he was considering a three-month tour in Antarctica. | ||
| Doing what, I ask. | ||
| Guarding the American scientists, he says. | ||
| What the F word do they need guarding from in Antarctica? | ||
| Answer, they just do. | ||
| What are they doing down there? | ||
| Can't tell you. | ||
| You know? | ||
| Yes. | ||
| And can't tell you. | ||
| So, that's a conversation that Ed had with somebody. | ||
| Why would our scientists need guarding in the Antarctic? | ||
|
unidentified
|
Take Coast to Coast AM with you anywhere on your mobile phone. | |
| Coast2CoastAM.com can be conveniently accessed on your iPhone and most Android platforms, which means that you are never without your Coast to Coast AM fix. | ||
| If you're a Coast to Coast Insider subscriber, you can listen to the show live in the middle of the night or previous shows 24-7. | ||
| Plus, you can browse all the great photos, videos, and news stories. | ||
| Keeping up with Coast to Coast AM has never been easier with our Coast Insider service. | ||
| Looking for the truth, you'll find it on Coast to Coast AM. | ||
| Not everything is cut and dry, and I think people will look at events and say who profits, who benefits, and then they back into it with their theories, which many people would say are conspiracies. | ||
| I mean, there's no question there's a facet of government that wants to take guns off the street. | ||
| Not just assault weapons, but pure guns and want to get them out of Americans' hands. | ||
| In order to do that, you need tragedies and events like we had in Connecticut in order to create the stimulus to get the legislature and people behind that in order to say, you know what, they're right. | ||
| We don't need this. | ||
| We don't need that. | ||
| So I think when you look at that whole picture, as bizarre as it sounds, because you cannot see a conspiracy at every event, but you will look at these events and say, see, this is what they've created in order to get people to think this way. | ||
| Bottom line is people don't trust other people, and that's why they create all these things. | ||
| Somewhere in Time with Art Bell continues, courtesy of Premier Networks. | ||
| *Music* | ||
| Back down to James Gillowet. | ||
| James, are you there? | ||
| Yes. | ||
| All right. | ||
| Somebody asks, past blasts, do they say anything about the concept of death? | ||
| They do, actually. | ||
| Really? | ||
| What? | ||
| Basically, they live much longer than we do. | ||
| They live around 800 years or so. | ||
| So the one that I connected with was around 400 years old and looked like she was about 29 or so. | ||
| HDH plus. | ||
| Exactly. | ||
| Plus, plus, plus, you know. | ||
| But they to them it's the wheel, basically, that that nothing ever dies and that your body, although it lays down, it just disassembles itself back into the you know the elements. | ||
| And that the life force is actually in the atom itself, and then the spirit goes on. | ||
| So everything isn't a constant renewal, you might say. | ||
| It's just transforming. | ||
| But they said that nothing, as a soul, you go on and on and on. | ||
| And it's real important, too, is what they said. | ||
| There's a lot of us here on Earth that are more from the stars in our soul than we are from Earth. | ||
| Our souls have come here and picked up a body from these other places. | ||
| And a lot of these people are being activated right now. | ||
| My second contact, that's what that entailed, was a beam of light came right through the wall and hit me square in the chest. | ||
| And it actually left a burn mark on my chest. | ||
| And the next thing I know, I was standing aboard the ship. | ||
| And it was more of a plasma ship, this one. | ||
| It was more of a spiritual experience. | ||
| But it left a burn mark on my chest to prove that this was a real event. | ||
| You know that a lot of religious conservatives would say, you fool, don't you realize that what you're encountering isn't from anywhere else, any other star system? | ||
| What you're encountering is the devil, demonic forces. | ||
| And to that you would say, what? | ||
| Well, I've heard it all. | ||
| Well, I know, but I thought you might have to hear it one more time. | ||
| Yeah, basically, to me, I look at the vibration of the experience, and if there's love and joy and service involved in it, I don't see how it can go wrong. | ||
| And there's just the sheer energy, because I was trained extensively in dealing with discarnate spirits and things of that level in my yoga and llama training and things like that. | ||
| So I do know how to heal and move those kind of energies on. | ||
| So you think you can separate the two, and you know you're not dealing with that? | ||
| Exactly. | ||
| I don't have any doubts at all. | ||
| You're not denying the presence of that or the possible presence of that, but you're saying that's not what this is. | ||
| No, this isn't what this is. | ||
| And I tell you what's interesting is this is mentioned throughout the Bible. | ||
| It's mentioned throughout almost every sacred text. | ||
| J.J. Hertak in the Keys of Enoch talks a lot about these kinds of contacts that are happening right here. | ||
| And as a matter of fact, I spoke at a conference with him, and he came up after I spoke, and he said, you know, thank you very much for the talk and all the photos and everything we had. | ||
| And he said, what's happening at your ranch is what he's written about. | ||
| But he said it's happening a little faster than he expected. | ||
| Do you have videos or tapes available for people who don't have Internet? | ||
| Yeah, we do. | ||
| And the video is so much better than what's on the Internet. | ||
| It comes out much clearer. | ||
| And we're working on that now. | ||
| We're getting some live video streaming and things of that nature. | ||
| As again, I said we're very underfunded. | ||
| We don't have any funding, basically, and we don't have the equipment to really get this information out like it needs to. | ||
| Well, let me help you fund. | ||
| How much do you charge for the tapes? | ||
| The tapes, we have one for $14.99, and that covers all of the TV shows I've been on. | ||
| It has the photos in it. | ||
| It has the plane episode where it flies next to the jet and shapeshifts. | ||
| And it has a lot of other contacts that are happening with kids. | ||
| What about some of what you sent me? | ||
| Yes, a lot of that's on those tapes. | ||
| The only thing that's not on it is the landings, the last two landings. | ||
| That was so new. | ||
| Yeah, that's still new. | ||
| All right, it's $14.99. | ||
| How would people get that to you? | ||
| Now, they can either send a check or money order to the Self-Mastery Earth Institute, and that's Self-Mastery Earth Institute. | ||
| Yeah, or just S-M-E-I. | ||
| S-M-E-I would be easier. | ||
| P.O. Box 281, Hood River, Oregon, and it's 97031. | ||
| I'm sorry I'm slow here. | ||
| The zip code again, please. | ||
| 97031. | ||
| Okay. | ||
| SMEI, P.O. Box 281, Hood River, Oregon, zip code 97031. | ||
| Out of curiosity, from the time they send you a check or money order or whatever, how long will it be before they get their tape? | ||
| We can send them right out. | ||
| We're getting low on stock. | ||
| These are kind of flying out the door. | ||
| I'm working with Fif Smith with Spiral Intuit. | ||
| I suddenly would be on May 1st. | ||
| I'm going to be on his program where he has another video that he made of an interview with me. | ||
| And he's got a 1-800 number for that one if people want to call that number to get that tape where he has a lot of this footage as well. | ||
| It's a different tape, but it's 1-800-662-1877. | ||
| 1-800-662-1877. | ||
| But that's a different interview. | ||
| Yeah, it's another interview, and it has a lot of the same footage. | ||
| And what we're getting ready to do is we're going to add the landings and a couple other just phenomenal shots to the first video, and that should be available in two weeks. | ||
| In two weeks. | ||
| All right. | ||
| Everybody, bear that in mind. | ||
| On the International Line, you're on the air with James Giluland. | ||
| Hi. | ||
| Hi, Office is Aaron from Darwin, Australia. | ||
| Yes, sir. | ||
|
unidentified
|
I have a question for your guests this morning about MIBs. | |
| I'm curious to know, firstly, if they really do exist, and if they do, what's their agenda? | ||
| All right, men in black is what he's saying. | ||
| Do they really exist? | ||
| And if they do, what are they all about? | ||
| I'll tell you my own experiences here is we do have black helicopters flying around here, and they do appear right after an incident might happen, like the landings, They came right after that happened. | ||
| And they're very aware of what's going on. | ||
| And we've actually filmed them, and they're in the videos. | ||
| I just grab a camera and walk out there and start filming them. | ||
| And they do have some strange hardware that I've never seen before and nobody else can identify. | ||
| We've had them fly very low here around the house, videotape the entire place here, and then drop down to about a couple feet off the ground. | ||
| And they were so close that I actually saw a mole on the pilot's face. | ||
| I was looking face to face with them, and they have not one mark on that copter. | ||
| You know, the way it's going, if you're on a ranch? | ||
| Yes, I know. | ||
| If your ranch isn't nothing more than a burn spot soon, you're going to be lucky. | ||
| All right. | ||
| First time caller line, you're on the air with James. | ||
| Hi. | ||
|
unidentified
|
Hi, James. | |
| This is Douglas from San Angelo, Texas. | ||
| Hello, Douglas. | ||
|
unidentified
|
It's great to speak with you. | |
| I have a question. | ||
| You said something earlier about your contacts that you've had. | ||
| They might be ancestors or brothers or sisters from a past calamity, an Earth's past, maybe? | ||
| Yes. | ||
| Now, the past two or three years, I've been having visions, dreams about different sendings. | ||
| And the only way that I've been able to interpret these is by doing writing. | ||
| And when I do the writing, it just comes out. | ||
| Sometimes I feel like I'm not even the one doing the writing. | ||
| Yeah, they call that automatic writing. | ||
| The spirit flows through you and you write down the transmission. | ||
|
unidentified
|
But it's coming out as, sometimes it comes out, you know, things I have to put together later to interpret it. | |
| But mostly it's coming out as a story. | ||
| Yeah. | ||
|
unidentified
|
And I just was wondering if you think that this might, they're attempting some kind of reintegration or with us, like that we're, you know, that we're the same race that's just developed differently from them, like they escaped the calamity. | |
| Yeah. | ||
| Are we separately created creatures or are we of common ancestry? | ||
| We're common ancestry and common genetics. | ||
| And they actually attracted a lot of beings from other nations. | ||
| And they all lived together harmoniously, but then things got out of hand and technology got out of hand and they started warring on each other and they pretty much did themselves in and almost did the planet in. | ||
| But we've had several. | ||
| We're going into the fifth world right now. | ||
| This isn't the first civilization that's been here and that's why they're finding all these pyramids and temples that we can't duplicate today because those are some of the buildings of the ancient ancestors and the very ancient ones are being recycled as molten rock because the earth is always bending inward and recycling itself. | ||
| All right, Corey in Austin, Texas, practical question. | ||
| What is their life source? | ||
| What do they consume? | ||
| As far as I understand, they eat a lot of things just like we do. | ||
| And a lot of our plant and animal kingdom actually was brought here. | ||
| And so their environment is much like ours. | ||
| I haven't gotten that much into their diet, you know. | ||
| Are they meat eaters? | ||
| Do you know? | ||
| I've heard that some do and some don't. | ||
| I think most of them are probably more vegetarian. | ||
| But I think they do have some form of protein that they get from an animal. | ||
| Good, because if it keeps up the way it is, we'll have to borrow a hamburger from them soon. | ||
| Exactly. | ||
| Wildcard Line, you're on the air with James Gilliland. | ||
| Hi. | ||
|
unidentified
|
That would be like mad alien disease, like mad cow or something. | |
| I don't know. | ||
| Well, once it's widespread down here, then what price a hamburger, huh? | ||
|
unidentified
|
Or chicken. | |
| It's Mr. Lear Jet Chem from Coal Lake, Alberta. | ||
| Yes, sir. | ||
| Hey, can I answer that question and say, why do our scientists need guarding in Antarctica? | ||
| Sure, you can try and answer it. | ||
|
unidentified
|
I have a question, but this is like, could it be something similar to the movie Ice Station Zebra? | |
| Yes, of course it could. | ||
| It could be similar to the scene, too. | ||
| I have no idea what's going on down there, but we're going to find out somehow. | ||
| You know, the Russians are supposedly there, too, aren't they? | ||
| Oh, yes. | ||
| And so we've got several... | ||
| Oh, listen, it could be. | ||
| I'm surprised nobody's seen James Arness floating across the ice yet. | ||
| The way it's going. | ||
| Anyway, do you have a question? | ||
|
unidentified
|
Yes, I do. | |
| And, you know what? | ||
| Something happened tonight that was scared the Jesus out of me, I guess you could say, on the air. | ||
| I got a ride home tonight by the guy whose name was Jeff. | ||
| He's a cab driver here in town. | ||
| And I've got a law enforcement background. | ||
| And, you know, the first time in my life, I wasn't sure whether I was being interviewed or interrogated. | ||
| And I think that maybe I've called too many times on the wildcard line, but I got a bit of a scare tonight. | ||
| So I don't know what's going on. | ||
| Well, I hope you didn't leave my tip then. | ||
| Anyway, James. | ||
|
unidentified
|
Not at all. | |
| But my question is this. | ||
| I've read some documents in the past, James. | ||
| And have you ever heard anything about devices? | ||
| Let me explain what they look like. | ||
| A German stick grenade from the Second World War. | ||
| But very miniature? | ||
| You know what I'm talking about? | ||
| You mean like a swastika? | ||
|
unidentified
|
No, a stick grenade. | |
| Like it's a wooden handle with a knob at the top. | ||
| It's a grenade. | ||
| Not like ours. | ||
| Ours are handheld. | ||
| Oh, okay. | ||
| Oh, a stick grenade. | ||
| Okay. | ||
|
unidentified
|
Yes, okay. | |
| But they're smaller, and at the top there's two rings, and they're magnetic, and they're placed on highways or roads, and they attach themselves to vehicles that are tagged or random. | ||
| and they're used for tracking by the people you're talking about, by aliens. | ||
| In other words, they're set up on roads to... | ||
| Jane, have you? | ||
| No, I haven't. | ||
| I know the ones that we're dealing with don't have any problem tracking you at all. | ||
| They don't even need a device. | ||
| That's how I would think it would be. | ||
| Yeah, they're so advanced they they can just like pretty much think about you and know where you are. | ||
| East of the Rockies, you're on the air with James. | ||
| Hi. | ||
|
unidentified
|
Hi, Art. | |
| Glenn from South Texas. | ||
| Yes, sir. | ||
|
unidentified
|
I have two questions for James and a comment. | |
| The first question is, have they run that sound through an oscilloscope and if they've seen any higher or lower frequencies? | ||
| Because there seem to be some kind of pattern. | ||
| Yeah, they have. | ||
| And the person to talk to on that would be Jim De Latosa of Village Labs. | ||
| And if you send me an email, I'll get you his contact information. | ||
| And he did all the analysis on it. | ||
| And he said it had all kinds of anomalies in it. | ||
| You have an email address? | ||
|
unidentified
|
No, I don't. | |
| No, not you, Caller. | ||
| Oh, yes. | ||
| Uh-huh. | ||
| You said, James, you said send an email. | ||
| Yeah, you haven't given out any email address. | ||
| Okay, yeah. | ||
| You can send one. | ||
| Just click on the site eSETI.org. | ||
| Yeah, but that might not be so easy right now. | ||
|
unidentified
|
Yeah. | |
| Or you can send it to James at Ezekiel at C-A-Z-E-K. | ||
| Wait a minute, wait a minute. | ||
| James at, start again, C-Z. | ||
| C-A-Z-E-K I-E-L dot O-R-G.org. | ||
| Pretty good address. | ||
| James at Ezekiel, C-A-Z-E-K-I-E-L.org. | ||
| Okay, call it? | ||
|
unidentified
|
Very good. | |
| And my second question, am I to understand that when you refer to Pleiadians, that these are from the seven sisters, the constellation, the little constellation, the Pleiades? | ||
| They come from that region, but actually they're in a different time than we know it. | ||
| So if we went there, we wouldn't... | ||
|
unidentified
|
I see. | |
| They do a jump in time. | ||
|
unidentified
|
I'm not much of an amateur UFOologist, but I've heard the term. | |
| And my comment is that I'm fairly keen with sound. | ||
| I can recognize when people do voiceovers. | ||
| And I've heard something in popular culture that was almost identical to that sound. | ||
| What was it? | ||
|
unidentified
|
It was in the Charlie Sheen movie, The Arrival. | |
| And it wasn't when they actually, when he heard the signals. | ||
| It was when they were in the artificial epidermis application room. | ||
| Oh, yeah. | ||
|
unidentified
|
Underground. | |
| Oh, yes, yes, yes. | ||
| I remember that. | ||
|
unidentified
|
Underground lair. | |
| I would have to compare it. | ||
| Yeah, I haven't seen that movie, but I'd love to hear that sound. | ||
| I've seen the movie. | ||
| What was the movie again? | ||
| It was The Arrival. | ||
| The Arrival, yeah. | ||
| The Arrival? | ||
|
unidentified
|
Okay. | |
| Martin Sheen was in that, right? | ||
| You have to go into that and check it out. | ||
|
unidentified
|
Yep. | |
| Okay, well, thanks, guys. | ||
| That's it. | ||
| All right. | ||
| Well, thank you very much, and take care. | ||
| Yeah, it's such a weird sound. | ||
| And again, people in the audience should know that unless you have a bass system capable of reproducing the sound, it's not going to sound like much to you because it really is all at the low end. | ||
| I mean the real low end. | ||
| Hold on, James. | ||
| We're at the bottom of the hour. | ||
| I'm Art Bell. | ||
| This is Coast to Coast AM. | ||
|
unidentified
|
This is Premiere Networks. | |
| That was Art Bell hosting Coast to Coast AM on this, somewhere in time. | ||
| And Grease and A of his latest flame. | ||
| He talked and talked, and I heard him say that she had bluckest hair, the brilliant green eyes anywhere. | ||
| and reasoning of his latest fame. | ||
| Though I smile... | ||
| Listen to me in the middle of a stride fell. | ||
| Baby riding on a lick-down upside. | ||
| All the dancing baby on her shoulder. | ||
| Don't something like my lasses in the sky. | ||
| Had a move everything. | ||
| Always wanting more. | ||
| Beating and longing for Black Bell that I see boy smiles. | ||
| Black fell that we're like a soul summon sky. | ||
| A new region that'll bring us to me. | ||
| Black velvet ee. | ||
| Black velvet ee. | ||
| I remember the music was like a sheep wave. | ||
| While lightning is bound to drive you wild. | ||
| Mama's baby is in the heart of every school girl. | ||
| Love is tender, he's a crying in the aisle. | ||
| Now, we take you back to the past on Art Bell Somewhere in Time. | ||
| Good morning, everybody. | ||
| James Gilliland is here, and we're talking about the contacts he's had. | ||
| Now, we're not just talking. | ||
| He's got a website with video of these vehicles, of these extraterrestrial Pleiadian craft. | ||
| He's got videos. | ||
| He's got still photographs, and we've even got the sound of one. | ||
| We'll be right back. | ||
|
unidentified
|
We'll be right back. | |
| You're listening to Art Bell, Somewhere in Time. | ||
| Tonight featuring Coast to Coast AM from April 25th, 2001. | ||
| Music Once again, into the night. | ||
| All right. | ||
| James Gilliland is here from ESETI. | ||
| And here he is again. | ||
| James? | ||
|
unidentified
|
Yes. | |
| All right. | ||
| Let's go international. | ||
| On the international line, you're on the air with James. | ||
| Where are you calling from, please? | ||
|
unidentified
|
I'm calling from Germany, stationed over here with the United States military. | |
| Yes, sir. | ||
| Good to hear from you. | ||
| We've been hearing a lot of reports lately of triangles sighted in Germany. | ||
| Have you ever heard anything about that? | ||
|
unidentified
|
I've heard about it, but I have not directly seen it. | |
| All right. | ||
|
unidentified
|
I just wanted to ask James if he's had any questions answered on other civilizations that are out there, especially those much like our own that have not quite developed to the point where they can reach warp technology and time travel and stuff, just so we know where we are in the plane of the rest of the universe. | |
| Yeah, we're kind of at the low end, basically. | ||
| There are other beings that have the stuff that we've been working with is interstellar and interdimensional. | ||
| And they're extremely advanced. | ||
| Some of them, the best way to explain it, there's a vibrational continuum. | ||
| And everybody, we're all multidimensional beings existing on this vibrational continuum. | ||
| So though we have a physical body, we also have a mental, emotional, and spiritual body as well. | ||
| And when a ray starts evolving, they evolve more out of the physical body and become more of an energy body, you might say. | ||
| And as they further evolve, they evolve into a light body. | ||
| And as they further evolve along the vibrational continuum, they go into just pure consciousness. | ||
|
unidentified
|
So is that on the same basis as, say, the astral body when we have out-of-body experiences? | |
| Have they evolved to the point where they exist only within that astral body itself? | ||
| They're a little bit beyond our frequency. | ||
| They have to drop their frequency down to work with us. | ||
| But they do have the technology to do that. | ||
| So their ships can go time travel. | ||
| They can drop their frequency down and experience lower dimensions and higher dimensions as well. | ||
| So they're very advanced beings. | ||
| And there are other ones out there. | ||
| The whole universe is full of life. | ||
| And I guess from my understanding, there are some people that are still quite primitive in other systems. | ||
|
unidentified
|
Right. | |
| Because there's, I don't know what they're at now. | ||
| There's something like 400 billion suns in the Milky Way galaxy. | ||
| And then they've lost count on how many billions of galaxies there are. | ||
| So it's just phenomenal the quotient for life out there. | ||
| There's just so much. | ||
|
unidentified
|
And one more question, if I may. | |
| Has the sound that you have recorded, has it been tested, say, through a depth of water to see what it would sound like through that and through other atmospheric mediums? | ||
| Oh, that's a very interesting. | ||
| Thank you all the way from Germany. | ||
| Thank you for the call. | ||
| That's a really interesting question, isn't it? | ||
| You know, it almost sounds when you listen to the background noise, it sounds like it's in space or underwater. | ||
|
unidentified
|
Yeah. | |
| It has a real strange sound to it. | ||
| Again, you've got to be able to reproduce with a lot of bass. | ||
| You've got to have a lot of bass to really hear the full range of this thing. | ||
| So that's all I would say. | ||
| I know that a lot of people aren't hearing it properly on their radios. | ||
| A lot of this needs more analysis, and it's brand new. | ||
| I mean, the March 10th landing is very new, and we have shipped it out to certain people, and a couple of them I don't want to mention their name because, you know, until we get the evidence back, it might change the outcome. | ||
|
unidentified
|
All right. | |
| Yeah, we're going to want to do that. | ||
| First time caller line, you're on the air with James Gilliland. | ||
|
unidentified
|
Hi. | |
| Hi, James. | ||
| This is Tim from Longmont. | ||
| I'm wondering, do these beings believe in a higher power? | ||
| Yeah, we've talked about that earlier. | ||
| They do. | ||
| They believe in God. | ||
| You might say they have a different image of it than we do. | ||
| It's much more expansive than the images that most people have on earth. | ||
| I'll tell you what's really interesting is that I was given a talk at Mount Shasta, and a yogi was there. | ||
| And when I showed these really large golden ships, the photographs we have of them, he just jumped up and down. | ||
| He got all excited. | ||
| And he started saying the Vimanas, Vimanas. | ||
| And it's hard to get a yoga excited. | ||
| Yeah, and he goes, those are the gods, you know, the ancient gods that they refer to in their ancient texts. | ||
| So it's kind of, you know, in Ezekiel, he covers this quite a bit when he gives some pretty elaborate descriptions of shiny metallic disks coming out of the firmament. | ||
| And they have calves' feet that are bronze and fire and brimstone coming out from underneath them. | ||
| And they sound like a thousand rushing rivers when they land. | ||
| In Amos and Job, they talk about the Pleades and Orion and the other systems. | ||
| So it's in all the ancient texts. | ||
| And even on our site, we have quite a few frescoes that are undeniable that have pictures of Mary and Jesus and Joseph in there with UFOs painted right into the background. | ||
|
unidentified
|
Did they explain to you, to your understanding, the concept of always was? | |
| Of what? | ||
| Always was. | ||
| Of always was? | ||
| Yes. | ||
| Yes, it's timeless. | ||
| Say what? | ||
|
unidentified
|
I don't understand the always was. | |
| All right. | ||
| Well, I don't know if anybody understands always was. | ||
| In other words, something that has always been is probably as incomprehensible to us as if you don't give time, you always are. | ||
| As there being no end, you know, how high is the sky, Daddy? | ||
| Yeah. | ||
| Where does the sky end? | ||
| Does it come to some sort of brick wall? | ||
| Well, that's a concept we can't quite grasp. | ||
| But he was talking about always was. | ||
| In other words, there has always been something. | ||
|
unidentified
|
Yes. | |
| Yeah, they explained it as the best way they could explain to me was they said it's the one consciousness that encompasses all consciousness on all planes in all dimensions throughout the multiverses. | ||
| And that same consciousness is within the individual. | ||
| And we can expand that. | ||
| We can believe we're just a personality in a body. | ||
| Or we can expand in consciousness and merge with the one consciousness. | ||
| All right. | ||
| Wildcard line, you're on the air with James. | ||
| Hi. | ||
| Hey, yeah, I got a couple questions here real quick. | ||
|
unidentified
|
You said do things eat meat and other foods too, like we do? | |
| Well, I'm the one who's threw in meat. | ||
| He said primarily they're vegans, but a little bit of meat, I guess. | ||
|
unidentified
|
Would that explain the cattle mutilations then? | |
| Oh, now that's a good question. | ||
| Cattle mutilations and crops or fools are both good questions. | ||
| Maybe James has some insight into those. | ||
| Sure. | ||
| Yeah, I do. | ||
| It seems that that goes into a gray area, no pun intended, because there are lower-level contacts, you might say. | ||
| And when you start talking about the grays, which are the little guys with the black eyes that most people hear about and talk about, that's where you have the cattle mutilation things going on and things of that nature. | ||
| And some of the gray contacts seem to be benevolent and they don't have a problem with them, and some of them seem to be malevolent. | ||
| So it looks as though that they were doing a lot of experimentation with cattle because cattle are at the top of the food chain and they can really check out the environment through the animals higher up on the food chain as far as all the contaminants and forests. | ||
| Well, if that is what they're checking on, it's no wonder they're concerned. | ||
| Carla? | ||
|
unidentified
|
Yeah, you also said that they've step in in case of a nuclear war or something like that. | |
| But what about a life-threatening diseases that we can't cure? | ||
| Would they step in with that pretty soon? | ||
| You know, they have it's sad because if you look at our society, we're pretty much run by the oil company, by the pharmaceutical companies, and you really look at it in the war industry, and the enemy of the war industry is peace, and the enemy of the pharmaceutical companies is the cure. | ||
| And the oil companies would be free energy. | ||
| And so people wonder why is our planet so messed up right now? | ||
| And to me, the answer is obvious, is that we have to start demanding that our leadership choose universal peace and brother-sisterly love and a strong reverence for life and hold them to that as individuals. | ||
| And then we'll turn this planet around. | ||
| But the way it's set up right now, anytime you do come out with a cure, if it's a cheap, inexpensive cure, you're not going to see it. | ||
| It's just going to disappear, get squashed, or banned. | ||
| Money rules and everybody else walks. | ||
| Old story. | ||
| Still as true today as ever, unfortunately. | ||
| I don't understand. | ||
|
unidentified
|
What is so wrong with stepping in with the evolution of us right now, though, if they're so far ahead of us? | |
| Why not help us out? | ||
| All right. | ||
| Yeah, I think that's a good question. | ||
| Yeah, they are on certain levels, but their hands are tied again by free will. | ||
| And a lot of us have chosen to support this kind of society. | ||
| We've chosen to be a part of it, and we work within it and draw substance from it. | ||
| So it's kind of like, you know, we can't go in there and force somebody to quit their job, force somebody to not participate in pollution. | ||
| Yeah, that's all true. | ||
| Yeah, you can't go in there and force people to change. | ||
| People have to make that change within and enact it. | ||
| But without having the transformational experience that you did, that change is rather unlikely, isn't it? | ||
| Yes, yes, it's going to be... | ||
| And I had people working for me, and I had the fast car, the boat, the truck, all that, all the outer appearances. | ||
| And it did a major shift in my life, and I let that go. | ||
| And I'm fine with it. | ||
| Gotcha. | ||
| All right. | ||
| East of the Rockies, you're on the air with James Gilliland. | ||
| Hi. | ||
|
unidentified
|
Hi, my name's Eric. | |
| I'm calling from Winnipeg, Manitoba. | ||
| Yes, sir. | ||
|
unidentified
|
I have a couple of questions I'd like to ask. | |
| The first one is with abductions. | ||
| What have they said about the abduction of people and experimentation and so on? | ||
| Here, here. | ||
| Yeah, they've talked about that, and that goes back to the Grays and some other government projects and things of that nature. | ||
| So that's kind of, again, like I say, it's a gray area. | ||
| It's intertwined. | ||
| It's mixed. | ||
| And what I'm seeing now is the abduction phenomenon is taking a whole new light. | ||
| And where it was a lot of fear and experimentation and things of that nature, the majority of it is changing right now. | ||
| And it's becoming more of a teaching and learning experience and kind of a symbiotic relationship. | ||
| It's changing its nature. | ||
| There still is some negativity going on in the low-level context, but it is diminishing and being phased out. | ||
|
unidentified
|
Okay, well, as far as physics is concerned, do they say anything about things like going forward in time, back in time, and general physics about the universe that might be interesting? | |
| Yeah, that's a good question. | ||
| Anything about the nature of the universe and physics that either we have wrong or have yet to learn or? | ||
| Yeah, a lot of what they're giving us right now, believe it or not, is in the crop circles. | ||
| And they're showing us where we went wrong along the line in physics, and they're doing it through sacred geometry and showing us how we have the formulas incorrect. | ||
| Actually, I'm having a person here named Nasim Hariman who's just phenomenal in this area. | ||
| And he takes you all the way through, explains still point energy, free energy, the universe and creation and the whole nine yards and talks about the crop circles and what they're trying to show us. | ||
| And when he lays his sacred geometry out and shows how you go from the tetrahedron on out in a dual universe, the way we have a dual universe, it all lays out, but we're only looking at one side of the spectrum, which is the radioactive side of the universe. | ||
| It's the Big Bang or the expanding balloon theory. | ||
| But the problem is with an expanding balloon, you also have to have contraction on the other side. | ||
| And they're saying there is no contraction. | ||
| It's like an expanding balloon. | ||
| And I love what Nassim says. | ||
| He goes, well, what about the lungs blowing it up? | ||
| So this is how you get the still point energy. | ||
| We have a generoactive side of the universe and a radioactive side. | ||
| And the still point is in the middle, and that's where that just total unlimited energy comes from. | ||
| All right. | ||
| West of the Rockies, you're on the air with James Gilliland. | ||
| Hi. | ||
|
unidentified
|
Hi, this is Kanan Cohen from Burns, Oregon. | |
| Hi, Art. | ||
| Hi, there. | ||
|
unidentified
|
Hello, Kane. | |
| I apologize if this has already been discussed because I worked during part of the show. | ||
| But the question is regarding the sound. | ||
| I heard not very long ago that the scientist stepped out on the limb and said that cats purr and actually heal themselves with that. | ||
| That's a fact, yes. | ||
|
unidentified
|
And I was, when I came in and heard that sound, the first thing that came to my mind is it reminded me of that rolling purr of a cat. | |
| And I just wondered if that could be a sound that they put in their environment to keep themselves healthy. | ||
| Yeah, there's a cosmic pulse or like a heartbeat that goes throughout the universe that connects everything. | ||
| And again, this is what's interesting as I asked them about that sound. | ||
| The first thing I asked them, I go, what were you doing over at Portland State University? | ||
| And what they told me was it was called higher learning. | ||
| And so they're working with all the students over there in their dream state and in their sleep state. | ||
| They're actually preparing them on different levels and teaching them. | ||
| And it's also, yeah, it does have a real healing, calming effect when you hear that. | ||
|
unidentified
|
Yeah, I just immediately relax. | |
| You could feel it in your chest. | ||
| It was just very calming. | ||
| Yeah, I agree with that. | ||
| It does trigger some very ancient knowledge, too, it seems, because I've seen people listen to that pulse and just go into trance and come back and go, what happened? | ||
| Where'd I go? | ||
| And they went into some old memories and started remembering all kinds of things. | ||
| All right, caller? | ||
|
unidentified
|
Yeah, thank you very much. | |
| Okay, thank you. | ||
| I think we've got time for one more. | ||
| First time caller line, you're on the air with James Gilliland. | ||
|
unidentified
|
Hi. | |
| Hi. | ||
| I'm Dawn from Utah. | ||
| Hi, Dawn. | ||
|
unidentified
|
And I love your show. | |
| Thank you. | ||
| New listener. | ||
| I was wondering if they had ever had a situation. | ||
| I was on my way to work one time when I was in California about 10 years ago. | ||
| And I know I was on time when I left because I was still living at home at the time and spoke to my mother. | ||
| But when I clocked into work, I was two hours late. | ||
| Now, I know at some point I lost two hours of time, but I don't know what occurred. | ||
| So I suppose you went to your boss and said, listen, boss, I lost two hours. | ||
|
unidentified
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They thought I was an idiot, and I called home to make sure that I was not losing my mind. | |
| It's a really original excuse, and I'm remembering it. | ||
|
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Yes, but I'm wondering if we've had people where what had occurred during that two hours has come to them because to this point, I don't know what went on in that two hours that I lost. | |
| Yeah, I'll tell you what happened to me, and it's been documented, too. | ||
| I was working and remodeling a house, and I had to be in Beaverton, Oregon, early in the morning. | ||
| I took off at 8 o'clock, and I made it there. | ||
| At 8.15, I was walking in the door. | ||
| And this is about an hour-plus drive, because I was going from the Dallas, Oregon. | ||
| It's about an hour and a half drive or so. | ||
| And I did the whole drive in 15 minutes. | ||
| And when I walked in the door, I just was, you know, I didn't remember any scenery, anything, and I could not figure out how I got to the off-ramp so quickly. | ||
| And so when I walked in the door, the person I was meeting there, I said, call back at the other place where I left. | ||
| And we called, and I said, hey, you're not going to believe this. | ||
| I'm in Oregon. | ||
| And they didn't believe me. | ||
| They thought I was on a cell phone. | ||
| And to this day, neither one of them believe that I was at, you know, left one house and was at the other house. | ||
| They're still struggling with it. | ||
| Ma'am, I hate to cut you off, but that's fine. | ||
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At least I know I'm not the only one. | |
| We're out of show. | ||
| Thank you very much for the call. | ||
| James, we are out of show. | ||
| Okay. | ||
| We're out of time. | ||
| You and I probably have other things we are going to be doing together that we'll announce later. | ||
| But for what you did tonight, my eternal thanks. | ||
| Thank you. | ||
| It was quite a job explaining all of this. | ||
| It's a lot to get out. | ||
| Oh, there's much more. | ||
| I'm sure there is, but for staying up late with us and explaining all of this. | ||
| And by the way, good luck to your webmaster. | ||
| That link is up there now, and I suggest you all go take a look at it right now. | ||
| Otherwise, the website, give it to them. | ||
| Okay, it's eSETI.org. | ||
| ESETI.org. | ||
| And yeah, and on the front page, too, are all the places I'll be speaking. | ||
|
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And E-C-E-T-I?org.org. | |
| All right. | ||
| And I'll be speaking at all the conferences, you know, the major conferences and everything. | ||
| And all the information is on the front site there where we'll be sharing this evidence in the landings and everything. | ||
| Good night, my friends. | ||
| Thank you. | ||
|
unidentified
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Take care. | |
| James Gillin. | ||
| Absolutely incredible, huh? | ||
|
unidentified
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Ta-ta. | |
| Ta-ta. | ||
| Welcome to Art Bell Somewhere in Time. | ||
| Tonight featuring Coast to Coast A.M. from April 25th, 2001. | ||
| From the high desert in the great American Southwest Women. | ||
| Good evening, good morning, good afternoon, wherever you may be across this great land of ours. | ||
| And it really does include all of that, you know, from Guam in the west, the Rock, eastward to the Caribbean and the U.S. Virgin Islands, south into South America, north to the Pole, and worldwide on the internet. | ||
| This is Coast to Coast AM, and I'm Art Bell. | ||
|
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Good morning. | |
| And welcome to KCRS in Midland, Texas. | ||
| 550 on the dial. | ||
| Good dial position in Midland, Texas. | ||
| And I'd like to say hello to Robert Hallmark, the PD there, as program director in Radio Ease. | ||
| That's KCRS in Midland, Texas. | ||
| Welcome to Chaos. | ||
| That's what we have up here a lot of nights, and tonight, believe me, is no different. | ||
| Oh my, there's so much going on. | ||
| Just a little more station keeping business, and that is pretty good news, actually. | ||
| For those of you who follow such things, and I usually try and give out the information as it comes in, the Winter Ratings Book. | ||
| That's the Winter Ratings book, has just come out in the first major cities across the U.S. And in this case, it will include two of the three months since I've been on the air. | ||
|
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In other words, February, March. | |
| And the news is incredible. | ||
| Really is incredible. | ||
| We have it up on the website. | ||
| I think you already know about New York. | ||
| Matt Drudge broke the news about that. | ||
| But, oh my goodness. | ||
| Just to give you some idea, we went straight up to number one in Philadelphia. | ||
| In Los Angeles, the uptick was unbelievable. | ||
| We went from a 3.8 to a 6.9 or an 81.6% increase, just giving you some idea. | ||
| The whole story is on the website. | ||
| In Chicago, hello, WLS, 12 plus, persons, all persons, 12 plus. | ||
| We went from an average quarter hour of 11.2 to 20.1. | ||
| That's a 79.5% increase. | ||
| So the whole story with all of the details, if you read about such things, is on my website right now at www.artbell.com entitled Press Release Art Bell in Ratings. | ||
| Boom. | ||
| Not exactly bad news for anybody in the radio business. | ||
|
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So I'm pretty happy about that, as you might imagine. | |
| Now, the work that I've got to do tonight is stacking up fast, and we've got a lot to do. | ||
| I've got Deke Richards on the phone. | ||
| This time, not a cell phone, but for his immediate safety in a public place on a regular phone, so he'll be easier to hear. | ||
| He told a story the other night you might not have heard because it occurred late in the program. | ||
| It's a story virtually of a second Roswell that you may never have heard before. | ||
| There was so much interest the first time he told the story, and I mean from the highest level UFO researchers, that I thought before I turned his phone number, and he's authorized me to do that, over to them, that I would bring him on the air one more time and let him tell his incredible story. | ||
| And there are a couple of things we hadn't heard before. | ||
| We'll get to those. | ||
| This is about a crash retrieval with bodies in Germany, folks. | ||
| Serious story. | ||
| Also a very serious story. | ||
| We're following what's going on at the bottom of the world. | ||
| Now, the mainstream news tells me, I see AP, a rescue plane, completed the perilous first leg of flight home from the South Pole, carrying an ailing American doctor across Antarctica before landing at a base near the coast. |
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